Generation Wealth

  • EIGHTH GRADE, ROMA, FAHRENHEIT 11/9 Among Films Nominated for 2018 Writers Guild Awards

    EIGHTH GRADE
    Elsie Fisher in EIGHTH GRADE

    The Writers Guild of America West (WGAW) and the Writers Guild of America, East (WGAE) announced nominations for outstanding achievement in screenwriting during 2018.

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  • 165 Films Documentary Feature Films Submitted for 2018 Oscar Race

    [caption id="attachment_28784" align="aligncenter" width="1200"]Robin Williams: Come Inside My Mind Robin Williams: Come Inside My Mind[/caption] One hundred sixty-six features have been submitted for consideration in the Documentary Feature category for the 91st Academy Awards®.  Several of the films have not yet had their required Los Angeles and New York qualifying releases. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules in order to advance in the voting process. This year, for the first time, films that have won a qualifying award at a competitive film festival or have been submitted in the Foreign Language Film category as their country’s official selection, are also eligible in the category. A shortlist of 15 films will be announced on December 17. Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture. Nominations for the 91st Academy Awards will be announced on Tuesday, January 22, 2019. The 91st Oscars® will be held on Sunday, February 24, 2019, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide. The submitted features, listed in alphabetical order, are: “Above and Beyond: NASA’S Journey to Tomorrow” “Active Measures” “Amazing Grace” “American Chaos” “Andy Irons: Kissed by God” [caption id="attachment_25696" align="aligncenter" width="1200"]Antonio Lopez 1970: Sex Fashion & Disco Antonio Lopez 1970: Sex Fashion & Disco[/caption] “Antonio Lopez 1970: Sex Fashion & Disco” “Avicii: True Stories” “Bali: Beats of Paradise” “Bathtubs over Broadway” “Be Natural: The Untold Story of Alice Guy-Blaché” “Believer” “Better Angels” “Bill Coors: The Will to Live” “Bisbee ’17” “The Bleeding Edge” “Boom for Real: The Late Teenage Years of Jean-Michel Basquiat” “Breaking Point: The War for Democracy in Ukraine” “Call Her Ganda” “Charm City” “Chef Flynn” “The China Hustle” “Christian Audigier The Vif” “The Cleaners” “Communion” “Crime + Punishment” “Dark Money” “Daughters of the Sexual Revolution: The Untold Story of the Dallas Cowboys Cheerleaders” “The Dawn Wall” “The Distant Barking of Dogs” “Divide and Conquer: The Story of Roger Ailes” “Drug$” “Eating Animals” “Eldorado” “Fahrenheit 11/9” “Fail State” “Family in Transition” “Far from the Tree” “Filmworker” “The First Patient” “Foreign Land” “40 Years in the Making: The Magic Music Movie” “Free Solo” “Garry Winogrand: All Things Are Photographable” “Generation Wealth” “Ghost Hunting” “Ghosthunter” “The Gilligan Manifesto” “The Gospel According to André” “Grace Jones: Bloodlight and Bami” “Graves without a Name” “The Great Buster: A Celebration” “Hal” “Hale County This Morning, This Evening” “Half the Picture” “The Heart of Nuba” “Hillbilly” “The Homeless Chorus Speaks” “Hondros” “Howard” “In Search of Greatness” “In the Land of Pomegranates” “Inventing Tomorrow” “Invisible Hands” “Itzhak” “Jane Fonda in Five Acts” “John McEnroe: In the Realm of Perfection” “The Judge” “Kangaroo: A Love Hate Story” “Killer Bees” “The King” “King in the Wilderness” “Kusama – Infinity” “The Last Race” “Leaning into the Wind: Andy Goldsworthy” “Letter from Masanjia” “Licu, a Romanian Story” “Living in the Future’s Past” “Liyana” “Lots of Kids, a Monkey and a Castle” “Love & Bananas: An Elephant Story” “Love, Cecil” “Love, Gilda” “Love Is Tolerance – Tolerance Is Love – Make Tolerance Great Again!” “Making The Five Heartbeats” “Maria by Callas” “Matangi / Maya / M.I.A.” “McQueen” “Minding the Gap” “Monrovia, Indiana” “The Most Unknown” “New Moon” “93Queen” “Nossa Chape” “Of Fathers and Sons” “Of Love & Law” “On Her Shoulders” “Opera about Poland” “The Opera House” “The Oslo Diaries” “The Other Side of Everything” “The Panama Papers” “Path of Blood” “People’s Republic of Desire” “Philosopher King – Lee Teng-hui’s Dialogue” “Pick of the Litter” “Piripkura” “Police Killing” “Pope Francis – A Man of His Word” “The Price of Everything” “The Price of Free” “Qiu (Inmates)” “Quincy” “RBG” “The Rachel Divide” “The Raft” “Recovery Boys” “Restoring Tomorrow” “Reversing Roe” “The Road Movie” “Robin Williams: Come inside My Mind” “Ruben Blades Is Not My Name” “Samouni Road” “Saving Brinton” “Say Her Name: The Life and Death of Sandra Bland” “Science Fair” “Scotty and the Secret History of Hollywood” “Searching for Ingmar Bergman” “Seeing Allred” “The Sentence” “Shirkers” “Shot in the Dark” “The Silence of Others” “Sisters of the Wilderness” “A Son of Man” “Songwriter” “Stan” “Studio 54” “Summer in the Forest” “Tea with the Dames” “That Summer” “That Way Madness Lies…” “They Fight” “They’ll Love Me When I’m Dead” “This Is Congo” “This Is Home: A Refugee Story” “Three Identical Strangers” “To Be Continued” “Transformer” “Travel Ban” “The Trial” “Triumph: The Untold Story of Perry Wallace” “Trust Machine” “Under the Wire” “United Skates” “Unknown Distance” “Up Down and Sideways” “The Waldheim Waltz” “We Could Be Heroes” “Weed the People” “What Haunts Us” “What Lies Upstream” “Whitney” “Wonderful Losers: A Different World” “Won’t You Be My Neighbor?” “Yellow Is Forbidden” “Yellowing”

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  • 2018 Sheffield Doc/Fest film Unveils Lineup of ‘bold and innovative non-fiction films’

    [caption id="attachment_29118" align="aligncenter" width="1200"]Before Father Gets Back Before Father Gets Back[/caption] The 2018 Sheffield Doc/Fest film program lineup presents bold and innovative non-fiction films made by some of the most authentic international filmmakers working today. 2018 audiences will be treated to 37 World, 18 International, 24 European and 70 UK film premieres. The works are selected across the main program Doc/Adventure, Doc/Expose, Doc/Think, Doc/Love, Doc/Rhythm, Doc/Visions, and focus Retro/Electric Avenues, New/UK, New/Lebanon program strands and accompanying Special Live events. Doc/Fest 2018 film program includes one special Preview screening, a late-night offering as Docs ‘Til Dawn and a selection of outdoor screenings Free Screen. The festival opens on Thursday 7 June with the world premiere of Sean McAllister’s A Northern Soul.

    OPENING NIGHT

    A Northern Soul (World premiere; UK, 2018, 80 min, dir. Sean McAllister) – Following A Syrian Love Story’s Doc/Fest Grand Jury Award win in 2015, Sean McAllister returns to Sheffield to open the Festival’s 25th Edition with the World Premiere of A Northern Soul. With his signature vision and sense of rapport, Sean reflects on changes to his Yorkshire hometown: a city divided by Brexit that is simultaneously celebrated as UK City of Culture and hit by austerity. Drawn to the fringes of town, Sean encounters Steve, a struggling warehouse worker by day and hip-hop performer by night, with a dream…

    SPECIAL PREVIEW

    McQueen (UK/USA, 2017, 111 min, dir. Ian Bonhôte and Peter Ettedgui) – Archival footage and personal testimonials present an intimate portrait of revolutionary British fashion designer ‘Lee’ Alexander McQueen, the working-class boy who became a global one-man fashion brand.THE FULL FILM program LINE-UP – BY STRAND:

    DOC/ADVENTURE

    Before Father Gets Back (World premiere; dir. Mari Gulbiani, 80 min) – In a Georgian village, from which many men have left for Syria, two girls escape a shared longing for their fathers through the magic of cinema. Bruce Lee & the Outlaw (World premiere; dir. Joost Vandebrug, 85 min) – Nicu, a young homeless boy, is adopted by Bruce Lee, the notorious “King of the Underworld” and goes to live with him in the tunnels underneath Bucharest. Central Bus Station (World premiere; dir. Tomáš Elšík, 78 min) – Central Bus Station, a building which has turned from great gift to a place for immigrants. Yonathan has learnt that it can reveal the essence of the society as well as one’s soul. Ghosthunter films in competition Into The Okavango films in competition Love Means Zero (UK premiere; dir. Jason Kohn, 89 min) – At eighty-six, famed tennis coach Nick Bollettieri is a living legend. At his academy in Florida, he raised a generation of champions. Too Beautiful: Our Right to Fight (World premiere, dir. Maceo Frost, 77 min) – Cuba ranks highly at Olympic boxing, but women can’t compete. This immersive film follows Havana boxer Namibia, who’s hoping the ban is lifted before she ages out of eligibility. Over the Limit Phantom Cowboys (International premiere; dir. Daniel Patrick Carbone, 93 min) – Three boys in small town America find their hopes and dreams tempered by their circumstances. Moving back and forth over eight years, this is a moving, skilful exploration of adolescence. Tanzania Transit (European premiere; dir. Jeroen van Velzen, 75 min) – On a train crossing Tanzania, a riding microcosm of East African society, we follow three main characters, reflecting on the strength to survive. The Game The Insufferable Groo (World premiere, 98 min, dir. Scott Christopherson) – Having directed nearly 200 low-budget movies, Utah filmmaker Stephen Groo seeks Jack Black for his latest human/elf fantasy drama. This hilarious yet sincere portrait depicts an uphill production battle. The Lonely Battle of Thomas Reid (UK premiere; dir. Feargal Ward, 77 min) – Thomas Reid lives a solitary life. But beside his 17th century farm looms a vast American factory. When the Irish State tries to take his farm, he vows to resist. The Man Who Stole Banksy (European premiere; 91 min, dir. Marco Proserpio) – A Palestinian taxi driver attempts to sell a Banksy mural on eBay. As we follow the artwork, we uncover a secret art market of stolen walls from around the world. Three Identical Strangers (European premiere; 96 min, dir. Tim Wardle) – In 1980, three New York identical triplets, separated at birth, discovered each other. But behind the remarkable story lurked a dark secret that questioned the notion of who we are. Time Trial Vienna Calling (World premiere; dir. Petr Šprincl, 67 min) – In this docufiction road movie, a grave robbing artist and his sidekicks journey to Vienna in a horse drawn caravan of death to return some famous teeth.

    Shorts

    Zion – see Short Doc Award Cheer From Parts Unknown Hands Up, Chin Down Skip Day Skywards To Be a Torero Taking the Waters The Water Slide

    DOC/EXPOSE

    A Thousand Girls Like Me (European premiere; dir. Sahra Mosawi, 76 min) – A young Afghan woman confronts the will of her family and the traditions of her country to seek justice for years of sexual abuse from her father. A Woman Captured Commander Arian I, Dolours (European premiere; dir. Maurice Sweeney, 82 min) – Dolours Price, bred to violent republicanism, yet ultimately haunted by her actions, gave a filmed interview not to be broadcast until after her death. This is her shocking story. Kinshasa Makambo Laila At The Bridge Lost Warrior Of Fathers and Sons On Her Shoulders One or Two Questions (UK premiere; dir. Kristina Konrad, 237 min) – In 1986, Uruguay passed a law granting amnesty for human rights violations committed by the military and police during the dictatorship (1973-85). One or Two Questions uses footage of interviews recorded on the streets between 1987 and 1989, to present a multifaceted reflection of the country and its inhabitants, in which the values of democracy – such as peace, justice – are continually questioned. The Ballymurphy Precedent (World premiere; dir. Callum Macrae, 106 min) – The little known story about the death of eleven innocent people at the hands of the British Army in a Catholic estate in Belfast in 1971. This is a massacre that few have heard of, yet it was one of the most significant events in the Troubles. The British army continues to cover it up because they cannot afford to admit the truth. The relatives of those who died are fighting for justice – and our investigation shows why. This secret massacre led directly to the Bloody Sunday killings by the same Parachute regiment just five months later. The Congo Tribunal (UK premiere; dir. Milo Rau, 100 min) – Staged as a tribunal on-location in Bukavu and Berlin, director Milo Rau creates an unshrouded portrait of one of the biggest and bloodiest economic wars in human history. The Distant Barking of Dogs The Silence of Others The Trade (European premiere; dir. Matthew Heineman, 125 min) – Addicts and their families struggle in Atlanta, drug lords and poppy-seed farmers toil in Mexico, and narcotics units and dealers clash in Columbus. Under The Wire (World premiere; dir. Chris Martin, 93 min) – A powerful film that tells the story of celebrated Sunday Times journalist Marie Colvin and photographer Paul Conroy’s ill-fated trip to Syria in February 2012. Based on Conroy’s book of the same title. When the War Comes (UK premiere; dir. Jan Gebert, 76 min) – A paramilitary group in Slovakia is recruiting hundreds of young men, aiming to create a model community based on military drill, obedience and fear. Whispering Truth to Power (European premiere; dir. Shameela Seedat, 87 min) – With exclusive, behind-the-scenes access, this film charts the final year in office of South African anti-corruption champion Thuli Madonsela as she attempts to seek justice for ordinary people. After successfully challenging President Jacob Zuma for illegal use of state funds, she faces the biggest challenge of her career: exposing the systematic takeover of government by a private family in cahoots with the President.

    Shorts

    Black Sheep – see Short Doc award Ebrahim Fake News Fairytale Las Nubes The Holiday Inn-Side Watching the Detectives Doc/Dispatch – showcase for short documentary journalism from citizen reporters, investigative filmmakers and responsive news units; projects TBA

    DOC/LOVE

    Amal América Ashore (UK premiere; dir. Leonor Teles, 82 min) – Ashore portrays the life of a singular fisherman in an ancient riverfront community near Lisbon as he drifts between ocean solitude and family anchors. For The Birds Game Girls (UK premiere; dir. Alina Skrzeszewska, 90 min) -This compassionate observational documentary charts the relationship between two homeless women in Los Angeles’ sprawling Skid Row. Tiahna seems resigned to street life, but girlfriend Teri wants to escape. Have You Seen The Listers? (UK premiere; dir. Eddie Martin, 86 min) – From the director of All This Mayhem, a candid and personal family portrait as young father Anthony Lister embarks on the rocky road to become the world’s greatest street artist. Home Games (World premiere; dir. Alisa Kovalenko, 86 min) – A season in the life of Alina, a poor 20-year-old girl from Kyiv who has a chance to be saved by football. A Northern Soul (World premiere) – see OPENING NIGHT Minding the Gap Out (UK premiere; dir. Denis Parrot, 70 min) – The first documentary to address LGBTQ+ coming out stories exclusively through social media footage. People’s Republic of Desire (European premiere; dir. Hao Wu, 95 min) – In China’s popular live streaming showrooms, two internet celebrities seek fame, fortune and human connection, ultimately finding the same promises and perils online as in their real lives. The Eyes of Orson Welles (UK premiere; dir. Mark Cousins, 110 min) – Filmmaker Mark Cousins dives deep into the visual world of this legendary director and actor, to reveal a portrait of the artist as he’s never been seen before. Turning 18 (World premiere; dir. Ho Chao-ti, 87 min) – Two young girls meet at a vocational training program after which their lives move in completely different directions. Both from broken homes, Pei searches for hope in love, while Chen struggles to avoid her parents’ fate. As they approach 18, the undercurrents of their lives surface, nearly overwhelming them. How can an unloved life find a strength of her own? Young Solitude

    Shorts

    Baby Brother Black I Am Confessions of an Angry Mother Landline Last Man Standing Lotus Lovers of the Night Mountain – see Short Doc award Pumpkin Movie

    RETRO/ELECTRIC AVENUES

    Cocorico Monsieur Poulet Disorder

    Shorts program

    Black Film City of Contrasts Horse of Mud + Sad Song of Touha + The Sandwich IFO In Order Not To Be Here Liberty City Crawl (Superman II) Many Thousands Gone Mobile Men Moor Mother Live in London My White Baby Secrets From the Street: No Disclosure Sto Lat Strolling – also see Free Screen on page xx The Strike

