By Francesca McCaffery
With his latest film NYMPHOMANIAC, bad boy and cinematic provocateur Lars von Trier has found a way to communicate through film that is rarely felt, even in literature: Whether you agree with what is being portrayed onscreen, or not, you still have the feeling of being spoken to in the most profound of ways- both cerebrally and viscerally- the sheer ride that only the most dazzling, life-changing novel can offer.
NYMPHOMANIAC, VOL 1, is one of two films, (Vol 2 being released in the US in April ) both released in their uncut, European versions. The film stars Charlotte Gainsbourg as Joe, who meets lonely bachelor Seligman (Stellan Skarsgård) only after he finds her lying, curled up, bloody and beaten, in his courtyard as he goes out to get his daily cup of coffee and rugalach.