HIGH-RISE

  • MOONLIGHT and LOVE & FRIENDSHIP Lead Nominations for London’s Critics’ Circle Film Awards

    [caption id="attachment_12014" align="aligncenter" width="1200"]Love & Friendship Love & Friendship[/caption] Barry Jenkins’ drama Moonlight and Whit Stillman’s comedy Love & Friendship lead the nominations for the 37th London Critics’ Circle Film Awards, garnering seven nominations each. Both are up for Film of the Year, as well as multiple acting honors. The gala ceremony will be held on Sunday January 22nd, 2017,  in London, at The May Fair Hotel. Following close behind is Maren Ade’s German comedy Toni Erdmann with six nominations, while La La Land, Manchester by the Sea and American Honey have five citations each. The winners will be voted on by 140 members of The Critics’ Circle Film Section. The nominations were announced at The May Fair today by actress Chloe Pirrie and actor-filmmaker Craig Roberts. The 22nd January ceremony will again be hosted by actor-filmmakers Alice Lowe and Steve Oram, who won the critics’ Breakthrough Filmmakers prize in 2012 for their screenplay for Sightseers and have gone on to write and direct Prevenge and Aaaaaaaah!, respectively. “Our critics nominated more than 160 titles for Film of the Year alone, representing the range of wide opinions and the sheer number of movies critics watch each year,” says Rich Cline, chair of the Critics’ Circle Film Awards. “There was love for everything from Aferim to Zootropolis, including Captains America and Fantastic, plus acclaimed women from Jackie, Julieta, Moana, Christine, Krisha and Victoria to Miss Sloane and Florence Foster Jenkins. Making it onto that final list of nominees is never easy.” British actors Naomie Harris, Andrew Garfield, Kate Beckinsale and Tom Bennett each received nominations both for specific performances and for their body of work in 2016. Unusually, the writer-directors of four Film of the Year contenders are also nominated for both Screenwriter and Director: Moonlight’s Jenkins, Toni Erdmann’s Ade, La La Land’s Damien Chazelle and Manchester by the Sea’s Kenneth Lonergan. In addition to Film of the Year, Gianfranco Rosi’s immigration-themed film Fire at Sea is also nominated for both Foreign-Language Film and Documentary. Also contending for Film of the Year are Andrea Arnold’s American Honey, Tom Ford’s Nocturnal Animals, László Nemes’ Son of Saul and Ken Loach’s I, Daniel Blake. Last year’s ceremony saw George Miller winning both Film and Director for Mad Max: Fury Road, with three awards going to Andrew Haigh’s 45 Years and the Dilys Powell Award presented to Kenneth Branagh. The full list of nominees for the 37th London Critics’ Circle Film Awards: FILM OF THE YEAR American Honey Fire at Sea I, Daniel Blake La La Land Love & Friendship Manchester by the Sea Moonlight Nocturnal Animals Son of Saul Toni Erdmann FOREIGN-LANGUAGE FILM OF THE YEAR Fire at Sea Son of Saul Things to Come Toni Erdmann Victoria DOCUMENTARY OF THE YEAR The Beatles: Eight Days a Week – The Touring Years Cameraperson The Eagle Huntress Fire at Sea Life, Animated BRITISH/IRISH FILM OF THE YEAR American Honey High-Rise I, Daniel Blake Love & Friendship Sing Street ACTOR OF THE YEAR Casey Affleck – Manchester by the Sea Adam Driver – Paterson Andrew Garfield – Hacksaw Ridge Jake Gyllenhaal – Nocturnal Animals Peter Simonischek – Toni Erdmann ACTRESS OF THE YEAR Amy Adams – Arrival Kate Beckinsale – Love & Friendship Sandra Hüller – Toni Erdmann Isabelle Huppert – Things to Come Emma Stone – La La Land SUPPORTING ACTOR OF THE YEAR Mahershala Ali – Moonlight Tom Bennett – Love & Friendship Jeff Bridges – Hell or High Water Shia LaBeouf – American Honey Michael Shannon – Nocturnal Animals SUPPORTING ACTRESS OF THE YEAR Viola Davis – Fences Greta Gerwig – 20th Century Women Naomie Harris – Moonlight Riley Keough – American Honey Michelle Williams – Manchester by the Sea DIRECTOR OF THE YEAR Maren Ade – Toni Erdmann Damien Chazelle – La La Land Barry Jenkins – Moonlight Kenneth Lonergan – Manchester by the Sea László Nemes – Son of Saul SCREENWRITER OF THE YEAR Maren Ade – Toni Erdmann Damien Chazelle – La La Land Barry Jenkins – Moonlight Kenneth Lonergan – Manchester by the Sea Whit Stillman – Love & Friendship BRITISH/IRISH ACTOR Tom Bennett – Love & Friendship, Life on the Road Andrew Garfield – Hacksaw Ridge, Silence Hugh Grant – Florence Foster Jenkins Dave Johns – I, Daniel Blake David Oyelowo – A United Kingdom, Queen of Katwe BRITISH/IRISH ACTRESS Kate Beckinsale – Love & Friendship Rebecca Hall – Christine Naomie Harris – Moonlight, Our Kind of Traitor, Collateral Beauty Ruth Negga – Loving, Iona Hayley Squires – I, Daniel Blake YOUNG BRITISH/IRISH PERFORMER Ruby Barnhill – The BFG Lewis MacDougall – A Monster Calls Sennia Nanua – The Girl With All the Gifts Anya Taylor-Joy – The Witch, Morgan Ferdia Walsh-Peelo – Sing Street BREAKTHROUGH BRITISH/IRISH FILMMAKER Babak Anvari – Under the Shadow Mike Carey – The Girl With All the Gifts Guy Hibbert – Eye in the Sky, A United Kingdom Peter Middleton & James Spinney – Notes on Blindness Rachel Tunnard – Adult Life Skills BRITISH/IRISH SHORT FILM Isabella – Duncan Cowles & Ross Hogg Jacked – Rene Pannevis Sweet Maddie Stone – Brady Hood Tamara – Sofia Safonova Terminal – Natasha Waugh TECHNICAL ACHIEVEMENT American Honey – Robbie Ryan, cinematography Arrival – Sylvain Bellemare, sound design High-Rise – Mark Tildesley, production design Jackie – Mica Levi, music Jason Bourne – Gary Powell, stunts La La Land – Justin Hurwitz, music Moonlight – Nat Sanders & Joi McMillon, editing Sing Street – Gary Clark & John Carney, music Rogue One – Neal Scanlan, visual effects Victoria – Sturla Brandth Grovlen, cinematography

