Dolores Huerta appears in Dolores by Peter Bratt[/caption]
The documentary Dolores sheds light on an enigmatic, intensely private woman who is among the most important yet little-known workers’ rights activists in American history – Dolores Huerta. “Dolores,” premiered at the 2017 Sundance Film Festival earlier this year in the US Documentary Competition category, and will be released in theaters in the Fall and make its broadcast premiere on PBS in 2018.
In the copious volumes written about Cesar Chavez and how he formed the first farm workers’ union in America, there’s little mention of Dolores Huerta, although she was his equal partner and co-founder of the union. With unprecedented access to Dolores and her children, the film reveals the raw, personal stories behind the public figure. It portrays a woman both heroic and flawed, working tirelessly for social change even as her 11 children longed to have her at home.
“Dolores” was written, produced and directed by Peter Bratt, produced by Brian Benson, and executive produced by Carlos Santana, Regina K. Scully, and Janet MacGillivray Wallace. Benjamin Bratt served as consulting producer. This is the second film for 5 Stick Films Inc, the Bratts’ production company with partner Alpita Patel.
“In the 1970s, the national grape boycott Dolores Huerta helped organize played out in the small rural Minnesota farming community where I grew up—supported by our Catholic Church, along with tens of thousands of religious organizations across the country,” said Lois Vossen, INDEPENDENT LENS executive producer. “More than 40 years later, Dolores is still an indefatigable architect for social change on behalf of poor, under-represented people, urging them to seek self-determination with her refrain ‘Si Se Puede’ (‘Yes We Can’).”
“We are thrilled and inspired to be partnered with PBS and INDEPENDENT LENS for the release of our film ‘Dolores’,” said Peter Bratt. “Part of our mandate at 5 Stick Films is to create socially relevant content which not only entertains, but also provides an alternative point of view for what it means to be mainstream. This is exactly the kind of work that PBS has been focused on since its inception: opening up new worlds to its viewers, using media to educate and captivate people with an immense diversity of perspectives. As longtime champions of arts education and public access for all, they are the perfect partners to illuminate and share Dolores Huerta’s compelling story and important work with the rest of the world.”
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PBS To Release DOLORES – Sundance 2017 Documentary on Labor Activist Dolores Huerta
[caption id="attachment_19947" align="aligncenter" width="1200"] Dolores Huerta appears in Dolores by Peter Bratt[/caption]
The documentary Dolores sheds light on an enigmatic, intensely private woman who is among the most important yet little-known workers’ rights activists in American history – Dolores Huerta. “Dolores,” premiered at the 2017 Sundance Film Festival earlier this year in the US Documentary Competition category, and will be released in theaters in the Fall and make its broadcast premiere on PBS in 2018.
In the copious volumes written about Cesar Chavez and how he formed the first farm workers’ union in America, there’s little mention of Dolores Huerta, although she was his equal partner and co-founder of the union. With unprecedented access to Dolores and her children, the film reveals the raw, personal stories behind the public figure. It portrays a woman both heroic and flawed, working tirelessly for social change even as her 11 children longed to have her at home.
“Dolores” was written, produced and directed by Peter Bratt, produced by Brian Benson, and executive produced by Carlos Santana, Regina K. Scully, and Janet MacGillivray Wallace. Benjamin Bratt served as consulting producer. This is the second film for 5 Stick Films Inc, the Bratts’ production company with partner Alpita Patel.
“In the 1970s, the national grape boycott Dolores Huerta helped organize played out in the small rural Minnesota farming community where I grew up—supported by our Catholic Church, along with tens of thousands of religious organizations across the country,” said Lois Vossen, INDEPENDENT LENS executive producer. “More than 40 years later, Dolores is still an indefatigable architect for social change on behalf of poor, under-represented people, urging them to seek self-determination with her refrain ‘Si Se Puede’ (‘Yes We Can’).”
“We are thrilled and inspired to be partnered with PBS and INDEPENDENT LENS for the release of our film ‘Dolores’,” said Peter Bratt. “Part of our mandate at 5 Stick Films is to create socially relevant content which not only entertains, but also provides an alternative point of view for what it means to be mainstream. This is exactly the kind of work that PBS has been focused on since its inception: opening up new worlds to its viewers, using media to educate and captivate people with an immense diversity of perspectives. As longtime champions of arts education and public access for all, they are the perfect partners to illuminate and share Dolores Huerta’s compelling story and important work with the rest of the world.”
