Anote’s Ark

  • 2018 Lighthouse International Film Festival to Open with WILD NIGHTS WITH EMILY + Screen Over 100 Films

    Wild Nights With Emily
    Wild Nights With Emily

    Madeleine Olnek’s acclaimed Wild Nights With Emily, a rousing Emily Dickenson comedy starring Molly Shannon, will open this year’s tenth annual Lighthouse International Film Festival (LIFF), taking place June 7-10, 2018 on Long Beach Island, New Jersey.

    Read more


  • ‘FOR IZZY,’ ‘CALL HER GANDA,’ ‘PEOPLE’S REPUBLIC OF DESIRE’ ‘WARU’ Take Top Awards at 34th LA Asian Pacific Film Festival

    [caption id="attachment_29067" align="aligncenter" width="1024"]FOR IZZY FOR IZZY[/caption] The 34th Los Angeles Asian Pacific Film Festival (LAAPFF) announced their filmmaker awards, and “FOR IZZY,” written and directed by Alex Chu, was awarded the LAAPFF Grand Jury Prize for Outstanding North American Narrative Feature, while the Best Director honor for North American Narrative went to Joanne Park for her film “FISH BONES.” Actress Adelina Amosco was selected for a Special Jury prize for Breakout Performance for her work in “THE FEVER AND THE FRET.” A Special Jury prize for Best Cinematography was awarded to Eunsoo Cho for lensing “AUGUST AT AKIKO’S.” In the non-fiction feature section, “CALL HER GANDA” directed by PJ Raval took home the Grand Jury Prize for Outstanding North American Documentary Feature, and Best Director was given to Bing Liu for his personal film “MINDING THE GAP.” The jury gave a Special Jury Mention to “ANOTE’S ARK” from director Matthieu Rytz and honored Nathan Fitch for Best Cinematography for his work on “ISLAND SOLDIER.” The jury awarded the Best Editing Award to Alejandro Valdes-Rochin and Tom Maroney for their outstanding work on “SCIENCE FAIR.” This year, LAAPFF also recognized outstanding international films. In the International Narrative Competition, the Grand Jury Prize for Outstanding International Narrative Feature went to “WARU” co-directed by a group of all female directors – Chelsea Cohen, Ainsley Gardiner, Casey Kaa, Renae Maihi, Awanui Simich-Pene, Briar Grace- Semith, Paula Whetu and Katie Wolfe. The Best Director Award went to Caylee So and Visal Sok for “IN THE LIFE OF MUSIC,” and a Special Jury Mention was awarded to “KISS & SPELL,” directed by the late Stephane Gauger. The Best Acting Award in this competition was given to Timothy Castillo for his performance in “NEOMANILA.” In the International Documentary Feature competition, the jury awarded the Grand Jury Prize for Outstanding International Documentary Feature to “PEOPLE’S REPUBLIC OF DESIRE,” directed by Hao Wu. The Special Jury Prize for Best Director was bestowed on Jin Jeon and Moon Chang-Yang for their film “BECOMING WHO I WAS.” That same film and those filmmakers were also given the Best Cinematography Award, and the award for Best Editing was given to Hyewon Jee and Wongjung Bae for “SINGING WITH ANGRY BIRD.” This year, the jury created and gave a Special Jury Mention for Most Urgent and Cautionary Film to “THE CLEANERS,” directed by Hans Block and Moritz Riesewieck. LAAPFF is proud to be an Academy Award® qualifying Festival for the Short Film Awards. Recipient(s) of the Film Festival’s Golden Reel Award for Narrative Short Film will be eligible for consideration in the Animated Short Film/Live-Action Short Film category of the Academy Awards®. The film that won this year’s Golden Reel Award and is now eligible to qualify in the Animated Short Film/Live-Action Short Film category of the Academy Awards® is “SILENCE (MAUN),” directed by Priyanka Singh. The jury also gave out a Special Jury Prize for Excellence in Directing to Paris Zarcilla for “POMMEL.” The Golden Reel for Outstanding Documentary Short Film went to “THREE BOYS MANZANAR,” directed by Preeti Deb. The annual Linda Mabalot New Directors/New Visions Award went to director Georgia Fu for her film “MISS WORLD,” presented for demonstrating an innovative and creative use of cinematic language. “Our artists and their films were amazing this year,” said Francis Cullado, Executive Director of Visual Communications. “Their stories and their craftsmanship raised the bar. The dialogue, conversations, and resource-sharing that took place during our panels and presentations were on point and timely. This Festival is once again a great signifier of what is coming and our artists are ready and at the forefront of this sea of change with their films and projects. I’m grateful to them for making cultural connections with all of our communities.” The 34th LAAPFF continues on Friday, May 11 with a free outdoor screening of the Disney® classic animated film “MULAN” in the Park Center at Griffith Park. It will culminate with the Visual Communications Gala PAST//FORWARD: COMING HOME on Saturday, May 12, 2018 to celebrate the organization’s upcoming 50th anniversary in 2020, honoring Doug Aihara, Renee Tajima-Peña, and Comcast NBCUniversal.

    34th Los Angeles Asian Pacific Film Festival Award Winners

    NORTH AMERICAN NARRATIVE FEATURE COMPETITION AWARDS

    Grand Jury Award: FOR IZZY, Directed by Alex Chu Best Director: Joanne Park, FISHBONES Breakout Performance: Adelina Amosco, THE FEVER & THE FRET Best Cinematography: Eunsoo Cho, AUGUST AT AKIKO’S

    NORTH AMERICAN DOCUMENTARY FEATURE COMPETITION AWARDS

    [caption id="attachment_29069" align="aligncenter" width="975"]CALL HER GANDA CALL HER GANDA[/caption] Grand Jury Award: CALL HER GANDA, Directed by PJ Raval Best Director: Bing Liu, MINDING THE GAP Special Mention: ANOTE’S ARK, Directed by Matthieu Rytz Best Editing: Alejandro Valdes-Rochin & Tom Maroney, SCIENCE FAIR Best Cinematography: Nathan Fitch, ISLAND SOLDIER

    INTERNATIONAL DOCUMENTARY FEATURE COMPETITION AWARDS

    Grand Jury Award: PEOPLE’S REPUBLIC OF DESIRE, Directed by Hao Wu Best Director: Jin Jeon & Moon Chang-Yong, BECOMING WHO I WAS Best Editing: Hyewon Jee & Wonjung Bae, SINGING WITH ANGRY BIRD Best Cinematography: Jeon Jin & Moon Chang-yong, BECOMING WHO I WAS Special Jury Mention – Most Urgent and Cautionary Film: THE CLEANERS, Directed by Hans Block & Moritz Riesewieck

    INTERNATIONAL NARRATIVE COMPETITION AWARDS

    Grand Jury Award WARU, Directed by Chelsea Cohen, Ainsley Gardiner, Casey Kaa, Renae Maihi, Awanui Simich-Pene, Briar Grace-Smith, Paula Whetu & Katie Wolfe Best Director: Caylee So & Visal Sok, IN THE LIFE OF MUSIC Best Actor: Timothy Castillo, NEOMANILA Special Mention: KISS & SPELL, Directed by Stephane Gauger

    SHORTS NARRATIVE COMPETITION AWARDS

    Golden Reel Award (Excellence in Narrative/Animated Short Film): SILENCE (MAUN), Directed by Priyanka Singh Special Jury Prize for Excellence in Directing: Paris Zarcilla, POMMEL

    SHORTS DOCUMENTARY COMPETITION AWARDS

    Golden Reel Award (Excellence in Documentary Short Film): THREE BOYS MANZANAR, Directed by Preeti Deb

    LINDA MABALOT NEW DIRECTORS/NEW VISIONS AWARD

    Linda Mabalot New Directors/New Visions Award (Innovative Use of Cinematic Language): MISS WORLD, Directed by Georgia Fu

    Read more


  • 2018 Human Rights Watch Film Festival to Showcase 15 Films – 12 Directed by Women, Opens with ON HER SHOULDERS

    [caption id="attachment_29010" align="aligncenter" width="1200"]Nadia Murad and Murad Ismael appear in On Her Shoulders by Alexandria Bombach. Nadia Murad and Murad Ismael appear in On Her Shoulders by Alexandria Bombach.[/caption] This year’s Human Rights Watch Film Festival will showcase 15 timely and provocative documentary and narrative works, screening June 14 to 21, 2018 in New York City. In a year when women collectively raised their voices against discrimination and abuse, Human Rights Watch will present films offering incisive perspectives and critical insights on human rights issues impacting people around the world. Twelve of the 15 films are directed or co-directed by women. Now in its 29th edition, the Human Rights Watch Film Festival is co-presented by the Film Society of Lincoln Center and IFC Center. All screenings will be followed by in-depth Q&A sessions with filmmakers, film subjects, Human Rights Watch researchers, and special guests. “This year’s festival focuses on strong women who take great risks to push back against powerful forces within their respective societies. And, at a time when the use of personal data by institutions is front-page news, this year’s program explores governmental and corporate regulation of information, and how, by burying the truth and creating their own narratives, these gatekeepers are uniquely positioned to abuse their power and control the populace. ” “In a year when women have spoken out against abuse, harassment and oppression, the festival highlights the outstanding work of women filmmakers telling epic stories of women fighting injustice with resilience and courage.” said John Biaggi, the Human Rights Watch Film Festival creative director. “The festival will also probe the headline-breaking questions of corporate and government control of information at a time when the use of personal data has outrun the limits of the law and ethics.” The Opening Night documentary On Her Shoulders introduces Nadia Murad, a 23-year-old Yazidi survivor of atrocities by ISIS who makes it her life’s mission to fight for justice and freedom for her people. Two documentaries highlight women’s rights in Afghanistan. A Thousand Girls Like Me follows a young mother seeking justice from a legal system designed to criminalize sexual abuse survivors like her. Facing the Dragon (winner of the festival’s Nestor Almendros Award) profiles two intrepid Afghan women — a member of parliament and a journalist — who risk the safety of their families to bring change and accountability to their country. Naila and the Uprising features courageous Palestinian women activists who played a pivotal role in the First Intifada, and in Women of the Venezuelan Chaos, five resilient women find creative ways to defend their fellow citizens, their families, and their own lives amid the national crisis that has enveloped their country. In the profoundly moving and poetic Angkar, a filmmaker traces her father’s journey home to Cambodia to seek out his Khmer Rouge persecutors while confronting his country’s collective amnesia regarding their horrifying past. In The Silence of Others, survivors of the Franco dictatorship’s crimes against humanity refuse to relent in their pursuit of justice, despite Spain’s “pact of forgetting,” which has denied Franco’s victims legal recourse. The Cleaners reveals a murky world of digital “cleaning,” in which giant social media companies employ workers to delete Internet content deemed inappropriate, raising essential questions over Internet control and the life-threatening impact of erasing entire resistance movements from the world’s gaze. As always, the festival features critical human rights issues in the U.S., this year with three timely films. Charm City moves between community members, police and local officials during a period of heightened violence in Baltimore, exposing layers of disconnect and distrust that need to be addressed to move their city forward. TransMilitary focuses on the largest employer of transgender people in the country – the U.S. military – and the efforts of four brave people as they come forward to demand much-needed change. The Closing Night film, The Unafraid, introduces three high school students in Georgia, banned by the state from attending top state universities due to their unauthorized immigration status, and their passionate fight to pursue their dreams of higher education.

