A film still from Kuso by Steven Ellison.[/caption]
Flying Lotus’ psych-out nightmare Kuso which made a buzzy debut at the 2017 Sundance Film Festival, will open theatrically in New York and Los Angeles from July 21, and be available on Shudder.
Kuso marks the feature directorial debut from Steve, the filmmaking alter-ego of Steve Ellison, better known as music producer, DJ and rapper Flying Lotus. Ellison’s name has become synonymous with creative innovation, having released five seminal studio albums, a slew of audio-visual marvels and, in the process, gaining two Grammy nominations including one for his work on Kendrick Lamar’s To Pimp A Butterfly.
Broadcasting through a makeshift network of discarded televisions, Kuso depicts the aftermath of Los Angeles’s worst earthquake nightmare. Viewers travel between screens and aftershocks into the twisted lives of the survived, experiencing a hallucination that is Cronenberg meets Ren & Stimpy .
Using music, special effects and animation to take a unique look at the dark history of America, KUSO brings different characters and stories to the screen, and features a predominantly black cast. As an artist, renaissance man and auteur in the making, Steve’s work has been compared to the work of David Lynch and Matthew Barney.
The film features Hannibal Buress (NEIGHBORS, Broad City ), Anders Holm (Workaholics, The Mindy Project), Tim Heidecker (Tim and Eric Awesome Show, Eastbound and Down), and iconic Funk musician George Clinton, the film also includes an original score and musical collaborations with Aphex Twin and Akira Yamaoka.
https://www.youtube.com/watch?v=PDRYASntddo
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Flying Lotus’ Psychedelic Nightmare KUSO from 2017 Sundance to Open in Theaters on July 21 | Trailer
[caption id="attachment_19996" align="aligncenter" width="1200"] A film still from Kuso by Steven Ellison.[/caption]
Flying Lotus’ psych-out nightmare Kuso which made a buzzy debut at the 2017 Sundance Film Festival, will open theatrically in New York and Los Angeles from July 21, and be available on Shudder.
Kuso marks the feature directorial debut from Steve, the filmmaking alter-ego of Steve Ellison, better known as music producer, DJ and rapper Flying Lotus. Ellison’s name has become synonymous with creative innovation, having released five seminal studio albums, a slew of audio-visual marvels and, in the process, gaining two Grammy nominations including one for his work on Kendrick Lamar’s To Pimp A Butterfly.
Broadcasting through a makeshift network of discarded televisions, Kuso depicts the aftermath of Los Angeles’s worst earthquake nightmare. Viewers travel between screens and aftershocks into the twisted lives of the survived, experiencing a hallucination that is Cronenberg meets Ren & Stimpy .
Using music, special effects and animation to take a unique look at the dark history of America, KUSO brings different characters and stories to the screen, and features a predominantly black cast. As an artist, renaissance man and auteur in the making, Steve’s work has been compared to the work of David Lynch and Matthew Barney.
The film features Hannibal Buress (NEIGHBORS, Broad City ), Anders Holm (Workaholics, The Mindy Project), Tim Heidecker (Tim and Eric Awesome Show, Eastbound and Down), and iconic Funk musician George Clinton, the film also includes an original score and musical collaborations with Aphex Twin and Akira Yamaoka.
https://www.youtube.com/watch?v=PDRYASntddo
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AFI Celebrates 50th Anniversary Commencement with Honorees Carol Burnett, Marshall Herskovitz and Edward Zwick
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AFI 2017 Honorary Degree recipients Marshall Herskovitz, Carol Burnett and Edward Zwick[/caption]
The American Film Institute (AFI) held a historic AFI Conservatory Commencement at the TCL Chinese Theatre in Hollywood on Monday, June 5, 2017. The date of the event marked the 50th Anniversary of the Institute’s formation in 1967, with its honorees – the AFI Class of 2017, as well as Honorary Degree recipients Carol Burnett, Marshall Herskovitz (AFI Class of 1975) and Edward Zwick (AFI Class of 1975) – spanning the past, present and future of the art form.
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AFI Board of Directors Chair Robert A. Daly; President & CEO Bob Gazzale; President Emerita Jean Picker Firstenberg; Founding Director George Stevens, Jr.; Board of Trustees Chair Sir Howard Stringer[/caption]
In celebration of the Anniversary, AFI Founding Director George Stevens, Jr., joined AFI President Emerita Jean Picker Firstenberg and current AFI President and CEO Bob Gazzale — bringing together all three presidents from AFI’s history. Joining them and the AFI Class of 2017 were Sir Howard Stringer, AFI Board of Trustees Chair, and Robert A. Daly, AFI Board of Directors Chair.
“Fifty years ago, Gregory Peck and I announced the creation of the American Film Institute, with high aspiration and great hopes,” said Stevens. “Its mission was to advance and elevate the art of film, and one central idea was to create a Center for Advanced Film Studies [known today as the AFI Conservatory], a bridge for young people from learning to make films to becoming professional filmmakers. You, the graduates of 2017, are a fulfillment of that dream.”
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AFI Class of 2017[/caption]
The Commencement honorees — including this year’s AFI Conservatory graduates, the world’s newest filmmakers — underscored the spirit of the Anniversary, as 2017 also marks the 50th birthday of THE CAROL BURNETT SHOW, and Herskovitz and Zwick are both prominent alumni of the Conservatory. A Doctorate of Fine Arts honoris causa was conferred upon Burnett by special guest Kristin Chenoweth, and Doctorates of Communication Arts honoris causa were conferred upon Herskovitz and Zwick by Firstenberg. All three Honorary Degree recipients shared words of wisdom with the Class of 2017. Chenoweth sang a refrain from Burnett’s trademark closing song, “I’m So Glad We Had This Time Together.”
Burnett began her comments with her trademark “Tarzan yell” and urged Fellows to “make great art,” while adding, “Nothing is impossible if you believe hard enough, and you work hard enough.”
