If you love art, you’ll love “Almost There.” Almost There documents the story of 83-year-old Peter Anton, an artist living in isolated and crippling conditions whose world changes when two filmmakers discover his work and storied past. The film which world premiered at DOC NYC 2014, will open theatrically on December 4 in NYC and December 11 in LA, via Factory 25.
For many, Peter Anton’s house embodies an end-of-life nightmare: the utility companies long ago shut off the heat and electricity, the floorboards are rotting, and the detritus of a chaotic life is precariously stacked to the ceiling. But for the filmmakers Dan Rybicky and Aaron Wickenden, Anton’s home is a treasure trove, a startling collection of unseen and fascinating paintings, drawings, and notebooks, not to mention Anton himself, a character worthy of his own reality TV show. Though aging, infirm, cranky, and solitary, Anton also is funny and utterly resilient. Rybicky and Wickenden’s remarkable journey follows a gifted artist through startling twists and turns. By its quietly satisfying ending, Almost There has provided enough human drama for a season of soap operas, plus insights into mental illness, aging in America, and the redemptive power of art.
https://www.youtube.com/watch?v=bxbsBo9X_YIAlmost There
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Almost There, Documentary on Artist Peter Anton, To Open In Theaters in December | TRAILER
If you love art, you’ll love “Almost There.” Almost There documents the story of 83-year-old Peter Anton, an artist living in isolated and crippling conditions whose world changes when two filmmakers discover his work and storied past. The film which world premiered at DOC NYC 2014, will open theatrically on December 4 in NYC and December 11 in LA, via Factory 25.
For many, Peter Anton’s house embodies an end-of-life nightmare: the utility companies long ago shut off the heat and electricity, the floorboards are rotting, and the detritus of a chaotic life is precariously stacked to the ceiling. But for the filmmakers Dan Rybicky and Aaron Wickenden, Anton’s home is a treasure trove, a startling collection of unseen and fascinating paintings, drawings, and notebooks, not to mention Anton himself, a character worthy of his own reality TV show. Though aging, infirm, cranky, and solitary, Anton also is funny and utterly resilient. Rybicky and Wickenden’s remarkable journey follows a gifted artist through startling twists and turns. By its quietly satisfying ending, Almost There has provided enough human drama for a season of soap operas, plus insights into mental illness, aging in America, and the redemptive power of art.
https://www.youtube.com/watch?v=bxbsBo9X_YI
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7th Milwaukee Film Festival Lineup for Art + Artists Program; Incl. U.S. Premiere of Nicola Costantino: The Artefacta | TRAILER
The 7th Milwaukee Film Festival, announced its lineup for Art + Artists. Now in its second year, the Art + Artists program features a selection of films that explore and celebrate creativity in the performing and visual arts.
“Milwaukee art lovers are going to have a lot to choose from at the festival this year—from visual art, opera and experimental film to cartoons and stand-up comedy,” explains Kristopher Pollard, Milwaukee Film Membership Manager and Art + Artists Programmer.
Art + Artists will feature the U.S. Premiere of the Argentinian film Nicola Costantino: The Artefacta (pictured above). One of the most controversial artists in Latin America, Costantino’s photography, sculpture and performance art utilize unconventional materials to evince social commentary. Film Subject Nicola Costantino and Director Natalie Cristiani are scheduled to appear at the Milwaukee Film Festival for the U.S. Premiere screening of the film.
“Costantino is a vital presence in the South American art world, and this film will introduce a U.S. audience to her life as well as her provocative and sometimes controversial work,” says Pollard.
An additional highlight of the program is Bobcat Goldthwait’s new film, Call Me Lucky, a documentary about comedy icon Barry Crimmons. A longtime friend of the legendary comic, Goldthwait interviews some of Crimmons’ biggest fans including Marc Maron, Patton Oswalt and David Cross.
“Crimmons is a loud, pissed-off and important voice, not only for the world of stand-up, but for the country in general,” explains Pollard.
New this year to the program is a single artist showcase of work from media artist Jesse McLean, who is scheduled to appear at the festival. The program, Mediated Realities: Videos by Jesse McLean, will feature her latest film, I’m in Pittsburgh and It’s Raining, which recently won first prize at the Onion City Experimental Film & Video Festival.
2015 MILWAUKEE FILM FESTIVAL
ART + ARTISTS
Go into the studio, around the work, and deep into the visionary mind with these films featuring iconic artists, artistic mediums, and everyday creative explorations.
Almost There
(USA / 2014 / Directors: Dan Rybicky, Aaron Wickenden)
A thought-provoking documentary about outsider art perfect for fans of MFF14’s Art and Craft, Almost There is the eight-year Midwestern odyssey of two filmmakers and the 83-year-old artist they’ve discovered. Peter Anton is as outside as an artist could possibly get — living in a home literally crumbling around him and surrounded by personal diaries of collage art. It takes the efforts of filmmakers Dan Rybicky and Aaron Wickenden to secure him his first gallery show. But controversy follows when information about Anton’s complex history comes to light, secrets that whisk him out of his childhood home and into elder care.
https://vimeo.com/109723683
Call Me Lucky
(USA / 2015 / Director: Bobcat Goldthwait)
A loving documentary tribute to an acerbic comedic voice ahead of its time, Call Me Lucky is an insightful portrait of comedian-turned-humanitarian Barry Crimmins. Known for politically incisive satire (his two main targets: the U.S. government and the Catholic church) and the formation of the Boston comedy scene where he helped break numerous comedic talents, Crimmins’ tortured past led him out of the world of comedy and directly to Capitol Hill. Directed by close friend Bobcat Goldthwait and filled with comedians he influenced (Marc Maron, Patton Oswalt, David Cross), this is a personality profile of a comedic legend who channeled his pain into humor.
https://www.youtube.com/watch?v=3FChmOC-Qjw
Iris
(USA / 2014 / Director: Albert Maysles)
One of the last works from the legendary documentarian Albert Maysles (Grey Gardens, Gimme Shelter) allows an intimate glimpse into the private life of the vibrant, energetic nonagenarian fashion icon Iris Apfel, now 93 years young and still going strong. A character study of a genuine character, the film follows Iris from gala art events to the flea markets where she makes her finds, all the while finding rich insights into her philosophy on life and fashion — a philosophy that values individuality and creativity above all else. After all, as Iris says, “It’s better to be happy than well dressed.”
https://www.youtube.com/watch?v=eIG2AoiHszY
Magicarena
(Italy / 2014 / Directors: Niccolò Bruna, Andrea Prandstraller)
A performance being held in the remarkable Verona Arena (an awe-inspiringly gorgeous first-century Roman amphitheater) must be equal to its setting, and Spanish theater group La Fura dels Baus’ production of Verdi’s Aida on the bicentennial of Verdi’s birth certainly fits the bill. Mimes, musicians, accomplished opera singers and a flotilla of set, costume and prop designers set forth to bring this sweeping vision to life, and we’re with them every step of the way. From initial auditions to opening night, this fascinating documentary shows the blood, sweat and tears involved in such a massive undertaking, with set disasters threatening to unravel the epic production at every turn.
https://www.youtube.com/watch?v=g3YenwP_c_Y
Mediated Realities: Videos by Jesse McLean
(USA / 2008-2015 / Director: Jesse McLean)
This special presentation of works by leading avant-garde filmmaker Jesse McLean showcases her deep curiosity about human behavior and relationships, especially as presented and observed through mediated images. Through deft use of collage, each of McLean’s videos subtly questions viewers’ associations with the information we consume daily, while reimagining a world in which everyday media tropes are reclaimed and transformed.
Clip from I’m in Pittsburgh and It’s Raining
https://vimeo.com/130942011
Nicola Costantino: The Artefacta
(Argentina / 2015 / Director: Natalie Cristiani)
One of Latin America’s most celebrated and controversial visual artists is the subject of this fascinating cinematic tribute: Nicola Costantino: The Artefacta. Following this provocateur as she prepares her work for the 55th International Art Exhibition of the Venice Biennale, we’re given a behind-the-scenes look at the process behind her macabre works of genius — be it turning her own liposuctioned fat into bars of soap or her series of fetal animals compressed into perfect spheres. Join us for the U.S. premiere of this documentary on an artist whose work reckons with Argentina’s violent history and provokes responses both thoughtful and visceral.
https://vimeo.com/121268676
Station to Station
(USA / 2015 / Director: Doug Aitken)
A runaway train barreling through concepts of modern creativity, Doug Aitken’s Station to Station is a cross-country journey divided into 62 individual one-minute films, featuring an ever-mutating landscape of artists, places, and perspectives that all converge in this wild panoply of artistic expression. Be it Beck performing alongside a gospel choir in the Mojave Desert or other performers such as Cat Power, Thurston Moore, Patti Smith, or Kenneth Anger, this documentary is a must-see for fans of music and art alike, an amazing cross-section of people and places.
https://vimeo.com/79329869
Very Semi-Serious
(USA / 2015 / Director: Leah Wolchok)
The New Yorker has been a cultural institution for over 90 years, combining journalism, cultural criticism and literary fiction in a dazzling blend that has captivated readers. But perhaps most famous of all are its cartoons, single-panel salvos fired at the myriad absurdities of modern life from icons such as James Thurber, Charles Addams and Roz Chast. With editor Bob Mankoff (himself the spitting image of a loosely drawn single-panel character) as our tour guide, the hilarious documentary Very Semi-Serious takes us through the hallways of this venerable institution and introduces us to the quirky creatives behind the cartoons.
https://vimeo.com/67244072
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WHITE GOD and WALKING UNDER WATER Win Top Awards at 2015 Sarasota Film Festival

