Idris Elba, Anthony Mackie, Geraldine Chaplin, Epatha Merkerson, Jennifer Connelly, Michael Clarke Duncan, Sonia Sanchez, Rusty Cundieff, Stanley Nelson, and Thierry Michel are some of the names that lead the 23rd African Diaspora International Film Festival.
ADIFF 2015 has selected a total of 57 films from 27 countries. The lineup is rich in topics and themes presenting from different perspectives the human experience of people of color. Chelsea Bow Tie Cinemas, Teachers College, Columbia University and Mist Harlem will host this event from November 27 through December 13. With a world premiere, 9 US premieres and 16 NY premieres, ADIFF is more independent than ever with its rich and eclectic selection of films that cover many parts of the world.
Making their world and US debut in ADIFF 2015 are Opening Night film “The Man Who Mends Women, The Wrath of Hippocrates” by Thierry Michel which tells the story of Dr. Denis Mukwege, a man who has dedicated his life to assist women subjected to rape in his native DRC and World Premiere “Julien’s Bed” by Kirk Shannon-Butts, a visually imaginative film with a poetic story line about an African-American in Paris trying to reconnect with his lover. “Julien’s Bed” will screen in the first ever ADIFF LGBT Evening program with the South-African film “While You Were Not Looking” by Catherine Stewart. This beautifully shot drama explores gay life in South Africa with courage and imagination as the issue of class and the building of the New South Africa are very much at the center of the story.
https://www.youtube.com/watch?v=z3v_E75-T2M
The Black British program highlight will be the NY Premiere presentation of TIFF’s official selection “Second Coming” by Debbie Tucker Green starring Idris Elba as a man who enjoys a peaceful life in a marriage that is about to change due to unexpected circumstances.
https://www.youtube.com/watch?v=7Qp1_Ay41-A
The Talking about Chicago program will feature the two NY Premieres “70 Acres in Chicago: Cabrini Green” by Ronit Bezale and “Takin’ Place” by Cyrus Dowlatshahi, two documentaries about Chicago’s South Side and its inhabitants that expose an alternative reality to that traditionally presented in the media.
Among the films that explore historical themes will be the US Premiere of “If Only I Were That Warrior” by Valerio Ciriaci – ADIFF 2015 Gala Screening – which moves in and out of Ethiopia, Italy and the United States to tell us a story of unpunished war crimes, colonial wars and African history. “Invisible Heroes: African Americans In The Spanish Civil War,” by Alfonso Domingo and Jordi Torrent that introduces us to the remarkable story of African Americans who fought as volunteers in Spain for democracy and for civil rights that were denied to them in their own country.
https://www.youtube.com/watch?v=WaNg8QnN2rY
Twenty one of the films in ADIFF 2015 are directed by women including “White Lies” by Dana Rotberg – New Zealand’s entry in the 2014 Oscar competition for best foreign-language- and “Asni: Courage & Glamour in Ethiopia” by Rachel Samuel to be presented in the Ethiopia: Past & Present program.
https://www.youtube.com/watch?v=prcx70v-H6w
Two films will explore the role of women in the armed forces: the drama “Stand Down Soldier” by Jeryl Prescott Sale, the story of Sergeant Stacy Armstrong who returns home from three deployments suffering with PTSD, which undermines her 20 year marriage and the stability of her family life. The documentary “A Journey Of A Thousand Miles: Peacekeepers” by Geeta Gandbhir and Sharmeen Obaid Chinoy follows three women in an all female, predominantly Muslim unit of police officers sent to post-earthquake Haiti as UN Peacekeepers for one year.
https://www.youtube.com/watch?v=YAR3SXSme6c
The Urban experience is global. “Fevers/Fièvres” by Hicham Ayouch – one of leading films in ADIFF’s Urban film selection and winner of the Golden Stallion of Yennenga, FESPACO 2015 – is a French drama with a strong social commentary that follows Benjamin , a young boy who is at war with the world and himself. Canadian thriller “Noir/Black /Nwa” by Yves Christian Fournier depicts stories of young people living in a Montreal ghetto fighting to survive like Dickens, a 16 year-old Haitian who wants to be part of the street gang controlled by his older brother. Other urban films are “Honeytrap” from the UK by Rebecca Johnson, “Impunity” from South Africa by Jyoti Mistry, “License to Operate” from the USA by James Lipetzky, and “Hear Me Move” from South Africa by Scottnes L. Smith.
https://www.youtube.com/watch?v=6YUJsgnVOzI
https://www.youtube.com/watch?v=tffnzrVga3U
https://www.youtube.com/watch?v=EIkzA4U7UbE
https://www.youtube.com/watch?v=xM9mLW7lv2c
Two North African films will have their US premiere in ADIFF: comedy-drama “The Blind Orchestra” by Mohamed Mouftakir, a humorous yet critical look at the life of a group of musicians in Morocco during the early years of the reign of Hassan II and “Private Revolutions” by Alexandra Schneider, a documentary that is a reflection on the life of young Egyptian women after the Spring revolution presented in the Egypt: Before & After the Spring Revolution program to be hosted by Egyptian journalist Barbara Nimri Aziz.