    2018 Human Rights Watch Film Festival Film Lineup

    Opening Night Film and Reception* On Her Shoulders Alexandria Bombach, 2018, 94 min., Arabic, English, Kurdish Nadia Murad is a 23-year-old lifeline to the Yezidi community. A survivor of the 2014 atrocities against the Yezidi in northern Iraq, Nadia escaped sexual slavery at the hands of the Islamic State (also known as ISIS) and witnessed the murder of those closest to her. With the love of her people propelling her forward, Nadia is determined to turn her pain into international action. She now shoulders immense burdens as a key public figure whose supporters are pushing her further into the spotlight – from testifying at the United Nations Security Council and having endless meetings with government officials to giving soul-baring media interviews and emotionally draining speeches. On Her Shoulders tells the story of a multi-layered and selfless activist who once dreamed of opening a beauty salon in her village as she becomes an essential voice in the fight to bring ISIS to justice and save her people from extinction. New York Premiere “This moving film highlights the journey for justice, and how elusive it has been and continues to be for Yezidis, despite the world acknowledging their suffering.” – Rothna Begum, Researcher, Women’s Rights Division, Human Rights Watch US Documentary Directing Award, Sundance Film Festival 2018. Opening in theaters this October from Oscilloscope Laboratories. Closing Night Film The Unafraid Anayansi Prado and Heather Courtney, 2018, 85 min., English, Spanish “We have years of activism under our belts. Now we just fight harder, we fight smarter, and we fight as one.” – Alejandro, film subject, The Unafraid High School seniors Alejandro, Silvia and Aldo, like most of their friends, are eager to go to college and pursue their education. However, their home state of Georgia not only bans them from attending the top five public universities, but also deems them ineligible for in-state tuition at public colleges due to their immigration status as DACA (Deferred Action for Childhood Arrivals) recipients. In response, these three ambitious and dream-filled students divert their passions toward the fight for education in the undocumented community. As President Donald Trump’s campaign rhetoric against immigrants gains momentum, and with the three students under constant threat of losing their DACA status and being deported, The Unafraid follows these inspirational members of the generation of “undocumented, unapologetic and unafraid” young people who are determined to overcome and dismantle oppressive policies and mindsets. New York Premiere A Thousand Girls Like Me Sahra Mani, 2018, 76 min., Farsi “Every woman in this country has a hundred owners. Fathers, brothers, uncles, neighbors: They all believe they have the right to speak on our behalf and make decisions for us. That’s why our stories are never heard, but buried with us.” – Sahra Mani, director, A Thousand Girls Like Me When Khatera, a 23-year-old Afghan woman, forces her father to stand trial after a lifetime of sexual abuse, she risks her family, freedom and personal safety to expose a judicial system that incriminates the very women who seek protection. In a country where the systematic abuse of girls is rarely discussed, Afghan filmmaker Sahra Mani presents an awe-inspiring story of one woman’s battle against cultural, familial and legal pressures as she embarks on a mission to set a positive example for her daughter and other girls like her. U.S. Premiere Angkar Neary Adeline Hay, 2018, 71 min., French, Khmer “We called it the Angkar, ‘The Organization’ in Khmer. The nebulous wielder of power. Something shapeless, without a head, without a face. Angkar made the rules. Angkar had eyes everywhere.” – Khonsaly Hay, film subject, Angkar Khonsaly Hay returns to his lush, serene village in Cambodia after over 40 years living in France and comes face-to-face with his former Khmer Rouge persecutors. Pol Pot’s regime of extreme violence and torture between 1975-1979 turned neighbor against neighbor and resulted in the deaths of nearly 2 million people. Decades later, survivors find themselves living next door to the very people responsible for their suffering. In this beautifully personal and artfully crafted testimony of survival, Khonsaly travels the country, confronting his past and seeking what remains of the family and friends he was forced to leave behind. Directed by Khonsaly’s daughter, Neary Adeline Hay, this deeply immersive film juxtaposes past and present to tenderly reveal unreconciled traumas haunting Cambodians today. New York Premiere Anote’s Ark Matthieu Rytz, 2018, 77 min., English, Kiribati “I want to emphasize that climate change is not a political issue. It’s not entirely an economic issue. It’s an issue of survival. Maybe today for countries like mine. But in the future, for the planet as a whole.” – Anote Tong, film subject, Anote’s Ark What if your country was swallowed by the sea? The idyllic Pacific nation of Kiribati will be submerged within decades due to climate change. As President Anote Tong passionately embarks upon a race against time to save his people and 4,000 years of Kiribati culture, islanders are already feeling the pressure to relocate. Sermary, a young mother of six, must decide whether to use a sought-after lottery visa and leave her children behind to build a future for her family overseas. Set against the backdrop of international climate negotiations and the fight to recognize climate displacement as an urgent human rights issue, Anote’s Ark presents personal stories that serve as cautionary tales for the entire world. New York Premiere Official Selection, Sundance Film Festival 2018 Charm City Marilyn Ness, 2018, 106 min., English During three years of unparalleled violence in Baltimore, Maryland, award-winning filmmaker Marilyn Ness takes viewers beyond the headlines and into the lives of community members, police and government officials as they attempt to reclaim the future of their city. A young City Councilman, Brandon Scott, calls for diverting funds from policing to programs that build opportunities and combat poverty. A Senior community leader, “Mr. C,” and his colleague Alex Long spend their days in the streets working with youth to provide a positive environment and safety. Charm City speaks to a nationwide crisis, where the grit and compassion of citizens offer humanity as a way forward. “This film is extremely well made. It asks, rather than answers, questions, and doesn’t tell the viewer how to think.” – John Raphling, Senior Researcher, U.S. Program, Human Rights Watch The Cleaners Hans Block and Moritz Riesewiek, 2018, 88 min., English, Tagalog “The companies have more and more power … They take advantage of our desire for ease, our resistance to effort, our resistance to challenge, and I think, over time, if we’re not already there, it will interfere with our ability to have critical thinking.” – David Kaye, UN Special Rapporteur on Freedom of Expression, film subject, The Cleaners Who controls what you see on the internet? Welcome to a hidden industry of digital cleaning where content determined as inappropriate is deleted from the internet. This fascinating documentary follows five “cleaners” in the Philippines whom social media giants, including Facebook and Twitter, hire to undertake the highly sensitive work of viewing and removing millions of images and videos from online platforms every day. Exposing the extreme and often life-threatening impact of censorship capable of disappearing entire conversations, perspectives and events from world view, The Cleaners expertly reveals the impact on critics of the U.S. president, activists in Turkey and the Rohingya in Myanmar from Silicon Valley’s control over free speech. New York Premiere Please be advised this film contains material that may be disturbing to some viewers. Official Selection, Sundance Film Festival 2018 The Distant Barking of Dogs Simon Lereng Wilmont, 2017, 90 min., Ukrainian This film is fully subtitled and ASL interpretation will be provided for the Q&A. “We have days of silence. But they are so deadly – even worse than explosions. It’s the lull before the storm.” – Grandmother Alexandra, film subject, The Distant Barking of Dogs The life of a 10-year-old child includes a healthy dose of curiosity and adventure. But the days of Oleg, who lives in the Donetsk region of eastern Ukraine – just minutes from where Ukrainian and pro-Russian forces are at war – are often interrupted by echoes of anti-aircraft fire and missile strikes. Oleg and his cousin Yarik are young boys whose play fights and restlessness often lead them toward dangerous discoveries. But, as this touching and intimate film evolves, it bears witness to the unique pressures that come with living adjacent to a war zone, and the gradual erosion of innocence under intense psychological burdens. As the world shakes around Oleg and Yarik, the beauty of childhood friendship becomes ever more important for survival. New York Premiere First Appearance Award, International Documentary Festival Amsterdam (IDFA) 2017 Facing the Dragon Sedika Mojadidi, 2018, 80 min., Dari “We have a responsibility to speak on behalf of every woman, from the remote mountains of Pamir to Nuristan. Advocating for women’s rights should not be a political game.” – Dr. Nilofar Ibrahimi, film subject, Facing the Dragon As the U.S. withdraws forces and aid from Afghanistan, the Taliban are regaining their hold and the stability of the country’s fragile democracy is unclear. Afghan-American filmmaker Sedika Mojadidi joins two awe-inspiring women on the front lines: Nilofar, a successful doctor-turned-member of parliament, driven in her mission to secure peace and well-being for women; and Shakila, a top investigative journalist committed to exposing the truth about what is happening in her troubled country. Under increasing threats of violence, these two women are soon forced to choose between their sense of duty and love for Afghanistan, and the safety of their families. New York Premiere Winner of the 2018 Human Rights Watch Film Festival Nestor Almendros award for courage in filmmaking. Naila and the Uprising Julia Bacha, 2017, 76 min., Arabic, English, Hebrew, French “We can’t be free as women unless we’re in a free country. And even if we are free of the occupation, we can’t know freedom as long as we are subjugated in our own society.” – Sama Aweidah, film subject, Naila and the Uprising When an uprising breaks out in the Occupied Palestinian Territories in 1987, a young woman in Gaza must make a choice between love and family and freedom. Naila and the Uprising chronicles the remarkable real-life journey of Naila Ayesh, a key figure in the First Intifada, which forced the world to recognize the Palestinian right to self-determination. Using evocative animation, intimate interviews, and exclusive archival footage, this film tells the story the mainstream media missed: of a courageous women’s movement at the head of Palestinians’ struggle for freedom, bringing out of anonymity the bold women activists whose contributions and sacrifices changed history, but whose stories have remained untold until now. The Silence of Others Almudena Carracedo and Robert Bahar, 2018, 96 min., Spanish A 1977 amnesty law in Spain known as “the pact of forgetting” prohibits legal action related to the oppression, torture and murder of an estimated 100,000 people during Franco’s 40-year dictatorship. But for much of the population – including the survivor who passes his torturer’s home every day on the way to market, the children of forcibly disappeared parents found buried in mass graves, and parents still searching for their children seized at birth and handed to Franco’s allies – there is no peace in silence. Taking strength and inspiration from justice-seekers in Chile and Guatemala, the characters in The Silence of Others fight an urgent battle to get recognition and admissions of guilt against state-imposed amnesia. From award-winning directors and Executive Producer Pedro Almodovar comes a powerful film about a country still divided four decades into democracy. New York Premiere “The film shows why victims need justice, even decades after the crimes, and why forgetting simply isn’t an option.” – Param-Preet Singh, Associate Director, International Justice Program, Human Rights Watch Panorama Audience Award for Best Documentary and Peace Film Prize winner, Berlin International Film Festival 2018 TransMilitary Gabriel Silverman and Co-director Fiona Dawson, 2018, 92 min., English “It is our time now to step forward and say, ‘OK, it’s not about what gender I am, it’s about if I can get the job done. And we for years have shown that, so why not acknowledge us?’” – Laila Villanueva, film subject, TransMilitary The military is the largest employer of transgender people in the United States. Amid rapidly changing policies that technically bans them from serving, 15,500 troops identify as transgender. TransMilitary documents four brave men and women who risk their families’ livelihoods by coming out to the Pentagon’s top brass in the hope of attaining the equal right to serve. With a new commander-in-chief at the helm, they must traverse a series of successes and defeats, as their careers hang in the balance. New York Premiere Audience Award for Documentary, South by Southwest Film Festival 2018 Voices of the Sea Kim Hopkins, 2018, 99 min., Spanish “‘For the humble, by the humble.’ … That was the goal. But the humble don’t have access to anything that other people have. It will improve for those on top. And for us down here it will be the same or worse.” – Mariela Mora Quintana, film subject, Voices of the Sea In this tiny, remote Cuban fishing village, Mariela, a mother of four young children, longs for a better life. The families in her village are utterly dependent on the day’s catch, which changes with the tide. The shops are empty, school is repeatedly shut down due to a lack of resources, and basic transportation is non-existent. With the relationship between the U.S. and Cuba in flux, Mariela, like many Cubans, is afraid that her only chance to escape to the U.S. will soon close. Her husband, Pita, loves his community, cherishes his friendships, and is loyal to his craft as a fisherman. The tension between husband and wife — one desperate to leave, the other content to stay — increases after her brother and neighbors flee the country, risking their lives to chase the American Dream. New York Premiere What Will People Say? Iram Haq, 2017, 106 min., Norwegian, Urdu Sixteen-year-old Nisha lives a double life. At home with her conservative Pakistani family, she is the perfect, compliant daughter. But when out with her friends, she is a typical Norwegian teenager – partying and exploring relationships. When her father discovers her deception, Nisha’s two worlds brutally collide. Trapped between countries and perceptions of honor, Nisha is forced to find her own way in life. This gripping and powerfully acted drama from Norwegian-Pakistani filmmaker Iram Haq untangles the complex relationship between a father and daughter and presents an empathetic perspective on family, community and culture. New York Premiere “This film powerfully highlights some of the abuses Pakistani women and girls face, which include forced marriage, barriers to education, and violence, including in the name of family ‘honor,’ which all too frequently goes unpunished.” – Heather Barr, Senior Researcher, Women’s Rights Division, Human Rights Watch Official Selection, Toronto International Film Festival 2017 Women of the Venezuelan Chaos Margarita Cadenas, 2017, 83 min., Spanish This film is fully subtitled and ASL interpretation will be provided for the Q&A Embodying strength and stoicism, five Venezuelan women from diverse backgrounds each draw a portrait of their country as it suffers under the worst crisis in its history amid extreme food and medicine shortages, a broken justice system, and widespread fear. The women share what life is really like for them and their families while the government repeatedly denies the country’s difficulties. Featuring stunning visuals and creative soundscapes, Women of the Venezuelan Chaos presents a uniquely beautiful country and people, who remain resilient and resourceful despite the immense challenges they face. New York Premiere “This is one of the best films I have seen on Venezuela. It is extraordinary, very accurate, very balanced, moving, powerful. It delves into all the issues Human Rights Watch covers in Venezuela: the humanitarian crisis, lack of medicines and food, exile, police abuses, lack of justice, impunity, abuse of power, violence.” – José Miguel Vivanco, Executive Director, Americas Division, Human Rights Watch

    Read more


  • DocLands Documentary Film Festival Unveils 2018 Lineup – ‘Ask The Sexpert’ ‘McQueen’ ‘The King’ and More…