    Read more


  • Dallas International Film Festival Reveals Film Lineup

    [caption id="attachment_12031" align="aligncenter" width="1200"]A TALE OF LOVE AND DARKNESS A TALE OF LOVE AND DARKNESS[/caption] The 2016 Dallas International Film Festival taking place April 14 to 17, revealed the full schedule of film selections. Among the 113 films (63 features, 50 shorts), representing 31 countries, are nine films making their world premieres, including Shaun M. Colón’s A FAT WRECK, Alix Blair and Jeremy M. Lange’s FARMER/VETERAN, Ben Caird’s HALFWAY, Ciaran Creagh’s IN VIEW, Jeff Barrry’s OCCUPY, TEXAS, Willie Baronet and Tim Chumley’s SIGNS OF HUMANITY, and Jenna Jackson and Anthony Jackson’s UNTIL PROVEN INNOCENT, in addition to THREE DAYS IN AUGUST (directed by Johnathan Brownlee) and DAYLIGHT’S END (directed by William Kaufman), as well as the world premiere of the next episode in Randal Kleiser’s groundbreaking VR series, Defrost. In addition, the famed Dallas Star Award will be presented to Academy Award-nominated cinematographer, Ed Lachman, and the inaugural presentation of the L.M. Kit Carson Maverick Filmmaker Award to director Monte Hellman. THE 2016 DIFF OFFICIAL SELECTIONS AND DESCRIPTIONS CENTERPIECE GALA SELECTION OTHER PEOPLE Director: Chris Kelly Country: USA, Running Time: 97min A struggling New York City comedy writer, fresh from breaking up with his boyfriend, moves to Sacramento to help his sick mother. Living with his conservative father and younger sisters, David feels like a stranger in his childhood home. As his mother worsens, he tries to convince everyone (including himself) he’s “doing okay.” The film stars Molly Shannon and Jesse Plemons. CENTERPIECE GALA SELECTION Queen of the South – Pilot Director: Charlotte Sieling Country: USA, Running Time: 42min Based on the global best-selling novel “La Reina Del Sur,” by internationally-acclaimed author Arturo Pérez-Reverte, QUEEN OF THE SOUTH tells the powerful story of Teresa Mendoza (Alice Braga), a woman who is forced to run and seek refuge in America after her drug-dealing boyfriend is unexpectedly murdered in Mexico. In the process, she teams with an unlikely figure from her past to bring down the leader of the very drug trafficking ring that has her on the run. PREMIERE SERIES COMPLETE UNKNOWN Director: Joshua Marston Country: USA, Running Time: 90min As a man (Michael Shannon) contemplates moving to a new state with his wife for her graduate program, an old flame (Rachel Weisz) – a woman who often changes identities – reenters his life at a birthday dinner party HIGH-RISE Director: Ben Wheatley Country: UK, Running Time: 119min HIGH-RISE stars Tom Hiddleston as Dr. Robert Laing, the newest resident of a luxurious apartment in a high-tech concrete skyscraper whose lofty location places him amongst the upper class. Laing quickly settles into high society life and meets the building’s eccentric tenants: Charlotte (Sienna Miller), his upstairs neighbor and bohemian single mother; Wilder (Luke Evans), a charismatic documentarian who lives with his pregnant wife Helen (Elisabeth Moss); and Mr. Royal (Jeremy Irons), the enigmatic architect who designed the building. Life seems like paradise to the solitude-seeking Laing. But as power outages become more frequent and building flaws emerge, particularly on the lower floors, the regimented social strata begins to crumble and the building becomes a battlefield in a literal class war. MORRIS FROM AMERICA Director: Chad Hartigan Country: USA/Germany, Running Time: 89min A heartwarming and crowd-pleasing coming-of-age comedy with a unique spin, Morris from America centers on Morris Gentry, a 13-year-old who has just relocated with his single father to Heidelberg, Germany. Morris, who fancies himself the next Notorious B.I.G., is a complete fish-out-of-water—a budding hip-hop star in an EDM world. To complicate matters further, Morris quickly falls hard for his cool, rebellious, 15-year-old classmate Katrin. SING STREET Director: John Carney Country: Ireland/USA/UK, Running Time: 105min SING STREET tales us back to 1980s Dublin seen through the eyes of a 14-year-old-boy named Conor (Ferdia Walsh-Peelo) who is looking for a break from a home strained by his parents’ relationship and money troubles, while trying to adjust to his new inner-city public school where the kids are rough and the teachers are rougher. He finds a glimmer of hope in the mysterious, über-cool and beautiful Raphina (Lucy Boynton), and with the aim of winning her heart he invites her to star in the band’s music videos. There’s only one problem: he’s not part of a band…yet. She agrees and now Conor must deliver what he’s promised – calling himself “Cosmo” and immersing himself in the vibrant rock trends of the decade, he forms a band with a few lads, and the group pours their heart into writing lyrics and shooting videos. A TALE OF LOVE AND DARKNESS Director: Natalie Portman Country: Israel/USA, Running Time: 98min Based on Amos Oz’s international best-seller, A TALE OF LOVE AND DARKNESS is the story of Oz’s youth at the end of the British Mandate for Palestine and the early years of the State of Israel. The film details young Amos’ relatinship with his mother and his birth as a writer, looking at what happens when the stories we tell, become the stories we live. THREE DAYS IN AUGUST – WORLD PREMIERE Director: Johnathan Brownlee Country: USA, Running Time: 96min Starring Barry Bostwick, Meg Foster, and Mariette Hartley, the film is about an Irish American artist who is forced to confront her past when both sets of parents come together over a weekend for her to paint a family portrait. NARRATIVE FEATURE COMPETITION ARIANNA Director: Carlo Lavagna Country: Italy, Running Time: 84min At the age of nineteen, Arianna still hasn’t had her first period. The hormones that her gynaecologist has prescribed don’t seem to have any effect on her development. In the heat of the silent summer afternoons she spends in the family’s hunting lodge in Tuscany, she starts inquiring about her body and her past, to finally face with the true nature of her sexuality and her true identity. [caption id="attachment_12030" align="aligncenter" width="1218"]FIVE NIGHTS IN MAINE FIVE NIGHTS IN MAINE[/caption] FIVE NIGHTS IN MAINE Director: Maris Curran Country: USA, Running Time: 82min Sherwin is a good man, flawed like any other, but deeply invested in his family and in love with his wife, Fiona. When she returns from visiting her estranged and ill mother and acts distant, he shows concern. Their conversations lead to fights, the worst in their marriage. Fiona no longer sees herself as a mother; she does not want children. Sherwin is confused and angry. The life they have built begins to break down. And before there can be resolution, Fiona dies, in an auto accident after driving distractedly on the freeway. Sherwin is devastated. All that is dear to him — his wife, his sense of self and his future, vanish. In the middle of his grief, Sherwin receives a phone call from the person he least expects, Fiona’s mother. She invites him to visit her in rural Maine, saying: “it might do us both some good.” Sherwin decides to go to Maine, and embarks on an unlikely journey of healing, compassion and empathy. HALFWAY Director: Ben Caird Country: USA, Running Time: 103min Starring Quinton Aaron (The Blind Side) and Jeff DeMunn (The Walking Dead), HALFWAY tells the story of a recently released convict who faces the conflict of enduring ties with his old criminal world while struggling to adapt to life on probation as the only black man in a conservative white farm town. Among prisoners released in 30 states in 2005 roughly 68% were rearrested within 3 years with over 75% rearrested within 5 years. Halfway wants to bring to light that there is a serious systematic failure within the American prison system, where a lack of opportunity for those who have transgressed in their past seems to guarantee a future behind bars. IN VIEW – WORLD PREMIERE Director: Ciaran Creagh Country: Ireland, Running Time: 93min Ruth’s life is one of burgeoning guilt dominated by rage, alcoholism, depression and selfloathing which has its origins in a once-off drunken indiscretion with a work colleague some years previous. Having lost all that was dear to her, Ruth is still trying to seek out help but is coming to realize that there is only one course of action that may placate her soul. To end her life so as her organs can be donated to help others which will, in her mind, be payback for her perceived sins. MR. PIG Director: Diego Luna Country: Mexico, Running Time: 100min Eubanks (Danny Glover), an old-school pig farmer from California, leaves his foreclosed family farm and sets off on a road trip to Mexico with Howard, his last beloved and very large pig. Ambrose must smuggle Howard across the border to find him a new home. As they embark across Mexico, Eubanks’ drinking and deteriorating health begin to take a toll, derailing their plans. His estranged daughter, Eunice (Maya Rudolph), shows up unexpectedly and joins them on their adventure. Driven by strong convictions and stubbornness in his old ways, Ambrose forges ahead to make sure he finds Howard the home he deserves and potentially mend many of the relationships that mean the most to him. TRANSPECOS Director: Greg Kwedar Country: USA, Running Time: 85min On a remote desert highway, a makeshift Border Patrol checkpoint is manned by three agents: Flores (Gabriel Luna): with an uncanny ability to track; Davis (Johnny Simmons): joined the Border Patrol with dreams of romancing señoritas and riding on horseback; Hobbs (Clifton Collins Jr): one of the old guard who believes a college degree can’t stop a bullet. It’s like most boring days, but soon the contents of one car will change everything. What follows is a journey to uncover the surreal, frightening secrets hidden behind the facade of this lonely outpost. The end of the path may cost them their lives along a border where the line between right and wrong shifts like the desert itself. WHITE GIRL Director: Elizabeth Wood Country: USA, Running Time: 88min Summer, New York City. A college girl falls hard for a guy she just met. After a night of partying goes wrong, she goes to wild extremes to get him back. DOCUMENTARY FEATURE COMPETITION THE BAD KIDS Directors: Keith Fulton, Lou Pepe Country: USA, Running Time: 101min At a remote Mojave Desert high school, extraordinary educators believe that empathy and life skills, more than academics, give at-risk students command of their own futures. This coming-of-age drama watches education combat the crippling effects of poverty in the lives of these so-called “bad kids.” BEST AND MOST BEAUTIFUL THINGS Director: Garrett Zevgetis Country: USA, Running Time: 90min Off a dirt road in rural Maine, a precocious 20-year-old woman named Michelle Smith lives with her mother Julie. Michelle is quirky and charming, legally blind and diagnosed on the autism spectrum, with big dreams and varied passions. Searching for connection, Michelle explores love and empowerment outside the limits of “normal” through a provocative fringe community. Will she take the leap to experience the wide world for herself? Michelle’s joyful story of self-discovery celebrates outcasts everywhere. FARMER/VETERAN – WORLD PREMIERE Directors: Alix Blair, Jeremy M. Lange Country: USA, Running Time: 82min After three combat tours in Iraq, Alex Sutton attempts a fresh start hatching chickens and raising goats on 43 acres in rural North Carolina. Alex embraces life on the farm with his new love Jessica, but cycles between a state of heightened alert and “feeling zombified” from a cocktail of prescriptions meant to stabilize his injured mind. When Jessica becomes pregnant, the dark past Alex has tried to escape -the loss of his first family, the war he was forced to leave- closes in on him. The farm becomes another battleground. Farmer/Veteran attempts to reconcile the identity of a perfect soldier with the reality of a haunted man determined to hold onto the best chance at peace he has ever known. HOOLIGAN SPARROW Director: Nanfu Wang Country: China, Running time: 84min Traversing southern China, a group of activists led by Ye Haiyan (AKA Sparrow) protest a scandalous incident where a school principal and a government official allegedly raped six school girls. Sparrow becomes an enemy of the state, but detentions, interrogations, and evictions can’t stop her protest from going viral. IN PURSUIT OF SILENCE Director: Patrick Shen Country: USA, Running Time 81min In our race towards modernity, amidst all the technological innovation and the rapid growth of our cities, silence is now quickly passing into legend. Beginning with an ode to John Cage’s seminal silent composition 4’33”, the sights and sounds of this film delicately interweave with silence to create a contemplative and cinematic experience that works its way through frantic minds and into the quiet spaces of hearts. As much a work of devotion as it is a documentary, In Pursuit of Silence is a meditative exploration of our relationship with silence, sound, and the impact of noise on our lives. THE PEARL Directors: Jessica Dimmock, Christopher LaMarca Country: USA, Running Time: 97min THE PEARL explores the raw emotional and physical experience of being a middle aged to senior transgender woman against the backdrop of post-industrial logging towns in the Pacific Northwest. The film leans into the struggle of those who were reared and successful as men and have reached middle age or later with a burdensome secret they can no longer keep to themselves. [caption id="attachment_11454" align="aligncenter" width="900"]Sonita by Rokhsareh Ghaem Maghami SONITA[/caption] SONITA Director: Rokhsareh Ghaem Maghami Country: Germany/Iran/Switzerland, Running Time: 91min Winner of the World Cinema Documentary Grand Jury Prize and Audience Award at the 2016 Sundance Film Festival, SONITA tells the inspiring story of Sonita Alizadeh, an 18- year-old Afghan refugee in Iran, who thinks of Michael Jackson and Rihanna as her spiritual parents and dreams of becoming a big-name rapper. For the time being, her only fans are the other teenage girls in a Tehran shelter. And her family has a very different future planned for her: as a bride she’s worth $9,000. Iranian director Rokhsareh Ghaem Maghami poignantly shifts from observer to participant altering expectations, as Sonita’s story unfolds in an intimate and joyful portrait. TEXAS COMPETITION – SPONSORED BY PANAVISION BOOGER RED Director: Berndt Mader Country: USA, Running Time: 96min Booger Red is a hybrid narrative/documentary film where fictional journalist, Onur Tukel, investigates the true case of the ‘Mineola Swingers Club’ trials. In 2006, seven people were sentenced to life for purportedly running the largest child sex ring in Texas history– inside of a swingers club in Mineola, Tx. Onur, portraying a veteran reporter, interviews the actual defendants and lawyers involved in the trials. On his journey through the seedy underbelly of east Texas, Onur is forced to confront his own history with abuse while he discovers that the allegations at the root of his investigation might have never happened. DAYLIGHT’S END – WORLD PREMIERE Director: William Kaufman Country: USA, Running Time: 105min Shot in Dallas and points ranging from East Texas to the West Texas town of Rio (pop.3) along the famed Route 66, the film is a hard driving action-horror-thriller starring Johnny Strong, Lance Henriksen and Louis Mandylor. It focuses on a rogue drifter who’s on a vengeful hunt, years after a mysterious plague has devastated the planet and turned most of humanity into blood-hungry creatures. When he stumbles across a desperate band of survivors in an abandoned police station, the drifter reluctantly puts his own thirst for blood on hold and agrees to help them defend themselves, only to realize that his mission of revenge and theirs may in fact coincide. HONKY TONK HEAVEN: LEGEND OF THE BROKEN SPOKE Directors: Brenda Greene Mitchell, Sam Wainwright Douglas Country: USA, Running Time: 75min George Strait, Willie Nelson, Ernest Tubb, Bob Wills, George Jones and Roy Acuff have all been regulars on stage at the world famous honky tonk, The Broken Spoke. With fifty years under its belt buckle “the last of the true Texas dance halls” has endured rapid urban growth and skyrocketing rents due to the passion and hard work of its charismatic, tenacious owners. More than a history of who played and when at this landmark venue, the film reveals a universal story about what it takes to maintain a family business in our increasingly corporate-driven society. Interviews include Willie Nelson, Jerry Jeff Walker, Dale Watson, James Hand, Jesse Dayton, the Waco Brothers and Alvin Crow. OCCUPY, TEXAS – WORLD PREMIERE Director: Jeff Barry Country: USA, Running Time: 95min OCCUPY, TEXAS follows a washed up Occupier (Gene Gallerano) who returns home after the death of his parents to find himself responsible for his two teenage sisters (Lorelei Linklater and Catherine Elvir) and his Texas-sized past. The cast also includes Janine Turner, Nikki Moore, Reed Birney, Paul Benjamin, David Matranga and Peri Gilpin. SLASH Director: Clay Liford Country: USA, Running time 100min Neil is an introverted, questioning high school freshman. His main social outlet is the steamy erotic fan fiction he writes about Vanguard, the brawny, galaxy-hopping hero of a popular sci-fi franchise. When his stories are exposed in class Neil is mortified, but the fearless, effortlessly cool Julia comes to his defense. An erotic fan fic writer herself, Julia pushes Neil to publish his stories to an online “adult” forum, where they quickly grab the attention of the site moderator, Denis. When Neil is invited to present his work at a comic con live-read event, he has to face the fact that Denis’ interest in him may be