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  • 42nd Atlanta Film Festival to Feature Lineup of Record +200 Films, ‘EIGHTH GRADE’ ‘BLINDSPOTTING’ ‘TULLY’ and More

    [caption id="attachment_27761" align="aligncenter" width="1200"]Eighth Grade Eighth Grade[/caption] The 42nd Annual Atlanta Film Festival (ATLFF), less than a month away, announced the full lineup of films includes 58 feature length films and 150 short films from 56 countries, along with special programming, that will take place from April 12 to April 22, 2018. Director Bo Burnham, the comedian known for his popular stand-up routines and YouTube career, will attend the Closing Night presentation of his new film EIGHTH GRADE at the Plaza Theatre on Saturday, April 21. EIGHTH GRADE joins ATLFF’s previously announced Opening Night and Marquee presentations, including BLINDSPOTTING from ‘Hamilton’ actor and Tony Award-winner Daveed Diggs and TULLY from the Academy Award® -nominated director Jason Reitman. “The growth of the Atlanta Film Festival reflects the rising importance of Georgia’s film industry, and we’re proud to showcase that connection by hosting a record 49 films with Georgia ties,” ATLFF Executive Director Christopher Escobar said. “We are 100 percent committed to providing a unique festival experience that honors our roots and creates a diverse opportunity for filmmakers of all levels, while also displaying an important role that our city represents in the film and television community.” The Atlanta Film Festival is pleased to showcase diverse feature and short films that connect audiences to filmmakers from around the world. This year, ATLFF will host the world premiere of seven feature-length films and more than 50 short films during the 2018 festival. In addition, 68 percent of this year’s selected submissions were directed by either a woman or filmmaker of color.

    OPENING NIGHT PRESENTATION

    BLINDSPOTTING Directed by Carlos López Estrada USA, 2018, English, 95 minutes Collin (Daveed Diggs) must make it through his final three days of probation for a chance at a new beginning.  He and his troublemaking childhood best friend, Miles (Rafael Casal), work as movers and are forced to watch their old neighborhood become a trendy spot in the rapidly gentrifying Bay Area. When a life-altering event causes Collin to miss his mandatory curfew, the two men struggle to maintain their friendship as the changing social landscape exposes their differences. Lifelong friends Daveed Diggs and Rafael Casal co-wrote and star in this timely and wildly entertaining story about friendship and the intersection of race and class set against the backdrop of Oakland.  Bursting with energy, style and humor, “Blindspotting,” boldly directed by Carlos López Estrada in his feature film debut, is a provocative hometown love letter that glistens with humanity. Actors/Writers/Producers Daveed Diggs & Rafael Casal are scheduled to attend. Prior to the film, Daveed Diggs will be presented with the ATLFF Innovator Award.

    CLOSING NIGHT PRESENTATION

    EIGHTH GRADE Directed by Bo Burnham USA, 2018, English, 94 minutes Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school—the end of her thus far disastrous eighth grade year—before she begins high school.

    MARQUEE FILMS

    AMERICAN ANIMALS Directed by Bart Layton USA, 2018, English, 117 minutes The unbelievable but true story of four young men who mistake their lives for a movie and attempt one of the most audacious art heists in US history. #Marquee HEARTS BEAT LOUD Directed by Brett Haley USA, 2018, English, 97 minutes Frank (Nick Offerman) and his daughter Sam (Kiersey Clemons) form a songwriting duo shortly before she leaves for college. As they grow closer through their music, Frank must come to terms with letting go of his daughter. Toni Collette, Ted Danson, Sasha Lane and Blythe Danner also star. #Marquee LEAN ON PETE Directed by Andrew Haigh UK/USA, 2017, English, 121 minutes Fifteen-year-old Charley Thompson (Charlie Plummer) arrives in Portland, Oregon with his single father Ray (Travis Fimmel), both of them eager for a fresh start after a series of hard knocks. While Ray descends into personal turmoil, Charley finds acceptance and camaraderie at a local racetrack where he lands a job caring for an aging Quarter Horse named Lean On Pete. The horse’s gruff owner Del Montgomery (Steve Buscemi) and his seasoned jockey Bonnie (Chloë Sevigny) help Charley fill the void of his father’s absence—until he discovers that Pete is bound for slaughter, prompting him to take extreme measures to spare his new friend’s life. Charley and Pete head out into the great unknown, embarking on an odyssey across the new American frontier in search of a loving aunt Charley hasn’t seen in years. They experience adventure and heartbreak in equal measure, but never lose their irrepressible hope and resiliency as they pursue their dream of finding a place they can call home. #Marquee LEAVE NO TRACE Directed by Debra Granik USA, 2018, English, 108 minutes Will (Ben Foster) and his teenage daughter, Tom (Harcourt McKenzie), have lived off the grid for years in the forests of Portland, Oregon. When their idyllic life is shattered, both are put into social services. After clashing with their new surroundings, Will and Tom set off on a harrowing journey back to their wild homeland. #NewMavericks, #Marquee A PRAYER BEFORE DAWN Directed by Jean-Stéphane Sauvaire France/Thailand/UK, 2017, English/Thai, 116 minutes “A Prayer Before Dawn” is the remarkable true story of Billy Moore, a young English boxer incarcerated in two of Thailand’s most notorious prisons. He is quickly thrown into a terrifying world of drugs and gang violence, but when the prison authorities allow him to take part in the Muay Thai boxing tournaments, he realizes this might be his chance to get out. Billy embarks on a relentless, action-packed journey from one savage fight to the next, stopping at nothing to do whatever he must to preserve his life and regain his freedom. Shot in a an actual Thai prison with a cast of primarily real inmates, “A Prayer Before Dawn” is a visceral, thrilling journey through an unforgettable hell on earth. #Marquee RBG Directed by Betsy West, Julie Cohen USA, 2018, English, 97 minutes U.S. Supreme Court Justice Ginsburg has created a breathtaking legal legacy for women’s rights while becoming an unexpected pop culture icon. The personal journey of this diminutive, quiet warrior’s rise to the nation’s highest court during a hostile time for women, is revealed in this inspiring and multidimensional portrait. Now 84, Ginsburg refuses to relinquish her passionate duty, continues to have vigorous dissenting opinions and her exercise workouts. #NewMavericks, #Marquee SUMMER 03 Directed by Becca Gleason USA, 2018, English, 96 minutes Inspired by true events, “Summer 03” centers on Jamie, a 16-year-old girl (Joey King) and her extended family who are left reeling after her calculating grandmother (June Squibb) unveils an array of family secrets on her deathbed. Jamie is left to navigate her nascent love life and maintain her closest friendships in the midst of this family crisis. #Georgia, #NewMavericks, #Marquee TULLY Directed by Jason Reitman USA, 2018, English, 94 minutes A new comedy from Academy Award-nominated director Jason Reitman (“Up in the Air”) and Academy Award-winning screenwriter Diablo Cody (“Juno”). Marlo (Academy Award-winner Charlize Theron), a mother of three including a newborn, is gifted a night nanny by her brother (Mark Duplass). Hesitant to the extravagance at first, Marlo comes to form a unique bond with the thoughtful, surprising, and sometimes challenging young nanny named Tully (Mackenzie Davis). #Marquee WON’T YOU BE MY NEIGHBOR? Directed by Morgan Neville USA, 2018, English, 94 minutes Academy Award®-winning filmmaker Morgan Neville’s latest documentary takes an intimate look at America’s favorite neighbor: Mister Fred Rogers. A portrait of a man whom we all think we know, this documentary is an emotional and moving film that takes you beyond zip-up cardigans and the land of make-believe, and into the heart of a creative genius, who inspired generations of children with compassion and limitless imagination. #FamilyFriendly, #Marquee YOU WERE NEVER REALLY HERE Directed by Lynne Ramsay UK/France/USA, 2017, English, 85 minutes A traumatized veteran, unafraid of violence, tracks down missing girls for a living. When a job spins out of control, Joe’s nightmares overtake him as a conspiracy is uncovered leading to what may be his death trip or his awakening. #Marquee

    NARRATIVE FEATURES

    LOS AÑOS AZULES (THE BLUE YEARS) Directed by Sofía Gómez-Córdova Mexico, 2017, Spanish, 103 minutes Four young adults as different as the four seasons have managed to craft a home for themselves in the shattered relic of a once beautiful house. When a new tenant throws a wrench into their precariously balanced dynamic, the group will both grow closer and drift apart as they journey into adulthood. #CineMás  I’M HERE Directed by Noor Gharzeddine USA/Lebanon, 2018, Arabic/English, 83 minutes Kirsten, brazen American post-grad, befriends her next-door neighbor, Nadine, an intelligent mother relegated to full-time Beirut housewife. The greater the unlikely friendship grows, the harder it becomes for the women to dismiss the obvious abuse and neglect of Nadine’s husband. As the final days of Kirsten’s life in Beirut draw to a close, Nadine must face her husband and settle things once and for all. #NewMavericks, #WorldPremiere CABEZA MADRE (MOTHER’S HEAD) Directed by Edouard Salier Cuba/France, 2017, Spanish, 89 minutes John, a first-generation American, travels to visit his estranged mother in her home country of Cuba for the first time in years. Upon his arrival John is shocked to learn that not only was his mother mixed up with a checkered group of criminals, but she has died in incredibly extreme circumstances. Desperately seeking answers, John will be forced to reckon with the realities of his mother’s life and answer to his own responsibility in her fate. #CineMás CARDINALS Directed by Grayson Moore, Aidan Shipley Valerie has just returned home from a prison sentence served for a drunk driving accident that cost her neighbor his life. All Valerie wants is to return to a normal life with her husband and two daughters, but when her victim’s son shows up at her door it becomes clear that the past is not behind her. His lingering suspicions cast doubt on her motivations – was his father’s death an accident after all? #Competition CLARA’S GHOST Directed by Bridey Elliott USA, 2018, English, 93 minutes Clara Reynolds is the under-appreciated matriarch of a family in the spotlight. Her husband is an aging comedian that is beginning to recognize his career may be behind him and her daughters are a pair of former child stars attempting to claim a place in the industry as adults. When the family reunites at their home in rural New England, Clara’s long tradition of being relegated to the sidelines drives her to a breaking point. Desperate for connection, Clara finally finds it with the ghost of a woman who only has eyes for her. #NewMavericks DEAD PIGS Directed by Cathy Yan China, 2017, Chinese/English, 132 minutes A Chinese farmer loses his livelihood when pigs mysteriously die across the country. An eccentric woman fights to save her family home from encroaching gentrification, as an American expat architect spearheads the same project in order to make a name for himself in a new land. A young man scraping by as a busboy in a glitzy Shanghai restaurant enters a complicated relationship with a young socialite seeking something outside of her privileged upbringing. As the government struggles to explain the dead pig crisis, each of these stories interconnects in surprising ways as our motley cast of characters searches for a meaningful life. #Competition DISAPPEARANCE Directed by Ali Asgari Iran/Qatar, 2017, Persian, 88 minutes When a young virgin decides to sleep with her boyfriend, she finds herself under threat from her conservative society. Desperate for a solution, the couple travels from hospital to hospital searching for help and finds their relationship tested in the face of the consequences of their actions. #Competition FACADES Directed by Nathalie Basteyns, Kaat Beels Belgium, 2017, Dutch/French, 91 minutes Alex’s world is turned upside down when her mother abruptly abandons her dementing father. But when Alex moves home to care from him, she finds herself forced to confront a traumatic incident from her childhood and the things she should not have seen. The journey to reckon with her past will find Alex addressing the ways her parents’ marriage has shaped her own relationships, most importantly with her adulterous husband. In order to move forward, Alex must confront the reality of her past. #Competition, #NewMavericks FAT TUESDAY Directed by Jorge Torres-Torres USA, 2017, English, 80 minutes Caught up in the glitz and pageantry of Mardi Gras, a group of friends find themselves enamored with the infamous city of New Orleans. However, as their celebratory night draws to a close, a sinister presence begins to prey upon the unsuspecting tourists. IN THE SHADOWS Directed by Dipesh Jain UK/India, 2017, Hindi, 117 minutes A reclusive shopkeeper spends his life isolated from the outside world, interacting with his home of Old Delhi solely through hidden closed-circuit cameras. Meanwhile, a boy struggles to protect his mother and younger brother from the harsh sting of his father’s hands. When the shopkeeper overhears this abuse he must break free from his self-imposed prison in order to help the boy, discovering a shocking truth along the way. IT’S A PARTY Directed by Weldon Wong Powers USA, 2018, English, 78 minutes Successful Atlanta rap artist Cory Masters is late for his own surprise birthday party. While his friends anxiously await his arrival, each one individually addresses their own existential crisis. As the night drags on, hilarity ensues amongst the party-goers as they ponder life, careers, and relationships with Cory. Get yo’ a** to the party. #Georgia LAMP LIGHT Directed by Mason Rey USA, 2018, English, 90 minutes Crippled by insecurity and doubt, Don Gos struggles with a stilted career and dating life. As he contemplates his failures while driving home one evening, a tunnel collapses on top of him. Buried alive with no hope of rescue, he is unsure of whether or not he will survive and he ceremoniously bids adieu to the rest of his life. #Georgia, #WorldPremiere MELOCOTONES (PEACHES) Directed by Hector Valdez Dominican Republic/UK, 2017, Spanish/English, 80 minutes In the retrofuture, Diego attempts to salvage his relationship with girlfriend Laura by taking her to the hotel where they once vacationed as a happy couple. But when they arrive, the hotel is no longer in business and Laura’s ex-boyfriend shows up, demanding to have her back. In an attempt to rectify the situation, Diego accidentally traps himself and Laura in a continuous time loop. #CineMás NEVER STEADY, NEVER STILL Directed by Kathleen Hepburn Canada, 2017, English, 111 minutes Living in a remote part of Canada, Judy battles daily with the pain and inconvenience of Parkinson’s Disease. After her husband dies suddenly, Judy’s world is turned upside down, leaving her with the daunting task of caring for herself. Judy’s son Jamie has recently left home at his father’s insistence to find work on the harsh Canadian oil fields. In the face of his mother’s illness, Jamie will grapple with balance between his responsibility to her and his mother’s desire to see him forge his own life. #NewMavericks POOR JANE Directed by Katie Orr USA, 2017, English, 89 minutes Jane is a stay at home mom who has just realized she doesn’t love her husband anymore. She decides to bid her family adieu for the holidays and spends her time reconnecting with herself by dating other men, reconnecting with old flames, and writing poetry. When the holidays are over, Jane must choose between her new life or the one she left behind. #Georgia, #NewMavericks PRISON LOGIC Directed by Romany Malco USA, 2018, English, 93 minutes Two college students film a documentary on larger-than-life, chain-smoking inmate Tijuana Jackson, who is currently serving time in prison. After he is released, Tijuana arrives back home where he is met with the demands of both his family and his parole officer. He leaves home and embarks on a road trip to follow his dreams of becoming a life coach and motivational speaker, but is met with some surprises along the way. RESTOS DE VIENTO (WIND TRACES) Directed by Jimena Montemayor Loyo Mexico, 2017, Spanish, 93 minutes In the wake of losing their father and patriarch, a family drifts aimlessly through life. The mother, Carmen, struggles with depression and the task of caring for her children in the wake of her abandonment. Disappointed by the adults in her life, oldest daughter Ana shuts down while her brother opens himself up to the mysterious otherworldly figure that has suddenly appeared in his life. Together, the family will have to grow and let go of their fears in order to survive. #Competition, #CineMás, #NewMavericks SAVAGE YOUTH Directed by Michael Curtis Johnson USA, 2018, English, 97 minutes Elena, an aspiring young artist, meets and falls in love with Jason, a horrorcore rapper. Suddenly engrossed in his world, Elena finds herself binging drugs and alcohol as her young love quickly fizzles. Driven into a friendship with drug dealer Gabe, Elena tries to find herself within this new world. But when a robbery in the midst of a house party goes terribly wrong, Elena will be thrust into a much more violent and dangerous confrontation. STILL Directed by Takashi Doscher USA, 2018, English, 88 minutes When Lily (Madeline Brewer) loses her way on a hike through the Appalachian wilderness, she finds rescue in the form of a peculiar married couple, Ella (Lydia Wilson) and Adam (Nick Blood), who have completely isolated themselves from the outside world. As the couple nurses Lily back to health, she begins to discover evidence of a dark and dangerous secret a century in the making. As Ella and Nick’s mystery begins to unravel, Lily comes to understand the couple’s desperation to keep themselves hidden from the world. #Georgia, #WorldPremiere STRANGE COLOURS Directed by Alena Lodkina Australia, 2017, English, 85 minutes When Milena learns her estranged father has fallen ill, she travels to the remote opal mining community he calls home. Crossing paths with many of the fellow male miners, Milena discovers the opals themselves are not nearly the most colorful facet of this freedom oasis. As the bond between father and daughter strives to mend, Milena discovers that the “here and now” may be far more valuable than any unearthed gem. #Competition, #NewMavericks T-JUNCTION Directed by Amil Shivji Tanzania, 2017, Swahili, 106 minutes When her estranged father suddenly passes, Fatima finds herself struggling to mourn a person to which she had no connection. As she helps her grieving mother collect records from the nearby hospital, she meets Maria, a patient with a complex past and mysterious injuries. Maria begins to tell Fatima a story of her home, T-Junction, and the family that she found amongst its colorful residents. As the two women bond, Fatima begins to come to terms with the complexity of her own home, family, and life. TELL ME YOUR NAME Directed by Jason DeVan USA, 2018, English, 89 minutes Abused by her father and abandoned by her mother as a young child, Ashley is sent to live with her estranged Aunt Tanya.  During her stay, she becomes obsessed with investigating the disappearance of her mother and she calls upon the spirit world to answer her questions.  In her quest, she is ensnared by a powerful demon who refuses to leave its host. #Georgia THY KINGDOM COME Directed by Eugene Richards USA, 2018, English, 42 minutes A priest visits the residents of a small town and demonstrates the healing power of listening. From prisons to living rooms, the priest compassionately listens to people from all walks of life openly reveal their deepest secrets, hopes and dreams as they struggle to reconcile their past with their present. #Competition TIGRE Directed by Silvina Schnicer, Ulises Porra Guardiola Argentina, 2017, Spanish, 92 minutes Sixty-five year old Rina visits her home in the Tigre Delta accompanied by her forty-something friend Elena. They await the arrival of their estranged children, hoping that the island sanctuary will create a space for reconnection. Instead, they find that the home is threatened by encroaching industrialization and their children feel more distant than ever. The two women struggle to hold onto a way of life that may be already out of reach. #Competition, #CineMás, #NewMavericks VENUS Directed by Eisha Marjara Canada, 2017, English, 95 minutes Having recently embraced her own identity, Sid, a transgender woman, finds herself tangled in a complex web of expectations and aspirations when she discovers she has a 14-year-old son. With new relationships adding to the struggle of culture, religion, and romance in Sid’s journey to acceptance, everyone’s in for a wild ride. #PinkPeach WHEN SHE RUNS Directed by Robert Machoian, Rodrigo Ojeda-Beck USA/Denmark, 2018, English, 71 minutes Kirstin, a young wife and mother, competes for a spot in the the Olympic trials. In her quest to win, she sacrifices it all as she moves out of her house and leaves behind her husband and young son. While her marriage and finances suffer, she trains obsessively, embarking on a strict diet, exercise and motivational plan she hopes will bring her to Olympic gold. YAMASONG: MARCH OF THE HOLLOWS Directed by Sam Koji Hale USA, 2017, English, 95 minutes In a futuristic world filled with fantastical, mechanized creatures, one automaton girl joins forces with a tortoise warrior and a band of outlaws to defeat a sinister army bent on world domination. Their only hope? A perilous journey to find a legendary relic with the power to save them all. Starring Nathan Fillion, Abigail Breslin, Whoopi Goldberg, Malcolm McDowell, Bruce Davison, Freida Pinto, George Takei, Peter Weller and Ed Asner, “Yamasong: March of the Hollows” is the first feature length non-muppet puppetry film in over a decade. #FamilyFriendly, #WorldPremiere

