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  • Facebook Announces FlickLaunch- the first social networking platform for Indie Films

    Reuters announced recently that horror/thriller “The Perfect House” will be the very first film to première on FlickLaunch, the first independent-movie distribution platform built on Facebook.

    The film, a hauntedhouse anthology that tells three separate stories using different horror-film techniques, will debut on FlickLaunch on Octover 1st as a seven-day, $5 rental accessible through its Facebook page.This news was announced on Friday by FlickLaunch and by the makers of “The Perfect House,” which stars Monique Parent, Felissa Rose and Will Robertson and is directed by Kris Hulbert and Randy Kent.

    FlickLaunch was designed to be a simple platform that independent filmmakers can use to upload and stream their films quickly and easily, receiving up to 70 per cent of the revenue. The films can be viewed full-screen directly on Facebook, and stopped, paused and resumed within the rental period.

    Warner Bros. recently expanded its Facebookbased streaming for major films like “The Dark Knight,” “Harry Potter” and the “Sorceror’s Stone” and “Inception,” but the FlickLaunch platform was aimed at indie filmmakers looking for alternative distribution avenues.

    “Currently, many independent films are not lucky enough to secure distribution from a major distributor and rarely have a meaningful marketing budget to reach a mass audience,” said FlickLaunch co-founder and CEO Craig Tanner in a release announcing the debut. “FlickLaunch provides an immediate solution to filmmakers for both of these issues.” Prior to the FlickLaunch debut, the cast and crew of The Perfect House will take the film on a 30-day tour around the country, which will be documented on its Facebook page and official website.

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  • REVIEW: “Another Earth” Is Otherworldly, Low-Key Perfection

    Actress-producer-co-writer of “Another Earth” Brit Marling lights up the screen in this truly wonderful, low-key “sci-fi romance,” which she co-wrote with director Mike Cahill. The film was one of the toasts of Sundance, and is an extremely low-budget mediation on destiny and the concept of “what if there were another YOU out there?”

    Marling plays Rhoda Williams, a bright, pretty seventeen-year old about to graduate high school, happily celebrating her acceptance into MIT’s astrophysics program. Driving home tipsy from the party, she learns via radio broadcast that “another earth” has just been discovered, an exact replica of our planet called “Earth 2.” As Rhoda looks up to dreamily gaze at the wondrous new planet, her world literally collides with a famous composer (William Mapother) and his family.

    Directed by Mike Cahill, this film, shot on such a small budget they actually had to steal one of the locations outside of a jail, is pretty remarkable in its originality and absolute clarity of vision. Marling is also tough and luminous, and William Mapother has that crinkly-eyed charm reminiscent of Dermot Mulroney (whom he resembles.) What Cahill manages to do with very limited (and inexpensive) visual effects, pitch perfect control on the film’s tone, and the actor’s performances is pretty extraordinary. He is certainly a director to watch. Vimooz recommends that you check out this film, which opened June 22nd. We loved it, and so will you…!

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  • SXSW Award Winning Film “Natural Selection” to open in theaters this fall

    [caption id="attachment_1543" align="alignnone" width="570"]Rachael Harris and Matt O’Leary in Natural Selection[/caption]

    The award winning film, “Natural Selection” from director Robbie Pickering, which premiered in competition at the 2011 SXSW Film Festival and went on to win seven awards, including the Grand Jury and Audience Awards for Best Narrative Feature, Breakthrough Performance for both Rachael Harris and Matt O’Leary, Best Screenplay, Best Editing and Best Score/Music, will open in theaters this fall.

    Natural Selection” was written and directed by Robbie Pickering, and in addition to Harris and O’Leary, the film stars Jon Gries (“Napoleon Dynamite” and “Real Genius”) and John Diehl (“Miami Vice” and “Stargate”).

    When a dutiful Texas housewife (Rachael Harris) discovers that her devout husband has suffered a stroke at a sperm bank where he’s been secretly donating for the past 25 years, she leaves her sheltered world and starts off on a comedic journey to find his eldest biological son (Matt O’Leary from “Brick” and “Frailty”), a mullet-headed, foul-mouthed ex-con. Along the way, Linda’s wonderfully bizarre relationship with Raymond will teach her more about herself than she ever imagined possible.