    [caption id="attachment_27868" align="aligncenter" width="1200"]Ask The Sexpert Ask The Sexpert[/caption] DocLands Documentary Film Festival unveiled the lineup for the 2nd annual Festival, taking place May 3 to 6, 2018; and that includes 43 documentary films from 10 countries, the inaugural DocLands Honors award presentation to award-winning filmmaker and photographer Louie Psihoyos  (The Cove, Racing Extinction, The Game Changers), along with special programs. DocLands will host the World Premieres of 16 Bars with director Sam Bathrick, and film subjects Todd “Speech” Thomas of hip-hop group Arrested Development (Tennessee, Mr. Wendell), Teddy Kane and Loretta Simmons-Jackson attending, and Olompali: A Hippie Odyssey with filmmakers director Gregg Gibbs and producer Maura McCoy attending. Additional films premiering at the Festival include the US Premiere of DugOut; the North American Premiere of Have You Heard from Johannesburg: Oliver Tambo with director Connie Field in attendance; and the California Premieres of Anote’s Ark with director Matthieu Rytz and former president of Kiribati/film subject Anote Tong; The Guardians with directors Tessa Moran and Ben Crosbie attending; Into Twin Galaxies: A Greenland Epic; and Shiners with director Stacey Tenebaum and film subject Kealani Lada attending. Festival Sections include The Great Outdoors, films that transport us outside to truly appreciate, explore, and ultimately compel us to save and conserve our environment and the wilds of our one precious and precarious planet; Wonderlands, films that lift our spirits through stories of joy, wonder and possibility; and Art of Impact, films that engage and spark action by sharing stories that open our eyes to the global community and its disparate cultures, politics, personal narratives and biographies. Additionally, the Festival is host to DocLife, an interactive industry forum consisting of three programs, DocPitch a program designed to connect filmmakers and their ideas to funders, distributors, philanthropists, fellow filmmakers and future audiences, DocTalk an intimate conversation focusing this year on the story enhancing power of music, and an experiential workshop, Metamorphosis Journey, that explores transformation in the face of planetary emergency. Big Nights – Opening  | Closing  |  DocLand Honors Award Opening Night ANOTE’S ARK – California Premiere Former president of Kiribati and film subject Anote Tong joins director Martthieu Rytz for the Festival’s Opening Night film Anote’s Ark. Climate change is no abstraction to the people of Kiribati, a series of low-lying atolls in the central Pacific Ocean that are being swallowed by the rising sea. Photographer-ethnologist Matthieu Rytz’s exquisitely shot film portrays the slow, dignified demise of an entire culture—soon to be global refugees. Rytz and Tong will take part in an on-stage conversation and audience Q&A following the screening. Opening Night Party following screening and onstage conversation will be held at the San Rafael Elks Lodge. Closing Night 16 BARS – World Premiere In Sam Bathrick’s transformative film, Todd “Speech” Thomas of hip-hop group Arrested Development is involved with a unique rehabilitation program in Richmond, Virginia, helping prisoners write and record their own songs. The filmmaker lovingly follows four inmates battling cycles of incarceration and addiction. Through superbly produced recording sessions, the men reach out from behind bars to bring their poignant stories to life through music. Director Sam Bathrick will be joined on-stage by film subjects Todd “Speech” Thomas of hip-hop group Arrested Development (Tennessee, Mr. Wendell), Teddy Kane and Loretta Simmons-Jackson following the premiere of 16 Bars for an on-stage Q&A and special performance featuring Speech and Kane. Closing Night Party following the screening, onstage conversation, and special performance will be held at Art Works Downtown. DocLands Honors Award Presented to a filmmaker in recognition of exceptional storytelling within the documentary genre, an artist whose films resonate universally, emphasizing our common humanity – no matter the subject. The inaugural DocLands Honors Award is presented to iconic photographer and award-winning filmmaker Louie Psihoyos (The Cove, Racing Extinction, The Game Changers) for his dogged determination and tenacity in exposing wrongs and expanding awareness. We also show our appreciation for his astounding efforts in outreach, bringing some of our most pressing environmental and social issues to a worldwide audience.

    DocLife Events

    Metamorphosis Journey An experiential workshop, lead by award-winning filmmakers and certified coaches, Nova Ami and Velcrow Ripper, explores transformation in the face of planetary emergency. Participants move through the stages of Chrysalis, Crisis, Catharsis, Symbiosis and Metamorphosis, personalizing this arc, and applying it to their own lives. Short films representing each of the stages are integrated throughout the workshop. DocPitch Five filmmaker teams with feature documentary projects currently in development will present a three minute verbal pitch, three-to-five minute trailer and participate in a ten-minute Q&A with an audience comprised of potential funders, distributors, fellow filmmakers and the general public. All members of the audience will be given a ballot prior to the presentations and will vote for their favorite pitch. Winning project will receive a $10,000 cash prize.

    DocTalk 

    Story Arc, Music Arc – Do The Follow the Same Beat?  The story-enhancing power of music and score is palpable in the films that stick with us. But how do you achieve this sought-after influence and emotion? Join our panelists for an intimate conversation as they share their strategies for hitting all the right notes. Panelists:
    • Alexandria Bombach, ON HER SHOULDERS
    • Connie Field, HAVE YOU HEARD FROM JOHANNESBURG: OLIVER TAMBO
    • Louie Psihoyos, RACING EXTINCTION
    • Velcrow Ripper, METAMORPHOSIS
    • Todd “Speech” Thomas, 16 BARS

    DocLands Full Program – Features 

    16 Bars (dir. Sam Bathrick) Section: Art of Impact – In Sam Bathrick’s transformative film, Todd “Speech” Thomas of hip-hop group Arrested Development is involved with a unique rehabilitation program in Richmond, Virginia, helping prisoners write and record their own songs. The filmmaker lovingly follows four inmates battling cycles of incarceration and addiction. Through superbly produced recording sessions, the men reach out from behind bars to bring their poignant stories to life through music. Albatross (dir. Chris Jordan) Sections: Art of Impact/The Great Outdoors – Shot on Midway, a remote North Pacific atoll and home to the world’s largest albatross colony, this film captures extraordinarily intimate footage of the birds, and features a hauntingly beautiful score. Yet, as the birds feed their young, we learn of a hidden danger that implicates us all. Watching Albatross may well change your life. Anote’s Ark (dir. Matthieu Rytz) Sections: Art of Impact/The Great Outdoors – Climate change is no abstraction to the people of Kiribati, a series of low-lying atolls in the central Pacific Ocean that are being swallowed by the rising sea. Photographer-ethnologist Matthieu Rytz’s exquisitely shot film portrays the slow, dignified demise of an entire culture—soon to be global refugees—while sounding a clarion call for meaningful political action. Ask The Sexpert (dir. Vaishali Sinha) Section: Wonderlands – Gynecologist Mahinder Watsa writes a popular Mumbai sex advice column, and, at 91 years of age, he has heard it all. But whether in person or in print, he does what he’s always done: deliver witty, nonjudgmental truths about sexual health. Not everyone agrees with his usual prognosis — “it’s normal” — and India’s vocal conservatives lay bare just how much more work Watsa has yet to do. Becoming Who I Was (dirs. Chang-Yong Moon, Jin Jeon) Section: Wonderlands – Padma Angdu is a rosy-cheeked young Rinpoche, or reincarnation of a spiritual master. Under the care of a local lama, Urgyan Rickzen, in the remote mountainous Ladakh region of southern India, Padma must eventually re-join his monastic order in Tibet. With delicately intimate moments and breathtaking aerial cinematography, this is a masterpiece of epic proportions. Drawn Together (dir. Harleen Singh) Section: Art of Impact – From comics to cosplay, diverse and progressive artists such as Keith Knight, Vishavjit Singh, and Eileen Kaur Alden are breaking new ground. This survey highlights exciting changes in cartooning. Mr. Fish: Cartooning From The Deep End (dir. Pablo Bryant) – One of the world’s greatest editorial cartoonists finds his acidic equal-opportunity political critiques are too hot to handle in today’s ever-shrinking, increasingly cautious publishing marketplace. DugOut (dir. Benjamin Sadd) Section: The Great Outdoors – The vibrant green Ecuadorian Amazon, bursting with life, is the star of this eco-adventure. With generous help of a local Huaorani family, two young British men set out to make a traditional dugout canoe and row it down a river. It’s an arduous journey, but this duo is all charm as they encounter the taste of howler monkey, overcome G.I. woes, and evade unfriendly darts. Finding Hygge (dir. Rocky Walls) Section: Wonderlands – What is hygge? A colorful cast of characters share humorous, surprising and often deeply philosophical thoughts about this Danish concept in a delightful, heartwarming film. Ranked among the happiest people in the world, Danes share their secrets about loving life. The moral of the story? Maybe we all have a little hygge, even if we’re not Danish. The Guardians (dirs. Tessa Moran, Ben Crosbie) Section: Art of Impact Every year majestic Monarch butterflies make their way on a 3,000-mile journey from Canada to their winter home in the ancient forests of Michoacán, Mexico, and it is here that the struggling community of Donaciano Ojeda strives to preserve the delicate balance between humans and nature. Like the millions of monarchs that also call this forest home, their survival depends on it. Have You Heard From Johannesburg: Oliver Tambo (dir. Connie Field) Section: Wonderlands – A religious man heading a secular movement, a pacifist commanding its army, Oliver Tambo was a man of many contradictions who largely orchestrated a revolution that shook institutionalized racism to its core. This is a thrilling portrait of a towering yet little-remembered figure by Berkeley-based director Connie Field, who adds an essential chapter to her original eight-hour epic series. Into Twin Galaxies (dir. Jochen Schmoll) Section: The Great Outdoors – Two pro kayakers and a polar expert set out on the “most epic expedition ever” across Greenland in this incredible real-life adventure. Their goal is an unknown river canyon they’ll run to the ocean—but first there are weeks of treacherous cross-country travel by hoof and kite-ski, in gale-force winds. It’s a perilous, visually stunning journey. The King (dir. Eugene Jarecki) Section: Wonderlands) – A road trip ostensibly tracing the rise and fall of Elvis Presley, director Eugene Jarecki outlines the deep fallacies in the story America tells about its greatness. Driving around the country in the singer’s 1963 Rolls-Royce accompanied by an articulate array of celebrities, musicians, and political pundits, Jarecki’s captivating documentary searches for a truer tale, one that might still allow for an American Dream. McQueen (dirs. Ian Bonhôte, Peter Ettedgui) Section: Art of Impact/Wonderlands – This superb film traces designer Alexander McQueen’s meteoric rise to stardom from his first forays into tailoring to worldwide fame as a fashion icon. Through touching interviews and dazzling footage of McQueen’s fashion show extravaganzas, the documentary expertly weaves the tale of a tortured man whose universe of designs reflected not only the beauty he saw in the world, but his own dark side. Metamorphosis (dirs. Nova Ami, Velcrow Ripper) Sections: Art of Impact/The Great Outdoors – What is our capacity for change? It’s a prescient question given a whole new spin in Nova Ami and Velcrow Ripper’s striking film. The answers here are eye opening, the visuals mesmerizing, and the sound bewitchingly portentous as it evokes Earth’s final breaths. Does the change we’re facing offer us an opportunity for transformation? This film gives us a chance to discover—and accept—the wonder of impermanence. Minding The Gap (dir. Bing Liu) Section: Art of Impact – Set in blue-collar Rockford, Illinois, director Bing Liu’s fresh and discerning film follows a group of his skateboarding friends. In between the excellent skate scenes, Bing unearths some deeper truths affecting all three buddies. An unorthodox filmmaking style and unique access make this film about skateboarding, friendship, and acceptance as uplifting and heartwarming as it is gritty and honest. Olompali: A Hippie Odyssey (dir. Gregg Gibbs) Section: Wonderlands – “Turning on, tuning in, and dropping out, a group of kindred spirits calling itself the “Chosen Family” in the late ’60s built its base camp 30 miles north of San Francisco. Clothing was optional, authority disdained, and weed widely distributed. Peter Coyote narrates this warmly reflective story, which crosses paths with tragedy–as well as the Grateful Dead, Hells Angels, and the Diggers–as it celebrates the spirit of invention. On Her Shoulders (dir. Alexandria Bombach) Section: Art of Impact – The plight of the Yazidi community, who face mass extermination at the hands of ISIL extremists, is told elegantly through delicately lit interviews and the selfless lobbying of 23-year-old reluctant activist, Nadia Murad. Although the toll of retelling her own harrowing story is clearly evident in her face, Murad refuses to rest lest the atrocities continue to go unnoticed by those who may be able to help. Pick of the Litter (dir. Don Hardy, Dana Nachman) Section: Wonderlands – In Pick of the Litter, we follow five dogs, from the moment they are born through the intense two-year program that will prepare them to become working guide dogs and unite with their blind partners. The stakes are high and not every dog will make the cut, but those who graduate will all go on to provide life-changing services for those in need. Racing Extinction (dir. Louie Psihoyos) Sections: Art of Impact/The Great Outdoors – Scientists believe we are in the sixth major extinction event in the planet’s history, and unlike the previous five, this one is being caused by humankind. Half of all species are threatened with annihilation by the end of this century, and Academy Award-winning director Louie Psihoyos’ remarkable film tackles this monumental challenge by focusing on activists, scientists, and artists dedicated to saving those without a voice—the vanishing species of our globe. Psihoyos has created an ode to life on our planet with a documentary that takes us on an unforgettable visual journey. The Rescue List (dirs. Alyssa Fedele, Zachary Fink) Section: Art of Impact – Ghana’s Lake Volta, the most massive man-made lake in the world, is also the site of a monumental human rights failure: the selling of area children into slavery. This riveting, gorgeously photographed documentary by Bay Area filmmakers Zachary Fink and Alyssa Fedele chronicles the brave efforts to find these children, bring them to safety, and return them to their families of origin. A River’s Last Chance (dir. Shane Anderson) Sections: Art of Impact/The Great Outdoors– One of the most diverse rivers in the United States, the Eel, ran dry in 2014, for the first time in history. Once victimized by logging, damming, and drought, the Eel faced new challenges in the new century from some of California’s favorite commodities: wine and weed. This urgent and compelling documentary makes a renewed case for regulation and collaboration in protecting this vital resource. Saving Brinton (filmmakers Tommy Haines, John Richard, Andrew Sherburne) Section: Wonderlands – An eccentric collector and the self-appointed local historian of a small town in Iowa stumbles upon a cache of old dusty film reels that will end up consuming him for more than thirty-two years. The treasure trove he discovers in a farmhouse basement includes a collection of magical films from cinematic pioneer George Méliés long thought to be lost to cinematic history. Shiners (dir. Stacey Tenenbaum) Section: Wonderlands – Shoe-shiners from New York to Tokyo, often invisible to the disdainful eye of the public, get the spotlight in a film directed with compassion and skill. These illusive artists speak of class differences, job satisfaction, and the meaning of life. Just as the shoe-shining philosophers bring pleasure and conversation to their clientele, this entertaining and polished film has never a dull moment. Soufra (dir. Thomas Morgan) Section: Art of Impact – Mariam Shaar lives in a refugee camp just south of Beirut. When she and other enterprising women refugees resolve to grow a small catering business, named Soufra, or “spread” in Arabic, obstacles emerge. As a bevy of colorful, mouthwatering food parades by, we find ourselves rooting for Mariam’s success and her courage reminds us that every refugee has a dream for a better life. Three Identical Strangers (dir. Tim Wardle) Section: Art of Impact – Bobby, David, and Eddy—triplets who find each other by chance in their late teens—generate heartwarming headlines in the 1980s. Their three identical smiles, mop-top heads, and wide shoulders charmed the public almost as much as the circumstances of their reunification. But we soon learn a far-fetched story that goes much further than their exultant initial encounter. The Valley of the Wolves (dir. Jean-Michel Bertrand) Section: The Great Outdoors – With unabating good humor and infinite patience and enthusiasm, filmmaker and wildlife enthusiast Jean-Michel Bertrand keeps himself—and us—amused as he spends months amid the magnificent beauty of a remote valley in the French Alps searching for a family of wolves he believes (with all his heart) have established a den there. Wall (dir. Cam Christiansen) Section: Art of Impact– Adapted from the 2009 monologue by renowned British playwright and screenwriter David Hare, Wall ruminates over the terminology, philosophy, and reality of what Israelis call a “security fence” and Palestinians “an apartheid wall.” Canadian animation filmmaker Cam Christiansen employs a largely black-and-white canvas as a malleable, clarifying backdrop for Hare’s journey of inquiry about the barrier’s implications for Middle East peace. Won’t You By My Neighbor? (dir. Morgan Neville) Section: Wonderlands – “Love is the root of everything: all learning, all parenting, all relationships. Love or the lack of it.” These are the wise and seemingly prescient words of Fred Rogers, the originator/host of public television’s, Mr. Rogers’ Neighborhood. Speaking to children as equals on any topic in an open and unruffled manner, he taught tolerance above all else. He was one of a kind, a man whose teachings are even more relevant today.

