The Rape of Recy Taylor[/caption]
Seven exclusive, first-run documentaries including The Rape of Recy Taylor, a film that exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story, have been acquired by Starz. The Rape of Recy Taylor will premiere on STARZ in July 2018.
Recently mentioned as “a name I know and I think you should know, too” by Oprah Winfrey during her acceptance speech for the Cecil B. DeMille Award for Lifetime Achievement at the 75th Golden Globes on January 7, 2018, Mrs. Recy Taylor was abducted and gang raped by six white men in Alabama in 1944. An epic story of black women who spoke up when danger was greatest, it was their noble efforts to take back their bodies that led to the Montgomery Bus Boycott and movements that followed.
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7 Documentaries incl. “The Rape of Recy Taylor” Acquired by Starz
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The Rape of Recy Taylor[/caption]
Seven exclusive, first-run documentaries including The Rape of Recy Taylor, a film that exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story, have been acquired by Starz. The Rape of Recy Taylor will premiere on STARZ in July 2018.
Recently mentioned as “a name I know and I think you should know, too” by Oprah Winfrey during her acceptance speech for the Cecil B. DeMille Award for Lifetime Achievement at the 75th Golden Globes on January 7, 2018, Mrs. Recy Taylor was abducted and gang raped by six white men in Alabama in 1944. An epic story of black women who spoke up when danger was greatest, it was their noble efforts to take back their bodies that led to the Montgomery Bus Boycott and movements that followed.
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WHEN GOD SLEEPS, Profile of Exiled Iranian Musician Shahin Najafji, Debuts on PBS Independent Lens | Trailer
Directed by Till Schauder, When God Sleeps is a rap-punk-rock documentary about Iranian musician Shahin Najafi, who is forced into hiding after hardline clerics issue a fatwa for his death, incensed by a rap song that focuses on the oppression of women and human rights abuses. Shahin’s frantic escape leads to an impossible romance with Leili Bazargan, granddaughter of the first prime minister of the Islamic Republic of Iran, who was handpicked for the job by none other than the late Ayatollah Khomeini. Risking his life every time he steps on a stage, Shahin refuses to stop performing as an act of resistance while living a modern day Romeo and Juliet romance. When God Sleeps premieres on Independent Lens on Monday, April 2, 2018, 10:00-11:30 PM ET (check local listings) on PBS.
In 2012, Najafi released a satirical rap song that triggered thousands to rally in a campaign for his assassination. Incensed by the song’s irreverent remarks about Ali al-Naghi, one of twelve imams revered by Shia Muslims, hardline clerics placed a $100,000 bounty on his head. “My songs didn’t make me famous,” said Shahin. “The fatwa did.”
German journalist Günter Wallraff, who gave refuge to Salman Rushdie after his death fatwa, offers shelter to Shahin too. Despite the threats against his life, Shahin insists on total freedom of expression. His stubborn refusal to back down in spite of death threats is reminiscent of a suicide mission, complicating long-term planning for his new romantic relationship. Ironically, his uncompromising stance is not unlike that of the religious hardliners who want him dead. Shahin sees it as his mission, indeed his life’s purpose, to stand up to oppressive religious leaders — even if he has to pay the ultimate price for it.
“Touching on hot topics like Islam, terrorism, protest, and the global refugee crisis, When God Sleeps checks off just about every newsworthy box as we immerse ourselves in the life of the ‘Salman Rushdie of Rap,’” said Lois Vossen, Independent Lens executive producer. “The human cost of resistance is at the core of this film, which explores nationalism and the growing hostility toward immigrants through the lens of a rebellious musician who occupies the complex role of both political activist and cultural bridge-builder.”
https://www.youtube.com/watch?v=sbk9nhUqmvs
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Interactive Web Documentary “LIFE UNDERGROUND” to Premiere at SXSW 2018 | Trailer
Powerful interactive web documentary, “LIFE UNDERGROUND,” created and directed by award winning filmmaker Hervé Cohen, in collaboration with installation artist and media designer Tonian Irving, will debut online March 13th as part of the 2018 SXSW Festival Arts Program. The innovative experience will be available for viewing at life-underground.com in conjunction with a full-scale immersive installation on four large screens that will run daily from March 9 through 15 in room 306 at the JW Marriott.
Life Underground is a constantly evolving, ever-growing testament to the power of personal stories to transcend barriers of race, gender, culture and religion. Filmed in 14 thriving subways around the world, including Los Angeles, Paris, Hong Kong, Berlin and Santiago, Life Underground asks viewers to stop and listen as passengers speak candidly of their hopes, dreams, triumphs and defeats.
Online, Life Underground can be easily navigated using a personal electronic device, allowing viewers to experience as many stories as they desire, as well as to travel inside various train cabins and explore the landscapes of subways on an interactive map.
“This interactive documentary, where metros of the world join to form a unique worldwide underground line, is a platform to explore and instigate a conversation beyond language and cultural difference, while breaking the boundaries that divide us,” said Cohen.
The art installation, which made its world premiere at Los Angeles’ Union Station last January 30th through February 5th, is composed of a series of screens mounted at various angles in order to create the illusion of a staggered, illuminated passageway. Each screen runs a 35-minute loop of original footage, with audio tracks split and distributed separately to dedicated speakers throughout the space. Its sonic companion is an experimental score of music, from composer Brian Rodvien, created using raw sounds of multiple subways, which can be accessed individually on Soundcloud.
The installation allows for different levels of engagement with multiple screens, and will expand with time as Hervé continues to explore the subterranean passageways of the planet in search of the stories that make it move.
To date, 40 intimate stories can be accessed by clicking on the image of a silent individual as they ride a train. Viewers never see the person speak since their vocals were recorded separately. Instead, audiences are invited to watch, as if they were observing a fellow passenger with the added gift of hearing a thoughtful inner monologue.
Pilar in Madrid talks about the challenges of going blind later in life; while Stefanella in Berlin opens up about wanting to become a transgender performer; and Ibra in Brussels reveals the pain of being treated cruelly as an immigrant from Senegal and his dream of one day returning to his native land.
These stories serve as the connective tissue of a global journey composed of the rich sights and sounds of the world’s subways, filmed using a deeply human gaze that captures the depth of quiet moments as readily as it does the excitement of urban bustle. The full installation serves as a time capsule of life in the world’s great cities, speaking to salient themes of diversity, inclusion, classism, urbanization and social welfare.