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  • Nancy Fishman Film Releasing to distribute Eve Annenberg’s “Romeo and Juliet in Yiddish”

    San Francisco Bay Area based distributor Nancy Fishman Film Releasing announced that it will release Eve Annenberg’s “Romeo and Juliet in Yiddish,” described as a gritty, funny New York drama about encounters between Satmar Hasid bad boys and the work of Shakespeare.  Directed and produced by Eve Annenberg, “Romeo and Juliet in Yiddish” will be released nationally to theaters through Nancy Fishman Film Releasing, and internationally to festivals and broadcasters.

    The play Romeo and Juliet has been translated around the world. Now Eve Annenberg’s quirky new feature film sets William Shakespeare’s Romeo and Juliet in contemporary New York City with Brooklyn-inflected English and Yiddish spoken by a talented cast. A jaded middle-aged E.R. nurse with a chip on her shoulder about the Ultra Orthodox is assigned a translation of “Romeo and Juliet”—from old Yiddish to new Yiddish—in her pursuit of a Master’s degree. In over her head, she accepts help from some charismatic and ethically challenged (a.k.a. scamming) young Ultra Orthodox dropouts. When another ex-Orthodox leaver enchants her apartment with Kabbalah magic that he is leaking due to over studying, the boys begin to live Shakespeare’s play in their heads, in a gauzy and beautiful alternate reality where everyone is Orthodox.

    In what might be the first Yiddish “mumblecore” film, Annenberg creates a magical universe (set in Williamsburg, Brooklyn), where Romeo and Juliet hail from divergent streams of ultra-Orthodox Judaism and speak their lines in street-smart Yiddish. The Bard may have never dreamed of the Montagues as Satmar Jews, but Annenberg’s fanciful direction makes the story of feuding Orthodox families both poignant and timeless. As they start to “modernize” and act in the archaic play, the young men fall under its rapturous incantation. Annenberg’s utterly enchanting meditation on life and love in New York yields a rapprochement between Secular and ultra Orthodox Worlds. “Romeo and Juliet in Yiddish” magically explores how everyone—from a jaded E.R. nurse to edgy black-hatted slackers—falls under the spell of love and Shakespeare.

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  • Indie film ‘Identical’ to premiere in NYC on Saturday

    Tomorrow, Saturday, July 23, 2011 is the East Coast premiere of the independent film Identical, starring Kelly Baugher, Jonathan Togo, Emily Foxler, Ed Asner, Aaron Refvem and Craigs Mums Grant.The premiere takes place at the Symphony Space in New York City.

    Adapted from “Memoirs of a Murder” by Daniel Bollag,who also co-directs the film with Seo Mutarevic, the film follows identical twin brothers who need each other to exist. After a passionate love triangle forms, when they fall in love with the same woman, secrets are revealed among murderous accounts.

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  • COMING SOON: Indie Comedy “My Best Day”

    The indie film, “My Best Day,” an ensemble comedy feature from director Erin Greenwell (“Big Dreams in Little Hope”) is currently filming in the Slate Belt in Pennsylvania. As reported by lehighvalleylive.com, the final product will feature Heard’s Meat Market in Bangor, the Portland baseball park, Jewell’s Service Station in East Bangor and other spots around the region as part of the same small town.

    The story line sounds hilarious, Karen’s life as a small town receptionist is turned upside down when the father she never knew calls for a refrigerator repair. Karen sets out to investigate, dragging along her friend Meagan posing as a mechanic.

    By the end of the day, Karen will also encounter her father’s closet lover, a compulsive sister addicted to off track betting, a brother struggling with grade school heart ache and bullies, a broken refrigerator and a load of fireworks.

    The cast includes some up and coming actors including Jo Armeniox, Ashlie Atkinson, Raúl Castillo, Harris Doran, Molly Lloyd, Kate McKinnon, Haley Murphy, Robert Salerno and Rachel Style.

    The filmmakers anticipate a 2012 festival run.

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  • Johnny Depp to star in Julian Schnabel’s “In The Hand of Dante”

    Leave it to Johnny Depp, he’s a very smary guy. Back in 2008, ne purchased the rights to Nick Tosche’s book “In The Hand of Dante,” which is about two intersecting stories based upon the legendary Italian writer Dante Alighiei’s masterwork, “The Divine Comedy.”

    Depp himself will play the Nick Tosches “surrogate” character, rumor has it, in the joint story line. The narrative will swings back and forth between modern-day New York City and 14th century Italy. Depp’s character will travel to Sicily, where many mysterious and dangerous shenanigans ensue. Schnabel and Depp? We here at Vimooz are definitely in.