    DOCUMENTARY FEATURES

    ABU Directed by Arshad Khan Canada/Pakistan, 2017, English/Urdu/Hindi, 80 minutes Using home videos and classic Bollywood films, a filmmaker crafts an intimate portrait of his Pakistani-Muslim family grappling with the realities of having a gay son in a modern world. Torn between sexuality and religion, tradition and migration, a gay son and his father test the boundaries of love, home, and the meaning of family. #PinkPeach ARMED WITH FAITH Directed by Geeta Gandbhir, Asad Faruqi USA/ Pakistan, 2017, Pashto/Urdu, 74 minutes Hidden within the mountainous border of Pakistan and Afghanistan are some of the most violent homegrown terrorist groups. For years, Al-Qaeda and the Taliban have attacked local Pakistani residents with improvised explosive devices in a bid to control the region. Operating on a low budget and scarce resources, the Khyber Pakhtunkhwa Bomb Disposal Unit risk their lives daily to counter this terrorism and safeguard their neighbors with their unparalleled faith and courage. BLACK MEMORABILIA Directed by Chico Colvard USA/China, 2018, English/Chinese, 64 minutes In the history of racism in the United States, one major physical manifestation of oppression has survived into the present, wrapped in the protective embrace of antiquity and historical preservation—black memorabilia. What was once a brand of trinket that played on racial stereotypes for the delight of white buyers, finds itself suspended in a limbo of race and time. As different forces in the United States fight to preserve, consume, and reclaim black memorabilia, the journey to address present day racism is only further complicated by industrialization in China and a desire to save cultural context for future generations. #Competition COCAINE PRISON Directed by Violeta Ayala Bolivia/Australia/France/USA, 2017, Spanish, 77 minutes In a world dominated by drug trade and ineffectual police forces, it is often the lowest, replaceable workers in the hierarchy who find themselves imprisoned. Enter the claustrophobic world of Bolivia’s infamous San Sebastian prison. This detailed look at a broken system of arrests and jail time follows the story of one young cocaine mule, Hernan, as he suffers the same fate a countless other disposable workers. At the same time, his sister, Deisy, treds a careful line between freeing her brother and avoiding entanglement in the same cocaine trade that destroyed his life. #CineMás FREEDOM FOR THE WOLF Directed by Rupert Russell Hong Kong/Tunisia/India/USA/Germany, 2018, English/Mandarin/Arabic/Hindi, 89 minutes What is a democracy? Across the globe, this heralded form of government is under attack by the very leaders it elected. In this groundbreaking documentary, we follow the crisis of faith in five different countries. From Hong Kong, to Tunisia, to India, to Japan, and even to the so called birthplace of democracy—the United States of America—what was once believed to be the pinnacle of human society is being torn at by hungry wolves seeking power and status for themselves. In the face of threats that come in the guise of friendly leaders, what can the people do to save their democratic freedoms? Can the tides be turned back, or is “freedom for the wolf” destined to bring “death for the sheep?” #Competition INGRID Directed by Morrisa Maltz USA, 2018, English, 52 minutes Ingrid, a successful fashion designer and mother, dropped everything to create a new life for herself in the middle of the woods. Since then, she has carved out an isolated existence, surviving off her own wit and labor while creating art from the land she now calls home. But as Ingrid’s past is uncovered in this meditative documentary, the question of what drives someone to leave a life of ordinary comforts to pursue a life spent in solitude comes to light. #Competition, #NewMavericks ISLAND SOLDIER Directed by Nathan Fitch USA/Federated States of Micronesia/Afghanistan, 2017 English/Kosraean, 85 minutes Every year, young Micronesian citizens leave their families and island homes on military deployment—as United States soldiers fighting for the American dream. Torn between the failing economics of their native country and a complicated historical relationship with the United States, these young islanders become the pieces is larger puzzle that pits jobs and security against the reality of fighting for a country you neither belong to nor have any rights in. #Georgia LIYANA Directed by Aaron Kopp, Amanda Kopp USA/Swaziland, 2017, English/siSwati, 77 minutes Five orphaned children living in Swaziland collectively weave a cathartic tale of love, hope, and bravery through a fictional character they create named Liyana. When Liyana’s parents die and her brothers are kidnapped, she embarks on a perilous journey to face her darkest fears and reclaim her family’s future. While the children immerse themselves in the imaginary, the viewer catches an intimate glimpse of a truer paralleled reality and the childlike wonder that persist through it all. #Georgia, #FamilyFriendly MAN MADE Directed by T Cooper USA, 2018, English, 93 minutes At the world’s only all-transgender bodybuilding competition, four male bodybuilders take the stage. What precedes this triumphant moment are a set of personal and diverse journeys taken on the path to self-identity and empowerment. Told through the intimate and honest lens of a trans filmmaker, this documentary intertwines the nuances of manhood, the drive for social justice, and the competitive desire to forge our own paths and be our personal best. #Competition, #Georgia, #PinkPeach, #WorldPremiere MAN ON FIRE Directed by Joel Fendelman USA, 2017, English, 54 minutes Grand Saline seemed like your average small town in Texas until the day when Charles Moore, an elderly white preacher, publicly set himself on fire to protest the town’s long history of racism. Catapulted to the spotlight by this powerful act of self-harm, the ordinary small town of Grand Saline was asked to address its storied past. What was recorded instead is a town’s deeply rooted internal divisions and an overwhelming attempt to ignore and vehemently deny any wrongdoing by many members of Grand Saline’s mostly white population. MAYNARD Directed by Sam Pollard USA, 2017, English, 99 minutes In 1970, Maynard Jackson Jr. was elected as mayor of the city of Atlanta, sparking a revolution in the black community. As the first black mayor elected in a major Southern city, his campaign ignited African American voter turnout and his service in office paved the way for the creation of diversity and inclusion norms, still practiced and revered in present day. #Georgia MERMAIDS Directed by Ali Weinstein USA/Canada, 2017, English, 76 minutes All throughout the United States, there exists a vibrant and mythical subculture dedicated to the existence of real life mermaids. In the exploration of the history and present of this peculiar passion, Mermaids takes us on a journey into the lives of five incredible women who spend their free time, and sometime work hours, donning full-size tails at pools, beaches, and bars. In watching them transform into the sea-creatures of their dreams, we gain beautiful insight into the complicated lives of women who differ in every way but are drawn to the same ideal of unearthly beauty and freedom. #NewMavericks, #PinkPeach NOS LLAMAN GUERRERAS (THEY CALL US WARRIORS) Directed by Jennifer Socorro, Edwin Corona Ramos, David Alonso Venezuela/USA/Mexico/Jordan, 2018, Spanish/English, 81 minutes In a country torn apart by political and economic upheaval, a team of young women finds refuge in a sport that rises above their personal poverty and gendered social status. But when this new soccer team goes undefeated in all of South America, these women find themselves in the position to win Venezuela’s first World Cup and gain a new acceptance and voice in their home country. #Competition, #CineMás, #WorldPremiere NOTHING WITHOUT US: THE WOMEN WHO WILL END AIDS Directed by Harriet Hirshorn Burundi/France/Spain/Nigeria/USA, 2017, English/French, 67 minutes For the past 30 years, women around the world have been on the move to tear down the forces that would silence them. Forgotten and overlooked in the global fight against HIV/AIDS, these women, particularly women of color, are fighting to destroy the myths and stigmas that surround this disease. Following the lives of present day activists around the world, this documentary charts the fight of women living with HIV/AIDS while also exploring the historical blind eye turned toward women during this long epidemic. Through education, medical and emotional support, and government action, these women will not stop until their voices are heard and HIV/AIDS is eradicated. #Georgia, #NewMavericks ONIBO Directed by Julien Mauranne, Victor Guillon France/Peru, 2017, Spanish/Shipibo, 60 minutes Curious about urban life outside of their rural Peruvian village, two teenage brothers of the Amazonian Shipibo Indians leave for Lima to chase their dreams. Aware of the sage advice and dutiful hesitation of their parents, the boys arrive only to discover that dark realities are hiding inside a booming metropolis. Together, they’ll have to make their own way and reconcile their desire for modernity with an ancestral knowledge that is soon to be theirs. #Competition, #CineMás SILAS Directed by Anajli Nayar, Hawa Essuman Canada/South Africa/Kenya/Liberia, 2017, English, 80 minutes Faced with environmental destruction and governmental corruption, Liberian activist Silas Siakor is fighting back to save the country he loves. In this stunning ode to grassroots resistance, Silas highlights how the power of an individual and the use of modern technology empowers local communities to rise up and lead the environmental struggle on a global scale. #Competition TAKE LIGHT Directed by Shasha Nakhai Nigeria/Canada, 2018, Pidgin English, 78 minutes When it comes to power and electricity, Nigeria is a country in crisis. Torn between its desire to enter the global stage and its inability to provide one of the major first world utilities, the country lives in limbo. Through the door to door travellings of an optimistic electrician and a hesitant power company representative, the complicated dynamics of a country’s ineffectual energy structure and the havoc it wreaks begins to unfold. 306 HOLLYWOOD Directed by Elan Bogarín, Jonathan Bogarín USA/Italy/Hungary, 2018, English/Italian, 94 minutes After the loss of their grandmother, a brother and sister foray into the depths of magical realism to excavate and appreciate the home she left behind. Their journey examines an individual’s microcosmic universe and the physical and emotional weight that indelibly carries on after a life ends. In this documentary, the ordinary becomes the extraordinary and a New Jersey home becomes a classical ruin to be revered by archaeologists, archivists and scientists alike. #Competition WAITING FOR DAVID Directed by Emelie Svensson, Karin Oleander USA/Sweden, 2018, English, 41 minutes April 19, 1993. After a grueling 51-day standoff between the FBI and the Branch Davidian cult in Waco, Texas, over 70 members of the cult perished when their compound went up in flames. Now 25 years later, survivor Clive Doyle is still waiting for cult leader and messiah David Koresh to resurrect alongside Clive’s own deceased daughter. #WorldPremiere