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SXSW 2018: See New Poster + Trailer for AI Documentary “More Human Than Human”
Check out the new poster and trailer for More Human Than Human, the fascinating new documentary directed by Tommy Pallotta and Femke Wolting that delves into the increasing presence of Artificial Intelligence in our daily lives, and the existential questions it raises for humanity.
More Human Than Human premieres this Saturday March 10th, in the VISIONS section at SXSW 2018.
In this personal, playful and at times dramatic quest, filmmaker Tommy Pallota explores how much of his creativity and human values are at stake as he builds his own robot to replace himself as a filmmaker. The complexity of tasks that smart machines can perform is increasing at an exponential rate. Where will this ultimately take us? If a robot can learn to fold a towel on its own, will it someday be able to cook you dinner, perform surgery, and even conduct a war? This film instigates this debate between futurists and skeptics, about the potential of Artificial Intelligence. The filmmakers take us on a quest of understanding these innovations, opposing views and challenging our aspirations for the future of man and machine.
OFFICIAL SELECTION- SXSW 2018- VISIONS
MORE HUMAN THAN HUMAN
Directed By Tommy Pallotta & Femke Wolting
TRT: 78 min in English
Screening Times
Saturday, March 10 – 1:45 PM – Vimeo Theater
Monday, March 12 – 4:00 PM – Alamo Lamar D
Thursday, March 15 – 6:00 PM – Alamo Lamar A
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French Filmmaker Bertrand Bonello to Chair Cinéfondation and Short Films Jury for Cannes Film Festival
French filmmaker Bertrand Bonello will chair the Cinéfondation and Short Films Jury of the 71st edition of the Festival de Cannes taking place May 8 to 19, 2018. Bonello will succeed Romanian director Cristian Mungiu.
From his very first film (Something Organic, 1998) to Nocturama (2016), Bertrand Bonello has occupied a unique place in the cinematographic landscape. His filmography includes seven feature films and eight short films, all of them highly distinctive. Since 2003, his films have been screened in Competition at the Festival de Cannes: Tiresia (2003), House of Tolerance (2011) and Saint Laurent (2014).
Whether in his portrait of a Brazilian transsexual, the refined but frosty everyday life of a brothel at the close of the nineteenth century, or a virtuoso biopic about creation and the pain it causes, sexual identity and the relationship to the body haunt his work. In his exploration of the troubled margins of our thoughts and desires, Bertrand Bonello ceaselessly questions the boundaries of reality.
Trained as a classical musician, this self-taught artisan works in music and cinema, sound and images, writes the script and composes the music for all his films. His critically acclaimed works reveal an acute mastery of audacity and aesthetics. Preferring perception over traditional narrative, long shots that emphasise the sensoriality of imagery, his worlds conjure up visual and sound experiences that break free of all limits. An admirer of Bresson, Pasolini and Jarmusch, fan of the Godfather and eXistenZ, Bonello seems to gravitate instinctively towards recurrent obsessions.
Bertrand Bonello: “What do we expect from young people, unknown filmmakers and early films? Let them shake us up, let them make us look at what we’re unable to see, let them enjoy the freedom, the sharpness, the recklessness and the daring that we sometimes no longer possess. The Cinéfondation has been working for 20 years to make these voices heard and I’m extremely proud this year to be able to accompany them.”
For his part, Gilles Jacob says of Bonello: “This year will be presided by one of the greatest contemporary directors, an iconoclastic and unique artist. And besides his art, his genuine humanity continues to shine to this day.”
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SXSW 2018: Kino Lorber to Release New 4K Restoration of “The Atomic Cafe”
The new 4K IndieCollect restoration of The Atomic Cafe, supervised by filmmakers Kevin Rafferty, Jayne Loader and Pierce Rafferty that is set to premiere at the 2018 SXSW Film Festival in Austin, TX, on Saturday, March 10, 2018, has been acquired by Kino Lorber Repertory for release in the U.S. The newly-restored The Atomic Cafe will open in theaters nationwide during the summer––and receive a home media release during fall 2018.
Composed entirely of civil defense and propaganda films created by the U.S. military and other agencies, The Atomic Cafe exploded myths about nuclear weapons and landed the filmmakers on Late Night with David Letterman: see video below.
It created a sensation when it opened at the Film Forum in March 1982 and played around the country to capacity audiences, garnering extraordinary reviews, including from the New York Times, whose critic Vincent Canby called it “A stunner! Has one howling with laughter, horror and disbelief.”
With the White House hurling threats to use nuclear weapons, The Atomic Cafe is the perfect movie for our time––a darkly funny meditation on Armageddon. Using our government’s own films, it pulls back the curtain to expose how Americans were taught to “stop worrying and love the bomb.” A cute cartoon assures children that ducking under their desks will protect them from radiation. A U.S. Army officer asserts the atomic bomb is a beautiful sight “when viewed at a safe distance,” as we watch young soldiers running towards a mushroom cloud. With Cold War memes re-emerging in our public discourse, audiences will weep with laughter and pained recognition as they contemplate the deployment of “alternate facts,” then and now, to achieve a desired end.
“Kevin Rafferty, Jayne Loader and Pierce Rafferty have made a landmark film about the nuclear age that remains just as relevant and darkly comical today as it’s ever been,” wrote Kino Lorber CEO Richard Lorber. “We wish times were different. But at least we have The Atomic Cafe to expose the horrific prospect of the Armageddon with humor, style and historical perspective.”
“We’re delighted to be rereleasing the 4K digital restoration of The Atomic Cafe with Kino Lorber,” said filmmakers Kevin Rafferty, Jayne Loader and Pierce Rafferty. “Kino Lorber did an outstanding job distributing Kevin’s film Harvard Beats Yale 29 – 29 and we’re all looking forward to working with their dynamic team.”
The Atomic Cafe was deemed of such historic importance that it was named to the National Film Registry of the Library of Congress in 2016. This 4K digital restoration was created by IndieCollect, a New York-based non-profit organization that saves and restores American independent films so that they can be seen in state-of-the-art digital formats. Funding was provided by the National Film Preservation Board of the Library of Congress, administered through a grant from the Council on Library and Information Resources (CLIR).