Herskovitz and Zwick shared anecdotes from their longtime creative collaboration, which began at the AFI Conservatory, and which Herskovitz described as “an extraordinary partnership — and the longest living partnership in Hollywood today.”
“Leaving here you are not alone,” said Zwick, stressing the uniquely collaborative nature of the Conservatory program. “Your classmates will be there to serve as a living reminder of who you are and what you dream of.”
As heard in remarks throughout the event, the AFI Conservatory program has a deep history of propelling alumni to success and acclaim — including, most recently, Patty Jenkins (AFI Class of 2000), whose WONDER WOMAN had the biggest box-office opening for a female director ever.
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Melbourne International Film Festival Reveals First Glance Selection, PATTI CAKE$, STEP, POP AYE and More
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Patti Cake$[/caption]
For its 66th edition, the Melbourne International Film Festival (MIFF) has revealed its First Glance selection of 30 films that will screen at this year’s festival from August 3 to 20, 2017, including the Australian premiere of Jane Campion’s much anticipated new television series Top of the Lake: China Girl.
Artistic Director Michelle Carey says, “We’re hoping that this sneak peek of the 2017 program gives you a taste of what’s to come. The calibre of films on offer this year is very impressive, from Australian stalwart Jane Campion’s Top of the Lake: China Girl to breakout hit Patti Cake$, MIFF brings you the story of the world through curated and unforgettable screen experiences.”
Straight from a standing ovation in Cannes, this special Australian premiere of the entire second season, directed by Jane Campion and MIFF Accelerator alumnus Ariel Kleiman from a script by Campion and Gerard Lee (My Mistress, MIFF 14), will show all six episodes in three concurrent two-hour sessions – a unique opportunity to see the series before its television premiere on BBC First on Foxtel. Top of the Lake: China Girl (Australia) is a crime mystery story that finds Detective Robin Griffin (Elisabeth Moss) recently returned to Sydney and trying to rebuild her life. When the body of an Asian girl washes up on Bondi Beach, there appears little hope of finding the killer, until Robin discovers ‘China Girl’ didn’t die alone. Also starring Nicole Kidman, Gwendoline Christie (Game of Thrones), David Dencik (Tinker Tailor Soldier Spy), Ewen Leslie (The Daughter) and Accelerator alumnus Alice Englert (The Boyfriend Game, MIFF 16).
Also hotting up the screen will be Australian premieres Golden Exits (USA), the latest film from Alex Ross Perry (Listen Up Phillip MIFF 14; Queen of Earth, MIFF 15), an unnerving ensemble drama shot on 16mm that boasts a star-studded cast led by Emily Browning, Chloë Sevigny, Jason Schwartzman with Beastie Boy Adam Horovitz and a moody score by Keegan De Witt; and The Lost City of Z (USA), James Gray’s (The Immigrant MIFF 14) sumptuous and poignant Amazon adventure based on real life explorer Percy Fawcett’s quest to find the fabled city of El Dorado, starring Charlie Hunnam, Sienna Miller, Robert Pattinson and featuring lush 35mm cinematography by Darius Khondji.
Leading Australian director Kriv Stenders (The Principal, MIFF 15; Red Dog MIFF 11) returns to MIFF with two productions: The Go-Betweens – Right Here (Australia), a documentary charting the four-decade long story of beloved indie rock band The Go-Betweens, in their own words and with never-before-seen archival footage; and Australia Day (Australia), an excoriating, illuminating take on our country’s most fraught debate, set over a pulse-racing 12 hours on 26 January with a powerhouse ensemble cast including Bryan Brown, Matthew Le Nevez, Sean Keenan, Shari Sebbens and Jenny Wu (who also features in Top of the Lake: China Girl).
Local comedies include Ali’s Wedding, based on the real-life experience of lead actor Osamah Sami’s ill-fated arranged marriage the absurd and poignant tale about family in multicultural Australia stars Don Hany with direction by Jeffrey Walker (Jack Irish: Bad Debts, MIFF 12), and That’s Not Me (Australia). Ali’s Wedding is a fast-paced comedy of very Muslim manners that shines with wit, humanity and crowd-pleasing charisma; while That’s Not Me is Gregory Erdstein’s (Two Devils, MIFF 14) charming feature debut about a young woman and aspiring actor who takes advantage of her identical twin sister’s success and fame, featuring an impressive performance by writer/star Alice Foulcher in dual roles.
In Mountain (Australia), Jennifer Peedom (Sherpa, MIFF 15) returns to the mountains that so captivate her in a unique cinematic and musical collaboration. Working with high-altitude cinematographer Renan Ozturk, bestselling author Robert Macfarlane (Mountains of the Mind) and the Australian Chamber Orchestra’s Richard Tognetti, Peedom has created a breathtaking cine-sonic journey through awe-inspiring vistas narrated by Willem Dafoe.
One of Australia’s most innovative filmmakers and MIFF regular Amiel Courtin-Wilson (Hail MIFF 11; Ruin, MIFF 13) captures two legends – free jazz pioneer Cecil Taylor and modern dance artist Min Tanaka – in an intimate performance piece like no other in The Silent Eye (Australia). Shot over three days in 2016 at Taylor’s New York home, the film captures these two masters riffing, offering the audience a glimpse of the creative process at its most sublime.
Master international filmmakers bring their works to the big screen at MIFF with Terrence Malick’s Song to Song (USA), a beautifully lensed love story set against the backdrop of the Austin music scene, with a luminous cast including Ryan Gosling, Rooney Mara, Michael Fassbender, Natalie Portman and Cate Blanchett; and Sally Potter’s (Ginger and Rosa, MIFF 12) caustic comic satire of a broken, post-Brexit England, The Party (UK), offering a masterclass of acting from a stellar ensemble headed by Kristin Scott Thomas, Patricia Clarkson and Timothy Spall, and filmed entirely in stunning black and white.