    SHORT FILMS

    CARBON COPY Filaments of connection floating in projector light. Documentary, 95 minutes The Last Tape | directed by Cyprien Clément-Delmas & Igor Kosenko, Ukraine/Germany, 12:12 A young man and a veteran meet for the last time before the Ukraine war separates them. Charming Strangers | directed by Weichao Xu, USA, 22:24 Through the lens of a vintage film camera, a Chinese photographer and his 8-year-old students rediscover their experience as immigrants in the United States. #Competition Dengê min Hilgirt (Carry My Voice) | directed by Hasan Demirtas, USA/Turkey, 19:02 A personal story of love and separation against the backdrop of an episode of Kurdish history with profound consequences to this day. Hallo Salaam (Hello Salaam)| directed by Kim Brand, The Netherlands/Greece, 15:07 Two young boys visit a refugee camp on the Greek island of Lesbos. First encounters of handing out food and careful greetings soon become playful gatherings and good conversations. All The Leaves Are Brown | directed by Daniel Robin, USA, 11:00 A short film about memory, loss, family, and a sugar maple tree. #Competition, #Georgia Oma | directed by Bill Kirstein, USA, 15:24 A rich discovery in a dusty attic raises long forgotten questions for a centenarian facing the loss of her short-term memory. An exploration of memory, secrets and living to be 100. HARD WORLD FOR SMALL THINGS Portraits of young minds and steel spines. Narrative, 102 minutes Chandler | directed by Julia Kennelly, USA, 9:14 Feeling ignored on an important day, a 12-year-old girl seeks attention from an unexpected source. #NewMavericks وقت نهار  (Lunch Time) | directed by Alireza Ghasemi, Iran, 15:57 A 16 year old girl goes to the hospital to identify the body of her mother.  But age, bureaucracy, and culture might prevent her from seeing her mother one last time. Varg (Wolf) | directed by Frida Kempff & Erik Andersson, Sweden, 11:41 In the shadow of a violent threat, a young woman must decide whether or not to take action to save her family’s way of life. Marlon | directed by Jessica Palud, France, 19:50 Marlon, 14 years old, is visiting her mother in jail for the first time since her imprisonment. Protected by her family, she stubbornly believes that her mother is still her childhood heroine… #NewMavericks 茧 (Cocoon) | directed by Mei Liying, China, 25:41 When Qingqing questions her mom’s odd relationship with a female friend, she discovers a secret that will unravel her peaceful family life and her burgeoning conceptions of love, sex, and female desire. #NewMavericks, #PinkPeach San Miguel | directed by Cris Gris, Mexico/USA, 19:30 In order to help heal her grieving mother, Ana, a devout 9 year old girl, pushes her faith to its limit in hopes of divine intervention. #Competition, #CineMás, #NewMavericks IMAGINARY FLYING MACHINES Renderings of an animated technicolor world. Animation, 102 minutes Tête à Tête | directed by Natasha Tonkin, United Kingdom, 7:41 One family’s search for connection in a digital world. #Competition, #NewMavericks Negative Space | directed by Max Porter & Ru Kuwahata, France, 5:30 My dad taught me how to pack. Tokri (The Basket) | directed by Suresh Eriyat, India, 14:22 Two insignificant lives lost and found in time. Two Balloons | directed by Mark C. Smith, USA, 9:08 Two travelers return to a place crossed by stars and clouds where love is at the beginning of everything. #Competition Heaven | directed by Miguel Anaya, Mexico, 11:19 In the late 40’s, a pilot, who visits isolated communities to bring them food and rescue the sick, loses his brother who wanted to be like him. #Competition, #CineMás Railment | directed by Shunsaku Hayashi, Japan, 9:40 In a continuous scenery, his physical movement stays in the same position. #Competition Ming | directed by Danski Tang, USA, 3:07 A Chinese woman’s experience as a live figure model while abroad. #Competition, #NewMavericks 10 | directed by Yu-Ting Cheng, USA, 3:38 An autistic 5-year-old with leukemia suffering both physically and mentally in the darkness of pain. INN | directed by Zion Chen, USA, 4:26 A strange girl draws a young man’s attention in the inn. And the Moon Stands Still | directed by Yulia Ruditskaya, Belarus/Germany/USA, 10:47 The presence of the moon affects all under its glow. The film explores the lunar cycle and the energies invoked by its radiance. #Competition SOG | directed by Jonatan Schwenk, Germany, 10:14 A people of humanlike creatures lash out viciously against a shoal of fish that had unintentionally entered their desolate land. #Competition The Box | directed by Dušan Kastelic, Slovenia, 12:12 The Box is full of miserable creatures. One of them doesn’t belong there. He’s thinking outside the box… #Competition KABOOM Unicorns, Rasputin, Sharknado – oh my! Puppets and clay that will blow your mind. Puppetry & Stop Motion Animation, 64 minutes You Can’t Play With Us | directed by Jason Rhein & Serene Bacigalupi, USA, 15:44 When an inquisitive dinosaur happens upon some musical unicorns at Marshmallow Mountain, they aren’t as friendly as he expects. TubeHeads – Haie im Weltraum (TubeHeads – Sharks in Space) | directed by Henning Ricke & Daniel Raboldt, Germany, 5:18 A puppet sketch comedy for the generation Y, ‘TubeHeads’ is a wired and wonderful joyride through pop- and high culture with nerdy humor and general mischief. Quarters | directed by FIG House, Canada, 5:00 A flippantly animated portrait of typical flat denizens who live together, yet apart. To Be | directed by Farzaneh Omidvarnia, Iran/Denmark, 6:01 Seeking refuge, a group of migrants must brave unknown perils and one unfriendly climate after the next. #NewMavericks Nevada | directed by Emily Ann Hoffman, USA, 12:07 A young couple’s romantic weekend getaway is interrupted by a birth control mishap in this stop-motion animated comedy. #Competition, #NewMavericks The Legend of Rasputin | directed by Jamie Shannon, Canada, 12:40 A dark historical comedy about the first tabloid star Grigori Rasputin, presenting a chapter in his life through puppets. Don’t Think of a Pink Elephant | directed by Suraya Raja, United Kingdom, 7:20 A teenage girl fights her intrusive thoughts. #NewMavericks LAST LIFE IN THE UNIVERSE Glimpses beyond the veil of time and space. Narrative, 110 minutes Arlo Alone | directed by Nicole Dorsey, Canada, 16:28 A futuristic drama that follows a young woman as she comes to terms with her own loneliness in a world where in-person contact has become a rarity. #Competition, #NewMavericks Expire (Exhale) | directed by Magali Magistry, France, 13:12 In a world blanketed by toxic fog, one young woman, alone in the world, tries to connect despite the inherent danger in stepping outside. #NewMavericks Low Tide | directed by Joseph Sackett, USA, 10:05 A queer supernatural break-up album about a woman who falls in love with an angel. #PinkPeach Paleonaut | directed by Eric McEver, China/Japan/USA/Singapore, 15:51 A scientist studying the first human time traveller falls in love with her subject. But if her research succeeds they will become separated by eons of history… The Emissary | directed by Bryan Tan, USA, 21:17 Liv Laika embarks on a solitary mission to a distant planet in search of her ancestors who fled the earth nearly a century prior. #Georgia After Her | directed by Aly Migliori, USA, 14:39 A wayward teenage girl goes missing and her friend is haunted by her disappearance. An atmospheric sci-fi about first love and the lost girl. Souls of Totality | directed by Richard Raymond, USA, 18:44 A relationship story about the sacrifices we make, the things we don’t say, and love’s seemingly supernatural ability to conquer all. LAUGHTER Humorous collisions of circumstance and character. Narrative, 77 minutes Sticky | directed by Richard Turley, United Kingdom, 13:06 A suburban tale of lust, chewing gum and first class stamps. My Lethal Weapon | directed by Hope Leigh, USA, 9:24 A young blonde must navigate treacherous power dynamics when she’s pulled over late at night by a “friendly” cop. #Georgia, #NewMavericks The Homestay | directed by Priyanka Mattoo, USA, 11:48 A sheltered Indian couple visits their son in the U.S. for the first time and bungles their apartment rental, ending up in close quarters with their hosts, a gay couple and their dogs. #PinkPeach Offstage | directed by Andrei Huțuleac, Romania, 25:15 A famous Romanian actor is kidnapped by the obsessed mother of his biggest fan. Hail Mary Country | directed by Tannaz Hazemi, USA, 18:09 Macho Grandmother Irene Dandy has to defend her family of football fanatics when they are robbed by Nora, a cocky thief with an all male posse. #NewMavericks MADEINUSA Broad stripes and bright stars, the American ethos. Documentary, 99 minutes Footprint | directed by Sara Newens, USA, 17:05 A purely observational meditation on how different people engage with the World Trade Center Memorial, exploring the ways we choose to commemorate tragedy in the age of technology, social media, and changing attitudes toward patriotism. #Competition Shot. | directed by Aemilia Scott, USA, 9:30 Footage from every police shooting over the last two years, taken unedited, and aligned ⎯⎯⎯ synchronised to the moment of the first gunshot. #Competition Nuuca | directed by Michelle Latimer, USA/Canada, 12:58 The oil boom in North Dakota has brought tens of thousands of new people to the region and with that has come an influx of drugs, crime and sex trafficking. #Competition, #NewMavericks Socks on Fire: Uncle John and the Copper Headed Water Rattlers | directed by Bo McGuire, USA, 15:05 A failed poet takes up cinematic arms when he returns home to Hokes Bluff, Alabama to discover his homophobic aunt has locked his drag queen uncle out of the family home. #Competition, #PinkPeach The Fourth Kingdom | directed by Adan Aliaga & Alex Lora, Spain/USA, 14:21 The kingdom of plastics, a redemption center in NY for immigrants and underdogs where the American Dream becomes possible indeed. Brooklynn | directed by Charlie Mysak, USA, 12:14 A deeply personal look into how gun violence impacts a family long after the media spotlight fades away. Towards the North | directed by Jessica Chermayeff & Joshua Bennett, Mexico/USA, 17:48 With their sights set on the U.S., mother and daughter cover the length of Mexico, facing immigration officials and taking selfies along the way – only to arrive in Tijuana where the US border suddenly becomes a dark reality. #CineMás NOBODY’S WOMAN Painstaking accounts of lives led, loved, and lost. Narrative, 103 minutes Pas Papa (Not Daddy) | directed by Tamara Vittoz, France, 24:24 Anna doesn’t feel like an ordinary girl. Her violent father has gone for what seems like forever, and her mom keeps pushing her to forget he exists. Still, she dreams of meeting him. #NewMavericks, #PinkPeach Ράγες (Tracks) | directed by Elina Fessa, Greece, 12:08 A student on her way to class. A mother trying to cope. One accident where they’ll learn what they’re made of. #NewMavericks Nevada | directed by Emily Ann Hoffman, USA, 12:07 A young couple’s romantic weekend getaway is interrupted by a birth control mishap in this stop-motion animated comedy. #Competition, #NewMavericks هایلایت (Highlight) | directed by Shahrzad Dadgar, Iran, 23:42 The reflection of sexual issues such as virginity, abortion and sex reassignment surgery in lives of three women spending an afternoon in a beauty salon in Tehran, Iran. #NewMavericks, #PinkPeach Counterfeit Kunkoo | directed by Reema Sengupta, India, 15:00 In a city that houses millions, Smita finds herself fighting beasts of a different kind as she discovers a strange prerequisite to renting a house in middle-class Mumbai. #Competition, #NewMavericks Ming Wang Shin Tu (To Pluto) | directed by Yen-Ju Lee, Taiwan/United Kingdom, 15:58 A nurse who finds herself stuck in her current job and a dying long-distance relationship meets a cancer patient who is trying to find the family he abandoned before it is too late. #NewMavericks OF ONE BLOOD Family ghosts of the past, present, and future. Narrative, 99 minutes Pantheon | directed by Ange-Régis Hounkpatin, France, 24:35 Cut off from his family roots, Solomon is about to donate his deceased father’s Voodoo costume to a museum when a young street-dancer reminds him that the ancestral soul still remains. #Competition Forgive Me | directed by Besim Ugzmajli, Kosovo, 15:00 Manipulated into joining a terrorist group, Bujar tries to convince his brother Agron to help his wife Mimosa join him in Syria. Upset Body | directed by Delphine Le Courtois, Canada, 20:30 Gabrielle, a young independent woman, must face difficult questions when unexpected news comes hurtling into her life. #NewMavericks Ke | directed by Jun Chong, Singapore, 13:05 An elderly Taiwanese lady goes to Singapore’s only Hakka cemetery to try and find her late grandfather’s grave before the cemetery is relocated. Një Muaj (A Month) | directed by Zgjim Terziqi, Kosovo, 26:19 The real life story of a blind woman with no home and her four sisters’ pact to keep her at their respective residences for a month each. THE PLACE PROMISED IN OUR EARLY DAYS Meditations on weathered hands and patient hearts. Narrative, 104 minutes For Nonna Anna | directed by is Luis De Filippis, Canada, 13:17 A trans girl cares for her Italian grandmother. She assumes that her Nonna disapproves of her – but instead discovers a tender bond in their shared vulnerability. #Competition, #PinkPeach Saturday Night Special | directed by Esteban Garcia Vernaza, USA, 12:00 In a fit of anger, young Wesley embarks on a journey through the dangerous streets in search of some food for his baby sister. Khane Sefid (White House) | directed by Madeh Arastoo Mafakheri, Iran, 20:00 A brand new religious leader, searching for identity, finds himself in over his head and isolated during his first rural village assignment. Emergency | directed by Carey Williams, USA, 11:40 Faced with an emergency situation, a group of young Black and Latino friends carefully weigh the pros and cons of calling the police. Altmuligmand (Odd Job Man) | directed by Marianne Blicher, Denmark, 22:00 An old man struggling with life gets the chance to pursue a dusty dream. #PinkPeach Magic ‘85 | directed by Annika Kurnick, USA, 25:00 During the height of the AIDS epidemic in LA, Gabriel, a lonely hospice worker, helps lead his patients to a conscious death. #Competition, #PinkPeach REBELS OF THE NEON GOD Turbulent intersections of love and tech. Narrative, 96 minutes Wyrm | directed by Christopher Winterbauer, USA, 19:45 Wyrm has two days to complete his Level 1 Sexuality Requirement, typically osculation (aka kissing), or he’ll be held back as part of the school district’s No Child Left Alone program and forced to wear his My.E.Q. Electronic Monitoring Collar through high school. #Competition They Wait For Us | directed by Lukas Schrank & George Thomson, United Kingdom, 21:48 In a near-future end-of-life care facility, a reclusive hospital worker starts to believe a coma patient is secretly communicating with him. 基石 (Fundamental) | directed by ShihChieh Chiu, Taiwan, 7:10 A story of a teenager who discovers the strange and terrifying reality behind fundamentalism. #Competition STHLM HUNTERS | directed by Tor Helmstein, Sweden, 17:11 Amateur vigilantes Bibi and Kenneth must prove that the man they’ve taken hostage really is the internet pedophile they’re looking for. Long Bueno | directed by Abílio Dias, Brazil, 29:57 Mauro runs and runs, but Long Bueno remains far far away. #CineMás SPRING IN MY HOMETOWN Films and filmmakers grown in Georgia clay. Narrative (Local), 85 minutes M.A.F.I.A. | directed by Frances Chang, USA, 4:45 Discouraged by online dating, these women have turned to a new app, M.A.F.I.A., to find love. #Georgia Something Bigger | directed by Chris Anthony Hamilton, USA, 8:57 Teea confides in her best friend about her existential crisis when an ominous visitor interrupts their moment of connection. #Georgia Jukebox Girl | directed by Alex Richard Thomas, USA, 9:32 The mayor’s daughter, Brenda moonlights as a criminal stuck between putting her delinquent days behind her or succumbing to a life of crime. #Georgia Beeda After the Wake | directed by Nina Marinov, USA, 10:04 In a southern magical realism story of loss, an observant five year old girl is left on her own to navigate death and grief. #Georgia, #NewMavericks Pupae | directed by Ryan Hope Travis, USA, 8:32 Compelled to confront his past, Moses returns home after living in a swamp for 7 years. #Georgia Cells | directed by Raymond Wood, USA, 12:00 A doctor is held captive by a group of masked intruders who force him to answer why billions of dollars go wasted each year in the name of medical research. #Georgia Jookuhdo | directed by Crystal Jin Kim, USA, 12:30 An antique shopkeeper is floored when her long-lost, yakuza-involved love suddenly reappears four years after his supposed death and is dying to find if this can be true. #Georgia, #NewMavericks On the Fence | directed by Cassidy Detmer & Jared Callahan, USA, 8:00 Pete attempts to reconnect with his family after escaping from a drug recovery center. #Georgia Snapshot | directed by Brett Bagwell, USA, 9:59 Expressed through the memories and dreams of a 12-year old boy, a mother and son struggle to cope with the absence of the father. #Georgia STUD LIFE What makes a man? Narrative & Documentary, 104 minutes Gutten er Sulten (The Hunger) | directed by Kenneth Karlstad, Norway, 20:59 A sixteen year old boy with an intense desire for recognition seeks out a vicious criminal to prove his boundless grit. Street Racers | directed by Aurélien Heilbronn, Dominican Republic/USA/France, 9:09 Deep in the Dominican Republic’s illegal motorbiking culture, a tight-knit community of teens risk their lives to entertain themselves, blocking off motorways and hitting high speeds on small custom bikes. #Competition Rice Ball | directed by Yusuke Oishi, Japan, 15:00 In the wake of a matriarch’s death, a father and son grapple with their grief and the sudden realization that nothing, not even food, will ever be the same. ZION | directed by Floyd Russ, USA, 10:25 A portrait of Zion Clark, a young wrestler who was born without legs and grew up in foster care. #Competition The Things You Think I’m Thinking | directed by Sherren Lee, Canada, 14:17 A black male burn-survivor and amputee goes on a date with a regularly-abled man. #PinkPeach Make Them Believe | directed by Taimi Arvidson, USA/Russia, 13:59 A Russian wrestler enchanted by the United States plays the ultimate villain as the stars and stripes-clad character “American Hope” in Moscow’s underground wrestling ring. Men Don’t Whisper | directed by Jordan Firstman, USA, 22:00 After being emasculated at a sales conference, gay couple Reese and Peyton set out to do the most masculine thing they can think of – sleep with some women. #Competition, #PinkPeach THOSE WHO MAKE TOMORROW Exceptional avant-garde works that transform through beauty, wit and wonder. Experimental, 83 minutes Civilized Landscapes | directed by Taryn Ward, USA, 1:04 The evolution of corporation culture and its overwhelming presence on contemporary life. Dream Phone | directed by Kendra Lohr, USA, 3:43 Who — who — who’s got a crush on you! Was it all a dream? #NewMavericks Royal Jelly | directed by Stephanie Burbano, Canada, 9:53 A vivid exploration of drag brought about by experimentation and a unique insight into life. #PinkPeach 165708 | directed by Josephine Massarella, Canada, 6:37 A woman looks out from the shoreline, acting as a point of departure to disparate yet interconnected sequences, prompting the viewer to engage in a structurally unique mode of inquiry and experience. #NewMavericks Blot | directed by Benjamin Rouse, USA, 2:15 A film about loss. #Georgia Because I Love You | directed by Yu-Ting Cheng, USA, 4:01 Nothing else matters other than love. #NewMavericks, #PinkPeach Farewell Transmission | directed by Mike Rollo, Canada, 14:05 Equal parts indexical record of the demolition of the Canadian Broadcasting Corporation’s CBK Transmitter Station in 2015 and subjective response to the residual media documenting the event. 601 Revir Drive | directed by Josh Weissbach, USA, 8:40 An animal carefully guards an outlined space as a river runs backwards. gutterball | directed by Sam Gurry, USA, 1:07 I was in a bowling league in third grade where I routinely rolled my ball into the next lane and ate a lot of cheese fries. #NewMavericks Down Escalation | directed by Shunsaku Hayashi, Japan, 7:20 Falling down, it feels ecdysone is filling up its body. Delving into the deeper layers of itself, the flesh is melted down in the shell until the form is no longer. SDtoHDuprezMaxV2_009.mp4 | directed by Anna Spence, USA, 4:10 Booted from the limelight, Max Headroom now roves the video signal on the search for his life’s meaning. #Georgia Edge of Alchemy | directed by Stacey Steers, USA, 19:00 Mary Pickford and Janet Gaynor, delicately lifted from their early silent films, are cast into a surreal epic with an upending of the Frankenstein story amid a contemporary undercurrent of hive collapse. #NewMavericks UNDER THE SAME MOON Blueprints of borders fabricated internally and externally. Narrative & Documentary, 107 minutes Eighth Continent | directed by Yorgos Zois, Greece, 11:00 On Lesvos Island, an old abandoned dump lies within two big craters, overflowing with thousands of life jackets from the refugee waves. #Competition Abu Adnan (Adnan’s Father) | directed by Sylvia Le Fanu, Denmark, 25:13 Sayid wants to keep his status as a father and the family patriarch in a new linguistic and cultural setting, despite his sons progress in assimilating to the Danish language culture. #Competition I Have a Message for You | directed by Matan Rochlitz, Israel/United Kingdom/Belgium, 12:45 To save her life, a woman left her father to die. Decades later, she got a message from him. The Driver is Red | directed by Randall Christopher, USA, 14:37 Set in Argentina 1960, this true crime documentary follows the story of secret agent Zvi Aharoni as he hunted down one of the highest ranking Nazi war criminals on the run. EUNA | directed by Seung-Hyun Chong, Korea/Germany, 18:45 A young factory worker tries to come to grips with her life as an outsider. Sin Cielo (Without Heaven) | directed by J.S. Maarten, USA, 24:59 Delia and Memo are like most teenagers; defiant, hormonal, always on their phones; except they live in one of the most dangerous neighborhoods bordering Northern Mexico – where Dollars rule and missing girls’ bodies turn up mysteriously in the river or never at all. #CineMás WALKING DISTANCE Snapshots of peach state roots. Documentary (Local), 61 minutes The Last Man You Meet | directed by Chris Bone, USA, 5:00 Take an exclusive look inside the gritty business of death as a third-generation funeral director reflects on his life. #Georgia Archive | directed by Adam Forrester, USA, 2:00 Filmed in a single-take, this experimental documentation of the demise of the iconic Georgia Archives Building in Atlanta, Georgia, explores our desire to preserve the past, our appetite to make way for the future, and the complex intersection of those urges. #Georgia The Whole Speaks | directed by Caroline Rumley, USA, 2:15 In two minutes we follow Nelms Creekmur through the process of creating a bottle opener out of a discarded railway tie. But it’s more than that. It’s a two minute manifesto on the creative process as a whole, applicable to any medium. #Georgia AWARE | directed by Jeremy Cournyea, USA, 7:08 The AWARE Wildlife Center is a non-profit that cares for injured and orphaned Georgia wildlife and promotes peaceful coexistence with our animal neighbors. #Georgia Magic is Everywhere | directed by Jordan Noel, USA, 14:48 A short documentary following the final few shows of Wil Wright, AKA Lil Iffy, who borrows characters, language and situations from the Harry Potter books to tell his own version of typical hip hop stories and themes. #Georgia Walls of Hope | directed by Elisabeth Pritchett, USA, 8:16 A short documentary about the Walls of Hope project in Savannah, Georgia and its creative and inspiring impact on the community. #Georgia American Dreaming | directed by Matthew Hashiguchi, USA, 10:56 With no guarantees of employment or opportunity, undocumented immigrants strive to obtain a college degree in the state of Georgia, where they are barred from enrolling in its most selected colleges and universities. #Georgia Atlanta From the Ashes | directed by Andrew Litten, USA, 10:07 An exploration of Atlanta’s resiliency, and how the youth of Atlanta can look to the past for leadership and perseverance to move forward. #Georgia WHAT WE DO IN THE SHADOWS A weird and wacky balm for the soul. Narrative, Animation, & Documentary, 68 minutes ME OLEMME UNESSA (WE ARE IN A DREAM) | directed by Henna Välkky & Eesu Lehtola, Finland, 6:15 Based on personal recordings of people narrating their recurring dreams and nightmares, we race through their unconscious desires and fears. Miedo De Monos (Fear of Monkeys) | directed by Michael Arcos, USA, 5:35 My father told me a story about why he is afraid of monkeys. His fear dates back to 1958 in Ecuador. This is what happened… #CineMás Ceviche | directed by Doménica García, USA, 9:37 Six women from different generations reveal the hidden emotions behind the preparation of Ceviche. #NewMavericks, #CineMás Stay Ups | directed by Joanna Rytel, Sweden, 11:00 A middle-aged woman is about to get nightly visits from a young man. Her child is, as usual, in the way. #Competition, #NewMavericks Sinformist | directed by Jade Yuchun Chao, USA, 2:08 Each person is accompanied by a demon that represents his/her biggest faults. Namoro à Distância (Long Distance Relationship) | directed by Carolina Markowicz, Brazil, 4:48 A brief story about a gentleman who’s obsessed about having sex with ETs. #CineMás Raisin | directed by Danny Hunt, USA, 13:05 Two young sisters are abducted by strange creatures that pretend to be their parents. AI ZAI SHI JIE MO RI (Love After Time) | directed by Tsai Tsung-han, Taiwan, 15:24 After a nuclear explosion, two mutant humans fall in love. YEAR OF THE CARNIVORE Tales of breaking points, cruelty, and carnage. Narrative, 108 minutes Krista | directed by Danny Madden, USA, 9:24 In her high school theater class, Krista uses her scene study as catharsis. #Competition Kudzu | directed by Connor Simpson, USA, 14:50 During a scorching summer in rural Alabama, a young boy wrestles with a deepening sense of remorse after the disappearance of his friend. Runner | directed by Clare Cooney, USA, 12:40 A woman goes for a jog and witnesses something she can’t run away from. #NewMavericks Retouch | directed by Kaveh Mazaheri, Iran, 19:37 While bearing witness to a serious accident, Maryam must decide whether to act or live with the consequences. U Plavetnilo (Into the Blue) | directed by Antoneta Alamat Kusijanovic, Croatia/Slovenia/Sweden, 22:08 An abused teenage girl thirsts for love, but her best friend’s cruelty awakens in her the violence she’s been desperately trying to escape. #NewMavericks TV in the Fishtail | directed by Iesh Thapar, USA/India/United Kingdom, 13:20 As electricity is introduced to a remote Trans-Himalayan village, an adolescent boy struggles to reconcile his excitement with the abjection that surrounds him. Home Shopper | directed by Dev Patel, USA, 16:32 In a loveless marriage, Penny finds solace in the hypnotic escape of the home shopping channel. When things take an unexpected turn, the channel proves to be her saving grace … or perhaps it was the origin of the problem all along. YOUNG AND WILD Fables for kids who still believe in magic. Animation & Puppetry (Family Friendly), 49 minutes Undiscovered | directed by Sara Litzenberger, USA, 2:49 Sasquatch has always remained elusive in photos–but not for the reasons we think. 那個午後的冒險  (The Adventure of the Afternoon) | directed by Vance Yang & Stella Huang, Taiwan, 7:45 The tale of a boy who meets an unexpected friend on a beautiful afternoon. They start an adventure journey to discover the world. The Puppy Trials | directed by Thomas Nicol & Becky Nicol, USA, 4:02 An older dog teaches puppies how to behave. Goodbye Sam | directed by Theo Taplitz, USA, 4:59 A boy and his posse say goodbye to a beloved friend. Voyagers | directed by Gauthier Ammeux, Valentine Baillon, Benjamin Chaumény, Alexandre Dumez, Léa Finucci, & Marina Roger, France, 7:33 A tiger, escaping his hunter, ends up in a space station occupied by an astronaut and his goldfish… Babushka | directed by Sabrina Brady, USA, 4:01 A young girl’s day spirals out of control after she meddles with her grandmother’s potion and sets off an unwanted explosion. #NewMavericks You Can’t Play With Us | directed by Jason Rhein & Serene Bacigalupi, USA, 15:44 When an inquisitive dinosaur happens upon some musical unicorns at Marshmallow Mountain, they aren’t as friendly as he expects. SHORT FILMS ATTACHED TO FEATURES Ablution | directed by Omar Al Dakheel, USA, 15:00 The bond between a disabled Muslim father and his son is tested when love is pitted against religion. #PinkPeach Absent | directed by Sudarshan Suresh, USA/India, 16:15 Resigned to a mundane life of caring for a mother with dementia, Zola sees a fleeting chance at escape when she runs into an old crush. Broke | directed by Asad Farooqui, USA, 12:46 A struggling Muslim couple attends their first therapy session to save their marriage, but things don’t go as planned. #Georgia Color Blind | directed by Daniel Oramas, USA, 4:47 A rookie cop and his senior partner find themselves at odds over the current political climate during a long night on the job in this charged satire. #Georgia Doug | directed by Daniel Oramas, USA, 8:02 A night home alone gets weird when Rebecca and her brother Kevin hear a knock at the door. #Georgia The Last Honey Hunter | directed by Ben Knight, Nepal/USA, 35:50 In the mist-shrouded mountains of Nepal’s Hongu River valley, you will find a wiry and unassuming man named Mauli Dhan Rai, who is believed to be chosen by the gods for the perilous rite of honey harvesting. #Competition Laws of the Game | directed by Aegina Brahim, United Kingdom/ Suriname, 18:00 A fierce Surinamese female referee fights for her place in the world of men’s football. #Competition, #NewMavericks, #CineMás Los Comandos | directed by Joshua Bennett & Juliana Schatz-Preston, El Salvador/USA, 29:32 Sixteen-year-old Mimi, a dedicated medical emergency volunteer, lives in the cross hairs of gang violence. When her fellow Comando, 14-year-old Erick, is gunned down while serving, she faces pressure to flee El Salvador and head north. #CineMás Mi Tesoro (My Treasure) | directed by Michael Flores, El Salvador, 22:35 A cleaning woman steals a Salvadoran Civil War map and hunts for a treasure in the hopes of reuniting with her son. #CineMás Pink Dolphin | directed by Tuo Kan, USA, 4:11 A story about the one and only Pink Dolphin living in the ocean looking for his companions and trying to survive from the assaults and taunts of other sea creatures. #PinkPeach Saltwater Baptism | directed by Jared Callahan & Russell Sheaffer, USA, 17:22 Santiago Gonzalez IV, a first generation Mexican-American, struggles with the tensions between his sexuality, nationality, and religion as he prepares for his college graduation. #PinkPeach The Shadow | directed by Isaac Switzer, USA, 2:27 A girl faces a looming darkness. Towards the Sun | directed by Monica Santis, USA/United Kingdom, 20:00 Under the looming threat of deportation, an unaccompanied minor at an immigrant children’s shelter in Texas embarks on a healing journey and learns to express herself through the power of art. #CineMás, #NewMavericks Umbrella | directed by Rhys Ernst, USA, 15:50 Against the backdrop of rising anti-trans legislation, Umbrella chronicles the stories of four transgender individuals across America united in their passion to create change. #PinkPeach #Georgia The Wolf Guru | directed by Mian Qin, USA/China, 4:50 A man is attacked by a group of wolves and their monster leader. When he finally makes it to safety, however, he must face one more challenge in the form of the monster’s real identity. #Competition