About the filmmakers:
Kevin Rafferty: Kevin Rafferty began making movies as an undergraduate at Harvard in the late 1960s. His feature documentaries include Hurry Tomorrow, The Atomic Cafe, Blood in the Face, Feed, The Last Cigarette and Harvard Beats Yale 29-29. He has done commissioned films for television and contributed his camera work to such filmmakers as Michael Moore (Roger and Me) and Chris Hegedus and D.A. Pennebaker (The War Room). He wrote a book for Overlook Press based on his movie also entitled “Harvard Beats Yale 29-29.” Jayne Loader: Jayne Loader is the author of the novel “Between Pictures” and the short story collection “Wild America,” both published by Grove Press. She created the CD-ROM and website Public Shelter and WWWench, one of the first blogs, in 1995. In the 2000s, she and her husband, the astronomer Robert Kirshner, were the Masters of Quincy House at Harvard College. She lives in Portola Valley, California and Friendship, Maine. Pierce Rafferty: Following the release of The Atomic Cafe in 1982, Pierce Rafferty co-founded Petrified Films, an independent stock footage library located in the Meat Market District, New York City. From 1984 to 1994, Petrified’s holdings grew exponentially to include the stock footage libraries of Warner Bros. (pre-1951) and Columbia Pictures (pre-1965). In 1994, Petrified Films sold its collection of archival stock footage to Image Bank, a company later purchased by Getty Images. In 2002, Pierce moved to Fishers Island, NY, where he works as the director of the Henry L. Ferguson Museum.
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2018 Chattanooga Film Festival to Open with ROCK STEADY ROW and SUMMER OF ’84 | Trailers
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Caleb Emery, Cory Grüter-Andrew, Judah Lewis and Graham Verchere appear in Summer of ’84 by Francois Simard, Anouk Whissell and Yoann Whissell[/caption]
ROCK STEADY ROW and SUMMER OF ’84, have been selected as the opening night films of the 2018 Chattanooga Film Festival (CFF) slated for April 5 to 8, 2018. The festival will also screen the world premiere of the highly anticipated documentary LIFE AFTER FLASH.
LIFE AFTER FLASH is an inspiring and moving feature documentary that celebrates what makes that Mike Hodges enduring classic FLASH GORDON so iconic with audiences to this day. This film takes a looks at the real man behind the heroic mask, Sam J. Jones, including his successes, his battles, and his ultimate struggle for redemption. Director Lisa Downs, along with star Sam J. Jones and producer Ashley Pugh, will be in attendance for this once in a lifetime screening.
“The Chattanooga Film Festival has quickly grown over the last four years,” says festival executive director Chris Dortch. “Last year was our biggest, and for our fifth anniversary we weren’t going to settle for anything less than our best, most insane year yet.”
ROCK STEADY ROW | Director Trevor Stevens
Rock Steady Row centers around a young college freshman who, after his bike is stolen, lands on a college campus and is compelled to take action against the reigning fraternities and ultimately the dean.| Q&A with Trevor Stevens
https://www.youtube.com/watch?v=LJAEbawJZzg
SUMMER OF ’84 | Directors François Simard, Anouk Whissell, Yoann-Karl Whissell
After suspecting that their police officer neighbor is a serial killer, a group of teenage friends spend their summer spying on him and gathering evidence in, but as they get closer to discovering the truth, things get dangerous. | Q&A with François Simard, Anouk Whissell, Yoann-Karl Whissell
https://www.youtube.com/watch?v=6B46J7fY4PY
LIFE AFTER FLASH | Director Lisa Downs
*WORLD PREMIERE
LIFE AFTER FLASH explores the life of Sam J Jones since his iconic performance as ‘Flash Gordon’ in the 1980 classic of the same name, and the aftermath of the young stars’ clash with one of Hollywood’s biggest legends, producer Dino De Laurentiis. Q&A with star Sam J. Jones, Lisa Downs, and producer Ashley Pugh
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4 Netflix Films incl. “The Rachel Divide” to Premiere at 2018 Tribeca Film Festival | Trailer
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THE RACHEL DIVIDE[/caption]
Netflix has dropped the trailer for the “The Rachel Divide” – the documentary on delf-described “trans racial” activist Rachel Dolezal, which along with three other films will premiere at the 2018 Tribeca Film Festival. The films include the North American debuts of Cargo and Sunday’s Illness (aka La Enfermedad Del Domingo); and world premieres of documentaries The Rachel Divide and The Bleeding Edge.
Cargo (Netflix Launch: May 18, 2018)
Stranded in rural Australia in the aftermath of a violent pandemic, an infected father desperately seeks a new home for his infant child, and a means to protect her from his own changing nature. Directed by Ben Howling and Yolanda Ramke and written by Yolanda Ramke, Cargo boasts a top-line international cast including Martin Freeman, Anthony Hayes, Susie Porter, Caren Pistorius, Kris McQuade, Natasha Wanganeen and David Gulpilil. Cargo is produced by Samantha Jennings and Kristina Ceyton of Causeway Films (The Babadook). Russell Ackerman, John Schoenfelder and Mark Patterson also serve as producers.
Sunday’s Illness (aka La Enfermedad Del Domingo) (Netflix Launch: June 15, 2018)
In Sunday’s Illness (aka La Enfermedad Del Domingo), Anabel abandoned her daughter Chiara when she was barely eight years old. Thirty-five years later Chiara returns with a strange request for her mother; she asks to spend ten days together. Anabel sees this trip as a chance to get her daughter back, but she doesn’t know that Chiara has a hidden purpose and she’ll have to face the most important decision of her life. Written and Directed by Ramón Salazar, the film stars Bárbara Lennie and Susi Sánchez. Sunday’s Illness is produced by Francisco Ramos and executive produced by Rafael López Manzanara.
DOCUMENTARY FEATURES
The Rachel Divide (Netflix Launch: April 27, 2018) Self-described “trans racial” activist Rachel Dolezal ignited an unprecedented media storm when a local news station in Spokane, WA outed her as a white woman who had been living as the black president of the NAACP. Since the controversy erupted, director Laura Brownson and team exclusively filmed with Rachel, her sons and her adopted sister Esther, capturing the intimate, vérité life story of a damaged character who lands squarely in the cross-hairs of race and identity politics in America – and exploring how that character still provokes negative reactions from millions who see her as the ultimate example of white privilege. A Netflix original documentary, The Rachel Divide, is executive produced by Academy Award winner Roger Ross Williams. https://www.youtube.com/watch?v=gyhOTvC1v-A The Bleeding Edge (Netflix Launch: 2018) America has the most technologically advanced health care system in the world, yet medical interventions have become the third leading cause of death, and the overwhelming majority of high-risk implanted devices never require a single clinical trial. In The Bleeding Edge, Academy Award nominated filmmakers Kirby Dick and Amy Ziering (The Invisible War, The Hunting Ground) turn their sights on the $400 billion medical device industry, examining lax regulations, corporate cover-ups, and profit driven incentives that put patients at risk daily. Weaving emotionally powerful stories of people whose lives have been irrevocably harmed, the film asks: what life-saving technologies may actually be killing us?