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SXSW Award Winning Documentary THE WORK to Be Released in The Fall
Jairus McLeary and Blanketfort Media’s The Work, winner of the 2017 SXSW Film Festival’s Grand Jury Prize for Best Documentary will be released in Fall 2017 by The Orchard.
Co-directed by Gethin Aldous, The Work is an immersive film shot entirely inside Folsom Prison where convicts and civilian volunteers run a one a kind social justice program. Offering a powerful and rare look past the cinder block walls, steel doors and dehumanizing tropes in our culture, The Work reveals a movement of change and redemption that transcends what we think of as rehabilitation.
Producers are Alice Henty, Jairus McLeary, Eon McLeary, Miles McLeary and Angela Sostre and executive producers are James McLeary, Rob Allbee and Aldous.
Jairus McLeary is a court videographer and filmmaker. The Work is his first documentary. He spent several years gaining the trust of the convicts and prison administration in order to film. Gethin Aldous directs motion capture for a major video gaming company. After his own experience at Folsom he joined forces with Jairus. This is his second documentary feature.
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Australian Horror Film RED CHRISTMAS to Be Released in The US | Trailer
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Red Christmas[/caption]
The Australian horror film Red Christmas directed by veteran television director/producer Craig Anderson has been acquired by Artsploitation Films for release in the US.
The dark, violent and sickly twisted tale had its World Premiere at the Sydney Film Festival, its North American Premiere at Fantasia Festival and its European Premiere at London’s Frightfest.
The film stars (and was co-produced by) horror film acting legend, Dee Wallace (The Hills Have Eyes, The Howling, E.T., Cujo, Critters, Halloween,The Lords of Salem) as the mother of a squabbling family, gathered together in a remote Outback estate on Christmas Eve. When a mysterious, deformed young man named Cletus appears at their door, things soon go from petty insults to bloody, imaginatively orchestrated violence as Wallace attempts to protect her family from the vengeful intruder. The film deliriously infuses comedy, dark family secrets with outlandish gore and adds the always controversial subject of abortion in its blood-stained mix.
The US premiere of the film and the initial festival run will be announced in the coming weeks while the limited theatrical run is scheduled for August and DVD/Blu-ray and VOD scheduled for October.
https://www.youtube.com/watch?v=nzgvI_mrH-M
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Animated Polish Film PUSSY Wins Golden Horseman at Filmfest Dresden
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“Cipka” (“Pussy”) from Renata Gąsiorowska[/caption]
The Polish director Renata Gąsiorowska scooped up several awards with her courageous and original animated film Pussy “Cipka” at the 29th Filmfest Dresden. A total of nine Golden Horsemen and four special prizes were awarded by the juries.
And here are the Prize-Winners of the 29th Filmfest Dresden 2017.