    DOC/RHYTHM

    Antigone (UK premiere; dir. Pedro González Rubio, 73 min) – In the biggest public university in Latin America a group of theatre students and their teacher prepare Antigone, a Greek tragedy that addresses the conflict between the rules of power and the will of a young woman to do the right thing. Life, theatre and fiction are interwoven following the rehearsals in classrooms, in their homes, in public spaces and surrealist landscapes of the city. Ashes and Embers (UK premiere; dir. Manon Ott, 71 min) – A poetic and political portrait of a working-class suburb in the process of change, “Ashes and Embers” invite us to meet its inhabitants: a journey from dusk to dawn where, while speaking of their lives, they also express their revolt and their quest for freedom. Blue Note Records: Beyond the Notes (European premiere; dir. Sophie Huber, 85 min) – The film explores the vision behind the iconic American jazz record label. Through current recording sessions, rare archive and conversations with iconic Blue Note artists, the film reveals an intimate perspective of a legacy that continues to be vital in today’s political climate. Legendary artists Herbie Hancock and Wayne Shorter come together with today’s generation of ground-breaking Blue Note artists such as Robert Glasper and Ambrose Akinmusire to record an All-Stars album. Desolation Center (UK premiere; dir. Stuart Swezey, 92 min) – followed by live performance from Thurston Moore – The film vividly portrays the untold story of a series of guerrilla desert gatherings now recognised as the inspiration for Burning Man and Coachella, with performances by Sonic Youth, Minutemen, Meat Puppets, Swans, and more. Generation Wealth (dir. Lauren Greenfield, 108 min) – Lauren Greenfield’s postcard from the edge of the American Empire captures a portrait of a materialistic, image-obsessed culture. Simultaneously personal journey and historical essay, the film bears witness to the global boom-bust economy, the corrupted American Dream, and the human costs of late stage capitalism, narcissism, and greed Harmony (UK premiere; dir. Frederick Paxton, 71 min) – Bold city symphony reveals the terrible beauty in Siberia’s polluted Chelyabinsk. A mesmerizing mix of sound and image highlight the often punishing rituals inflicted on young Russian boys and girls. Milford Graves Full Mantis (UK premiere; dir. Jake Meginsky, Neil Young (Co-Director), 91 min) – Celebrating the creativity of legendary American percussionist Milford Graves, this film is itself a kaleidoscope ode to the creative process, and a unique homage to the free jazz pioneer. Parallel Planes (International premiere; dir. Nicole Wegner, 100 min) – This film pays homage to the American DIY spirit and the diversity of the US musical landscape outside the commercial music industry. Nicole Wegner maintains eye level with her twelve subjects, including Ian MacKaye (Minor Threat, Fugazi), Michael Gira (Swans) and Valentine Falcon (Get Hustle), who gleefully hack the music industry and play by their own rules. Punk Voyage (dir. JP Passi, Jukka Kärkkäinen, 97 min) – PKN, a band of four mentally disabled men, is Europe’s no 1 punk-rock act. When the band’s leader decides to retire, Punk Voyage shows all the quarrels, tears and laughter. Shakedown (UK premiere; dir. Leilah Weinraub, 72 min) – “If you straight, you don’t need to be in the front.” Former drag show host Teresa and Ronnie-Ron co-founded Shakedown in the 90s, establishing a thriving underground scene. Dancers including Egypt, Miss Mahogany, I-Dallas and Slow-Wine entertain the throng. This strip club was a space for LA’s African-American queer community to explore identity, sexuality and have an incredible time. Silvana (UK premiere; dir. Mika Gustafson, Olivia Kastebring, Christina Tsiobanelis, 91 min) – Silvana Imam is a fierce force of nature. We witness the Swedish rap artist’s career soar, and the genesis of her relationship with pop artist, Beatrice Eli. The pair become Sweden’s Beyoncé and Jay-Z; a power-couple of phenomenal talent and influence. As the pressures of her iconic status begin to spiral, Silvana is forced to confront her inner conflicts. This One’s For The Ladies (International premiere; dir. Gene Graham, 83 min) – Race, class and sexuality intersect at Newark strip club the Dojo: a karate school by day, home to the New Jersey Nasty Boyz by night. In addition to spotlighting the exotic dancers who work there – both male and lesbian – Gene Graham’s affectionate portrait celebrates the community of women who sustain this microcosm of black American society. Tranny Fag Yellow Is Forbidden (European premiere; dir. Pietra Brettkelly, 94 min) – Haute couture is the most exclusive club in the world: Mostly men. Exclusively European. Largely conglomerate-funded. Yet, Guo Pei, an independent Chinese designer has been invited to present a collection.

    Shorts

    Artificial Things Arr. for a Scene Mini Miss To The Front: Scenes From a Women’s Rock Camp Weltschmerz – see Short Doc award

    DOC/THINK

    A Journey to the Fumigated Towns Boys Who Like Girls (World premiere; dir. Inka Achte, 68 min) – Two years have passed since the infamous Delhi gang rape, and India is ablaze with talk of men’s role in gendered violence. Teenager Ved joins a boys’ club run by ‘Men Against Violence and Abuse’ and realises there may be a healthier path for him than the one paved by his abusive father. Will his be the first generation of boys that actually likes girls? Central Airport THF Ex-Shaman Flow (World premiere; dir. Nicolás Molina, 82 min) – FLOW observes the human connection between two rivers: Ganges in India and Biobío in Chile. It proposes a poetic journey blending both civilizations through the flow of one great river. German Class (World premiere; dir. Florian Heinzen-Ziob, 89 min) – Over the course of six months the film closely follows the daily ups and downs of a group of children from abroad as they take their first steps in the German school system. Infinite Football (World premiere; dir. Corneliu Porumboiu, 70 min) – Romanian filmmaker Porumboiu focuses on Laurentiu Ginghina, a bureaucrat who dreams of revolutionizing football. Yet when the director makes Ginghina’s alternative game reality, the bureaucrat can’t stop reworking his theories. Esta Todo Bien (World premiere; dir. Tuki Jencquel, 70 min) -“That’s the drama. You can’t get sick.” These sadly apt words are spoken by Francisco, an activist who delivers badly needed medicines in Venezuela where salaries peak at twelve dollars a month and 16,000 doctors have left the country. Our New President Radio Atlas: A Lunkhead Among The Stars (dir. Gyrid Listuen, 47 min) – Radio Atlas presents Gyrid Listuen’s Prix Europa-winning radio documentary from the nineties — exploring the internal world of a young man with Down’s Syndrome. The Cleaners (UK premiere; dir. Hans Block, Moritz Riesewieck, 88 min) – Digital scavengers’ are outsourced to delete inappropriate content from the net, while at the same time the lives of people around the globe are dramatically affected by online censorship. A ‘cleaner’ rates thousands of disturbing images every day, with lasting psychological impact. From the shared global village to fake news and radicalization, the film charts the rise and fall of social media’s utopian ideology. The Dread The Gospel of Eureka The Pain of Others The Proposal The Trial (UK premiere; dir. Maria Ramos, 139 min) – The Trial offers a behind-the-scenes look at the impeachment of Dilma Rousseff, Brazil’s first female President. The film portrays the “judicial political” trial first at the House of Representatives and then, at the Senate focusing on the President’s Defence Team: her lawyer José Eduardo Cardoso and two senators who struggle to prove the President’s innocence against a majority vote by a Congress riddled with corruption. The Waldheim Waltz What Is Democracy? When Lambs Become Lions

    Shorts

    90 Seconds in North Korea Girlhood Give I Am Bisha I Signed The Petition The River of the Kukamas

    DOC/VISIONS

    Arboretum Cycle (UK premiere; dir. Nathaniel Dorsky, 137 min) – A magical collection of seven 16mm films by Nathaniel Dorsky, explores the beauty of Californian nature in Spring light. Each silent film celebrates qualities of energy, joy, fullness, and rebirth. Black Mother Doel Female Human Animal (European premiere; dir. Josh Appignanesi, 74 min) – Shot in the real-life contemporary art world, Female Human Animal is a psycho-thriller about a creative woman disenchanted with what modern life and “modern men” have to offer her. When writer Chloe Aridjis curates an inspiring retrospective of the surrealist Leonora Carrington, an elusive, brooding man appears, seeming to offer more. A darkly romantic docufiction that puts on screen the lurid unconscious of our new sexual politics. Going South (UK premiere; dir. Dominic Gagnon, 104 min) – Going South is the second part of a tetralogy in which Dominic Gagnon intends to explore the cardinal points of the Internet in the post-truth era. Hale County This Morning, This Evening La Commune (Paris, 1871) Last Year in Utopia (UK premiere; dir. Jana Magdalena Keuchel, Katharina Knust, 72 min) – In this revealing and playful Brechtian recreation of events, six cast members from a cancelled German reality television program make an emotional return to their show’s isolated forest location. Margaret Tait: A Century (64 min, dir. Margaret Tait) – Marking both the centenary of the 1918 suffrage act and her birthday, pioneering British filmmaker Margaret Tait is the center of Margaret Tait: A Century -a mini retrospective collection of her titles: Colour Poems, A Portrait of Ga, Tailpiece, Aerial, Where I am is Here. McQueen Music When The Lights Go Out Obscuro Barroco Shirkers Sleep Has Her House (UK premiere; dir. Scott Barley, 90 min) – A hypnotic reverie in a dark forest, underneath waterfalls and shifting shapes in the night. Captured on an iPhone, this is a symphonic and haunting science fiction of nature. The Task Turtle Rock Victory Day (UK premiere; dir. Sergei Loznitsa, 94 min) – Once a year, crowds gather in Berlin’s Treptower Park to mark the anniversary of the Soviet victory over Nazi Germany. Master of sustained observation, Sergei Loznitsa, captures the medal bedecked veterans and burly biker gangs assembling for this spring day of patriotic songs and speeches. Loznitsa’s carefully framed compositions become a meditation on the nationalistic myths still gripping Europe. Worlds of Ursula K. Le Guin (World premiere; dir. Arwen Curry, 65 min) – A trailblazing rebel who shook the world of literature, defying gender norms, societal expectations and patriarchal gatekeeping. Ursula K Guin remains a peerless lightning bolt of imagination and political insight.

    Shorts

    A God’s Shadow Cops Are Actors Fluid Frontiers Here There Is No Earth House Maskirovka Rebirth is Necessary – see Short Doc award Song for Europe With history in a room filled with people with funny names 4

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  • Provincetown International Film Festival Announces 2018 Lineup, Closes with MAPPLETHORPE

    [caption id="attachment_28780" align="aligncenter" width="1200"]MAPPLETHORPE MAPPLETHORPE[/caption] The Provincetown International Film Festival (PIFF) announced their complete lineup of narrative, documentary and short films for the 20th anniversary edition. The festival will kick off with the New England premiere of WILD NIGHTS WITH EMILY, starring Molly Shannon. Written and directed by Madeleine Olnek, the film is a dramatic comedy about the secret life of Emily Dickinson. Ondi Timoner’s MAPPLETHORPE, starring Matt Smith, has been selected as the Closing Night film. Additionally, acclaimed director Sean Baker will receive the “Filmmaker on the Edge” Award in conversation with John Waters, and actress Chloë Grace Moretz will be on hand to receive the festival’s Next Wave Award; Moretz’s latest film, THE MISEDUCATION OF CAMERON POST, is a Spotlight selection. Said Artistic Director Lisa Viola, “For our 20th anniversary festival, we are absolutely thrilled to present a lineup featuring new work by a group of extraordinarily talented filmmakers, and we are especially proud that all five of our Spotlight films are directed by women!” The Provincetown International Film Festival runs June 13 to 17, 2018 in Provincetown, MA.

    2018 Provincetown International Film Festival Lineup

    OPENING NIGHT

    WILD NIGHTS WITH EMILY – directed by Madeleine Olnek (Wednesday, June 13)

    CLOSING NIGHT

    MAPPLETHORPE – directed by Ondi Timoner (Sunday, June 17)

    SPOTLIGHT SELECTIONS

    THE MISEDUCATION OF CAMERON POST – directed by Desiree Akhavan (Thursday, June 14) AND BREATHE NORMALLY – directed by Ísold Ugadóttir (Friday, June 15) LEAVE NO TRACE – directed by Debra Granik (Saturday, June 16)

    SPECIAL SCREENINGS/EVENTS

    JOHN WATERS PRESENTS: I, OLGA – directed by Petr Kazda, Tomás Weinreb MODERN LOVE LIVE, presented by WBUR and The New York Times at the Provincetown Film Festival (Friday, June 15) FEMALE TROUBLE – directed by John Waters MIDNIGHT COWBOY – directed by John Schlesinger TANGERINE – directed by Sean Baker

    NARRATIVE FEATURES

    1985 – directed by Yen Tan BLINDSPOTTING– directed by Carlos López Estrada THE CAKEMAKER – directed by Ofir Raul Graizer THE CHILDREN ACT – directed by Richard Eyre DON’T WORRY, HE WON’T GET FAR ON FOOT – directed by Gus Van Sant EIGHTH GRADE – directed by Bo Burnham THE GUILTY – directed by Gustav Möller HEARTS BEAT LOUD– directed by Brett Haley A KID LIKE JAKE – directed by Silas Howard LEMONADE – directed by Ioana Uricaru LOVELING – directed by Gustavo Pizzi MADELINE’S MADELINE – directed by Josephine Decker MARIO – directed by Marcel Gisler NIGHT COMES ON – directed by Jordana Spiro PUZZLE – directed by Marc Turtletaub WE THE ANIMALS – directed by Jeremiah Zagar

    DOCUMENTARY FEATURES

    CHEF FLYNN – directed by Cameron Yates DAWNLAND – directed by Adam Mazo, Ben Pender-Cudlip EVERY ACT OF LIFE – directed by Jeff Kaufman A FINE LINE – directed by Joanna James GENERATION WEALTH – directed by Lauren Greenfield THE GOSPEL OF EUREKA – directed by Donal Mosher, Michael Palmieri JOHN McENROE: IN THE REALM OF PERFECTION – directed by Julien Faraut LIFE IN THE DOGHOUSE – directed by Ron Davis McQUEEN – directed by Ian Bonhôte, Peter Ettedgui THE PRICE OF EVERYTHING – directed by Nathaniel Kahn ROBIN WILLIAMS: COME INSIDE MY MIND – directed by Marina Zenovich SCIENCE FAIR – directed by Cristina Costantini, Darren Foster SCOTTY AND THE SECRET HISTORY OF HOLLYWOOD – directed by Matt Tyrnauer THE SENTENCE – directed by Rudy Valdez STUDIO 54 – directed by Matt Tyrnauer THREE IDENTICAL STRANGERS – directed by Tim Wardle TIME FOR ILHAN – directed by Norah Shapiro WESTWOOD: PUNK, ICON, ACTIVIST – directed by Lorna Tucker WYETH – directed by Glenn Holsten

    SHORTS

    AFTER PROM – directed by Nona Schamus BABS – directed by Celine Held & Logan George BECAUSE YOU’RE HERE – directed by Mike Syers BRAINWORM BILLY – directed by Emily Hubley THE DARE PROJECT – directed by Adam Salky, written by David Brind EDWARD HOPPER & MARSHALL’S HOUSE – directed by Bob Burnett FEVAH – directed by Randall Dottin GIRL FRIEND – directed by Chloe Sarbib HEATHER HAS FOUR MOMS – directed by Jeanette L. Buck JUDITH LOVES MARTHA – directed by Anna Gaskell KEEPER – directed by Marnie Crawford Samuelson & Shane Hofeldt KHOL (OPEN) – directed by Faroukh Virani LANDLINE – directed by Matt Houghton THE LAYOVER – directed by Joe Stankus LONESOME WILLCOX – directed by Ryan Maxey & Zack Wright MARGUERITE – directed by Maria Gracia Turgeon MAUDE – directed by Anna Margaret Hollyman MEN DON’T WHISPER – directed by Jordan Firstman MOTHER MOTHER – directed by Robert Machoian & Rodrigo Ojeda-Beck NEGATIVE SPACE – directed by Ru Kuwahata & Max Porter NEUTRAL – directed by Nathan Barnatt PAID FOR BY – EPISODE 2 – DIANE BUSCH’S WOMEN’S ISSUE AD – directed by Dawn Smith SET ME AS A SEAL UPON THINE HEART – directed by Omer Tobi SHE IS JUICED: SLICE ONE – JO HAY – directed by Lois Norman SLEEPOVER – directed by Jimi Vall Peterson SUPER 8 DAZE – directed by Rob Hampton & John Morgan WOULD YOU LOOK AT HER – directed by Goran Stolevski WORLD OF TOMORROW EPISODE 2: THE BURDEN OF OTHER PEOPLE’S THOUGHTS –directed by Don Herzfeldt WREN BOYS – directed by Harry Lighton

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  • 2018 Nantucket Film Festival to Open with BOUNDARIES, Close with LOVE, GILDA

    [caption id="attachment_28675" align="aligncenter" width="1200"]Boundaries Boundaries[/caption] The 23rd Nantucket Film Festival taking place June 2 to 25, 2018, will open with  “Boundaries,” written and directed by Shana Feste. The film tells the story of single mom Laura (Vera Farmiga) who is forced to drive her estranged, pot-dealing father Jack (Christopher Plummer) from Seattle to Los Angeles after he is kicked out of a retirement home. The comedy also stars Bobby Cannavale, Peter Fonda, Christopher Lloyd and Kristen Schaal. [caption id="attachment_26877" align="aligncenter" width="1200"]Love, Gilda Love, Gilda[/caption]

    Love, Gilda,” directed by Lisa D’Apolito, will close the festival. The documentary reveals the personal side of iconic comedian Gilda Radner through rare personal recordings and journal entries.