more than simply professional… perhaps like his own feelings for Julia. TOWER Director: Keith Maitland Country: USA, Running Time: 96min On August 1st, 1966, a sniper rode the elevator to the top floor of the University of Texas Tower and opened fire, holding the campus hostage for 96 minutes. When the gunshots were finally silenced, the toll included 16 dead, three dozen wounded, and a shaken nation left trying to understand. Combining archival footage with rotoscopic animation in a dynamic, never-before-seen way, TOWER reveals the action-packed untold stories of the witnesses, heroes and survivors of America’s first mass school shooting, when the worst in one man brought out the best in so many others. UNTIL PROVEN INNOCENT Directors: Jenna Jackson, Anthony Jackson Country: USA, Running Time: 108min In October 2006 a four-year-old from Corpus Christi named Andrew Burd died mysteriously of salt poisoning. His foster mother, Hannah Overton, was charged with capital murder, vilified from all quarters, and sent to prison for life. But was this churchgoing young woman a vicious child killer? Or had the tragedy claimed its second victim? DOCUMENTARY SHOWCASE THE ANTHROPOLOGIST Directors: Seth Kramer, Daniel A. Miller, Jeremy Newberger Country: USA, Running Time: 80min THE ANTHROPOLOGIST considers the fate of the planet through the eyes of an American teenager, whose mother is studying the impact of climate change on indigenous communities. Environmental anthropologist Susie Crate drags her teenage daughter Katie along with her to the farthest reaches of the globe. Featuring commentary from Mary Catherine Bateson, daughter of famed anthropologist Margaret Mead, the film explores how human beings adapt to catastrophic change. LIFE, ANIMATED Director: Roger Ross Williams Country: USA, Running Time: 89min LIFE, ANIMATED tells the remarkable story of how Owen found in Disney animation a pathway to language and a framework for making sense of the world. By evocatively interweaving classic Disney sequences with verite scenes from Owen’s life, the film explores how identification and empathy with characters like Simba, Jafar, and Ariel forge a conduit for him to understand his feelings and interpret reality. Beautiful, original animations further give form to Owen’s fruitful dialogue with the Disney oeuvre as he imagines himself heroically facing adversity in a tribe of sidekicks. With an arsenal of narratives at his disposal, Owen rises to meet the challenges of adulthood in this moving coming-of-age tale. LO AND BEHOLD, REVERIES OF THE CONNECTED WORLD Director: Werner Herzog Country: USA, Running Time 98min In LO AND BEHOLD: REVERIES OF THE CONNECTED WORLD, the Oscar-nominated Herzog chronicles the virtual world from its origins to its outermost reaches, exploring the digital landscape with the same curiosity and imagination he previously trained on earthly destinations as disparate as the Amazon, the Sahara, the South Pole and the Australian outback. Herzog leads viewers on a journey through a series of provocative conversations that reveal the ways in which the online world has transformed how virtually everything in the real world works – from business to education, space travel to healthcare, and the very heart of how we conduct our personal relationships. TONY ROBBINS: I AM NOT YOUR GURU Director: Joe Berlinger Country: USA, Running Time: 115min TONY ROBBINS: I AM NOT YOUR GURU, Joe Berlinger’s twelfth feature documentary, captures internationally renowned life and business strategist and best-selling author, Tony Robbins, in a revelatory cinéma vérité film that goes behind the scenes of his mega once-a-year seminar “Date With Destiny,” attended by over 2,500 people, to give an insider look at how one man can affect millions. Granted never before seen access, this film is an emotional tour de force, pulling back the curtain on Tony Robbins and unveiling the inner-workings of this life-altering and controversial event, the zealous participants and the man himself. [caption id="attachment_11832" align="aligncenter" width="1200"]WEINER, Josh Kriegman and Elyse Steinberg WEINER, Josh Kriegman and Elyse Steinberg[/caption] WEINER Directors: Josh Kriegman, Elyse Steinberg Country: USA, Running Time: 96min With unrestricted access to Anthony Weiner’s New York City mayoral campaign, this film reveals the human story behind the scenes of a high-profile political scandal as it unfolds, and offers an unfiltered look at how much today’s politics is driven by an appetite for spectacle. WORLD CINEMA DEMIMONDE Director: Attila Szász Country: Hungary, Running Time: 88min The story of three women – a famous prostitute, her housekeeper and their new maid – living in Budapest of 1910s, whose passionate, bizarre and complex relationship can only lead to one thing: murder. DHEEPAN Director: Jacques Audiard Country: France, Running Time: 110min Three Sri Lankan refugees pose as a family to flee their war-ravaged homeland for France, only to find themselves embroiled in violence in the Parisian suburbs. Winner of the Palme d’Or at the Cannes Film Festival, Jacques Audiard’s (A PROPHET) latest is a gripping, human, and timely tale of survival. DISORDER Director: Alice Winocour Country: France, Running Time: 101min Vincent, a French Special Forces soldier just back from Afghanistan, is suffering from a post-traumatic stress disorder. He is hired to ensure the security of Jessie, the wife of a rich businessman at their luxurious villa “Maryland.” As he starts experiencing a strange fascination for the woman he has to protect, Vincent increasingly seems to fall into paranoia. Unless he is right, and the danger is very real indeed… JOHNNIE TO’S OFFICE Director: Johnnie To Country: Hong Kong, Running Time: 120min Adapted by actress Sylvia Chang from her hit stage play “Design For Living”, the film is a musical set in a corporate high-rise immediately before and after the 2008 financial collapse. The story centers around two assistants starting new jobs at a financial firm. One naively enters the world of high finance with noble intentions, while the other harbors a secret. Chow Yun-fat, Eason Chan and Tang Wei star alongside Chang. KILL ZONE 2 Director: Cheang Pou-soi Country: Hong Kong, Running Time: 120min A undercover cop attempts to find the mastermind of a drug syndicate. When his cover is blown, he winds up in a Thai prison. Surprisingly, he is a bone marrow match for a guard’s daughter. LAST SUMMER Director: Leonardo Guerra Seràgnoli Country: Italy, Running Time: 94min A sailing boat is at anchor in a bay off of a Apulian island. Naomi, a young Japanese woman, after having lost custody of her six year-old son, Ken, will be spending her last four days with him on board the boat of her father-in-law. In a hostile environment, Naomi faces the difficulty of approaching Ken under the controlling glare of the crew. Alex notices Naomi’s attempts to connect with Ken and eases his control, entering into conflict with the rest of the crew. When Naomi’s hopes seem lost Ken starts to take an interest in her, thus reducing the distance between them. The crew, in conflict with the captain, informs the boat’s owner. Alex, disobeying his employer’s wishes, takes Naomi and Ken to a beach where they can be alone and bond for the first time. Back on the boat, a timeless day magnifies the weight of their last goodbye and when Ken falls asleep, Naomi must leave. Watching the boat sail away, Naomi sees Ken for one last time wearing the mask she has made for him as a parting gift – the Japanese god of the sea. MA MA Director: Julio Medem Country: Spain/France, Running Time: 111min Academy Award®-winning actress and producer Penélope Cruz delivers an extraordinarily emotional performance in ma ma, the newest film from acclaimed director Julio Medem (SEX AND LUCÍA). Honoring the high melodrama of Pedro Almodóvar and Douglas Sirk, ma ma follows Magda (Cruz) as she experiences tragedies and miracles alike. Just as Magda is diagnosed with breast cancer, she meets Arturo (Luis Tosar), a devoted husband and father in the midst of unspeakable loss. Their chance encounter leads both down a path of strength, grace, love, and rebirth RIVER Director: Jamie M. Dagg Country: Canada, Running Time: 88min In the south of Laos, an American doctor (Rossif Sutherland) becomes a fugitive after he intervenes in the sexual assault of a young woman. When the assailant’s body is pulled from the Mekong River, things quickly spiral out of control. TAKIM (THE TEAM) – U.S. PREMIERE Director: Emre Şahin Country: Turkey, Running Time: 102min Takim tells the tale of street soccer players from all walks of life in Istanbul who come together to save their favorite soccer pitch from ruthless developers. The story is loosely based on the very real urban phenomenon happening in Turkey today as corrupt construction giants bully the poor to move out and build immense buildings in their wake. Turgay and Tufan are up against the wall when they are threatened by a construction company to sell their family land, which also happens to be an hourly rental soccer field. Facing eviction from the bank on a loan gone bad, and with no options left, the two turn to the only thing they know: Soccer. Now they must build a strong team and try to win a famous tournament for the prize money for the sake of both their family and their land, all in a matter of weeks. VIVA Director: Paddy Breathnach Country: Ireland/Cuba, Running Time: 100min Jesus is a hairdresser for a troupe of drag performers in Havana, but dreams of being a performer. When he finally gets his chance to be on stage, a stranger emerges from the crowd and punches him in the face. The stranger is his father Angel, a former boxer, who has been absent from his life for 15 years. As father and son clash over their opposing expectations of each other, Viva becomes a love story as the men struggle to understand one another and become a family again. LATINO SHOWCASE ALL THE COLORS OF THE NIGHT Director: Pedro Severien Country: Brazil, Running Time: 71min Iris lives alone in a spacious apartment by the sea. The green horizon seems to distance it from the city in comfortable isolation. At nightfall, the place hosts known and unknown in a frantic party flow. Iris is the main attraction. But on a hung over morning, she finds a corpse in the living room. As in the distorted reflection of a crooked mirror, Iris feels repeating steps of her childhood friend, Tiara, a medical student involved in an accident that resulted in death in the past. Tiara plunges into a spiral of self-pity, sentimental emptying and violence. The case is well known in town and Iris does not want to become another ghost in this dark repertoire of stories. In ALL THE COLORS OF THE NIGHT, reality works as a dimension of imagination, memory and madness. I PROMISE YOU ANARCHY Director: Julio Hernández Cordón Country: Mexico, Running Time: 88min I PROMISE YOU ANARCHY follows two teenage lovers in Mexico City who become embroiled in the city’s illegal, narco-run blood trade. Newcomers Diego Calva and Eduardo Martínez Peña, non-actors the director found on Facebook, give outstandingly honest and committed performances as young lovers Miguel and Johnny. They skate with their friends through the chaotic neighborhoods of Mexico City, they revel in their blissful sexuality, and they make a bit of cash in the illegal blood trade. A contact hooks them up with some narcos—drug traffickers who need black-market blood, since they can’t go to hospitals—and it seems like a perfect way to make a lot of money. But the scheme goes off the rails, and Miguel and Johnny are in over their heads, their eyes opened too late to the truly disturbing underground network of clinics servicing those injured in the drug wars. MAGALLANES Director: Salvador del Solar Country: Peru/Colombia/Argentina/Spain, Running Time: 109min Taxi driver Magallanes (Damián Alcázar) supplements his meager earnings with a job taking an old man (Federico Luppi) out on daily excursions. This old man is now senile and frail, but he was once a much-feared colonel in the Peruvian military during its bloodiest years of conflict with the Shining Path insurgency. Magallanes was his subordinate. One day a woman enters Magallanes’ cab. Celina (Magaly Solier) doesn’t recognize Magallanes, but he remembers her very well. Many years ago, Celina was a sexual plaything for the Colonel, who kidnapped the young indigenous girl and held her captive in a hotel room for an entire year. Magallanes has a photograph to prove this — a photo he can use to blackmail the Colonel’s affluent son (Christian Meier). But can this aging cabbie suddenly transform himself into an extortionist? Or is Magallanes, still in love with Celina after all these years, in over his head? ROMANCING APRIL Director: Joel Núñez Country: Mexico, Running Time: 90min A romantic comedy in which a male writer who writes under a female pseudonym falls for a female journalist who writes under a male pseudonym. When love comes almost always takes us by surprise and nobody can object. DEEP ELLUM SOUNDS A FAT WRECK – WORLD PREMIERE Director: Shaun M. Colón Country: USA, Running Time: 85min A FAT WRECK tells the story of founders Fat Mike (of the legendary punk band NOFX) and his ex-wife Erin Kelly-Burkett, spanning the birth, growth, struggles, and survival of the Fat Wreck Chords label. Half inspirational story of chosen family and community, half debauchery and occasionally involuntary drug use, the film blazes exciting new ground in the cinematic genre of puppet-driven punk rock music documentary filmmaking. Arguably the best film in the history of American cinema featuring a dominatrix spanking a puppet. [caption id="attachment_9499" align="aligncenter" width="1500"]Sharon Jones MISS SHARON JONES![/caption] MISS SHARON JONES! Director: Barbara Kopple Country: USA, Running Time: 93min Dreams never expire, but sometimes they are deferred. MISS SHARON JONES! tracks the talented and gregarious soul singer of the Grammy-nominated R&B band Sharon Jones & the Dap Kings during the most challenging year of her life. Confronting a cancer diagnosis and her own self doubts, she works to again find her voice and salvage the career that once eluded her for 50 years. PRESENTING PRINCESS SHAW Director: Ido Haar Country: Israel, Running Time: 80min The true story of the incredible Princess Shaw and the enigmatic composer Kutiman, who discovers her from the other side of the world. By day, Samantha Montgomery cares for the elderly in one of New Orleans’s toughest neighborhoods. By night, she writes and sings her own songs as Princess Shaw on her confessional YouTube channel. Raw and vulnerable, her voice is a diamond in the rough. Across the globe, Ophir Kutiel creates video mash ups of amateur Youtube performers. Known as Kutiman, he is a composer, a musician, and a pioneering video artist embraced by the world of fine art. Kutiman “transforms sampling into a multimedia art”, whether at his home on a kibbutz in Israel or at a live performance at the Guggenheim in New York. Two strangers, almost 7,000 miles apart, begin to build a song. The film unfolds as Kutiman pairs Princess Shaw’s emotional performances in a beautiful expression of generosity and compassion, revealing the bonafide star underneath and her fight to never give up on her dreams. A SONG FOR YOU: THE AUSTIN CITY LIMITS STORY Director: Keith Maitland Country: USA, Running Time: 97min Packed wall to wall with the greatest music from Texas and beyond, with performances from Willie Nelson, Stevie Ray Vaughan, Ray Charles, Beck, Alabama Shakes, and Radiohead, A SONG FOR YOU: THE AUSTIN CITY LIMITS STORY is music to the ears of fans everywhere. This film highlights the PBS series’ evolution, proving that after 40 years, ACL is more relevant now than ever before. Featuring interviews with dozens of artists and fans, and untold insights from long-time producer Terry Lickona, A SONG FOR YOU transcends the TV show and gives audiences a front-row seat and backstage pass to the greatest performances of the longest running music show in television history. MAVERICK COLLECTIVE: UNCONSCIOUS Directors: Lily Baldwin, Frances Bodomo, Daniel Patrick Carbone, Josephine Decker, Lauren Wolkstein Concept by: Dan Schoenbrun Country: USA, Running Time: 81min Five of independent film’s most adventurous filmmakers adapt each other’s dreams for the screen. A man and his grandmother hide out from an ominous broadcast. The Grim Reaper hosts a TV show. The formerly incarcerated recount and reinterpret their first days of freedom. A suburban mom’s life is upturned by the beast growing inside of her. And a high school gym teacher runs drills from inside a volcano. HOTEL DALLAS – U.S. PREMIERE Directors: Livia Ungur, Sherng-Lee Huang Country: USA/Romania, Running Time: 74min Playfully mixing fiction and documentary, HOTEL DALLAS is a surreal parable of capitalism, communism, and the power of art. In the 80s, in the twilight of communist Romania, “Dallas” is the only American show allowed on TV. Its vision of wealth and glamour captures the imagination of millions. Among them are Ilie and his daughter Livia. He is a small-time criminal and aspiring capitalist; she is in love with the show’s leading man, Patrick Duffy. After communism falls, Ilie builds the Hotel Dallas, a life-size copy of the “Dallas” mansion. Livia immigrates to America, becomes an artist, and directs a film starring Patrick Duffy, as a soap opera character who dies in Texas and wakes up in Romania, in a hotel that looks just like home. ORION – U.S. PREMIERE Director: Asiel Norton Country: USA, Running Time: 110min In a future dark age, after civilization has collapsed, there are rumors and prophecies of a savior to come. A hunter fights to save a maiden from a cannibal shaman and searches for the world’s last city. The film stars David Arquette and Lily Cole