International Competition
Golden Horseman Best Animation Film International Competition “Cipka” (“Pussy”) from Renata Gąsiorowska Social taboos should be discussed and confronted with a laugh. The jury had a lot of fun watching this peaceful connection between a woman and her body. For its original graphic style and its fluid animation technique. Golden Horseman Best Short Fiction International Competition “Painting with History in a Room Filled with People with Funny Names 3” from Korakrit Arunanondchai The jury was struck by the generous and chaotic power of a total work of art; or what we like to call “expanded cinema”. It is made by a fearless artist who has no time to waste on labels and other conventions. He has created an anarchic love poem in which he looks at all sides and elements of a complex society. Golden Horseman of the Audience International Competition “Home” from Daniel Mulloy (Kosovo/United Kingdom, 2016) Golden Horseman of the Youth Jury International Competition “Planemo” (Croatia 2016) from Veljka Popovic Unique images and powerful metaphors permit the audience to immerse themselves in the extraordinary situation of the protagonist. A key event leads to some grave changes in his relationship with his surroundings. This situation is filmically adapted through the atmospheric composition of innovative 3D animations and real footage.National Competition
Golden Horseman Best Animation Film National Competition “Ein Aus Weg” from Hannah Stragholz and Simon Steinhorst A colorful, expressive world of animation encounters a sound track from a unique everyday life. The combination of animation and documentary reportage develops into a form full of expression, which is both close and faraway to us at one and the same time. And equally moving. Golden Horseman Best Short Fiction National Competition “Ela – Szkice na pozegnanie” (“Ela – Sketches on a Departure”) from Oliver Adam Kusio This is the story of separation as a new beginning. A film about the desire to get away and the duty to remain. With the camera seeking answers just like the protagonists. Tender and haunting, existential in both large and small. It is a profound look into the future of a generation. A moving film full of meaning without being intrusive. Golden Horseman of the Audience National Competition “Gabi” from Michael Fetter Nathansky Golden Horseman of the Youth Jury National Competition “Un Etat D´Urgence” (“State of Emergency”) from Tarek Roehlinger (2016) With its gloomy and tense atmosphere, the film draws us into a world in which everyday actions have become and remain suspicious. Thanks to its topicality and the danger it engenders, it seems as though reality and fiction have become indistinguishable. A conflict arises among the characters between living freedom and defending freedom. Marked by tension, mistrust and skepticism, the film radiates an intensity for the audience that captures them and creates an unforgettable experience. Minister of Fine Arts Promotion Prize “Prima Noapte” (“First Night”) from Andrei Tănase A special moment in the life of a young man. Which he imagined would be different. And he overreacts in his helplessness. The director sensitively reveals the fragility of the male identity during the process of maturing, and casually casts a glance at a specific social milieu. A film authentic in the moment. A film that stays in mind. DEFA Promotion Prize Animation “zu zahm!” from Rebecca Blöcher Trapped in their roles. With expectations and stereotypes newly shuffled and exposed. The film leaves space for discovery.National and International Competition
Golden Horseman Best Sound Design “Eine Villa mit Pinien” Music: Ralf Hildenbeutel Sound: Michał Krajczok The impressionistic images in the film are complemented with a completely unique tonal language. With aural worlds created in a constant interplay doing so, that add a threatening dimension to the exuberant filmic canvas. The music plays a fundamental role, comparable to a protagonist, reaching into the story and advancing it structurally. Working on the utmost level and with extraordinary ingenuity, the composer and the sound designer of this film manage to build bridges between the various plot levels through the sound. ARTE Short Film Prize “Cipka” (“Pussy”) from Renata Gąsiorowska This creative and clever animated film, which focuses on first sexual desires in a courageous and nimble way, sweeps us away on a surprising journey of discovery to the deepest moments of intimacy. The confronting of one’s own gender here is characterized by so much humor and charm, that the film becomes irresistible. We congratulate the director and are looking forward to more creative pieces by him. Audience Award Regional Film Night “No one misses me!” from Erik LemkeSPECIAL MENTIONS
Special Mention Best Animation Film International Competition “A nyalintás nesze“ (“The Noise of Licking”) from Nadja Andrasev For its imaginative and original story, elegant style and careful pacing. Special Mention Animation Film in National Competition “Wegzaubern” from Betina Kuntzsch Special Mention Youth Jury International Competition “Empire of Evil” from Harald Hund The mockumentary “Empire of Evil” deals with the subject of one-sided Western reporting in a very authentic and humorous manner. With us asking ourselves at times what constitutes the truth. The everyday film footage is skillfully transformed with creative image editing and absurd ideas about the “threat to the West”. In this way, an entertaining, media-critical parody has resulted about our opinion of the Middle East. Special Mention Sound Design “Cipka” (“Pussy”) from Renata Gąsiorowska The timing in this story is excellent in terms of both the moving images and the music. Skillfully linked with gentle humor, this thoughtful film was worthy of a special mention from us. It is borne by the various equivocal sound levels, which never slip into the obscene. In this way, Volodymyr Antonic, Ewa Bogusz and Wiesław Nowak have provided a humorous and uninhibited sound track.
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2017 Full Frame Documentary Film Festival Award Winners, QUEST Wins Grand Jury Award
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Quest[/caption]
The 2017 Full Frame Documentary Film Festival Award Winners were announced this afternoon at the festival’s annual Awards Barbecue, and QUEST, directed by Jonathan Olshefski was awarded the Grand Jury Award.