     


     

     

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  • Second Annual Portland, Maine Film Festival Accepting Submissions

    Announcing its second exciting season, the Portland Maine Film Festival’s call for entries is now open. The PMFF invites international and local filmmakers to submit their films for consideration through August 29, 2011. The Festival, Oct. 6, 7, 8 and 9, 2011, will host four days of diverse film celebrations and screenings of work by independent-minded filmmakers and emerging cinema artists of Maine and across the globe.

    Details on how to apply may be found online at www.withoutabox.com and www.portlandmainefilmfestival.com.

    “Our mission this year is to promote and foster an appreciation of the film arts in our region with special, locally produced film screenings,” says festival founder Tyler Johnston. “We will feature some of today’s cutting-edge international cinema while placing a well-deserved spotlight on the creative filmmaking community here in Portland.”

    Joining PMFF this year is Corey Norman, professor in the Communications and New Media Department at Southern Maine Community College. Norman is a video producer and mentor to film students whose work has included nationally broadcast programming for the History Channel, Discovery Channel, National Geographic and PBS’s Nova among others.

    “I’m thrilled to play a big part in this year’s PMFF and delighted to announce a special youth produced screening that will celebrate emerging young talent,” Norman says. “Please join us for our second year and support the motion picture arts in Maine.”

    The PMFF is proud to showcase today’s most creative independent films in the categories of cutting-edge Narrative Features, Shorts, Documentaries, Experimental, Animation, and Student & Youth produced films. The festival honors each year’s winners with Audience Awards in categories of Best International Film, Best of the Fest Feature, Best of the Fest Documentary, Best Short Subject Narrative, Best Short Subject Documentary, Best One Minute Cell Phone Video, Best Music Video, Best Animated Film, Best Experimental Film, Best Student Film, Best Made in Maine Filmmaker, and Best Youth Produced Film (<18 years of age).

    About
    The Portland Maine Film Festival features contemporary, entertaining and informative movies, as well as, panel discussions and networking opportunities for local filmmakers.

    Thriving with contemporary art and a rich history, Portland, Maine is a creative hub. Featuring excellent food, a diverse and thriving art scene, exotic night life, and all the outdoor activities of Maine, this beautiful coastal city in the heart of Casco Bay is the perfect place to visit and experience a film festival.

    Announcements on jury members and festival updates to follow.

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  • Daniel Craig, Sci-Fis and thrillers abound at the upcoming Locarno Film Festival

    The Festival del film Locarno once again makes its presence felt as the essential rendez-vous for auteurs, observers and key players in world cinema.

    The Festival, faithful to its origins and resolutely looking forward, continues its adventurous course, always attentive to changes in cinematography and the emergence of new talent. It continues to strive to limit the number of films selected, in order to guarantee maximum visibility of those selected while offering a range of appealing and tempting views of world cinema, film production in all its forms and landmarks in film history. Nearly 180 feature films and documentaries, as well as a retrospective of Vincent Minnelli films will be screened over ten days.

    Those expected to attend this 64th edition include Claudia Cardinale, Harrison Ford, Leslie Caron, Ingrid Caven, Kabir Bedi, Guy Bedos, Abel Ferrara, Mike Medavoy, Bruno Ganz, Adoor Gopalakrishnan, Olivia Wilde, Claude Goretta, Hitoshi Matsumoto, Kati Outinen, Nicolas Winding Refn, Daniel Craig, Pierre Richard, Maribel Verdú, Anri Sala and Daniel Brühl…Olivier Père is the Artistic director. This is Switzerland’s most prestigious film festival. And it sounds pretty damn glamorous, too.

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  • Sundance Institute to Host a Week of Independent Film Producing Initiatives

    Nine Projects Selected for Creative Producing Labs and Fellowships

    Los Angeles, CA — Sundance Institute today announced the participants for its annual Creative Producing Labs and Creative Producing Summit, both held in the same week at the Sundance Resort in Sundance, Utah.

    Nine projects have been selected to participate in the Labs (July 18-22) and receive ongoing creative and strategic support throughout the year, as well as direct granting to further development and production. The Fellows represent five projects from the Feature Film Program and four from the Documentary Film Program.

    Immediately following the Labs, leaders in independent film and a wider group of Sundance Institute-supported projects will join the Fellows for the Creative Producing Summit (July 22-24).