    Read more


  • 2016 Tribeca Film Festival Unveils Films in US Narrative, International Narrative, and Documentary Competition

    [caption id="attachment_11845" align="aligncenter" width="1200"]Jodie Whittaker as Anna in the film ADULT LIFE SKILLS. Jodie Whittaker as Anna in the film ADULT LIFE SKILLS.[/caption] The 2016 Tribeca Film Festival (TFF), taking place April 13 to 24, announced the US Narrative, International Narrative, and Documentary Competition feature film selections, as well as Viewpoints. One third of the Festival’s feature films are directed by women — the highest percentage in the Festival’s history. Twelve female directors and screenwriters are eligible to receive the fourth annual Nora Ephron Prize, which recognizes women who embody the spirit and vision of the legendary filmmaker and writer. The Festival earlier announced that on April 14, the world premiere of Contemporary Color directed by Bill Ross and Turner Ross will open the World Documentary competition. The world premiere of Kicks, directed by Justin Tipping, will open the US Narrative competition. The world premiere of Madly, directed by Gael García Bernal, Mia Wasikowska, Sebastian Silva, Anurag Kashyap, Sion Sono, and Natasha Khan, will open the International Narrative Competition. Viewpoints will open with the world premiere of Nerdland directed by Chris Prynoski. The films selected for the US Narrative Competition, International Narrative Competition, World Documentary Competition, and Viewpoints are: US Narrative Competition Opening Film Kicks, directed by Justin Tipping, written by Justin Tipping and Josh Beirne-Golden. (USA) – World Premiere. When his hard-earned kicks get snatched by a local hood, fifteen-year old Brandon and his two best friends go on an ill-advised mission across the Bay Area to retrieve the stolen sneakers. Featuring a soundtrack packed with hip-hop classics, Justin Tipping’s debut feature is an urban coming-of-age tale told with grit, humor, and surprising lyricism. With Jahking Guillory, Mahershala Ali, Kofi Siriboe, Christopher Jordan Wallace, Christopher Meyer. A Focus World release. Always Shine, directed by Sophia Takal, written by Lawrence Michael Levine. (USA) – World Premiere. This twisty psychological drama about obsession, fame, and femininity follows two friends, both actresses (Mackenzie Davis and Caitlin FitzGerald), on a trip to Big Sur, to reconnect with one another. Once alone, the women’s suppressed jealousies and deep-seated resentments begin to rise, causing them to lose their grasp on not only the true nature of their relationship, but also their identities. With Lawrence Michael Levine, Alex Koch, Jane Adams [caption id="attachment_11844" align="aligncenter" width="1200"]Lola Kirke as Joey and Breeda Wool as Rayna in AWOL. Lola Kirke as Joey and Breeda Wool as Rayna in AWOL.[/caption] AWOL, directed by Deb Shoval, written by Deb Shoval and Karolina Waclawiak. (USA) – World Premiere. Joey (Lola Kirke) is a young woman in search of direction in her small town. A visit to an army recruiting office appears to provide a path, but when she meets and falls in love with Rayna (Breeda Wool) that path diverges in ways that neither woman anticipates. Building on the award-winning short of the same name, director Deb Shoval crafts a clear-eyed love story, and an impressive feature film debut. Dean, directed and written by Demetri Martin. (USA) – World Premiere. In comedian Demetri Martin’s funny and heartfelt directorial debut, Martin plays an illustrator who falls hard for an LA woman (Gillian Jacobs) while trying to prevent his father (Kevin Kline) from selling the family home in the wake of his mother’s death. With Rory Scovel, Ginger Gonzaga, Reid Scott, Mary Steenburgen, Christine Woods, Beck Bennett, Briga Heelan Dreamland, directed by Robert Schwartzman, written by Benjamin Font and Robert Schwartzman. (USA) – World Premiere. Robert Schwartzman makes his directorial debut with this comedy about the cost of reaching your dreams. Part-time pianist Monty Fagan (Johnny Simmons) begins a May-December romance that upends his home life. A set of perfectly cast co-stars push or manipulate Monty along the way: Amy Landecker, Frankie Shaw, Alan Ruck, Beverly D’Angelo, along with Robert’s older brother Jason Schwartzman, and their mother Talia Shire. The Fixer, directed by Ian Olds, written by Paul Felten and Ian Olds. (USA) – World Premiere. After an exiled Afghan journalist (Dominic Rains) arrives in a small town in Northern California, he lands a menial job as a crime reporter for the local newspaper. Restless in his new position, he teams up with an eccentric local (James Franco) to investigate the town’s peculiar subculture only to find things quickly taking a dangerous turn. With Melissa Leo, Rachel Brosnahan, Tim Kniffin, Thomas Jay Ryan Folk Hero & Funny Guy, directed and written by Jeff Grace. (USA) – World Premiere. Alex Karpovsky and Wyatt Russell co-headline as two artistically inclined childhood friends, a comedian and a folk-rocker respectively, who set out on a tour together in hopes of regaining their “mojo” and finding love in the process. Jeff Grace’s debut film offers a fresh perspective on male friendship and a music infused spin on the classic road-trip buddy comedy. With Meredith Hagner, Michael Ian Black, Hannah Simone, Heather Morris, Melanie Lynskey, David Cross Live Cargo, directed by Logan Sandler, written by Logan Sandler and Thymaya Payne. (USA, Bahamas) – World Premiere. Nadine (Dree Hemingway) and Lewis (Keith Stanfield) move to a small Bahamian island hoping to restore their relationship in the wake of a tragedy, only to find the picturesque island torn in two: on one side a dangerous human trafficker and on the other an aging patriarch, struggling to maintain order. With Leonard Earl Howze, Sam Dillon, Robert Wisdom The Ticket, directed by Ido Fluk, written by Ido Fluk and Sharon Mashishi. (USA) – World Premiere. When a blind man inexplicably regains his vision, he becomes possessed by a drive for a better life—a nicer home, a higher paying job—leaving little room for the people who were part of his old life. Dan Stevens, Malin Åkerman, Oliver Platt, and Kerry Bishé star in this haunting parable of desire, perception, and ambition. Women Who Kill, directed and written by Ingrid Jungermann. (USA) – World Premiere. Morgan and Jean work well together as true crime podcasters because they didn’t work well, at all, as a couple. When Morgan strikes up a new relationship with the mysterious Simone, their shared interest turns into suspicion, paranoia, and fear. Ingrid Jungermann’s whip smart feature debut is an adept and wry comedy on modern romance’s hollow results, set in an LGBTQ Brooklyn. With Ingrid Jungermann, Ann Carr, Sheila Vand, Shannon O’Neill, Annette O’Toole, Grace Rex International Narrative Competition Opening Film Madly, directed and written by Gael García Bernal, Mia Wasikowska, Sebastian Silva, Anurag Kashyap, Sion Sono, and Natasha Khan. (Argentina, Australia, USA, India, Japan, UK) – World Premiere. Madly is an international anthology of short films exploring love in all its permutations. Directed by some of the most vibrant filmmakers working today, the six stories in Madly portray contemporary love in all its glorious, sad, ecstatic, empowering, and erotic manifestations. With Radhika Apte, Satyadeep Misra, Adarsh Gourav, Kathryn Beck, Lex Santos, Mariko Tsutsui, Yuki Sakurai, Ami Tomite, Justina Bustos, Pablo Seijo, Tamsin Topolski. In English, Hindi, Japanese, Spanish with subtitles. El Clásico, directed by Halkawt Mustafa, written by Anders Fagerholt and Halkawt Mustafa. (Norway, Iraqi Kurdistan Region) – North American Premiere. Alan and Gona are in love, but Gona’s father won’t approve their union because Alan is a little person. So, Alan hits the road with his brother, traveling from their small Iraqi village to the Bernabéu Stadium, home of Real Madrid. The plan: meet Cristiano Ronaldo, and earn the blessing of Gona’s father. El Clásico is a distinctly cinematic road movie, brimming with warmth and humor. With Wrya Ahmed, Dana Ahmed, Rozhin Sharifi, Kamaran Raoof, Nyan Aziz. In Arabic, Kurdish with subtitles. [caption id="attachment_11843" align="aligncenter" width="1200"]Ana Cecilia Stieglitz as Pasajera Angelina in Icaros: A Vision. Ana Cecilia Stieglitz as Pasajera Angelina in Icaros: A Vision.[/caption] Icaros: A Vision, directed by Leonor Caraballo and Matteo Norzi, written by Leonor Caraballo, Matteo Norzi, and Abou Farman. (Peru, USA) – World Premiere. An American woman in search of a miracle embarks on an adventure in the Peruvian Amazon. At a healing center, she finds hope in the form of an ancient psychedelic plant known as ayahuasca. With her perception forever altered, she bonds with a young indigenous shaman who is treating a group of psychonauts seeking transcendence, companionship, and the secrets of life and death. With Ana Cecilia Stieglitz, Arturo Izquierdo, Filippo Timi. In English, Spanish with subtitles. Junction 48, directed by Udi Aloni, written by Oren Moverman and Tamer Nafar. (Israel, Germany, USA) – International Premiere. Set against a backdrop of the Israeli-Palestinian conflict, Junction 48 charts the musical ambitions of Kareem, an aspiring rapper from the town of Lod. A heartbreaking portrayal of the intersection of personal and political tragedies, Junction 48 questions to what extent music can be dissociated from politics. With Tamer Nafar, Samar Qupty, Salwa Nakkara, Ayed Fadel, Sameh “SAZ” Zakout, Saeed Dassuki. In Arabic, Hebrew with subtitles. Mother (Ema), directed by Kadri Kousaar, written by Leana Jalukse and Al Wallcat. (Estonia) – International Premiere. This darkly comic, crime mystery set in small-town Estonia centers on Elsa, the full time caretaker of her comatose son, Lauri, and the locals, who are abuzz with rumors about who shot Lauri and why. But in this tight-knit town, where everyone seems to know everyone and everything except for what’s right under their nose, the world’s clumsiest crime may go unsolved. With Tiina Mälberg, Jaan Pehk, Andres Tabun, Andres Noormets, Rea Lest, Jaak Prints, Siim Maaten In Estonian with subtitles. Parents (Forældre), directed and written by Christian Tafdrup. (Denmark) – World Premiere. Told with deadpan Nordic humor and a touch of surrealism, Parents follows Kjelde and Vibeke, two empty-nesters who find themselves unable to let go of the past. Stripped of their identity without their son, who recently moved away to college, they attempt to reclaim their youthful vigor by moving back into the old apartment where they first fell in love. They soon realize that everything that once defined them might no longer exist. With Søren Malling, Bodil Jørgensen, Elliott Crosset Hove, Miri-Ann Beuschel, Anton Honik In Danish with subtitles. Perfect Strangers (Perfetti sconosciuti), directed by Paolo Genovese, written by Filippo Bologna, Paolo Costella, Paolo Genovese, Paola Mammini, and Rolando Ravello. (Italy) – International Premiere. Paolo Genovese’s new film brings us a bitter ensemble with an all-star cast that poses the question: How well do we really know those close to us? During a dinner party, three couples and a bachelor decide to play a dangerous game with their cell phones. Brilliantly executed and scripted, Perfect Strangers reveals the true nature of how we connect to each other. With Marco Giallini, Kasia Smutniak, Valerio Mastandrea, Anna Foglietta, Edoardo Leo, Alba Rohrwacher, Giuseppe Battiston In Italian with subtitles. The Tenth Man (El Rey Del Once), directed and written by Daniel Burman. (Argentina) – North American Premiere. Ariel is summoned to Buenos Aires by his distant father, who runs a Jewish aid foundation in El Once, the bustling Jewish neighborhood where he spent his youth. Writer-director Daniel Burman (All In) returns to Tribeca with this tender exploration of community, and the intricacies of the father-son relationship. With Alan Sabbagh, Julieta Zylberberg, Usher, Elvira Onetto, Adrian Stoppelman, Elisa Carricajo. In Spanish with subtitles. World Documentary Competition Opening Film Contemporary Color, directed by Bill Ross and Turner Ross. (USA) – World Premiere. In the summer of 2015, legendary musician David Byrne staged an unprecedented event at Brooklyn’s Barclays Center to celebrate the art of color guard—synchronized dance involving flags, rifles, and sabers—by pairing regional color guard teams with performers, including St. Vincent, Nelly Furtado, and Ad-Rock. More than a concert film, Contemporary Color is a cinematic interpretation of a one-of-a-kind live event, courtesy of visionary filmmakers Bill and Turner Ross. [caption id="attachment_11842" align="aligncenter" width="1200"]DUSTY and DELIA at the Redhook, Brooklyn waterfront from the last scene of the documentary film ALL THIS PANIC. DUSTY and DELIA at the Redhook, Brooklyn waterfront from the last scene of the documentary film ALL THIS PANIC.[/caption] All This Panic, directed by Jenny Gage. (USA) – World Premiere. What is it like to come of age in New York City? First-time director Jenny Gage follows vivacious sisters, Ginger and Dusty, and their high school friends over the course of their crucial teen years. In this sensitive and cinematic documentary, Gage captures all the urgency, drama, and bittersweetness of girlhood as her subjects grapple with love, friendship, and what their futures hold. Betting on Zero, directed and written by Ted Braun. (USA) – World Premiere. Allegations of corporate criminality and high-stakes Wall Street vendettas swirl throughout this riveting financial docu-thriller. Controversial hedge fund titan Bill Ackman is on a crusade to expose global nutritional giant Herbalife as the largest pyramid scheme in history while Herbalife execs claim Ackman is a market manipulator out to bankrupt them and make a killing off his billion dollar short. BUGS, directed and written by Andreas Johnsen. (Denmark) – World Premiere. Head Chef Ben Reade and Lead Researcher Josh Evans from Nordic Food Lab are on a mission to investigate the next big trend in food: edible insects. Filmmaker Andreas Johnsen follows the duo on a globe-trotting tour as they put their own haute-cuisine spin on local insect delicacies (bee larva ceviche, anyone?) in the pursuit of food diversity and deliciousness. Do Not Resist, directed by Craig Atkinson. (USA) – World Premiere. In Do Not Resist, director Craig Atkinson, through keen and thoughtful observances, presents a startling and powerful exploration into the rapid militarization of police forces in the United States. Filmed over two years, in 11 states, Do Not Resist reveals a rare and surprising look into the increasingly disturbing realities of American police culture. The Happy Film: a GRAPHIC Design Experiment, directed by Stefan Sagmeister, Ben Nabors, and Hillman Curtis. (USA) – World Premiere. Designer Stefan Sagmeister takes us on a personal journey to find out what causes happiness. Experimenting with three different approaches—meditation, therapy, and drugs—Sagmeister embarks on an entertaining and introspective quest, accented with a whimsical panoply of graphics, charts, and proverbs. The Happy Film may not make you happier, but it will surely move you to reexamine your own pursuit of happiness. Keep Quiet, directed by Joseph Martin and Sam Blair. (U.K., Hungary) – World Premiere. Passionate in his anti-Semitic beliefs, Csanád Szegedi was the rising star of Hungary’s far-right party until he discovers his family’s secret—his maternal grandparents were Jewish. The revelation prompts an improbable but seemingly heartfelt conversion from anti-Semite to Orthodox Jew. This captivating and confrontational film explores the complex and contradictory character of Szegedi, prompting deep questions about Szegedi’s supposed epiphany. In English, Hungarian with subtitles. LoveTrue, directed by Alma Har’el. (USA) – World Premiere. Alma Har’el, director and cinematographer of the 2011 TFF Best Documentary Feature Bombay Beach, returns with LoveTrue, a genre-bending documentary, demystifying the fantasy of true love. From an Alaskan strip club, a Hawaiian island, and the streets of NYC—revelatory stories emerge about a deeper definition of love. Set to a hypnotizing score by Flying Lotus and executive produced by Shia LaBeouf. Memories of a Penitent Heart, directed by Cecilia Aldarondo. (USA, Puerto Rico) – World Premiere. Like many gay men in the 1980s, Miguel moved from Puerto Rico to New York City; he found a career in theater and a rewarding relationship. Yet, on his deathbed he grappled to reconcile his homosexuality with his Catholic upbringing. Now, decades after his death, his niece Cecilia locates Miguel’s estranged lover to understand the truth, and in the process opens up long-dormant family secrets. In English, Spanish with subtitles. The Return, directed by Kelly Duane de la Vega and Katie Galloway, written by Kelly Duane de la Vega, Katie Galloway, and Greg O’Toole. (USA) – World Premiere. How does one reintegrate into society after making peace with a life sentence? California’s controversial and notoriously harsh three-strikes law was repealed in 2012, consequently releasing large numbers of convicts back into society. The Return presents an unbiased observation of the many issues with re-entry through the varied experiences of recently freed lifers. Tickling Giants, directed and written by Sara Taksler. (USA) – World Premiere. Charting Bassem Youssef’s rise as Egypt’s foremost on-screen satirist, Tickling Giants offers a rousing celebration of free speech and a showcase for the power of satire to speak for the people against a repressive government. Where this story differs from the familiar success of Youssef’s idol, Jon Stewart: Bassem’s jokes come with serious, dangerous, and at times revolutionary consequences. In Arabic, English with subtitles. Untouchable, directed by David Feige. (USA) – World Premiere. When a powerful Florida lobbyist discovered his daughter was sexually abused, he launched a crusade to pass some of the strictest sex offender laws in the country. Today, 800,000 people are listed in the sex offender registry, yet the cycles of abuse continue. David Feige’s enlightening documentary argues for a new understanding of how we think about and legislate sexual abuse. Viewpoints Opening Film Nerdland, directed by Chris Prynoski, written by Andy Kevin Walker. (USA) – World Premiere, Narrative. Nerdland is an R-rated cartoon comedy about celebrity, excess, and two showbiz nobodies, John (Paul Rudd) and Elliott (Patton Oswalt), with a plan to become famous—or even infamous—by the end of the night. Featuring an army of comedy cameos including Hannibal Buress, Laraine Newman, Mike Judge, Kate Micucci & Riki Lindhome, and Molly Shannon. Abortion: Stories Women Tell, directed by Tracy Droz Tragos. (USA) – World Premiere, Documentary. In 1973, the US Supreme court decision Roe v. Wade gave every woman the right to have an abortion. In 2016, abortion remains one of the most divisive issues in America, especially in Missouri. Award-winning director and Missouri native Tracy Droz Tragos sheds new light on the contentious issue by focusing on the women and their stories, rather than the debate. An HBO Documentary Film. Actor Martinez, directed and written by Nathan Silver and Mike Ott. (USA) – North American Premiere, Narrative. Arthur Martinez is a computer repairman and aspiring actor who commissions indie directors Mike Ott and Nathan Silver to film his life. In the directors’ first collaboration, we see them follow Arthur as he goes to work, drives around, and auditions for a love interest (Lindsay Burdge), leading them to question the meaning of the project, and ultimately that of identity and stardom. Adult Life Skills, directed and written by Rachel Tunnard. (U.K.) – World Premiere, Narrative. Anna (Jodie Whittaker) is stuck: she’s approaching 30, living in her mother’s shed, and spending her time making movies with her thumbs. Her mom wants her to move out; she just wants to be left alone. Adult Life Skills is an off-beat comedy about a woman who’s lost, finding herself. With Jodie Whittaker, Brett Goldstein, Lorraine Ashbourne, Alice Lowe, Edward Hogg, Eileen Davies, Rachael Deering, Ozzy Myers After Spring, directed by Ellen Martinez and Steph Ching. (USA) – World Premiere, Documentary. Close to 80,000 Syrian refugees live in the Zaatari Refugee Camp in Jordan. After Spring immerses us in the rhythms of the camp, the role of the aid workers, and the daily lives of two families as they contemplate an uncertain future. Executive produced by Jon Stewart, this is a fascinating journey through the camp’s physical and human landscapes. In Arabic, English, Korean with subtitles. [caption id="attachment_11841" align="aligncenter" width="1200"]As I Open My Eyes (À peine j'ouvre les yeux), directed by Leyla Bouzid As I Open My Eyes (À peine j’ouvre les yeux), directed by Leyla Bouzid[/caption] As I Open My Eyes (À peine j’ouvre les yeux), directed by Leyla Bouzid, written by Leyla Bouzid and Marie-Sophie Chambon. (France, Tunisia, Belgium, United Arab Emirates) – US Premiere, Narrative. As I Open My Eyes depicts the clash between culture and family as seen through the eyes of a young Tunisian woman balancing the traditional expectations of her family with her creative life as the singer in a politically charged rock band. Director Leyla Bouzid’s musical feature debut offers a nuanced portrait of the individual implications of the incipient Arab Spring. With Baya Medhaffer, Ghalia Benali, Montassar Ayari, Aymen Omrani, Lassaad Jamoussi, Deena Abdelwahed, Youssef Soltana, Marwen Soltana. In Arabic with subtitles. Presented in association with Venice Days. Between Us, directed and written by Rafael Palacio Illingworth. (USA) – World Premiere, Narrative. Longtime couple Henry (Ben Feldman) and Dianne (Olivia Thirlby) are afraid that if they finally tie the knot it would mean the end of their days as free-spirited urbanites. But a whirlwind night apart involving temptations from a duo of strangers (Analeigh Tipton and Adam Goldberg) will either make them realize why they are together in the first place or finally drive them apart forever. With Scott Haze, Peter Bogdanovich, Lesley Ann Warren Califórnia, directed by Marina Person, written by Marina Person, Mariana Veríssimo, and Francisco Guarnieri. (Brazil) – North American Premiere, Narrative. Nostalgic, sweet, and at moments poignantly funny, Califórnia is a coming-of-age tale about a high school student, Estela, growing up in São Paulo in the 1980s. Estela is doing all she can to get to California to visit her glamorous and cultured uncle. While focused on keeping her grades up, her life is complicated by romance, sex, and social pressures. With Clara Gallo, Caio Blat, and Caio Horowicz. In Portuguese with subtitles. The Charro of Toluquilla (El Charro De Toluquilla), directed and written by Jose Villalobos Romero. (Mexico) – International Premiere, Documentary. Jaime García appears to be the quintessentially machismo mariachi singer, yet beneath his magnetic confidence lies a man struggling to maintain a relationship with his estranged family while living as an HIV-positive man. In Jose Villalobos Romero’s remarkable cinematic debut, he utilizes vivid tableaus and stylized perspective to paint a beautifully unique and emotional portrait of a man divided. With Analia Garcia Hernandez, Rocio Hernandez, La Paloma, Andrea Dominguez, Ventura Garcia. In Spanish with subtitles. Children of the Mountain, directed and written by Priscilla Anany. (USA, Ghana) – World Premiere, Narrative. When a young woman gives birth to a deformed and sickly child, she becomes the victim of cruelty and superstition in her Ghanaian community. Discarded by her lover, she is convinced she suffers from a ‘dirty womb,’ and embarks on a journey to heal her son and create a future for them both. With Rukiyat Masud, Grace Omaboe, Akofa Edjeani, Adjetey Annang, Agbeko Mortty (Bex), Dzifa Glikpo, Mynna Otoo. In Twi with subtitles. Detour, directed and written by Christopher Smith. (U.K.) – World Premiere, Narrative. After his mother ends up in a coma under suspicious circumstances, a law student (Tye Sheridan) decides to drown his sorrows at a seedy bar. The next morning, he wakes up to the realization that he may have hired a hitman (Emory Cohen) and his girlfriend (Bel Powley) to take out the suspected perpetrator (Stephen Moyer) of his mother’s life-threatening accident. With Theo James Equals, directed by Drake Doremus, written by Nathan Parker. (USA) – US Premiere, Narrative. Set in a sleek and stylish future world, Drake Doremus’ sci-fi romance envisions an understated dystopia, where all human emotion is seen as a disease that must be treated and cured. Against this backdrop, coworkers Nia (Kristen Stewart) and Silas (Nicholas Hoult) begin to feel dangerous stirrings for one another. An A24 release 14 Minutes from Earth, directed and written by Jerry Kolber, Adam “Tex” Davis, Trey Nelson, and Erich Sturm. (USA) – World Premiere, Documentary. On October 24th, 2014, a secret three-year mission by a small crew of engineers came to fruition deep in the desert of New Mexico. There, a human being (Alan Eustace ) was launched higher than ever before without the aid of a spacecraft—shattering all records. This film documents the mission and its greater implications for the scientific community and stratospheric exploration. haveababy, directed by Amanda Micheli. (USA) – World Premiere, Documentary. Amanda Micheli’s haveababy opens with a YouTube-based competition for a free round of in vitro fertilization, courtesy of a Las Vegas fertility clinic. Through this controversial contest, Micheli explores the complexities of America’s burgeoning fertility industry and paints an intimate portrait of the many resilient couples determined to have a baby against all odds. High-Rise, directed by Ben Wheatley, written by Amy Jump and Ben Wheatley. (U.K.) – New York Premiere, Narrative. Based on J.G. Ballard’s novel of the same name, High-Rise stars Tom Hiddleston as Dr. Robert Lang, a newcomer to a recently constructed complex in which the residents are stratified by social class. But when the power goes out, the tenuous hierarchy rapidly descends into chaos. Luke Evans, Sienna Miller, Jeremy Irons, and Elisabeth Moss co-star. A Magnolia Pictures release. Houston, We Have a Problem!, directed by Žiga Virc, written by Žiga Virc and Boštjan Virc. (Slovenia, Croatia, Germany, Czech Republic, Qatar) – World Premiere. The space race and NASA’s moon landing are as much part of our national identity as they are fodder for conspiracy theories. Houston, We Have a Problem! adds new material to the discussion on both fronts, as filmmaker Žiga Virc investigates the myth of a secret multi-billion-dollar deal involving America’s purchase of Yugoslavia’s space program in the early 1960s. In Croatian, English, Serbian, Slovene with subtitles. The Human Thing (La Cosa Humana), directed by Gerardo Chijona, written by Francisco García and Gerardo Chijona. (Cuba) – International Premiere, Narrative. Gerardo Chijona’s (Ticket to Paradise) newest film opens with a thief breaking into the home of a famous writer, and unknowingly stealing what turns out to be the only manuscript of his upcoming story. In desperate need of money, he submits it to a contest, which will see him competing with the very writer he robbed. With Héctor Medina, Enrique Molina, Carlos Enrique Almirante, Vladimir Cruz, Miriel Cejas, Amarilis Núñez, Osvaldo Doimeadiós, Mario Guerra, Alejandro Rivera. In Spanish with subtitles. Presented in association with the Havana Film Festival New York. Keepers of the Game, directed by Judd Ehrlich. (USA) – World Premiere, Documentary. Lacrosse is a sacred game for Native Americans, traditionally reserved for men. When a women’s varsity team forms in upstate New York, they aim to be the first Native women’s team to take the championship title away from their rivals Massena High. But when their funding is slashed, and the indigenous community is torn, they find more than just the championship is on the line. The Loner, directed and written by Daniel Grove. (USA) – World Premiere, Narrative. Daniel Grove’s neon-soaked feature debut follows reformed mobster Behrouz, who is haunted by memories of being a child soldier in Iran in the 1980s. As he pursues the American Dream in Los Angeles Behrouz finds it increasingly difficult to stay away from the seedy underbelly of the city. Grove’s neo-noir is a smart, action-packed, and colorful thriller with an electrifying score. With Reza Sixo Safai, Helena Mattsson, Parviz Sayyad, Julian Sands, Laura Harring, Dominic Rains. In English, Farsi, Russian with subtitles. Night School, directed and written by Andrew Cohn. (USA) – World Premiere, Documentary. Indianapolis has one of the lowest high school graduation rates in the country. For adult learners Greg, Melissa, and Shynika, a high school diploma could be a life-changing achievement. Andrew Cohn’s absorbing documentary observes their individual pursuits, fraught with the challenges of daily life and also the broader systemic roadblocks faced by many low income Americans, including wages and working conditions. Obit, directed by Vanessa Gould. (USA) – World Premiere, Documentary. Within the storied walls of The New York Times, a team of writers is entrusted with reflecting upon the luminaries, icons, and world leaders of our day. Vanessa Gould’s fascinating documentary introduces us to those responsible for crafting the unequaled obituaries of the NYT. As we’re taken through their painstaking process we learn about the pressures accompanying a career spent shaping the story of a life. Poor Boy, directed by Robert Scott Wildes, written by Robert Scott Wildes and Logan Antill. (USA) – World Premiere, Narrative. Romeo and Samson Griggs, two reckless, misfit brothers living on the outskirts of town, survive by hustling, gambling, and thieving. In an attempt to leave their lot behind for good, they design their most complex and financially rewarding long con yet. With Lou Taylor Pucci, Michael Shannon, Justin Chatwin, and Amanda Crew. The Ride, directed and written by Stéphanie Gillard. (France) – World Premiere, Documentary. The Ride takes us along the annual 300-mile trek through the South Dakota Badlands. There, young men and women of the Lakota Sioux ride horseback and reflect upon the history of their ancestors. This intimate, stunningly photographed account captures the thoughts and emotions of the young riders and the adults who guide them along their journey. SOLITARY, directed by Kristi Jacobson. (USA) – World Premiere, Documentary. With unprecedented access, director Kristi Jacobson offers a deeply moving portrait of life inside solitary confinement within a supermax prison. Filmed over the course of one year, this riveting film tells the story of the complex personalities that dwell on either side of a cell door while raising provocative questions about the nature of crime and punishment in America today. An HBO Documentary Film. Southwest of Salem: The Story of the San Antonio Four, directed by Deborah S. Esquenazi. (USA) – World Premiere, Documentary. In 1994, four women were tried and convicted of a heinous assault on two young girls in a court case that was infused with homophobic prejudice and the Satanic Panic sweeping the nation at that time. Southwest of Salem is a fascinating true crime story that puts the trial of the San Antonio Four in context of their ongoing search for exoneration.