2017 Full Frame Documentary Film Festival Award Winners
The Reva and David Logan Grand Jury Award The Reva and David Logan Grand Jury Award was presented to QUEST, directed by Jonathan Olshefski. The jury gave an honorable mention to Last Men in Aleppo, directed by Feras Fayyad. The jurors, Chris Clements, Penelope Falk, and Yoruba Richen, stated, “We would like to recognize a film that documents the commitment of a heroic group of men who refuse to abandon their humanity even while living in dire circumstances. We are proud to award an Honorable Mention to Last Men in Aleppo. For the Grand Jury Prize, we chose a film that is a poignant character study that gave insight into the society we live in and the one we would like to work toward – the Grand Jury Prize goes to the beautifully edited, emotionally complex film, QUEST.” Full Frame Jury Award for Best Short The Full Frame Jury Award for Best Short was given to Heaven Is a Traffic Jam on the 405, directed by Frank Stiefel. The Full Frame jury gave an honorable mention to The Great Theater by Sławomir Batyra. Full Frame is a qualifying event for nominations for the Academy Award® for Best Documentary Short Subject and The Producers Guild of America Awards. The jurors, Claire Aguilar, Whitney Dow, and Aaron Schock, stated, “We awarded Honorable Mention to a beautifully rendered visual journey into the inner workings of the Grand Theatre. This film reminded us that sometimes the most effective, and affecting, storytelling requires no words at all. We are presenting the Jury Award for Best Short to Heaven Is a Traffic Jam on the 405, a film for its incredibly intimate access to a remarkable subject and its ability to allow the viewer to profoundly enter into her world. The jury came to not only love the subject but the film’s ability to creatively marry her story to her art.” Full Frame Audience Award – Feature The Full Frame Audience Award – Feature was presented to Anatomy of a Male Ballet Dancer, directed by David Barba and James Pellerito. Full Frame Audience Award – Short The Full Frame Audience Award – Short was presented to Heaven Is a Traffic Jam on the 405, directed by Frank Stiefel. Center for Documentary Studies Filmmaker Award The Center for Documentary Studies Filmmaker Award was presented to Strong Island, directed by Yance Ford. Representatives from the Center for Documentary Studies juried the prize: Randolph Benson, Wesley Hogan, Katie Hyde, Caitlin Johnson, Lynn McKnight, Dan Partridge, Rahima Rahi, Elena Rue, April Walton. Charles E. Guggenheim Emerging Artist Award The Charles E. Guggenheim Emerging Artist Award was presented to Strong Island, directed by Yance Ford. Provided by the Charles E. Guggenheim family, this prize honors a first-time documentary feature director. Patricia Benabe, Lyric R. Cabral, and Cynthia Hill participated on the jury. Full Frame Environmental Award The Full Frame Environmental Award was presented to Samuel in the Clouds, directed by Pieter Van Eecke. The jury gave an honorable mention to Plastic China, directed by Jiu-liang Wang. Full Frame Inspiration Award The Full Frame Inspiration Award was presented to Last Men in Aleppo, directed by Feras Fayyad. This award is presented to the film that best exemplifies the value and relevance of world religions and spirituality. Brad Barber, Jan Krawitz, and Sarah Masters participated on the jury. Full Frame President’s Award The Full Frame President’s Award was presented to The Earth Did Not Speak, directed by Javier Briones. Representatives on behalf of the President’s Office of Duke University juried the prize, awarded to the best student film. Kathleen Bryan Edwards Award for Human Rights The Kathleen Bryan Edwards Award for Human Rights was presented to QUEST, directed by Jonathan Olshefski. Provided by the Julian Price Family Foundation, this award is presented to a film that addresses a significant human rights issue in the United States. Representatives from the Kathleen Bryan Edwards family juried the prize: Anne Arwood, Laura Edwards, Clay Farland, Margaret Griffin, Pricey Harrison.
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Tribeca 2017: Watch Trailer for I AM HEATH LEDGER Documentary
Here is the trailer for the documentary I Am Heath Ledger, released to coincide with the late actor’s 38th birthday. Ledger died from an accidental mixture of prescription drugs in 2008. The documentary directed by Derik Murray, and Adrian Buitenhuis will world premiere at the 2017 Tribeca Film Festival on April 23, and released in theaters on May 3.