    “The Sundance Institute Creative Producing initiatives are a unique combination of intensive focus on the producers’ individual projects and larger discussions with industry leaders about the state of the independent film community and where it’s headed,” said Keri Putnam, Executive Director of Sundance Institute. “These initiatives are an opportunity for producers to explore and develop their projects in a forward-thinking, supportive community. We thank the many experts that will participate.”

    FEATURE FILM CREATIVE PRODUCING LAB

    The Feature Film Creative Producing Lab is a five-day Lab where narrative feature film producers work with an accomplished group of Creative Advisors to develop their creative instincts, communication and problem-solving skills in all stages of film production. This year’s Creative Advisors include producers Paul Mezey (Cold Souls), Jay Van Hoy (Beginners), Alix Madigan (Winter’s Bone) and Amy Kaufman (Sin Nombre).

    The Fellows and projects selected for the Feature Film Creative Producing Fellowship are:

    Ad Inexplorata
    Producing Fellow: Danielle DiGiacomo
    Captain William D. Stanaforth is a NASA pilot alone on a one-way mission toward the unknown. (Writer/Director Mark Elijah Rosenberg)

    In the past decade, Danielle DiGiacomo has worked as the Community Manager at IFP and Head of Documentary Acquisitions at IndiePix Films, produced the first two Cinema Eye Honors for Nonfiction Film, and associate produced Jennifer Venditti’s Billy the Kid (Best Documentary Feature, Los Angeles Film Festival 2007 & SXSW 2007) and Samantha Buck’s 21 Below. In 2010, she produced three short films (two premiered at the 2011 Cannes’ Short Film Corner) and Associate Produced one feature, Andrew Semans’ Nancy Please. She is currently producing Chris Kelly’s documentary The Cause of Progress and Samantha Buck’s Best Kept Secret. (Mark Silverman Honoree)

    Ain’t Them Bodies Saints
    Producing Fellows: James M. Johnston & Toby Halbrooks
    Ain’t Them Bodies Saints tells the story of an outlaw who, in the 1970s, escapes from prison and sets out across the Texas countryside to reunite with his wife and the daughter he never met. Along the way, however, his past starts to catch up with him. (Writer/Director: David Lowery)

    James M. Johnston and Toby Halbrooks, collectively known as Sailor Bear, produced the award winning and critically acclaimed short film Pioneer.  Johnston also produced the feature films St. Nick and Carried Away, operates two successful vegan restaurants with his wife, and has directed and produced several short films of his own. Halbrooks came to film after touring the world for six years as a member of the rock group The Polyphonic Spree. He has been working in Dallas as a commercial producer/director for the last 6 years.

    The Maglev Story
    Producing Fellow:  Melissa Lee
    Actions speak louder than words in this offbeat romance set in Shanghai between a reclusive Japanese hikikomori (“shut-in”) boy and a broken-hearted Chinese girl. Well, at least this unlikely couple hopes so. (Writer/Director Anthony Ng)

    Melissa Lee graduated magna cum laude with a BA in Literature from Harvard University and received her MFA in Producing from USC. She has produced two feature films: Dear Lemon Lima, co-starring Academy Award winner, Melissa Leo, which was released theatrically earlier this year; and Circumstance, which premiered at the 2011 Sundance Film Festival, received the U.S. Dramatic Audience Award, and is being released theatrically in August 2011.  A Hong Kong native, Melissa splits her time between Los Angeles and China. (Steve Bing Fellow)

    One & Two
    Producing Fellow:  Kim Sherman
    Set at an isolated farmhouse, One & Two is a look at the bond between siblings in an abusive and neglectful home, told through a sci-fi lens. (Director Andrew Droz Palermo, Co-Writers Andrew Droz Palermo & Neima Shahdadi)

    Kim Sherman is a Missouri-based filmmaker and musician. Most recently, Sherman produced the feature A Horrible Way To Die from director Adam Wingard and Sun Don’t Shine from Amy Seimetz. Sherman has won numerous advertising awards for her directorial commercial work and produced a handful of daring and groundbreaking narrative shorts, including the experimental drama, A Face Fixed, by director Andrew Droz Palermo. Sherman serves as one half of the psych-folk duo, Jerusalem and the Starbaskets. Their latest full-length album, Dost, is out now on De Stijl Records.