ADIFF 2015 has some delightful encores to offer including titles that had a very short theatrical release and keep audiences talking like “Shelter” – starring Anthony Mackie and Jennifer Connelly- by Paul Bettany, “Tango Negro: The African Roots of Tango” by Dom Pedro, “The Pirogue” by Drissa Touré, “Sand Dollars” -Dominican Republic submission to the Oscars in the Foreign Language category- by Israel Cárdenas and Laura Amelia Guzmán and “Black Panthers: Vanguard Of The Revolution” -Oscar contender in the Best Documentary Feature category- by Stanley Nelson.
https://www.youtube.com/watch?v=lwB0-YGivtc
Other important films that will premiere in the festival are “We, Strking” by Denis Gheerbrant about African women on strike against a hotel chain in Paris, Slamdance fest favorite “Dennis Rodman’s Big Bang In Pyongyang” by Colin Offland, and family friendly comedy-drama “White Water” by Rusty Cundieff about a black child obsessed with the idea of drinking water from the Whites Only fountain during the days of Segregation in the South.
ADIFF’s New York Premiere Centerpiece screening of “Cu-Bop: Cuba – New York Music Documentary” by Shinichi Takahashi will be followed with a live concert performance with Afro-Cuban pianist Axel Tosca and his band (U)NITY.
https://www.youtube.com/watch?v=SVOO4ag_4EU
ADIFF will have the honor to host writer/poet/activist/professor Sonia Sanchez for ADIFF’s Closing Night screening of the new documentary celebrating her life and legacy: “BaddDDD Sonia Sanchez” (pictured above) by Barbara Attie, Janet Goldwater and Schmidt Gordon.
https://www.youtube.com/watch?v=j7cP6g6VBAYFevers
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Films Starring Idris Elba, Anthony Mackie, Jennifer Connelly Among Lineup for African Diaspora International Film Festival
Idris Elba, Anthony Mackie, Geraldine Chaplin, Epatha Merkerson, Jennifer Connelly, Michael Clarke Duncan, Sonia Sanchez, Rusty Cundieff, Stanley Nelson, and Thierry Michel are some of the names that lead the 23rd African Diaspora International Film Festival.
ADIFF 2015 has selected a total of 57 films from 27 countries. The lineup is rich in topics and themes presenting from different perspectives the human experience of people of color. Chelsea Bow Tie Cinemas, Teachers College, Columbia University and Mist Harlem will host this event from November 27 through December 13. With a world premiere, 9 US premieres and 16 NY premieres, ADIFF is more independent than ever with its rich and eclectic selection of films that cover many parts of the world.
Making their world and US debut in ADIFF 2015 are Opening Night film “The Man Who Mends Women, The Wrath of Hippocrates” by Thierry Michel which tells the story of Dr. Denis Mukwege, a man who has dedicated his life to assist women subjected to rape in his native DRC and World Premiere “Julien’s Bed” by Kirk Shannon-Butts, a visually imaginative film with a poetic story line about an African-American in Paris trying to reconnect with his lover. “Julien’s Bed” will screen in the first ever ADIFF LGBT Evening program with the South-African film “While You Were Not Looking” by Catherine Stewart. This beautifully shot drama explores gay life in South Africa with courage and imagination as the issue of class and the building of the New South Africa are very much at the center of the story.
https://www.youtube.com/watch?v=z3v_E75-T2M
The Black British program highlight will be the NY Premiere presentation of TIFF’s official selection “Second Coming” by Debbie Tucker Green starring Idris Elba as a man who enjoys a peaceful life in a marriage that is about to change due to unexpected circumstances.
https://www.youtube.com/watch?v=7Qp1_Ay41-A
The Talking about Chicago program will feature the two NY Premieres “70 Acres in Chicago: Cabrini Green” by Ronit Bezale and “Takin’ Place” by Cyrus Dowlatshahi, two documentaries about Chicago’s South Side and its inhabitants that expose an alternative reality to that traditionally presented in the media.