    Morgan Neville’s “Won’t You Be My Neighbor? will screen as the festival’s centerpiece film. The documentary depicts the life and legacy of the late Fred Rogers, host of the popular children’s television series “Mister Rogers’ Neighborhood” and a longtime Nantucket summer resident.

    For the ninth year in a row, the festival will screen a Disney‒Pixar film on opening day. This year the studio will showcase the animated feature “Incredibles 2,” with Craig T. Nelson, Holly Hunter, Sarah Vowell, Samuel L. Jackson, John Ratzenberger and director Brad Bird reprising their characters from the first film.

    The festival will also continue its relationship with the Berklee Silent Film Orchestra in screening a classic silent film accompanied by a new orchestral score. This year, Berklee students will perform their original score for the new restoration of “The Man Who Laughs”(1928), based on the Victor Hugo novel and starring Mary Philbin and Conrad Veidt. Veidt’s character is widely acknowledged to have been the genesis of the iconic Batman villain, the Joker.

    Nearly 50 feature selections have been announced, including two world premieres: Galt Niederhoffer’s “10 Things We Should Do Before We Break Up,” starring Christina Ricci and Hamish Linklater as strangers who decide to try to be a couple when a one-night stand results in pregnancy; and Donal Lardner Ward’s “We Only Know So Much,” a multigenerational family drama featuring Jeanne Tripplehorn and “Stranger Things’ ” Noah Schnapp.

    The festival will also present four Sundance Audience Award winners: Andrew Heckler’s KKK drama “Burden,” starring Garrett Hedlund, Forest Whitaker and Andrea Riseborough; Aneesh Chaganty’s “Searching,” a thriller starring John Cho and Debra Messing which takes place entirely on a laptop screen; Rudy Valdez’s personal documentary about his incarcerated sister, “The Sentence;” and Alexandra Shiva’s “This Is Home,” a documentary about Syrian refugees adjusting to life in Baltimore.

    Notable among this year’s narrative titles are several which highlight strong female leads, including Susanna White’s “Woman Walks Ahead,” starring Jessica Chastain; Isabel Coixet’s “The Bookshop,” starring Emily Mortimer and Patricia Clarkson; Marianna Palka’s “Egg,” starring Christina Hendricks and Alysia Reiner; Marc Turtletaub’s “Puzzle,” starring Kelly Macdonald; Bo Burnham’s “Eighth Grade,” starring newcomer Elsie Fisher; Björn Runge’s “The Wife,” starring Glenn Close; and Richard Eyre’s “The Children Act,” starring Emma Thompson.

    Other highlights include new films by acclaimed documentary filmmakers, including Marina Zenovich’s “Robin Williams: Come Inside My Mind,” Lauren Greenfield’s “Generation Wealth,” Susan Lacy’s “Jane Fonda In Five Acts,” Rory Kennedy’s “Above And Beyond: NASA’s Journey To Tomorrow,” Barbara Kopple’s “A Murder In Mansfield,” Eugene Jarecki’s “The King” and Dana Adam Shapiro’s “Daughters Of The Sexual Revolution: The Untold Story Of The Dallas Cowboys Cheerleaders.”

    “We always aim to bring a mix of programming that is equally entertaining, eye-opening and engaging to the festival each year, and this year’s lineup continues that tradition,” festival film-program director Basil Tsiokos said. “And, of course, foremost in our minds is to share with our audience really great stories, artfully told, and these films won’t disappoint.”

    Oscar-nominated writer/director Noah Baumbach will receive the 2018 Screenwriters Tribute Saturday, June 23. Neville, also an Oscar winner, will receive the Special Achievement in Documentary Storytelling Award and Andrew Heckler the New Voices in Screenwriting Award. Ben Stiller will present and participate in The All-Star Comedy Roundtable, “The Improv Takeover,” an evening of spontaneous storytelling and improvisational comedy, featuring actors and comedians Thomas Middleditch (“Silicon Valley”) and Ben Schwartz (“Parks and Recreation”) on Friday, June 22. In addition, the festival will present a live taping of NPR’s “Ask Me Another” with host Ophira Eisenberg Thursday, June 21.

    Over the past 22 years the festival has mixed highly-anticipated awards contenders with the films of emerging and established filmmakers, and brought together the film industry’s most recognized screenwriters and storytellers, including Oliver Stone, Steve Martin, Judd Apatow, Tom McCarthy, Beau Willimon, Kathryn Bigelow, Sarah Silverman, Alexander Payne, David O. Russell, Diane Keaton, Robert Towne, Glenn Close and Aaron Sorkin.

    It has also produced the All-Star Comedy Roundtable Presented by Ben Stiller, and the conversation series “In Their Shoes With . . .,” which has included Robin Wright and Beau Willimon with Chris Matthews, Tom McCarthy with Bobby Cannavale, Molly Shannon with Michael Ian Black and Bradley Whitford with Matthews.

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  • 2018 Sarasota Film Festival Announces Lineup, ‘1985’ EIGHTH GRADE’ ‘THE RIDER’ and More…

    [caption id="attachment_27753" align="aligncenter" width="1200"]EIGHTH GRADE EIGHTH GRADE[/caption] The 2018 Sarasota Film Festival (SFF) announced its full line-up, including its Centerpiece, Spotlight, Narrative Feature Competition, Independent Visions Competition, Documentary Feature Competition, Narrative, Documentary, and Short Films. The Festival also announced its five SFF Focus Panels – Sports in Cinema, Environment, Science, and Sustainability, Women’s Comedic Voices, Redefining Manhood, and Musings on Musicians. “In honor of our 20th anniversary, we have programmed a lineup that celebrates the past, present, and future of the Sarasota Film Festival that is sure to delight our dedicated and passionate audiences,” said Mark Famiglio, Chairman and President of the Sarasota Film Festival. “The selection includes a diverse group of narratives and voices that will create engaging conversations about today’s most important topics.” In the Festival’s Centerpiece section is 1985, about a closeted gay man, unable to come out to his friends and family during the beginning of the AIDS crisis, staring Academy Award®-nominated actress Virginia Madsen, who will be attendance at the Festival. Also a Centerpiece selection is Bo Burnham’s feature film directorial debut, EIGHTH GRADE, a portrait of young teenagers discovering their identities online and in reality. Bo will be in attendance for a Q&A following the film’s screening during the Festival. The Spotlight section will include narrative films Brett Haley’s HEARTS BEAT LOUD, Silas Howard’s A KID LIKE JAKE, Andrew Haigh’s LEAN ON PETE, Hannah Fidell’s THE LONG DUMB ROAD, Dominic Cooke’s ON CHESIL BEACH, Chloé Zhao’s THE RIDER, and Madeline Olnek’s WILD NIGHTS WITH EMILY, and documentary films Eugene Jarecki’s THE KING, Ali Weinstein’s MERMAIDS, Barbara Kopple’s A MURDER IN MANSFIELD, and Morgan Neville’s WON’T YOU BE MY NEIGHBOR? Each year the Sarasota Film Festival focuses on social issues to highlight throughout its program. The Sports in Cinema Focus returns this year, welcoming Ben and Orson Cummings and their film KILLER BEES, produced by Shaquille O’Neill. Other films in this focus include the Closing Day Film, Jason Kohn’s LOVE MEANS ZERO and Dana Adam Shapiro’s DAUGHTERS OF THE SEXUAL REVOLUTION: THE UNTOLD STORY OF THE DALLAS COWBOY CHEERLEADERS. In consideration of sustainability of communities and the planet, films in the SFF Environment, Science, and Sustainability Focus include Susan Kucera’s LIVING IN THE FUTURE’S PAST, Chad Freidrichs’ EXPERIMENTAL CITY, Quinn Costello, Chris Metzler, and Jeff Springer’s RODENTS OF UNUSUAL SIZE, and Rory Kennedy’s ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW. In a groundbreaking year for women, the festival presents SFF Focus: Women’s Comedic Voices, a lineup featuring all female directors. Films in the category include Wendy McColm’s BIRDS WITHOUT FEATHERS, Bridey Elliott’s CLARA’S GHOST, Caroline Golum’s A FEAST OF MAN as well as LONG DUMB ROAD and WILD NIGHTS WITH EMILY. The films in the SFF Focus: Redefining Manhood, provide a glimpse at the questions regarding masculine identities, include Bing Liu’s MINDING THE GAP, as well as 1985, THE RIDER, and WON’T YOU BE MY NEIGHBOR? The final SFF Focus: Musings on Musicians, presents an array of films exploring the relationships between music and film. Films in the category include Laura Parnes’ TOUR WITHOUT END, T.G. Herrington and Danny Clinch’s A TUBA TO CUBA, Derek Ahonen’s THE TRANSCENDENTS, Sophie Fiennes’ GRACE JONES: BLOODLIGHT AND BAMI, Jake Meginsky and Neil Young’s MILFORD GRAVES FULL MANTIS, Scott Smith’s CHASING THE BLUES, Stephen Loveridge’s MATANGI / MAYA / M.I.A, as well as THE KING and HEARTS BEAT LOUD. The Narrative Feature Competition will showcase DON’T LEAVE HOME directed by Michael Tully, I AM NOT A WITCH, directed by Rungano Nyoni, MADELINE’S MADELINE, directed by Josephine Decker, THE QUEEN OF FEAR directed by Valeria Bertuccelli and Fabiana Tiscornia, THE SEEN AND THE UNSEEN directed by Kamila Andini, SUPPORT THE GIRLS directed by Andrew Bujalski as well as CLARA’S GHOST. The Documentary Feature Competition will include GENERATION WEALTH directed by Lauren Greenfield, GENESIS 2.0 directed by Christian Frei and Maxim Arbugaev, HALE COUNTY THIS MORNING, THIS EVENING directed by RaMell Ross, OF FATHERS AND SONS directed by Talal Derki, THE SENTENCE directed by Rudy Valdez, as well as DAUGHTERS OF THE SEXUAL REVOLUTION: THE UNTOLD STORY OF THE DALLAS COWBOY CHEERLEADERS and MINDING THE GAP. The Independent Visions Competition will feature BLACK MOTHER directed by Khalik Allah, LIFE AND NOTHING MORE directed by Antonio Méndez Esparza, MAISON DU BONHEUR directed by Sofia Bohdanowicz, NOTES ON APPEARANCE directed by Ricky D’Ambrose, as well as BIRDS WITHOUT FEATHERS, A FEAST OF MAN, MILFORD GRAVES FULL MANTIS, and TOUR WITHOUT END. The jury for the competition films will consist of the following individuals: producer Autumn Bailey-Ford, Emmy®-nominated writer and producer Mark Bailey, documentary filmmaker Orson Cummings, New York Magazine film critic David Edelstein, Factory 25 film distributor Matt Grady, Academy of Motion Picture Arts and Sciences Director – New York Programs and Membership Patrick Harrison, film professor Del Jacobs, Academy Award®-nominated filmmaker Penny Lane, actress Penelope Ann Miller, The Hollywood Reporter film writer Tatiana Siegel, founder and publisher of Women and Hollywood Melissa Silverstein, and Sarasota County Circuit court judge and filmmaker Charles Williams. Narrative films include: ALL YOU CAN EAT BUDDHA directed by Ian Lagarde, AMERICAN ANIMALS directed by Bart Layton, AUGUST IN BERLIN directed by Becky Smith, BIKINI MOON directed by Milcho Manchevski, BLACK KITE directed by Tarique Qayumi, CAN HITLER HAPPEN HERE? directed by Saskia Rifkin, COLD SKIN directed by Xavier Gens, COME SUNDAY directed by Joshua Marston, DELENDA directed by Ralph Moffettone, DIMINUENDO directed by Adrian Stewart, EN EL SÉPTIMO DÍA directed by Jim McKay, FIRST REFORMED directed by Paul Schrader, A FRENCHMAN IN FLORIDA directed by Dante Rhev, HOLIDAY directed by Isabella Eklof, LET THE SUNSHINE IN directed by Claire Denis, MAKTUB directed by Oded Raz, SANTA INOCENCIA directed by Maritxell Campos Olivé, SHELTER directed by Eran Riklis, TATTERDEMALION directed by Ramaa Mosley, TINKER directed by Sonny Mahrler, VIRGINIA, MINNESOTA directed by Daniel Stine, VIRUS TROPICAL directed by Santiago Caicedo, WE THE ANIMALS directed by Jeremiah Zagar, WHITE RABBIT directed by Daryl Wein, ZAMA directed by Lucrecia Martel, as well as CHASING THE BLUES and THE TRANSCENDENTS. Documentary films include: 306 HOLLYWOOD directed by Elan Bogarin and Jonathan Bogarin, ANTONIO LOPEZ 1970: SEX FASHION & DISCO directed by James Crump, ASK THE SEXPERT directed by Vaishali Sinha, BISBEE ’17 directed by Robert Greene, CHEF FLYNN directed by Cameron Yates, CRACKING ACES: A WOMAN’S PLACE AT THE TABLE directed by H. James Gilmore, CRIME + PUNISHMENT directed by Stephen Maing, DISTANT CONSTELLATION directed by Shevaun Mizrahi, FATHER’S KINGDOM directed by Lenny Feinberg, FREEDOM FOR THE WOLF directed by Rupert Russell, THE GREAT FLIP-OFF directed by Dafna Yachin, HALF THE PICTURE directed by Amy Adrion, LA FLOR DE LA VIDA directed by Adriana Leoff and Claudia Abend, LOTS OF KIDS, A MONKEY AND A CASTLE directed by Gustavo Salmerón, MAYNARD directed by Sam Pollard, OLD DOG directed by Sally Rowe, ON HER SHOULDERS directed by Alexandria Bombach, THE PAIN OF OTHERS directed by Penny Lane, RBG directed by Betsy West and Julie Cohen, SISTERS directed by Justyna Tafel, THAT SUMMER directed by Göran Hugo Olsson, THREE IDENTICAL STRANGERS directed by Tim Wardle as well as THE EXPERIMENTAL CITY, GRACE JONES: BLOODLIGHT AND BAMI, KILLER BEES, LIVING IN THE FUTURE’S PAST, MATANGI / MAYA / M.I.A., RODENTS OF UNUSUAL SIZE, and A TUBA TO CUBA. As previously announced Golden Globe®-nominated and Independent Spirit Award®-nominated Eric Stoltz’s coming-of-age comedy CLASS RANK will be the Festival’s Opening Night film and Academy Award®-nominated and Emmy®-winning Rory Kennedy’s ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW will serve as Closing Night film. The Festival will also be honoring renowned actor Steve Guttenberg and Academy Award®-nominated actress Virginia Madsen with Career Achievement Awards during the closing weekend.

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  • 2018 Full Frame Documentary Film Festival Announces Lineup – “306 Hollywood” “Boom for Real” and More…

    [caption id="attachment_27448" align="aligncenter" width="1200"]306 Hollywood by Elan Bogarín and Jonathan Bogarín 306 Hollywood by Elan Bogarín and Jonathan Bogarín[/caption] The Full Frame Documentary Film Festival, today announced its lineup of features and short films. The 21st annual festival will take place April 5 to 8, 2018, in Durham, North Carolina. The NEW DOCS program includes 42 titles – 32 features and 10 shorts – selected from nearly 1,800 submissions from around the globe. These films are eligible for the Full Frame Audience Award and are shortlisted for a variety of additional juried awards offering a combined value of $40,000 in cash prizes. Award winners will be announced at the annual Awards Barbecue on Sunday, April 8. The Invited Program includes 22 feature films screening out of competition. Renowned filmmaker Joe Berlinger will curate the 2018 Thematic Program, and the festival will honor Jehane Noujaim’s illustrious body of work with the 2018 Tribute. Delving into the fascinating genre of true crime, the Thematic Program will feature films that follow individual cases and consider the ways documentary uniquely represents the complexities, and limitations, of the American judicial system. For the Tribute, Full Frame will showcase Noujaim’s lauded films exploring themes of resilience, freedom, democracy, and free speech.