The director of A Bigger Splash, Luca Guadagnino, presents his most accomplished film yet: a passionate Italian summer romance headed by Armie Hammer and star on the rise Timothée Chalamet. Adapted from André Acimen’s novel with a script co-written by James Ivory, Call Me By Your Name (Italy) is a sensuous story of first love and the end of adolescence.
Turning galvanizing portraits of marginalized women into his own niche, Sebastián Lelio (Gloria, MIFF 13) returns with another beguiling character study, delivering a nuanced and moving account of a vital fight for love, acceptance, and respect that won both Best Screenplay and Best LGBT Film at Berlin. But A Fantastic Woman (Chile) belongs to its determined, defiant titular character and the stunning performance by transgender actress Daniela Vega, making one of the most memorable and formidable movie debuts in recent history.
Peter Mackie Burns’ nuanced debut feature Daphne (UK) is a character study about a dissatisfied young woman in present-day London – featuring a superb performance from Emily Beecham in title role – that balances complex comedy and disarming drama and offers a refreshing portrait of contemporary womanhood.
Music video director Geremy Jasper’s fabulous feature debut Patti Cake$ (USA), about an aspiring rapper, is a triumphant tale of how music can give a nobody a voice, which wowed critics and audiences alike at Sundance and Cannes. But the film belongs to Australian acting discovery Danielle McDonald, who was dubbed the breakout star of Sundance for her sensational performance as the New Jersey battler and hailed as the “Next Big Thing” by The Hollywood Reporter.
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Pop Aye – Kirsten Tan[/caption]
Another acclaimed feature debut is Kirsten Tan’s Pop Aye (Thailand), the warm and ever-so-strange tale of a Bangkok architect, his elephant and 300 miles of mid-life crisis, which won the Special Jury Award for Screenwriting at Sundance and the Big Screen Award at Rotterdam.
God’s Own Country (UK) was also a favorite at Berlin (Teddy Jury Award winner) and Sundance, where it won the World Cinema Dramatic Best Director Award and comparisons to Brokeback Mountain. Francis Lee’s emotionally rich feature debut captures the quiet yearning of forbidden romance with heated sex scenes and a documentary-like depiction of British rural life that subverts the familiar path taken by queer love stories.
The makers of Spring (MIFF 15) return with The Endless (USA), an engrossing high-concept horror centred on two brothers following their escape from a cult. Justin Benson and Aaron Moorhead write, direct and star in a film of creeping dead that is part horror, part science fiction, which skirts the supernatural and keeps the audience guessing until the very end.
With over 62,000 oil paintings and a cast including Chris O’Dowd and Saoirse Ronan, Oscar-winning filmmaker Hugh Welchman (Peter and the Wolf) and Polish painter Dorota Kobiela bring the story of Vincent Van Gogh’s last days to the screen in the world’s first feature-length painted animation, Loving Vincent (UK). Inspired by Van Gogh’s own words – “we cannot speak other than by our paintings” – and using an army of painters from across Europe, every single frame of the film is an oil painting (12 per second) and the result is a truly astonishing visual feast that demands to be seen on the biggest of screens.
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A still from STEP by Amanda Lipitz,.[/caption]
Winner of the Sundance Special Jury Prize for Inspirational Filmmaking, STEP (USA) charts the senior year of the Baltimore Leadership School for Young Women step-dance team as they chase dual dreams – to be state champions and to be the first in their families to go to college – against the backdrop of the #BlackLivesMatter movement. Fun and empowering, the film optimistically explores community, sisterhood and the realities of being black and female in contemporary America.
Another timely examination of race relations in America is Haitian auteur Raoul Peck’s (Fatal Assistance, MIFF 13) Oscar-nominated I Am Not Your Negro (USA): a stirring portrait of the writer, civil rights activist and queer icon James Baldwin and his lifelong fight against racial and sexual injustice, narrated by Samuel L. Jackson.
Award-winning filmmaker Matthew Heinemann’s (Cartel Land, MIFF 15) new film focuses on the anonymous activists of Raqqa is Being Slaughtered Silently in the heartland of ISIS’s self-declared caliphate. City of Ghosts (USA) is an urgent, deeply personal real-world thriller about the world’s most crucial fight against misinformation.
In 2012, Iraq veteran David Crowley posted a YouTube trailer for his planned libertarian opus, Gray State, warning of America’s looming Second Civil War. Three years on, the rising alt-right filmmaker, his Muslim wife and their daughter were found slaughtered, “Allahu Akbar” smeared on the walls in blood. A conspiracy or something even more horrific? Executive produced by Werner Herzog, Erik Nelson’s A Gray State (USA) is a riveting murder mystery, a political thriller and an unparalleled psychological profile of a mind descending into paranoia.
Jumping over to New Zealand, the program will feature Pecking Order (New Zealand), which follows the members of the 148-year-old Christchurch Poultry, Bantam and Pigeon Club as they prepare for the National Show. Their president has brought them championship glory over the years, but is now facing off against the next generation of poultry fanciers who seem determined to knock down this award-winning cock of the walk. This entertaining flockumentary uncovers a cutthroat world of passion, obsession, power struggles, and competition. It’s like a Kiwi Best in Show, only real … and with chooks!
Also from NZ, MIFF regular and Accelerator alumnus Florian Habicht (Pulp: A Film About Life, Death and Supermarkets MIFF 14; Love Story MIFF 12) welcomes you to Spookers (NZ), a former psychiatric hospital outside Auckland, where visitors gather to be petrified by killer clowns and zombies at the Southern Hemisphere’s largest ‘scream park’. Habicht reveals the personalities beneath the costumes, wigs and greasepaint with characteristic affection and humor in this funny, compelling documentary.
