The Seattle Film Critics Society (“SFCS”) awarded the top prize of Best Picture of the Year to Alfonso Cuarón’s Roma, a semi-autobiographical film that follows the life of a live-in housekeeper during a politically turbulent time in Mexico City. Roma also won three other awards, including Best Director and Best Foreign Film.
Yorgos Lanthimos’ The Favourite leads the nominations for the 2018 Houston Film Critics Society awards with six, including Best Picture, and Best Director for Yorgos Lanthimos.
Roma and Spider-man: Into the Spider-Verse scored three awards with the Utah Film Critics Association, with Spider-man receiving the honors of being named Best Picture of 2018.
“The Hate U Give,” a drama that examines contemporary race relations in America through the eyes of a culturally conflicted young woman, took three prizes at the 2018 Indiana Film Journalists Association (IFJA) awards, including Best Film.
Roma and The Favourite took home three Kansas City Film Critics Circle’s James Loutzenhiser Awards each, and for the first time since 1992 and the fourth time in the organization’s 53-year history tied for the top prize of Best Film. Roma also won Best Foreign Film and helmer Alfonso Cuarón collected the Robert Altman Award for Best Director.
If Beale Street Could Talk, Barry Jenkins adaptation of James Baldwin’s 1974 novel won three award honors, including Best Picture of 2018 from the Boston Society of Film Critics.
The Dallas-Fort Worth Film Critics Association voted the musical drama A STAR IS BORN as the best film of 2018. Rounding out the composite list of the top 10 films of the year were ROMA (2), THE FAVOURITE (3), VICE (4), BLACKkKLANSMAN (5), BLACK PANTHER (6), GREEN BOOK (7), IF BEALE STREET COULD TALK (8), EIGHTH GRADE (9), and CAN YOU EVER FORGIVE ME? (10).
Yorgos Lanthimos’ The Favourite leads all films in the Vancouver Film Critics Circle’s international section with six nominations, and Katherine Jerkovic’s Roads in February leads all films in the Vancouver Film Critics’ Circles’ Canadian section with six nominations.
In the international section, Lanthimos’ delectable bodice ripper shares the Best Picture category with First Reformed, Paul Schrader’s pointed diagnosis of our ill-stricken times, and Alfonso Cuarón’s technically virtuosic and emotionally devastating Roma; Lanthimos, Schrader and Cuarón also assume their respective places in the Best Director category.
Burning, Roma and Shoplifters are up for Best Foreign Language Film, while Free Solo, Minding the Gap and Won’t You Be my Neighbor? are nominated for Best Documentary.
In the Canadian section, a wistful story about a young woman returning home to Uruguay after more than a decade away, Roads in February is nominated for Best Picture alongside Fausto, Andrea Bussmann’s loose adaptation of Goethe’s version of the Faust legend, and Edge of the Knife, co-directors Gwaai Edenshaw and Helen Haig-Brown’s 19th century epic, scripted entirely in two endangered Haida dialects (of which there are only 20-odd fluent speakers remaining). Jerkovic, Bussmann and Edenshaw and Haig-Brown are all nominated for Best Director, where they are joined by Philippe Lesage for Genesis.
The Best Canadian Documentary nominees are ANTHROPOCENE: The Human Epoch, The Museum of Forgotten Triumphs, and What Is Democracy?
The Santa Barbara International Film Festival has selected Yalitza Aparicio (Roma) Sam Elliott (A Star is Born), Elsie Fisher (Eighth Grade) Claire Foy (First Man), Richard E. Grant (Can You Ever Forgive Me?), Thomasin Harcourt McKenzie (Leave No Trace), John David Washington (BlacKkKlansman) and Steven Yeun (Burning) to receive the 2019 Virtuosos Award at the upcoming 34th edition of the festival.
The San Francisco Film Critics Circle named Roma the Best Picture of 2018 along with Best Foreign Language Picture but gave the award for Best Director to Spike Lee for BlacKkKlansman. BlacKkKlansman also won the awards for Best Original Score and Best Screenplay, Adapted.
Alfonso Cuaron’s “Roma,” won a total of five awards and was named the Best Picture of 2018 by the Chicago Film Critics Association. The film, which received the most nominations from the group with nine also won the Foreign Film prize and three awards for Cuaron himself for Director, Cinematography and Editing, the latter shared with co-editor Adam Gough.