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SXSW 2018: Watch Trailer for “TAKE YOUR PILLS” Documentary on Rise in Adderall Prescriptions
Take Your Pills, directed by acclaimed documentarian Alison Klayman (Ai Weiwei: Never Sorry) and executive produced by Maria Shriver and Christina Schwarzenegger, explores the rise in popularity of prescription stimulants such as Adderall in today’s do-more-better-faster world.
Take Your Pills will premiere at SXSW on Friday, March 9, and will launch globally on Netflix on Friday, March 16.
The pressure to achieve more, do more, and be more is part of being human – and in the age of Adderall and Ritalin, achieving that can be as close as the local pharmacy. No longer just “a cure for excitable kids,” prescription stimulants are in college classrooms, on Wall Street, in Silicon Valley…any place “the need to succeed” slams into “not enough hours in the day.” But there are costs. In the insightful Netflix documentary Take Your Pills, award-winning documentarian Alison Klayman (Ai Weiwei: Never Sorry) focuses on the history, the facts, and the pervasiveness of cognitive-enhancement drugs in our amped-up era of late-stage-capitalism. Executive produced by Maria Shriver and Christina Schwarzenegger, Take Your Pills examines what some view as a brave new world of limitless possibilities, and others see as a sped-up ride down a synaptic slippery slope, as these pills have become the defining drug of a generation.
https://www.youtube.com/watch?v=X6Xebo1pngM
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Showtime Documentary Series “THE FOURTH ESTATE” to World Premiere as Closing Night Film of Tribeca Film Festival
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The Fourth Estate[/caption]
The new Showtime original documentary series, The Fourth Estate, directed by award-winning filmmaker Liz Garbus (What Happened, Miss Simone?), will have its world premiere as the closing night film of the prestigious 2018 Tribeca Film Festival.
In these times when journalism is being questioned and attacked as “fake news,” Garbus turns her lens on The New York Times in The Fourth Estate, revealing the challenges, triumphs and pitfalls of covering a president who has declared the majority of the nation’s major news outlets “the enemy of the people.” Embedded for the past year with The Times and granted unprecedented access and interviews with editors and reporters on the front lines, the docuseries presents a groundbreaking portrait of the men and women who are fighting for freedom of the press. Viewers will witness the inner workings of journalism and investigative reporting during this administration’s first history-making year.
Following the screening on Saturday, April 28, Tribeca Film Festival will host a panel discussion with some of the subjects of the documentary including The New York Times executive editor Dean Baquet, Washington bureau chief Elisabeth Bumiller, White House correspondent Maggie Haberman, Washington investigative correspondent Mark Mazzetti and Garbus.
The Fourth Estate will premiere on Showtime, on Sunday, May 27 at 8 p.m. ET/PT.
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RBG, Supreme Court Justice Ruth Bader Ginsburg Docu to Open 2018 Minneapolis St. Paul International Film Festival | Trailer
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Ruth Bader Ginsburg in RBG by Betsy West and Julie Cohen[/caption]
RBG, the acclaimed documentary celebrating the life and lasting influence of Supreme Court Justice Ruth Bader Ginsburg will be the opening night film of the 37th Minneapolis St. Paul International Film Festival.
Charting Ruth Bader Ginsburg’s life through growing up in Brooklyn, RBG shows Ginsburg pursuing her education, falling in love, her friendship with the late Justice Antonin Scalia and eventual appointment as Justice of the Supreme Court. A fighting force, Ginsburg’s determination throughout her life and career has earned her the title of “notorious” both in politics and the wider public discourse. As a history-making public figure, Ginsburg has become “notorious” through her championing of women, her ever-persistent work ethic, and her commitment to democracy. Program: Special Presentation, Women & Film. Directed by Julie Cohen, Betsy West. USA. 2018. English. 97 min. Documentary Feature.
https://www.youtube.com/watch?v=biIRlcQqmOc
In addition to the the opening night film, the festival selected the Women & Film and Spotlight on the World: Chasms and Bridges titles.
WOMEN & FILM
MSPIFF’s showcase female directors from around the globe and a short list of this year’s many titles includes: Sofia Djama’s The Blessed (from Algeria), Vivian Qu’s Angels Wear White (China) and Rungano Nyoni’s I Am Not A Witch (Zambia). THE BLESSED (LES BIENHEUREUX) In postwar Algiers, Amal and Samir are a middle-aged couple hoping to celebrate their twentieth wedding anniversary. Drifting through their day, they eventually find themselves at a restaurant. Here, they confront their differences and disillusionment, threaded with the unsettled atmosphere of postwar society. Outside, their teenaged son Fahim and his friends, Feriel and Reda, spend their day on the streets of Algiers. They too reveal ideological differences among them, their banter soon leading to the reveal of hidden wounds left by the Algerian Civil War that shaped their current world. Program: Images of Africa, Women & Film. Directed by Sofia Djama. Algeria, Belgium, France. 2018. Arabic, French w/English subtitles. 102 min. Narrative Feature. ANGELS WEAR WHITE (JIA NIAN HUA) Xiaomi, a motel cleaner, watches as a district-commissioner checks in alongside two girls, Xiaowen and Xin Xin. On the surveillance monitor, Xiaomi sees the commissioner push his way into the girls’ room, and she decides to record the event with her smartphone. In the wake of the assault, Xiaomi’s story does little good for the girls as they face their unconcerned families and a society that would rather put the blame on them than offend their attacker. Program: Asian Frontiers, Women & Film. Directed by Vivian Qu. China, France. 2018. Chinese (Mandarin) w/English subtitles. 107 min. Narrative Feature. I AM NOT A WITCH Shula is young woman accused by an older woman of being a witch. Adorned with a spindle to “tether” her to the ground and carted off to a camp for witches that bares little difference to your standard zoo, Shula is then forced to perform her “magic” for a corrupt official. Rungano Nyoni’s debut feature-film renders Shula’s journey by exploring themes of femininity, superstition and acceptance, while also keeping Shula herself a mystery to all the spectators that attempt to control her world. Program: Images of Africa, Women & Film. Directed by Rungano Nyoni. Zambia, UK, France. 2017. English. 90 min. Narrative Feature.CHASMS AND BRIDGES: CINEMA AND THE SEARCH FOR COMMON GROUND