And the MIFF shorts program will deliver a string of highlights and award winners from the festival circuit including A Gentle Night (China), the Short Film Palme d’Or winner from the 2017 Cannes Film Festival by MIFF Accelerator alumnus Qiu Yang (The World, MIFF 14; Under the Sun, MIFF 2015); Small Town (Portugal), the dark, mysterious and beautiful coming-of-age story that took out the Golden Bear for Best Short at the 2017 Berlinale; DeKalb Elementary (USA), a tense drama, by filmmaker Reed Van Dyk (Nasty HardcoreXXX Amateur Couple, MIFF 14) based on the real 911-call during an incident at a school in Atlanta, Georgia that was the winner of the International Competition Grand Prix prize at the 2017 Clermont-Ferrand Film Festival; and The Hedonists (Hong Kong), the new comedy from 2013 festival guest Jia Zhang-ke (A Touch of Sin, MIFF 13) about a trio of unemployed laborers who find work in the most unlikely of places – a bizarre theme park.
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French Film FALSE CONFESSIONS Starring Isabelle Huppert Sets US Release Date | Trailer
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False Confession[/caption]
False Confessions, a film directed by Luc Bondy, starring Academy Award nominee Isabelle Huppert (Elle), and Louis Garrel (Mon Roi) will open in New York on July 14 at Lincoln Plaza Cinema and at Angelika Film Centerand; at the Laemmle Royal in LA on July 21. A national release will follow.
Luc Bondy’s final feature film as director draws talent from both stage and screen to bring Marivaux’s play into 21st century Paris. Bondy staged the play and directed the movie at the same time, using the same actors for both productions.
Isabelle Huppert commands the screen as Araminte, the wealthy widow who unwittingly hires the smitten Dorante (Garrel) as her accountant. Secrets and lies accumulate as Dorante and his accomplice, Araminte’s manservant Dubois (Yves Jacques), manipulate not only the good-hearted Araminte, but also her friend and confidante, Marton (Manon Combes). Dorante, by turns pitiable and proficient, but always deferential to his social better, walks a fine line in his quest to arouse an equal desire in the object of his affections. Bulle Ogier delivers a memorable turn as Araminte’s mother, who suspects the young man’s intentions, but wants to push her daughter into the arms of an aged, hard-up Count (Jean-Pierre Malo). Filmed in part on-site at the Théâtre de l’Odéon, the film blurs the distinction between stage and screen, offering a new turn on this classic take on the psychology of love.
After Luc Bondy’s death in 2015, his wife Marie-Louise Bischofberger contributed to the completion ofFalse Confessions to achieve her late husband’s vision for the film.
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2017 New York Asian Film Festival Unveils Lineup, BAD GENIUS, BIRDSHOT, THE VILLAINESS and More
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Bad Genius[/caption]
The 16th New York Asian Film Festival (NYAFF) will take place from June 30 to July 13 at the Film Society and July 14 to 16 at the SVA Theatre. North America’s leading festival of popular Asian cinema will showcase 57 feature films, including 3 International Premieres, 21 North American Premieres, 4 U.S. Premieres, and 15 films making their New York City debuts.
This year, all three of NYAFF’s Gala screenings are brilliant reinventions of the thriller genre. The Opening Gala will be the International Premiere of Nattawut Poonpiriya’s Bad Genius, the first Southeast Asian film to open the festival, with the director and stars in attendance. In this exhilarating high school thriller, straightA students Lynn (Chutimon Chuengcharoensukying) and Bank (Chanon Santinatornkul) stage a heist that will undermine the U.S. university entrance system after they lose their own scholarships. The Centerpiece Gala of the festival will be the North American Premiere of Mikhail Red’s Birdshot, a continuation of the festival programmers’ efforts to champion films from Southeast Asia, and the Philippines in particular. The Closing Gala is the U.S. Premiere of Jung Byunggil’s The Villainess, fresh from its Midnight screening in Cannes. The adrenaline soaked action film stars Kim Okvin as a ruthless female assassin trained in China who starts a new life with South Korea’s Intelligence Agency.
New to NYAFF in 2017 is the Main Competition section, featuring seven diverse works by first or second time directors that are all having their North American premieres at the festival. Competing are Bad Genius (Thailand), Birdshot (Philippines), A Double Life (Japan), The Gangster’s Daughter (Taiwan), Kfc (Vietnam), Jane (South Korea), and With Prisoners (Hong Kong). The competition jury will be announced at a later date, with winners revealed on the festival’s final night at Film Society of Lincoln Center on July 13.
More now than ever, Hong Kong cinema is at the core of the festival’s programming: faithful to its Chinatown origins, this year’s edition celebrates the best filmmaking from the Special Administrative Region with a central Hong Kong Panorama section, commemorating the 20th anniversary of its establishment, with major support from the Hong Kong Economic and Trade Office in New York. Over the past two decades, Hong Kong cinema has continuously influenced and inspired many filmmakers in Asia and in the world. This year’s lineup proves the originality and excellence of its production is intact: from a powerful condemnation of life inside the territory’s juvenile detention centers (With Prisoners), to a wartime epic about resistance heroes during the Japanese occupation (Our Time Will Come), to a tale of corruption and redemption set in the underbelly of 1960s Hong Kong (Dealer/Healer), the films bear testimony to the city’s rich cinema history.
The core of the panorama will be a special (and first of its kind) focus on the exciting new generation of directors, titled Young Blood Hong Kong. As part of the 20th anniversary, the festival is looking to the future of Hong Kong cinema, rather than its past: these recent Hong Kong directors are working in various genres, tackling a range of social issues, and paying homage to the film traditions they grew up with, from tenement dramas to vampire comedies. Meanwhile, NYAFF continues to bring established, major filmmakers from the region: Lawrence Lau, who, along with Ann Hui, is one of Hong Kong’s best neorealist directors, will be introducing his star studded crime action drama Dealer/Healer; the Panorama will spotlight the new generation from the region with guest filmmaker Wong Chun and screenwriter Florence Chan with Mad World, Derek Hui with This Is Not What I Expected, and Alan Lo with Zombiology: Enjoy Yourself Tonight. Other films by first time Hong Kong directors in this year’s lineup are Derek Tsang’s Soul Mate, Yan Pakwing and Chiu Sinhang’s Vampire Cleanup Department, and Andrew Wong’s With Prisoners.
