2013 Berlin International Film Festival Anounces Winners, Romanian Film Child's Pose Wins Golden Bear

2013 Berlin International Film Festival Anounces Winners, Romanian Film Child’s Pose Wins Golden Bear

Poziţia Copilului Child’s Pose by Călin Peter Netzer

The 63rd Berlin International Film Festival came to a close with the presentation of the awards.  The Romanian film Poziţia Copilului, (Child’s Pose) by Călin Peter Netzer took the top prize, GOLDEN BEAR for the Best Film. The Bosnian film Epizoda u životu berača željeza, (An Episode in the Life of an Iron Picker) by Danis Tanović was awarded the JURY GRAND PRIX (Silver Bear).

In Poziţia Copilului, (Child’s Pose), Călin Peter Netzer portrays a mother consumed by self-love in her struggle to save her lost son and her own, long since riven family, after he son is arrested. One cold evening in March, Barbu is tearing down the streets 50 kilometres per hour over the speed limit when he knocks down a child. The boy dies shortly after the accident. A prison sentence of between three and fifteen years awaits. High time for his mother, Cornelia, to intervene. A trained architect and member of Romania’s upper class, who graces her bookshelves with unread Herta Müller novels and is fond of flashing her purse full of credit cards, she commences her campaign to save her lethargic, languishing son. Bribes, she hopes, will persuade the witnesses to give false statements. Even the parents of the dead child might be appeased by some cash. In quasi-documentary style, the film meticulously reconstructs the events of one night and the days that follow, providing insights into the moral malaise of Romania’s bourgeoisie and throwing into sharp relief the state of societal institutions such as the police and the judiciary.

Danis Tanović weaves dramatic events, including economic hardship and fear of death into a wintery tale in Epizoda u životu berača željeza, (An Episode in the Life of an Iron Picker). Featuring a non-professional cast re-enacting an episode from their own lives contributes greatly to the film’s sense of authenticity and social realism. 

THE AWARDS OF THE 63rd BERLIN INTERNATIONAL FILM FESTIVAL

Baby Blues and Shopping Win Crystal Bear in Generation 14plus Sections at 2013 Berlin International Film Festival

Baby Blues and Shopping Win Crystal Bear in Generation 14plus Sections at 2013 Berlin International Film Festival

Baby Blues by Kasia Rosłaniec

Baby Blues by Kasia Rosłaniec, Poland 2012, was awarded the Crystal Bear for the Best Film by the the members of the Youth Jury in Generation 14plus at the 2013 Berlin International Film Festival.  The jury commented, “In this film we were completely unprepared for the extreme way the story unfolds. Its bold editing style, colorful cinematography and innovative direction gave the film great dynamism. The film showed us strong and complex characters who often behaved in contradictory ways. These teenagers seem to be unable to acknowledge their mistakes and take responsibility for them. They are caught between the desire for freedom and the duties of being a young parent.”

The members of the new International Jury Generation 14plus awarded The Grand Prix of the Generation 14plus International Jury for the best feature film, to Shopping by Mark Albiston, Louis Sutherland, New Zealand 2013. The Jury described the film as ” An extremely compelling first film with a fantastic lead actor. We loved watching him on screen and felt a deep empathy with him. Sharp editing, strong visual choices and a complex, painful and loving portrayal of family. We appreciated the specificity of the world you brought us into. Your dedication to your vision is palpable.”

Other winners (with Jury comments) include:

REVIEW: The Jeffrey Dahmer Files

REVIEW: The Jeffrey Dahmer Files

Hmmm. How can I start this review? Well, I have always been intrigued with the way people think and how it contributes to their actions, so naturally I would be curious with the way a serial killer thinks and looks – they all seem to have a certain look. Don’t they? So, when “The Jeffrey Dahmer Files” was put on my desk, I of course jumped at the opportunity to write this review and couldn’t wait to get home to watch the DVD.

REVIEW: Big Words

REVIEW: Big Words

 

BIG WORDS – 2012, Neil Drumming, USA, 97 min.