Among the films that explore historical themes will be the US Premiere of “If Only I Were That Warrior” by Valerio Ciriaci – ADIFF 2015 Gala Screening – which moves in and out of Ethiopia, Italy and the United States to tell us a story of unpunished war crimes, colonial wars and African history. “Invisible Heroes: African Americans In The Spanish Civil War,” by Alfonso Domingo and Jordi Torrent that introduces us to the remarkable story of African Americans who fought as volunteers in Spain for democracy and for civil rights that were denied to them in their own country.
https://www.youtube.com/watch?v=WaNg8QnN2rY
Twenty one of the films in ADIFF 2015 are directed by women including “White Lies” by Dana Rotberg – New Zealand’s entry in the 2014 Oscar competition for best foreign-language- and “Asni: Courage & Glamour in Ethiopia” by Rachel Samuel to be presented in the Ethiopia: Past & Present program.
https://www.youtube.com/watch?v=prcx70v-H6w
Two films will explore the role of women in the armed forces: the drama “Stand Down Soldier” by Jeryl Prescott Sale, the story of Sergeant Stacy Armstrong who returns home from three deployments suffering with PTSD, which undermines her 20 year marriage and the stability of her family life. The documentary “A Journey Of A Thousand Miles: Peacekeepers” by Geeta Gandbhir and Sharmeen Obaid Chinoy follows three women in an all female, predominantly Muslim unit of police officers sent to post-earthquake Haiti as UN Peacekeepers for one year.
https://www.youtube.com/watch?v=YAR3SXSme6c
The Urban experience is global. “Fevers/Fièvres” by Hicham Ayouch – one of leading films in ADIFF’s Urban film selection and winner of the Golden Stallion of Yennenga, FESPACO 2015 – is a French drama with a strong social commentary that follows Benjamin , a young boy who is at war with the world and himself. Canadian thriller “Noir/Black /Nwa” by Yves Christian Fournier depicts stories of young people living in a Montreal ghetto fighting to survive like Dickens, a 16 year-old Haitian who wants to be part of the street gang controlled by his older brother. Other urban films are “Honeytrap” from the UK by Rebecca Johnson, “Impunity” from South Africa by Jyoti Mistry, “License to Operate” from the USA by James Lipetzky, and “Hear Me Move” from South Africa by Scottnes L. Smith.
https://www.youtube.com/watch?v=6YUJsgnVOzI
https://www.youtube.com/watch?v=tffnzrVga3U
https://www.youtube.com/watch?v=EIkzA4U7UbE
https://www.youtube.com/watch?v=xM9mLW7lv2c
Two North African films will have their US premiere in ADIFF: comedy-drama “The Blind Orchestra” by Mohamed Mouftakir, a humorous yet critical look at the life of a group of musicians in Morocco during the early years of the reign of Hassan II and “Private Revolutions” by Alexandra Schneider, a documentary that is a reflection on the life of young Egyptian women after the Spring revolution presented in the Egypt: Before & After the Spring Revolution program to be hosted by Egyptian journalist Barbara Nimri Aziz.
ADIFF 2015 has some delightful encores to offer including titles that had a very short theatrical release and keep audiences talking like “Shelter” – starring Anthony Mackie and Jennifer Connelly- by Paul Bettany, “Tango Negro: The African Roots of Tango” by Dom Pedro, “The Pirogue” by Drissa Touré, “Sand Dollars” -Dominican Republic submission to the Oscars in the Foreign Language category- by Israel Cárdenas and Laura Amelia Guzmán and “Black Panthers: Vanguard Of The Revolution” -Oscar contender in the Best Documentary Feature category- by Stanley Nelson.
https://www.youtube.com/watch?v=lwB0-YGivtc
Other important films that will premiere in the festival are “We, Strking” by Denis Gheerbrant about African women on strike against a hotel chain in Paris, Slamdance fest favorite “Dennis Rodman’s Big Bang In Pyongyang” by Colin Offland, and family friendly comedy-drama “White Water” by Rusty Cundieff about a black child obsessed with the idea of drinking water from the Whites Only fountain during the days of Segregation in the South.