    VIRTUAL REALITY

    Deerbrook Directed by Grayson Moore, Aidan Shipley, Jon Riera, Connor Illsley Canada, 2017, English, 14:34 Two strangers show up at a family’s cottage claiming to have spent their childhood summers there, but their behaviour seems to be driven by something more sinister than nostalgia. Lá Camila Directed by Jak Wilmot USA, 2018, English, 20:00 When the storms of nature threaten her very existence, the viewer must help a young shepherd girl take on the responsibilities of her deceased papá. #Georgia Hoodoo Directed by Catherine Salkeld UK, 2017, English, 6:30 A short adventure where we follow the adventures of Claw a simple cat exploring a mysterious fragment of a forgotten world. Reading Room Directed by Alexander Sandy White USA, 2017, English, 5:09 Driven to protect his identity, an introspective bookkeeper explores the power of thought and memory within a broken world of book burning and censorship. Micro Giants Directed by Yifu Zhou China, 2017, English, 6:00 “Micro Giants” tells the story of insects and plants in the microecosystem with vivid detail and elaborate design. Ready to Learn, Ready to Live Directed by Thomas Nybo USA/Afghanistan, 2017, English, 5:30 In remote Afghanistan, an illiterate girl takes you on her journey to learn how to read and write. #Georgia Step to the Line Directed by Ricardo Laganaro USA/Brazil, 2017, English, 11:43 Step to the Line takes you inside maximum-security prisons in the US and provides a new perspective on prisoners, the system, and yourself. #Georgia Submerged Directed by Nishtha Jain India, 2016, Hindi/English, 8:10 An immersive experience about how climate change and defective government policies are precipitating one of the largest exoduses of migrant labour in the world. Naive New Beaters ‘Heal Tomorrow’ Directed by Romain Chassaing France, 2016, English, 3:48 Follow the story of Naive New Beaters’ singer through his spectacular rise and unfortunate demise in a series of events during a live performance. Anicca Directed by Cecilia Sweet-Coll USA, 2016, No Dialogue, 6:06 An exploration of impermanence through visual music in virtual reality.