    DocLands Full Program – Shorts 

    Colors of Change (dir. Jenny Nichols) – Through the eyes of an artist, a scientist, and an Inuit Elder, we experience Greenland’s beauty as it tackles climate change. Dear Erik (dir. Bryan Wetzel) – A lark quickly becomes an obsession for an eccentric collector of personal letters received from stars of Hollywood’s Golden Era. The Last Honey Hunter (dir. Ben Knight) – After being visited by a spirit in his dreams, Maule Dhan Rail is determined to pass along a dangerous generations-old Nepali tradition. Little Fiel (dir. Irina Patkanian) – This unique short animated documentary is based on and features the sculptures of a Mozambican artist whose creations comment on war, resistance, and hope. My Irnik (dirs. Matthew Hood, François Lebeau) – Deep within the Arctic, a young father teaches his son about his ancestral Inuit heritage and the value of shared adventures. Objector (dir. Molly Stuart) – Torn between love of country, family, and her dedication to Palestinian rights, a young Israeli woman refuses her military service. Person of the Forest (dirs. Melissa Lesh, Tim Laman) – In the vanishing lowland rainforests of Borneo, a team of environmentalists seek to understand the unique cultural behavior of wild orangutans before it’s too late. Plant (dirs. David Zlutnick, Flavia Cassani) – From seed to harvest, a cinematic look at the beauty of a small, family-run cannabis farm in California’s famed Emerald Triangle. The Reason to Live (dir. Boyoung Kim) – An optimistic street musician busking in San Francisco shares inspirational stories of music, transformation, and making people smile. Spark Plug Cowboys (dirs. Kramer Herzog, Leonard Marcel) – Rally car enthusiasts, friends since their 1950s, meet weekly in downtown San Rafael to reminisce about their daredevil days. Surviving International Boulevard (dir. Sian Taylor Gowan) – The complex reality of domestic child sex trafficking is revealed through the experiences of two local women from Oakland, California. Swan (dirs. Laetitia Jacquart, J.P. Dobrin) – As the loudspeaker announces 15 minutes until the start of the show, a ballet soloist prepares to dance. Water Town (dir. Maya Craig) – The city of Weed embarks upon a David vs. Goliath battle to win back their water rights from a large timber company. Wrangling Russia (dir. Ilie Mitaru) – Seemingly out of place, four American cowboys take on the task of training Russian ranchers as they set out to resurrect the local beef industry.

    Read more


  • California Premiere of ‘Anote’s Ark’ to Open + World Premiere of ’16 Bars’ to Close 2018 DocLands Documentary Film Festival

    [caption id="attachment_26374" align="aligncenter" width="1200"]Anote's Ark by Matthieu Rytz Anote’s Ark[/caption] Now in its second year, the 2018 edition of DocLands Documentary Film Festival kicks off Thursday, May 3 with the California Premiere of Anote’s Ark; director Matthieu Rytz and former president of Kiribati/film subject Anote Tong will be in attendance. The four-day festival will showcase 43 films from 10 countries, with 50 filmmakers in attendance. The Festival will close with the World Premiere of 16 Bars with director Sam Bathrick and film subjects Todd “Speech” Thomas of hip-hop group Arrested Development (Tennessee, Mr. Wendell) and Teddy Kane attending. Showcasing documentary film in a variety of genres and with a diversity of content, while exploring three main programming sections (Art of Impact, The Great Outdoors, and WonderLands) and highlighting films that transcend the traditional definition of the documentary—films that break form in terms of creativity and entertainment. DocLands is a non-competitive, inclusive festival dedicated to fostering connections and partnerships that will invigorate the business and art of nonfiction filmmaking. Through public screenings, engaged conversations, and grassroots networking events, the Festival aims to build an active, involved, and fully supportive community around documentary film, with organizational goals that include gender equality and zero waste.

    Opening Night

    ANOTE’S ARK – California Premiere Thursday, May 3 | 7:00pm | Smith Rafael Film Center In Person: Director Matthieu Rytz and former president of Kiribati/film subject Anote Tong Climate change is no abstraction to the people of Kiribati, a series of low-lying atolls in the central Pacific Ocean that are being swallowed by the rising sea. Photographer-ethnologist Matthieu Rytz’s exquisitely shot film portrays the slow, dignified demise of an entire culture—soon to be global refugees—while sounding a clarion call for meaningful political action.

    Closing Night

    16 BARS – World Premiere Saturday, May 5 | 6:30pm | Smith Rafael Film Center In Person: Director, Sam Bathrick and film subjects Todd “Speech” Thomas of Arrested Development and Teddy Kane In Sam Bathrick’s transformative film, Todd “Speech” Thomas of hip-hop group Arrested Development instigates a unique rehabilitation program in Richmond, Virginia, helping prisoners write and record their own songs. The filmmaker lovingly follows four inmates battling cycles of incarceration and addiction. Through superbly produced recording sessions, the men reach out from behind bars to bring their poignant stories to life through music.

    Read more


  • VIDEO: Watch Trailer for Sundance 2018 Doc ANOTE’S ARK Directed by Matthieu Rytz

    Anote's Ark by Matthieu Rytz The trailer and poster premiered for Sundance 2018 doc Anote’s Ark directed by Matthieu Rytz. Anote’s Ark is the first feature doc to be shot in the Republic of Kiribati, an island nation in the Pacific Ocean that will gradually disappear with rising sea levels, which may grant it’s citizens the unfortunate title of first climate refugees in history. Anote's Ark Poster Anote’s Ark is the first feature film directed by Matthieu Rytz, filmmaker and photographer specialized in visual anthropology. After initially being exposed to the plight of a people about to see their very land disappear during a visit to the Kuna Yala archipelago in 2012, Matthieu Rytz decided to document the lives of the citizens of Kiribati. He thus follows the country’s president, Anote Tong, on his journey through international halls of power and climate conferences leading up to COP21. He attempts to get his message heard loud and clear by political and economic leaders while fighting to protect his people, as numerous people in Kiribati are already seeking refuge abroad. Anote’s fight is thus intertwined with the extraordinary fate of Tiemeri Tiare, a young mother of six who decides to relocate to New Zealand with her family. Through both of these portraits, Matthieu Rytz explores issues related to the survival of Tiemeri Tiare’s family, of the population of Kiribati as a whole and of 4,000 years of Kiribati culture. https://www.youtube.com/watch?v=UE2_maYEqF8

    Read more


  • 2018 Sundance Film Festival Unveils Feature Film Lineup of 110 Films

    [caption id="attachment_25705" align="aligncenter" width="1200"]The Kindergarten Teacher The Kindergarten Teacher[/caption] The 2018 Sundance Film Festival returns to Park City, Salt Lake City and at Sundance Mountain Resort, from January 18 to 28, and today announced the feature films lineup showcasing bold, independent storytelling. For the 2018 Festival, 110 feature-length films were selected, representing 29 countries and 47 first-time filmmakers, including 30 in competition.These films were selected from 13,468 submissions including 3,901 feature-length films and  8,740 short films. Of the feature film submissions, 1,799 were from the U.S. and 2,102 were international. One-hundred feature films at the Festival will be world premieres Robert Redford, President and Founder of Sundance Institute, said, “The work of independent storytellers can challenge and possibly change culture, illuminating our world’s imperfections and possibilities. This year’s Festival is full of artfully-told stories that provoke thought, drive empathy and allow the audience to connect, in deeply personal ways, to the universal human experience.”

