Long Day’s Journey Into Night (Di qiu zui hou de ye wan)(2018)

  • PARASITE and STATE FUNERAL Top Film Comment’s 2019 End-of-Year Survey

    State Funeral directed by Sergei Loznitsa
    State Funeral directed by Sergei Loznitsa

    Bong Joon Ho’s Parasite took the top spot among films released in 2019 in Film Comment’s annual end-of-year survey. Of the films that screened at festivals worldwide but have not announced stateside distribution, Sergei Loznitsa’s State Funeral, Eloy Enciso Cachafeiro’s Endless Night, and Kiyoshi Kurosawa’s To the Ends of the Earth received the top rankings.

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  • Traverse City Film Festival Releases 2019 Lineup, BRITTANY RUNS A MARATHON, Kathy Griffin

    Jillian Bell appears in BRITTANY RUNS A MARATHON by Paul Downs Colaizzo | photo by Jon Pack.
    Jillian Bell appears in BRITTANY RUNS A MARATHON by Paul Downs Colaizzo | photo by Jon Pack.

    Traverse City Film Festival released the 2019 program marking the 15th Anniversary Year with a “Cinema Saves The World” theme, and featuring over 200 films and events. The Festival opens with BRITTANY RUNS A MARATHON; AFTER THE WEDDING as Centerpiece; and closes with BLINDED BY THE LIGHT.

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  • New Zealand International Film Festival 2019 Reveals First Five Films and Poster

    New Zealand International Film Festival 2019 Poster
    New Zealand International Film Festival 2019 Poster. Illustration by Ken Samonte, design by Ocean Design

    New Zealand International Film Festival revealed the poster and the first five films from the 2019 program, which will screen in Auckland from July 18, and in Wellington from July 26..

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  • International Film Festival Rotterdam Reveals 47 Films in 2019 Bright Future

    The Yellow Night (A Noite Amarela)
    The Yellow Night (A Noite Amarela)

    International Film Festival Rotterdam (IFFR) revealed the complete selection of 47 feature films from all over the world in its Bright Future section, the festival’s home for upcoming filmmakers with their own style and vision. All feature film debuts that have their world or international premiere in Bright Future are selected for the Bright Future Competition and vie for a €10,000 award.

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  • 2019 Palm Springs International Film Festival to Screen 223 Films, Opens with Kenneth Branagh’s ALL IS TRUE

    All is True 
    All is True 

    The 30th annual Palm Springs International Film Festival (PSIFF) will open with All is True directed by Kenneth Branagh on Friday, January 4,  and close with Ladies in Black, directed by Bruce Beresford on Sunday, January 13. The Festival will screen 223 films from 78 countries, with a focus on cinema from France, India and Mexico, Premieres, Talking Pictures, Book to Screen, Special Presentations, FLOS: Foreign Language Oscar Submissions, Gay!La, Local Spotlight, Modern Masters, True Stories, World Cinema Now, a 30-film retrospective of selections from past festivals and more.

    In All is True, Kenneth Branagh, Judi Dench and Ian McKellen star in Branagh’s intimate, revelatory portrait of William Shakespeare in the last act of his life. His career over, he returns to his home in Stratford-upon-Avon to encounter old ghosts, old loves, and his resentful family. Branagh is expected to attend. 

    Ladies in Black, set in Sydney in 1959, Oscar®-nominated writer/director Bruce Beresford takes us back to the heyday of glamorous upscale department stores, when a concierge met you at the door and clerks wore gloves. The film from Lumila Films stars Julia Ormond, Angourie Rice, Rachael Taylor, Ryan Corr, Shane Jacobson and Alison McGirr. Beresford, Ormond, Taylor and McGirr are expected to attend. 

    30th Palm Springs International Film Festival Film Lineup

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  • International Film Festival Rotterdam Reveals First Films in 2019 Bright Future Program