    NEW DOCS

    306 Hollywood (Directors: Elan Bogarin, Jonathan Bogarin) When their beloved grandmother dies, two siblings embark on an imaginative exploration of her home, sifting through her belongings, and their own cherished memories, to discover her essence. América (Directors: Erick Stoll, Chase Whiteside) When their father is unexpectedly arrested, three brothers come together to care for their aging grandmother, América. This sensitive portrait delicately captures the frustrations and connections that evolve as they navigate her physical decline and their expectations of one another. The Area (Director: David Schalliol) Charismatic activist Deborah Payne tirelessly battles developers of a new multibillion-dollar freight yard that threatens to destroy Englewood, her neighborhood on Chicago’s South Side. World Premiere The Bastard (Director: Floris-Jan van Luyn) The Hoeks are united in name but severed by history: Ethiopian-born Daniel and his estranged Dutch father, Joop, each tell their story, but who can be trusted in this tangled tale of regret and misdeed? Bending Lines: The Sculpture of Robert Wiggs (Directors: Peter DeHart, Allison Bohl DeHart) Inspired by the geometry of nature—from the cracks in dried mud to the structure of pine cones to the scales on armadillos—Wiggs’s artistic process reveals the intriguing interplay between mathematics and art. World Premiere The Blessing (Directors: Hunter Robert Baker, Jordan Fein) In this stunningly and candidly shot film, Lawrence, a Navajo coal miner, wrestles with his relationship to land to which he is spiritually bound but employed to destroy, while his daughter, Caitlin, forms her own identity amid cultural pressures. World Premiere Cielo (Director: Alison McAlpine) Enter a wondrous exploration of the meeting of heaven and Earth in this dynamic exchange between humans and the starry skies of Chile’s Atacama Desert. Crime + Punishment (Director: Stephen Maing) This powerful film follows twelve brave whistleblowers who speak out against illegal policing quotas in the NYPD and the retaliation they experience after refusing to make arrests targeting minority populations. David. The Return to Land (David. El regreso a la tierra) (Director: Anaïs Huerta) Haitian, French, and adopted by Jewish parents, 34-year-old David embarks on a mission to better understand who he is in this beautifully nuanced observation of self-discovery. North American Premiere The Deminer (Director: Hogir Hirori; Co-director: Shinwar Kamal) After the fall of Saddam Hussein, Colonel Fakhir of the Iraqi army devotes his life to disarming landmines, with only a pocket knife and wire cutters, in this deeply suspenseful film that makes use of Fakhir’s own extensive video footage. North American Premiere A Friendship in Tow/Toe (Director: Atsushi Kuwayama) In the brief ascent up a flight of stairs, a pair of strangers find a rapport across languages and generations. From Parts Unknown (Director: Michael T. Workman) The poignant experience of a young man who determines an unlikely outlet for his pain and hardships: In local wrestling, he finds catharsis, community, and a sense of purpose. The Good Struggle (Director: Celia Peterson) Although few words are spoken between themselves, monks at a Greek Orthodox monastery in Lebanon provide voiceovers to their daily routines—their devout thoughts echo the beauty of their solitude. World Premiere Hale County This Morning, This Evening (Director: RaMell Ross) Observational and impressionistic, this poetic film is a humanist exploration of an Alabama community, where mostly black, working-class families live, work, dream, celebrate, and struggle together. I Am Bisha ( انا% ةش) ( Director: Roopa Gogineni) As an act of pure creative resilience, Ganja and his friends film a humorous and satirical web series, Bisha TV, starring puppets to combat the violent, genocidal regime of Sudanese president Omar al-Bashir. World Premiere Inventing Tomorrow (Director: Laura Nix) Six young scientists from around the globe compete in the largest international high school science fair—with their ingenious solutions to environmental problems, they don’t just aim to bring home the top prize, they hope to change the world. The Issue of Mr. O’Dell (Director: Rami Katz) The work of Jack O’Dell, who once worked alongside Martin Luther King, Jr., is revealed through a conversation with the 94-year-old activist, who delves into his historical involvement in the civil rights struggle as well as the movement’s contemporary incarnation under the stewardship of groups like Black Lives Matter. Lovers of the Night (Director: Anna Frances Ewert) Seven elderly monks at a Cistercian abbey in Ireland humorously muse on their spiritual experiences, way of life, and the inevitable end to it all. Maj Doris (Director: Jon Blåhed) Ever-able, 74-year-old Maj Doris Rimpi is a renowned Sámi artist who lives alone in Sweden and tends to her home and herd of reindeer, but after another long winter she wonders, is it time to consider a new way of life? North American Premiere The Mauritania Railway: Backbone of the Sahara (Director: MacGregor) In this expansive, gorgeously composed short, ride atop the railway car that serves as a 704- kilometer-long lifeline that supplies goods and iron ore to people in different cities in the Sahara Desert. World Premiere MELTING SOULS (NORILSK, L’étreinte de glace) (Director: François-Xavier Destors) This exquisitely photographed portrait documents a remote Arctic city centered around a metal refinery, where residents endure extreme, subzero temperatures to survive on the resource that lies beneath the tundra. North American Premiere Messenger on a White Horse (El mensajero) (Director: Jayson McNamara) This homage to the fearless investigative reporting of the Buenos Aires Herald during the disappearances and murders of Argentinians between 1976 and 1983, utilizes impeccable archival footage and testimonies from surviving members of the Mothers of the Plaza de Mayo as well as lead newspaper editor Robert Cox. North American Premiere Minding the Gap (Director: Bing Liu) Skateboarding and strained family relationships bond three friends together in this introspective saga about the journey from youth to adulthood. Las Nubes (Director: Juan Pablo González) As a father drives through an unidentified countryside, his car becomes a space for reflection as he recounts the impact of cartel violence on his home and family. Of Fathers and Sons (Director: Talal Derki) With rare and chilling insights, this film takes us into the lives of a Syrian family, led by an Al-Nusra fighter, where we observe how swiftly the innocence of childhood can fade. Our New President (Director: Maxim Pozdorovkin) By turns provocative, disorienting, and astonishing, this feature weaves clips from Russian state-owned news coverage of the 2016 U.S. presidential election to portray the perils of bias, conspiracy theories, and manufactured narratives. Owned: A Tale of Two Americas (Director: Giorgio Angelini) This energetic film unpacks the complex history of home ownership in America to reveal the postwar housing economy’s racist underpinnings—the creation of a large middle class simultaneous with the systematic defunding and segregating of communities. World Premiere PATRIMONIO (Directors: Lisa F. Jackson, Sarah Teale) When a multinational corporation attempts to covertly develop plans to build a resort on the fishermen’s coast in Todos Santos, Mexico, the locals unite for a momentous and riveting fight for their resources and their heritage—their patrimonio. North American Premiere Personal Truth (Director: Charlie Lyne) Spurred from the fake “Pizzagate” scandal, this frenetic and provocative observational film about the power of fake news suggests that conspiracy theories may be more believable than one might like to admit. The Providers (Directors: Laura Green, Anna Moot-Levin) The El Centro Family Health system in northern New Mexico covers 22,000 square miles and suffers from a chronic shortage of health care providers. This film follows three dedicated practitioners in their daily work and private lives. World Premiere The Pushouts (Directors: Katie Galloway, Dawn Valadez) This inspiring film follows the transformative work of Dr. Victor Rios, a former gang member and high school dropout, as he works to support students, through tools for selfreflection and expression, in an educational system that is failing to reach them. World Premiere Rebuilding in Miniature (Director: Veena Rao) In this short, miniaturist Ali Alamedy, an Iraqi refugee, painstakingly creates exquisitely detailed dioramas of places he’s never been in an attempt to heal his disrupted relationship to home. The Rescue List (Directors: Alyssa Fedele, Zachary Fink) In a Ghanaian safe house, a team works to rehabilitate two young men who were trafficked into slavery to fisherman on Lake Volta. As it moves from rescue operation to healing process, this riveting film follows the men through their recovery and reveals the extraordinary dedication of their rescuer. Shirkers (Director: Sandi Tan) A film lover’s dream quickly turns to nightmare: Sandi Tan recounts making her first film in Singapore in 1992 and how she loses everything when her mentor, Georges Carandos, steals the footage. This unique diary is a bright ode to cinema, and a moving story of friendship, betrayal, and failure. A Singular Garden (Um Jardim Singular) (Director: Monica Klemz) This experimental documentary blends old and new images of the garden next to the presidential palace in Rio de Janeiro and incorporates natural sound as a way to connect past and present. World Premiere Sky and Ground (Directors: Talya Tibbon, Joshua Bennett) Incorporating a refugee family’s own footage, Sky and Ground follows a Syrian-Kurdish refugee family as they flee from a holding camp at the Greece-Macedonia border and take their chances at reaching asylum by foot on a perilous one-way trip to Berlin. Tempting Promises (Le allettanti promesse) (Directors: Chiara Campara, Lorenzo Faggi) A small town tucked quietly away in the Italian Alps is chosen to host the 2016 Wikimania conference—an annual meeting of international Wikipedia contributors—and the townspeople unite to welcome the newcomers and the new technological age. North American Premiere This Is Home (Director: Alexandra Shiva) Through brilliant observational filmmaking, This Is Home tells the story of four Syrian families on the path to self-sufficiency, and success, in a resettlement program in Baltimore, Maryland. Three Identical Strangers (Director: Tim Wardle) A chance encounter leads three teenagers to discover that they are in fact triplets. Sharing this undeniable bond, they become fast friends and embark upon living their lives together, but the roots of their separation prove to be more sinister than they could have imagined. Thy Kingdom Come (Director: Eugene Richards) A priest bears witness to the personal stories of people in a mid-American town: Heartbreak, regret, faith, resignation all resonate profoundly in this succession of exquisitely photographed scenes of intimate communion. Time Trial (Director: Finlay Pretsell) Former doper and Tour de France champion David Millar is clean and ready to win the right way. This sensory ride travels alongside him for every breath, turn, and fall, through the thrills and hardships of professional cycling. The Unafraid (Directors: Anayansi Prado, Heather Courtney) The gripping and vital stories of three DACA students unfold as they work for immigrant rights, and the future of their families, after being banned from attending Georgia’s top universities or receiving in-state tuition. World Premiere

    Invited Program

    12th and Clairmount (Director: Brian Kaufman) Contemporary interviews bring to life scenes from home movies, newsreels, and photographs of one of the most violent civil disturbances in U.S. history, the 1967 Detroit riot, when police brutality against African American citizens ignited a five-day standoff. Bisbee ’17 (Director: Robert Greene) In 1917, a strike in an Arizona mining town culminated in the exile of over a thousand immigrant workers. One hundred years later, a large-scale reenactment of the shocking events serves as a catalyst for remembrance and reflection. Boom for Real: The Late Teenage Years of Jean-Michel Basquiat (Director: Sara Driver) This portrait of the pop culture icon revisits the years before he took the art world by storm.  Archival footage and intimate stories from a circle of friends, lovers, and neighbors recall both a singular talent and the New York City scene that influenced his career. Capturing the Flag (Director: Anne de Mare) During the 2016 U.S. presidential election, three friends travel to North Carolina to do voter protection work at the polls. This on-the-ground look at their efforts to help potential voters navigate the new laws and requirements that may prevent their vote reveals shocking accounts of voter suppression in play. World Premiere The Cleaners (Directors: Hans Block, Moritz Riesewieck) In the Philippines, a team of “cleaners” specialize in identifying and eliminating obscene content from the internet. Their personal accounts of the pressures and personal judgements inherent in their work give way to a broader examination of the global impact of manipulating content on social media. Dark Money (Director: Kimberly Reed) This modern-day political thriller follows investigative reporter John Adams into Montana’s fight against corrupt campaign financing, a struggle that could alter the devastating effects of unlimited anonymous funding on elections nationwide. Generation Wealth (Director: Lauren Greenfield) For 25 years, Lauren Greenfield has documented affluence around the world. In this fascinating overview of her immense body of work, the photographer reconnects with subjects of her images to consider their relationships to money, then and now, and her own fascination with the topic. Hal (Director: Amy Scott) Hal Ashby’s controversial films about race, sex, politics, and unconventional love made him a Hollywood rarity in the 1970s—a director who made films outside studio control. This loving remembrance by his peers celebrates the iconoclastic filmmaker. The Jazz Ambassadors (Director: Hugo Berkeley) During the Cold War, the U.S. government deployed some of its greatest jazz musicians around the world to promote democracy, even as many of them suffered Jim Crow racism in their own country. Rich archival material and powerful interviews delve into the deep conflict at the heart of the story. World Premiere The Judge (Director: Erika Cohn) Devoted to the law and unwilling to mince words, Kholoud Al-Faqih, the West Bank’s first female judge, navigates Palestine’s family court system, providing a rare glimpse into Islamic courts and gendered justice. Larger Than Life: The Kevyn Aucoin Story (Director: Tiffany Bartok) In the 1980s, Kevyn Aucoin redefined the role of the makeup artist. Home movies and recollections from family, friends, and an impressive roster of famous clients retrace his meteoric rise and his lasting impact. Love Means Zero (Director: Jason Kohn) Tennis coach Nick Bollettieri trained some of the sport’s greatest champions, but his volatility and harsh methods came at a price. Conversations between director and subject revisit moments of triumph and anguish, including Bollettieri’s infamous falling out with Andre Agassi. MAYNARD (Director: Sam Pollard) Interviews with family, friends, and political luminaries combine with archival footage and photographs in this captivating portrait of Maynard Jackson, Atlanta’s first black mayor, whose extraordinary influence spanned three terms in office. A Murder in Mansfield (Director: Barbara Kopple) Twelve-year old Collier Boyle’s testimony put his father in jail for the 1989 murder of his mother. Still imprisoned more than 25 years later, the father maintains his innocence, and Boyle returns to his Ohio hometown, in this sensitive examination of reconciling with the past. On Her Shoulders (Director: Alexandria Bombach) When ISIS devastates her Yazidi community, survivor Nadia Murad becomes the prevailing voice for her people. Following Murad as she recounts her harrowing experience time and again, this film intimately details the burden of imploring the world to intervene. The Price of Everything (Director: Nathaniel Kahn) Moving between auction houses, collectors, artists, and coveted works, this analysis of the art market questions how we determine value, the impact of purchasing art as a form of financial investment, and the cultural implications when pieces are only available to the highest bidder. RBG (Directors: Betsy West, Julie Cohen) This triumphant look at the life and career of Supreme Court Justice Ruth Bader Ginsburg revisits landmark cases and decisions, but also reveals the woman behind the robe and the personal experiences that continue to shape her legacy. The Rape of Recy Taylor (Director: Nancy Buirski) In 1944, Recy Taylor, a 24-year-old black woman, was abducted and raped by six white men in Alabama. The film centers on her unprecedented response—a fight for justice, with the aid of Rosa Parks and other black activists—whose profound influence on the civil rights movement still reverberates today. Rodents of Unusual Size (Directors: Quinn Costello, Chris Metzler, Jeff Springer) Kill them as invasive pests destroying coastal wetlands or keep them as part of the region’s culture? In this quirky account, citizens are divided on what to do about nutria, the giant 20-pound rodents with protruding orange teeth who have made southern Louisiana their home for decades. Solitary Land (Tierra Sola) (Director: Tiziana Panizza) This innovative meditation on Easter Island and its indigenous inhabitants uses historical and present-day footage to illustrate the legacy of colonial exploitation in one of the world’s most remote inhabited locales—a place of beauty, isolation, and tradition. North American Premiere Studio 54 (Director: Matt Tyrnauer) Rare footage transports us back in time and behind the velvet rope into the famed Manhattan disco, as a collection of insiders, including one of the co-founders, recall the rise and fall of the pioneering nightclub and iconic cultural landmark. Won’t You Be My Neighbor? (Director: Morgan Neville) Fred Rogers revolutionized children’s television. This remarkable portrait of the visionary behind Mr. Roger’s Neighborhood reveals the origins of the groundbreaking show, the ways it connected to current events, and its impact on the lives of children, and adults, across the country.

    FULL FRAME TRIBUTE Jehane Noujaim

    Control Room (Director: Jehane Noujaim) It’s 2003, and the United States is on the brink of war with Iraq. Control Room follows journalists of the Al Jazeera satellite channel—broadcasting news to some 40 million Arab viewers—as they try to cut through American rhetoric and awaken the viewers to the realities on the ground. Rafea: Solar Mama (Director: Jehane Noujaim) In this resounding global testament to the power and necessity of equal access to education, Rafea attends Barefoot College in India to become a solar engineer, learning with other women from developing areas how to create sustainable futures for their hometowns. The Square (Director: Jehane Noujaim) After the 2011 Egyptian revolution in Tahrir Square, citizens realize that former president Mubarak’s corrupt regime is still in power; they return to the streets to bring an end to the government, combatting controlled international media coverage, enduring violence, and navigating fragile relationships. Startup.com (Directors: Chris Hegedus, Jehane Noujaim) In the late 1990s, two high school friends attempt to turn the spark of an idea into a multimillion-dollar company. But when passion leads to tension, and the dot-com rush gives way to the dot-com bust, will they be able to deliver on their dream?