    U.S. DRAMATIC COMPETITION

    American Animals / U.S.A. (Director and screenwriter: Bart Layton, Producers: Derrin Schlesinger, Katherine Butler, Dimitri Doganis, Mary Jane Skalski) — The unbelievable but mostly true story of four young men who mistake their lives for a movie and attempt one of the most audacious art heists in U.S. history. Cast: Evan Peters, Barry Keoghan, Blake Jenner, Jared Abrahamson, Ann Dowd, Udo Kier. World Premiere BLAZE / U.S.A. (Director: Ethan Hawke, Screenwriters: Ethan Hawke, Sybil Rosen, Producers: Jake Seal, John Sloss, Ryan Hawke, Ethan Hawke) — A reimagining of the life and times of Blaze Foley, the unsung songwriting legend of the Texas Outlaw Music movement; he gave up paradise for the sake of a song. Cast: Benjamin Dickey, Alia Shawkat, Josh Hamilton, Charlie Sexton. World Premiere Blindspotting / U.S.A. (Director: Carlos Lopez Estrada, Screenwriters: Rafael Casal, Daveed Diggs, Producers: Keith Calder, Jess Calder, Rafael Casal, Daveed Diggs) — A buddy comedy in a world that won’t let it be one. Cast: Daveed Diggs, Rafael Casal, Janina Gavankar, Jasmine Cephas Jones. World Premiere. DAY ONE Burden / U.S.A. (Director and screenwriter: Andrew Heckler, Producers: Robbie Brenner, Jincheng, Bill Kenwright) — After opening a KKK shop, Klansman Michael Burden falls in love with a single mom who forces him to confront his senseless hatred. After leaving the Klan and with nowhere to turn, Burden is taken in by an African-American reverend, and learns tolerance through their combined love and faith. Cast: Garrett Hedlund, Forest Whitaker, Andrea Riseborough, Tom Wilkinson, Usher Raymond. World Premiere Eighth Grade / U.S.A. (Director and screenwriter: Bo Burnham, Producers: Scott Rudin, Eli Bush, Christopher Storer, Lila Yacoub) — Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school — the end of her thus far disastrous eighth grade year — before she begins high school. Cast: Elsie Fisher, Josh Hamilton. World Premiere. I Think We’re Alone Now / U.S.A. (Director: Reed Morano, Screenwriter: Mike Makowsky, Producers: Fred Berger, Brian Kavanaugh-Jones, Fernando Loureiro, Roberto Vasconcellos, Peter Dinklage, Mike Makowsky) — The apocalypse proves a blessing in disguise for one lucky recluse – until a second survivor arrives with the threat of companionship. Cast: Peter Dinklage, Elle Fanning. World Premiere The Kindergarten Teacher / U.S.A. (Director and screenwriter: Sara Colangelo, Producers: Celine Rattray, Trudie Styler, Maggie Gyllenhaal, Osnat Handelsman-Keren, Talia Kleinhendler) — Lisa Spinelli is a Staten Island teacher who is unusually devoted to her students. When she discovers one of her five-year-olds is a prodigy, she becomes fascinated with the boy, ultimately risking her family and freedom to nurture his talent. Based on the acclaimed Israeli film. Cast: Maggie Gyllenhaal, Parker Sevak, Rosa Salazar, Anna Barynishikov, Michael Chernus, Gael Garcia Bernal. World Premiere Lizzie / U.S.A. (Director: Craig William Macneill, Screenwriter: Bryce Kass, Producers: Naomi Despres, Liz Destro) — Based on the 1892 murder of Lizzie Borden’s family in Fall River, MA, this tense psychological thriller lays bare the legend of Lizzie Borden to reveal the much more complex, poignant and truly terrifying woman within — and her intimate bond with the family’s young Irish housemaid, Bridget Sullivan. Cast: Chloë Sevigny, Kristen Stewart, Jamey Sheridan, Fiona Shaw, Kim Dickens, Denis O’Hare. World Premiere The Miseducation of Cameron Post / U.S.A. (Director: Desiree Akhavan, Screenwriters: Desiree Akhavan, Cecilia Frugiuele, Producers: Cecilia Frugiuele, Jonathan Montepare, Michael B. Clark, Alex Turtletaub) — 1993: after being caught having sex with the prom queen, a girl is forced into a gay conversion therapy center. Based on Emily Danforth’s acclaimed and controversial coming-of-age novel. Cast: Chloë Grace Moretz, Sasha Lane, Forrest Goodluck, John Gallagher Jr., Jennifer Ehle. World Premiere Monster / U.S.A. (Director: Anthony Mandler, Screenwriters: Radha Blank, Cole Wiley, Janece Shaffer, Producers: Tonya Lewis Lee, Nikki Silver, Aaron L. Gilbert, Mike Jackson, Edward Tyler Nahem) — “Monster” is what the prosecutor calls 17 year old honors student and aspiring filmmaker Steve Harmon. Charged with felony murder for a crime he says he did not commit, the film follows his dramatic journey through a complex legal battle that could leave him spending the rest of his life in prison. Cast: Kelvin Harrison Jr., Jeffrey Wright, Jennifer Hudson, Rakim Mayers, Jennifer Ehle, Tim Blake Nelson. World Premiere Monsters and Men / U.S.A. (Director and screenwriter: Reinaldo Marcus Green, Producers: Elizabeth Lodge Stepp, Josh Penn, Eddie Vaisman, Julia Lebedev, Luca Borghese) — This interwoven narrative explores the aftermath of a police killing of a black man. The film is told through the eyes of the bystander who filmed the act, an African-American police officer and a high-school baseball phenom inspired to take a stand. Cast: John David Washington, Anthony Ramos, Kelvin Harrison Jr., Chanté Adams, Nicole Beharie, Rob Morgan. World Premiere NANCY / U.S.A. (Director and screenwriter: Christina Choe, Producers: Amy Lo, Michelle Cameron, Andrea Riseborough) — Blurring lines between fact and fiction, Nancy becomes increasingly convinced she was kidnapped as a child. When she meets a couple whose daughter went missing thirty years ago, reasonable doubts give way to willful belief – and the power of emotion threatens to overcome all rationality. Cast: Andrea Riseborough, J. Smith-Cameron, Steve Buscemi, Ann Dowd, John Leguizamo. World Premiere Sorry to Bother You / U.S.A. (Director and screenwriter: Boots Riley, Producers: Nina Yang Bongiovi, Forest Whitaker, Charles King, George Rush, Jonathan Duffy, Kelly Williams) — In a speculative and dystopian not-too-distant future, black telemarketer Cassius Green discovers a magical key to professional success – which propels him into a macabre universe. Cast: Lakeith Stanfield, Tessa Thompson, Steven Yeun, Jermaine Fowler, Armie Hammer, Omari Hardwicke. World Premiere The Tale / U.S.A. (Director and screenwriter: Jennifer Fox, Producers: Oren Moverman, Lawrence Inglee, Laura Rister, Mynette Louie, Sol Bondy, Simone Pero) — An investigation into one woman’s memory as she’s forced to re-examine her first sexual relationship and the stories we tell ourselves in order to survive; based on the filmmaker’s own story. Cast: Laura Dern, Isabel Nelisse, Jason Ritter, Elizabeth Debicki, Ellen Burstyn, Common. World Premiere TYREL / U.S.A. (Director and screenwriter: Sebastian Silva, Producers: Jacob Wasserman, Max Born) — Tyler spirals out of control when he realizes he’s the only black person attending a weekend birthday party in a secluded cabin. Cast: Jason Mitchell, Christopher Abbott, Michael Cera, Caleb Landry Jones, Ann Dowd. World Premiere Wildlife / U.S.A. (Director: Paul Dano, Screenwriters: Paul Dano, Zoe Kazan, Producers: Andrew Duncan, Alex Saks, Oren Moverman, Ann Ruark, Jake Gyllenhaal, Riva Marker) — Montana, 1960: A portrait of a family in crisis. Based on the novel by Richard Ford. Cast: Carey Mulligan, Ed Oxenbould, Bill Camp, Jake Gyllenhaal. World Premiere

    U.S. DOCUMENTARY COMPETITION

    Bisbee ’17 / U.S.A. (Director and screenwriter: Robert Greene, Producers: Douglas Tirola, Susan Bedusa, Bennett Elliott) — An old mining town on the Arizona-Mexico border finally reckons with its darkest day: the deportation of 1200 immigrant miners exactly 100 years ago. Locals collaborate to stage recreations of their controversial past. Cast: Fernando Serrano, Laurie McKenna, Ray Family, Mike Anderson, Graeme Family, Richard Hodges. World Premiere Crime + Punishment / U.S.A. (Director: Stephen Maing) — Over four years of unprecedented access, the story of a brave group of black and Latino whistleblower cops and one unrelenting private investigator who, amidst a landmark lawsuit, risk everything to expose illegal quota practices and their impact on young minorities. World Premiere Dark Money / U.S.A. (Director and screenwriter: Kimberly Reed, Producer: Katy Chevigny) — “Dark money” contributions, made possible by the U.S. Supreme Court’s Citizens United ruling, flood modern American elections – but Montana is showing Washington D.C. how to solve the problem of unlimited anonymous money in politics. World Premiere The Devil We Know / U.S.A. (Director: Stephanie Soechtig, Producers: Kristin Lazure, Stephanie Soechtig, Joshua Kunau, Carly Palmour) — Unraveling one of the biggest environmental scandals of our time, a group of citizens in West Virginia take on a powerful corporation after they discover it has knowingly been dumping a toxic chemical — now found in the blood of 99.7% of Americans — into the local drinking water supply. World Premiere. THE NEW CLIMATE Hal / U.S.A. (Director: Amy Scott, Producers: Christine Beebe, Jonathan Lynch, Brian Morrow) — Hal Ashby’s obsessive genius led to an unprecedented string of Oscar®-winning classics, including Harold and Maude, Shampoo and Being There. But as contemporaries Coppola, Scorsese and Spielberg rose to blockbuster stardom in the 1980s, Ashby’s uncompromising nature played out as a cautionary tale of art versus commerce. World Premiere Hale County This Morning, This Evening / U.S.A. (Director: RaMell Ross, Screenwriter: Maya Krinsky, Producers: Joslyn Barnes, RaMell Ross, Su Kim) — An exploration of coming-of-age in the Black Belt of the American South, using stereotypical imagery to fill in the landscape between iconic representations of black men and encouraging a new way of looking, while resistance to narrative suspends conclusive imagining – allowing the viewer to complete the film. World Premiere Inventing Tomorrow / U.S.A. (Director: Laura Nix, Producers: Diane Becker, Melanie Miller, Laura Nix) — Take a journey with young minds from around the globe as they prepare their projects for the largest convening of high school scientists in the world, the Intel International Science and Engineering Fair (ISEF). Watch these passionate innovators find the courage to face the planet’s environmental threats while navigating adolescence. World Premiere. THE NEW CLIMATE Kailash / U.S.A. (Director: Derek Doneen, Producers: Davis Guggenheim, Sarah Anthony) — As a young man, Kailash Satyarthi promised himself that he would end child slavery in his lifetime. In the decades since, he has rescued more than eighty thousand children and built a global movement. This intimate and suspenseful film follows one man’s journey to do what many believed was impossible. World Premiere. DAY ONE Kusama – Infinity / U.S.A. (Director and screenwriter: Heather Lenz, Producers: Karen Johnson, Heather Lenz, Dan Braun, David Koh) — Now one of the world’s most celebrated artists, Yayoi Kusama broke free of the rigid society in which she was raised, and overcame sexism, racism, and mental illness to bring her artistic vision to the world stage. At 88 she lives in a mental hospital and continues to create art. World Premiere The Last Race / U.S.A. (Director: Michael Dweck, Producers: Michael Dweck, Gregory Kershaw) — A cinematic portrait of a small town stock car track and the tribe of drivers that call it home as they struggle to hold onto an American racing tradition. The avant-garde narrative explores the community and its conflicts through an intimate story that reveals the beauty, mystery and emotion of grassroots auto racing. World Premiere Minding the Gap / U.S.A. (Director: Bing Liu, Producer: Diane Quon) — Three young men bond together to escape volatile families in their Rust Belt hometown. As they face adult responsibilities, unexpected revelations threaten their decade-long friendship. World Premiere On Her Shoulders / U.S.A. (Director: Alexandria Bombach, Producers: Marie Therese Guirgis, Hayley Pappas, Brock Williams, Bryn Mooser, Adam Bardach) — A Yazidi genocide and ISIS sexual slavery survivor, 23-year-old Nadia Murad is determined to tell the world her story. As her journey leads down paths of advocacy and fame, she becomes the voice of her people and their best hope to spur the world to action. International Premiere The Price of Everything / U.S.A. (Director: Nathaniel Kahn, Producers: Jennifer Blei Stockman, Debi Wisch, Carla Solomon) — With unprecedented access to pivotal artists and the white-hot market surrounding them, this film dives deep into the contemporary art world, holding a funhouse mirror up to our values and our times – where everything can be bought and sold.World Premiere Seeing Allred / U.S.A. (Directors: Sophie Sartain, Roberta Grossman, Producers: Roberta Grossman, Sophie Sartain, Marta Kauffman, Robbie Rowe Tollin, Hannah KS Canter) — Gloria Allred overcame trauma and personal setbacks to become one of the nation’s most famous women’s rights attorneys. Now the feminist firebrand takes on two of the biggest adversaries of her career, Bill Cosby and Donald Trump, as sexual violence allegations grip the nation and keep her in the spotlight. World Premiere The Sentence / U.S.A. (Director: Rudy Valdez, Producers: Sam Bisbee, Jackie Kelman Bisbee) — Cindy Shank, mother of three, is serving a 15-year sentence in federal prison for her tangential involvement with a Michigan drug ring years earlier. This intimate portrait of mandatory minimum drug sentencing’s devastating consequences, captured by Cindy’s brother, follows her and her family over the course of ten years. World Premiere Three Identical Strangers / U.S.A. (Director: Tim Wardle, Producer: Becky Read) — New York,1980: three complete strangers accidentally discover that they’re identical triplets, separated at birth. The 19-year-olds’ joyous reunion catapults them to international fame, but also unlocks an extraordinary and disturbing secret that goes beyond their own lives – and could transform our understanding of human nature forever. World Premiere