    [caption id="attachment_33089" align="aligncenter" width="1200"]Thirty (Dreissig) by Simona Kostova Thirty (Dreissig) by Simona Kostova[/caption] International Film Festival Rotterdam (IFFR) revealed the first films for in the 2019 Bright Future program that spotlights upcoming filmmakers with their own style and vision. The Bright Future section comprises features, mid-lengths and shorts, and includes the feature film debuts competing for the Bright Future Award worth €10,000. Among the films selected so far are the world premieres of Viktor van der Valk’s neo-noir Nocturne (the Netherlands); Argentinian actress Romina Paula’s directing debut De nuevo otra vez; Ico Costa’s debut feature Alva (from the producers of Djon África, which was in IFFR 2018’s Tiger Competition); and Dreissig by Berlin-based filmmaker Simona Kostova. The international premiere of Fabiana, Brunna Laboissière’s portrait of a transgender truck driver, also screens in the Bright Future Competition. In addition to feature films, IFFR’s Bright Future section devotes plenty of space to mid-length and short films. Titles confirmed for Bright Future Mid-length include Derrière les volets by Messaline Raverdy and the world premiere of L’inconnu de Collegno by Maïder Fortuné. Stefano Canapa’s The Sound Drifts and Lawrence Abu Hamdan’s Walled Unwalled will both world premiere in Bright Future Short. The full Bright Future line-up will consist of approximately 50 feature films. The eight films in Tiger Competition, which is also part of the Bright Future section, will be announced early January 2019.

    Bright Future Competition

    Algiers By Night, Yanis Koussim, 2019, Algeria/France/Norway/Qatar, world premiere. As the sun sets over Algiers, a young photographer and various creatures of the night start to emerge. Alva, Ico Costa, 2019, Portugal/France/Argentina, world premiere. After his children are taken away by social services, a troubled loner seeks revenge and flees into the inhospitable forest. De nuevo otra vez/Again Once Again, Romina Paula, 2019, Argentina, world premiere. A delicate self-portrait about aging, maternity and sexuality. Romina Paula fictionalizes reality and explores being a daughter and new mother. Dreissig/Thirty, Simona Kostova, 2019, Germany, world premiere. Twenty-four hours in the lives of a group of colorful Berliners in their late twenties/early thirties, oscillating between a carefree existence and emptiness. Fabiana, Brunna Laboissière, 2018, Brazil, international premiere. As she approaches retirement, a transgender truck driver looks back on her life on the road, with a different sweetheart in every town Nocturne, Viktor van der Valk, 2019, Netherlands, world premiere. Lyrical film noir about two producers, an investor, a deadline, a woman, a gun and a hopelessly romantic boy. A volta ao mundo quando tinhas 30 anos/Around the World When You Were My Age, Aya Koretzky, 2018, Portugal, international premiere. Loving, captivating portrait of the director’s father based on the latter’s 1970 round the world journey.

    Bright Future

    Black Mother, Khalik Allah, 2018, Jamaica/USA Life’s key elements come together in this visual film symphony and ode to today’s colorful Jamaica. Core of the World, Natalya Meshchaninova, 2018, Russia/Lithuania Compassion and cruelty are not far apart in the work of a shy vet at a Russian stock farm. The Day I Lost My Shadow, Soudade Kaadan, 2018, Lebanon A young Syrian mother’s search for bottled gas ends in a panic-stricken journey. Awarded Best Debut in Venice. Introduzione all’oscuro, Gastón Solnicki, 2018, Argentina/Austria A personal, cinematic gesture born of sadness over the death of a friend. It’s also a unique guide to Viennese culture. The Load, Ognjen Glavonić, 2018, Serbia/France/Croatia/Iran/Qatar During the NATO bombardments of 1999, a truck driver has to take a mysterious load to Belgrade. Subtle narrative bursting with menace. Long Day’s Journey Into Night, Bi Gan, 2018, China/France Past and present intertwine in this visually stunning, partially 3D second film by Chinese talent Bi Gan. The Man Who Surprised Everyone, Aleksey Chupov/Natasha Merkulova, 2018, Russia/Estonia/France A terminally ill forest ranger wants to live out his final months as a woman. In a remote Siberian community he pays dearly. Nona. If They Soak Me, I’ll Burn Them, Camila José Donoso, 2019, Chile, world premiere.  A hybrid fiction featuring the director’s intriguing grandmother as an anarchist warrior in a Chilean town ravaged by forest fires. The Proposal, Jill Magid, 2018, USA Strange things happen in the struggle to make the hidden archives of architect Luis Barragán public again. The Seven Last Words, Kaveh Nabatian/Ariane Lorrain/Sophie Goyette/Juan Andrés Arango/Sophie Deraspe/Karl Lemieux/Caroline Monnet, 2019, Canada, world premiere.  Challenging and varied omnibus film by seven Canadian filmmakers, inspired by Joseph Haydn’s composition around the last words of Jesus. Sophia Antipolis, Virgil Vernier, 2018, France In southern France, mysterious links appear in the fortunes of five people connected to an elusive young woman called Sophia. Tarde para morir joven/Too Late to Die Young, Dominga Sotomayor, 2018, Chile/Brazil/Argentina/Netherlands/Qatar Coming-of-age story about three Chilean teenagers reflects the growing pains of Chile’s new democracy in the early 1990s.