    THEMATIC PROGRAM Crime and Punishment

    Curated by Joe Berlinger Brother’s Keeper (Directors: Joe Berlinger, Bruce Sinofsky) A murder trial ignites the small farming community of Munnsville, New York, when Delbert Ward, an eccentric and uneducated man, confesses to suffocating his brother in the isolated home they shared with two other brothers. Was the killing an act of mercy? Was Delbert’s confession coerced? In Brother’s Keeper, a surprisingly complicated story emerges. The Farm: Angola, USA (Directors: Liz Garbus, Jonathan Stack) In The Farm, life at the Louisiana State Penitentiary in Angola, the largest maximumsecurity prison in the United States, is seen through the eyes of both its wardens and its prisoners—many of whom will die there—with disturbing parallels to plantation life. Gone: The Forgotten Women of Ohio (Director: Joe Berlinger) After numerous women go missing, leaving their families and local law-enforcement officers with more questions than answers, this stunning series investigates whether or not a serial killer is responsible. In Cold Blood (Director: Richard Brooks) Mixing elements of reality and fiction, In Cold Blood delves into the real-life murders of the Clutter family at the hands of Perry Smith and Dick Hickock in this scripted true-crime cinematic narrative based on Truman Capote’s novel. Paradise Lost: The Child Murders at Robin Hood Hills (Directors: Joe Berlinger, Bruce Sinofsky) When three young boys are brutally murdered, three teenagers are accused of committing the crime as part of a satanic ritual, and are convicted by their community before they even reach the courtroom. Paradise Lost is the first film of the groundbreaking trilogy that documented the case of the West Memphis Three. Scenes of a Crime (Directors: Grover Babcock, Blue Hadaegh) When a four-month-old boy dies, officers are convinced he was killed by his father, who after more than ten hours of questioning, confesses to the crime. Medical experts, police officers, and lawyers offer their opinions on this controversial admission of guilt, but the film’s focal point is the videotaped interrogation itself. The Thin Blue Line (Director: Errol Morris) A man is sent to prison for shooting a Dallas police officer. The documentary questions the veracity of the verdict through interviews with detectives, lawyers, and the alleged murderer, who all paint very different accounts of events, which are represented in stunning reenactments. Titicut Follies (Director: Frederick Wiseman) An intense, purely observational look at the stark conditions of inmate life in the 1960s at the Bridgewater State Hospital for the criminally insane in Massachusetts.

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  • SXSW Film Festival Announces 2018 Features Film Lineup, Opens with John Krasinski’s “A Quiet Place”

    A Quiet Place by John Krasinski
    A Quiet Place (Credit: Paramount Pictures © 2017 Paramount Pictures. All rights reserved.)

    The South by Southwest (SXSW) Conference and Festivals announced the features lineup and opening night film for the 25th edition of the Film Festival, running March 9 to 18, 2018 in Austin, Texas. During the nine days of SXSW 132 features will be shown.

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  • 2018 Berlin Film Festival Unveils Full Panorama Lineup, Opens with Wolfgang Fischer’s STYX

    [caption id="attachment_26726" align="aligncenter" width="960"]Styx, Wolfgang Fischer Styx[/caption] The 2018 Berlin International Film Festival has revealed the full lineup of the Panorama program, which will feature a total of 47 films from 40 countries, with 37 world premieres and 16 directorial debuts. 20 films will be screened in the scope of Panorama Dokumente , while 27 fiction features are shown in Panorama Special as well as the main program. The section takes a look at Wolfgang Fischer’s Styx , which will open Panorama Special on February 16 at Zoo Palace. Nearly dialogue-free, the film tells the story of a female doctor on a sailing vacation. A Czech production opens Panorama Dokumente. Jan Gebert’s Až přijde válka ( When the War Comes ) is the global trend of a socially acceptable form of nationalism using the example of the Slovak Slovenski Branci Slovak paramilitary organization. Árpád Bogdán’s feature film Genezis ( Genesis ) takes place on the series of attacks on Roma in Hungary in 2008/2009, exposing their effects on the victimized families and the community as well as casting light on the failures of the Hungarian judicial system pursuit of those guilty of crimes perpetrated under the dictatorial Franco regime is depicted in The Silence of Others, produced by Pedro Almodóvar. Former Brazilian president Dilma Roussef’s impeachment can be witnessed firsthand in O processo ( The Trial ). In Generation Wealth , Lauren Greenfield raises awareness for the self-indulgent quest for luxury and the total surrender to vanity leading to a sort of “ultra-decadence,” while in Lemonade , produced by Cristian Mungiu, the American Dream remains tauntingly out of reach for those who can not afford to buy a piece of it. In the French-German production Game Girls , two women try to escape life on Skid Row, the USA’s “Capital City of the Homeless”. Shakedown immerses the viewer in the Afro-American queer strip club scene of Los Angeles 1990s, relating its protagonists’ search for freedom and self-determination to great immediacy. In the Italian production country, Iranian director Babak Jalali who is defending their cultural identity with dignity. Family dynamics under the microscope: In Al Gami’ya ( What Comes Around ), the residents of one of Cairo’s poorest districts have developed a bank-free financing system for themselves. Two intimate portraits of rural conflict, set in Central China’s Henan province and the German state of Saxony-Anhalt respectively, are drawn in Jordan Schiele’s The Silk and the Flame and Rosa Hannah Ziegler’s family life ( Family Life ). Yang Mingming’s debut film Rou Qing Shi ( Girls Always Happy ) showcases the verbal duels of an odd mother-daughter duo looking for happiness in style or daydreams of getting rich quick. In La enfermedad del domingo ( Sunday’s Illness ), a mother and her daughter return to one another following years of estrangement. In Jibril , her final work for the Babelsberg University of Applied Sciences KONRAD WOLF, Henrika Kull depicts the isolation and love in the interaction between a single mom and a prison inmate. The Argentinian production Marilyn and the Brazilian film Tinta Bruta ( Hard Paint ) both show the isolation and the inherent in their protagonists’ search for their place in the world. In the mafia tale La terra dell ‘abbastanza ( Boys Cry ), two young men discover an ostensibly simple way out of a sticky situation. A complex web of responsibilities is included in the two instalments of the miniseries Ondes de choc ( Shock Waves ), directed by Lionel Baier and Ursula Meier. Three further films serve as reflections on cinema itself: Mes provinciales ( A Paris Education ), which is set in a Parisian millennial student milieu; Depending vois rouge ( I See Red People ), In Which Bojina Payanotova Confronts her parents With Their possible connections to the Bulgarian secret police; and Hotel Jugoslavija , in which director Nicolas Wagnières elevates at abandoned Grand Hotel to the status of contemporary witness to history, acting on his principle of “filming to retain and regain”. Fluid boundaries between reality and fiction are especially present in four productions. Xiao Mei investigates the enigma surrounding the disappearance of a young woman while the dark fairy tale Koly padayut pereva ( When the Trees Fall ) includes the frightening and enchanting experiences of three generations of women. In a hybrid form between fiction and documentary film, Trinta Lumes ( Thirty Souls ) reimagines the Galician backcountry as a mythical place populated by both the living and the dead. Finally, in the deceptively calm flow of horizon ‘s ( Horizon ) images, a man is at risk of losing his footing in life after a separation. The hard reality reflected in two productions from India and the Democratic Republic of the Congo was in stark contrast in this context. In Garbage , a young woman’s endures a nightmare of male violence. Kinshasa Makambo on the other hand provides insight into the brutal everyday existence of Congolese resistance fighters. In addition to their appearance in  Yocho , cinematic dystopias and allegories of reality are featured in Kim Ki-duk’s Inkan, gongkan, sikan grigo inkan ( Human, Space, Time and Human ) , in which of the widely differing backgrounds assembled on a warship develop a bestial need for patriarchal domination. From Iran comes the film Hojoom (Invasion ), which adeptly establishes an oppressive mood with its post-apocalyptic science-fiction world devoid of sunlight. Partisan takes a look back at Frank Castorf’s twenty-five year legacy at Berlin’s Volksbühne theater. Chilly Gonzales, self-proclaimed president of the Berlin Underground, is the subject of Shut Up and Play the Piano . MATANGI / MAYA / MIA The Sri Lankan Resistance artist portrays the controversial star between the labels attached to the music and media industries. In Idris Elba’s directorial debut, Yardie , the score by Dickon Hinchcliffe (“Tindersticks”) accentuates the journey of a young man from Kingston to London . Al Gami’ya ( What Comes Around ) – Lebanon / Egypt / Greece / Qatar / Slovenia By Reem Saleh Documentary World Premiere Až přijde válka ( When the War Comes ) – Czech Republic / Croatia By Jan Gebert Documentary World Premiere La enfermedad del domingo ( Sunday’s Illness ) – Spain By Ramón Salazar With Bárbara Lennie, Susi Sánchez, Greta Fernández, Miguel Ángel Solá, Richard Bohringer World premiere Familienleben ( Family Life ) – Germany By Rosa Hannah Ziegler Documentary World Premiere Game Girls – France / Germany By Alina Skrzeszewska Documentary World Premiere  Garbage – India By Q With Tanmay Dhanania, Trimala Adhikari, Satarupa The World Premiere Generation Wealth – USA By Lauren Greenfield Documentary International Premiere Genezis ( Genesis ) – Hungary By Árpád Bogdán With Anna Marie Cseh, Enikő Anna Illési, Milán Csordá’s World Premiere Hojoom ( Invasion ) – Iran By Shahram Mokri With Abed Abest, Elaheh Bakhshi, Babak Karimi, Pedram Sharifi, Mehdi Etemad Saied International Premiere Horizonti ( Horizon ) – Georgia / Sweden By Tinatin Kajrishvili With George Bochorishvili, Ia Sukhitashvili, Jano Izoria, Soso Gogichaishvili World Premiere Hotel Jugoslavija – Switzerland By Nicolas Wagnières Documentary European Premiere Inkan, gongkan, sikan grigo inkan ( Human, Space, Time and Human ) – Republic of Korea By Kim Ki-dukWith Mina Fujii, Jang Keun-suk, Ahn Sung-ki, Lee Sung-jae, Ryoo Seung-bum, Sung Ki-youn, Joe Odagiri World premiere  Je vois rouge ( I See Red People ) – France / Bulgaria By Bojina Panayotova Documentary World Premiere Jibril – Germany By Henrika Kull With Susana Abdulmajid, Malik Adan, Doua Rahal, Emna El-Aouni World Premiere Kinshasa Makambo – Democratic Republic of the Congo / France / Switzerland / Germany / Qatar / Norway By Dieudo Hamadi Documentary World Premiere Koly padayut dereva ( When the Trees Fall ) – Ukraine / Poland / Macedonia By Marysia Nikitiuk With Anastasiia Pustovit, Sofia Halaimova, Maksym Samchyk, Mariya Svizhynska, Alla Samoilenko World Premiere  Country – Italy / France / Netherlands / Mexico By Babak Jalali With Rod Rondeaux, Florence Klein, James Coleman, Wilma Pelly World Premiere  Lemonade – Romania / Germany / Canada / Sweden By Ioana Uricaru With Mina Manovici, Steve Bacic, Dylan Scott Smith, Milan Hurduc, Ruxandra Maniu World Premiere Marilyn – Argentina / Chile By Martín Rodríguez Redondo With Walter Rodriguez, Catalina Saavedra, Germán de Silva, Ignacio Giménez, Rodolfo Garcia Werner World Premiere MATANGI / MAYA / MIA – USA / United Kingdom / Sri Lanka By Steve Loveridge With Maya Arulpragasam Documentary International Premiere Mes provinciales ( A Paris Education ) – France By Jean Paul Civeyrac With Andranic Manet, Corentin Fila, Gonzague Van Bervesselès, Diane Rouxel, Jenna Thiam, Sophie Verbeeck World Premiere O processo ( The Trial ) – Brazil / Germany / Netherlands By Maria Ramos Documentary World Premiere Ondes de choc – Journal de ma tête ( Shock Waves – Diary of My Mind ) – Switzerland By Ursula Meier With Fanny Ardant, Kacey Mottet-Klein, Jean-Philippe Ecoffey, Carlo Brandt, Stéphanie Blanchoud, Jean-Quentin Châtelain International Premiere Ondes de choc – Prénom: Mathieu ( Shock Waves – First Name: Mathieu ) – Switzerland By Lionel Baier With Maxime Gorbatchevsky, Michel Vuillermoz, Ursina Lardi, Mickael Amman, Adrien Barazzone, Piere-Isaïe Duc, Nastassja Tanner International Premiere Partisan – Germany By Lutz Pehnert, Matthias Ehlert, Adama Ulrich With Frank Castorf, Sophie Rois, Kathrin Angerer, Herbert Fritsch, Henry Hübchen, Alexander Scheer Documentary World Premiere Rou qing shi ( Girls Always Happy ) – People’s Republic of China Yang Mingming With Nai An, Yang Mingming, Zhang Xianmin, Li Qinqin, Huang Wei, Yuan Li World Premiere Shakedown – USA By Leilah Weinraub Documentary World Premiere Shut Up and Play the Piano – Germany / France / United Kingdom By Philip Jedicke With Chilly Gonzales, Peaches, Feist, Sibylle Berg, Jarvis Cocker Documentary World Premiere La terra dell’abbastanza ( Boys Cry ) – Italy By Damiano D’Innocenzo, Fabio D’Innocenzo With Matteo Olivetti, Andrea Carpenzano, Milena Mancini, Max Tortora, Luca Zingaretti World Premiere The Silence of Others – USA / Spain By Almudena Carracedo, Robert Bahar Documentary World Premiere The Silk and the Flame – United States By Jordan Schiele Documentary World Premiere  Styx – Germany / Austria By Wolfgang Fischer With Susanne Wolff, Gedion Oduor World Premiere Tinta bruta ( Hard Paint )- BrazilBy Marcio Reolon, Filipe Matzembacher With Shico Menegat, Bruno Fernandes, Guega Peixoto, Sandra Dani, Frederico Vasque’s World Premiere  Trinta Lumes ( Thirty Souls )- SpainBy Diana Toucedo With Alba Arias, Samuel Vilariño’s World Premiere  Xiao Mei – Taiwan By Maren Hwang With Chen Yi-Wen, Liu Kuan-Ting, Na Dow, Wu Chien-Ho, Yin Shin, Laurence Chiu, Chang Shao-Huai, Samantha Ko, Wu Kang-jen, Jao Cincin World Premiere Yardie – United Kingdom By Idris Elba With Aml Ameen, Shantol Jackson, Stephen Graham, Fraser James, Sheldon Shepherd, Everaldo Creary European Premiere Already featured films: L’Animale – Austria by Katharina Mückstein Bixa Travesty ( Tranny Fag ) – Brazil by Claudia Priscilla, Kiko Goifman Ex Pajé ( Ex Shaman ) – Brazil by Luiz Bolognesi Malambo, el hombre bueno (Malambo, the Good Man) – Argentina by Santiago Loza Obscuro Barroco – France / Greece by Evangelia Kranioti La omisión ( The Omission ) – Argentina / Netherlands / Switzerland by Sebastián Schjaer River’s Edge – Japan by Isao Yukisada Profiles – USA / UK / Cyprus by Timur Bekmambetov That Summer – Sweden / Denmark, USA by Göran Hugo Olsson Yocho (Foreboding) – Japan by Kiyoshi Kurosawa Central Airport THF ( Central Airport THF ) – Germany / France / Brazil by Karim Aïnouz

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  • 2018 Sundance Film Festival Unveils Feature Film Lineup of 110 Films

    [caption id="attachment_25705" align="aligncenter" width="1200"]The Kindergarten Teacher The Kindergarten Teacher[/caption] The 2018 Sundance Film Festival returns to Park City, Salt Lake City and at Sundance Mountain Resort, from January 18 to 28, and today announced the feature films lineup showcasing bold, independent storytelling. For the 2018 Festival, 110 feature-length films were selected, representing 29 countries and 47 first-time filmmakers, including 30 in competition.These films were selected from 13,468 submissions including 3,901 feature-length films and  8,740 short films. Of the feature film submissions, 1,799 were from the U.S. and 2,102 were international. One-hundred feature films at the Festival will be world premieres Robert Redford, President and Founder of Sundance Institute, said, “The work of independent storytellers can challenge and possibly change culture, illuminating our world’s imperfections and possibilities. This year’s Festival is full of artfully-told stories that provoke thought, drive empathy and allow the audience to connect, in deeply personal ways, to the universal human experience.”