A tree grew in the Bronx, which branched out and transcended lines of color, lines of geographic limitation, and language barrier.

It’s branches as a collective spawn a culture;  root word, cult. The assembly of a devoted faithful. Its passionists, its offspring, its advocates, its lovers. The symbolism in Big Words is glaring. Satiable for the abstract thinkers, the descendants of poor righteous teachers, of B-Boys and Girls, Backpackers alike. The essence of hip hop and its impact on the lives of so many including Mr Big Words himself, James, is evident scripturally; figuratively, from something came something. Life, Art, Progress, Finance; unified by the culture stands so many, yet divided on principles. An ode to the hip hop of old. Refute it if you will, embrace if it you must. Hip Hop- the only thing that matters.

After Tiller, and Teacher from 2013 Sundance Fest Scheduled for Released This Year

After Tiller, and Teacher from 2013 Sundance Fest Scheduled for Released This Year

After Tiller

Oscilloscope Laboratories will release Martha Shane’s and Lana Wilson’s directorial debut After Tiller and Hannah Fidell’s feature directorial debut A Teacher. After Tiller premiered last month at the Sundance Film Festival and is scheduled to screen next at True/False Film Festival in Columbia, Missouri. A Teacher also premiered last month at the Sundance Film Festival and is headed to Austin next month where it will play South By Southwest

Azooma and Family Talk Take the Top Film Prizes at 2013 Beloit International Film Festival

Azooma and Family Talk Take the Top Film Prizes at 2013 Beloit International Film Festival

The 2013 BIFFYs were presented at the Launch Party kicking off the eighth annual Beloit International Film Festival which runs  February 14 through Sunday, February 17th, 2013 in Beloit, Janesville and Rockford, Wisconsin.

The top prize, the BIFFY for Best Feature Film, went to Azooma, a South Korean film. It is the story of a young mother who seeks revenge for the rape of her 10 year-old daughter. Disappointed by the indifference of the police, she decides to chase down the rapist herself. South Korean filmmaker Jiseung Lee was on hand to receive the award.

The BIFFY for Best Documentary went to Fambul Tok (Family Talk) which tells the story of healing in post-conflict Sierra Leone through intimate stories of perpetrators and victims in an unprecedented program of tradition-based truth-telling and forgiveness ceremonies. The award went to U.S. filmmakers Sara and Rory Kennedy.

Other prizes:

REVIEW: Sorting Out Heads: Barbering as a Profession of Identity in The Fade

REVIEW: Sorting Out Heads: Barbering as a Profession of Identity in The Fade

The Fade chronicles the lives of four Afro-American barbers in acutely different situations from Ghana to Jamaica, with London and New Jersey in-between. This documentary from Andy-Mundy Castle reveals an everyday profession as a conversation between identity, community, and commerce, all occurring in the barber’s chair, before a mirror reflecting the individuals involved. While one barber “sorts out the heads” of neighboring villagers in Ghana, supporting himself through skillful diligence, another travels wherever his services are needed in Jamaica, a third works in a local shop in London, gathering stories, gossip and street talk for his visual artwork, and the final, nicknamed ‘Hollywood,’ handles high profile clients such as Jay Sean. The clients of each barber have an individual sense of trust towards the men cutting their hair, a routine they consider even more personal than the way the hair grows.

“The fade” refers to a specific men’s haircut where the hair thins almost imperceptibly as the hairline reaches the neck. Castle’s documentary takes a commonplace profession and similarly blends it into a community of relationships, which reveal the social values of a race. Here, race means more than the constants between different Afro-American societies. Castle concentrates on the individualizations of different communities among Afro-Americans – from Ghana to Jamaica, with London and New Jersey in between. The barber from London expresses the sentiment that when he travels abroad for work, he feels dislocated. Is he English or African-American? Is this his home or someone else’s? Barbering relocates him, and Castle’s documentary uses a particular profession to relocate a race, reflecting many shades of culture in four barbers’ mirrors. 