    Sadie
    Producing Fellow: Lacey Leavitt
    A young girl living in a trailer park with her mother while her father serves repeated tours overseas resorts to inappropriate measures to preserve her family when a handsome and mysterious stranger threatens to tear it apart. (Writer/Director Megan Griffiths)

    Lacey Leavitt is a Seattle-based producer whose first two narrative features, The Off Hours (director Megan Griffiths) and The Catechism Cataclysm (director Todd Rohal), premiered at the 2011 Sundance Film Festival.  She also produced and co-directed the roller derby documentary Blood on the Flat Track (Strand Releasing) and produced Dan Brown’s award-winning short film Your Lucky Day, starring Rider Strong. She recently co-produced Safety Not Guaranteed, executive produced by Mark and Jay Duplass, and is in pre-production on Hayden Lake, the new feature directed by Ryan Page and Christopher Pomerenke (Blood Into Wine), which she is line producing. (Sheila C. Johnson Fellow)

    DOCUMENTARY FILM CREATIVE PRODUCING LAB

    Participants for the five-day Documentary Film Creative Producing Lab are selected from a pool of Sundance Institute Documentary Film Program grantees and invited to participate in one-on-one consultations, and presentations aimed at honing the craft of producing documentaries.

    Producers Bonni Cohen (Producer, The Island President) Ellen Schneider (Founder, Active Voice), Joslyn Barnes (Producer, Black Power Mixtape) and publicist Nancy Willen will serve as Creative Advisors at the Lab.

    The Fellows and projects selected for the Documentary Film Creative Producing Lab are:

    Ai Wei Wei: Never Sorry
    Producing Fellow: Alison Klayman
    Ai Weiwei: Never Sorry follows three tumultuous years in the life of Ai Weiwei, when he became a superstar of the art world, a “dissident” in the headlines, a first-time father, and an online god to tens of thousands of Chinese netizens. But can an artist change China?

    Alison Klayman is a freelance journalist and documentary filmmaker.  Living in China from 2006 to 2010, Klayman shot and produced radio and television feature stories for programs. Ai Wei Wei: Never Sorry is her first feature documentary. Klayman speaks Mandarin Chinese and graduated from Brown University in 2006.

    Betting the Farm
    Producing Fellows: Cecily Pingree and Jason Mann
    In a desperate attempt to save their farms, a group of Maine farmers launch a new, organic milk company. Will their gamble rescue them – and with them an entire way of life – or will it leave them worse off than when they started?

    Cecily Pingree is an independent filmmaker who began her film work with Big Mouth Productions in New York. She has worked on stories ranging from the controversy surrounding media consolidation to rural health in Africa to fishing and farming issues in Maine.

    Jason Mann has worked as a cinematographer and editor on numerous documentary projects. Most recently, he collaborated with Cecily Pingree on Meet Your Farmer, a series of eight short films about Maine farmers.

    Cesar’s Last Fast
    Producing Fellow: Lisa Remington
    Cesar’s Last Fast is a multi-platform feature documentary film about the private sacrifice behind Cesar E. Chavez’s struggle for the humane treatment of farm workers, and the impact Chavez’s inspirational and complex legacy has on new generation of organizers fighting today.

    Lisa Remington is an independent documentary producer who recently teamed with Lawrence Bender (producer) and Lucy Walker (director) on Participant Media’s chilling nuclear weapons documentary Countdown to Zero. Lisa regularly consults with emerging and established filmmakers in early stage fundraising strategies to create actionable production plans and lives in Los Angeles.

    JR: Inside Out
    Producing Fellow: Alastair Siddons
    The French artist JR wins the TED Prize 2011. He gives his wish, and in turn, his art back to the people, and creates a global participatory art project called ‘Inside Out’. He becomes the ‘printer’ and invites people to stand up for what they care about through the power of their own image. From Tunisia to the Bronx, Lisbon to Iran, the film follows individuals and communities pasting their portraits in the streets. Now they don’t just see the art, they make it.

    Alastair Siddons is a London based film maker who has worked across a range of formats including documentary, drama and music video. His first feature was the large scale documentary Turn It Loose. The film followed six b-boys from very different corners of the globe preparing to battle in the world championships held in Soweto, South Africa. The film was produced by Partizan Films and picked up for international distribution by MK2.