    U.S. DRAMATIC COMPETITION

    American Animals / U.S.A. (Director and screenwriter: Bart Layton, Producers: Derrin Schlesinger, Katherine Butler, Dimitri Doganis, Mary Jane Skalski) — The unbelievable but mostly true story of four young men who mistake their lives for a movie and attempt one of the most audacious art heists in U.S. history. Cast: Evan Peters, Barry Keoghan, Blake Jenner, Jared Abrahamson, Ann Dowd, Udo Kier. World Premiere BLAZE / U.S.A. (Director: Ethan Hawke, Screenwriters: Ethan Hawke, Sybil Rosen, Producers: Jake Seal, John Sloss, Ryan Hawke, Ethan Hawke) — A reimagining of the life and times of Blaze Foley, the unsung songwriting legend of the Texas Outlaw Music movement; he gave up paradise for the sake of a song. Cast: Benjamin Dickey, Alia Shawkat, Josh Hamilton, Charlie Sexton. World Premiere Blindspotting / U.S.A. (Director: Carlos Lopez Estrada, Screenwriters: Rafael Casal, Daveed Diggs, Producers: Keith Calder, Jess Calder, Rafael Casal, Daveed Diggs) — A buddy comedy in a world that won’t let it be one. Cast: Daveed Diggs, Rafael Casal, Janina Gavankar, Jasmine Cephas Jones. World Premiere. DAY ONE Burden / U.S.A. (Director and screenwriter: Andrew Heckler, Producers: Robbie Brenner, Jincheng, Bill Kenwright) — After opening a KKK shop, Klansman Michael Burden falls in love with a single mom who forces him to confront his senseless hatred. After leaving the Klan and with nowhere to turn, Burden is taken in by an African-American reverend, and learns tolerance through their combined love and faith. Cast: Garrett Hedlund, Forest Whitaker, Andrea Riseborough, Tom Wilkinson, Usher Raymond. World Premiere Eighth Grade / U.S.A. (Director and screenwriter: Bo Burnham, Producers: Scott Rudin, Eli Bush, Christopher Storer, Lila Yacoub) — Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school — the end of her thus far disastrous eighth grade year — before she begins high school. Cast: Elsie Fisher, Josh Hamilton. World Premiere. I Think We’re Alone Now / U.S.A. (Director: Reed Morano, Screenwriter: Mike Makowsky, Producers: Fred Berger, Brian Kavanaugh-Jones, Fernando Loureiro, Roberto Vasconcellos, Peter Dinklage, Mike Makowsky) — The apocalypse proves a blessing in disguise for one lucky recluse – until a second survivor arrives with the threat of companionship. Cast: Peter Dinklage, Elle Fanning. World Premiere The Kindergarten Teacher / U.S.A. (Director and screenwriter: Sara Colangelo, Producers: Celine Rattray, Trudie Styler, Maggie Gyllenhaal, Osnat Handelsman-Keren, Talia Kleinhendler) — Lisa Spinelli is a Staten Island teacher who is unusually devoted to her students. When she discovers one of her five-year-olds is a prodigy, she becomes fascinated with the boy, ultimately risking her family and freedom to nurture his talent. Based on the acclaimed Israeli film. Cast: Maggie Gyllenhaal, Parker Sevak, Rosa Salazar, Anna Barynishikov, Michael Chernus, Gael Garcia Bernal. World Premiere Lizzie / U.S.A. (Director: Craig William Macneill, Screenwriter: Bryce Kass, Producers: Naomi Despres, Liz Destro) — Based on the 1892 murder of Lizzie Borden’s family in Fall River, MA, this tense psychological thriller lays bare the legend of Lizzie Borden to reveal the much more complex, poignant and truly terrifying woman within — and her intimate bond with the family’s young Irish housemaid, Bridget Sullivan. Cast: Chloë Sevigny, Kristen Stewart, Jamey Sheridan, Fiona Shaw, Kim Dickens, Denis O’Hare. World Premiere The Miseducation of Cameron Post / U.S.A. (Director: Desiree Akhavan, Screenwriters: Desiree Akhavan, Cecilia Frugiuele, Producers: Cecilia Frugiuele, Jonathan Montepare, Michael B. Clark, Alex Turtletaub) — 1993: after being caught having sex with the prom queen, a girl is forced into a gay conversion therapy center. Based on Emily Danforth’s acclaimed and controversial coming-of-age novel. Cast: Chloë Grace Moretz, Sasha Lane, Forrest Goodluck, John Gallagher Jr., Jennifer Ehle. World Premiere Monster / U.S.A. (Director: Anthony Mandler, Screenwriters: Radha Blank, Cole Wiley, Janece Shaffer, Producers: Tonya Lewis Lee, Nikki Silver, Aaron L. Gilbert, Mike Jackson, Edward Tyler Nahem) — “Monster” is what the prosecutor calls 17 year old honors student and aspiring filmmaker Steve Harmon. Charged with felony murder for a crime he says he did not commit, the film follows his dramatic journey through a complex legal battle that could leave him spending the rest of his life in prison. Cast: Kelvin Harrison Jr., Jeffrey Wright, Jennifer Hudson, Rakim Mayers, Jennifer Ehle, Tim Blake Nelson. World Premiere Monsters and Men / U.S.A. (Director and screenwriter: Reinaldo Marcus Green, Producers: Elizabeth Lodge Stepp, Josh Penn, Eddie Vaisman, Julia Lebedev, Luca Borghese) — This interwoven narrative explores the aftermath of a police killing of a black man. The film is told through the eyes of the bystander who filmed the act, an African-American police officer and a high-school baseball phenom inspired to take a stand. Cast: John David Washington, Anthony Ramos, Kelvin Harrison Jr., Chanté Adams, Nicole Beharie, Rob Morgan. World Premiere NANCY / U.S.A. (Director and screenwriter: Christina Choe, Producers: Amy Lo, Michelle Cameron, Andrea Riseborough) — Blurring lines between fact and fiction, Nancy becomes increasingly convinced she was kidnapped as a child. When she meets a couple whose daughter went missing thirty years ago, reasonable doubts give way to willful belief – and the power of emotion threatens to overcome all rationality. Cast: Andrea Riseborough, J. Smith-Cameron, Steve Buscemi, Ann Dowd, John Leguizamo. World Premiere Sorry to Bother You / U.S.A. (Director and screenwriter: Boots Riley, Producers: Nina Yang Bongiovi, Forest Whitaker, Charles King, George Rush, Jonathan Duffy, Kelly Williams) — In a speculative and dystopian not-too-distant future, black telemarketer Cassius Green discovers a magical key to professional success – which propels him into a macabre universe. Cast: Lakeith Stanfield, Tessa Thompson, Steven Yeun, Jermaine Fowler, Armie Hammer, Omari Hardwicke. World Premiere The Tale / U.S.A. (Director and screenwriter: Jennifer Fox, Producers: Oren Moverman, Lawrence Inglee, Laura Rister, Mynette Louie, Sol Bondy, Simone Pero) — An investigation into one woman’s memory as she’s forced to re-examine her first sexual relationship and the stories we tell ourselves in order to survive; based on the filmmaker’s own story. Cast: Laura Dern, Isabel Nelisse, Jason Ritter, Elizabeth Debicki, Ellen Burstyn, Common. World Premiere TYREL / U.S.A. (Director and screenwriter: Sebastian Silva, Producers: Jacob Wasserman, Max Born) — Tyler spirals out of control when he realizes he’s the only black person attending a weekend birthday party in a secluded cabin. Cast: Jason Mitchell, Christopher Abbott, Michael Cera, Caleb Landry Jones, Ann Dowd. World Premiere Wildlife / U.S.A. (Director: Paul Dano, Screenwriters: Paul Dano, Zoe Kazan, Producers: Andrew Duncan, Alex Saks, Oren Moverman, Ann Ruark, Jake Gyllenhaal, Riva Marker) — Montana, 1960: A portrait of a family in crisis. Based on the novel by Richard Ford. Cast: Carey Mulligan, Ed Oxenbould, Bill Camp, Jake Gyllenhaal. World Premiere

    U.S. DOCUMENTARY COMPETITION

    Bisbee ’17 / U.S.A. (Director and screenwriter: Robert Greene, Producers: Douglas Tirola, Susan Bedusa, Bennett Elliott) — An old mining town on the Arizona-Mexico border finally reckons with its darkest day: the deportation of 1200 immigrant miners exactly 100 years ago. Locals collaborate to stage recreations of their controversial past. Cast: Fernando Serrano, Laurie McKenna, Ray Family, Mike Anderson, Graeme Family, Richard Hodges. World Premiere Crime + Punishment / U.S.A. (Director: Stephen Maing) — Over four years of unprecedented access, the story of a brave group of black and Latino whistleblower cops and one unrelenting private investigator who, amidst a landmark lawsuit, risk everything to expose illegal quota practices and their impact on young minorities. World Premiere Dark Money / U.S.A. (Director and screenwriter: Kimberly Reed, Producer: Katy Chevigny) — “Dark money” contributions, made possible by the U.S. Supreme Court’s Citizens United ruling, flood modern American elections – but Montana is showing Washington D.C. how to solve the problem of unlimited anonymous money in politics. World Premiere The Devil We Know / U.S.A. (Director: Stephanie Soechtig, Producers: Kristin Lazure, Stephanie Soechtig, Joshua Kunau, Carly Palmour) — Unraveling one of the biggest environmental scandals of our time, a group of citizens in West Virginia take on a powerful corporation after they discover it has knowingly been dumping a toxic chemical — now found in the blood of 99.7% of Americans — into the local drinking water supply. World Premiere. THE NEW CLIMATE Hal / U.S.A. (Director: Amy Scott, Producers: Christine Beebe, Jonathan Lynch, Brian Morrow) — Hal Ashby’s obsessive genius led to an unprecedented string of Oscar®-winning classics, including Harold and Maude, Shampoo and Being There. But as contemporaries Coppola, Scorsese and Spielberg rose to blockbuster stardom in the 1980s, Ashby’s uncompromising nature played out as a cautionary tale of art versus commerce. World Premiere Hale County This Morning, This Evening / U.S.A. (Director: RaMell Ross, Screenwriter: Maya Krinsky, Producers: Joslyn Barnes, RaMell Ross, Su Kim) — An exploration of coming-of-age in the Black Belt of the American South, using stereotypical imagery to fill in the landscape between iconic representations of black men and encouraging a new way of looking, while resistance to narrative suspends conclusive imagining – allowing the viewer to complete the film. World Premiere Inventing Tomorrow / U.S.A. (Director: Laura Nix, Producers: Diane Becker, Melanie Miller, Laura Nix) — Take a journey with young minds from around the globe as they prepare their projects for the largest convening of high school scientists in the world, the Intel International Science and Engineering Fair (ISEF). Watch these passionate innovators find the courage to face the planet’s environmental threats while navigating adolescence. World Premiere. THE NEW CLIMATE Kailash / U.S.A. (Director: Derek Doneen, Producers: Davis Guggenheim, Sarah Anthony) — As a young man, Kailash Satyarthi promised himself that he would end child slavery in his lifetime. In the decades since, he has rescued more than eighty thousand children and built a global movement. This intimate and suspenseful film follows one man’s journey to do what many believed was impossible. World Premiere. DAY ONE Kusama – Infinity / U.S.A. (Director and screenwriter: Heather Lenz, Producers: Karen Johnson, Heather Lenz, Dan Braun, David Koh) — Now one of the world’s most celebrated artists, Yayoi Kusama broke free of the rigid society in which she was raised, and overcame sexism, racism, and mental illness to bring her artistic vision to the world stage. At 88 she lives in a mental hospital and continues to create art. World Premiere The Last Race / U.S.A. (Director: Michael Dweck, Producers: Michael Dweck, Gregory Kershaw) — A cinematic portrait of a small town stock car track and the tribe of drivers that call it home as they struggle to hold onto an American racing tradition. The avant-garde narrative explores the community and its conflicts through an intimate story that reveals the beauty, mystery and emotion of grassroots auto racing. World Premiere Minding the Gap / U.S.A. (Director: Bing Liu, Producer: Diane Quon) — Three young men bond together to escape volatile families in their Rust Belt hometown. As they face adult responsibilities, unexpected revelations threaten their decade-long friendship. World Premiere On Her Shoulders / U.S.A. (Director: Alexandria Bombach, Producers: Marie Therese Guirgis, Hayley Pappas, Brock Williams, Bryn Mooser, Adam Bardach) — A Yazidi genocide and ISIS sexual slavery survivor, 23-year-old Nadia Murad is determined to tell the world her story. As her journey leads down paths of advocacy and fame, she becomes the voice of her people and their best hope to spur the world to action. International Premiere The Price of Everything / U.S.A. (Director: Nathaniel Kahn, Producers: Jennifer Blei Stockman, Debi Wisch, Carla Solomon) — With unprecedented access to pivotal artists and the white-hot market surrounding them, this film dives deep into the contemporary art world, holding a funhouse mirror up to our values and our times – where everything can be bought and sold.World Premiere Seeing Allred / U.S.A. (Directors: Sophie Sartain, Roberta Grossman, Producers: Roberta Grossman, Sophie Sartain, Marta Kauffman, Robbie Rowe Tollin, Hannah KS Canter) — Gloria Allred overcame trauma and personal setbacks to become one of the nation’s most famous women’s rights attorneys. Now the feminist firebrand takes on two of the biggest adversaries of her career, Bill Cosby and Donald Trump, as sexual violence allegations grip the nation and keep her in the spotlight. World Premiere The Sentence / U.S.A. (Director: Rudy Valdez, Producers: Sam Bisbee, Jackie Kelman Bisbee) — Cindy Shank, mother of three, is serving a 15-year sentence in federal prison for her tangential involvement with a Michigan drug ring years earlier. This intimate portrait of mandatory minimum drug sentencing’s devastating consequences, captured by Cindy’s brother, follows her and her family over the course of ten years. World Premiere Three Identical Strangers / U.S.A. (Director: Tim Wardle, Producer: Becky Read) — New York,1980: three complete strangers accidentally discover that they’re identical triplets, separated at birth. The 19-year-olds’ joyous reunion catapults them to international fame, but also unlocks an extraordinary and disturbing secret that goes beyond their own lives – and could transform our understanding of human nature forever. World Premiere

    WORLD CINEMA DRAMATIC COMPETITION

    And Breathe Normally / Iceland, Sweden, Belgium (Director and screenwriter: Ísold Uggadóttir, Producers: Skúli Malmquist, Diana Elbaum, Annika Hellström, Lilja Ósk Snorradóttir, Inga Lind Karlsdóttir) — At the edge of Iceland’s Reykjanes peninsula, two women’s lives will intersect – for a brief moment – while trapped in circumstances unforeseen. Between a struggling Icelandic mother and an asylum seeker from Guinea-Bissau, a delicate bond will form as both strategize to get their lives back on track. Cast: Kristín Thóra Haraldsdóttir, Babetida Sadjo, Patrik Nökkvi Pétursson. World Premiere Butterflies / Turkey (Director and screenwriter: Tolga Karaçelik, Producers: Tolga Karaçelik, Diloy Gülün, Metin  Anter) — In the Turkish village of Hasanlar, three siblings who neither know each other nor anything about their late father, wait to bury his body. As they start to find out more about their father and about each other, they also start to know more about themselves. Cast: Tolga Tekin, Bartu Küçükçağlayan, Tuğçe Altuğ, Serkan Keskin, Hakan Karsak. World Premiere Dead Pigs / China (Director and screenwriter: Cathy Yan, Producers: Clarissa Zhang, Jane Zheng, Zhangke Jia, Mick Aniceto, Amy Aniceto) — A bumbling pig farmer, a feisty salon owner, a sensitive busboy, an expat architect and a disenchanted rich girl converge and collide as thousands of dead pigs float down the river towards a rapidly-modernizing Shanghai, China. Based on true events. Cast: Vivian Wu, Haoyu Yang, Mason Lee, Meng Li, David Rysdahl. World Premiere The Guilty / Denmark (Director: Gustav Möller, Screenwriters: Gustav Möller, Emil Nygaard Albertsen, Producer: Lina Flint) — Alarm dispatcher Asger Holm answers an emergency call from a kidnapped woman; after a sudden disconnection, the search for the woman and her kidnapper begins. With the phone as his only tool, Asger enters a race against time to solve a crime that is far bigger than he first thought. Cast: Jakob Cedergren, Jessica Dinnage, Johan Olsen, Omar Shargawi. World Premiere Holiday / Denmark, Netherlands, Sweden (Director: Isabella Eklöf, Screenwriters: Isabella Eklöf, Johanne Algren, Producer: David B. Sørensen) — A love triangle featuring the trophy girlfriend of a petty drug lord, caught up in a web of luxury and violence in a modern dark gangster tale set in the beautiful port city of Bodrum on the Turkish Riviera. Cast: Victoria Carmen Sonne, Lai Yde, Thijs Römer. World Premiere Loveling / Brazil, Uruguay (Director: Gustavo Pizzi, Screenwriters: Gustavo Pizzi, Karine Teles, Producers: Tatiana Leite, Rodrigo Letier, Agustina Chiarino, Fernando Epstein) — On the outskirts of Rio de Janeiro, Irene has only a few days to overcome her anxiety and renew her strength before sending her eldest son out into the world. Cast: Karine Teles, Otavio Muller, Adriana Esteves, Konstantinos Sarris, Cesar Troncoso. World Premiere. DAY ONE Pity / Greece, Poland (Director: Babis Makridis, Screenwriters: Efthimis Filippou, Babis Makridis, Producers: Amanda Livanou, Christos V. Konstantakopoulos, Klaudia Śmieja, Beata Rzeźniczek) — The story of a man who feels happy only when he is unhappy: addicted to sadness, with such need for pity, that he’s willing to do everything to evoke it from others. This is the life of a man in a world not cruel enough for him. Cast: Yannis Drakopoulos, Evi Saoulidou, Nota Tserniafski, Makis Papadimitriou, Georgina Chryskioti, Evdoxia Androulidaki. World Premiere The Queen of Fear / Argentina, Denmark (Directors: Valeria Bertuccelli, Fabiana Tiscornia, Screenwriter: Valeria Bertuccelli, Producers: Benjamin Domenech, Santiago Gallelli, Matias Roveda, Juan Vera, Juan Pablo Galli, Christian Faillace) — Only one month left until the premiere of The Golden Time, the long-awaited solo show by acclaimed actress Robertina. Far from focused on the preparations for this new production, Robertina lives in a state of continuous anxiety that turns her privileged life into an absurd and tumultuous landscape. Cast: Valeria Bertuccelli, Diego Velázquez, Gabriel Eduardo “Puma” Goity, Darío Grandinetti. World Premiere Rust / Brazil (Director: Aly Muritiba, Screenwriters: Aly Muritiba, Jessica Candal, Producer: Antônio Junior) — Tati and Renet were already trading pics, videos and music by their cellphones and on the last school trip they started making eye contact. However, what could be the beginning of a love story becomes an end. Cast: Giovanni De Lorenzi, Tifanny Dopke, Enrique Diaz, Clarissa Kiste, Duda Azevedo, Pedro Inoue. World Premiere Time Share (Tiempo Compartido) / Mexico, Netherlands (Director: Sebastián Hofmann, Screenwriters: Julio Chavezmontes, Sebastián Hofmann, Producer: Julio Chavezmontes) — Two haunted family men join forces in a destructive crusade to rescue their families from a tropical paradise, after becoming convinced that an American timeshare conglomerate has a sinister plan to take their loved ones away. Cast: Luis Gerardo Mendez, Miguel Rodarte, Andrés Almeida, Cassandra Ciangherotti, Monserrat Marañon, R.J. Mitte. World Premiere Un Traductor / Canada, Cuba (Directors: Rodrigo Barriuso, Sebastián Barriuso, Screenwriter: Lindsay Gossling, Producers: Sebastián Barriuso, Lindsay Gossling) — A Russian Literature professor at the University of Havana is ordered to work as a translator for child victims of the Chernobyl nuclear disaster when they are sent to Cuba for medical treatment. Based on a true story. Cast: Rodrigo Santoro, Maricel Álvarez, Yoandra Suárez. World Premiere Yardie / United Kingdom (Director: Idris Elba, Screenwriters: Brock Norman Brock, Martin Stellman, Producers: Gina Carter, Robin Gutch) — Jamaica, 1973. When a young boy witnesses his brother’s assassination, a powerful Don gives him a home. Ten years later he is sent on a mission to London. He reunites with his girlfriend and their daughter, but then the past catches up with them. Based on Victor Headley’s novel. Cast: Aml Ameen, Shantol Jackson, Stephen Graham, Fraser James, Sheldon Shepherd, Everaldo Cleary. World Premiere