    Bright Future Mid-length

    Derrière les volets, Messaline Raverdy, 2018, Belgium Poetic research into the Raverdy coffee plant as a record for the next generation. The filmmaker searches for her past and the women in the factory. L’inconnu de Collegno, Maïder Fortuné, 2019, France, world premiere.  In an attempt to reveal his past, a man is interrogated in an empty room. Several characters are brought in to solve the mystery.

    Bright Future Short

    Fog, Inger Lise Hansen, 2018, Norway The spectacle of fog appearing in Oslo, the Azores, Beijing and Newfoundland, beautifully captured in various film formats. The Sound Drifts, Stefano Canapa, 2019, France, world premiere.  Hypnotizing audio tracks dance to the soundtrack of Canapa’s previous film about Jérôme Noetinger, Metamkine’s sound artist. Cinema for your ears! Van ver staat het stil/Still from afar, Eva van Tongeren, 2018, Belgium, international premiere.  An exchange of letters between the filmmaker and a pedophile evokes powerful emotions. But she wants to understand his motives. Walled Unwalled, Lawrence Abu Hamdan, 2019, Lebanon, world premiere.  A monologue staged inside a trio of Cold War Era sound effect studios in East Berlin unfolding a narrative derived from legal cases that revolve around evidence heard or experienced through walls. what remains, belit sağ, 2019, Netherlands, world premiere Many people in the Kurdish city of Cizre are trapped between life and death. belit sağ conjures up apparitions in her images.

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  • First Films Confirmed for 2019 International Film Festival Rotterdam

    [caption id="attachment_32564" align="aligncenter" width="2048"]The Day I Lost My Shadow The Day I Lost My Shadow[/caption] As the 48th edition of International Film Festival Rotterdam (IFFR) fast approaches, the festival is announcing the first 26 confirmed titles, including new films by Claire Denis, Jia Zhangke and Garin Nugroho.  IFFR 2019 will take place from January23 to February 3, 2019. The confirmed titles include the world premiere of Simona Kostova’s Dreissig and the international premiere of Fabienne Godet’s Nos vies formidables. Other filmmakers on the selection list so far are Nadine Labaki with her new film Capernaum and Khalik Allah with his Black Mother, a piercing reflection on Jamaican identity which won the Yellow Robin Award at Curaçao IFFR in April 2018. BNK48: Girls Don’t Cry, a European premiere, is a remarkable documentary feature by Nawapol Thamrongrattanarit chronicling the intense lives of a group of pop singers living together in Bangkok. And with I diari di Angela – Noi due cineasti Yervant Gianikian has created a moving portrait of his partner in cinema Angela Ricci Lucchi, who passed away in 2018. Three of the films selected so far received support from IFFR’s Hubert Bals Fund (HBF) in previous years: The Day I Lost My Shadow by Soudade Kaadan and Rafiki by Wanuri Kahiu in 2016, The Load by Ognjen Glavonić in 2013. IFFR celebrates film art from all over the world and presents its program within four sections, each with its own distinct character: Bright Future (including the Tiger Competition and the Ammodo Tiger Short Competition), Voices, Deep Focus and Perspectives. Short films are strongly represented throughout all sections. Festival director Bero Beyer: “We’re delighted to present an appealing and rich first selection of titles to screen at our upcoming festival. There are names we’ve seen before in Rotterdam, and ones that are brand new. Together they exemplify the type of bold and daring cinema we like to celebrate at IFFR.”

    Bright Future

    Black Mother, Khalik Allah, 2018, Jamaica/USA Core of the World, Natalia Meshchaninova, 2018, Russia/Lithuania The Day I Lost My Shadow, Soudade Kaadan, 2018, Lebanon (supported by HBF in 2016) Dreissig/Thirty, Simona Kostova, 2019, Germany, world premiere The Load, Ognjen Glavonić, 2018, Serbia/France/Croatia/Iran/Qatar (supported by HBF in 2013) Long Day’s Journey Into Night, Bi Gan, 2018, China/France The Proposal, Jill Magid, 2018, USA

    Voices

    BNK48: Girls Don’t Cry, Nawapol Thamrongrattanarit, 2018, Thailand, European premiere Knife + Heart, Yann Gonzalez, 2018, France/Mexico Memories of My Body, Garin Nugroho, 2018, Indonesia The Mountain, Rick Alverson, 2018, USA Nos vies formidables/Our Wonderful Lives, Fabienne Godet, 2018, France, international premiere Tel Aviv on Fire, Sameh Zoabi, 2018, Israel/France/Luxembourg/Belgium