ADIFF’s New York Premiere Centerpiece screening of “Cu-Bop: Cuba – New York Music Documentary” by Shinichi Takahashi will be followed with a live concert performance with Afro-Cuban pianist Axel Tosca and his band (U)NITY.
https://www.youtube.com/watch?v=SVOO4ag_4EU
ADIFF will have the honor to host writer/poet/activist/professor Sonia Sanchez for ADIFF’s Closing Night screening of the new documentary celebrating her life and legacy: “BaddDDD Sonia Sanchez” (pictured above) by Barbara Attie, Janet Goldwater and Schmidt Gordon.
https://www.youtube.com/watch?v=j7cP6g6VBAY
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36th Durban International Film Festival Awards; SUNRISE Wins Best Film
The 36th Durban International Film Festival announced the award-winners at the closing ceremony, prior to the screening of the closing film, The Prophet directed by Roger Allers. The award for the Best Feature Film, went to Sunrise directed by Partho Sen-Gupta. The film was described by the jury as “an uncompromising, brilliantly-crafted film that takes us through a fragmented mind, into a shady world allowing us to enter the reality of Mumbai’s underbelly”. (pictured above)
The award for Best South African Feature Film went to Necktie Youth directed by Sibs Shongwe-La Mer, described by the jury as “a film desperate to reconcile the seemingly disparate realities of its country, and whose urgent questions about South African life are posed with such mischievous energy that they cannot help provoke debate, itself one of the most important responsibilities of cinema.” (pictured above)
Shongwe La-Mer also won the award for Best Direction, for Necktie Youth, “for displaying a unique, contemporary voice weaving together poetic images and a striking view of South African youth with a boldness seldom seen in South African cinema.”
The Best Documentary and Best SA Documentary awards went toBeats of the Antonov directed by Hajooj Kuka and The Dream of the Shahrazad directed by Francois Verster, respectively. The jury awarded Beats of the Antonov “for its story, characters, relevance and visual interpretation,” and for a “story told with grace, while honouring the integrity of the people who gave them access as well as the subject matter.”
The Dream of the Shahrazad was awarded for the way in which “the filmmakers pushed themselves beyond their comfort zone, taking mythology and bringing it into the centre of modernity,” and for being “an ambitious film..(that) addresses life post revolution and what is left after heartbreak.” (pictured above)
Didier Michon for his charismatic and captivating performance in Fevers directed by Hicham Ayouch received the Best Actor Award. (pictured above)
The award for Best Actress went to Anissa Daoud for her portrayal of a determined activist who takes a stand, in an important film Tunisian Spring directed by Raja Amari.
Best African Short Film award went to The Aftermath of the Inauguration of the Public Toilet at Kilometre 375 directed by Omar el Zohairy. The jury described this as an “exceptional film explores and pushes new avenues in political satire and the cinema.” (pictured above)
Unomalanga and The Witch directed by Palesa Shongwe, and cited by the jury as “a gentle and unexpected film (that) sheds light on the subtleties of relationships between women”, won the Best South African Short Film award.
A new award, the Production Merit Award goes to Rights of Passage directed by Ntombizodwa Magagula, Mapula Sibanda, Lerato Moloi, Valencia Joshua, Zandile Angeline Wardle, Tony Miyambo, Rethabile Mothobi, Yashvir Bagwandeen. (pictured above)
Sabrina Compeyron and David Constantin, won the Best Screenplay Award for “craftily tracking the age-old struggle between capital and labour spanning the end of industry and the disenfranchisement of a society” in Sugar Cane Shadows directed by David Constantin.
Jean-Marc Ferriere, took the honours for Best Cinematography “for creating a distinctive, atmospheric, highly-crafted and visually dynamic world depicted almost entirely in the dark”, in Sunrise directed by Partho Sen-Gupta.
Special Mention for Direction was made of Kivu Ruhorahoza for Things Of The Aimless Wanderer, “for a courageous and single-minded attempt by a director harnessing all means at his disposal to tell a personal, intricate and political story.”
A Special Mention for Best Film was given to Tunisian Spring by Raja Amari, “for it’s powerful depiction of an event that has, and continues to have, resonance in the world.” (pictured above)
Democrats directed by Camilla Nielsson, got a Special Mention for a Documentary,which is “commended for putting a human face on a story that is complex and sometimes almost opaque.” (pictured above)
The Amnesty International Durban Human Rights Award for the film that best reflects human rights issues went to The Shore Break, directed by Ryley Grunenwald. The jury citation reads “The film powerfully portrays a struggle within a local community regarding foreign mining rights in a pristine environment…(and) concisely and movingly uncovers this complex and urgent matter, which is still under investigation and in need of public support.” (pictured above)
The DIFF Audience Award also went to The Shore Break directed by Ryley Grunenwald.
A further Amnesty International Durban Human Rights Honorary Award was given to The Look of Silence directed by Joshua Oppenheimer, a film that “bravely uncovers the genocide in Indonesia in the 1960’s.”
Arterial Network’s Artwatch Africa Award, for an African film that meaningfully engages with the issues of freedom of expression, went to Beats of the Antonov, directed by Hajooj Kuka. The jury citation said “This compelling film shows how the power of music, dancing and culture sustains the displaced people living in the remote war-ravaged areas of Southern Sudan.” (pictured above)