    WORLD CINEMA DRAMATIC COMPETITION

    And Breathe Normally / Iceland, Sweden, Belgium (Director and screenwriter: Ísold Uggadóttir, Producers: Skúli Malmquist, Diana Elbaum, Annika Hellström, Lilja Ósk Snorradóttir, Inga Lind Karlsdóttir) — At the edge of Iceland’s Reykjanes peninsula, two women’s lives will intersect – for a brief moment – while trapped in circumstances unforeseen. Between a struggling Icelandic mother and an asylum seeker from Guinea-Bissau, a delicate bond will form as both strategize to get their lives back on track. Cast: Kristín Thóra Haraldsdóttir, Babetida Sadjo, Patrik Nökkvi Pétursson. World Premiere Butterflies / Turkey (Director and screenwriter: Tolga Karaçelik, Producers: Tolga Karaçelik, Diloy Gülün, Metin  Anter) — In the Turkish village of Hasanlar, three siblings who neither know each other nor anything about their late father, wait to bury his body. As they start to find out more about their father and about each other, they also start to know more about themselves. Cast: Tolga Tekin, Bartu Küçükçağlayan, Tuğçe Altuğ, Serkan Keskin, Hakan Karsak. World Premiere Dead Pigs / China (Director and screenwriter: Cathy Yan, Producers: Clarissa Zhang, Jane Zheng, Zhangke Jia, Mick Aniceto, Amy Aniceto) — A bumbling pig farmer, a feisty salon owner, a sensitive busboy, an expat architect and a disenchanted rich girl converge and collide as thousands of dead pigs float down the river towards a rapidly-modernizing Shanghai, China. Based on true events. Cast: Vivian Wu, Haoyu Yang, Mason Lee, Meng Li, David Rysdahl. World Premiere The Guilty / Denmark (Director: Gustav Möller, Screenwriters: Gustav Möller, Emil Nygaard Albertsen, Producer: Lina Flint) — Alarm dispatcher Asger Holm answers an emergency call from a kidnapped woman; after a sudden disconnection, the search for the woman and her kidnapper begins. With the phone as his only tool, Asger enters a race against time to solve a crime that is far bigger than he first thought. Cast: Jakob Cedergren, Jessica Dinnage, Johan Olsen, Omar Shargawi. World Premiere Holiday / Denmark, Netherlands, Sweden (Director: Isabella Eklöf, Screenwriters: Isabella Eklöf, Johanne Algren, Producer: David B. Sørensen) — A love triangle featuring the trophy girlfriend of a petty drug lord, caught up in a web of luxury and violence in a modern dark gangster tale set in the beautiful port city of Bodrum on the Turkish Riviera. Cast: Victoria Carmen Sonne, Lai Yde, Thijs Römer. World Premiere Loveling / Brazil, Uruguay (Director: Gustavo Pizzi, Screenwriters: Gustavo Pizzi, Karine Teles, Producers: Tatiana Leite, Rodrigo Letier, Agustina Chiarino, Fernando Epstein) — On the outskirts of Rio de Janeiro, Irene has only a few days to overcome her anxiety and renew her strength before sending her eldest son out into the world. Cast: Karine Teles, Otavio Muller, Adriana Esteves, Konstantinos Sarris, Cesar Troncoso. World Premiere. DAY ONE Pity / Greece, Poland (Director: Babis Makridis, Screenwriters: Efthimis Filippou, Babis Makridis, Producers: Amanda Livanou, Christos V. Konstantakopoulos, Klaudia Śmieja, Beata Rzeźniczek) — The story of a man who feels happy only when he is unhappy: addicted to sadness, with such need for pity, that he’s willing to do everything to evoke it from others. This is the life of a man in a world not cruel enough for him. Cast: Yannis Drakopoulos, Evi Saoulidou, Nota Tserniafski, Makis Papadimitriou, Georgina Chryskioti, Evdoxia Androulidaki. World Premiere The Queen of Fear / Argentina, Denmark (Directors: Valeria Bertuccelli, Fabiana Tiscornia, Screenwriter: Valeria Bertuccelli, Producers: Benjamin Domenech, Santiago Gallelli, Matias Roveda, Juan Vera, Juan Pablo Galli, Christian Faillace) — Only one month left until the premiere of The Golden Time, the long-awaited solo show by acclaimed actress Robertina. Far from focused on the preparations for this new production, Robertina lives in a state of continuous anxiety that turns her privileged life into an absurd and tumultuous landscape. Cast: Valeria Bertuccelli, Diego Velázquez, Gabriel Eduardo “Puma” Goity, Darío Grandinetti. World Premiere Rust / Brazil (Director: Aly Muritiba, Screenwriters: Aly Muritiba, Jessica Candal, Producer: Antônio Junior) — Tati and Renet were already trading pics, videos and music by their cellphones and on the last school trip they started making eye contact. However, what could be the beginning of a love story becomes an end. Cast: Giovanni De Lorenzi, Tifanny Dopke, Enrique Diaz, Clarissa Kiste, Duda Azevedo, Pedro Inoue. World Premiere Time Share (Tiempo Compartido) / Mexico, Netherlands (Director: Sebastián Hofmann, Screenwriters: Julio Chavezmontes, Sebastián Hofmann, Producer: Julio Chavezmontes) — Two haunted family men join forces in a destructive crusade to rescue their families from a tropical paradise, after becoming convinced that an American timeshare conglomerate has a sinister plan to take their loved ones away. Cast: Luis Gerardo Mendez, Miguel Rodarte, Andrés Almeida, Cassandra Ciangherotti, Monserrat Marañon, R.J. Mitte. World Premiere Un Traductor / Canada, Cuba (Directors: Rodrigo Barriuso, Sebastián Barriuso, Screenwriter: Lindsay Gossling, Producers: Sebastián Barriuso, Lindsay Gossling) — A Russian Literature professor at the University of Havana is ordered to work as a translator for child victims of the Chernobyl nuclear disaster when they are sent to Cuba for medical treatment. Based on a true story. Cast: Rodrigo Santoro, Maricel Álvarez, Yoandra Suárez. World Premiere Yardie / United Kingdom (Director: Idris Elba, Screenwriters: Brock Norman Brock, Martin Stellman, Producers: Gina Carter, Robin Gutch) — Jamaica, 1973. When a young boy witnesses his brother’s assassination, a powerful Don gives him a home. Ten years later he is sent on a mission to London. He reunites with his girlfriend and their daughter, but then the past catches up with them. Based on Victor Headley’s novel. Cast: Aml Ameen, Shantol Jackson, Stephen Graham, Fraser James, Sheldon Shepherd, Everaldo Cleary. World Premiere

    WORLD CINEMA DOCUMENTARY COMPETITION

    A Polar Year / France (Director: Samuel Collardey, Screenwriters: Samuel Collardey, Catherine Paillé, Producer: Grégoire Debailly) — Anders leaves his native Denmark for a teaching position in rural Greenland. As soon as he arrives, he finds himself at odds with tightly-knit locals. Only through a clumsy and playful trial of errors can Anders shake his Euro-centric assumptions and embrace their snow-covered way of life. Cast: Anders Hvidegaard, Asser Boassen, Julius B. Nielsen, Tobias Ignatiussen, Thomasine Jonathansen, Gert Jonathansen. World Premiere Anote’s Ark / Canada (Director: Matthieu Rytz, Producers: Bob Moore, Mila Aung-Thwin, Daniel Cross, Shari Plummer, Shannon Joy) — How does a nation survive being swallowed by the sea? Kiribati, on a low-lying Pacific atoll, will disappear within decades due to rising sea levels, population growth, and climate change. This exploration of how to migrate an entire nation with dignity interweaves personal stories of survival and resilience. World Premiere. THE NEW CLIMATE The Cleaners / Germany, Brazil (Directors: Moritz Riesewieck, Hans Block, Screenwriters: Moritz Riesewieck, Hans Block, Georg Tschurtschenthaler, Producers: Christian Beetz, Georg Tschurtschenthaler, Julie Goldman, Christopher Clements, Fernando Dias, Mauricio Dias) — When you post something on the web, can you be sure it stays there? Enter a hidden shadow industry of digital cleaning, where the Internet rids itself of what it doesn’t like: violence, pornography and political content. Who is controlling what we see…and what we think? World Premiere Genesis 2.0 / Switzerland (Directors: Christian Frei, Maxim Arbugaev, Producer: Christian Frei) — On the remote New Siberian Islands in the Arctic Ocean, hunters search for tusks of extinct mammoths. When they discover a surprisingly well-preserved mammoth carcass, its resurrection will be the first manifestation of the next great technological revolution: genetics. It may well turn our world upside down. World Premiere MATANGI / MAYA / M.I.A. / Sri Lanka, United Kingdom, U.S.A. (Director: Stephen Loveridge, Producers: Lori Cheatle, Andrew Goldman, Paul Mezey) — Drawn from a never before seen cache of personal footage spanning decades, this is an intimate portrait of the Sri Lankan artist and musician who continues to shatter conventions. World Premiere Of Fathers and Sons / Germany, Syria, Lebanon (Director: Talal Derki, Producers: Ansgar Frerich, Eva Kemme, Tobias N. Siebert, Hans Robert Eisenhauer) — Talal Derki returns to his homeland where he gains the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses on Osama and his younger brother Ayman, providing an extremely rare insight into what it means to grow up in an Islamic Caliphate. North American Premiere The Oslo Diaries / Israel, Canada (Directors and screenwriters: Mor Loushy, Daniel Sivan, Producers: Hilla Medalia, Ina Fichman) — In 1992, Israeli-Palestinian relations reached an all time low. In an attempt to stop the bloodshed, a group of Israelis and Palestinians met illegally in Oslo. These meetings were never officially sanctioned and held in complete secrecy. They changed the Middle East forever. World Premiere Our New President / Russia, U.S.A. (Director: Maxim Pozdorovkin, Producers: Maxim Pozdorovkin, Joe Bender) — The story of Donald Trump’s election told entirely through Russian propaganda. By turns horrifying and hilarious, the film is a satirical portrait of Russian media that reveals an empire of fake news and the tactics of modern-day information warfare. World Premiere. DAY ONE Shirkers / U.S.A. (Director and screenwriter: Sandi Tan, Producers: Sandi Tan, Jessica Levin, Maya Rudolph) — In 1992, teenager Sandi Tan shot Singapore’s first indie road movie with her enigmatic American mentor Georges – who then vanished with all the footage. Twenty years later, the 16mm film is recovered, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges’ vanishing footprints. World Premiere This is Home / U.S.A., Jordan (Director: Alexandra Shiva, Producer: Lindsey Megrue) This is an intimate portrait of four Syrian families arriving in Baltimore, Maryland and struggling to find their footing. With eight months to become self-sufficient, they must forge ahead to rebuild their lives. When the travel ban adds further complications, their strength and resilience are put to the test. World Premiere Westwood / United Kingdom (Director: Lorna Tucker, Producers: Eleanor Emptage, Shirine Best, Nicole Stott, John Battsek) — Dame Vivienne Westwood: punk, icon, provocateur and one of the most influential originators in recent history. This is the first film to encompass the remarkable story of one of the true icons of our time, as she fights to maintain her brand’s integrity, her principles – and her legacy. World Premiere A Woman Captured / Hungary (Director and screenwriter: Bernadett Tuza-Ritter, Producers: Julianna Ugrin, Viki Réka Kiss, Erik Winker, Martin Roelly) — A European woman has been kept by a family as a domestic slave for 10 years – one of over 45 million victims of modern-day slavery. Drawing courage from the filmmaker’s presence, she decides to escape the unbearable oppression and become a free person. North American Premiere