Following its cinema debut, Spike TV will show an edited version of the documentary on May 17.
The new feature-length documentary celebrating the life and work of the late actor Heath Ledger brings a new understanding of the man behind his public image. Ledger was one of the most gifted Hollywood talents in a generation, who appeared in a string of seminal films including the culturally defining “Brokeback Mountain,” and in “The Dark Knight,” for which he won a posthumous Academy Award®.
Heath Ledger was a versatile artist whose talents spanned a broad array of mediums, including a love for photography, music and directing. He often rejected the trappings of Hollywood, instead creating an environment for himself which fostered his own passions and those of his friends and family. “I Am Heath Ledger” illustrates Ledger’s artistic output through both clips of his iconic film performances, as well as through the images he captured as a photographer and videographer. Extravagant in gesture and in action, it was this energy and unshakable willingness to take risks that instilled such a deep love and affection in those people closest to him.
“I Am Heath Ledger” provides an intimate look at Heath through the lens of his own camera, with a treasure trove of never-before-seen footage, as he films and often performs in his own personal journey – extravagant in gesture and in action. Through these personal home movies, we get a rare glimpse into his true character – demonstrating his creative energy and unshakable willingness to take risks that instilled such an extraordinarily deep love and affection in the people that entered his life. From his earliest performances to his iconic Academy-Award(R) winning performance as The Joker in „The Dark Knight,” the film truly speaks to his profound talent as an actor. The documentary goes behind-the scenes of the shooting of „The Dark Knight,” as Heath morphed into the psychotic criminal-mastermind that will live in cinematic lore forever.
The film features interviews from those who knew Heath best, including close friends, family members, and industry peers, such as actors Ben Mendelsohn, Djimon Hounsou, and Emile Hirsch, directors Ang Lee and Catherine Hardwicke, musicians Ben Harper, Justin Vernon (Bon Iver), N’fa, and Grace Woodroofe, and the Ledger family. „I Am Heath Ledger” recounts his fabled rise to the pinnacle of the Hollywood dream and the indelible mark he left. Not only did he cut a path for himself, but Heath often championed other talents and artists whose voices he thought deserved to be heard. The documentary also showcases his most memorable moments on screen from his beginnings in Australia to the heights of his Hollywood achievements.
https://www.youtube.com/watch?v=7bbHxWwRzPY
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THE BIG SICK Starring Kumail Nanjiani, Ray Romano, Holly Hunter, to Open Seattle International Film Festival
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The Big Sick[/caption]
The Seattle premiere of Amazon Studios’ The Big Sick starring Kumail Nanjiani, Ray Romano, and Holly Hunter, will open the 2017 Seattle International Film Festival (SIFF) on Thursday, May 18. This festival favorite comes from a powerhouse team of beloved comedians including Kumail Nanjiani (best known for his acerbic and witty character in Silicon Valley), industry mogul Judd Apatow (Bridesmaids and Knocked Up), and is directed by alt-comedy legend Michael Showalter (Hello, My Name Is Doris and The Baxter). The 2017 Festival runs May 18 through June 11 at venues in Seattle and surrounding cities.
After opening to much acclaim at Sundance Film Festival, The Big Sick promises to electrify audiences as it kicks off the largest film festival in North America. The smart and complicated romantic comedy features Kumail Nanjiani as the star and co-writer, Zoe Kazan, Holly Hunter, Ray Romano, as well as comedian friends Aidy Bryant, Bo Burnham, and Kurt Braunohler. Co-written by Nanjiani and his wife Emily V. Gordon and based on the beginnings of their relationship, Pakistan-born comedian Kumail and grad student Emily fall in love, but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail must navigate the crisis with her parents and the emotional tug-of-war between his family and his heart. Amazon Studios will release The Big Sick in limited theaters on June 23rd with an expansion set for July 14th.
SIFF Artistic Director Beth Barrett says, “We are beyond thrilled to open the doors of the 43rd Seattle International Film Festival with a film that pairs cross-cultural tension with a rawly honest love story. Amazon Studios has surfaced as one of the leading film distributors and content creators to push for strong theatrical releases, and we are honored to continue as partners with them for a second year bringing relevant and endearing films to Seattle audiences.”