    Voices: Limelight

    Ash Is Purest White, Jia Zhangke, 2018, China/France De Camino – Een feature-length selfie, Martin de Vries, 2019, Netherlands, world premiere Capernaum, Nadine Labaki, 2018, Lebanon Leto/Summer, Kirill Serebrennikov, 2018, Russia/France Rafiki, Wanuri Kahiu, 2018, Kenya/South Africa (supported by HBF in 2016)

    Deep focus

    High Life, Claire Denis, 2018, Germany/France/USA/United Kingdom/Poland I diari di Angela – Noi due cineasti, Yervant Gianikian, 2018, Italy

    Short films

    Anteu, João Vladimiro, 2018, Portugal/France Lost Tune, Reetu Sattar, 2019, Bangladesh, world premiere Primeiro ato/First Act, Matheus Parizi, 2019, Brazil, world premiere Pwdre Ser (the rot of stars), Charlotte Pryce, 2019, USA, world premiere Salt, Pepper to Taste, Teymur Hajiyev, 2019, Azerbaijan, world premiere Van ver staat het stil/Still from afar, Eva van Tongeren, 2018, Belgium, international premiere

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  • 2018 St. Louis International Film Festival to Screen 413 Films + Opening Night Premiere of DESTROYER

    [caption id="attachment_31640" align="aligncenter" width="1200"]DESTROYER Starring Nicole Kidman DESTROYER Starring Nicole Kidman[/caption] The 27th Whitaker St. Louis International Film Festival (SLIFF) will run November 1 to 11, and screen 413 films: 88 narrative features, 77 documentary features, and 248 shorts. The fest also will feature 14 special-event programs, including the closing-night awards presentation. The festival will kick off on Thursday, November 1, with the local premiere of “Destroyer,” directed by former St. Louisan Karyn Kusama, who will attend the screening. SLIFF will present the usual array of fest buzz films and Oscar contenders, including “3 Faces,” “Ash Is Purest White,” “Ben Is Back,” “Boy Erased,” “Capernaum,” “The Captain,” “The Chaperone,” “Cold War,” “Destroyer,” “Diane,” “Dogman,” “Everybody Knows,” “The Front Runner,” “Green Book,” “If Beale Street Could Talk,” “The Image Book,” “Little Woods,” “Long Day’s Journey Into Night,” “Mapplethorpe,” “Non-Fiction,” “Shoplifters,” “Support the Girls,” “Transit,” “Vox Lux,” “Widows,” “Wildlife,” and “Zama.” The festival will honor seven significant film figures with the annual awards: Joe Edwards and John Goodman with Lifetime Achievement Awards;  Jason Reitman with a Contemporary Cinema Award Jim Finn, Jane Gillooly, and Karyn Kusama with Charles Guggenheim Cinema St. Louis Awards; and Melanie Mayron with a Women in Film Award. As part of the fest’s ongoing response to the Ferguson uprising, SLIFF again will feature a major stream of programming entitled Race in America: The Black Experience and offer a third edition of Mean Streets: Viewing the Divided City Through the Lens of Film and Television, which addresses the persistent issue of segregation.

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  • THE SISTERS BROTHERS Starring Jake Gyllenhaal, Joaquin Phoenix to Open Calgary International Film Festival [Trailer]

    The Sisters Brothers The western Canadian premiere for a tale of the Wild West, The Sisters Brothers, directed by Jacques Audiard, with an all-star cast of John C. Reilly, Joaquin Phoenix, Riz Ahmed and Jake Gyllenhaal, will open the Calgary International Film Festival on Wednesday, September 19. Set during the Gold Rush of 1851, a pair of notorious, deadly assassins hunt an idealistic prospector who has discovered a chemical formula that reveals hidden gold. The Sisters Brothers bicker, fight and drink their way through a series of peculiar and perilous misadventures, while wrestling with their violent calling and dark past. “Based on the bestselling, award-winning novel by Canadian author Patrick deWitt, and directed by the winner of the Cannes Palme d’Or for 2015’s Dheepan, The Sisters Brothers is an instant Western classic,” said Stephen Schroeder, Executive Director of the Calgary International Film Festival. “It’s a darkly comic odyssey through the absurdity, grit and melancholy of the American frontier, rich with dreamlike visions, human tenderness and inevitable bursts of violence.” https://www.youtube.com/watch?v=3OwvqKwTKmE The 19th Annual Calgary International Film Festival has 178 films in its full lineup, including all shorts, features, and collaboration screenings. This year the festival enjoyed a record-breaking 1912 paid submissions, compared with 1598 last year. 32 films have a first-time feature director. Approximately 30% of all booked features are Canadian (32 out of 103 total features). 56 films at the festival have a female director. Here are some more films (not yet previously announced): OF FATHERS AND SONS directed by Tala Derki I’LL TAKE YOUR DEAD directed by Chad Archibald LONG DAY’S JOURNEY INTO NIGHT directed by Bi Gan THE SISTERS BROTHERS directed by Jacques Audiard WE, THE DEAD (AQÉRAT) directed by Edmund Yeo THE WOMAN WHO LOVES GIRAFFES directed by Alison Reid