    WORLD CINEMA DOCUMENTARY COMPETITION

    A Polar Year / France (Director: Samuel Collardey, Screenwriters: Samuel Collardey, Catherine Paillé, Producer: Grégoire Debailly) — Anders leaves his native Denmark for a teaching position in rural Greenland. As soon as he arrives, he finds himself at odds with tightly-knit locals. Only through a clumsy and playful trial of errors can Anders shake his Euro-centric assumptions and embrace their snow-covered way of life. Cast: Anders Hvidegaard, Asser Boassen, Julius B. Nielsen, Tobias Ignatiussen, Thomasine Jonathansen, Gert Jonathansen. World Premiere Anote’s Ark / Canada (Director: Matthieu Rytz, Producers: Bob Moore, Mila Aung-Thwin, Daniel Cross, Shari Plummer, Shannon Joy) — How does a nation survive being swallowed by the sea? Kiribati, on a low-lying Pacific atoll, will disappear within decades due to rising sea levels, population growth, and climate change. This exploration of how to migrate an entire nation with dignity interweaves personal stories of survival and resilience. World Premiere. THE NEW CLIMATE The Cleaners / Germany, Brazil (Directors: Moritz Riesewieck, Hans Block, Screenwriters: Moritz Riesewieck, Hans Block, Georg Tschurtschenthaler, Producers: Christian Beetz, Georg Tschurtschenthaler, Julie Goldman, Christopher Clements, Fernando Dias, Mauricio Dias) — When you post something on the web, can you be sure it stays there? Enter a hidden shadow industry of digital cleaning, where the Internet rids itself of what it doesn’t like: violence, pornography and political content. Who is controlling what we see…and what we think? World Premiere Genesis 2.0 / Switzerland (Directors: Christian Frei, Maxim Arbugaev, Producer: Christian Frei) — On the remote New Siberian Islands in the Arctic Ocean, hunters search for tusks of extinct mammoths. When they discover a surprisingly well-preserved mammoth carcass, its resurrection will be the first manifestation of the next great technological revolution: genetics. It may well turn our world upside down. World Premiere MATANGI / MAYA / M.I.A. / Sri Lanka, United Kingdom, U.S.A. (Director: Stephen Loveridge, Producers: Lori Cheatle, Andrew Goldman, Paul Mezey) — Drawn from a never before seen cache of personal footage spanning decades, this is an intimate portrait of the Sri Lankan artist and musician who continues to shatter conventions. World Premiere Of Fathers and Sons / Germany, Syria, Lebanon (Director: Talal Derki, Producers: Ansgar Frerich, Eva Kemme, Tobias N. Siebert, Hans Robert Eisenhauer) — Talal Derki returns to his homeland where he gains the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses on Osama and his younger brother Ayman, providing an extremely rare insight into what it means to grow up in an Islamic Caliphate. North American Premiere The Oslo Diaries / Israel, Canada (Directors and screenwriters: Mor Loushy, Daniel Sivan, Producers: Hilla Medalia, Ina Fichman) — In 1992, Israeli-Palestinian relations reached an all time low. In an attempt to stop the bloodshed, a group of Israelis and Palestinians met illegally in Oslo. These meetings were never officially sanctioned and held in complete secrecy. They changed the Middle East forever. World Premiere Our New President / Russia, U.S.A. (Director: Maxim Pozdorovkin, Producers: Maxim Pozdorovkin, Joe Bender) — The story of Donald Trump’s election told entirely through Russian propaganda. By turns horrifying and hilarious, the film is a satirical portrait of Russian media that reveals an empire of fake news and the tactics of modern-day information warfare. World Premiere. DAY ONE Shirkers / U.S.A. (Director and screenwriter: Sandi Tan, Producers: Sandi Tan, Jessica Levin, Maya Rudolph) — In 1992, teenager Sandi Tan shot Singapore’s first indie road movie with her enigmatic American mentor Georges – who then vanished with all the footage. Twenty years later, the 16mm film is recovered, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges’ vanishing footprints. World Premiere This is Home / U.S.A., Jordan (Director: Alexandra Shiva, Producer: Lindsey Megrue) This is an intimate portrait of four Syrian families arriving in Baltimore, Maryland and struggling to find their footing. With eight months to become self-sufficient, they must forge ahead to rebuild their lives. When the travel ban adds further complications, their strength and resilience are put to the test. World Premiere Westwood / United Kingdom (Director: Lorna Tucker, Producers: Eleanor Emptage, Shirine Best, Nicole Stott, John Battsek) — Dame Vivienne Westwood: punk, icon, provocateur and one of the most influential originators in recent history. This is the first film to encompass the remarkable story of one of the true icons of our time, as she fights to maintain her brand’s integrity, her principles – and her legacy. World Premiere A Woman Captured / Hungary (Director and screenwriter: Bernadett Tuza-Ritter, Producers: Julianna Ugrin, Viki Réka Kiss, Erik Winker, Martin Roelly) — A European woman has been kept by a family as a domestic slave for 10 years – one of over 45 million victims of modern-day slavery. Drawing courage from the filmmaker’s presence, she decides to escape the unbearable oppression and become a free person. North American Premiere

    NEXT

    306 Hollywood / U.S.A., Hungary (Directors: Elan Bogarín, Jonathan Bogarín, Screenwriters: Jonathan Bogarín, Elan Bogarín, Nyneve Laura Minnear, Producers: Elan Bogarín, Jonathan Bogarín, Judit Stalter) — When two siblings undertake an archaeological excavation of their late grandmother’s house, they embark on a magical-realist journey from her home in New Jersey to ancient Rome, from fashion to physics, in search of what life remains in the objects we leave behind. World Premiere. DAY ONE A Boy, A Girl, A Dream. / U.S.A. (Director: Qasim Basir, Screenwriters: Qasim Basir, Samantha Tanner, Producer: Datari Turner) — On the night of the 2016 Presidential election, Cass, an L.A. club promoter, takes a thrilling and emotional journey with Frida, a Midwestern visitor. She challenges him to revisit his broken dreams – while he pushes her to discover hers. Cast: Omari Hardwick, Meagan Good, Jay Ellis, Kenya Barris, Dijon Talton, Wesley Jonathan. World Premiere An Evening With Beverly Luff Linn / United Kingdom, U.S.A. (Director: Jim Hosking, Screenwriters: Jim Hosking, David Wike, Producers: Sam Bisbee, Theodora Dunlap, Oliver Roskill, Emily Leo, Lucan Toh, Andy Starke) — Lulu Danger’s unsatisfying marriage takes a fortunate turn for the worse when a mysterious man from her past comes to town to perform an event called ‘An Evening With Beverly Luff Linn For One Magical Night Only.’ Cast: Aubrey Plaza, Emile Hirsch, Jemaine Clement, Matt Berry, Craig Robinson. World Premiere Clara’s Ghost / U.S.A. (Director and screenwriter: Bridey Elliott, Producer: Sarah Winshall) — Set over the course of a single evening at the Reynolds’ family home in Connecticut, Clara, fed up with the constant ribbing from her self-absorbed showbiz family, finds solace in and guidance from the supernatural force she believes is haunting her. Cast: Paula Niedert Elliott, Chris Elliott, Abby Elliott, Bridey Elliott, Haley Joel Osment, Isidora Goreshter. World Premiere Madeline’s Madeline / U.S.A. (Director and screenwriter: Josephine Decker, Producers: Krista Parris, Elizabeth Rao) — Madeline got the part! She’s going to play the lead in a theater piece! Except the lead wears sweatpants like Madeline’s. And has a cat like Madeline’s. And is holding a steaming hot iron next to her mother’s face – like Madeline is. Cast: Helena Howard, Molly Parker, Miranda July, Okwui Okpokwasili, Felipe Bonilla, Lisa Tharps. World Premiere Night Comes On / U.S.A. (Director: Jordana Spiro, Screenwriters: Jordana Spiro, Angelica Nwandu, Producers: Jonathan Montepare, Alvaro R. Valente, Danielle Renfrew Behrens) — Angel LaMere is released from juvenile detention on the eve of her 18th birthday. Haunted by her past, she embarks on a journey with her 10 year-old sister that could destroy their future. Cast: Dominique Fishback, Tatum Hall, John Earl Jelks, Max Casella, James McDaniel. World Premiere Search / U.S.A. (Director: Aneesh Chaganty, Screenwriters: Aneesh Chaganty, Sev Ohanian, Producers: Timur Bekmambetov, Sev Ohanian, Adam Sidman, Natalie Qasabian) — After his 16-year-old daughter goes missing, a desperate father breaks into her laptop to look for clues to find her. A thriller that unfolds entirely on computer screens. Cast: John Cho, Debra Messing. World Premiere. WINNER: 2018 Alfred P. Sloan Feature Film Prize.  Skate Kitchen / U.S.A. (Director: Crystal Moselle, Screenwriters: Crystal Moselle, Ashlihan Unaldi, Producers: Lizzie Nastro, Izabella Tzenkova, Julia Nottingham, Matthew Perniciaro, Michael Sherman, Rodrigo Teixeira) — Camille’s life as a lonely suburban teenager changes dramatically when she befriends a group of girl skateboarders. As she journeys deeper into this raw New York City subculture, she begins to understand the true meaning of friendship as well as her inner self. Cast: Rachelle Vinberg, Dede Lovelace, Jaden Smith, Nina Moran, Ajani Russell, Kabrina Adams. World Premiere We The Animals / U.S.A. (Director: Jeremiah Zagar, Screenwriters: Daniel Kitrosser, Jeremiah Zagar, Producers: Jeremy Yaches, Christina D. King, Andrew Goldman, Paul Mezey) — Us three, us brothers, us kings. Manny, Joel and Jonah tear their way through childhood and push against the volatile love of their parents. As Manny and Joel grow into versions of their father and Ma dreams of escape, Jonah, the youngest, embraces an imagined world all his own. Cast: Raul Castillo, Sheila Vand, Evan Rosado, Isaiah Kristian, Josiah Santiago. World Premiere White Rabbit / U.S.A. (Director: Daryl Wein, Screenwriters: Daryl Wein, Vivian Bang, Producers: Daryl Wein, Vivian Bang) —A dramatic comedy following a Korean American performance artist who struggles to be authentically heard and seen through her multiple identities in modern Los Angeles. Cast: Vivian Bang, Nana Ghana, Nico Evers-Swindel, Tracy Hazas, Elizabeth Sung, Michelle Sui. World Premiere

    PREMIERES

    A Kid Like Jake / U.S.A. (Director: Silas Howard, Screenwriter: Daniel Pearle, Producers: Jim Parsons, Todd Spiewak, Eric Norsoph, Paul Bernon, Rachel Song) — As married couple Alex and Greg navigate their roles as parents to a young son who prefers Cinderella to G.I. Joe, a rift grows between them, one that forces them to confront their own concerns about what’s best for their child, and each other. Cast: Claire Danes, Jim Parsons, Octavia Spencer, Priyanka  Chopra, Ann Dowd, Amy Landecker. World Premiere Beirut / U.S.A. (Director: Brad Anderson, Screenwriter: Tony Gilroy) — A U.S. diplomat flees Lebanon in 1972 after a tragic incident at his home. Ten years later, he is called back to war-torn Beirut by CIA operatives to negotiate for the life of a friend he left behind. Cast: Jon Hamm, Rosamund Pike, Shea Whigham, Dean Norris. World Premiere The Catcher Was a Spy / U.S.A. (Director: Ben Lewin, Screenwriter: Robert Rodat, Producers: Kevin Frakes, Tatiana Kelly, Buddy Patrick, Jim Young) — The true story of Moe Berg – professional baseball player, Ivy League graduate, attorney who spoke nine languages – and a top-secret spy for the OSS who helped the U.S. win the race against Germany to build the atomic bomb. Cast: Paul Rudd, Mark Strong, Sienna Miller, Jeff Daniels, Guy Pearce, Paul Giamatti. World Premiere Colette / United Kingdom (Director: Wash Westmoreland, Screenwriters: Wash Westmoreland, Richard Glatzer, Producers: Pamela Koffler, Christine Vachon, Elizabeth Karlsen, Stephen Woolley) — A young country woman marries a famous literary entrepreneur in turn-of-the-century Paris: At her husband’s request, Colette pens a series of bestselling novels published under his name. But as her confidence grows, she transforms not only herself and her marriage, but the world around her. Cast: Keira Knightley, Dominic West, Fiona Shaw, Denise Gough, Elinor Tomlinson, Aiysha Hart. World Premiere Come Sunday / U.S.A. (Director: Joshua Marston, Screenwriter: Marcus Hinchey, Producers: Ira Glass, Alissa Shipp, Julie Goldstein, James Stern, Lucas Smith, Cindy Kirven) — Internationally-renowned pastor Carlton Pearson — experiencing a crisis of faith — risks his church, family and future when he questions church doctrine and finds himself branded a modern-day heretic. Based on actual events. Cast: Chiwetel Ejiofor, Danny Glover, Condola Rashad, Jason Segel, Lakeith Stanfield, Martin Sheen. World Premiere Damsel / U.S.A. (Directors and screenwriters: David Zellner, Nathan Zellner, Producers: Nathan Zellner, Chris Ohlson, David Zellner) — Samuel Alabaster, an affluent pioneer, ventures across the American Frontier to marry the love of his life, Penelope. As Samuel, a drunkard named Parson Henry and a miniature horse called Butterscotch traverse the Wild West, their once-simple journey grows treacherous, blurring the lines between hero, villain and damsel. Cast: Robert Pattinson, Mia Wasikowska, David Zellner, Robert Forster, Nathan Zellner, Joe Billingiere. World Premiere Don’t Worry, He Won’t Get Far On Foot / U.S.A. (Director: Gus Van Sant, Screenwriters: Gus Van Sant (screenplay), John Callahan (biography), Producers: Charles-Marie Anthonioz, Mourad Belkeddar, Steve Golin, Nicolas Lhermitte) — John Callahan has a talent for off-color jokes…and a drinking problem. When a bender ends in a car accident, Callahan wakes permanently confined to a wheelchair. In his journey back from rock bottom, Callahan finds beauty and comedy in the absurdity of human experience. Cast: Joaquin Phoenix, Jonah Hill, Rooney Mara, Jack Black. World Premiere Futile and Stupid Gesture / U.S.A. (Director: David Wain, Screenwriters: John Aboud, Michael Colton, Producers: Peter Principato, Jonathan Stern) — The story of comedy wunderkind Doug Kenney, who co-created the National Lampoon, Caddyshack, and Animal House. Kenney was at the center of the 70’s comedy counter-culture which gave birth to Saturday Night Live and a whole generation’s way of looking at the world. Cast: Will Forte, Martin Mull, Domhnall Gleeson, Matt Walsh, Joel McHale, Emmy Rossum. World Premiere The Happy Prince / Germany, Belgium, Italy (Director and screenwriter: Rupert Everett) — The last days of Oscar Wilde—and the ghosts haunting them—are brought to vivid life. His body ailing, Wilde lives in exile, surviving on the flamboyant irony and brilliant wit that defined him as the transience of lust is laid bare and the true riches of love are revealed. Cast: Colin Firth, Emily Watson, Colin Morgan, Edwin Thomas, Rupert Everett. World Premiere Hearts Beat Loud / U.S.A. (Director: Brett Haley, Screenwriters: Brett Haley, Marc Basch, Producers: Houston King, Sam Bisbee, Sam Slater) — In Red Hook, Brooklyn, a father and daughter become an unlikely songwriting duo in the last summer before she leaves for college. Cast: Nick Offerman, Kiersey Clemons, Ted Danson, Sasha Lane, Blythe Danner, Toni Collette. World Premiere Juliet, Naked / United Kingdom (Director: Jesse Peretz, Screenwriters: Tamara Jenkins, Jim Taylor, Phil Alden Robinson, Evgenia Peretz, Producers: Judd Apatow, Barry Mendel, Albert Berger, Ron Yerxa) — Annie is the long-suffering girlfriend of Duncan, an obsessive fan of obscure rocker Tucker Crowe. When the acoustic demo of Tucker’s celebrated record from 25 years ago surfaces, its release leads to an encounter with the elusive rocker himself. Based on the novel by Nick Hornby. Cast: Rose Byrne, Ethan Hawke, Chris O’Dowd. World Premiere Ophelia / United Kingdom (Director: Claire McCarthy, Screenwriter: Semi Chellas, Producers: Daniel Bobker, Sarah Curtis, Ehren Kruger, Paul Hanson) — A mythic spin on Hamlet through a lens of female empowerment: Ophelia comes of age as lady-in-waiting for Queen Gertrude, and her singular spirit captures Hamlet’s affections. As lust and betrayal threaten the kingdom, Ophelia finds herself trapped between true love and controlling her own destiny. Cast: Daisy Ridley, Naomi Watts, Clive Owen, George MacKay, Tom Felton, Devon Terrell. World Premiere Puzzle / U.S.A. (Director: Marc Turtletaub, Screenwriter: Oren Moverman, Producers: Peter Saraf, Wren Arthur, Guy Stodel) — Agnes, taken for granted as a suburban mother, discovers a passion for solving jigsaw puzzles which unexpectedly draws her into a new world – where her life unfolds in ways she could never have imagined. Cast: Kelly Macdonald, Irrfan Khan, David Denman, Bubba Weiler, Austin Abrams, Liv Hewson. World Premiere Untitled Debra Granik Project / U.S.A. (Director: Debra Granik, Screenwriters: Debra Granik, Anne Rosellini, Producers: Anne Harrison, Linda Reisman, Anne Rosellini) — A father and daughter live a perfect but mysterious existence in Forest Park, a beautiful nature reserve near Portland, Oregon, rarely making contact with the world. A small mistake tips them off to authorities sending them on an increasingly erratic journey in search of a place to call their own. Cast: Ben Foster, Thomasin Harcourt McKenzie, Jeff Korber, Dale Dickey. World Premiere What They Had / U.S.A. (Director and screenwriter: Elizabeth Chomko) — Bridget returns home to Chicago at her brother’s urging to deal with her mother’s Alzheimer’s and her father’s reluctance to let go of their life together. Cast: Hilary Swank, Michael Shannon, Blythe Danner, Robert Forster. World Premiere