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Julie Perini Wins 2017 Oregon Media Arts Fellowship to Fund ‘The Story of Butch Lesbian Freedom Fighter rita bo brown’
Julie Perini has been selected by The Northwest Film Center, Oregon Arts Commission, and Portland Film Office as the winner of the 2017 Oregon Media Arts Fellowship (OMAF).
Julie Perini is a Portland-based media who works in experimental and documentary film and video, installations, and live events. Originally from Poughkeepie, NY, she has been exploring her immediate surroundings with cameras since age 15 when she discovered a VHS camcorder in her parent’s suburban home. Perini’s work often explores the areas between fact and fiction, the staged and improvised, and the personal and political, often in response to social movements happening locally and globally. Perini’s work has exhibited and screened internationally at such venues as the Centre Pompidou-Metz (France), Artists’ Television Access (San Francisco), Visible Evidence XX (Stockholm), The Horse Hospital (London), Cornell Cinema (Ithaca, NY), Microscope Gallery (New York City), among others. She has been awarded artist residencies at Yaddo, Signal Fire, Kimmel Harding Nelson Center, and Djerassi Resident Artists Program and is currently employed as an Associate Professor in the School of Art + Design at Portland State University. She has received grants and fellowships in support of her work from the New York Foundation for the Arts, the New York State Council on the Arts, The Regional Arts and Culture Council, the Oregon Arts Commission, and The Precipice Fund.
The $5,500 Fellowship award will go towards funding The Gentleman Bank Robber: The Story of Butch Lesbian Freedom Fighter rita bo brown, a feature-length documentary that tells the story of bo brown, a white working-class butch from Klamath Falls, Oregon who was a member of the revolutionary George Jackson Brigade, an underground, militant revolutionary prison abolitionist group based in Seattle, Washington in the 1970s. As a member of the George Jackson Brigade, bo became known as “The Gentleman Bank Robber” for combing her butch style of dress with a polite way of demanding funds from bank tellers, one of the ways the Brigade funded its militant activities to protest military aggression, injustice, and exploitation.
The Oregon Media Arts Fellowship supports filmmakers who have demonstrated an ongoing commitment to the media arts. Jurors reviewed 42 submissions from applicants throughout the state, weighing artistic merit, the potential of the proposed activity to advance the artist’s work, and the feasibility of the projects proposed. The Fellowship is funded by the Oregon Arts Commission and the Portland Film Office and administered by Northwest Film.
The application deadline for the 2018 Oregon Media Arts Fellowships is January 1, 2018
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Tribeca Film Festival Selects 5 Finalists for 2017 Tribeca Snapchat Shorts
The Tribeca Film Festival has selected five finalists for the 2017 Tribeca Snapchat Shorts. The five Shorts finalists will premiere at the 2017 Tribeca Film Festival in New York City on Tuesday, April 25 at the Cinepolis Chelsea Theatre. Eva Longoria, Andy Cohen, Tracee Ellis Ross, Jason Biggs and Dillon Francis comprise the panel of jurors who will select the winner of this year’s program. The Tribeca Snapchat Shorts was created in an effort to discover visionary artists in the mobile space.
The finalists were chosen from hundreds of submissions, all under two minutes, and include: Annie Hubbard’s “Magic Show,” about a quick-witted magician; Jeff Ayars’ “The Notebook Snapstory,” a Ryan Gosling Notebook spoof; Doug Larlham and Sarah Albonesi’s “Puppy Love,” about a precocious dog who fears losing his owner’s affection; Anna Roisman’s “Owen Wilson Dates Himself,” an Owen Wilson parody; and Brannen Haderle, Alex Berry and Stanley Kalu’s “Live Colorfully,” about a father who transports from a mundane lifestyle to a world of color to connect with his son.
As part of the Tribeca Snapchat Shorts screening on Tuesday, April 25, five additional films will premiere that have been created specifically for the 2017 program from filmmakers, including Tribeca alumni. The filmmakers are: Matt Wolf (Teenage, 2011, The Marion Stokes Project, 2015), Natalia Leite (Bare, 2015), Boman Modine, (Merry Xmas – 2015), Parker Hill (One Good Pitch – 2016) and Dasha Battelle and Ani Acopian.