    EPISODIC SHOWCASE

    The Midnight Service – Home Invasion Directed by Brett Potter, Dean Colin Marcial  | USA, 2017, English, 7:13 A broke Miami comedian’s retreat into the Everglades is interrupted by an uninvited visitor. The Rick and Stanley Show Directed by Mike Lars White | USA, 2017, English, 7:00 Two men in a beat-up car discuss love, sex, Kenny G, and potato guns. Hug It Out Directed by Jason Eksuzian | USA, 2017, English, 7:17 Gwen, recently-divorced with longstanding intimacy issues, becomes a professional snuggler in L.A. to make ends meet. Limits Directed by Kevon Pryce | USA, 2017, English, 17:40 How not to maintain a relationship in the social media era. #Georgia 2 Kawaii 4 Comfort Directed by Luke Palmer, John Bickerstaff | USA, 2017, English, 23:17 5 emotionally stunted anime fans are forced to confront everything they are hiding from at the one convention where they go to escape reality Manic Directed by Kate Marks | USA, 2017, English, 17:02 An Ivy-league bound, overachieving teen is derailed after a manic episode lands her in a school for kids with mental illness.

    MUSIC VIDEOS

    Don Broco: “Technology” Directed by Benjamin Roberds | USA, 2017, English, 3:51 #Georgia Apoc’s: “Hurricane Goddamn!” Directed by Scott Upshur | USA, 2017, English, 6:00 Original Swimming Party: “Biggest Curse” Directed by Amy Allais | South Africa, 2017, English, 5:04 Surfer Blood: “Taking Care of Eddy” Directed by Sachio Cook, Niko Guardia  | English, 2017, USA, 3:29 Strangers (Feat. “Pressure” by Milk & Bone) Directed by Eve Duhamel, Julien Vallee | Canada, 2017, English, 3:16 Casey Benjamin: “Dig” Directed by Video Rahim | USA, 2017, English, 4:01 #Georgia K.R.U.S.H.: “No Fucks Given” Directed by Brit Wigintton | USA, 2017, English, 3:25 #Georgia The Invisible Man: “Let Me Ride” Directed by Francesca Mirabella | USA, 2017, English, 4:48 Meinschaft: “The Midday Sun At Midnight” Directed by Haoyan of America | USA, 2017, English, 6:15 Dizzee Rascal: “Bop N Keep It Dippin” Directed by Romain Chassaing | UK/France, 2017, English, 6:13 DEDSA: “Annihilation” Directed by Robbie Ward | USA, 2017, English, 6:17 Ben Burden: “White Lighters” Directed by Zelda June | USA, 2017, English, 2:00 LUNICE: “Distrust” feat. Denzel Curry, J.K. the Reaper and Nell Directed by Sam Rolfes | USA, 2017, English, 3:04 Tom Rosenthal: “Oh No Pedro” Directed by Annlin Chao | UK, 2017, English, 3:26 #PinkPeach Porter: “La China” Directed by Jorge G. Camarena | Mexico, 2016, Spanish, 5:11 #CineMás Ty Segall: “Break a Guitar” Directed by Matt Yoka | USA, 2017, English, 4:27

    SPECIAL PRESENTATIONS

    ATLFF Screenplay Competition: Script Read Join us for a script read of selections from each of the three 2018 Atlanta Film Festival Feature Screenplay Competition winners, featuring local SAG-AFTRA actors. #Georgia re:imagine/ATL Presents: CURRENTS on Tour – Teen Takeover Film festivals have long been an anchor for allowing a platform for stories surrounding cultural influences to be brought to light—now it’s time to listen to youth voices. This screening will be featuring content conceived of and produced by Atlanta teens. Join us opening night of the Atlanta Film Festival for a showcase of content based around teen social commentary, followed by a panel discussion from the teen storytellers themselves. #Georgia, #FamilyFriendly The Rocky Horror Picture Show It’s a Plaza Theatre institution! Lips Down On Dixie performs the interactive version of “The Rocky Horror Picture Show” at Midnight each Friday. YOU42 Presents: “Dead By Midnight/11 PM Central” Directed by Torey Haas, Tony Reames, Eric Davis, Jay Holloway, Anissa Matlock USA, 2018, English, 88 minutes It’s Halloween at WKIZ when the malicious Mistress of Midnight (Erin Brown) arrives to host her annual horror movie marathon ‘Dead by Midnight.’ When the WKIZ staff begins disappearing only to turn up in the increasingly darker films, it’s up to line producer Candice Spelling (Hannah Fierman) to stop the Mistress of Midnight before her final and most diabolical film goes to air. #Georgia The Art Institute of Atlanta Presents: Senior Film Screening A showcase of short films created by senior level students from The Art Institute of Atlanta. #Georgia Dad’s TV The film/video side of Dad’s Garage Theatre returns with a collection of projects from the past year. Watch the first public screening of a new television pilot, “Weird City,” which is an offbeat travel show. Laugh along with a new short film by DGTV produced in collaboration with Jerry’s Habima Theatre (a nonprofit working with special needs actors) that has lots of heart and some awesome floor hockey. Finally, the screening will give a sneak peak at a new web series set behind the scenes of the theatre itself, “The Garage.” #Georgia The Florida State University College Of Motion Picture Arts Presents: Selected Keylight Films The FSU College of Motion Pictures Arts presents a showcase of eight short student films followed by a panel discussion with representatives from the College. Ranked by The Hollywood Reporter as one of the top 25 film schools in the country, FSU College of Motion Picture Arts produces student films that regularly win prestigious awards like the Student Emmys and Oscars. Join us for an evening of cinematic entertainment as we showcase this year’s selected Keylight Films. Miss Richfield 1989 “Born Again” Logo Founder Matt Farber presents Miss Richfield 1981 “Born Again” at Plaza Theatre. In her all-new show, Miss Richfield 1981 is “Born Again” finding new religion to bring our divided world together. With all new songs, videos, and unique audience activities, Miss R brings all faiths together in 2018. Atheists welcome! #PinkPeach PLAZADROME: “The Astrologer” Directed by Craig Denney USA, 1976, English, 96 minutes Videodrome and The Plaza Theatre’s cult film series continues with Craig Denney’s “The Astrologer.” Alexander is running a con game at a circus as a psychic. When he finds that he actually does possess psychic powers, he uses them for his own ends.

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  • 2018 Annapolis Film Festival to Screen Over 80 Films, “Beirut” “The Miracle Season” and More..

    [caption id="attachment_27333" align="aligncenter" width="1200"]Beirut, directed by Brad Anderson Beirut[/caption] The 2018 Annapolis Film Festival will screen more than 80 films from 28 countries during the festival taking place March 22 to 25, 2018, including a U.S. premiere and four films from Sundance making their East Coast premiere, The Festival’s new theme: Voices Strong. Minds Open, is threaded throughout the four-day program of films, panels, parties, showcases, coffee talks, and Q&As with filmmakers. “The diversity in this year’s slate is more than we have ever had. Audiences will get to experience firsthand the depth of this slate because many great directors, producers and talent are accompanying their films,” said Patti White, Festival Director. Some films have been sourced locally right here in Maryland, others come from afar including, Armenia, Australia, Belgium, Burkina Faso, Canada, China, Czech Republic, Denmark, Israel, Italy, Iran, Ireland, France, Georgia, Germany, Norway, Pakistan, Spain, Sweden, Slovenia, Swaziland, Switzerland, Syria, Tunisia, Turkey, United Kingdom and Venezuela. Narrative films include the Opening Night political thriller, Beirut, directed by Brad Anderson and starring Jon Hamm and Rosamund Pike, at Maryland Hall for the Creative Arts, which will be followed by a Q&A with producer Monica Levinson and industry professionals. Other narrative films selected are: Beauty and the Dogs – Khaled Walid Barsaoui, Kaouther Ben Hania; Beauty Mark – Harris Doran; Bernard and Huey – Dan Mirvish; Butterfly Kisses – Erik Kristopher Myers; Cardinals – Grayson Moore, Aidan Shipley; Come Sunday – Joshua Marston; A Crooked Somebody– Trevor White; Disappearance – Ali Asgari; Flock of Four – Gregory Caruso; Hearts Beat Loud – Brett Haley; Humor Me – Sam Hoffman; Kiss Me! – Océane Michel, Cyprien Vial; Mary Goes Round – Molly McGlynn; The Miracle Season – Sean McNamara; The Rider – Chloé Zhao; Spinning Man – Simon Kaijser; Wallay – Berni Goldblat, and What Will People Say– Iram Haq. Documentary features have also been chosen, including: Acorn and the Firestorm – Reuben Atlas, Samuel D. Pollard; Coyote: The Mike Plant Story – Thomas M. Simmons; Finding Home – AB Troen; Itzhak – Alison Chernick; Kim Swims – Kate Webber; Liyana – Aaron Kopp, Amanda Kopp; Lots of Kids, A Monkey, and a Castle – Gustavo Salmerón; Love Means Zero – Jason Kohn; New Wave: Dare To Be Different – Ellen Goldfarb; Resistance is Life – Apo W. Bazidi; Sammy Davis, Jr.: I’ve Gotta Be Me – Samuel D. Pollard; Stumped – Robin Berghaus; Three Identical Strangers – Tim Wardle; True Conviction – Jamie Meltzer; Waiting for the Sun – Kaspar Astrup Schröder; and What Lies Upstream – Cullen Hoback, and a special screening of the NBC Originals documentary Courageous: Ted Turner and the 1977 America’s Cup. The film debuting for its U.S. premiere is The Miracle Season, directed by Sean McNamara and starring Helen Hunt as the coach of a volleyball team who must unite the team in hopes of winning the state championship in the wake of the tragic death of a star player. The four films making their East Coast premiere include Beirut; Come Sunday, directed by Joshua Marston and starring Martin Sheen and Chiwetel Ejiofor as real-life American evangelical preacher Carlton Pearson, who risks everything when he questions church doctrine and is branded a modern-day heretic; Hearts Beat Loud, directed by Brett Haley and starring Nick Offerman as a record store owner, who is forced to close his shop, and decides to form a band with his college-bound daughter; and documentary Three Identical Strangers, directed by Tim Wardle, which follows the incredible true story of triplets who learned of one another’s existence only at age 19, their initial joy giving way to increasingly unsettling discoveries. In addition to award-winning features, AFF has made its mark now in its sixth year by continually bringing a lineup of compelling short films. Two shorts that screened at last year’s AFF landed on the Oscar’s Shortlist for Best Live Action Shorts, with DeKalb Elementary still contending for the Oscar at the upcoming 90th Academy Awards.  

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  • 2017 Whistler Film Festival Awards: ALL YOU CAN EAT BUDDHA and WORTHY COMPANION Tie for Best Canadian Film

    [caption id="attachment_25750" align="aligncenter" width="1200"]All You Can Eat Buddha All You Can Eat Buddha[/caption] Ian Lagarde’s first feature ALL YOU CAN EAT BUDDHA, and Jason and Carlos Sanchez’s A WORTHY COMPANION tied to win the Borsos Competition for Best Canadian Feature Film at the 2017 Whistler Film Festival. The jury states “each in their own way convey unique visions and creative storytelling the jury believes have made and will make powerful contributions to the world of cinema.” A WORTHY COMPANION takes a fresh and new perspective that explores the complexity and humanity within the predator, victim relationship. This film questions how we perpetuate manipulative power dynamics between adult and child through the inner struggle of our female protagonists. ALL YOU CAN EAT BUDDHA is a movie that pushes the boundaries of image and sound and proposes an unusual, and assured cinematic narrative that juxtaposes dream and reality in a lost paradise. In addition, the jury awarded Ian Lagarde with the Best Borsos Director Award presented by the Directors Guild of Canada, British Columbia. Evan Rachel Wood, star of the Canadian film A WORTHY COMPANION, was the recipient of this year’s Best Performance in a Borsos Competition Film Award. The jury noted that “Evan gives a brave, raw nuance performance that explores the grey areas between predator and victim”. The Borsos Award for Best Screenplay went to Grayson Moore, writer and co-director of CARDINALS, which presents a fresh take on the psychological drama that unfolds with the unpredictability of a great novel. Best Cinematography in a Borsos Film went to cinematographer Sara Mishara for A WORTHY COMPANION, with an honorable mention to Nicolas Bolduc for HOCHELAGA, LAND OF SOULS. The jury wanted to acknowledge the work of a director of photography that managed to create a rich and detailed visual universe through a very subtle crafting of the light. The World Documentary Award was presented to THE GOSPEL ACCORDING TO ANDRÉ directed by Kate Novack. The jury stated: “The winner of the world documentary award delivers a fascinating portrait of a larger-than-life personality, but admirably escapes the trappings of simple biography by revealing how a towering, influential figure still thrives in an imperfect world.” The jury also gave an honourable mention to Alan Zweig, director of THERE IS A HOUSE HERE, which is a film that explores the harsh realities of a fractured community and yet it discovers, in fact, that society can gather together and create a strong and supportive community for those in perpetual need. The Best Mountain Culture Film Award went to DEPTH PERCEPTION directed by Chip Taylor and Chris Murphy. The jury stated that “DEPTH PERCEPTION was a clever and awesome representation of mountain culture, pure entertainment. It was able to tie in the full ‘story’ with a simple well thought out concept. Beautifully shot with exceptional snowboarding. The writing had the perfect balance of edge, accessibility, and meaning. It was able to transport the judges to a place of imagination just outside of realism but staying grounded in themes of the sport, environmentalism, and spiritualism.” The $1,000 Canadian ShortWork Award went to WE FORGOT TO BREAK UP, directed by Chandler Levack. The jury stated that “this cinematically stunning short film delivers at every turn. It’s beautifully written with wonderfully naturalistic dialogue, it’s poetic, stylish and superbly performed, most notably by our lead. Captivating from start to finish, this first time director is extremely deserving of this recognition.” The jury has given an honorable mention to CYPHER by Lawrence Le Lam. The International ShortWork Award went to FEAR US WOMEN directed by David Darg. The jury stated: “Compelling from the opening minute, this honest and raw documentary is an unflinching look at the fearless women on the battle front in Syria. It’s a gritty and honest story with an amazing message – one that needs to be told.” The $500 ShortWork Student Award went to FLOATING LIGHT, directed by Natalie Murao. The jury stated: “The future of BC filmmaking is in very good hands. This was a very impressive lineup of student shorts, so to standout amongst this group is a major accomplishment. For its impressive performances, dreamy aesthetic, and for the assuredness and subtly in its directorial vision, the jury is pleased to give this award to a stunningly accomplished and inventive film that uses a quiet voice to speak loudly. This is a filmmaker with an extremely bright future.” The MPPIA Short Film Award was awarded to Veronika Kurz for 20 Minutes to Life. The award consists of a $15,000 cash award plus up to $100,000 in services. The completed project will have its world premiere screening at the 2018 Whistler Film Festival. The Alliance of Women Film Journalists presented this year’s EDA Award for Best Female-directed Feature to Eisha Marjara’s VENUS, a film that tells the tale of a woman in transition. The jury stated: “VENUS is both a touching drama about the hardship of transition and how it affects family, friendships, and relationships but it’s also a really lovely and reaffirming story of love and the strength of friends and family. And we enthusiastically applaud the brilliant performance from Debargo Sanyal, who moved us to new understanding. Brava Majara and Sanyal.” The Alliance of Women Film Journalists presented the EDA Award for Best Female-Directed Short Film to Sharren Lee’s THE THINGS YOU THINK I’M THINKING. The jury stated: “At its center is a person you don’t often get to see on the screen: Sean, a burn survivor and amputee who re-enters the world of dating. In a bar, he meets with Caleb, an able-bodied and appealing man who appears to take a romantic interest in him. And while, despite having no hands, Sean has managed to master getting around with great agility and some panache, his next roadblock is himself and being able to overcome his fears, insecurities, and trust issues — something that’s probably familiar to all of us. Ultimately, at the heart of the film are two people looking to make a human connection. And we found that we connect with them, too.” The Alliance of Women Film Journalists presented a Special Jury EDA Award to Kyra Sedgwick for her directorial debut STORY OF A GIRL. The jury stated: “A well balanced, timely and beautifully crafted film about a teenage girl dealing with the fallout of modern-day bullying. Anchored by a wonderful lead performance from Ryann Shane and memorable turns from Kevin Bacon and Sosie. We take special pleasure and pride in presenting the EDA Award to Kyra because as a young actress she actually played the granddaughter of the Eda for whom the awards are named, activist actress Eda Reiss Merin, the mother of AWFJ president, Jennifer Merin. We look forward to seeing more from Kyra!”