The 2017 lineup also includes five LGBTQ themed films: two dramas with transsexual protagonists, Naoko Ogigami’s CloseKnit from Japan, and Cho Hyunhoon’s drama Jane from South Korea; two coming of age high school youth dramas, Ahn Jungmin’s Fantasy of the Girls from South Korea, and Leste Chen’s 2006 Eternal Summer from Taiwan, which merits a second look a decade on; and Lee Sangil’s wild and violent mystery thriller Rage, featuring Go Ayano (NYAFF 2016 Rising Star Asia awardee) as a homeless stranger invited into the home of a semi closeted salaryman (Satoshi Tsumabuki) as his live in lover.
Another highlight of this year’s festival are three films that celebrate Japan’s unique “Roman Porno” genre, each having their North American premieres: Aroused by Gymnopedies, Dawn of the Felines, and Wet Woman in the Wind. Nikkatsu, Japan’s oldest film studio, is celebrating 45 years since they birthed the soft core Roman Porno genre (roman derives from the French word for novel). Invented to save a dying industry, they gave carte blanche to directors with minimal rules: keep it under 80 minutes with a sex scene every ten. This allowed for wild stream of consciousness works of both the highest and lowest caliber. Now, Nikkatsu has enlisted top contemporary talent for the Roman Porno Reboot Project, taking the provocative, envelope pushing format to a whole new level.
In addition to the festival’s screenings, the NYAFF awards a number of honorees each year, including this year’s recipients:
The 2017 NYAFF Lifetime Achievement Award goes to veteran Hong Kong actor Tony Leung Kafai, who will attend a three film tribute, including Johnnie To’s Election, Longman Leung & Sunny Luk’s Cold War 2 and Tsui’s Hark’s The Taking of Tiger Mountain 3D. In a career spanning 35 years, Leung has worked with the iconic directors Li Hanhsiang, Wong Karwai, Stanley Kwan, and JeanJacques Annaud, and starred opposite the screen legends Jackie Chan, Leslie Cheung, Maggie Cheung, Andy Lau, Jet Li, and Fan Bingbing. Leung was arguably the first Hong Kong star to become an international heartthrob, in JeanJacques Annaud’s The Lover.
THe Star Asia Award recipient is Korean movie star Gang Dongwon, whose charisma and emotional investment in his performances gives his films a unique edge. His most iconic films include Lee Myungse’s Duelist, Park Jinpyo’s Voice of a Murderer, and Jang Hoon’s Secret Reunion. Last year, NYAFF presented two of his films, The Priests and A Violent Prosecutor, and in 2017, the festival will be joined by Gang to present a special screening of the magical fable Vanishing Time: A Boy Who Returned.
The Screen International Rising Star Asia Award will be given to Thailand’s Chutimon “Aokbab” Chuengcharoensukying. The 21 year old model, who is still a student at Bangkok’s Chulalongkorn University, found fame last year in Thank You for Sharing, an eight minute, viral short about cyberbullying. The NYAFF is opening with her feature debut, Bad Genius, in which she stars as a high school student who masterminds an ambitious heist of the American university entrance exam system. It’s a demanding role, in which her quick witted character must navigate a complex moral universe where parents and teachers don’t always know best.
FULL LINEUP (57)
Titles in bold are included in the Main CompetitionCHINA (6)
Battle of Memories (Leste Chen, 2017) Blood of Youth (Yang Shupeng, 2016) Duckweed (Han Han, 2017) Extraordinary Mission (Alan Mak & Anthony Pun, 2017) Someone to Talk to (Liu Yulin, 2016) Soul on a String (Zhang Yang, 2016)HONG KONG PANORAMA (11)
Cold War 2 (Longman Leung, Sunny Luk, 2016) Dealer/Healer (Lawrence Lau, 2017) Election (Johnnie To, 2005) Mad World (Wong Chun, 2016) Our Time Will Come (Ann Hui, 2017) Soul Mate (Derek Tsang, 2016) The Taking of Tiger Mountain (Tsui Hark, 2014) This Is Not What I Expected (Derek Hui, 2017) Vampire Cleanup Department (Yan Pakwing, Chiu Sinhang, 2017) With Prisoners (Andrew Wong, 2017) Zombiology: Enjoy Yourself Tonight (Alan Lo, 2017)JAPAN (15)
Aroused by Gymnopedies (Isao Yukisada, 2016) CloseKnit (Naoko Ogigami, 2017) Dawn of the Felines (Kazuya Shiraishi, 2016) Destruction Babies (Tetsuya Mariko, 2016) A Double Life (Yoshiyuki Kishi, 2016) Happiness (Sabu, 2016) Japanese Girls Never Die (Daigo Matsui, 2016) The Long Excuse (Miwa Nishikawa, 2016) Love and Other Cults (Eiji Uchida, 2017) The Mole Song: Hong Kong Capriccio (Takashi Miike, 2016) Rage (Lee Sangil, 2016) Suffering of Ninko (Norihiro Niwatsukino, 2016) Survival Family (Shinobu Yaguchi, 2017) Traces of Sin (Kei Ishikawa, 2016) Wet Woman in the Wind (Akihiro Shiota, 2016)SOUTH KOREA (11)
Fabricated City (Park Kwanghyun, 2017) Fantasy of the Girls (Ahn Jungmin, 2016) Jane (Cho Hyunhoon, 2016) Ordinary Person (Kim Bonghan, 2017) A Quiet Dream (Zhang Lu, 2016) A Single Rider (Lee Jooyoung, 2017) Split (Choi Kookhee, 2016) The Tooth and the Nail (Jung Sik, Kim Whee, 2017) The Truth Beneath (Lee Kyoungmi, 2016) Vanishing Time: A Boy Who Returned (Uhm Taehwa, 2016) The Villainess (Jung Byunggil, 2017)SOUTHEAST ASIA (6)
Bad Genius (Nattawut Poonpiriya, Thailand, 2017) Birdshot (Mikhail Red, Philippines, 2016) Kfc (Le Binh Giang, Vietnam, 2017) Mrs. K (Ho Yuhang, Malaysia, 2016) Saving Sally (Avid Liongoren, Philippines, 2016) Town in a Lake (Jet Leyco, Philippines, 2015)TAIWAN (6)
Eternal Summer (Leste Chen, 2006) The Gangster’s Daughter (Chen Meijuin, 2017) Godspeed (Chung Monghong, 2016) Mon Mon Mon Monsters (Giddens, 2017) The Road to Mandalay (Midi Z, 2016) The Village of No Return (Chen Yuhsun, 2017)DOCUMENTARIES (2)
Bamseom Pirates Seoul Inferno (Jung Yoonsuk, 2017) Mrs. B., A North Korean Woman (Jero Yun, 2016)
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Catya Plate Returns to 2017 Brooklyn Film Festival with World Premiere of MEETING MACGUFFIN | Trailer
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Meeting MacGuffin: An Animated Ecological Thriller[/caption]
Award winning Brooklyn filmmaker and artist Catya Plate, whose film “Hanging By A Thread” won the Spirit Award for Animation at the Brooklyn Film Festival in 2014, is back with the World Premiere of the stop motion animated film Meeting MacGuffin: An Animated Ecological Thriller at this year’s 20th Brooklyn Film Festival which runs from June 2 to 11, 2017.