    Read more


  • THE LOBSTER Leads Nominations for 2015 Moët British Independent Film Awards

    Yorgos Lanthimos’ THE LOBSTER The Lobster topped the list of nominations for the 2015 Moët British Independent Film Awards with 7 nominations, including Best British Independent Film, Best Director, Best Screenplay andProducer of the Year. Colin Farrell is nominated for Best Actor and Olivia Colmanand Ben Whishaw for their supporting roles. https://www.youtube.com/watch?v=TR_NcqD-Gfs 45 Years and Macbeth received six nominations each, including Best British Independent Film and Best Director. 45 Years also has nominations for its screenplay, for Producer of the Year, and for its stars Charlotte Rampling and Tom Courtenay. Macbeth and Lady Macbeth, Michael Fassbender and Marion Cotillardare nominated for Best Actor and Best Actress and Macduff, Sean Harris, for Best Supporting Actor. The film’s Cinematography also gets a nod. https://www.youtube.com/watch?v=Tg5cpiX18TA https://www.youtube.com/watch?v=YqHhKuCQmoY Asif Kapadia’s Amy Winehouse documentary, Amy, has five nominations, for Director, Documentary, Producer of the Year, for its Editing and for Best British Independent Film. https://www.youtube.com/watch?v=_2yCIwmNuLE Completing the Best British Independent Film line up is Alex Garland’s Ex Machina, which is nominated for Director and Screenplay. The film’s Production Design and Visual Effects are also recognised. https://www.youtube.com/watch?v=bggUmgeMCdc Carey Mulligan, Helena Bonham Carter and Anne-Marie Duff are all nominated for their performances in Suffragette. Alicia Vikander is nominated for Best Actress for her performance in The Danish Girl. Tom Hardy is nominated (just once) for Best Actor for his performance as both Kray twins in Legend. Father and son Brendan and Domhnall Gleeson are both nominated for Best Supporting Actor for Suffragette and Brooklyn, respectively. Brooklyn’s other nominations come for Nick Hornby’s Screenplay and for Best Actress Saoirse Ronanand Best Supporting Actress Julie Walters. The film’s Casting is also nominated, in the Outstanding Achievement in Craft category. Amy Jump’s Screenplay for High-Rise, adapted from the novel by JG Ballard, is nominated. The film’s cast are recognised too: Tom Hiddleston is nominated forBest Actor, Sienna Miller for Supporting Actress and Luke Evans for Supporting Actor. There are five first-time performance nominees this year (Charlotte Rampling, Tom Courtenay, Tom Hiddleston, Marion Cotillard and Luke Evans) and nine past winners: Tom Hardy, Brendan Gleeson Anne-Marie Duff, Olivia Colman, Michael Fassbender, Helena Bonham Carter, Julie Walters and Ben Whishaw, who was BIFA’s Most Promising Newcomer in 2001. This year’s Most Promising Newcomers are Agyness Deyn for Sunset Song, Mia Goth for The Survivalist, Abigail Hardingham for Nina Forever, Milo Parker for Mr Holmes and Bel Powley for A Royal Night Out. Nina Forever and The Survivalist are both nominated for The Douglas Hickox Award for Best Debut Director for directors The Blaine Brothers and Stephen Fingleton. The other first-time directors nominated are John Maclean for Slow West, Corin Hardy for The Hallow and Paul Katis for Kajaki: The True Story, which is also nominated for Producer of the Year.The Violators is also nominated for Producer of the Year. Nominated for Best Documentary along with Amy, are Dark Horse: The Incredible True Story of Dream Alliance, How to Change the World, Palio and A Syrian Love Story. The nominations for the new Discovery Award, which recognises innovation and vision in lower-budget films, are Aaaaaaaah!, Burn Burn Burn, Orion: The Man Who Would Be King, The Return and Winter. The Variety Award, which recognizes a director, actor, writer or producer who has made a global impact and helped to focus the international spotlight on the UK, will be presented to Kate Winslet. The winners will be announced at The Moët British Independent Film Awards on Sunday 6 December at Old Billingsgate. 2015 MOËT BRITISH INDEPENDENT FILM AWARDS NOMINATIONS Best British Independent Film sponsored by Moët & Chandon 45 YEARS Tristan Goligher, Andrew Haigh AMY James Gay-Rees, Asif Kapadia EX MACHINA Andrew Macdonald, Allon Reich, Alex Garland THE LOBSTER Ceci Dempsey, Ed Guiney, Lee Magiday, Efthymis Filippou, Yorgos Lanthimos MACBETH Iain Canning, Emile Sherman, Laura Hastings-Smith, Todd Louiso, Jacob Koskoff, Michael Lesslie, Justin Kurzel Best Director 45 YEARS Andrew Haigh AMY Asif Kapadia EX MACHINA Alex Garland THE LOBSTER Yorgos Lanthimos MACBETH Justin Kurzel Best Screenplay sponsored by BBC Films 45 YEARS Andrew Haigh BROOKLYN Nick Hornby EX MACHINA Alex Garland HIGH-RISE Amy Jump THE LOBSTER Yorgos Lanthimos, Efthymis Filippou Best Actress sponsored by MAC MARION COTILLARD Macbeth CAREY MULLIGAN Suffragette CHARLOTTE RAMPLING 45 Years SAOIRSE RONAN Brooklyn ALICIA VIKANDER The Danish Girl Best Actor sponsored by Movado TOM COURTENAY 45 Years COLIN FARRELL The Lobster MICHAEL FASSBENDER Macbeth TOM HARDY Legend TOM HIDDLESTON High-Rise Best Supporting Actress HELENA BONHAM CARTER Suffragette OLIVIA COLMAN The Lobster ANNE-MARIE DUFF Suffragette SIENNA MILLER High-Rise JULIE WALTERS Brooklyn Best Supporting Actor LUKE EVANS High-Rise BRENDAN GLEESON Suffragette DOMHNALL GLEESON Brooklyn SEAN HARRIS Macbeth BEN WHISHAW The Lobster Most Promising Newcomer sponsored by The London Edition AGYNESS DEYN Sunset Song MIA GOTH The Survivalist ABIGAIL HARDINGHAM Nina Forever MILO PARKER Mr Holmes BEL POWLEY A Royal Night Out The Douglas Hickox Award (Best Debut Director) sponsored by 3 Mills Studios THE HALLOW Corin Hardy KAJAKI: THE TRUE STORY Paul Katis NINA FOREVER Chris & Ben Blaine SLOW WEST John Maclean THE SURVIVALIST Stephen Fingleton The Discovery Award sponsored by Raindance AAAAAAAAH! Andrew Starke, Steve Oram BURN BURN BURN Daniel-Konrad Cooper, Tim Phillips, Charlie Covell, Chanya Button ORION: THE MAN WHO WOULD BE KING Jeanie Finlay THE RETURN Oliver Nias WINTER Tilly Wood, Paula Crickard, Heidi Greensmith Best Documentary AMY James Gay-Rees, Asif Kapadia DARK HORSE: THE INCREDIBLE TRUE STORY OF DREAM ALLIANCE Judith Dawson, Louise Osmond HOW TO CHANGE THE WORLD Bous De Jong, Al Morrow, Jerry Rothwell PALIO James Gay-Rees, John Hunt, Cosima Spender A SYRIAN LOVE STORY Elhum Shakerifar, Sean McAllister Producer of the Year TRISTAN GOLIGHER 45 Years JAMES GAY-REES Amy PAUL KATIS, ANDREW DE LOTBINIERE Kajaki: The True Story CECI DEMPSEY, ED GUINEY, YORGOS LANTHIMOS, LEE MAGIDAY The Lobster DAVID A HUGHES, DAVID MOORES The Violators Outstanding Achievement in Craft ADAM ARKAPAW Cinematography – Macbeth MARK DIGBY Production Design – Ex Machina CHRIS KING Editing – Amy FIONA WEIR Casting – Brooklyn ANDREW WHITEHURST Visual Effects, Ex Machina Best British Short Film BALCONY Tom Kimberly, Ali Mansuri, Toby Fell-Holden CRACK Joseph Taussig, Peter King EDMOND Emilie Jouffroy, Nina Gantz LOVE IS BLIND Lizzie Brown, Dan Hodgson MANoMAN Kamilla Kristiane Hodøl, Simon Cartwright Best International Independent Film CAROL Elizabeth Karlsen, Stephen Woolley, Christine Vachon, Phyllis Nagy, Todd Haynes FORCE MAJEURE Erik Hemmendorff, Marie Kjellson, Philippe Bober, Ruben Östlund GIRLHOOD Bénédicte Couvreur, Céline Sciamma ROOM Ed Guiney, David Gross, Emma Donoghue, Lenny Abrahamson SON OF SAUL Gábor Sipos, Gábor Rajna, Cara Royer, László Nemes

    Read more


  • 34th Vancouver International Film Festival Reveals Films in Gala and Special Presentation

    BROOKLYN starring Saoirse Ronan, Domhnall Gleeson and Emory Cohen The 34th Vancouver International Film Festival will run from September 24th to October 9th, 2015 with John Crowley’s Brooklyn starting the festival off in the Opening Night Gala spot. With scripting by Nick Hornby (Wild, An Education), this 50s-era immigration film is an exhilarating tale of female empowerment. Marc Abraham’s I Saw the Light holds the Closing Night Gala position with a feature on the life of country star Hank Williams. Produced by Vancouver’s Bron Studios, this film reflects the best in BC’s ongoing production boom. Canadian productions remain front and centre when Philippe Falardeau’s My Internship in Canada opens the Canadian Images program, while Patricia Rozema’s Into the Forest takes the BC Spotlight Awards Gala spot. The complete list of films in the Gala and Special Presentation categories include: Opening Gala Brooklyn (JOHN CROWLEY, UK/IRELAND/CANADA) Lured from Ireland by the American Dream, Eilis (Saoirse Ronan) instead lands in a hardscrabble reality of cramped boarding houses and grungy dancehalls. As homesickness grips her, she’s also torn between two admirers (Domhnall Gleeson and Emory Cohen). With Nick Hornby scripting, John Crowley crafts a stirring 50s-era immigration tale that also serves as an exhilarating profile of female empowerment. “Classily and classically crafted in the best sense.” — Hollywood Reporter https://www.youtube.com/watch?t=2&v=15syDwC000k Closing Gala I Saw the Light (MARC ABRAHAM, USA) Having played gods and monsters with aplomb, Tom Hiddleston takes centre stage as country music legend/renegade Hank Williams. In turns as rambunctious as a barn dance and as reflective as a ballad, Marc Abraham’s film chronicles Williams’ rapid ascent to stardom and the tragedy of a career cut short by substance abuse. Laid to rest at only 29, Williams left behind a truly remarkable body of work. Handling the singing chores himself, Hiddleston does the man—and his music—proud. Canadian Images Opening Film My Internship in Canada (PHILIPPE FALARDEAU, CANADA) Philippe Falardeau (Monsieur Lazhar) returns with an energetic, laugh-out-loud political comedy that couldn’t be more timely. Steve Guibord (Patrick Huard, brilliant) is an independent Quebec MP travelling to his northern riding with a new Haitian intern. Soon after finding themselves caught in the crossfire of activists, miners, truckers, politicians and aboriginal groups, it turns out that Guibord somehow holds the decisive vote in a national debate that will decide whether Canada will go to war in the Middle East! The fabulous Suzanne Clément co-stars. BC Spotlight Awards Gala Into the Forest (PATRICIA ROZEMA, CANADA) The BC coastal forest is in all its glory as a father and his two daughters drive off to their remote and idyllic getaway home. They have little sense at first of the growing apocalypse that they are leaving in their wake. It will come to them. Ellen Page, Evan Rachel Wood, Max Minghella, Callum Keith Rennie and Michael Eklund star in this Patricia Rozema-directed adaptation of Jean Hegland’s novel. Spotlight Gala Beeba Boys (DEEPA MEHTA, CANADA/INDIA) Mix propulsive bhangra beats, blazing AK-47s, bespoke suits, solicitous mothers and copious cocaine, and you have the heady, volatile cocktail that is Deepa Mehta’s latest film, an explosive clash of culture and crime. Jeet Johar (Indian star Randeep Hooda) and his young, charismatic Sikh crew vie to take over the Vancouver drug and arms trade in this all-out action/drama. Blood is spilled, heads are cracked, hearts are broken and family bonds are pushed to the brink. Special Presentations Arabian Nights (MIGUEL GOMES, PORTUGAL) Miguel Gomes’ (Tabu, Our Beloved Month of August) astonishing three-volume, six-hour epic draws inspiration from the tales of Scheherazade (here played by Crista Alfaiate) and once again uses a fascinating combination of reality and fiction to comment on Portugal’s past, present and future. “There’s Bunuelian satire, lo-fi crime, Brechtian allegory, and high fantasy all in the mix. It’s dizzying stuff… a film that’s moving, sad, exciting, fiery, and funny.” — Indiewire Dheepan (JACQUES AUDIARD, FRANCE) Jacques Audiard’s (A Prophet, Rust and Bone) latest dramatic inquiry into life on society’s margins is an alternately gripping and tender love story about the eponymous former Tamil fighter (Antonythasan Jesuthasan) and his improvised family, who exchange war in Sri Lanka for violence of another kind in Paris. “A searing yet hopeful slow-burn drama… Audiard delivers another distinctive [work] with this portrait of a family forged out of necessity…” — Hollywood Reporter Palme d’Or, Cannes 15 High-Rise (BEN WHEATLEY, UK) Ben Wheatley’s bold adaptation of JG Ballard’s novel takes no prisoners. This scorching satire on class, hedonism and depravity in an imploding luxury apartment building is an even more apocalyptic class polemic than Snowpiercer. Throw in exquisitely unsettling turns from Tom Hiddleston and Jeremy Irons, a string quartet cover of ABBA’s 1975 hit “SOS,” an orgy or two and spice with cannibalism, and you have a tour de force of astonishing architectural ambition. Ingrid Bergman: In Her Own Words (STIG BJÖRKMAN, SWEDEN), CANADIAN PREMIERE Casablanca, Notorious, Voyage to Italy… That Ingrid Bergman, three-time Oscar winner, is one of filmdom’s all-time greats is inarguable. Narrated by Swedish (and now Hollywood) star Alicia Vikander, Stig Björkman’s intimate exploration of Bergman’s personal and professional life benefits immensely from the cooperation of Bergman’s daughter Isabella Rossellini, who allowed him access to never-before-seen private footage, notes, letters, diaries and interviews. The result is a rich and multicoloured portrait of this extraordinary human being—in her own words. Louder Than Bombs (JOACHIM TRIER, USA/FRANCE) When a war photographer (Isabelle Huppert) dies on assignment, her husband (Gabriel Byrne) struggles to mount a retrospective while dealing with his grieving sons (Jesse Eisenberg, Devin Druid) and her combative colleague (David Strathairn). Joachim Trier (Oslo, 31st August) poses tough questions about family, marital responsibility and balancing one’s calling and kin. “A smart, measured tale steeped in understatement and complimented by first-rate performances…” — Indiewire Room (LENNY ABRAHAMSON, IRELAND/CANADA/UK) Directed by Lenny Abrahamson and based on the best-selling Man Booker Prize-nominated novel by Irish-Canadian author Emma Donoghue, this is the story of five-year old Jack, who lives in an 11-by-11-foot room with his mother. Since it’s all he’s ever known, Jack believes that only “Room” and the things it contains (including himself and Ma) are real. Then reality intrudes and Jack’s life is turned on its head… A remarkable and disturbing work. A Tale of Three Cities (MABEL CHEUNG, HONG KONG/CHINA) A rousingly entertaining movie romance, this historical drama tells the deeply moving story of kung fu superstar Jackie Chan’s parents. Both grew up in China’s tumultuous 20th century, swept by war, revolution and resistance. When charismatic customs officer Fang (Lau Ching-wan) meets impoverished young widow Chen (Tang Wei), an unbreakable bond is forged. Together, their love endures through extraordinary adventures, as they head towards a future in Hong Kong. This Changes Everything (AVI LEWIS, CANADA) Naomi Klein (Shock Doctrine) has risen to prominence around the world as one of Canada’s most forceful and relevant public intellectuals. Her cogent call to direct action has inspired youth, helped chart roadmaps for social progressives and environmentalists, and yet worried those who believe that her critique of capitalism plays into the hands of right wingers who think climate change is a socialist plot. Join us, Naomi Klein and director Avi Lewis for this special presentation of This Changes Everything. Youth (PAOLO SORRENTINO, ITALY/FRANCE/SWITZERLAND/UK) Michael Caine, Harvey Keitel and Rachel Weisz anchor Paolo Sorrentino’s gorgeous follow-up to The Great Beauty. Fred (Caine), a retired composer, and friend Mick (Keitel), a film director, are sojourning in a stunning Swiss alpine spa. Surrounded by bodies old and young, supple and sagging, they reconsider their pasts–while Sorrentino choreographs the action with exquisite control. “Sorrentino’s… brightly effusive visual imagination can be intoxicating…” — New York Times Canadian Images Special Presentations Hyena Road (PAUL GROSS, CANADA) In Paul Gross’ film, ripped from the headlines, a sniper, who has never allowed himself to think of his targets as human, becomes implicated in the life of one of them. An intelligence officer, who has never contemplated killing, becomes the engine of a plot to kill. A legendary Mujahideen warrior, who had put war behind him, is now deeply involved. Three different men, three different worlds, three different conflicts, yet all stand at the intersection of modern warfare. Remember (ATOM EGOYAN, CANADA) Atom Egoyan returns with a completely original take on the darkest chapter of horror in the last century. Christopher Plummer plays a man who’s looking for the person who might be responsible for wiping out his family, as he strains to seize the evanescent memories of long-ago brutality. The all-star cast includes Henry Czerny, Martin Landau and Bruno Ganz. Benjamin August’s screenplay will keep you guessing until the very end.

