Alfonso Cuaron’s Roma continues its winning streak with the Southeastern Film Critics Association Awards (SEFCA) as the film was awarded the top prize of Best Film along with Best Foreign Language Film and Best Director for Alfonso Cuaron. The award for Best Documentary Film went to Won’t You Be My Neighbor?
The Seattle Film Critics Society (“SFCS”) awarded the top prize of Best Picture of the Year to Alfonso Cuarón’s Roma, a semi-autobiographical film that follows the life of a live-in housekeeper during a politically turbulent time in Mexico City. Roma also won three other awards, including Best Director and Best Foreign Film.
Emma Stone and Olivia Colman in the film THE FAVOURITE. Photo by Yorgos Lanthimos.ʩ 2018 Twentieth Century Fox Film Corporation
Yorgos Lanthimos’ The Favourite leads the nominations for the 2018 Houston Film Critics Society awards with six, including Best Picture, and Best Director for Yorgos Lanthimos.
Roma, Alfonso Cuaron’s personal journey that chronicles a year in the life of a middle-class family in Mexico City in the early 1970’s was a hit with the Las Vegas Film Critics, winning five awards including; Best Picture, Best Director and Best Foreign Film.
Paul Schrader’s First Reformed leads the Vancouver Film Critic’s Circle international awards with three wins, including Best Director for Schrader. Alfonso Cuarón’s Roma however, picked up Best Picture along with Best Foreign Language Film, and Minding the Gap won for Best Documentary.
Roma and Spider-man: Into the Spider-Verse scored three awards with the Utah Film Critics Association, with Spider-man receiving the honors of being named Best Picture of 2018.
“The Hate U Give,” a drama that examines contemporary race relations in America through the eyes of a culturally conflicted young woman, took three prizes at the 2018 Indiana Film Journalists Association (IFJA) awards, including Best Film.
Roma and The Favourite took home three Kansas City Film Critics Circle’s James Loutzenhiser Awards each, and for the first time since 1992 and the fourth time in the organization’s 53-year history tied for the top prize of Best Film. Roma also won Best Foreign Film and helmer Alfonso Cuarón collected the Robert Altman Award for Best Director.
Yorgos Lanthimos’ The Favourite leads all films in the Vancouver Film Critics Circle’s international section with six nominations, and Katherine Jerkovic’s Roads in February leads all films in the Vancouver Film Critics’ Circles’ Canadian section with six nominations.
In the international section, Lanthimos’ delectable bodice ripper shares the Best Picture category with First Reformed, Paul Schrader’s pointed diagnosis of our ill-stricken times, and Alfonso Cuarón’s technically virtuosic and emotionally devastating Roma; Lanthimos, Schrader and Cuarón also assume their respective places in the Best Director category.
In the Canadian section, a wistful story about a young woman returning home to Uruguay after more than a decade away, Roads in February is nominated for Best Picture alongside Fausto, Andrea Bussmann’s loose adaptation of Goethe’s version of the Faust legend, and Edge of the Knife, co-directors Gwaai Edenshaw and Helen Haig-Brown’s 19th century epic, scripted entirely in two endangered Haida dialects (of which there are only 20-odd fluent speakers remaining). Jerkovic, Bussmann and Edenshaw and Haig-Brown are all nominated for Best Director, where they are joined by Philippe Lesage for Genesis.
Lucrecia Martel’s Zama, Lee Chang-dong’s Burning, and Paul Schrader’s First Reformed took the top spots among films released in 2018 on Film Comment’s annual end-of-year survey. Of the films that screened at festivals worldwide but have not announced stateside distribution, Roberto Minervini’s What You Gonna Do When the World’s on Fire?, Mariano Llinás’s La Flor, and Khalik Allah’s Black Mother received the top rankings.
Sight & Sound, the BFI’s international film magazine, today named Alfonso Cuarón’s Roma as the Best Film of 2018 in one of the most anticipated and respected critics’ opinion poll: Sight & Sound’s Films of the Year. Paul Thomas Anderson’s Oscar®-winning Phantom Thread is in second place, followed by Lee Chang-dong’s Burning in third.
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.