“Meeting MacGuffin: An Animated Ecological Thriller” was successfully crowd funded via Hatchfund and features the remarkable voices of Hollywood celebrities Richard Horvitz and Misty Lee.
“Meeting MacGuffin” continues the tale which began in a post-apocalyptic future where humankind had fallen apart. A new breed of scientists, the Clothespin Freaks, had been reassembling human fragments to create an alternate form of humanity. Guided by LF, an animated sign, they travel with the nearly-finished new humans called Homeys, through underground caverns to complete their reconstitution and meet Gormal MacGuffin, a wise, blue-eyed groundhog climatologist with expertise in water renewal who prepares the Homeys for their mission to restore balance to decimated Earth.
Born in Barcelona, Spain, and raised in Germany, Catya completed her BFA at the Werkkunstschule, Köln, before coming to New York on a Fulbright Scholarship for post-graduate studies at School of Visual Arts. She has been exhibiting regularly and internationally since the mid-1980’s. Her work can be found in many public and private collections worldwide, including the Brooklyn Museum and the Museum of Modern Art Library in New York City. Articles and reviews of Plate’s films, exhibition and installation projects have appeared, among others, in Film Threat, The New York Times and The Independent.
Meeting MacGuffin: An Animated Ecological Thriller Screenings at Brooklyn Film Festival:
Monday, June 5th, 6:30pm, Syndicated Cinema, 40 Bogart St., Brooklyn, NY 11206
Saturday, June 10, 7pm, NY Media Center, 30 John St, Brooklyn, NY 11201
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RLJ Entertainment to Release Thriller THE LIMEHOUSE GOLEM Starring Olivia Cooke | Trailer
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The Limehouse Golem[/caption]
The thriller The Limehouse Golem directed by Juan Carlos Medina (Painless), that world premiered at the 2016 Toronto International Film Festival will be released in theaters and On Demand on September 8, by RLJ Entertainment.
Based on the novel “Dan Leno and the Limehouse Golem” by Peter Ackroyd, the film was written by the acclaimed writer Jane Goldman (Kingsmen, The Woman in Black), and stars Bill Nighy (Love Actually, Underworld), Olivia Cooke (Me and Earl and the Dying Girl, “Bates Motel”), Douglas Booth (Pride, Prejudice and Zombies, Noah), Daniel Mays (“Line of Duty”) and Eddie Marsan (Sherlock Homes, “Ray Donovan”).
The city of London is gripped with fear as a serial killer – dubbed The Limehouse Golem – is on the loose and leaving cryptic messages written in his victim’s blood. With few leads and increasing public pressure, Scotland Yard assigns the case to Inspector Kildare (Bill Nighy) – a seasoned detective with a troubled past and a sneaking SUSPICION he’s being set up to fail. Faced with a long list of suspects, including music hall star Dan Leno (Douglas Booth), Kildare must get help from a witness who has legal troubles of her own (Olivia Cooke), so he can stop the murders and bring the killer to justice.
https://www.youtube.com/watch?v=MCJp8-MebGY
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The LGBT Documentary THE LIFE AND DEATH OF MARSHA P JOHNSON to Debut on Netflix | Trailer
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THE DEATH AND LIFE OF MARSHA P. JOHNSON[/caption]
David France’s The Death and Life of Marsha P. Johnson, a deeply compelling look at the murder of a transgender legend, known as “the Rosa Parks of the LGBT movement” has been acquired by Netflix, for release later this year. The powerful, haunting film is France’s follow-up to his Academy Award(R) nominated How to Survive a Plague.
When Marsha P. Johnson, the beloved, self-described “street queen” of NYC’s gay ghetto, was found floating in the Hudson River in 1992, the NYPD refused to investigate. Instead, they chalked it up to suicide, a widely dismissed conclusion, and left the mystery to fester for decades. Having played a pivotal role in the Stonewall Riots of 1969, Marsha and fellow icon Sylvia Rivera went on to form the world’s first trans-rights organization, STAR (Street Transvestites Action Revolutionaries) in 1970. And despite their many challenges over the years – harassment, homelessness, alcoholism – Marsha and Sylvia ignited a powerful and lasting civil rights movement for gender nonconforming people.
Now, 25 years after her untimely death, at a time of unprecedented visibility for, and escalating violence against, the transgender community, veteran crime-victim advocate Victoria Cruz has taken it upon herself to reexamine what happened to Marsha and measure the challenges that still face the community. The film follows as this intrepid champion pursues leads, mobilizes officials, and raises troubling new questions about a famous cold case. Along the way she burnishes the political legacy of a celebrated historical figure.