    My Good Name is Stalin
    Producing Fellow: Kavita Pillay
    My Good Name Is Stalin is the story of two young men named Stalin and Lenin in Kerala, India – home to the world’s first democratically elected communist government – as they struggle to reconcile their shifting notions about communism and capitalism in the Age of Migration.

    Kavita Pillay is a Boston-based media consultant and film producer. My Good Name Is Stalin is her first feature-length documentary.

    CREATIVE PRODUCING SUMMIT

    The Creative Producing Summit is a three-day, invitation-only gathering that connects 40 independent filmmakers with 30 top independent film professionals including producers, agents, distributors, and other executives to build a dialogue on film producing and the state of independent film. Programmed events include case study sessions, panels, roundtable discussions, one-on-one meetings and pitching sessions. Panelists include Josh Braun (Submarine Entertainment), Victoria Cook (Frankfurt Kurnit Klein & Selz), Liesl Copland (William Morris Endeavor), Eric d’Arbeloff (Roadside Attractions), Marian Koltai-Levine (PMK*BNC), Alex Kruglov (Hulu.com), Tim League (Alamo Drafthouse), Susan Margolin (New Video), Celine Rattray (Maven Pictures), John Sloss (Cinetic Media), Dan Steinman (Creative Artists Agency), Ricky Strauss (Participant Media) and Nancy Utley (Fox Searchlight). For a full list of panelists visit http://www.sundance.org/programs/creative-producing-summit/.

    Sundance Institute receives major support for its Creative Producing Initiatives from B.Co., Cinereach Foundation, the Corporation for Public Broadcasting, The Charles Engelhard Foundation, the Ford Foundation, The Hollywood Foreign Press Association, Sheila C. Johnson, the Open Society Institute, SAGindie, the Skoll Foundation, and Sundial Pictures, LLC.

     

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  • Philippine Indie Film Director still drawing flak for comments that he hires theater actors because … you can pay them in cat food

    The Philippine Educational Theater Association (PETA) is demanding an apology from independent film director Rafael Santos after the comments he made last month in an interview with ANC’s “Cityscape.”

    In the interview, Santos reportedly said he usually gets theater actors because he “personally find[s] the theater actors are better to work with because they don’t complain.”

    “You can feed them Skyflakes 3 meals a day and pay them in cat food basically,” he said.

    “They’re never late. They cry when you want them to cry. ….. So that’s why I like working with theater people,” Santos added.

    Santos is the director of the short film “Samarito,” which is an entry in this year’s Cinemalaya Film Festival, and stars theater actors.

    Santos later apologized.

    “I am truly sorry for the things I said especially because it is not what I think about theater actors. They are the best to work with and they do it for the passion of art,” he said.

    Santos added that “the lesson here is awareness in what you will say because it can hurt.”

    In an official statement PETA said theater actors do not deserve what Santos has said and that they “must be given due respect.”

    PETA added that although they are aware that Santos already apologized to Cinemalaya about the incident, they still want “a public apology on television addressed directly to the theater community.”

     

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  • Great Date Movie! Delhi Belly-opening today

    “Delhi Belly” is the hilarious, raunchy and new Bollywood Movie from director Abhinay Deo, starring international dream guy Imran Khan, along with Vir Das and Kunaal Roy Kapur playing his hapless yet sweet roommates.

    In an almost old Hollywood twist of mistaken identity, and strange, missing bag of something mysterious (Drugs? Money? What?), “Delhi Belly” is really so much fun, like a sweeter, more Eastern version of a deft Judd Apatow film. This is also Bollywood-lite, low on the dance numbers and empty calories, and a great Western intro to the genre. Go, go, go! You and your Saturday night date will adore it. It has something for the girls and the guys, although it does get a bit audibly raunchy (the title is international slang for food poisoning.) Enjoy!

    Tashi, Arup and Nitin – flatmates, buddies and partners in crime. Tashi is to get married in a month but still doesn’t know if his fiancé is THE ONE! Arup can’t make up his mind who he wants to kill first – his girlfriend who has just dumped him or his stupid, annoying boss whose idea of creativity is sketching a smiling banana! And Nitin is about to discover that eating delicious tandoori chicken off a street vendor is going to give him the worst case of Delhi Belly he’s ever known! Three regular blokes, living the regular life EXCEPT for one small detail – they are on the hit list of one of the world’s deadliest crime syndicates. Will they be able to get away before the ‘s#!t hits the roof’ and it comes crashing down?

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