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  • Anna Jadowska WILD ROSES Wins Stockholm Impact Award at Stockholm Film Festival

    Anna Jadowska, Wild Roses, Stockholm Impact Award One of the world’s biggest cash prizes for film – the Stockholm Impact Award at Stockholm Film Festival went to Anna Jadowska for her film Wild Roses.  Jadowska won the prize worth one million SEK and the award designed by the Chinese artist Ai Weiwei. Ana Jadowska won “For the sensitive depiction of a mother who refuses to abandon her true self, for the portrait of a revolting child that questions an utterly conservative society, for the visually exquisite style that contrasts with a world plunged in prejudice and moral coercion, the Stockholm Impact Award goes to Anna Jadowska for Wild Roses, a metaphor for human resilience.” “Thank you so much for this award, I’m very honored. A special thanks to the Stockholm International Film Festival, the festival director, organizers, the city, of Stockholm and members of the jury. I had a long and difficult journey with this movie and to receive this award means a lot to me since it will give me the opportunity to do another film” says winning director Anna Jadowska. Director Anna Jadowska presents a powerful story about a woman facing the difficulties of following her own desires in a small, conservative and gossip-filled village. With striking forest imagery that beautifully captures light drizzling through branches, the film is an exceptional portrayal of a woman and her environment. While examining the plights of women in a conservative society, however, Wild Roses is also a touching depiction of the relationship between mother and daughter. The other nominated movies and directors were: Cardinals by Grayson Moore & Aidan Shipley The Last Verse by Ying-Ting Tseng My Pure Land by Sarman Masud Searing Summer by Ebrahim Irajzad The section Stockholm Impact Award is a collaboration between the Stockholm International Film Festival and the City of Stockholm with the purpose to highlight the possibility of film to create change and debate through the depiction of contemporary subjects. The prize amount of one million SEK will help the winner in the development of new film projects. Last year the director Wayne Roberts (USA) won the award for Katie Says Goodbye. 2015 the director Leena Yadav (India) won the award for Parched. Photo: Anna Jadowska – Wild Roses, (pictured center) 2017 Stockholm Impact Award Winner

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  • Whistler Film Festival Unveils Lineup, Opens with Winston Churchill Biopic DARKEST HOUR

    [caption id="attachment_25385" align="aligncenter" width="1200"]DARKEST HOUR DARKEST HOUR[/caption] The 17th Whistler Film Festival, aka ‘Canada’s Coolest Film Fest’, will take place from November 29 to December 3, 2017, and feature 87 fresh films (46 features and 41 shorts) from over 15 countries. WFF is set to open with Joe Wright’s DARKEST HOUR, starring Gary Oldman and Lily James. Endorsed by Winston Churchill’s estate, the film tells the story of Churchill’s refusal to engage in peace treaty negotiations with Nazi Germany during WWII, and his determination to fight on against incredible odds. Closing the festival is the World Premiere of THE MOMENT. Darcy Hennessey Turenne’s latest documentary feature uncovers the origin of Freeride Mountain Biking and its provenance in British Columbia by following a dedicated group of adventure seekers who changed the course of the sport forever. Oscar-contending films screening at WFF include the Western Canadian premieres of I, TONYA, one of the most pleasant surprises of this year’s festival season about disgraced figure skater Tonya Harding, directed by Craig Gillespie and starring Margot Robbie; THE DISASTER ARTIST, directed and starring James Franco along with Dave Franco, tells the true-life story of Tommy Wiseau, Hollywood outsider and director of the cult-hit THE ROOM, which will also debut as the “From the Vault” selection; and Canada’s entry in this year’s Best Foreign-Language film Oscar competition HOCHELAGA, LAND OF SOULS directed by François Girard. Additional critically acclaimed directors with works premiering in the festival include Richard Linklater, with LAST FLAG FLYING starring Bryan Cranston, Steve Carell and Laurence Fishburne, about three ex-marines who reunite thirty years after the Vietnam War; Émile Gaudreault with FATHER AND GUNS 2 (DE PÉRE EN FLIC 2), Canada’s highest grossing film of the year; Oscar Winner Mike Van Diem with the Netherlands, Italy, Canada co-production TULIPANI: LOVE, HONOUR, AND A BICYCLE; and acclaimed Canadian documentarian Alan Zweig with his latest film THERE IS A HOUSE HERE, about an Inuk rock singer Lucie Idlout. Director of Programming Paul Gratton stated: ”It is gratifying to see that the Whistler Film Festival’s ever growing reputation as a cool film festival in which to showcase original work is growing well beyond our borders. The quality of our American Indie submissions was way up this year, as was the quality of our hundreds of Canadian entries. The Borsos jury will have a particularly challenging time picking the winners this year.” Programming strands include American Indies, Canada 150, Contenders, Doc Bloc, Family Feature, First Features, From Overseas, From The Vault, Mountain Culture, ShortWork, Transgressive Tales, and World Premieres. This year WFF is proud to boast that all five films in its “American Indies” strand will grace Canadian screens for the first time in Whistler. American Indies include STORY OF A GIRL, the directorial debut from Kyra Sedgwick starring Kevin and Sosie Bacon; THE BALLAD OF LEFTY BROWN starring Bill Pullman directed by Jared Moshe; THE LEARS directed by longtime Whistler Alumnus and Canadian filmmaker Carl Bessai starring Bruce Dern, Sean Astin and Anthony Michael Hall; NEVER HERE directed by Camille Thoman starring the late Sam Shepard in his last performance on screen; and PAINLESS  directed by Jordan Horowitz starring Canadian actor Joey Klein. Other American films include PERMISSION directed by Brian Crano starring Rebecca Hall, Dan Stevens and Jason Sudeikis; BERNARD AND HUEY directed by Slamdance Founder Dan Mirvish with the original script written by the legendary Jules Feiffer; and HEAVEN’S FLOOR directed by Lori Stoll based on the true story of a LA photographer who heads to Iqualuit for a shoot. And it’s not just Americans are entrusting WFF with their Canadian premieres. From Hungary, WFF will present Eva Gardos’ Chinatown style film noir set in Budapest during the early years of World War II. BUDAPEST NOIR is the story of an investigator trying to uncover the truth about a prostitute’s murder, though no one around him seems to care.

    This year, 20 Canadian films will compete for Canada’s second largest festival prize -Borsos Competition for Best Canadian Feature. Borsos titles include eight World Premieres featuring work from WFF Alumni including Pat Kiely with SOMEONE ELSE’S WEDDING starring Jacob Tierney, Jessica Paré, Jessica Parker Kennedy, Kevin Zegers, Kathleen Turner and Wallace Shawn; PRODIGALS directed by Michelle Ouellet starring Sara Canning and David Alpay; Jackie English’s first feature BECOMING BURLESQUE about a Muslim woman who turns to burlesque dancing starring Shiva Negar; Gail Harvey’s crime thriller NEVER SAW IT COMING based on the novel by Linwood Barclay; NOBODY FAMOUS directed by Sarah Rotella; plus three features from Vancouver based directors including 8 MINUTES AHEAD by Ben Hoskyn shot over the course of four years in Vancouver and China; THE PRODIGAL DAD, a home-grown sort of Toni Erdmann directed by Robert Wenzek; and THE CANNON directed by WFF Alumni Marshall Axani, who won the inaugural MPPIA Short Film Award.

    Canadian premieres in the Borsos competition include Hannah Cheesman and Mackenzie Donaldson’s coming of age story, THE DEFINITES, Daniel DiMarco’s atmospheric character study JUGGERNAUT starring Jack Kesy and Amanda Crew, and the family friendly Christmas story SANTA STOLE OUR DOG: A MERRY DOGGONE CHRISTMAS starring Ed Asner from DIY master Bryan Michael Stoller. Western Canadian premieres in the Borsos Competition include Carlos and Jason Sanchez’s first time feature A WORTHY COMPANION starring Evan Rachel Wood and Vancouver’s Julia Sarah Stone produced by the TIFF Canadian producers of the year, Luc Déry and Kim McCraw, ALL YOU CAN EAT BUDDHA the original and rhythmic visual buffet from first time director Ian Lagarde, Grayson Moore and Aidan Shipley’s drama CARDINALS featuring an unforgettable performance from Sheila McCarthy, Vladimir de Fontenay’s Canada/France co-production MOBILE HOMES starring Imogen Poots, Callum Keith Rennie and Callum Turner, TRENCH 11 an unusual WWI dark thriller starring Rossif Sutherland, the comedic drama VENUS about a man transitioning to a woman, and PORCUPINE LAKE, a beloved coming of age story about two best friends directed by DIY queen Ingrid Veninger. Also screening alongside PORCUPINE LAKE is the making of documentary feature THE OTHER SIDE OF PORCUPINE LAKE directed by Julian Papas. Other Canadian films screening at the festival out of competition include ANOTHER WOLFCOP directed by Lowell Dean, the hilarious sex comedy A SWINGERS WEEKEND directed by Jonathan Cohen, and the original crime drama ORDINARY DAYS shot in three segments by three directors Jordan Canning, Kris Booth and Renuka Jeyapalan. In addition to the World Premiere of THE MOMENT which closes the fest, Mountain Culture films include A TO B ROLLERSKI directed by Arnis Aspers about an athlete who “rollerskis” from the Arctic to Baja, DEPTH PERCEPTION the latest brainchild of Travis Rice directed by Chip Taylor and Chris Murphy accompanied by the short series SOMETHING from The Manboys as well as compilation of short mountain based films from some of the industry’s finest athletes and storytellers. This year’s Doc Bloc competition features a very diverse film line-up. In keeping with the theme of emerging talent, WFF is pleased to present the World Premiere of BECOMING ICONIC, Neal Thibedeau’s incisive look at aspiring New York based director Jonathan Barker’s first feature with Nicolas Cage, Gina Gershon and Faye Dunaway, and interviews with such directing legends as Adrian Lyne, John Badham, Jodie Foster and Taylor Hackford about their first time on set as directors. Additional films in this section include WORLD OF DARKNESS, a detailed look at the history and evolution of one the most popular goth lifestyle games of all time, will receive its Canadian Premiere at our fest; and THE GOSPEL ACCORDING TO ANDRÉ, a probing biodoc of André Leon Talley, former editor of Vogue Magazine, featuring interviews with everyone from Anna Wintour to Tom Ford.

    WFF 2017 COMPLETE FEATURE FILM LISTING BY STRAND:

    American Indies:

    THE BALLAD OF LEFTY BROWN (United States) Dir. Jared Moshe THE LEARS (Canada, United States) Dir. Carl Bessai NEVER HERE (United States) Dir. Camille Thoman PAINLESS (United States) Dir. Jordan Horowitz STORY OF A GIRL (United States) Dir. Kyra Sedgwick

    Canada 150:

    ANOTHER WOLFCOP (Canada) Dir. Lowell Dean FATHER AND GUNS 2 (DE PÉRE EN FLIC 2) (Canada) Dir. Émile Gaudreault HEAVEN’S FLOOR (Canada, United States) Dir. Lori Stoll JUGGERNAUT (Canada) Dir. Daniel DiMarco MOBILE HOMES (Canada, France) Dir. Vladimir de Fontenay ORDINARY DAYS (Canada) Dir. Jordan Canning, Kris Booth, Renuka Jeyapalan PORCUPINE LAKE (Canada) Dir. Ingrid Veninger TRENCH 11 (Canada) Dir. Leo Scherman

    Contenders:

    THE DARKEST HOUR (United Kingdom) Dir. Joe Wright THE DISASTER ARTIST (United States) Dir. James Franco HOCHELAGA, LAND OF SOULS (HOCHELAGA, TERRE DES ÂMES) (Canada) Dir. François Girard I, TONYA (United States) Dir. Craig Gillespie

    The Doc Bloc:

    BECOMING ICONIC (United States) Dir. Neal Thibedeau THE GOSPEL ACCORDING TO ANDRE (United States) Dir. Kate Novack THE OTHER SIDE OF PORCUPINE LAKE (Canada) Dir. Julian Papas THERE IS A HOUSE HERE (Canada) Dir. Alan Zweig WORLD OF DARKNESS (Sweden) Dir. Giles Alderson

    Family Feature:

    SANTA STOLE OUR DOG: A MERRY DOGGONE CHRISTMAS! (Canada) Dir. Bryan Michael Stoller

    First Features:

    ALL YOU CAN EAT BUDDHA (Canada) Dir. Ian Lagarde BECOMING BURLESQUE (Canada) Dir. Jackie English CARDINALS (Canada) Dir. Aidan Shipley & Grayson Moore THE DEFINITES (Canada) Dir. Hannah Cheesman & Mackenzie Donaldson

    From Overseas:

    BUDAPEST NOIR (Hungary) Dir Éva Gárdos TULIPANI: LOVE, HONOUR, AND A BICYCLE (Canada, Netherlands, Italy) Dir. Mike Van Diem

    From The Vault:

    THE ROOM (United States) Dir. Tommy Wiseau

    Mountain Culture:

    A TO B ROLLERSKI (Latvia, United States, Canada, Mexico) Dir. Arnis Aspers DEPTH PERCEPTION Dir. Chip Taylor & Chris Murphy

    Transgressive Tales:

    A SWINGER’S WEEKEND (Canada) Dir. Jonathan Cohen A WORTHY COMPANION (Canada) Dir. Carlos Sanchez & Jason Sanchez BERNARD AND HUEY (United States) Dir. Dan Mirvish THE CANNON (Canada) Dir. Marshall Axani PERMISSION (United States) Dir. Brian Crano VENUS (Canada) Dir. Eisha Marjara

    World Premieres:

    8 MINUTES AHEAD (Canada, China) Dir. Ben Hoskyn NEVER SAW IT COMING (Canada) Dir. Gail Harvey NOBODY FAMOUS (Canada) Dir. Sarah Rotella PRODIGALS (Canada) Dir. Michelle Ouellet THE PRODIGAL DAD (Canada) Dir. Robert Wenzek SOMEONE ELSE’S WEDDING (Canada) Dir. Pat Kiely

    WFF 2017 Feature Films Eligible for the Borsos Competition for Best Canadian Feature:

    A WORTHY COMPANION ALL YOU CAN EAT BUDDHA BECOMING BURLESQUE THE CANNON CARDINALS THE DEFINITES HOCHELAGA, LAND OF SOULS JUGGERNAUT MOBILE HOMES NEVER SAW IT COMING NOBODY FAMOUS PORCUPINE LAKE PRODIGALS THE PRODIGAL DAD SANTA STOLE OUR DOG: A MERRY DOGGONE CHRISTMAS SOMEONE ELSE’S WEDDING TRENCH 11 TULIPANI: LOVE, HONOUR AND A BICYCLE VENUS 8 MINUTES AHEAD  

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  • 28th Stockholm International Film Festival Announces Lineup, THE SHAPE OF WATER, DOWNSIZING and More

    [caption id="attachment_25167" align="aligncenter" width="1200"]The Shape Of Water Sally Hawkins and Octavia Spencer in the film THE SHAPE OF WATER.[/caption] 150 films from 60 different countries have been selected to be screened at the 28th Stockholm International Film Festival that takes place from the November 8th to the 19th. A third of the films in this year’s festival program are directed by first-time filmmakers, the festival is also joined by legends such as this year’s Lifetime Achievement Award-winner Vanessa Redgrave. After a long and successful Hollywood-career 80 year old Vanessa Redgrave makes her debut as a director with the documentary Sea Sorrow. The film focuses on the global refugee crisis and is a part of this years Spotlight – Change. This years Visionary Award recipient is the director Pablo Larraín. Larraín is the director behind the Academy Award-nominated Jackie (2016); he is now attending the Stockholm Film festival with his latest film Neruda. The premiere movie of this year’s film festival is the critically acclaimed film The Shape Of Water by the director behind the Academy Award-winning Pan’s Labyrinth Guillermo del Toro. Del Toro also won the Gold Lion at the Venice Film Festival earlier this year. A selection of other films that will be screened are: Thelma by Joachim Trier, Call Me By Your Name by Luca Guadagnino, The Party by Sally Porter, Three Billboards Outside Ebbing, Missouri by Martin McDonagh and last but not least Downsizing by Alexander Payne.