The 2018 MSPIFF Spotlight on the World is Chasms and Bridges: Cinema and the Search for Common Ground. Tackling the lines that divide us and the dramatic potential for reconciliation and compassion, this special series of titles and related panel discussions and workshops, are designed to open up conversations on the social and ideological divides and shifting social order shaping our world today. Such stories can be found in fiction: A Syrian outsider finds both love and bigotry in Finland (A Moment in the Reeds); a powerful business woman comes face-to-face with the glass ceiling (Number One) ; upper and middle classes collide in Iran as a minor accident turns into major tragedy (No Date, No Signature). And non-fiction: Delve into the day-to-day life of radical Islamist family (Of Father and Sons); see the 2016 US election from the Russian perspective (Our New President); take a frustrating look at the corruption inside the NYPD (Crime + Punishment). A MOMENT IN THE REEDS (TÄMÄ HETKI KAISLIKOSSA) After moving to Paris for university, handsome literature student Leevi returns to his native Finland for the summer to help his estranged father renovate the family lake house so it can be sold. Tareq, a recent asylum seeker from Syria, has been hired to help with the work, and when Leevi’s father has to return to town on business, the two young men establish a connection and spend a few days discovering one another during the Finnish midsummer. Program: Midnight Sun, LGBTQ Currents, Spotlight. Directed by Mikko Makela. Finland, UK. 2017. English, Finnish w/English subtitles. 108 min. Narrative Feature. NUMBER ONE (NUMÉRO UNE) When Emmanuelle, an executive in a French energy firm, reaches the glass ceiling, but refuses to recognize her limited options. For years she has refused to acknowledge the sexism inherent in her workplace, but when chauvinistic male colleagues work to undermine her rise in the ranks, Emmanuelle pulls out all the stops in an attempt to capture what is rightly hers. Program: World Cinema, Women & Film, Spotlight. Directed by Tonie Marshall. France. 2017. French w/English subtitles. 110 min. Narrative Feature. OF FATHERS AND SONS The roots of home run deep in Talal Derki’s latest eye-opening feature. Returning to his homeland of Syria, documentary filmmaker Derki encounters Abu Osama and his family. Masqurading as a jihadist sympathizer, Derki integrates himself into the household of Osama, an Al-Nusra Front member. Program: World Cinema, Spotlight. Directed by Talal Derki. Germany, Syria, Lebanon, Qatar. 2018. Arabic w/English subtitles. 99 min. Documentary Feature. OUR NEW PRESIDENT In this era of fake news v. real news, acclaimed documentarian Maxim Pozdorovkin has crafted a startling cine-essay, pulling together footage from the 2016 election from YouTube, Russian-government run RT, and other sources to dig deep into the propaganda machine that may ultimately have altered the U.S. Presidential election. Program: World Cinema, Spotlight. Directed by Maxim Pozdorovkin. Russia, USA. 2017. English, Russian w/English subtitles. 77 min. Documentary Feature. CRIME + PUNISHMENT Shocking and true, Crime + Punishment explores the internal corruption of the New York City Police Department and the undeniably racist system that has persisted well past early revelations. Back in 2013, a group of 12 police officers had dared to take the NYPD to court for the corruption, but the case’s federal hearing did not lead to reform. Cut to 2017, and director Stephen Maing reconnects with the police officers who first took a stand, to find them more determined than ever to speak out against the continued injustice. Program: New American Visions, Spotlight. Directed by Stephen Maing. USA. 2018. English. 112 min. Documentary Feature NO DATE, NO SIGNATURE (BEDOONE TARIKH, BEDOONE EMZA) While on his way home from work, forensics doctor Dr. Kaveh Nariman is nearly hit by a reckless driver and in the chaos hits a motorcycle carrying Moosa, Leila, and their children. Moosa and Leila are uninjured, along with their daughter, but their young son, Amir Ali, appears to have a concussion. Brushing off a hospital visit, Kaveh and the family go their separate ways, only for the latter to discover the next day that one of the incoming bodies at the morgue where he works is Amir. Fellow colleague Dr. Sayeh Behbahnani deduces that the boy’s death was due to botulism caused by eating cheap chicken, but Nariman remains convinced that it was the motorcycle accident that ultimately caused it. Program: World Cinema, Spotlight. Directed by Vahid Jalilvand. Iran. 2017. Farsi w/English subtitles. 100 min. Narrative Feature.
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2018 Full Frame Documentary Film Festival Announces Lineup – “306 Hollywood” “Boom for Real” and More…
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306 Hollywood by Elan Bogarín and Jonathan Bogarín[/caption]
The Full Frame Documentary Film Festival, today announced its lineup of features and short films. The 21st annual festival will take place April 5 to 8, 2018, in Durham, North Carolina.
The NEW DOCS program includes 42 titles – 32 features and 10 shorts – selected from nearly 1,800 submissions from around the globe. These films are eligible for the Full Frame Audience Award and are shortlisted for a variety of additional juried awards offering a combined value of $40,000 in cash prizes. Award winners will be announced at the annual Awards Barbecue on Sunday, April 8. The Invited Program includes 22 feature films screening out of competition.
Renowned filmmaker Joe Berlinger will curate the 2018 Thematic Program, and the festival will honor Jehane Noujaim’s illustrious body of work with the 2018 Tribute. Delving into the fascinating genre of true crime, the Thematic Program will feature films that follow individual cases and consider the ways documentary uniquely represents the complexities, and limitations, of the American judicial system. For the Tribute, Full Frame will showcase Noujaim’s lauded films exploring themes of resilience, freedom, democracy, and free speech.