“Almost single-handedly, Marsha P. Johnson and her best friend Sylvia Rivera touched off a revolution in the way we talk about gender today,” said David France. “Their names should be household words. But Marsha’s life was cut tragically short and Sylvia died shortly thereafter, the victim of a broken heart. Getting to know their story through the investigation undertaken by Victoria Cruz, a seminal activist in her own right, has been one of the great honors of my career. Now, with Netflix as our distribution partner, I am confident the legacy of these tremendous women will never be forgotten.”
“We are honored to bring much deserved recognition to the dynamic life of Marsha P Johnson,” said Netflix VP of Original Documentary Programming Lisa Nishimura. “Her effervescent spirit and pioneering leadership of the LGBT movement is illuminated with an eloquent force by director David France and is a true testament to the power of documentary films.”
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Watch Trailer for Chris Burkard’s Documentary UNDER AN ARCTIC SKY on Surfing in Iceland
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Under an Arctic Sky[/caption]
Here is the trailer for “Under an Arctic Sky,” a documentary film that follows six surfers along with photographer Chris Burkard on their journey to Iceland’s north coast in search of perfect waves during the largest storm in 25 years. The film first premiered this past April at the Tribeca Film Festival to a sold-out crowd.
If you are in New York City, next Thursday, June 8th, Adorama, one of the world’s largest photography, video, audio, imaging and electronics retailers, will be hosting a film screening of “Under an Arctic Sky.”
The film follows six surfers along with adventure photographer Chris Burkard and filmmaker Ben Weiland as they seek out unknown swell in the remote fjords of Iceland’s Hornstrandir Nature Reserve. Chartering a boat, they depart from Isafjordur on the cusp of the largest storm to make landfall in twenty-five years. With the knowledge that storms bring legendary swell the crew are optimistic, but face failure when the storm forces them back to shore. Making the decision to carry the expedition on by road they experience the brutality of Iceland’s winter and begin to question if searching out the unknown is worth risking their lives for. Despite setbacks the team pushes on and finds that uncertainty is the best ingredient for discovering the unimaginable.
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Matt Knudsen’s Western CASSIDY RED to World Premiere at Dances With Films | Trailer
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Cassidy Red[/caption]
“Cassidy Red,” a Western ballad of love and hate, written and directed by Matt Knudsen, a UCLA MFA student, will World Premiere as an Official Selection in Competition Features at Dances With Films on Friday, June 2, 2017, at 7:15 p.m., at the TCL Chinese Theatres (6801 Hollywood Boulevard, Hollywood, California).
Set against the backdrop of the 19th century American Southwest, the story follows “Josephine Cassidy,” the headstrong daughter of a prostitute and gunslinger, who returns to her hometown seeking vengeance against the corrupt lawman she believes murdered her lover.
Director Matt Knudsen says, “I wanted to acknowledge all of the iconic ingredients that made us fall in love with Westerns in the first place. But I conceived of the character Josephine Cassidy to represent the kind of progressive heroine that could help push the genre into a more interesting, contemporary place.”
The 92-minute film from Cassidy Red, LLC was shot at Old Tucson Studios (a historic location home to dozens of John Wayne classics) in Southern Arizona. Knudsen’s inspiration was the Spaghetti Westerns of his personal hero, the famed Sergio Leone, and the result owes much to the Italian classics he grew up watching. With the recent successes of Quentin Tarantino’s “The Hateful Eight,” Antoine Fuqua’s remake of “The Magnificent Seven”, and HBO’s “Westworld,” Knudsen has tapped into a nostalgic desire for the genre at a key moment.
Knudsen adds, “Like Leone often did for his films, I examined the genre and saw that there were stories, characters and themes not being represented. The superstructure of ‘Cassidy Red’ is forged from familiar elements we associate with the Western: the untamed frontier, the constant threat of violence, outlaws, betrayal, corruption, saloons, jail cells, livestock, prostitution, bloodshed… But, at its core, the film examines elements underrepresented in classic Westerns: strong, complex, proactive female characters, familial ties, heartbreak, sacrifice, choice, and star-crossed love.”
This love letter by Knudsen to the Western takes the audience on a journey through the American Southwest where two brothers fall for the same woman, resulting in a deadly love triangle.
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WELCOME TO GERMANY to Open, TEXT FOR YOU to Close 2017 Stony Brook Film Festival
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Text for You[/caption]
A highly selective slate of new independent films will screen at the 22nd Annual Stony Brook Film Festival taking place July 20 to 29, at Staller Center for the Arts at Stony Brook University. Many filmmakers are expected to attend throughout the Festival to represent their films at screenings and Q&As.
Alan Inkles, Stony Brook’s founder and director, notes, “U.S. Premieres from Germany open and close the Festival. Both are entertaining and timely, and were chosen for their ability to bring in the widest possible audience since they are definite crowd pleasers. The Opening Night feature, Welcome to Germany, (Willkommen bei den Hartmanns), from Picture Tree International, is a delightful comedy about politics, cultural identity, xenophobia and family issues. Closing Night’s feature, Text for You (SMS für Dich) is a romantic comedy directed, co-written and starring Karoline Herfurth, (Berlin ‘36, The Reader). From Beta Cinema, Text for You is about loss and finding love again. It’s the perfect film to end our ten day run.”
In addition to Karoline Herfurth’s Text for You, a notable number of films in the Stony Brook line up are by women filmmakers. Catherine Eaton of The Sounding is director, co-writer, producer, and the central actor in the drama from Corsetless Productions. The Sounding is a unique story about a woman who has chosen to remain silent for years and who suddenly begins to speak using only the words of Shakespeare.
Other women filmmakers whose work will be screened include Love is Thicker Than Water from Mulholland Pictures, co-directed by Emily Harris (with Ate de Jong), Menemsha Films’ Fanny’s Journey by Lola Doillon, director and co-writer, based on a true story of children escaping Nazis. Tonio is directed by Paula van der Oest, and was the Netherlands’ foreign-language Oscar submission this year. Others from women filmmakers are Media Luna Films Little Wing by Selma Vilhunen, and From the Land of the Moon, directed and co-written by Nicole Garcia from IFC Films. The documentary Purple Dreams by director Joanne Hock, along with producer, Robin Gray, a 1977 Stony Brook University alum, explores the story of the first high school permitted to perform the musical The Color Purple.