    NEXT

    306 Hollywood / U.S.A., Hungary (Directors: Elan Bogarín, Jonathan Bogarín, Screenwriters: Jonathan Bogarín, Elan Bogarín, Nyneve Laura Minnear, Producers: Elan Bogarín, Jonathan Bogarín, Judit Stalter) — When two siblings undertake an archaeological excavation of their late grandmother’s house, they embark on a magical-realist journey from her home in New Jersey to ancient Rome, from fashion to physics, in search of what life remains in the objects we leave behind. World Premiere. DAY ONE A Boy, A Girl, A Dream. / U.S.A. (Director: Qasim Basir, Screenwriters: Qasim Basir, Samantha Tanner, Producer: Datari Turner) — On the night of the 2016 Presidential election, Cass, an L.A. club promoter, takes a thrilling and emotional journey with Frida, a Midwestern visitor. She challenges him to revisit his broken dreams – while he pushes her to discover hers. Cast: Omari Hardwick, Meagan Good, Jay Ellis, Kenya Barris, Dijon Talton, Wesley Jonathan. World Premiere An Evening With Beverly Luff Linn / United Kingdom, U.S.A. (Director: Jim Hosking, Screenwriters: Jim Hosking, David Wike, Producers: Sam Bisbee, Theodora Dunlap, Oliver Roskill, Emily Leo, Lucan Toh, Andy Starke) — Lulu Danger’s unsatisfying marriage takes a fortunate turn for the worse when a mysterious man from her past comes to town to perform an event called ‘An Evening With Beverly Luff Linn For One Magical Night Only.’ Cast: Aubrey Plaza, Emile Hirsch, Jemaine Clement, Matt Berry, Craig Robinson. World Premiere Clara’s Ghost / U.S.A. (Director and screenwriter: Bridey Elliott, Producer: Sarah Winshall) — Set over the course of a single evening at the Reynolds’ family home in Connecticut, Clara, fed up with the constant ribbing from her self-absorbed showbiz family, finds solace in and guidance from the supernatural force she believes is haunting her. Cast: Paula Niedert Elliott, Chris Elliott, Abby Elliott, Bridey Elliott, Haley Joel Osment, Isidora Goreshter. World Premiere Madeline’s Madeline / U.S.A. (Director and screenwriter: Josephine Decker, Producers: Krista Parris, Elizabeth Rao) — Madeline got the part! She’s going to play the lead in a theater piece! Except the lead wears sweatpants like Madeline’s. And has a cat like Madeline’s. And is holding a steaming hot iron next to her mother’s face – like Madeline is. Cast: Helena Howard, Molly Parker, Miranda July, Okwui Okpokwasili, Felipe Bonilla, Lisa Tharps. World Premiere Night Comes On / U.S.A. (Director: Jordana Spiro, Screenwriters: Jordana Spiro, Angelica Nwandu, Producers: Jonathan Montepare, Alvaro R. Valente, Danielle Renfrew Behrens) — Angel LaMere is released from juvenile detention on the eve of her 18th birthday. Haunted by her past, she embarks on a journey with her 10 year-old sister that could destroy their future. Cast: Dominique Fishback, Tatum Hall, John Earl Jelks, Max Casella, James McDaniel. World Premiere Search / U.S.A. (Director: Aneesh Chaganty, Screenwriters: Aneesh Chaganty, Sev Ohanian, Producers: Timur Bekmambetov, Sev Ohanian, Adam Sidman, Natalie Qasabian) — After his 16-year-old daughter goes missing, a desperate father breaks into her laptop to look for clues to find her. A thriller that unfolds entirely on computer screens. Cast: John Cho, Debra Messing. World Premiere. WINNER: 2018 Alfred P. Sloan Feature Film Prize.  Skate Kitchen / U.S.A. (Director: Crystal Moselle, Screenwriters: Crystal Moselle, Ashlihan Unaldi, Producers: Lizzie Nastro, Izabella Tzenkova, Julia Nottingham, Matthew Perniciaro, Michael Sherman, Rodrigo Teixeira) — Camille’s life as a lonely suburban teenager changes dramatically when she befriends a group of girl skateboarders. As she journeys deeper into this raw New York City subculture, she begins to understand the true meaning of friendship as well as her inner self. Cast: Rachelle Vinberg, Dede Lovelace, Jaden Smith, Nina Moran, Ajani Russell, Kabrina Adams. World Premiere We The Animals / U.S.A. (Director: Jeremiah Zagar, Screenwriters: Daniel Kitrosser, Jeremiah Zagar, Producers: Jeremy Yaches, Christina D. King, Andrew Goldman, Paul Mezey) — Us three, us brothers, us kings. Manny, Joel and Jonah tear their way through childhood and push against the volatile love of their parents. As Manny and Joel grow into versions of their father and Ma dreams of escape, Jonah, the youngest, embraces an imagined world all his own. Cast: Raul Castillo, Sheila Vand, Evan Rosado, Isaiah Kristian, Josiah Santiago. World Premiere White Rabbit / U.S.A. (Director: Daryl Wein, Screenwriters: Daryl Wein, Vivian Bang, Producers: Daryl Wein, Vivian Bang) —A dramatic comedy following a Korean American performance artist who struggles to be authentically heard and seen through her multiple identities in modern Los Angeles. Cast: Vivian Bang, Nana Ghana, Nico Evers-Swindel, Tracy Hazas, Elizabeth Sung, Michelle Sui. World Premiere

    PREMIERES

    A Kid Like Jake / U.S.A. (Director: Silas Howard, Screenwriter: Daniel Pearle, Producers: Jim Parsons, Todd Spiewak, Eric Norsoph, Paul Bernon, Rachel Song) — As married couple Alex and Greg navigate their roles as parents to a young son who prefers Cinderella to G.I. Joe, a rift grows between them, one that forces them to confront their own concerns about what’s best for their child, and each other. Cast: Claire Danes, Jim Parsons, Octavia Spencer, Priyanka  Chopra, Ann Dowd, Amy Landecker. World Premiere Beirut / U.S.A. (Director: Brad Anderson, Screenwriter: Tony Gilroy) — A U.S. diplomat flees Lebanon in 1972 after a tragic incident at his home. Ten years later, he is called back to war-torn Beirut by CIA operatives to negotiate for the life of a friend he left behind. Cast: Jon Hamm, Rosamund Pike, Shea Whigham, Dean Norris. World Premiere The Catcher Was a Spy / U.S.A. (Director: Ben Lewin, Screenwriter: Robert Rodat, Producers: Kevin Frakes, Tatiana Kelly, Buddy Patrick, Jim Young) — The true story of Moe Berg – professional baseball player, Ivy League graduate, attorney who spoke nine languages – and a top-secret spy for the OSS who helped the U.S. win the race against Germany to build the atomic bomb. Cast: Paul Rudd, Mark Strong, Sienna Miller, Jeff Daniels, Guy Pearce, Paul Giamatti. World Premiere Colette / United Kingdom (Director: Wash Westmoreland, Screenwriters: Wash Westmoreland, Richard Glatzer, Producers: Pamela Koffler, Christine Vachon, Elizabeth Karlsen, Stephen Woolley) — A young country woman marries a famous literary entrepreneur in turn-of-the-century Paris: At her husband’s request, Colette pens a series of bestselling novels published under his name. But as her confidence grows, she transforms not only herself and her marriage, but the world around her. Cast: Keira Knightley, Dominic West, Fiona Shaw, Denise Gough, Elinor Tomlinson, Aiysha Hart. World Premiere Come Sunday / U.S.A. (Director: Joshua Marston, Screenwriter: Marcus Hinchey, Producers: Ira Glass, Alissa Shipp, Julie Goldstein, James Stern, Lucas Smith, Cindy Kirven) — Internationally-renowned pastor Carlton Pearson — experiencing a crisis of faith — risks his church, family and future when he questions church doctrine and finds himself branded a modern-day heretic. Based on actual events. Cast: Chiwetel Ejiofor, Danny Glover, Condola Rashad, Jason Segel, Lakeith Stanfield, Martin Sheen. World Premiere Damsel / U.S.A. (Directors and screenwriters: David Zellner, Nathan Zellner, Producers: Nathan Zellner, Chris Ohlson, David Zellner) — Samuel Alabaster, an affluent pioneer, ventures across the American Frontier to marry the love of his life, Penelope. As Samuel, a drunkard named Parson Henry and a miniature horse called Butterscotch traverse the Wild West, their once-simple journey grows treacherous, blurring the lines between hero, villain and damsel. Cast: Robert Pattinson, Mia Wasikowska, David Zellner, Robert Forster, Nathan Zellner, Joe Billingiere. World Premiere Don’t Worry, He Won’t Get Far On Foot / U.S.A. (Director: Gus Van Sant, Screenwriters: Gus Van Sant (screenplay), John Callahan (biography), Producers: Charles-Marie Anthonioz, Mourad Belkeddar, Steve Golin, Nicolas Lhermitte) — John Callahan has a talent for off-color jokes…and a drinking problem. When a bender ends in a car accident, Callahan wakes permanently confined to a wheelchair. In his journey back from rock bottom, Callahan finds beauty and comedy in the absurdity of human experience. Cast: Joaquin Phoenix, Jonah Hill, Rooney Mara, Jack Black. World Premiere Futile and Stupid Gesture / U.S.A. (Director: David Wain, Screenwriters: John Aboud, Michael Colton, Producers: Peter Principato, Jonathan Stern) — The story of comedy wunderkind Doug Kenney, who co-created the National Lampoon, Caddyshack, and Animal House. Kenney was at the center of the 70’s comedy counter-culture which gave birth to Saturday Night Live and a whole generation’s way of looking at the world. Cast: Will Forte, Martin Mull, Domhnall Gleeson, Matt Walsh, Joel McHale, Emmy Rossum. World Premiere The Happy Prince / Germany, Belgium, Italy (Director and screenwriter: Rupert Everett) — The last days of Oscar Wilde—and the ghosts haunting them—are brought to vivid life. His body ailing, Wilde lives in exile, surviving on the flamboyant irony and brilliant wit that defined him as the transience of lust is laid bare and the true riches of love are revealed. Cast: Colin Firth, Emily Watson, Colin Morgan, Edwin Thomas, Rupert Everett. World Premiere Hearts Beat Loud / U.S.A. (Director: Brett Haley, Screenwriters: Brett Haley, Marc Basch, Producers: Houston King, Sam Bisbee, Sam Slater) — In Red Hook, Brooklyn, a father and daughter become an unlikely songwriting duo in the last summer before she leaves for college. Cast: Nick Offerman, Kiersey Clemons, Ted Danson, Sasha Lane, Blythe Danner, Toni Collette. World Premiere Juliet, Naked / United Kingdom (Director: Jesse Peretz, Screenwriters: Tamara Jenkins, Jim Taylor, Phil Alden Robinson, Evgenia Peretz, Producers: Judd Apatow, Barry Mendel, Albert Berger, Ron Yerxa) — Annie is the long-suffering girlfriend of Duncan, an obsessive fan of obscure rocker Tucker Crowe. When the acoustic demo of Tucker’s celebrated record from 25 years ago surfaces, its release leads to an encounter with the elusive rocker himself. Based on the novel by Nick Hornby. Cast: Rose Byrne, Ethan Hawke, Chris O’Dowd. World Premiere Ophelia / United Kingdom (Director: Claire McCarthy, Screenwriter: Semi Chellas, Producers: Daniel Bobker, Sarah Curtis, Ehren Kruger, Paul Hanson) — A mythic spin on Hamlet through a lens of female empowerment: Ophelia comes of age as lady-in-waiting for Queen Gertrude, and her singular spirit captures Hamlet’s affections. As lust and betrayal threaten the kingdom, Ophelia finds herself trapped between true love and controlling her own destiny. Cast: Daisy Ridley, Naomi Watts, Clive Owen, George MacKay, Tom Felton, Devon Terrell. World Premiere Puzzle / U.S.A. (Director: Marc Turtletaub, Screenwriter: Oren Moverman, Producers: Peter Saraf, Wren Arthur, Guy Stodel) — Agnes, taken for granted as a suburban mother, discovers a passion for solving jigsaw puzzles which unexpectedly draws her into a new world – where her life unfolds in ways she could never have imagined. Cast: Kelly Macdonald, Irrfan Khan, David Denman, Bubba Weiler, Austin Abrams, Liv Hewson. World Premiere Untitled Debra Granik Project / U.S.A. (Director: Debra Granik, Screenwriters: Debra Granik, Anne Rosellini, Producers: Anne Harrison, Linda Reisman, Anne Rosellini) — A father and daughter live a perfect but mysterious existence in Forest Park, a beautiful nature reserve near Portland, Oregon, rarely making contact with the world. A small mistake tips them off to authorities sending them on an increasingly erratic journey in search of a place to call their own. Cast: Ben Foster, Thomasin Harcourt McKenzie, Jeff Korber, Dale Dickey. World Premiere What They Had / U.S.A. (Director and screenwriter: Elizabeth Chomko) — Bridget returns home to Chicago at her brother’s urging to deal with her mother’s Alzheimer’s and her father’s reluctance to let go of their life together. Cast: Hilary Swank, Michael Shannon, Blythe Danner, Robert Forster. World Premiere