NEW DOCS
306 Hollywood (Directors: Elan Bogarin, Jonathan Bogarin) When their beloved grandmother dies, two siblings embark on an imaginative exploration of her home, sifting through her belongings, and their own cherished memories, to discover her essence. América (Directors: Erick Stoll, Chase Whiteside) When their father is unexpectedly arrested, three brothers come together to care for their aging grandmother, América. This sensitive portrait delicately captures the frustrations and connections that evolve as they navigate her physical decline and their expectations of one another. The Area (Director: David Schalliol) Charismatic activist Deborah Payne tirelessly battles developers of a new multibillion-dollar freight yard that threatens to destroy Englewood, her neighborhood on Chicago’s South Side. World Premiere The Bastard (Director: Floris-Jan van Luyn) The Hoeks are united in name but severed by history: Ethiopian-born Daniel and his estranged Dutch father, Joop, each tell their story, but who can be trusted in this tangled tale of regret and misdeed? Bending Lines: The Sculpture of Robert Wiggs (Directors: Peter DeHart, Allison Bohl DeHart) Inspired by the geometry of nature—from the cracks in dried mud to the structure of pine cones to the scales on armadillos—Wiggs’s artistic process reveals the intriguing interplay between mathematics and art. World Premiere The Blessing (Directors: Hunter Robert Baker, Jordan Fein) In this stunningly and candidly shot film, Lawrence, a Navajo coal miner, wrestles with his relationship to land to which he is spiritually bound but employed to destroy, while his daughter, Caitlin, forms her own identity amid cultural pressures. World Premiere Cielo (Director: Alison McAlpine) Enter a wondrous exploration of the meeting of heaven and Earth in this dynamic exchange between humans and the starry skies of Chile’s Atacama Desert. Crime + Punishment (Director: Stephen Maing) This powerful film follows twelve brave whistleblowers who speak out against illegal policing quotas in the NYPD and the retaliation they experience after refusing to make arrests targeting minority populations. David. The Return to Land (David. El regreso a la tierra) (Director: Anaïs Huerta) Haitian, French, and adopted by Jewish parents, 34-year-old David embarks on a mission to better understand who he is in this beautifully nuanced observation of self-discovery. North American Premiere The Deminer (Director: Hogir Hirori; Co-director: Shinwar Kamal) After the fall of Saddam Hussein, Colonel Fakhir of the Iraqi army devotes his life to disarming landmines, with only a pocket knife and wire cutters, in this deeply suspenseful film that makes use of Fakhir’s own extensive video footage. North American Premiere A Friendship in Tow/Toe (Director: Atsushi Kuwayama) In the brief ascent up a flight of stairs, a pair of strangers find a rapport across languages and generations. From Parts Unknown (Director: Michael T. Workman) The poignant experience of a young man who determines an unlikely outlet for his pain and hardships: In local wrestling, he finds catharsis, community, and a sense of purpose. The Good Struggle (Director: Celia Peterson) Although few words are spoken between themselves, monks at a Greek Orthodox monastery in Lebanon provide voiceovers to their daily routines—their devout thoughts echo the beauty of their solitude. World Premiere Hale County This Morning, This Evening (Director: RaMell Ross) Observational and impressionistic, this poetic film is a humanist exploration of an Alabama community, where mostly black, working-class families live, work, dream, celebrate, and struggle together. I Am Bisha ( انا% ةش) ( Director: Roopa Gogineni) As an act of pure creative resilience, Ganja and his friends film a humorous and satirical web series, Bisha TV, starring puppets to combat the violent, genocidal regime of Sudanese president Omar al-Bashir. World Premiere Inventing Tomorrow (Director: Laura Nix) Six young scientists from around the globe compete in the largest international high school science fair—with their ingenious solutions to environmental problems, they don’t just aim to bring home the top prize, they hope to change the world. The Issue of Mr. O’Dell (Director: Rami Katz) The work of Jack O’Dell, who once worked alongside Martin Luther King, Jr., is revealed through a conversation with the 94-year-old activist, who delves into his historical involvement in the civil rights struggle as well as the movement’s contemporary incarnation under the stewardship of groups like Black Lives Matter. Lovers of the Night (Director: Anna Frances Ewert) Seven elderly monks at a Cistercian abbey in Ireland humorously muse on their spiritual experiences, way of life, and the inevitable end to it all. Maj Doris (Director: Jon Blåhed) Ever-able, 74-year-old Maj Doris Rimpi is a renowned Sámi artist who lives alone in Sweden and tends to her home and herd of reindeer, but after another long winter she wonders, is it time to consider a new way of life? North American Premiere The Mauritania Railway: Backbone of the Sahara (Director: MacGregor) In this expansive, gorgeously composed short, ride atop the railway car that serves as a 704- kilometer-long lifeline that supplies goods and iron ore to people in different cities in the Sahara Desert. World Premiere MELTING SOULS (NORILSK, L’étreinte de glace) (Director: François-Xavier Destors) This exquisitely photographed portrait documents a remote Arctic city centered around a metal refinery, where residents endure extreme, subzero temperatures to survive on the resource that lies beneath the tundra. North American Premiere Messenger on a White Horse (El mensajero) (Director: Jayson McNamara) This homage to the fearless investigative reporting of the Buenos Aires Herald during the disappearances and murders of Argentinians between 1976 and 1983, utilizes impeccable archival footage and testimonies from surviving members of the Mothers of the Plaza de Mayo as well as lead newspaper editor Robert Cox. North American Premiere Minding the Gap (Director: Bing Liu) Skateboarding and strained family relationships bond three friends together in this introspective saga about the journey from youth to adulthood. Las Nubes (Director: Juan Pablo González) As a father drives through an unidentified countryside, his car becomes a space for reflection as he recounts the impact of cartel violence on his home and family. Of Fathers and Sons (Director: Talal Derki) With rare and chilling insights, this film takes us into the lives of a Syrian family, led by an Al-Nusra fighter, where we observe how swiftly the innocence of childhood can fade. Our New President (Director: Maxim Pozdorovkin) By turns provocative, disorienting, and astonishing, this feature weaves clips from Russian state-owned news coverage of the 2016 U.S. presidential election to portray the perils of bias, conspiracy theories, and manufactured narratives. Owned: A Tale of Two Americas (Director: Giorgio Angelini) This energetic film unpacks the complex history of home ownership in America to reveal the postwar housing economy’s racist underpinnings—the creation of a large middle class simultaneous with the systematic defunding and segregating of communities. World Premiere PATRIMONIO (Directors: Lisa F. Jackson, Sarah Teale) When a multinational corporation attempts to covertly develop plans to build a resort on the fishermen’s coast in Todos Santos, Mexico, the locals unite for a momentous and riveting fight for their resources