Kornel Mundruczo’s Cannes award-winning White God (pictured above) took home the Narrative Feature Jury prize at the 2015 Sarasota Film Festival.
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Complete Film Lineup Announced for 2015 Sarasota Film Festival

The Sarasota Film Festival announced its full line-up, including its Narrative Feature Competition, Independent Visions Competition, Documentary Feature Competition, its Sundance/Gate Foundation Shorts, its Centerpiece and Spotlight films, and its Best of the Web Program for the 2015 Festival taking place April 10th Through April 19th, 2015.

Cartel Land, Matthew Heineman’s gripping account of violence and vigilantes on both sides of the US-Mexico border, led the nominations for 9th Cinema Eye Honors awards for Nonfiction Filmmaking, with five nominations, including Outstanding Nonfiction Feature. It is joined in the top category by Asif Kapadia’s Amy, Camilla Neilsson’s Democrats, Stevan Riley’s Listen to Me Marlon, Crystal Moselle’s The Wolfpack and Joshua Oppenheimer’s The Look of Silence. The latter, which received four nominations, and Cartel Land were the only films nominated for Outstanding Feature, Direction, Production and Cinematography.
Other films that received multiple nominations include the mountain climbing thriller Meru (4 nominations); Amy, Heart of a Dog, Going Clear: Scientology and the Prison of Belief, Kurt Cobain: Montage of Heck and The Wolfpack (3 nominations); Best of Enemies, Democrats, Listen to Me Marlon, The Nightmare, Uncertain and Western (2 nominations).
Winners of the
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