    Stockholm International Film Festival – Program 2017

    Stockholm XXVIII Competition

    A Ciambra by Jonas Carpignano (Italy, France, USA, Germany, 120 min) Ava by Léa Mysius (France, 106 min) Beach Rats by Eliza Hittman Co (USA, 95 min) Beast by Michael Pearce (Great Britain, 107 min) Falling by Marina Stepanska (Ukraine, 105 min) Gabriel And The Mountain by Fellipe Gamarano Barbosa (Brazil, France, 127min) God’s Own Country by Francis Lee (Great Britain, 104 min) I Am Not A Witch by Rungano Nyoni (Great Britain, France, 92 min) Insyriated by Philippe Van Leeuw (Belgium, France, Liban, 85 min) Jeune Femme by Léonor Serraille (France, 97 min) King Of Peking by Sam Voutas (USA, Australia, China, 88 min) La familia by Gustavo Rondón Córdova (Venezuela, Chili, Norway, 82 min) Los Perros by Marcela Said (Chile, France, 94 min) No Date, No Signature by Vahid Jalilvand (Iran, 100 min) One Thousand Ropes by Tusi Tamasese (New Zealand, 98 min) The Rider by Chloé Zhao (USA, 105 min) Son of Sofia by Elina Psikou (Bulgaria, France, Greece, 105 min) Where The Shadows Fall by Valentina Pedicini (Italy, 95 min)

    Stockholm XXVIII Documentary Competition

    A Gray State by Erik Nelson (USA, 93 min) Copwatch by Camilla Hall (USA, 99 min) For Ahkeem by Jeremy S. Levine and Landon Van Soest (USA, 89 min) The Force by Peter Nicks (USA, 93 min) Lots of Kids, A Monkey, And A Castle by Gustavo Salmerón (Spain, 90 min) The New Radical by Adam Bhala Lough (USA, 120 min) Step by Amanda Lipitz (USA, 83 min) Tarzan’s Testicles by Alexandru Solomon (Romania, France, 107 min) This is Congo by Daniel McCabe (Democratic Republic of Congo, USA, Canada, 91 min) This Is Everything: Gigi Gorgeous by Barbara Kopple (USA, 91 min) True Conviction by Jamie Meltzer (USA, 84 min) The Venerable W by Barbet Schroeder (France, Switzerland, 100 min)

    Stockholm Impact

    Cardinals by Grayson Moore and Aidan Shipley (Canada, 84 min) The Last Verse by Ying`Ting Tseng (Taiwan, 100 min) My Pure Land by Sarmad Masud (Great Britain, 92 min) Searing Summer by Ebrahim Irajzad (Iran, 83 min) Wild Roses by Anna Jadowska (Poland, 89 min)

    Open Zone

    A Fantastic Woman by Sebastián Lelio (Chile, USA, Germany, Spain, 104 min) A Man Of Integrity by Mohammad Rasoulof (Iran, 117 min) Amant Double by François Ozon (France, 110 min) April’s Daughter by Michel Franco (Mexico, 102 min) Based On A True Story by Roman Polanski (France, 110 min) Call Me By Your Name by Luca Guadagnino (Italy, France, 130 min) Free And Easy by Jun Geng (Honk Kong, 97 minutes) Gisslan by Rezo Gigineishvili (Russian Federation, Georgia, Poland, 103 min) Have A Nice Day by Liu Jian (China, 75 min) Ice Mother by Bohdan Sláma (Czech Republic, Slovakia, France, 105 min) Mr. Long by Sabu (Japan, Hong Kong, China, Taiwan, Germany, 129 min) On The Beach At Night Alone by Hong Sang`Soo (South Korea, 101 min) Our Time Will Come by Ann Hui (Honk Kong, 130 min) Radiance by Naomi Kawase (Japan, France, 101 min) Thelma by Joachin Trier (Norway, France, 109 min) The Shape Of Water by Guillermo del Toro (USA, 119 min) The Wandering Soap Opera by Raúl Ruiz and Valeria Sarmiento (Chile, 80 min) The Workshop by Laurent Cantet (France, 113 min)

    American Independents

    Band Aid by Zoe Lister`Jones (USA, 94 min) The Boy Downstairs by Sophie Brooks (USA, 91 min) Brigsby Bear by Dave McCary (USA, 100 min) Crown Heights by Matt Ruskin (USA, 99 min) The Endless by Aaron Moorhead, Justin Benson ( USA, 111 min) The Florida Project by Sean Baker (USA, 115 min) Gemini by Aaron Katz (USA, 93 min) Ingrid Goes West by Matt Spicer (USA, 97 min) Kings by Deniz Gamze Ergüven (France, Belgium, 86 min Life And Nothing More by Antonio Méndez Esparza (USA, 113 min) The Lovers by Azazel Jacobs (USA, 98 min) Keep The Change by Rachel Israel (USA, 94 min) Most Beautiful Island by Ana Asensio (USA, Spain, 80 min) Permanent by Colette Burson (USA, 97 min) Sollers Point by Matthew Porterfield (USA, France, 101 min) Who We Are Now by Matthew Newton (USA, 99 min)

    Icons

    Battle Of The Sexes by Jonathan Dayton and Valerie Faris (Great Britain, USA, 121 min) Breathe by Andy Serkis (Great Britain, 117 min) Downsizing by Alexander Payne (USA, 135 min) The Final Journey by Nick Baker`Monteys (Germany, 100 min) Final Portrait by Stanley Tucci (USA, 90 min) Hannah by Andrea Pallaoro (France, 80 min) The Hero by Brett Haley (USA, 96 min) Let The Sunshine In by Claire Denis (France, 94 min) The Party by Sally Potter (Great Britain, 71 min) Reinventing Marvin by Anne Fontaine (France, 115 min) Rodin by Jacques Doillon (France, 119 min) Suburbicon by George Clooney (USA, 105 min) Three Billboards Outside Ebbing, Missouri by Martin McDonagh (USA, UK, 115 min) You disappear by Peter Schønau Fog (Denmark, 118 min) Wonder Wheel by Woody Allen (USA, 101 min)

    Discovery

    Axolotl Overkill by Helene Hegemann (Germany, 94 min) Daybreak by Gentian Koçi (Albania, Greece, 85 min) Disappearance by Ali Asgari (Iran, Qatar, 88 min) Don’t Swallow My Heart, Alligator Girl! by Felipe Bragança (Brazil, Netherlands, France, Paraguay, 108 min) If You Saw His Heart by Joan Chemla (France, 86 min) Killing Jesus by Laura Mora (Colombia, Argentina, 100 min) Menashe by Joshua Z Weinstein (USA, 82 min) Oh Lucy! by Atsuko Hirayanagi (Japan, USA, 97 min) The Testament by Amichai Greenberg (Israel, 88 min) Vazante by Daniela Thomas (Brazil, Portugal, 116 min)

    Documania

    Chavela by Catherine Gund and Daresha Kyi (USA, 90 min) Dina by Dan Sickles and Antonio Santini (USA, 101 min) Hondros directed by Greg Campbell (USA, 93 min) The Paris Opera by Jean`Stéphane Bron (France, 110 min) Return Of A President – After The Coup In Madagascar by Lotte Mik`Meyer (Denmark, South Africa, France, Madagascar, 78 min) Rumble: The Indians Who Rocked The World by Catherine Bainbridge and Alfonso Maiorana (Canada, 103 min) Ryuichi Sakamoto: Coda by Stephen Nomura Schible (USA, 102 min) Served Like A Girl by Lysa Heslov (USA, 93 min) Shadowman by Oren Jacoby (USA, 83 min) Take Every Wave: The Life Of Laird Hamilton by Rory Kennedy (USA, 118 min) Walk with me by Max Pugh and Marc J. Francis (Great Britain, 94 min)

    Twilight Zone

    A Day by Sun`Ho Cho (South Korea, 90 min) Blade Of The Immortal by Takashi Miike (Japan, 140 min) The Cured by David Freyne (Ireland, Great Britain, France, 95 min) Double Date by Benjamin Barfoot (Great Britain, 90 min) Les Affamés by Robin Aubert (Canada, 100 min) Jailbreak by Jimmy Henderson (Cambodia, 92 min) Lowlife by Ryan Prows (USA, 98 min) The Merciless by Sung`Hyun Byun (South Korea, 120 min) Ugly Nasty People by Cosimo Gomez (Italy, France, 87 min) The Villainess by Byung`Gil Jung (South Korea, 129 min)

    Spotlight

    An Inconvenient Sequel: Truth to Power by Bonni Cohen and Jon Shenk (USA, 99 min) Human Flow by Ai Wei Wei (Germany, 140 min) More by Onur Saylak (Turkey, 115 min) This Is Our Land by Lucas Belvaux (France, Belgium, 118 min) Wasted! The Story Of Food Waste by Anna Chai and Nari Kye (USA, 85 min) Zagros by Sahim Omar Kalifa (Belgium, 100 min)

    Stockholm XXVIII Short Film Competition

    A Gentle Night by Qui Yang (China, 15 min) Aria by Myrsini Aristidou (Cyprus, France, 14 min) Atelier by Elsa María Jakobsdóttir (Denmark, 30 min) Bonboné by Rakan Mayasi (Lebanon, Palestine, 15 min) Hombre by Juan Pablo Arias Muñoz (Chile, 21 min) Into the Blue by Antoneta Kusijanovic (Croatia, Slovenia, 22 min) Kudzu by Connor Simpson (USA, 15 min) Lost Property Office by Daniel Agdag (Australia, 10 min) Marlon by Jessica Palud (France, Belgium, 19 min) The Ogre by Laurène Braibant (France, 10 min) Retouch by Kaveh Mazaheri (Iran, 20 min) Signature by Kei Chikaura (Japan, 13 min) Superpower Girl by Soo`Young Kim (South Korea, 24 min) Time To Go by Grzegorz Mołda (Poland, 15 min) You Will Be Fine by Céline Devaux (France, 15 min)

    Special Event

    Neruda by Pablo Larraín (Chile, Argentina, France, Spain, USA, 107 min) Varg by Frida Kempff and Erik Andersson (Sverige, 11 min) Sea Sorrow by Vanessa Redgrave (Great Britain, 74 min) Surprise film

    1 Km Film

    Förebilder by Elin Övergaard (Sweden,13 min) In Love by Ville Gideon Sörman (Denmark, 29 min) Intercourse by Jonatan Etzler (Sweden, 10 min) Mephobia by Mika Gustafsson (Sweden, 24 min) Min Homosyster by Lia Hietala (Sweden,15 min) Push It by Julia Thelin (Sweden, 8 min) Skuggdjur by Jerry Carlsson (Sweden, 21 min) Stay Ups by Joanna Rytel (Sweden, 11 min) Stranded by Viktor Johansson (Sweden, 11 min) Turkkiosken by Bahar Pars (Sweden, 7 min) Image: Sally Hawkins and Octavia Spencer in the film THE SHAPE OF WATER. Photo courtesy of Fox Searchlight Pictures. © 2017 Twentieth Century Fox Film Corporation All Rights Reserved

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  • 2017 Whistler Film Festival Reveals First 15 Films, PRODIGALS, NOBODY FAMOUS and More