    Read more


  • 2015 BFI London Film Festival Announces Complete Film Program

    Nicholas Hytner’s THE LADY IN THE VAN The 2015 BFI London Film Festival will screen a total of 238 fiction and documentary features, including 16 World Premieres, 8 International Premieres, 40 European Premieres and 11 Archive films including 5 Restoration World Premieres. As previously announced, the Festival opens with the European Premiere of SUFFRAGETTE, and the European Premiere of STEVE JOBS will close the Festival. The other Galas include the previously announced American Express Gala of Todd Haynes’ CAROL, starring Academy Award® winner Cate Blanchett and Rooney Mara. TRUMBO, directed by Jay Roach The Accenture Gala is the European premiere of TRUMBO, directed by Jay Roach and starring Bryan Cranston in a cracking performance as Dalton Trumbo, the Hollywood screenwriter who was blacklisted after refusing to testify before the House Committee on Un-American Activities in 1947. Diane Lane, Helen Mirren, Elle Fanning, Louis C.K. and John Goodman round out the cast. Virgin Atlantic will present Scott Cooper’s chilling crime drama BLACK MASS starring Johnny Depp, Benedict Cumberbatch and Joel Edgerton. BROOKLYN starring Saoirse Ronan, Domhnall Gleeson and Emory Cohen The May Fair Hotel Gala is the European Premiere of the stirring drama BROOKLYN starring Saoirse Ronan, Domhnall Gleeson and Emory Cohen, adapted for the screen by Nick Hornby from Colm Tóibin’s best-selling novel about the exquisite pain of choosing between an Irish homeland and the new promise of America. The Centerpiece Gala supported by the Mayor of London is the European Premiere of director Nicholas Hytner’s THE LADY IN THE VAN (pictured in main image above) adapted from writer Alan Bennett’s play and starring Maggie Smith, Alex Jennings, Jim Broadbent, Frances De La Tour and Roger Allam. High-Rise Ben Wheatley The Festival Gala is Ben Wheatley’s HIGH-RISE starring Tom Hiddleston as Dr. Robert Laing, a man who has just taken ownership of a luxurious apartment in this brilliant satire based on JG Ballard’s classic novel. The Archive Gala is the previously announced World Premiere of the BFI National Archive restoration of SHOOTING STARS, directed by A.V. Bramble and Anthony Asquith (1928). This year, the Festival introduces three Special Presentations, they are: the Experimenta Special Presentation, Guy Maddin and Evan Johnson’s “phantasmagoric opus” THE FORBIDDEN ROOM; the Documentary Special Presentation, Davis Guggenheim’s HE NAMED ME MALALA an inspiring portrait of an incredibly brave and resilient young woman who carries a message of hope for women in the world; and the previously announced Fellowship Special Presentation of James Vanderbilt’s TRUTH starring Cate Blanchett in honor of the actress receiving the BFI Fellowship at this year’s LFF Awards Ceremony. The nine program strands are each headlined with a gala, they are: the Love Gala, Luca Guadagnino’s A BIGGER SPLASH; the Debate Gala, Stephen Frears’ THE PROGRAM; the Dare Gala, Yorgos Lanthimos’ THE LOBSTER; the Laugh Gala, Ondi Timoner’s BRAND: A SECOND COMING (European Premiere); the Thrill Gala, Deepa Mehta’s BEEBA BOYS (International Premiere); the Cult Gala, S. Craig Zahler’s BONE TOMAHAWK (International Premiere); the Journey Gala, Hou Hsiao-Hsien’s THE ASSASSIN; the Sonic Gala, Hany Abu-Assad’s THE IDOL (European Premiere) and the Family Gala is Rob Letterman’s GOOSEBUMPS (European Premiere). OFFICIAL COMPETITION Jerzy Skolimowski, 11 MINUTES Cary Fukunaga, BEASTS OF NO NATION Apichatpong Weerasethakul, CEMETERY OF SPLENDOUR Athina Rachel Tsangari, CHEVALIER Simon Stone, THE DAUGHTER Jonás Cuarón, DESIERTO (European Premiere) Lucile Hadžihalilović, EVOLUTION Johnnie To, OFFICE (European Premiere) Lenny Abrahamson, ROOM László Nemes, SON OF SAUL Terence Davies, SUNSET SONG Sean Baker, TANGERINE Mir-Jean Bou Chaaya, VERY BIG SHOT (European Premiere) FIRST FEATURE COMPETITION Mai Masri, 3000 NIGHTS (European Premiere) Eva Husson, BANG GANG (A MODERN LOVE STORY) Magnus von Horn, THE HERE AFTER Trey Edward Shults, KRISHA Yared Zeleke, LAMB Esther May Campbell, LIGHT YEARS Ariel Kleiman, PARTISAN Eugenio Canevari, PAULA Bentley Dean, Martin Butler, TANNA Piero Messina, THE WAIT Nitzan Gilady, WEDDING DOLL (European Premiere) Robert Eggers, THE WITCH DOCUMENTARY COMPETITION João Pedro Plácido, (BE)LONGING Mor Loushy, CENSORED VOICES David Sington, THE FEAR OF 13 (World Premiere) Alexandria Bombach, Mo Scarpelli, FRAME BY FRAME (European Premiere) Alexander Sokurov, FRANCOFONIA Frederick Wiseman, IN JACKSON HEIGHTS Walter Salles, JIA ZHANGKE, A GUY FROM FENYANG Tomer Heymann, MR. GAGA (International Premiere) Patricio Guzmán, THE PEARL BUTTON Sarah Turner, PUBLIC HOUSE (World Premiere) Jennifer Peedom, SHERPA (European Premiere) Hanna Polak, SOMETHING BETTER TO COME SHORT FILM AWARD João Paulo Miranda Maria, COMMAND ACTION Till Nowak, DISSONANCE Nina Gantz, EDMOND Peter Tscherkassky, THE EXQUISITE CORPUS Mees Peijnenburg, A HOLE IN MY HEART An van Dienderen, LILI (International Premiere) Maïmouna Doucouré, MOTHER(S) Shai Heredia, Shumona Goel, AN OLD DOG’S DIARY (European Premiere) Caroline Bartleet, OPERATOR (World Premiere) Jörn Threlfall, OVER Vivienne Dick, RED MOON RISING (World Premiere) Ziya Demirel, TUESDAY The Festival program is organized into categories organized around the themes of Love, Debate, Dare, Laugh, Thrill, Cult, Journey, Sonic, Family and Experimenta. LOVE Luca Guadagnino’s feature A BIGGER SPLASH The Love Gala is Luca Guadagnino’s feature A BIGGER SPLASH set on the volcanic, windswept Sicilian island of Pantelleria and starring Tilda Swinton as a rock star, Matthias Schoenaerts as her filmmaker lover, Ralph Fiennes as a cocky music producer and Dakota Johnson as his petulant, sexy daughter. Other titles in this section include: Naomi Kawase’s sweet, light and leisurely AN; Tom Geens’ COUPLE IN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall’s delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard’s Palme d’Or-winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele’s FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell’s documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman’s documentary INGRID BERGMAN – IN HER OWN WORDS, a treasure trove of Bergman’s never-before-seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore-eda’s beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung’s sweeping Chinese epic based on the true story of Jackie Chan’s parents A TALE OF THREE CITIES and Guillaume Nicloux’s VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystical. DEBATE Stephen Frears’s THE PROGRAM This year’s Debate Gala is Stephen Frears’s THE PROGRAM starring Ben Foster as cyclist Lance Armstrong,  charting his rise to near canonization and his subsequent fall from grace. Other highlights in this section include: Pablo Larraín’s THE CLUB, a mordant morality tale set in a sleepy Chilean coastal town, which won Berlin’s Grand Jury Prize; CHRONIC, Michel Franco’s uncompromising study of grief and isolation, featuring a revelatory performance by Tim Roth; brothers Tarzan and Arab Nasser’s feature directorial debut, DÉGRADÉ, a smart drama that moves seamlessly between humour and despair, set in a women’s hair salon in Gaza; the European Premiere of George Amponsah’s intimate documentary THE HARD STOP, revealing the story of Mark Duggan’s friends and family following his death after being shot in a ‘Hard Stop’ police procedure in 2011; Jonas Carpignano’s engrossing feature debut, THE MEASURE OF A MAN which won Vincent Lindon Best Actor at Cannes Film Festival, MEDITERRANEA, an ultra-topical tale of two young African men from Burkina Faso who, in search of a better life, make the difficult and dangerous trip across the Sahara desert and Mediterranean Sea to reach Italy; the drama MUCH LOVED, Nabil Ayouch’s searing, no-holds-barred look at the world of prostitution in Morocco; David Evans’ thought-provoking documentary MY NAZI LEGACY, which raises the harrowing question, ‘What if your father was a Nazi?’; the World Premiere of John Dower’s MY SCIENTOLOGY MOVIE which features Louis Theroux as he heads to Los Angeles to explore the Church of Scientology; Sebastián Silva’s beguiling, seductive and confrontational NASTY BABY; PAULINA, Santiago Mitre’s intelligent parable for contemporary Argentina, which won the Critics Week Grand Prize in Cannes; TAKLUB, Brillante Ma Mendoza’s riveting ode to a Filipino city wreaked by a typhoon; and Jafar Panahi’s latest film, TAXI TEHRAN, winner of the Golden Bear at this year’s Berlinale and set and shot from inside a car. DARE Yorgos Lanthimos’ THE LOBSTER The Dare Gala is Yorgos Lanthimos’ THE LOBSTER which stars Colin Farrell, Rachel Weisz, Olivia Coleman, John C. Reilly, Léa Sedoux and Ben Whishaw in a bleakly hilarious skewering of fundamentalist diktats and rituals that is also a tender plea for genuine intimacy amid society’s self-imposed absurdities. Other highlights in this strand include: Miguel Gomes’ mixes fantasy, documentary, docu-fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty’s CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the ‘chemsex’ scene that’s far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn’s remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small-town South Africa from Oliver Hermanus, Diep Hoang Nguyen’s beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe’s thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in ‘Tondoscope’ – a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache’s gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean’s excellent ONE FLOOR BELOW, which combines taut, low-key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry’s devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss. LAUGH BRAND: A SECOND COMING This year’s Laugh Gala is the European Premiere of BRAND: A SECOND COMING, an energetic, complex and frequently hilarious documentary about Russell Brand directed by Ondi Timoner. Other titles in this strand include: comic visionary Jaco Van Dormael’s scabrously provocative, philosophically asute parable THE BRAND NEW TESTAMENT, which poses the question ‘What if God were Belgian and a cantankerous, vindicative slob who runs the whole show from a dilapidated apartment in Brussels?’; the World Premiere of Chanya Button’s debut feature BURN BURN BURN starring Downton Abbey’s Laura Carmichael, which takes the road trip buddy movie on its own smart, female-centric spin; Ali F. Mostafa’s FROM A TO B, a ‘dramedy’ following three estranged childhood companions who embark on a road trip to commemorate the fifth anniversary of a friend’s death and offers a new perspective on life in the Gulf and Middle East; Paul Weitz’s GRANDMA, a supremelyenjoyable ‘road movie’ starring Lily Tomlin as the gloriously profane septuagenarian whose curt words and emotional armour can’t quite mask her broken heart; Bao Nguyen’s Saturday Night Live documentary LIVE FROM NEW YORK!; MEN AND CHICKEN, Anders Thomas Jensen’s dark, twisted and extremely animalistic comedy as black as pitch, but with the sweetest heart, starring Mads Mikkelsen; Fernando León de Aranoa’s black comedy A PERFECT DAY, a freewheeling tale centering on two veteran aid workers starring Benico Del Toro and Tim Robbins; the International Premiere of Brendan Cowell’s debut RUBEN GUTHRIE about an advertising exec trying to quit the booze, which spikes social observations with dark, wounded humour and the European Premiere of Japanese auteur/icon Takeshi Kitano’s latest comedy, RYUZO AND HIS SEVEN HENCHMEN, about a group of elderly, retired Yakuza who reteam to take revenge on a younger rival gang. THRILL Beeba Boys. Deepa Mehta The Gala presentation for this strand is the International Premiere of Deepa Mehta’s BEEBA BOYS, an energetic gangster movie that also explores South Asian family values set in Vancouver’s Sikh immigrant badlands and starring Randeep Hooda. Other highlights in this section include: the European Premiere of Choi Dong-hoon’s colourful period bullet opera, ASSASSINATION; the European Premiere of Daniel Junge’s thrill-a-minute BEING EVEL about the legendary daredevil Robert Craig ‘Evel’ Knievel; the European Premiere of David Farr’s crafty and suspenseful study in paranoia, THE ONES BELOW starring David Morrissey and Clémence Poésy; Atom Egoyan’s latest drama REMEMBER, offering a provocative study of the nature of evil as well as serving as a stark reminder of the atrocities of 20th century history, starring Christopher Plummer and Martin Landau; Gabriel Clarke and John McKenna’s gripping documentary STEVE MCQUEEN: THE MAN & LE MANS, featuring unseen archive footage, contemporary interviews and previously unheard commentary from McQueen himself; Stephen Fingleton’s thrilling, post-apocalyptic debut THE SURVIVALIST; Sebastian Schipper’s exhilarating one-shot sensation, VICTORIA; and THE WAVE, Roar Uthaug’s highoctane and nerve-shredding portrayal of a potential catastrophe. CULT BONE TOMAHAWK with Kurt Russell The Cult Gala is the International Premiere of S. Craig Zahler’s gloriously imaginative genre hybrid BONE TOMAHAWK starring Kurt Russell in a film with enough surprises to satisfy even the most jaded horror hounds and western fans. Other highlights in this strand include: the World Premiere of Thierry Poiraud’s DON’T GROW UP, a stylish and inventive film about a group of teens on an unnamed island who wake up to find their youth facility eerily abandoned; the World Premiere of Jon Spira’s affectionate documentary ELSTREE 1976 about the bit performers who appeared in George Lucas’ box office behemoth Star Wars; GHOST THEATER, the latest film from director Hideo Nakata, the forerunner of J-horror; GREEN ROOM, Jeremy Saulnier’s latest exercise in edge of the seat suspense, starring Patrick Stewart, Imogen Poots and Anton Yelchin; returning for the third year running, Sion Sono screens LOVE AND PEACE, his tale of punk rock and talking turtles; and the fantastically prolific Takashi Miike’s riotous, unruly gangster vampire concoction YAKUZA APOCALYPSE. JOURNEY Hou Hsiao-Hsien the assassin This year’s Journey Gala is Hou Hsiao-Hsien’s breathtakingly elegant and mesmerizing first foray into wuxia (martial arts), THE ASSASSIN, which won him the Best Director prize at the Cannes Film Festival this year. Hou Hsiao-Hsien is the subject of retrospective – Also Like Life – at BFI Southbank this month in the lead-up to the Festival and will participate in a career interview on Monday 14 September at BFI Southbank. Other titles in this section include: Radu Jude’s vivid, Wallachian western AFERIM!, COWBOYS, the directorial debut of Jacques Audiard’s A Prophet and Rust and Bone co-writer Thomas Bidegain; the breathtaking ethnographic Colombian Amazon odyssey EMBRACE OF THE SERPENT; James Ponsoldt’s THE END OF THE TOUR starring Jason Segel as writer David Foster Wallace and Jesse Eisenberg as Rolling Stone journalist David Lipsky in this engrossing two-hander; Writer-Director Jayro Bustamante’s IXCANUL VOLCANO, the European Premiere Stevan Riley’s enthralling Marlon Brando documentary LISTEN TO ME MARLON; Jia Zhangke’s ambitious, astute and humane MOUNTAINS MAY DEPART; the European Premiere of Sylvia Chang’s often-ethereal magic-realist drama love story, MURMUR OF THE HEARTS; the European Premiere of THE NEW CLASSMATE about a single mum in India battling to ensure her daughter’s future; SEMBÈNE!, Samba Gadjigo and Jason Silverman’s incisive documentary on acclaimed African filmmaker Ousmane Sembène; Chloé Zhao’s SONGS MY BROTHERS TAUGHT ME; and Paolo Sorrentino’s deliciously bittersweet drama YOUTH, starring Michael Caine, Harvey Keitel, Rachel Weisz, Paul Dano and Jane Fonda. SONIC Hany Abu-Assad’s The Idol The Sonic Gala is the European Premiere of two-time Oscar-nominated director Hany Abu-Assad’s new film THE IDOL, based on the incredible true story of Mohammad Assaf, winner of ‘Arab Idol’. Other highlights in this strand include: the World Premiere of Bernard MacMahon’s documentary THE AMERICAN EPIC SESSIONS, a haunting collision of past and present, presided over by the high priests of the great tradition of American music, Jack White and T Bone Burnett; the World Premiere of James Caddick and James Cronin’s documentary ELEPHANT DAYS, which charts The Maccabees creative process as they record their 4th album Marks To Prove It in an anonymous studio in Elephant and Castle; JANIS: LITTLE GIRL BLUE, Oscar-nominated director Amy Berg’s Janis Joplin documentary drawing on archival footage, contemporary interviews and the singer’s personal correspondences; punk filmmaker Khavn De La Cruz’s RUINED HEART: ANOTHER LOVE STORY BETWEEN A CRIMINAL AND A WHORE, an irreverent orgy of sex and crime with a banging soundtrack at its core; the International Premiere of Bobbito Garcia’s STRETCH AND BOBBITO: RADIO THAT CHANGED LIVES, a documentary about The Stretch Armstrong and Bobbito Show which broadcasted on New York’s WKCP radio in the 1990’s and featured unsigned at the time artists such as Jay Z, Nas and Eminem; and the European Premiere of THEY WILL HAVE TO KILL US FIRST: MALIAN MUSIC IN EXILE, Johanna Schwartz’s debut feature which intelligently captures the complexity and emotion of the life of musicians forced into exile and desperate to keep their music alive. FAMILY Rob Letterman’s GOOSEBUMPS, featuring Jack Black This year’s Family section is a truly international affair, kicking off with the Family Gala, the European Premiere of Rob Letterman’s GOOSEBUMPS, featuring Jack Black. Other highlights are ADAMA a deeply moving animation about the life of a young boy in West Africa in 1914; Mamoru Hosoda’s THE BOY AND THE BEAST, an exquisitely animated fable about a boy who has run away from home and is alone in the human world following the passing of his mother; Jury Feting’s CELESTIAL CAMEL, a fascinating and thrilling tale about a 12 year old herder whose father has sold a young colt who may be the fabled ‘celestial camel’; Academy Award® winner Gabriele Salvatores’ THE INVISIBLE BOY, a charming coming of age tale about a shy boy, picked on by his peers, who gets his wish to hide from the world when he discovers a Halloween outfit that makes him invisible; Alexandre Heboyan and Benoît Philippon’s hugely enjoyable CGI animated adventure MUNE, about a faun who lives in a faraway world; Studio Ghibli’s beautiful drama WHEN MARNIE WAS THERE, directed by Hiromasa Yonebayashi; and the World Premiere of Tim Clague and Danny Stark’s WHO KILLED NELSON NUTMEG?, featuring Bonnie Wright from the Harry Potter series. There is a dedicated section for animated shorts for younger audiences which bring together eclectic, exciting and colourful films from all around the globe. English language and subtitled, suitable for all ages. Amongst the highlights of this year’s 14 titles is director Sanjay Patel’s SANJAY’S SUPER TEAM from Pixar. EXPERIMENTA The Forbidden Room (2015), Guy Maddin Focused on films and videos by artists, it aims to screen films that use the moving image to change the way we think of film and how it functions. The Experimenta Special Presentation is THE FORBIDDEN ROOM, a gleeful, hypnotic and totally deranged epic directed by Guy Maddin and Evan Johnson. An extensive selection of work from across the world is presented including the World Premieres of William English’s HEATED GLOVES and THE HOST, in which director Miranda Pennell delves deeper into her past and her late parents’ involvement with the Anglo Iranian Oil Company (BP); Ben Rivers’ THE SKY TREMBLES AND THE EARTH IS AFRAID AND THE TWO EYES ARE NOT BROTHERS, the feature element of Ben’s current Artangel installation at BBC White City; EVENT FOR A STAGE by Tacita Dean, a filmed presentation of her live theatrical happening in collaboration with actor Stephen Dillane at the 2014 Sydney Biennial; the European Premiere of Omer Fast’s REMAINDER, a London-set thriller adapted from Tom McCarthy’s acclaimed novel of the same name; the European Premiere of INVENTION which highlights the possibilities of camera movement and the development of artistic apparatus and Kevin Jerome Everson’s PARK LANES, set in an American bowling alley over the course of a day.   SHORTS Films of Love and Devotion explores and attempts to explain the old adage that the course of true love never did run smooth with Rob Savage’s ABSENCE starring Paul McGann as a grieving man and OFFLINE DATING, a documentary about a single man’s search for love without the use of the internet. The Last Man Standing is a Girl programme explores the role of young women in society with GROOVE IS IN THE HEART, a tale of music and memory revealed through a school girl’s mixtape and A GIRL’S DAY from German director Hannah Ziegler. The Family at War shorts attempts to show what families are really like and how we survive them with TAMARA by Sofia Safonova and VIDEO where we see Elaine having trouble balancing life between her teenage daughter and a secret evening job. Funny How? How am I Funny? explores the comedy in cultural misunderstanding with OTHRWISE ENGAGED and black comedy KUNG FURY. The Fight or Flight programme charts the human response to extreme situations and Wild at Heart and Weird on Top presents eleven shorts that explore the history of film. In the Neighborhood is human stories of love, death and life-changing moments and includes Oscar Hudson’s LORD AND LIDL, where God unexpectedly shows up at the supermarket. London Calling is a selection of shorts from some of the capital’s most exciting new filmmakers and is supported by Film London. Sound Mirrors features nine diverse shorts all on a musical theme and Animated Shorts for Younger Audiences bring together a mix of exciting stories from around the world to surprise and delight children and adults alike.   TREASURES Treasures bring recently restored cinematic riches from archives around the world to the Festival in London. The previously announced Archive Gala is the World Premiere of the BFI National Archive restoration of A.V. Bramble and Anthony Asquith’s silent film SHOOTING STARS (1928), presented with a new live score by John Altman, BAFTA and Emmy award-winning composer whose work includes Titanic and Goldeneye. Asquith’s feature debut not only announced the arrival of a significant new director, it is an exuberant, joyful pastiche of the movie industry and is a fascinating behind-the-scenes glimpse and searing comment on the shallowness of the star system. The film restoration and new score is supported by a number of generous individuals, trusts and organizations. A number of other major restorations will have their World Premieres at the Festival: Carol Reed’s atmospheric Graham Greene adaptation of OUR MAN IN HAVANA (1959), set in Cuba at the start of the Cold War, makes timely viewing as US/Cuba relations thaw; Ken Russell’s reworking of D.H. Lawrence scandalous classic WOMEN IN LOVE (1970) stars Oliver Reed, Alan Bates and Glenda Jackson and shows two couple’s contrasting searches for love, and was restored by the BFI National Archive working alongside cinematographer Billy Williams; A MAN FOR ALL SEASONS (1966) is directed by Fred Zinnemann from a script by great British screenwriter, Robert Bolt from Bolt’s play about Sir Thomas More, a perfect companion piece to Wolf Hall; Henry Fonda stars in the ripe-for-discovery WARLOCK (1959), a seething study of vengeance and repressed sexuality in a Utah mining outpost; and Bryan Forbes’ THE RAGING MOON (1971) starring Malcolm McDowell and Nanette Newman in a tender story between two young people in wheelchairs which was ahead of its time in its attempts to change attitudes to disability. From newsreels to comedy sketches, the 21 films that make up MAKE MORE NOISE! SUFFRAGETTES IN FILM (1934) are a historical accompaniment to our Opening Night film and a fascinating representation of women at the time that the battle for universal suffrage was being fought on the streets. Martin Scorsese said of Ousmane Sembène’s BLACK GIRL (1966): ‘An astonishing movie – so ferocious, so haunting and so unlike anything we’d ever seen. ’Sembène’s first feature, which tells the tragic story of Diouana, a young Senegalese women eager to find a better life, draws from the Nouvelle Vague, but the film’s heart and soul is definitely African. It is the perfect companion to Samba Gadjigo’s documentary SEMBÈNE! And for a lighter-hearted but no less majestic cinema experience, George Sidney’s breathlessly delightful KISS ME KATE (1953) brings the Cole Porter penned musical to screen, here in magnificent 3D. Rock and roll hall-of-famer Leon Russell is the heart of an ineffable, joyous collage of mesmerising live performance and vérité realism in A POEM IS A NAKED PERSON (1974), filmed between 1972-1974 by director Les Blank. Previously unavailable theatrically in the four decades since it was made. Other highlights include Mira Nair’s Oscar-nominated debut feature SALAAM BOMBAY! (1988); the Holy Grail of silent comedy shorts, a previously-thought-lost Laurel and Hardy THE BATTLE OF THE CENTURY (1927), and Luchino Visconti’s fully restored masterpiece ROCCO AND HIS BROTHERS (1960), starring Alain Delon in a grand emotional opus on imploding fraternal tensions.