    DOCUMENTARY PREMIERES

    Bad Reputation / U.S.A. (Director: Kevin Kerslake, Screenwriter: Joel Marcus, Producers: Peter Afterman, Carianne Brinkman) — A look at the life of Joan Jett, from her early years as the founder of The Runaways and first meeting collaborator Kenny Laguna in 1980 to her enduring presence in pop culture as a rock ‘n’ roll pioneer . World Premiere Believer / U.S.A. (Director: Don Argott, Producers: Heather Parry, Sheena M. Joyce, Robert Reynolds) — Imagine Dragons’ Mormon frontman Dan Reynolds is taking on a new mission to explore how the church treats its LGBTQ members. With the rising suicide rate amongst teens in the state of Utah, his concern with the church’s policies sends him on an unexpected path for acceptance and change. World Premiere Chef Flynn / U.S.A. (Director: Cameron Yates, Producer: Laura Coxson) — Ten-year-old Flynn transforms his living room into a supper club, using his classmates as line cooks and serving a tasting menu foraged from his neighbors’ backyards. With sudden fame, Flynn outgrows his bedroom kitchen and mother’s camera, and sets out to challenge the hierarchy of the culinary world. World Premiere The Game Changers / U.S.A. (Director: Louie Psihoyos, Screenwriters: Mark Monroe, Joseph Pace, Producers: Joseph Pace, James Wilks) — James Wilks, an elite special forces trainer and winner of The Ultimate Fighter, embarks on a quest for the truth in nutrition and uncovers the world’s most dangerous myth. World Premiere Generation Wealth / U.S.A. (Director: Lauren Greenfield, Producers: Lauren Greenfield, Frank Evers) — Lauren Greenfield’s postcard from the edge of the American Empire captures a portrait of a materialistic, image-obsessed culture. Simultaneously personal journey and historical essay, the film bears witness to the global boom–bust economy, the corrupted American Dream and the human costs of late stage capitalism, narcissism and greed. World Premiere. DAY ONE Half The Picture / U.S.A. (Director: Amy Adrion, Producers: Amy Adrion, David Harris) — At a pivotal moment for gender equality in Hollywood, successful women directors tell the stories of their art, lives and careers. Having endured a long history of systemic discrimination, women filmmakers may be getting the first glimpse of a future that values their voices equally. World Premiere Jane Fonda in Five Acts / U.S.A. (Director: Susan Lacy, Producers: Susan Lacy, Jessica Levin, Emma Pildes) — Girl next door, activist, so-called traitor, fitness tycoon, Oscar winner: Jane Fonda has lived a life of controversy, tragedy and transformation – and she’s done it all in the public eye. An intimate look at one woman’s singular journey. World Premiere King In The Wilderness / U.S.A. (Director: Peter Kunhardt, Producers: George Kunhardt, Teddy Kunhardt) From the passage of the Voting Rights Act in 1965 to his assassination in 1968, Martin Luther King, Jr. remained a man with an unshakeable commitment to nonviolence in the face of an increasingly unstable country. A portrait of the last years of his life. World Premiere Quiet Heroes / U.S.A. (Director: Jenny Mackenzie, Co-Directors: Jared Ruga, Amanda Stoddard, Producers: Jenny Mackenzie, Jared Ruga, Amanda Stoddard) — In Salt Lake City, Utah, the socially conservative religious monoculture complicated the AIDS crisis, where patients in the entire state and intermountain region relied on only one doctor. This is the story of her fight to save a maligned population everyone else seemed willing to just let die. World Premiere RBG / U.S.A. (Directors and producers: Betsy West, Julie Cohen) — An intimate portrait of an unlikely rock star: Justice Ruth Bader Ginsburg. With unprecedented access, the filmmakers show how her early legal battles changed the world for women. Now this 84-year-old does push-ups as easily as she writes blistering dissents that have earned her the title “Notorious RBG.” World Premiere Robin Williams: Come Inside My Mind / U.S.A. (Director: Marina Zenovich, Producers: Alex Gibney, Shirel Kozak) — This intimate portrait examines one of the world’s most beloved and inventive comedians. Told largely through Robin’s own voice and using a wealth of never-before-seen archive, the film takes us through his extraordinary life and career and reveals the spark of madness that drove him. World Premiere STUDIO 54 / U.S.A. (Director: Matt Tyrnauer, Producers: Matt Tyrnauer, John Battsek, Corey Reeser) — Studio 54 was the pulsating epicenter of 1970s hedonism: a disco hothouse of beautiful people, drugs, and sex. The journeys of Ian Schrager and Steve Rubell — two best friends from Brooklyn who conquered New York City — frame this history of the “greatest club of all time.” World Premiere Won’t You Be My Neighbor? / U.S.A. (Director: Morgan Neville, Producers: Caryn Capotosto, Nicholas Ma) — Fred Rogers used puppets and play to explore complex social issues: race, disability, equality and tragedy, helping form the American concept of childhood. He spoke directly to children and they responded enthusiastically. Yet today, his impact is unclear. Have we lived up to Fred’s ideal of good neighbors? World Premiere. SALT LAKE CITY OPENING NIGHT FILM

    MIDNIGHT

    Arizona / U.S.A. (Director: Jonathan Watson, Screenwriter: Luke Del Tredici, Producers: Dan Friedkin, Bradley Thomas, Ryan Friedkin, Danny McBride, Brandon James) — Set in the midst of the 2009 housing crisis, this darkly comedic story follows Cassie Fowler, a single mom and struggling realtor whose life goes off the rails when she witnesses a murder. Cast: Danny McBride, Rosemarie DeWitt, Luke Wilson, Lolli Sorenson, Elizabeth Gillies, Kaitlin Olson. World Premiere Assassination Nation / U.S.A. (Director and screenwriter: Sam Levinson, Producers: David Goyer, Anita Gou, Kevin Turen, Aaron L. Gilbert, Matthew J. Malek) — This is a one-thousand-percent true story about how the quiet, all-American town of Salem, Massachusetts, absolutely lost its mind. Cast: Odessa Young, Suki Waterhouse, Hari Nef, Abra, Bill Skarsgard, Bella Thorne. World Premiere Mandy / Belgium, U.S.A. (Director: Panos Cosmatos, Screenwriters: Panos Cosmatos, Aaron Stewart-Ahn, Producers: Daniel Noah, Josh Waller, Elijah Wood, Nate Bolotin, Adrian Politowski) — Pacific Northwest. 1983 AD. Outsiders Red Miller and Mandy Bloom lead a loving and peaceful existence. When their pine-scented haven is savagely destroyed by a cult led by the sadistic Jeremiah Sand, Red is catapulted into a phantasmagoric journey filled with bloody vengeance and laced with fire. Cast: Nicolas Cage, Andrea Riseborough, Linus Roache, Olwen Fouéré, Richard Brake, Bill Duke. World Premiere Never Goin’ Back / U.S.A.  (Director and screenwriter: Augustine Frizzell, Producers: Toby Halbrooks, Liz Cardenas , James Johnston, David Lowery) — Jessie and Angela, high school dropout BFFs, are taking a week off to chill at the beach. Too bad their house got robbed, rent’s due, they’re about to get fired and they’re broke. Now they’ve gotta avoid eviction, stay out of jail and get to the beach, no matter what!!! Cast: Maia Mitchell, Cami Morrone, Kyle Mooney, Joel Allen, Kendal Smith, Matthew Holcomb. World Premiere Piercing / U.S.A. (Director and screenwriter: Nicolas Pesce, Producers: Josh Mond, Antonio Campos, Schuyler Weiss, Jake Wasserman) — In this twisted love story, a man seeks out an unsuspecting stranger to help him purge the dark torments of his past. His plan goes awry when he encounters a woman with plans of her own. A playful psycho-thriller game of cat-and-mouse based on Ryu Murakami’s novel. Cast: Christopher Abbott, Mia Wasikowska, Laia Costa, Marin Ireland, Maria Dizzia, Wendell Pierce. World Premiere Revenge / France (Director and screenwriter: Coralie Fargeat, Producers: Marc-Etienne Schwartz, Jean-Yves Robin, Marc Stanimirovic) — Three wealthy married men get together for their annual hunting game in a desert canyon. This time, one of them has brought along his young mistress, who quickly arouses the interest of the other two. Things get dramatically out of hand as a hunting game turns into a ruthless manhunt. Cast: Matilda Lutz, Kevin Janssens, Vincent Colombe, Guillaume Bouchede, Jean-Louis Tribes. Utah Premiere Summer of ’84 / Canada, U.S.A. (Directors: Francois Simard, Anouk Whissell, Yoann Whissell, Screenwriters: Matt Leslie, Stephen J. Smith, Producers: Shawn Williamson, Jameson Parker, Matt Leslie, Van Toffler, Cody Zwieg) — Summer, 1984: a perfect time to be a carefree 15-year-old. But when neighborhood conspiracy theorist Davey Armstrong begins to suspect his police officer neighbor might be the serial killer all over the local news, he and his three best friends begin an investigation that soon turns dangerous. Cast: Graham Verchere, Judah Lewis, Caleb Emery, Cory Grüter-Andrew, Tiera Skovbye, Rich Sommer. World Premiere

    SPOTLIGHT

    BEAST / United Kingdom (Director and screenwriter: Michael Pearce, Producers: Ivana MacKinnon, Lauren Dark, Kristian Brodie) — In a small island community, a troubled young woman falls for a mysterious outsider who empowers her to escape from her oppressive family. When he comes under suspicion for a series of brutal murders, she learns what she’s capable of as she defends him at all costs. Cast: Jessie Buckley, Johnny Flynn, Trystan Gravelle, Geraldine James, Charley Palmer Rothwell. U.S. Premiere The Death of Stalin / France, United Kingdom, Belgium (Director: Armando Iannucci, Screenwriters: Armando Iannucci, David Schneider, Ian Martin, Producers: Yann Zenou, Laurent Zeitoun, Nicolas Duval Adassovsky, Kevin Loader) — The internal political landscape of 1950’s Soviet Russia through a darkly comic lens. In the days following Stalin’s collapse, his core ministers tussle for control; some want positive change, others have more sinister motives. Their one common trait? They’re all just desperately trying to remain alive. Cast: Steve Buscemi, Jeffrey Tambor, Andrea Riseborough, Rupert Friend, Olga Kurylenko, Jason Isaacs. U.S. Premiere Foxtrot / Israel (Director and screenwriter: Samuel Maoz, Producers: Michael Weber, Viola Fügen, Eitan Mansuri, Cedomir Kolar, Marc Baschet, Michel Merkt) — Michael and Dafna are devastated when army officials show up at their home, announcing the death of their son Jonathan. While his sedated wife rests, Michael spirals into a whirlwind of anger only to experience one of life’s unfathomable twists, which rivals his son’s surreal military experiences. Cast: Lior Ashkenazi, Sarah Adler, Yonatan Shiray. I Am Not a Witch / United Kingdom (Director and screenwriter: Rungano Nyoni, Producers: Juliette Grandmont, Emily Morgan) — After a minor incident, nine-year old Shula is exiled to a witch camp where she is told that if she escapes, she’ll be transformed into a goat. As she navigates through her new life, she must decide whether to accept her fate or risk the consequences of seeking freedom. Cast: Margaret Mulubwa, Henry B.J. Phiri, Nancy Mulilo, Margaret Sipaneia. U.S. Premiere The Rider / U.S.A. (Director and screenwriter: Chloé Zhao, Producers: Chloé Zhao, Bert Hamelinck, Sacha Ben Harroche, Mollye Asher) — After a tragic riding accident, young cowboy and rising rodeo circuit star Brady Jandreau is told that his competition days are over. In an attempt to regain control of his fate, Brady undertakes a search for new identity and tries to redefine his idea of manhood in America’s heartland. Cast: Brady Jandreau, Tim Jandreau, Lily Jandreau, Lane Scott, Cat Clifford. Utah Premiere Super Size Me 2: Holy Chicken! / U.S.A. (Director: Morgan Spurlock, Screenwriters: Jeremy Chilnick, Morgan Spurlock, Producers: Keith Calder, Jessica Calder, Spencer Silna, Nicole Barton, Jeremy Chilnick, Matthew Galkin) — Muckraking filmmaker Morgan Spurlock reignites his battle with the food industry – this time from behind the register – as he opens his own fast food restaurant. U.S. Premiere

    KIDS

    Lu Over the Wall / Japan (Director: Masaaki Yuasa, Screenwriters: Reiko Yoshida, Masaaki Yuasa, Producer: Eunyoung Choi) — Kai is a lonely teenage boy who lives in a small fishing village. One day, he meets and befriends Lu, a fun-loving mermaid whose singing is hypnotic to all who hear it. But the townspeople have always thought that mermaids bring disaster… World Premiere Science Fair / U.S.A. (Directors: Cristina Costantini, Darren Foster, Producers: Cristina Costantini, Darren Foster, Jeffrey Plunkett) — Nine high school students from around the globe navigate rivalries, setbacks, and of course, hormones, on their journey to compete at the international science fair. Facing off against 1,700 of the smartest, quirkiest teens from 78 different countries, only one will be named Best in Fair. World Premiere White Fang / U.S.A. (Director: Alexandre Espigares, Screenwriters: Dominique Monfery, Philippe Lioret, Serge Frydman, Producers: Jeremie Fajner, Clement Calvet, Peter Saraf, Marc Turtletaub) — An updated reimagining of Jack London’s classic novel, this thrilling tale of kindness, survival and the twin majesties of the animal kingdom and mankind traces the loving and magnificent hero White Fang, whose intense curiosity leads him on the adventure of a lifetime. Cast: Rashida Jones, Nick Offerman, Eddie Spears, Paul Giamatti. World Premiere

    Read more