Third New Voices in Black Cinema Film Festival Returns to Brooklyn Presidents Day Weekend

Third New Voices in Black Cinema Film Festival Returns to Brooklyn Presidents Day Weekend

The third annual New Voices in Black Cinema festival runs from Friday, February 15 – Monday, February 18, 2013.  The New Voices in Black Cinema festival reflects the wide spectrum of views and themes within the Black community from Brooklyn to Italy and beyond.  The four day film festival showcases 27 of the best in independent feature films, short films and documentaries from up and coming directors, producers, and talent throughout the Diaspora. All films will be shown at BAM (in the Peter Jay Sharp Building) located at 30 Lafayette Avenue, Brooklyn, NY 11217, which has been the festival’s home since its inception. 

The opening night film Big Words (2012, 97 min. – Friday, February 16) directed by journalist-turned-director Neil Drumming makes its New York premiere fresh off of its run at the 2013 Slamdance Film Festival.  This fresh comedic drama starring Dorian Missick (“Southland”, Two Weeks Notice), Gbenga Akinnagbe (“The Wire”) and Yaya Alafia (The Kids Are All Right) takes place in Brooklyn on the eve of President Barack Obama’s history-making 2008 election as three self-absorbed friends, once members of a promising hip-hop trio, cross paths once again and discover that despite dreams deferred and the extreme changes in their lives that some things never change.  

Academy Award Nominee War Witch Gets A Release Date

Academy Award Nominee War Witch Gets A Release Date

War Witch, the Academy Award nominee for Best Foreign Language Film and Film Independent Spirit Award nominee for Best International Film will open nationwide on VOD on February 26, 2013, and theatrically in New York on March 1st, 2013 at Angelika Theater and Lincoln Plaza.  Other US cities to follow.

Written and directed by Kim Nguyen, War Witch follows the story of Komona (Rachel Mwanza) who is only 12 years old when she is kidnapped by rebel soldiers and enslaved to a life of guerrilla warfare in the African jungle. Forced to commit unspeakable acts of brutality, she finds hope for survival in protective, ghost-like visions (inspiring a rebel chief to anoint her “War Witch”), and in a tender relationship with a fellow soldier named Magician (Serge Kanyinda). Together, they manage to escape the rebels’ clutches, and a normal life finally seems within reach. But after their freedom proves short-lived, Komona realizes she must find a way to bury the ghosts of her past.

Five Films Selected for Miami International Film Festival Miami Encuentros 2013

Five Films Selected for Miami International Film Festival Miami Encuentros 2013

 

Miami International Film Festival (MIFF) announced the five film selections for its VeoMiami industry initiative, the 10th MiamiEncuentros.

Miami Encuentros aims to facilitate and support the completion of Latin American and U.S. Hispanic feature film projects in post-production and propel them towards their debuts on the international stage, via a post-production prize of USD$10,000 for one winning project as selected by a jury of industry professionals.  

The five selected projects for Miami Encuentros 2013 are:

2013 Arlington International Film Festival Unveils 2013 Poster

2013 Arlington International Film Festival Unveils 2013 Poster

Marley Jurgensmeyer, a tenth-grade student at Arlington High School was declared the winner of the 2013 Arlington International Film Festival (AIFF)’s Poster Contest. “One of the things I learned last year is that I am not a fine artist, but there are many ways to communicate visually using clip art and typography. This year I was more aware of searching for the right images to represent both film and the international aspect of the world. I found […]

Big Sky Documentary Film Festival in downtown Missoula, Missouri Kicks Off On Friday

Big Sky Documentary Film Festival in downtown Missoula, Missouri Kicks Off On Friday

First Comes Love

The Big Sky Documentary Film Festival takes place February 15-24, 2013 at the Crystal Theatre and the historic Wilma Theatre in downtown Missoula, Missouri.

This year’s festival kicks off February 15 with a free screening of “First Comes Love” sponsored by HBO Documentary Films. Described as “A wry autobiographical story of a single woman choosing to have a baby on her own,” “First Comes Love” premiered at the 2012 Toronto International Film Festival.