    Read more


  • Fantastic Fest 2015 Reveals 2nd Wave of Films + Yorgos Lanthimos’ THE LOBSTER to Open

    Yorgos Lanthimos’ THE LOBSTER Fantastic Fest announced the second wave of films, including the US Premiere of Yorgos Lanthimos’ THE LOBSTER as the opening night film. Joining THE LOBSTER is a “dazzling” array of the year’s most anticipated genre films from directors including Ridley Scott’s sci-fi epic THE MARTIAN, Ben Wheatley’s HIGH-RISE and Jeremy Saulnier’s GREEN ROOM. The lineup also includes World Premieres from South Korea (Lee Sang-woo’s DIRTY ROMANCE), Denmark (Bo Mikklesen’s WHAT WE BECOME), United Kingdom (Gareth Bryn’s THE PASSING) and Puerto Rico (Angel Manuel Soto’s LA GRANJA). And for the first time in Fantastic Fest history, the festival is world premiering a film out of the United Arab Emirates, Majid Al Ansari’s electrifying cat-and-mouse thriller, ZINZANA. See below for the full lineup of newly announced film titles for Fantastic Fest 2015. APRIL AND THE EXTRAORDINARY WORLD France, Belgium, Canada, 2015 US Premiere, 90 min Director – Christian Desmares and Franck Ekinci In an alternate history where Napoleon’s heirs rule France, scientists and scholars have gone missing for years, leaving behind a world deprived of their technological innovations. In this land powered by coal and steam, young April searches for her missing scientist parents. ASSASSINATION CLASSROOM Japan, 2015 US Premiere, 110 min Director – Eiichiro Hasumi The most heart-warming, touching coming-of-age tale of 2015 just also happens to be the story of how one classroom of kids gets trained as assassins so they can kill their teacher before he destroys Earth. BASKIN Turkey, 2015 US Premiere, 97 min Director – Can Evrenol It’s a quiet night on the beat for a mobile unit of Turkish police until they’re called out to support a squad encountering trouble in a remote building. BELLADONNA OF SADNESS Japan, 1973 Regional Premiere, 86 min Director – Eiichi Yamamoto A young and in love Jeanne is attacked by the local lord and makes a pact with the Devil himself in one of the most important rediscoveries of this year. Never before released in the US, this seminal psychedelic masterpiece has been painstakingly restored in 4k digital. THE BRAND NEW TESTAMENT France/Belgium/Luxembourg, 2015 North American Premiere, 110 min Director – Jaco Van Dormael When Ea gets fed up with her overbearing father (who happens to be God), she decides to follow in her older brother’s footsteps by leaving the house, gathering her own apostles, and writing her own testament. THE CLUB Chile, 2015 US Premiere, 98 min Director – Pablo Larraín In a secluded Chilean village, four men lead a quiet life, trying to redeem themselves of their past sins. Their existence is threatened by the arrival of a man whose own secret may reveal all which the four have worked to forget. COZ OV MONI 2 Ghana/Romania, 2014 North American Premiere, 63 min Directors – King Henry Blackson & FOKN Bois Beaten, robbed and left for dead, Wanlov and M3NSA are back and looking for revenge. But first, singing. And lunch. Prepare yourself for “the world’s second first pidgin musical”! DEMON Poland/Israel, 2015 US Premiere, 94 min Director – Marcin Wrona A day after discovering human remains in the backyard of their new home, a man begins experiencing strange things which come to a head on his wedding night. DIRTY ROMANCE South Korea, 2015 World Premiere, 94 min Director – Lee Sang-woo In Lee Sang-woo’s follow up to last year’s I AM TRASH, Chul-joong is too busy forcing his friend to sexually please his developmentally disabled sister to notice someone may want to actually love her for who she is. EVOLUTION France, 2015 US Premiere, 81 min Director – Lucile Hadzihalilovic Lucile Hadzihalilovic returns to directing with a surreal tale of a young boy on a remote island who develops a mysterious illness and is subjected to sinister medical treatments. FEBRUARY United States/Canada, 2015 US Premiere, 93 min Director – Osgood Perkins The lives of two high school students will be linked together when they’re forced to stay at their boarding school over the winter break and an evil presence starts to stalk them. GREEN ROOM United States, 2015 US Premiere, 94 min Director – Jeremy Saulnier Green Room is a brilliantly crafted and wickedly fun horror-thriller starring Patrick Stewart as a diabolical club owner who squares off against an unsuspecting but resilient young punk band. GRIDLOCKED Canada, 2015 World Premiere, 110 min Director – Allan Ungar A tactical assault officer is saddled with a hard partying star out to rehabilitate his image – and avoid jail time – in this throwback to the odd couple buddy action flicks of the early ‘90s. HARD TO GET South Africa, 2014 Regional Premiere, 94 min Director – Zee Ntuli Supremely confident ladies man TK may have bitten off more than he can chew when he sets his sights on Skiets, a township beauty with an edge who sets the pair off on a non-stop rollercoaster ride through the local underworld. HIGH-RISE United Kingdom, 2016 US Premiere, 118 min Director – Ben Wheatley Laing, a young doctor, joins a community in a luxury building in Thatcher’s England, who exile themselves from society and gradually divide into violent tribes. THE KEEPING ROOM United States, 2015 Texas Premiere, 95 min Director – Daniel Barber In the waning days of the Civil War, three southern women (Brit Marling, Hailee Steinfeld and newcomer Muna Otaru) defend themselves from two Yankees in Daniel Barber’s second film. KLOVN FOREVER Denmark, 2015 International Premiere, 90 min Director – Mikkel Nørgaard Five years have passed since the first KLOWN, and with their friendship at risk of fracturing forever, Frank must follow Casper to America… with typically disastrous results. L’AFFAIRE SK1 France, 2014 Texas Premiere, 120 min Director – Frédéric Tellier Frederic Tellier’s tight police procedural recreates the events around the decade-long search and trial of “The Beast of the Bastille,” France’s first serial killer, who was tracked down using DNA evidence. LA GRANJA Puerto Rico, 2015 World Premiere, 100 min Director – Angel Manuel Soto The lives of a midwife, a young boxer, a mute kid and a young couple collide unexpectedly in a story about the desperate pursuit of happiness on the streets of Puerto Rico. LAZER TEAM United States, 2015 World Premiere, 93 min Director – Matt Hullum When Earth is threatened by an advanced alien race, our only hope lies in four morons, the self-proclaimed “Lazer Team.” THE LOBSTER Ireland, Greece, United Kingdom, France, Netherlands, 2015 US Premiere, 119 min Director – Yorgos Lanthimos Somewhere in the near future, single people face a choice: Join a program to find a mate in forty-five days or be transformed into an animal. LUDO India, 2015 US Premiere, 92 min Directors – Q & Nikon Time and space collide when a possessed game grabs hold of two friends eager for a sinful night of sex and drugs in Indian auteur Q’s first foray into horror. MAN VS SNAKE United States/Canada/Italy/Japan, 2015 World Premiere, 93 min Directors – Andrew Seklir and Tim Kinzy 1984. One shiny quarter. 44.5 hours of continuous play. The race to be the first gamer in history to score one BILLION points. Until recently, Timothy McVey (not the terrorist) thought he had — for all these years — held the world record on Nibbler. Note: a Nibbler cabinet will be available in the lobby for the duration of Fantastic Fest for attendees to attempt to break the current world record. THE MARTIAN United States, 2015 Special Screening, 120 min Director – Ridley Scott Get ready to be blown away by Fox’s latest action-packed 3D adventure, THE MARTIAN starring Matt Damon, Jessica Chastain, Chiwetel Ejiofor and Kristen Wiig with a special screening of the upcoming film directed by Ridley Scott. THE MARTIAN is the story of what happens during a manned mission to Mars, when Astronaut Mark Watney is presumed dead after a fierce storm and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive. Millions of miles away, NASA and a team of international scientists work tirelessly to bring “the Martian” home, while his crewmates concurrently plot a daring, if not impossible rescue mission. MEN AND CHICKEN Denmark, 2015 US Premiere, 100 min Director – Anders Thomas Jensen Mads Mikkelsen as only his longtime absurdist Danish collaborator Anders Thomas Jensen could conceive, a chronic masturbator with a hair-trigger temper, desperately searches for his true identity. THE MIND’S EYE United States, 2015 US Premiere, 87 min Director – Joe Begos On the heels of his Fantastic Fest debut ALMOST HUMAN, Joe Begos returns with a classic battle of good versus evil. A drifter with suppressed psychic powers must learn to unleash them to save the woman he loves. THE MISSING GIRL United States, 2015 US Premiere, 89 min Director – A.D.Calvo Mort, a lonely and disillusioned owner of a comic book shop, has fallen for his new employee Ellen, a smart, aspiring graphic novelist. A dark past and a missing girl, however, will complicate their story more than anyone can imagine. THE PASSING United Kingdom, 2015 World Premiere, 87 min Director – Gareth Bryn After their car is driven off the road and crashed into a river, a young couple on the run is taken in by a simple man living with his secrets in his isolated home. RABID DOGS France, 2015 US Premiere, 99 min Director – Eric Hannezo Four violent criminals escaping a robbery take a man, an ailing child and a young woman on a nightmarish road trip in this remake of Mario Bava’s near-lost Euro-crime nasty. RIVER Canada/Laos, 2015 US Premiere, 88 min Director – Jamie M. Dagg In the south of Laos, an American volunteer doctor becomes a fugitive after he intervenes in the sexual assault of a young woman. When the assailant’s body is pulled from the Mekong River, things quickly spiral out of control. TOO LATE United States, 2015 Regional Premiere, 107 min Director – Dennis Hauck A troubled private eye trawls through the belly of Los Angeles looking for a missing young woman, slowly revealing a careful web of intrigue, lies and connections. WHAT WE BECOME Denmark, 2015 World Premiere, 85 min Director – Bo Mikkelsen An idyllic suburban summer is shattered with the outbreak of an unexplained disease. With residents forced into quarantine with no explanation, the situation quickly spirals out of control. THE WITCH Canada/United States, 2015 Texas Premiere, 90 min Director – Robert Eggers Sixty years before the Salem witch trials, a Puritan moves his family away from civilization to a homestead which shares its borders with inescapable evil. YAKUZA APOCALYPSE Japan, 2015 Texas Premiere, 115 min Director – Takashi Miike After a yakuza vampire boss is struck down, his most loyal disciple takes it upon himself to avenge his mentor’s death and eliminate the assassins and their giant plush frog leader in Miike’s classic yakuza tale turned inside out. ZINZANA United Arab Emirates, Jordan, 2015 World Premiere, 91 min Director – Majid Al Ansari Talal wakes up in a cell with no memory of the night before with no I.D. and no escape. Nothing can prepare him, however, for the arrival of a brilliant psychopath and the games he wants to play.