Following the screenings, the creators will participate in a conversation about storytelling on new platforms.
The 2017 Tribeca Snapchat Shorts five finalists through submissions include:
Live Colorfully, directed by Brannen Haderle, Alex Berry, Stanley Kalu.
A young father steps out of the comfort zone of his mundane lifestyle to further connect with his son.
Bios: Brannen Haderle: Born and raised in Los Angeles, USC Sophomore and an avid Snapchat enthusiast. Alex Berry: Brooklynite before it was trendy, USC Sophomore. Favorite movie: Ferris Bueller’s Day Off. Stanley Kalu: Born in Nigeria and raised all over Africa. USC Sophomore.
Snapchat: bhaddzzz
Magic Show, directed by Annie Hubbard.
The only attendee to Peter’s traditional magic show is preoccupied with her phone, and he must discover a way to get her attention.
Bio: Annie Hubbard is a director and editor currently working as a production coordinator with Notable Pictures.
Snapchat: anne-droid
The Notebook Snapstory, directed by Jeff Ayars.
A young woman spends a lazy Sunday with Ryan Gosling.
Bio: Jeff Ayars is one-half of the comedy duo Cannibal Milkshake, and he produces, directs and acts in projects around NYC.
Snapchat: JEFFAYARS
Puppy Love, directed by Doug Larlham, Sarah Albonesi.
From within his LA apartment, a precocious dog fears he is losing the affections of his owner to her new flame.
Bios: Doug and Sarah are longtime friends who only just decided to start creating stories together, and this is their first project as a team. Look forward to more to come from them.
Snapchat: dougcomedy
Owen Wilson Dates Himself, directed by Anna Roisman.
In this quaint romantic art film, Owen Wilson explores life with his one true love. But does that make them a perfect match?
Bio: Anna Roisman is a comedian/actress/creator in Brooklyn whose work has been featured on MTV, Just For Laughs, Funny Or Die, Elite Daily, Huffington Post, People, LA Times.
Snapchat: annaroserois
The 2017 Tribeca Snapchat Shorts from alumni filmmakers are:
The Future is Female, directed by Matt Wolf.
When online archivist Kelly Rakowski found a 1975 photograph of a woman wearing a t-shirt that says, “The Future is Female,” she shared it with her friend Rachel Berks, whose store Otherwild remade the shirt. The feminist slogan went viral and now twenty-five percent of the profits for the t-shirt goes to Planned Parenthood.
Bio: Matt Wolf’s feature docs include WILD COMBINATION about the avant-garde cellist and disco producer Arthur Russell, and TEENAGE about the birth of youth culture. His most recent short BAYARD & ME, about the civil rights leader Bayard Rustin premiered at Sundance.
Good Things Happen, directed by Boman Modine.
Sometimes there’s a delay on karma.
Bio: Boman Modine is a director and producer living in Los Angeles who has a new appreciation for Snapchat.
New Look, directed by Dasha Battelle,Ani Acopian.
In a doodle-filled world, a stylist struggles to meet the needs of her difficult client.
Bio: Dasha and Ani both went to Wesleyan, but not at the same time. They have both worked at Snapchat, but not together. Dasha likes to doodle and Ani likes to make films. Sometimes they do this at the same time, and together.
READY, directed by Parker Hill.
A girl struggles to decide what to wear for the big night.
Bio: Parker Hill is a New York based writer and director. 2017 marks her third consecutive year of having a short film at Tribeca Film Festival. Parker is currently an artist of choice with the Kevin Spacey Foundation for her upcoming short film Homing In.
Strangers, directed by Natalia Leite.
A study on first impressions.
Bio: Natalia Leite is a Brazilian-born writer, director, and actor most-known for her debut feature BARE, starring Dianna Agron, her latest feature M.F.A., and her series BE HERE NOWISH.
Since Snapchat’s launch in 2011, the app has consistently been one of the top apps on iOS and Android. Our community uses Snapchat every day to Snap with and watch Stories from family and friends, experience events from around the world and explore expertly-curated content from leading publishers.