and their heritage—their patrimonio. North American Premiere Personal Truth (Director: Charlie Lyne) Spurred from the fake “Pizzagate” scandal, this frenetic and provocative observational film about the power of fake news suggests that conspiracy theories may be more believable than one might like to admit. The Providers (Directors: Laura Green, Anna Moot-Levin) The El Centro Family Health system in northern New Mexico covers 22,000 square miles and suffers from a chronic shortage of health care providers. This film follows three dedicated practitioners in their daily work and private lives. World Premiere The Pushouts (Directors: Katie Galloway, Dawn Valadez) This inspiring film follows the transformative work of Dr. Victor Rios, a former gang member and high school dropout, as he works to support students, through tools for selfreflection and expression, in an educational system that is failing to reach them. World Premiere Rebuilding in Miniature (Director: Veena Rao) In this short, miniaturist Ali Alamedy, an Iraqi refugee, painstakingly creates exquisitely detailed dioramas of places he’s never been in an attempt to heal his disrupted relationship to home. The Rescue List (Directors: Alyssa Fedele, Zachary Fink) In a Ghanaian safe house, a team works to rehabilitate two young men who were trafficked into slavery to fisherman on Lake Volta. As it moves from rescue operation to healing process, this riveting film follows the men through their recovery and reveals the extraordinary dedication of their rescuer. Shirkers (Director: Sandi Tan) A film lover’s dream quickly turns to nightmare: Sandi Tan recounts making her first film in Singapore in 1992 and how she loses everything when her mentor, Georges Carandos, steals the footage. This unique diary is a bright ode to cinema, and a moving story of friendship, betrayal, and failure. A Singular Garden (Um Jardim Singular) (Director: Monica Klemz) This experimental documentary blends old and new images of the garden next to the presidential palace in Rio de Janeiro and incorporates natural sound as a way to connect past and present. World Premiere Sky and Ground (Directors: Talya Tibbon, Joshua Bennett) Incorporating a refugee family’s own footage, Sky and Ground follows a Syrian-Kurdish refugee family as they flee from a holding camp at the Greece-Macedonia border and take their chances at reaching asylum by foot on a perilous one-way trip to Berlin. Tempting Promises (Le allettanti promesse) (Directors: Chiara Campara, Lorenzo Faggi) A small town tucked quietly away in the Italian Alps is chosen to host the 2016 Wikimania conference—an annual meeting of international Wikipedia contributors—and the townspeople unite to welcome the newcomers and the new technological age. North American Premiere This Is Home (Director: Alexandra Shiva) Through brilliant observational filmmaking, This Is Home tells the story of four Syrian families on the path to self-sufficiency, and success, in a resettlement program in Baltimore, Maryland. Three Identical Strangers (Director: Tim Wardle) A chance encounter leads three teenagers to discover that they are in fact triplets. Sharing this undeniable bond, they become fast friends and embark upon living their lives together, but the roots of their separation prove to be more sinister than they could have imagined. Thy Kingdom Come (Director: Eugene Richards) A priest bears witness to the personal stories of people in a mid-American town: Heartbreak, regret, faith, resignation all resonate profoundly in this succession of exquisitely photographed scenes of intimate communion. Time Trial (Director: Finlay Pretsell) Former doper and Tour de France champion David Millar is clean and ready to win the right way. This sensory ride travels alongside him for every breath, turn, and fall, through the thrills and hardships of professional cycling. The Unafraid (Directors: Anayansi Prado, Heather Courtney) The gripping and vital stories of three DACA students unfold as they work for immigrant rights, and the future of their families, after being banned from attending Georgia’s top universities or receiving in-state tuition. World PremiereInvited Program
12th and Clairmount (Director: Brian Kaufman) Contemporary interviews bring to life scenes from home movies, newsreels, and photographs of one of the most violent civil disturbances in U.S. history, the 1967 Detroit riot, when police brutality against African American citizens ignited a five-day standoff. Bisbee ’17 (Director: Robert Greene) In 1917, a strike in an Arizona mining town culminated in the exile of over a thousand immigrant workers. One hundred years later, a large-scale reenactment of the shocking events serves as a catalyst for remembrance and reflection. Boom for Real: The Late Teenage Years of Jean-Michel Basquiat (Director: Sara Driver) This portrait of the pop culture icon revisits the years before he took the art world by storm. Archival footage and intimate stories from a circle of friends, lovers, and neighbors recall both a singular talent and the New York City scene that influenced his career. Capturing the Flag (Director: Anne de Mare) During the 2016 U.S. presidential election, three friends travel to North Carolina to do voter protection work at the polls. This on-the-ground look at their efforts to help potential voters navigate the new laws and requirements that may prevent their vote reveals shocking accounts of voter suppression in play. World Premiere The Cleaners (Directors: Hans Block, Moritz Riesewieck) In the Philippines, a team of “cleaners” specialize in identifying and eliminating obscene content from the internet. Their personal accounts of the pressures and personal judgements inherent in their work give way to a broader examination of the global impact of manipulating content on social media. Dark Money (Director: Kimberly Reed) This modern-day political thriller follows investigative reporter John Adams into Montana’s fight against corrupt campaign financing, a struggle that could alter the devastating effects of unlimited anonymous funding on elections nationwide. Generation Wealth (Director: Lauren Greenfield) For 25 years, Lauren Greenfield has documented affluence around the world. In this fascinating overview of her immense body of work, the photographer reconnects with subjects of her images to consider their relationships to money, then and now, and her own fascination with the topic. Hal (Director: Amy Scott) Hal Ashby’s controversial films about race, sex, politics, and unconventional love made him a Hollywood rarity in the 1970s—a director who made films outside studio control. This loving remembrance by his peers celebrates the iconoclastic filmmaker. The Jazz Ambassadors (Director: Hugo Berkeley) During the Cold War, the U.S. government deployed some of its greatest jazz musicians around the world to promote democracy, even as many of them suffered Jim Crow racism in their own country. Rich archival material and powerful interviews delve into the deep conflict at the heart of the story. World Premiere The Judge (Director: Erika Cohn) Devoted to the law and unwilling to mince words, Kholoud Al-Faqih, the West Bank’s first female judge, navigates Palestine’s family court system, providing a rare glimpse into Islamic courts and gendered justice. Larger Than Life: The Kevyn Aucoin Story (Director: Tiffany Bartok) In the 1980s, Kevyn Aucoin redefined the role of the makeup artist. Home movies and recollections from family, friends, and an impressive roster of famous