    Read more


  • 12 Bold + Unique Films In Inaugural Platform Lineup of 40th Toronto International Film Festival

    Neon Bull (Boi Neon),  Gabriel Mascaro The 40th Toronto International Film Festival revealed the inaugural lineup for Platform, the new juried program that champions director’s cinema from around the world. “We created this new program as a way to sharpen our focus on artistically ambitious cinema in our 40th year and we are thrilled to be able to put the spotlight on these 12 brilliant filmmakers this September,” said Piers Handling, Director and CEO of TIFF. “They are major creative forces: the next generation of masters whose personal vision will captivate audiences, industry members and media from around the world.” “Each of the filmmakers in the program fearlessly transforms a wide range of compelling realities through their unique visual and narrative styles, and they do so with incredible command and precision,” said Cameron Bailey, Artistic Director of the Toronto International Film Festival. “From a stark coming-of-age story, a retro-futuristic science-fiction and a lyrical post-western to an abduction thriller, a raw documentary and hard-hitting and topical dramas, this lineup reflects the diversity of international directors’ cinema today.” Platform films will screen from Thursday, September 10 to Thursday, September 17. Each film will have its first screening for public, press and industry at the Visa Screening Room at the Elgin Theatre. An international jury composed of acclaimed filmmakers Jia Zhang-ke, Claire Denis and Agnieszka Holland will award the Toronto Platform Prize ($25,000 CAD) to the best film in the program, which will be announced at the Awards Ceremony on September 20, 2015. Bang Gang (A Modern Love Story) Eva Husson, France World Premiere Biarritz. Sixteen-year-old George, a beautiful high-school student, falls in love with Alex. To get his attention, she initiates a group game with Alex, Nikita, Laetitia and Gabriel during which they will discover, test, and push the limits of their sexuality. Through scandals, love and the breakdown of their value systems, each of them manages this intense period in radically different ways. Starring Daisy Broom, Fred Hotier, Lorenzo Lefebvre, Marilyn Lima, and Finnegan Oldfield. The Clan (El Clan) Pablo Trapero, Argentina/Spain North American Premiere The Clan (El Clan) Pablo Trapero, Within a typical family home in the traditional neighborhood of San Isidro, a sinister clan makes its living off kidnapping and murder. Arquímedes, the patriarch, heads and plans the operations. Alejandro, his eldest son, is a star rugby player who gives into his father’s will and identifies possible candidates for kidnapping. To a greater or lesser extent, the members of the family are accomplices in this dreadful venture as they live off the benefits yielded by the large ransoms paid by the families of their victims. Based on the true story of the Puccio family, this film full of suspense and intrigue takes place in the context of the final years of the Argentine military dictatorship and incipient return to democracy. Starring Guillermo Francella and Peter Lanzani. French Blood (Un Français) Diastème, France International Premiere This is the story of a Frenchman, born in 1965 on the outskirts of Paris. The story of a skinhead, who hates Arabs, Jews, blacks, communists and gays. An anger that will take 30 years to die out. A bastard, who will take 30 years to become someone else. And he will never forgive himself for it. Starring Alban Lenoir, Paul Hamy, Samuel Jouy and Patrick Pineau. Full Contact David Verbeek, Netherlands/Croatia World Premiere A contemporary tale of a man who accidentally bombed a school through a remotely operated drone plane. Modern warfare keeps Ivan safe and disconnected from his prey. But after this incident, this disconnectedness starts to apply to everything in his life. He is unable to process his overwhelming feelings of guilt, but needs to open up to his new love Cindy. Only by facing his victims can he rediscover his humanity and find a new purpose in life. Starring Grégoire Colin, Lizzie Brocheré and Slimane Dazi. High-Rise Ben Wheatley, United Kingdom World Premiere High-Rise Ben Wheatley 1975. Two miles west of London, Dr. Laing moves into his new apartment seeking soulless anonymity, only to find that the building’s residents have no intention of leaving him alone. Resigned to the complex social dynamics unfolding around him, Laing bites the bullet and becomes neighborly. As he struggles to establish his position, Laing’s good manners and sanity disintegrate along with the building. The lights go out and the elevators fail but the party goes on. People are the problem. Booze is the currency. Sex is the panacea. Starring Tom Hiddleston, Jeremy Irons, Sienna Miller, Luke Evans and Elisabeth Moss. HURT Alan Zweig, Canada World Premiere Steve Fonyo is a one-legged cancer survivor who completed a cross-Canada run raising $13 million in 1985. The next 30 years were straight downhill: petty theft, larceny and drug addiction. The run has nothing to do with the life of this one-time hero, and everything to do with it. Starring Steve Fonyo. Land of Mine (Under Sandet / Unter dem Sand) Martin Zandvliet, Denmark/Germany World Premiere A story never told before. WWII has ended. A group of German POWs captured by the Danish army, boys rather than men, are forced into a new kind of service under the command of a brusque Danish Sergeant. Risking life and limbs, the boys discover that the war is far from over. Starring Roland Møller, Louis Hofmann, Joel Basman, Emil Buschow, Oskar Buschow and Mikkel Boe Følsgaard. Looking for Grace Sue Brooks, Australia North American Premiere Grace, 16, runs away from home. Her parents, Dan and Denise, head off on the road across the Western Australian wheat belt with a retired detective, Norris, to try and get her back. But life unravels faster than they can put it back together. Grace, Dan and Denise learn that life is confusing and arbitrary, but wonderful. Starring Richard Roxburgh, Radha Mitchell, Odessa Young and Terry Norris. Neon Bull (Boi Neon) (pictured above) Gabriel Mascaro, Brazil/Uruguay/Netherlands North American Premiere Iremar and his makeshift family travel through Northeast Brazil taking care of bulls at the Vaquejadas, a Brazilian rodeo. But the region’s booming clothing industry has stirred new ambitions and filled Iremar’s mind with dreams of pattern-cutting and exquisite fabrics. Starring Juliano Cazarré, Aline Santana, Carlos Pessoa and Maeve Jinkings. The Promised Land (Hui Dao Bei Ai De Mei Yi Tian) He Ping, China World Premiere Ai Ling, growing up in a small town, loses her fiancé Jiang He in Beijing. After returning to her hometown with a broken heart, she has to face all the complications life and love have in store for her. Starring Jiajia Wang, Yi Zhang, and Zhiwen Wang. Sky Fabienne Berthaud, France/Germany World Premiere Romy is on holiday in the USA with her French husband, but the journey quickly turns into a settling of old scores for this worn out couple. After a huge argument, Romy decides to break free. She cuts her ties to a stable and secure life that has become alienating and escapes to the unknown. Drifting through a noisy Las Vegas to the wondrous high desert, she goes on with her solitary journey, abandoning herself to her sole intuitions and making it up as she goes. Liberated, she will cross paths with a charismatic and solitary man, with whom she’ll share an inconceivable but pure love. Starring Diane Kruger, Norman Reedus, Gilles Lellouche, Lena Dunham and Q’orianka Kilcher. The White Knights (Les Chevaliers Blancs) Joachim Lafosse, France/Belgium World Premiere Critically acclaimed Joachim Lafosse brings to the screen the Zoe’s Ark controversy which made headlines in 2007: a story about the limits of the right of interference. Jacques Arnault, head of Sud Secours NGO, is planning a high impact operation: he and his team are going to exfiltrate 300 orphans, victims of Chadian civil war and bring them to French adoption applicants. Françoise Dubois, a journalist, is invited to come along with them and handle the media coverage for this operation. Completely immersed in the brutal reality of a country at war, the NGO members start losing their convictions and are faced with the limits of humanitarian intervention. Starring Vincent Lindon, Valérie Donzelli, Reda Kateb, Louise Bourgoin and Rougalta Bintou Saleh. The 40th Toronto International Film Festival runs September 10 to 20, 2015.

    Read more


  • Eight Films Added to Official Selection of 2015 San Sebastian Festival

    21 NUITS AVEC PATTIE / 21 NIGHTS WITH PATTIE JEAN-MARIE LARRIEU, ARNAUD LARRIEU Eight films have been added to the competition for the Golden Shell at the upcoming 2015 San Sebastian Festival, running from September 18 to 26. Films include French directors Jean-Marie and Arnaud Larrieu’s new film 21 NUITS AVEC PATTIE / 21 NIGHTS WITH PATTIE, which tells the story of Caroline, a woman who cuts her vacation short to organize the funeral of her mother, Isabelle, who has died suddenly at her house in the Pyrenees. 21 NUITS AVEC PATTIE / 21 NIGHTS WITH PATTIE JEAN-MARIE LARRIEU, ARNAUD LARRIEU (FRANCE) (pictured above) French directors Jean-Marie and Arnaud Larrieu’s new film tells the story of Caroline, a woman who cuts her vacation short to organise the funeral of her mother, Isabelle, who has died suddenly at her house in the Pyrenees. She befriends Pattie who looks after her mother’s house. But her funeral preparations take an unexpected twist when her mother’s body mysteriously disappears. BAKEMONO NO KO / THE BOY AND THE BEAST MAMORU HOSODA (JAPAN) The latest film from the master of anime, Mamoru Hosoda is the first animatied film to compete at the San Sebastian Film Festival Official Selection. Kyuta is a solitary boy who lives in Tokyo, and Kumatetsu is a supernatural creature isolated in an imaginary world. One day the boy crosses the border into the imaginary world and makes friends with Kumatetsu, who becomes his friend and spiritual guide. The encounter opens the way to all sorts of adventures. LES DÉMONS / THE DEMONS PHILIPPE LESAGE (CANADA) The Demons, directed by Quebec director Philippe Lesage While a series of kidnappings of young boys is raging in Montreal, Felix, 10, finished school in Old Longueuil, an ordinary suburb of peaceful appearance. Imaginative and sensitive, Felix, like many children, is afraid of everything. Little by little, the childhood imaginary demons mix with demons of a disturbing reality. EVOLUTION LUCILE HADZIHALILOVIC (FRANCE – BELGIUM – SPAIN) After winning the New Directors award in 2004 with Innocence, Lucile Hadzihalilovic returns to the San Sebastian Festival with her new film. On a remote island inhabited solely by women and young boys, Nicolas and the other boys are subjected to mysterious and sinister medical treatments. HIGH-RISE BEN WHEATLEY (UK) British director Ben Wheatley presents his last work, based on J.G. Ballard’s novel of the same name. Dr. Robert Laing moves into his new apartment seeking soulless anonymity, only to find that the building’s residents have no intention of leaving him alone. As he struggles to establish his position, Laing’s good manners and sanity disintegrate along with the building. MOIRA LEVAN TUTBERIDZE (GEORGIA) This is a dramatic story of the family living in the seaside city. After Mamuka is released from prison, he tries to rescue his family from poverty. His mother is working abroad, his father is wheelchair-ridden, and his unemployed younger brother appears to be attracted by criminals. Mamuka takes a loan and buys a small fishing boat. But fate is often blind and merciless SPARROWS RÚNAR RÚNARSSON (ICELAND – DENMARK – CROATIA) A coming-of-age story about the 16-year old boy Ari, who has been living with his mother in Reykjavik and is suddenly sent back to the remote Westfjords to live with his father Gunnar. There, he has to navigate a difficult relationship with his father, and he finds his childhood friends changed. In these hopeless and declining surroundings, Ari has to step up and find his way. SUNSET SONG TERENCE DAVIES (UK – LUXEMBOURG) SUNSET SONG TERENCE DAVIES An intimate epic of hope, tragedy and love at the dawning of the Great War, adapted from the Scottish novel by Lewis Grassic Gibbon and directed by Terence Davies. These titles join the Official Selection to the Spanish productions already announced: AMAMA (Amama: When a tree falls) – Asier Altuna EL APÓSTATA (The Apostate) – Federico Veiroj UN DIA PERFECTE PER VOLAR – Marc Recha EVA NO DUERME (Eva doesn´t sleep) – Pablo Agüero EL REY DE LA HABANA (The king of Havana) – Agustí Villaronga TRUMAN – Cesc Gay MI GRAN NOCHE – Álex de la Iglesia (Not in competition) LEJOS DEL MAR (Far from the sea) – Imanol Uribe (Special screenings) NO ESTAMOS SOLOS – Pere Joan Ventura (Special screenings)

    Read more