    [caption id="attachment_24091" align="aligncenter" width="1200"]Tulipani, Love, Honour and a Bicycle Tulipani, Love, Honour and a Bicycle[/caption] The 2017 Whistler Film Festival (WFF) taking place from November 29th to December 3rd, today offered a sneak peek including the first 15 confirmed films, plus industry and event programming highlights. WFF’s Director of Programming Paul Gratton had this to say about the 2017 lineup confirmed to date: “The Whistler Film Festival is a must-attend event for film fans, emerging filmmakers and anyone who cares about quality cinema. We continue to pursue our own unique festival niche by offering an impressive selection of films, featuring Oscar hopefuls and emerging talent, with a particular focus on female directors. Our Summit will complement our film programming by addressing key trends and opportunities facing the industry, and our Signature Series events will shine the spotlight on some of the top filmmakers of the day. While our final programming is far from complete, we will continue to build on the momentum established over our last few years, and are confident that this will be our best year ever. This year, we are particularly gratified to note the large number of alumni returning to Whistler with their new films. Toplining this year’s Canadian titles are the following World Premiere selections, some of which are eligible for WFF’s coveted Borsos Competition for Best Canadian Feature, featuring a $15,000 cash prize sponsored by the Directors Guild of Canada, British Columbia PRODIGALS: After the success of After-Party at WFF 2013, BC director Michelle Ouellet returns with a searing drama about a man who revisits his home town for a trial, where an ex-girlfriend and a checkered past await him, with David Alpay and Sara Canning (I PUT A HIT ON YOU, 2014). THE MOMENT: Whistler is the perfect location to World Premiere BC filmmaker Darcy Turenne’s exhaustive and definitive history of dirt bike mountain racing that features breathtaking archival footage and stunt biking. SOMEONE ELSE’S WEDDING: Following 2013’s THREE NIGHT STAND, director Pat Kiely offers up another hilarious comedy about a family gathering for an unusual wedding in Montreal, featuring Kathleen Turner, Jessica Paré, Jacob Tierney, Wallace Shawn, Frances Fisher, Kevin Zegers and Luke Kirby. THE OTHER SIDE OF PORCUPINE LAKE: Director Julian Papas captures the unique camaraderie and DIY craziness on the set of Ingrid Veninger’s PORCUPINE LAKE. 8 MINUTES AHEAD: Director Ben Hoskyn’s first feature film shot in Vancouver and Hong Kong is about two brothers who have never met, but who fight over their late father’s business inheritance, even though they live in entirely different socioeconomic worlds and two very different cities. NOBODY FAMOUS: A scathing black comedy from director Sarah Rotella about the jealousies and competitiveness of aspiring actors, as one gets a great role while spending a friendly weekend at the cottage with other wannabes. Canadian Premieres include: THE LEARS: Award winning filmmaker Carl Bessai met producer Irwin Olian from NeoClassics Films during the Whistler Film Festival in 2016 and the result is this well acted drama about a dysfunctional family gathering around their aging, cantankerous architect dad (Bruce Dern) hoping to score some inheritance points as he is about to retire. Also featuring Sean Astin and Anthony Michael Hall. SANTA STOLE OUR DOG: A MERRY DOGGONE CHRISTMAS: Peterborough-born Bryan Michael Stoller is another master of the DIY school of filmmaking. Bryan moved to Hollywood many years ago, wrote the best-selling book “Filmmaking for Dummies”, and makes his own charming indie films, the last three of which have also starred his own pet dog. This one features Ed Asner as Santa, Eric Roberts and internet sensation Yvette Rachelle, who also serves as co-producer on the project. PAINLESS: Canadian actor Joey Klein gives a remarkable performance as a man who is incapable of feeling any pain, but spends his life seeking a scientific cure for his ailment. Directed by Jordan Horowitz. Other programming highlights confirmed for this year include: PORCUPINE LAKE: After the success of THE ANIMAL PROJECT in 2013 and the Borsos cinematography win for HE HATED PIGEONS in 2015, Ingrid Veninger returns to present her latest feature, a charming study of that special inexplicable best girlfriends forever bond that consumes many young women at the onset of puberty. THE PRODIGAL DAD: Vancouver based filmmaker Robert Wenzek’s first feature is a delightful character comedy about a young woman’s dad who shows up on her doorstep uninvited and becomes a hit with her friends, much to her embarrassment. A sort of Canadian Toni Erdmann. With Michelle Harrison and Mackenzie Gray. CARDINALS: Sheila McCarthy gives one of her finest screen performances as a self-described recovering alcoholic stalked by the son of a man she killed in a car accident. Directed by Grayson Moore and Aidan Shipley, with Katie Boland and Noah Reid. MOBILE HOMES: Imogen Poots, Callum Turner and Callum Keith Rennie star in this dark drama about a directionless young mother, saddled with an eight year old son and a shiftless druggie boyfriend. A French co production directed by Vladimir de Fontenay. Poots is outstanding in the lead role. OCTAVIO IS DEAD: Sarah Gadon in a role that will surprise her fans, as she slowly discovers the secrets of her late father’s life, including his sexual predilections, which began to fascinate her. The latest gender bending provocation from director Sook-Yin Lee, with Rosanna Arquette. BECOMING BURLESQUE: A shy Muslim woman takes a great risk when she joins a local burlesque repertory company of extraordinary women on the burlesque stage. Featuring many real-life burlesque dancers and many exotic routines. Directed by Jackie English, with Shiva Negar and Pastel Supernova. TULIPANI: LOVE, HONOUR AND A BICYCLE: A beautiful story about a romantic Dutch man who cycles to Italy and plants a field of tulips in the sweltering heat of Puglia. Co-produced by Don Carmody, directed by award winning Mike Van Diem and starring Giancarlo Giannini and Ksenia Solo. The full film lineup will be released on November 1.  

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  • 45 Films from Fresh Filmmakers on Toronto International Film Festival 2017 Discovery Program

    [caption id="attachment_24001" align="aligncenter" width="1200"]A Fish Out Of Water (上岸的魚) Lai Kuo-An A Fish Out Of Water (上岸的魚) Lai Kuo-An[/caption] The Toronto International Film Festival debuted the 2017 Discovery program lineup with 45 first and second feature films by up-and-coming filmmakers from around the world. Good news for the future of global cinema: this is the biggest Discovery program to date, with 25% more titles than the 2016 roster and two-thirds of the selection World Premiering at TIFF. “Uncovering new talent is one of the key roles of the Festival,” said Piers Handling, Director and CEO of TIFF. “The Discovery programme allows us to carve out a space for emerging filmmakers to be seen by the international film industry and has helped launch the careers of award-winning filmmakers like Maren Ade, Barry Jenkins, Steve McQueen, Christopher Nolan, and Dee Rees.” The films, produced or co-produced in 35 different countries, include fresh, experimental and compelling voices. Life in small, rural communities is portrayed in Miracle, Ravens and The Swan, while families dealing with crises and conflict are addressed in Apostasy, Shuttle Life and Suleiman Mountain. LGBTQ+ themes run through several of the Discovery titles, including Montana, Soldiers. Story from Ferentari and The Poet and the Boy, while teen sexuality is explored in Disappearance, Kissing Candice and Princesita. “If you don’t support the future of filmmaking, you fall behind. So we’re always looking for new talent,” said Cameron Bailey, Artistic Director of TIFF. “The fact that the Discovery programme continues to grow is deeply encouraging, and speaks to the fact that there are a lot of people that want to make films when it is often increasingly more difficult to do so.” The Toronto International Film Festival also announced an additional title to the Docs program: Sighted Eyes/Feeling Heart, a documentary about Lorraine Hansberry, a black writer, communist, feminist, lesbian and outspoken trailblazer at the height of the Civil Rights Movement. The 42nd Toronto International Film Festival runs from September 7 to 17, 2017.

    Toronto International Film Festival 2017 Discovery program

    1% Stephen McCallum, Australia World Premiere ¾ (Three Quarters) Ilian Metev, Germany/Bulgaria North American Premiere A Fish Out Of Water (上岸的魚) Lai Kuo-An, Taiwan World Premiere A Worthy Companion Carlos Sanchez, Jason Sanchez, Canada World Premiere All You Can Eat Buddha Ian Lagarde, Canada World Premiere Apostasy Daniel Kokotajlo, United Kingdom World Premiere AVA Sadaf Foroughi, Iran/Canada/Qatar World Premiere Black Cop Cory Bowles, Canada World Premiere The Butterfly Tree Priscilla Cameron, Australia International Premiere Cardinals Grayson Moore, Aidan Shipley, Canada World Premiere Disappearance (Napadid Shodan) Ali Asgari, Iran/Qatar North American Premiere Five Fingers For Marseilles (Menoana e Mehlano ea Marseilles) Michael Matthews, South Africa World Premiere The Future Ahead (El futuro que viene) Constanza Novick, Argentina World Premiere The Garden (Sommerhäuser) Sonja Maria Kröner, Germany International Premiere The Great Buddha+ (大佛普拉斯) Huang Hsin-Yao, Taiwan International Premiere The Lady From Holland Marleen Jonkman, Netherlands/Germany World Premiere Gutland Govinda Van Maele, Luxembourg/Germany/Belgium World Premiere High Fantasy Jenna Bass, South Africa World Premiere Human Traces Nic Gorman, New Zealand North American Premiere Discovery Closing Film. I am not a Witch Rungano Nyoni, United Kingdom/France North American Premiere I Kill Giants Anders Walter, United Kingdom World Premiere Indian Horse Stephen Campanelli, Canada World Premiere Killing Jesus (Matar a Jesús) Laura Mora, Colombia/Argentina World Premiere Kissing Candice Aoife McArdle, Ireland World Premiere Luk’Luk’I Wayne Wapeemukwa, Canada World Premiere Mary Goes Round Molly McGlynn, Canada World Premiere Miracle (Stebuklas) Egle Vertelyte, Lithuania/Bulgaria/Poland World Premiere Montana Limor Shmila, Israel World Premiere Never Steady, Never Still Kathleen Hepburn, Canada World Premiere Oblivion Verses (Los Versos del Olvido) Alireza Khatami, France/Germany/Netherlands/Chile North American Premiere Oh Lucy! Atsuko Hirayanagi, USA/Japan North American Premiere The Poet and the Boy (Si-e-nui Sa-rang) Kim Yang-hee, South Korea International Premiere Princesita Marialy Rivas, Chile/Argentina/Spain World Premiere Ravens Jens Assur, Sweden World Premiere Scaffolding (Pigumim) Matan Yair, Israel/Poland North American Premiere Shuttle Life (分貝人生) Tan Seng Kiat, Malaysia North American Premiere Simulation Abed Abest, Iran North American Premiere Soldiers. Story from Ferentari (Soldaţii. Poveste din Ferentari) Ivana Mladenovic, Romania/Serbia/Belgium World Premiere Suleiman Mountain Elizaveta Stishova, Kyrgyzstan/Russia World Premiere The Swan (Svanurinn) Ása Helga Hjörleifsdóttir, Iceland World Premiere Discovery Opening Film. Tigre Silvina Schnicer, Ulises Porra Guardiola, Argentina World Premiere Valley of Shadows (Skyggenes Dal) Jonas Matzow Gulbrandsen, Norway World Premiere Village Rockstars Rima Das, India World Premiere Waru Briar Grace-Smith, Ainsley Gardiner, Renae Maihi, Casey Kaa, Awanui Simich-Pene, Chelsea Cohen, Katie Wolfe, Paula Jones, New Zealand International Premiere Winter Brothers (Vinterbrødre) Hlynur Pálmason, Denmark/Iceland North American Premiere

    TIFF DOCS

    Sighted Eyes/Feeling Heart Tracy Heather Strain, USA World Premiere

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  • Toronto International Film Festival Unveils Canadian Feature Slate of 26 Films

    [caption id="attachment_23575" align="aligncenter" width="1200"]Don’t Talk to Irene Don’t Talk to Irene[/caption] The 2017 Toronto International Film Festival unveiled today the 26 titles that make up the Festival’s Canadian feature slate. Featuring a crop of provocative first features, this year’s diverse and varied Canadian lineup boasts one of the highest numbers of feature directorial debuts ever, as well as one of the highest numbers of films from Western Canada in recent years. Over 30% of the titles have a first-time feature director, while seven out of nine are TIFF alumni. This year’s Canadian slate is bolstered by a number of titles from Canadian Festival veterans. Among these titles are: Alanis Obomsawin’s Our People Will Be Healed; Alan Zweig’s There is a House Here; Simon Lavoie’s The Little Girl Who Was Too Fond of Matches (La petite fille qui aimait trop les allumettes); Mina Shum’s Meditation Park; Robin Aubert’s vérité zombie flick Les Affamés; Ingrid Veninger’s Porcupine Lake; Pat Mills’ high school misfit comedy Don’t Talk to Irene; Oscar nominee Kim Nguyen’s Eye on Juliet; Adam MacDonald’s Pyewacket; celebrated director Denis Côté’s Ta peau si lisse (A Skin So Soft); and Jennifer Baichwal and Nicholas de Pencier’s previously announced Long Time Running. Among the Canadian first features at the 2017 Festival are: Sadaf Foroughi’s AVA, a superbly crafted drama about an Iranian teenager at a pivotal crossroad; Ian Lagarde’s All You Can Eat Buddha, which follows a man’s surreal impact on vacationers at a Cuban resort; Carlos and Jason Sanchez’s A Worthy Companion, a psychological thriller about obsession and trauma; Trailer Park Boys star Cory Bowles’ Black Cop, an arresting satirical exploration of police-community relations; Kathleen Hepburn’s powerful family drama Never Steady, Never Still; Grayson Moore and Aidan Shipley’s Cardinals, a disturbing look at the impact of a convicted murderer’s return to her community; Wayne Wapeemukwa’s Luk’Luk’I, a look at the denizens of an impoverished Vancouver neighbouhood; and Molly McGlynn’s Mary Goes Round, about an addiction counsellor struggling with her own issues. Two exciting titles making their World Premieres at the Festival are Mary Harron’s Alias Grace, based on the award-winning novel by Margaret Atwood, written by Sarah Polley and starring Sarah Gadon, Anna Paquin and Paul Gross; and Sean Menard’s The Carter Effect, on how NBA All-Star Vince Carter made an impact on Toronto. Rounding out the program are Kyle Rideout’s winning comedy about eccentricity and high school Public Schooled; Tarique Qayumi’s powerful Afghanistan-set drama BLACK KITE; and Matt Embry’s shocking and poignant MS doc Living Proof. The slate also features performances by multiple Canadian and international stars, including Sandra Oh; Sheila McCarthy; Don McKellar; Russell Peters; Evan Rachel Wood; Geena Davis; Sarah Gadon; Sarah Julia Stone; Scott Thompson; Judy Greer; Afghanistan’s most prominent rising star Haji Gul; and beloved Chinese actress Cheng Pei-Pei. “It is exciting to see a new wave of Canadian first-time feature directors play with genres and take risks,” said Steve Gravestock, Senior Programmer, TIFF. “This year’s lineup has a truly international feel to it, too, with a number of features shot all over the globe — something that also speaks to the boldness of many of the filmmakers included in the slate.” “We are thrilled to have a lineup with such a rich diversity of voices and perspectives,” said Magali Simard, Programmer and Theatrical Senior Manager, TIFF. “Not only are different regions of the country represented, but so are multiple age groups, backgrounds, languages and filmmaking styles. This lineup showcases the incredible wealth of talent currently at work in Canada.” All 25 Canadian feature films at the Festival are eligible for the Canada Goose Award for Best Canadian Feature Film. All nine Canadian feature directorial debuts are eligible for the City of Toronto Award for Best Canadian First Feature Film. This year’s Canadian awards jury is composed of Mark Adams, Artistic Director of the Edinburgh International Film Festival; Canadian documentarian and Hillman Prize winner Min Sook Lee (Migrant Dreams); and artist and filmmaker Ella Cooper, who is also the founder of Black Women Film! Canada. The 42nd Toronto International Film Festival runs from September 7 to 17, 2017.

    SPECIAL PRESENTATIONS

    Eye on Juliet Kim Nguyen, Canada North American Premiere

    MASTERS

    Our People Will Be Healed Alanis Obomsawin, Canada World Premiere

    TIFF DOCS

    The Carter Effect Sean Menard, Canada/USA World Premiere Living Proof Matt Embry, Canada World Premiere There is a House Here Alan Zweig, Canada World Premiere

    DISCOVERY

    A Worthy Companion Carlos Sanchez, Jason Sanchez, Canada World Premiere All You Can Eat Buddha Ian Lagarde, Canada World Premiere AVA Sadaf Foroughi, Iran/Canada/Qatar World Premiere Black Cop Cory Bowles, Canada World Premiere Cardinals Grayson Moore, Aidan Shipley, Canada World Premiere Luk’Luk’I Wayne Wapeemukwa, Canada World Premiere Mary Goes Round Molly McGlynn, Canada World Premiere Never Steady, Never Still Kathleen Hepburn, Canada World Premiere

    CONTEMPORARY WORLD CINEMA

    BLACK KITE Tarique Qayumi, Canada/Afghanistan World Premiere Don’t Talk to Irene Pat Mills, Canada World Premiere Les Affamés Robin Aubert, France/Canada World Premiere Meditation Park Mina Shum, Canada World Premiere Porcupine Lake Ingrid Veninger, Canada World Premiere Public Schooled Kyle Rideout, Canada World Premiere Pyewacket Adam MacDonald, Canada World Premiere The Little Girl Who Was Too Fond of Matches (La petite fille qui aimait trop les allumettes) Simon Lavoie, Canada World Premiere

    PRIMETIME

    Alias Grace Mary Harron, Canada/USA World Premiere PROTOTYPE Blake Williams, Canada North American Premiere A Skin so Soft (Ta peau si lisse) Denis Côté, Canada/Switzerland North American Premiere Previously announced Canadian features at the Festival include Jennifer Baichwal and Nicholas de Pencier’s Long Time Running (Gala) and Seth A. Smith’s The Crescent (Midnight Madness).

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