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Inaugural DocLands Documentary Film Festival Unveils Opening Night, Closing Night, Special Presentation Films.
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Nari – Gingger Shankar[/caption]
The inaugural DocLands Documentary Film Festival taking place May 10 to 14, 2017 in Marin County, California, has announced its Opening Night, Closing Night, Special Presentation and Festival Sections.
DocLands will showcase documentary film in a variety of genres and with a diversity of content, while exploring three main programming sections (The Art of Impact, The Great Outdoors and WonderLands) and highlighting films that transcend the traditional definition of the documentary—films that break form in terms of creativity and entertainment.
Kicking off the inaugural DocLands Documentary Film Festival is a captivating evening with Gingger Shankar presenting NARI, a stunning documentary blending film, archival footage and animation, accompanied by a live, original score featuring vocals, Indian percussion and Shankar’s unique double violin. The film and performance will be followed by an onstage conversation with Director/Musician Gingger Shankar and Musicians Carlo Ribaux (drums) and Vivek Maddala (guitar and keyboards).
Closing Night of the Festival will screen the exhilarating documentary RUMBLE: THE INDIANS WHO ROCKED THE WORLD co-directed by Catherine Bainbridge and Alfonso Maiorana that delves into the electrifying history of Native Americans in contemporary music. Buffy Sainte-Marie, Charlie Patton, Jimi Hendrix and Robbie Robertson infuse indigenous styles into rock and roll, while stories of lesser-known artists expose a rich history of Native American musicians finding a way to keep on rocking in the not always Free World.
Rounding out the five day Festival is a special presentation of Amazon Studios’ documentary LONG STRANGE TRIP directed by Amir Bar-Lev. Featuring never-before-seen concert footage and illuminating interviews with band members, this four-hour epic captures the Grateful Dead’s wild, multi-decade journey from scruffy San Francisco Bay Area hippies to, arguably, the biggest band in the universe.
DOCLANDS Sections
The Art of Impact will engage and spark action by sharing stories that open our eyes to the global community and its disparate cultures, politics, personal narratives and biographies.
The Great Outdoors will transport us outside to truly appreciate, explore and ultimately compel us to save and conserve our environment and the wilds of our precious and precarious planet.
WonderLands will lift our spirits through stories of joy, wonder and possibility.
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RIP: Egyptian Film Critic, Journalist and Film Historian Samir Farid Dead at 73
Egyptian film critic, journalist and film historian Samir Farid died on Tuesday after a long battle with lung cancer. He was 73.
In 2002, Samir Farid won the state award for excellence in the arts. He was also awarded the Cannes Film Festival Gold Medal in both 1997 and 2000. Earlier this year, he was given the honorary Berlinale Camera Award at the 2017 Berlin International Film Festival.
In 2014, he was the head of the Cairo International Film Festival.
The Berlin International Film Festival issued a statement:
The Berlin International Festival mourns the loss of renowned film critic and author Samir Farid who died after a long illness on April 4.
Samir Farid was highly esteemed as a film expert, and his opinions and advice were cherished worldwide. As a film critic he also accompanied the Berlinale over decades. In February 2017 the Festival awarded Farid a Berlinale Camera, an honour bestowed upon film personalities to whom the Berlin International Film Festival feels particularly indebted.
He first trained his sharp eye for film during his studies at the Higher Institute of Dramatic Arts at the Academy of Arts in Cairo. In 1965 he began his career as a critic at the Egyptian daily Al-Gomhoreya, where he worked for 38 years. During this period, he co-founded the National Festival of Short and Documentary Films (1970), the National Festival of Feature Films (1971), as well as the Egyptian Film Critics Association (1972). As of the 1970s, Farid was also a member of the FIPRESCI, the international federation of film critics. Over the course of his long career, he used his extensive knowledge while serving as a jury member at many world-renowned film festivals. For a few years during the 1980s, he was also a correspondent for the trade magazine Variety. In 2004 he began working for the daily Al-Masry Al-Youm. Farid was the author and translator of more than 60 books on Arab and world cinema.
“With Samir Farid we have lost an important voice from the Arab world. His commitment and passion for cinema were unrivalled. With his death I have also lost an old friend,” states Berlinale Director Dieter Kosslick.
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