    DOCUMENTARY PREMIERES

    Bad Reputation / U.S.A. (Director: Kevin Kerslake, Screenwriter: Joel Marcus, Producers: Peter Afterman, Carianne Brinkman) — A look at the life of Joan Jett, from her early years as the founder of The Runaways and first meeting collaborator Kenny Laguna in 1980 to her enduring presence in pop culture as a rock ‘n’ roll pioneer . World Premiere Believer / U.S.A. (Director: Don Argott, Producers: Heather Parry, Sheena M. Joyce, Robert Reynolds) — Imagine Dragons’ Mormon frontman Dan Reynolds is taking on a new mission to explore how the church treats its LGBTQ members. With the rising suicide rate amongst teens in the state of Utah, his concern with the church’s policies sends him on an unexpected path for acceptance and change. World Premiere Chef Flynn / U.S.A. (Director: Cameron Yates, Producer: Laura Coxson) — Ten-year-old Flynn transforms his living room into a supper club, using his classmates as line cooks and serving a tasting menu foraged from his neighbors’ backyards. With sudden fame, Flynn outgrows his bedroom kitchen and mother’s camera, and sets out to challenge the hierarchy of the culinary world. World Premiere The Game Changers / U.S.A. (Director: Louie Psihoyos, Screenwriters: Mark Monroe, Joseph Pace, Producers: Joseph Pace, James Wilks) — James Wilks, an elite special forces trainer and winner of The Ultimate Fighter, embarks on a quest for the truth in nutrition and uncovers the world’s most dangerous myth. World Premiere Generation Wealth / U.S.A. (Director: Lauren Greenfield, Producers: Lauren Greenfield, Frank Evers) — Lauren Greenfield’s postcard from the edge of the American Empire captures a portrait of a materialistic, image-obsessed culture. Simultaneously personal journey and historical essay, the film bears witness to the global boom–bust economy, the corrupted American Dream and the human costs of late stage capitalism, narcissism and greed. World Premiere. DAY ONE Half The Picture / U.S.A. (Director: Amy Adrion, Producers: Amy Adrion, David Harris) — At a pivotal moment for gender equality in Hollywood, successful women directors tell the stories of their art, lives and careers. Having endured a long history of systemic discrimination, women filmmakers may be getting the first glimpse of a future that values their voices equally. World Premiere Jane Fonda in Five Acts / U.S.A. (Director: Susan Lacy, Producers: Susan Lacy, Jessica Levin, Emma Pildes) — Girl next door, activist, so-called traitor, fitness tycoon, Oscar winner: Jane Fonda has lived a life of controversy, tragedy and transformation – and she’s done it all in the public eye. An intimate look at one woman’s singular journey. World Premiere King In The Wilderness / U.S.A. (Director: Peter Kunhardt, Producers: George Kunhardt, Teddy Kunhardt) From the passage of the Voting Rights Act in 1965 to his assassination in 1968, Martin Luther King, Jr. remained a man with an unshakeable commitment to nonviolence in the face of an increasingly unstable country. A portrait of the last years of his life. World Premiere Quiet Heroes / U.S.A. (Director: Jenny Mackenzie, Co-Directors: Jared Ruga, Amanda Stoddard, Producers: Jenny Mackenzie, Jared Ruga, Amanda Stoddard) — In Salt Lake City, Utah, the socially conservative religious monoculture complicated the AIDS crisis, where patients in the entire state and intermountain region relied on only one doctor. This is the story of her fight to save a maligned population everyone else seemed willing to just let die. World Premiere RBG / U.S.A. (Directors and producers: Betsy West, Julie Cohen) — An intimate portrait of an unlikely rock star: Justice Ruth Bader Ginsburg. With unprecedented access, the filmmakers show how her early legal battles changed the world for women. Now this 84-year-old does push-ups as easily as she writes blistering dissents that have earned her the title “Notorious RBG.” World Premiere Robin Williams: Come Inside My Mind / U.S.A. (Director: Marina Zenovich, Producers: Alex Gibney, Shirel Kozak) — This intimate portrait examines one of the world’s most beloved and inventive comedians. Told largely through Robin’s own voice and using a wealth of never-before-seen archive, the film takes us through his extraordinary life and career and reveals the spark of madness that drove him. World Premiere STUDIO 54 / U.S.A. (Director: Matt Tyrnauer, Producers: Matt Tyrnauer, John Battsek, Corey Reeser) — Studio 54 was the pulsating epicenter of 1970s hedonism: a disco hothouse of beautiful people, drugs, and sex. The journeys of Ian Schrager and Steve Rubell — two best friends from Brooklyn who conquered New York City — frame this history of the “greatest club of all time.” World Premiere Won’t You Be My Neighbor? / U.S.A. (Director: Morgan Neville, Producers: Caryn Capotosto, Nicholas Ma) — Fred Rogers used puppets and play to explore complex social issues: race, disability, equality and tragedy, helping form the American concept of childhood. He spoke directly to children and they responded enthusiastically. Yet today, his impact is unclear. Have we lived up to Fred’s ideal of good neighbors? World Premiere. SALT LAKE CITY OPENING NIGHT FILM

    MIDNIGHT

    Arizona / U.S.A. (Director: Jonathan Watson, Screenwriter: Luke Del Tredici, Producers: Dan Friedkin, Bradley Thomas, Ryan Friedkin, Danny McBride, Brandon James) — Set in the midst of the 2009 housing crisis, this darkly comedic story follows Cassie Fowler, a single mom and struggling realtor whose life goes off the rails when she witnesses a murder. Cast: Danny McBride, Rosemarie DeWitt, Luke Wilson, Lolli Sorenson, Elizabeth Gillies, Kaitlin Olson. World Premiere Assassination Nation / U.S.A. (Director and screenwriter: Sam Levinson, Producers: David Goyer, Anita Gou, Kevin Turen, Aaron L. Gilbert, Matthew J. Malek) — This is a one-thousand-percent true story about how the quiet, all-American town of Salem, Massachusetts, absolutely lost its mind. Cast: Odessa Young, Suki Waterhouse, Hari Nef, Abra, Bill Skarsgard, Bella Thorne. World Premiere Mandy / Belgium, U.S.A. (Director: Panos Cosmatos, Screenwriters: Panos Cosmatos, Aaron Stewart-Ahn, Producers: Daniel Noah, Josh Waller, Elijah Wood, Nate Bolotin, Adrian Politowski) — Pacific Northwest. 1983 AD. Outsiders Red Miller and Mandy Bloom lead a loving and peaceful existence. When their pine-scented haven is savagely destroyed by a cult led by the sadistic Jeremiah Sand, Red is catapulted into a phantasmagoric journey filled with bloody vengeance and laced with fire. Cast: Nicolas Cage, Andrea Riseborough, Linus Roache, Olwen Fouéré, Richard Brake, Bill Duke. World Premiere Never Goin’ Back / U.S.A.  (Director and screenwriter: Augustine Frizzell, Producers: Toby Halbrooks, Liz Cardenas , James Johnston, David Lowery) — Jessie and Angela, high school dropout BFFs, are taking a week off to chill at the beach. Too bad their house got robbed, rent’s due, they’re about to get fired and they’re broke. Now they’ve gotta avoid eviction, stay out of jail and get to the beach, no matter what!!! Cast: Maia Mitchell, Cami Morrone, Kyle Mooney, Joel Allen, Kendal Smith, Matthew Holcomb. World Premiere Piercing / U.S.A. (Director and screenwriter: Nicolas Pesce, Producers: Josh Mond, Antonio Campos, Schuyler Weiss, Jake Wasserman) — In this twisted love story, a man seeks out an unsuspecting stranger to help him purge the dark torments of his past. His plan goes awry when he encounters a woman with plans of her own. A playful psycho-thriller game of cat-and-mouse based on Ryu Murakami’s novel. Cast: Christopher Abbott, Mia Wasikowska, Laia Costa, Marin Ireland, Maria Dizzia, Wendell Pierce. World Premiere Revenge / France (Director and screenwriter: Coralie Fargeat, Producers: Marc-Etienne Schwartz, Jean-Yves Robin, Marc Stanimirovic) — Three wealthy married men get together for their annual hunting game in a desert canyon. This time, one of them has brought along his young mistress, who quickly arouses the interest of the other two. Things get dramatically out of hand as a hunting game turns into a ruthless manhunt. Cast: Matilda Lutz, Kevin Janssens, Vincent Colombe, Guillaume Bouchede, Jean-Louis Tribes. Utah Premiere Summer of ’84 / Canada, U.S.A. (Directors: Francois Simard, Anouk Whissell, Yoann Whissell, Screenwriters: Matt Leslie, Stephen J. Smith, Producers: Shawn Williamson, Jameson Parker, Matt Leslie, Van Toffler, Cody Zwieg) — Summer, 1984: a perfect time to be a carefree 15-year-old. But when neighborhood conspiracy theorist Davey Armstrong begins to suspect his police officer neighbor might be the serial killer all over the local news, he and his three best friends begin an investigation that soon turns dangerous. Cast: Graham Verchere, Judah Lewis, Caleb Emery, Cory Grüter-Andrew, Tiera Skovbye, Rich Sommer. World Premiere

    SPOTLIGHT

    BEAST / United Kingdom (Director and screenwriter: Michael Pearce, Producers: Ivana MacKinnon, Lauren Dark, Kristian Brodie) — In a small island community, a troubled young woman falls for a mysterious outsider who empowers her to escape from her oppressive family. When he comes under suspicion for a series of brutal murders, she learns what she’s capable of as she defends him at all costs. Cast: Jessie Buckley, Johnny Flynn, Trystan Gravelle, Geraldine James, Charley Palmer Rothwell. U.S. Premiere The Death of Stalin / France, United Kingdom, Belgium (Director: Armando Iannucci, Screenwriters: Armando Iannucci, David Schneider, Ian Martin, Producers: Yann Zenou, Laurent Zeitoun, Nicolas Duval Adassovsky, Kevin Loader) — The internal political landscape of 1950’s Soviet Russia through a darkly comic lens. In the days following Stalin’s collapse, his core ministers tussle for control; some want positive change, others have more sinister motives. Their one common trait? They’re all just desperately trying to remain alive. Cast: Steve Buscemi, Jeffrey Tambor, Andrea Riseborough, Rupert Friend, Olga Kurylenko, Jason Isaacs. U.S. Premiere Foxtrot / Israel (Director and screenwriter: Samuel Maoz, Producers: Michael Weber, Viola Fügen, Eitan Mansuri, Cedomir Kolar, Marc Baschet, Michel Merkt) — Michael and Dafna are devastated when army officials show up at their home, announcing the death of their son Jonathan. While his sedated wife rests, Michael spirals into a whirlwind of anger only to experience one of life’s unfathomable twists, which rivals his son’s surreal military experiences. Cast: Lior Ashkenazi, Sarah Adler, Yonatan Shiray. I Am Not a Witch / United Kingdom (Director and screenwriter: Rungano Nyoni, Producers: Juliette Grandmont, Emily Morgan) — After a minor incident, nine-year old Shula is exiled to a witch camp where she is told that if she escapes, she’ll be transformed into a goat. As she navigates through her new life, she must decide whether to accept her fate or risk the consequences of seeking freedom. Cast: Margaret Mulubwa, Henry B.J. Phiri, Nancy Mulilo, Margaret Sipaneia. U.S. Premiere The Rider / U.S.A. (Director and screenwriter: Chloé Zhao, Producers: Chloé Zhao, Bert Hamelinck, Sacha Ben Harroche, Mollye Asher) — After a tragic riding accident, young cowboy and rising rodeo circuit star Brady Jandreau is told that his competition days are over. In an attempt to regain control of his fate, Brady undertakes a search for new identity and tries to redefine his idea of manhood in America’s heartland. Cast: Brady Jandreau, Tim Jandreau, Lily Jandreau, Lane Scott, Cat Clifford. Utah Premiere Super Size Me 2: Holy Chicken! / U.S.A. (Director: Morgan Spurlock, Screenwriters: Jeremy Chilnick, Morgan Spurlock, Producers: Keith Calder, Jessica Calder, Spencer Silna, Nicole Barton, Jeremy Chilnick, Matthew Galkin) — Muckraking filmmaker Morgan Spurlock reignites his battle with the food industry – this time from behind the register – as he opens his own fast food restaurant. U.S. Premiere

    KIDS

    Lu Over the Wall / Japan (Director: Masaaki Yuasa, Screenwriters: Reiko Yoshida, Masaaki Yuasa, Producer: Eunyoung Choi) — Kai is a lonely teenage boy who lives in a small fishing village. One day, he meets and befriends Lu, a fun-loving mermaid whose singing is hypnotic to all who hear it. But the townspeople have always thought that mermaids bring disaster… World Premiere Science Fair / U.S.A. (Directors: Cristina Costantini, Darren Foster, Producers: Cristina Costantini, Darren Foster, Jeffrey Plunkett) — Nine high school students from around the globe navigate rivalries, setbacks, and of course, hormones, on their journey to compete at the international science fair. Facing off against 1,700 of the smartest, quirkiest teens from 78 different countries, only one will be named Best in Fair. World Premiere White Fang / U.S.A. (Director: Alexandre Espigares, Screenwriters: Dominique Monfery, Philippe Lioret, Serge Frydman, Producers: Jeremie Fajner, Clement Calvet, Peter Saraf, Marc Turtletaub) — An updated reimagining of Jack London’s classic novel, this thrilling tale of kindness, survival and the twin majesties of the animal kingdom and mankind traces the loving and magnificent hero White Fang, whose intense curiosity leads him on the adventure of a lifetime. Cast: Rashida Jones, Nick Offerman, Eddie Spears, Paul Giamatti. World Premiere

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