Shorts by female filmmakers include Speak by director, writer, actress Laura Seay. Game by Jeannie Donohoe; Snowgirl by Ilina Perianova; Who Sank Your Ships? by Ella Kohn; Oma by Daniella Rabbani, Real Artists by Cameo Wood, and Interrogation by YueCheng Liu are all films by women.
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To the Edge of the Sky[/caption]
The Stony Brook Film Festival is presenting the World Premiere of To the Edge of the Sky, a riveting U.S. documentary directed by Long Island brothers Todd Wider and Jedd Wider known for their docs Client 9, and God Knows Where I Am. Todd and Jedd Wider were producers of the Academy Award winning film, Taxi to the Dark Side.
To the Edge of the Sky follows four families as they fight the FDA to gain access to a potentially lifesaving drug for Duchenne Muscular Dystrophy, a fatal disease the families’ sons suffer from and the number one genetic killer of boys in the world. The film focuses on the transformation of the mothers of four boys into “the rogue moms” as they become political activists during their righteous battle against time and the FDA. A Wider Film Projects film, it screens on Sunday, July 23 at 4:00 pm. To the Edge of the Sky will be preceded by a World Premiere of the short film Brothers by Zachary Fuhrer, also a Long Island filmmaker with roots in the community.
Stony Brook Film Festival is also presenting the U.S. Premiere of the documentary, The Second Act of Elliott Murphy. Originally from Rockville Centre, Murphy was an up-and- coming singer/songwriter who left for Paris three decades ago and who has become one of the most well known American rockers to tour regularly throughout Europe. The Second Act of Elliott Murphy follows his life on the road and includes interviews with Billy Joel and Bruce Springsteen, who both count themselves among his fans.
In addition to coming to the Stony Brook Film Festival and representing the documentary about his life and career, Elliott Murphy plans on playing a few tunes after his Q&A.
In addition to films from 19 foreign countries, the 22nd Annual Stony Brook Film Festival presented by Island Federal Credit Union has more American Independent features and shorts this year than ever before. 15,000 tickets are expected to be sold this summer.
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WOMEN & WINE, REFUGEE and PUSSY Win Seattle International Film Festival ShortsFest Jury Awards
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WOMEN & WINE[/caption]
ShortsFest Weekend, Seattle International Film Festival’s celebration of short films, that takes place every year over Memorial Day Weekend, announced this year’s Jury Award winners. This year’s Festival which runs May 18 to June 11, features 163 short films, including 22 World, 12 North American, and 19 US premieres.
2017 SIFF SHORTSFEST AWARD WINNERS
LIVE-ACTION
GRAND JURY PRIZE WOMEN & WINE (NORWAY), directed by Liv Karin Dahlstrøm JURY STATEMENT: For its honest depiction of friendship that, over a short period of time, authentically runs the spectrum from silly and beautiful to awkward and heartbreaking, we give the Jury Award for Best Live Action Short to Women&Wine, directed by Liv Karin Dahlstrom. SPECIAL JURY MENTION NOTHING EVER REALLY ENDS (NORWAY), directed by Jakob Rørvik JURY STATEMENT: For its exceptional craftsmanship in all areas of the filmmaking process we decided that Nothing Ever Really Ends could not go unmentioned. From the writing and directing to the editing and acting this film unfolds effortlessly. And all in the service of an incredibly entertaining and relatable story. SPECIAL JURY MENTION FANNY (NORWAY), directed by Halfdan Ullmann Tøndel JURY STATEMENT: We’d also like to recognize a filmmaker who impressed us with an intimate and frank film about sexuality and loneliness. For his unique vision, heartbreaking honesty, and nuanced direction in the film Fanny, we’d like to award Halfdan Ullmann Tøndel a special jury award for emerging director.DOCUMENTARY
GRAND JURY PRIZE REFUGEE (USA), directed by Joyce Chen and Emily Moore JURY STATEMENT: For many refugees, getting to the United States is only the first step of a decades-long journey. Refugee is the moving and powerful story of a mother of five, Aicha Diop, whose journey to obtain asylum encapsulates the hope of life in America, as well as its harsh political realities. SPECIAL JURY MENTION WAITING FOR HASSANA (NIGERIA), directed by Ifunanya Maduka JURY STATEMENT: By bringing to light one young girl’s traumatic experience, this important documentary gives a voice to all 276 teenage girls whose lives were violently interrupted by Boko Haram in 2014. This film is a necessary reminder that an issue doesn’t vanish when its hashtag stops trending.ANIMATION
GRAND JURY PRIZE PUSSY (POLAND), directed by Renata Gasiorowska JURY STATEMENT: A witty and whimsical animated short about a girl and her body, Pussy quickly takes the audience on a wild ride through female sex positivity. SPECIAL JURY MENTION THE HEAD VANISHES (FRANCE), directed by Franck Dion JURY STATEMENT: Through its beautiful animation and unique perspective, The Head Vanishes poignantly captures the exceptional challenges, the hopeful glimmers, the peaceful moments, and the continual struggles of dealing with a mentally ill parent.FUTUREWAVE SHORTS AWARDS
WAVEMAKER AWARD (GRAND PRIZE) $1000 prize supported by Amazon Battles (CANADA, QUEBEC), directed by Karen Pinette Fontaine JURY STATEMENT: For its richly composed visuals and poetic journey of self that takes the viewer from a hollow party atmosphere to a seemingly empty space that becomes filled with the narrator’s culture that is thriving within her. PRODIGY CAMP SCHOLARSHIPS Each winner will be awarded a $1250 scholarship to the Prodigy Camp. The Petition (USA), directed by Riley Goodwin and Kibiriti Majuto