clients retrace his meteoric rise and his lasting impact. Love Means Zero (Director: Jason Kohn) Tennis coach Nick Bollettieri trained some of the sport’s greatest champions, but his volatility and harsh methods came at a price. Conversations between director and subject revisit moments of triumph and anguish, including Bollettieri’s infamous falling out with Andre Agassi. MAYNARD (Director: Sam Pollard) Interviews with family, friends, and political luminaries combine with archival footage and photographs in this captivating portrait of Maynard Jackson, Atlanta’s first black mayor, whose extraordinary influence spanned three terms in office. A Murder in Mansfield (Director: Barbara Kopple) Twelve-year old Collier Boyle’s testimony put his father in jail for the 1989 murder of his mother. Still imprisoned more than 25 years later, the father maintains his innocence, and Boyle returns to his Ohio hometown, in this sensitive examination of reconciling with the past. On Her Shoulders (Director: Alexandria Bombach) When ISIS devastates her Yazidi community, survivor Nadia Murad becomes the prevailing voice for her people. Following Murad as she recounts her harrowing experience time and again, this film intimately details the burden of imploring the world to intervene. The Price of Everything (Director: Nathaniel Kahn) Moving between auction houses, collectors, artists, and coveted works, this analysis of the art market questions how we determine value, the impact of purchasing art as a form of financial investment, and the cultural implications when pieces are only available to the highest bidder. RBG (Directors: Betsy West, Julie Cohen) This triumphant look at the life and career of Supreme Court Justice Ruth Bader Ginsburg revisits landmark cases and decisions, but also reveals the woman behind the robe and the personal experiences that continue to shape her legacy. The Rape of Recy Taylor (Director: Nancy Buirski) In 1944, Recy Taylor, a 24-year-old black woman, was abducted and raped by six white men in Alabama. The film centers on her unprecedented response—a fight for justice, with the aid of Rosa Parks and other black activists—whose profound influence on the civil rights movement still reverberates today. Rodents of Unusual Size (Directors: Quinn Costello, Chris Metzler, Jeff Springer) Kill them as invasive pests destroying coastal wetlands or keep them as part of the region’s culture? In this quirky account, citizens are divided on what to do about nutria, the giant 20-pound rodents with protruding orange teeth who have made southern Louisiana their home for decades. Solitary Land (Tierra Sola) (Director: Tiziana Panizza) This innovative meditation on Easter Island and its indigenous inhabitants uses historical and present-day footage to illustrate the legacy of colonial exploitation in one of the world’s most remote inhabited locales—a place of beauty, isolation, and tradition. North American Premiere Studio 54 (Director: Matt Tyrnauer) Rare footage transports us back in time and behind the velvet rope into the famed Manhattan disco, as a collection of insiders, including one of the co-founders, recall the rise and fall of the pioneering nightclub and iconic cultural landmark. Won’t You Be My Neighbor? (Director: Morgan Neville) Fred Rogers revolutionized children’s television. This remarkable portrait of the visionary behind Mr. Roger’s Neighborhood reveals the origins of the groundbreaking show, the ways it connected to current events, and its impact on the lives of children, and adults, across the country.FULL FRAME TRIBUTE Jehane Noujaim
Control Room (Director: Jehane Noujaim) It’s 2003, and the United States is on the brink of war with Iraq. Control Room follows journalists of the Al Jazeera satellite channel—broadcasting news to some 40 million Arab viewers—as they try to cut through American rhetoric and awaken the viewers to the realities on the ground. Rafea: Solar Mama (Director: Jehane Noujaim) In this resounding global testament to the power and necessity of equal access to education, Rafea attends Barefoot College in India to become a solar engineer, learning with other women from developing areas how to create sustainable futures for their hometowns. The Square (Director: Jehane Noujaim) After the 2011 Egyptian revolution in Tahrir Square, citizens realize that former president Mubarak’s corrupt regime is still in power; they return to the streets to bring an end to the government, combatting controlled international media coverage, enduring violence, and navigating fragile relationships. Startup.com (Directors: Chris Hegedus, Jehane Noujaim) In the late 1990s, two high school friends attempt to turn the spark of an idea into a multimillion-dollar company. But when passion leads to tension, and the dot-com rush gives way to the dot-com bust, will they be able to deliver on their dream?THEMATIC PROGRAM Crime and Punishment
Curated by Joe Berlinger Brother’s Keeper (Directors: Joe Berlinger, Bruce Sinofsky) A murder trial ignites the small farming community of Munnsville, New York, when Delbert Ward, an eccentric and uneducated man, confesses to suffocating his brother in the isolated home they shared with two other brothers. Was the killing an act of mercy? Was Delbert’s confession coerced? In Brother’s Keeper, a surprisingly complicated story emerges. The Farm: Angola, USA (Directors: Liz Garbus, Jonathan Stack) In The Farm, life at the Louisiana State Penitentiary in Angola, the largest maximumsecurity prison in the United States, is seen through the eyes of both its wardens and its prisoners—many of whom will die there—with disturbing parallels to plantation life. Gone: The Forgotten Women of Ohio (Director: Joe Berlinger) After numerous women go missing, leaving their families and local law-enforcement officers with more questions than answers, this stunning series investigates whether or not a serial killer is responsible. In Cold Blood (Director: Richard Brooks) Mixing elements of reality and fiction, In Cold Blood delves into the real-life murders of the Clutter family at the hands of Perry Smith and Dick Hickock in this scripted true-crime cinematic narrative based on Truman Capote’s novel. Paradise Lost: The Child Murders at Robin Hood Hills (Directors: Joe Berlinger, Bruce Sinofsky) When three young boys are brutally murdered, three teenagers are accused of committing the crime as part of a satanic ritual, and are convicted by their community before they even reach the courtroom. Paradise Lost is the first film of the groundbreaking trilogy that documented the case of the West Memphis Three. Scenes of a Crime (Directors: Grover Babcock, Blue Hadaegh) When a four-month-old boy dies, officers are convinced he was killed by his father, who after more than ten hours of questioning, confesses to the crime. Medical experts, police officers, and lawyers offer their opinions on this controversial admission of guilt, but the film’s focal point is the videotaped interrogation itself. The Thin Blue Line (Director: Errol Morris) A man is sent to prison for shooting a Dallas police officer. The documentary questions the veracity of the verdict through interviews with detectives, lawyers, and the alleged murderer, who all paint very different accounts of events, which are represented in stunning reenactments. Titicut Follies (Director: Frederick Wiseman) An intense, purely observational look at the stark conditions of inmate life in the 1960s at the Bridgewater State Hospital for the criminally insane in Massachusetts.