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  • THE WOLF HOUSE Among 9 New Films Added to Zabaltegi-Tabakalera Lineup of 2018 San Sebastian Film Festival

    [caption id="attachment_31504" align="aligncenter" width="1200"]La casa lobo (The Wolf House) La casa lobo (The Wolf House)[/caption] Nine new films join the Zabaltegi-Tabakalera competition at the 66th San Sebastian Film Festival’s most open competitive section bringing the number of films competing for the Zabaltegi-Tabakalera Award to 18. Zabaltegi-Tabakalera will include the presentation of Kraben Rahu / Manta Ray, following its showing at Venice and Toronto. The first work by Phuttiphong Aroonpheng (Bangkok, 1976) brings the story of a fisherman who rescues a wounded, unconscious man from the forest and develops an unspoken connection with him. The second feature film Di qiu zui hou de ye wan / Long Day’s Journey into Night, by Bi Gan (Kaili, China, 1989), after his award-winning debut, Kaili Blues, premiered in Un Certain Regard. The film narrates a man’s return to the town of his birth in search of a woman. The animated stop-motion feature film La casa lobo (The Wolf House), by Cristobal León (Santiago de Chile, 1980) and Joaquín Cociña (Concepción, Chile, 1980), has been selected for international festivals including the Berlinale and Annecy, and has received several mentions and distinctions. The debut from León and Cociña tells the tale of a young girl who takes refuge in a house in Southern Chile on escaping from a Germany colony. Sophia Antipolis, second feature from the director of Mercuriales, Virgil Vernier (Paris, 1976) premiered at Locarno in the Cineasti del Presente section. The French actor and filmmaker analyses a community in a strange territory between the Mediterranean, the forest and the mountain. Joining the already-announced Los que desean (Those Who Desire, Elena López Riera) and 592 metroz goiti (Above 592 metres, Maddi Barber), are the short films De Natura, by Lucile Hadzihalilovic (Lyon, 1961), winner in 2004 of the New Directors award for her first film, Innocence, and who returned to San Sebastian’s Official Selection in 2015 with her second film, Evolution, winner of the Jury Special Prize; The Men Behind the Wall, by Inés Moldavsky (Buenos Aires, 1987), premiered at Berlin, about a woman living in Israel and the men she contacts in the West Bank using Tinder; and Sobre cosas que me han pasado, by José Luis Torres Leiva (Chile, 1975), his third participation in the section following El viento sabe que vuelvo a casa (The Winds Know that I’m Coming Back Home, 2016) and El sueño de Ana (2017). The short film Song for the Jungle by Jean-Gabriel Périot, shot in Calais, where thousands of migrants wait to go to England will also be screened. The first feature by Périot (Bellac, France, 1974), Una jeunesse allemande / A German Youth, opened the Panorama section of the Berlinale and was selected for Zabaltegi, and the second, Natsu no hikari – Lumières d’été / Summer Lights, competed in the New Directors section in 2016. These additions bring the number of films competing for the Zabaltegi-Tabakalera Award to 18, including the productions Coincoin et les z’Inhumains / Coincoin and the Extra-humans (Bruno Dumont), Las hijas del fuego (The Daughters of Fire, Albertina Carri), Le livre d’image / The Image Book (Jean-Luc Godard), Da xiang xi di er zuo / An Elephant Sitting Still (Hu Bo), Belmonte (Federico Veiroj), Trote (Trot, Xacio Baño) and Teatro de guerra (Theatre of War, Lola Arias). BERGMAN — ETT AR, ETT LIV / BERGMAN – A YEAR IN A LIFE JANE MAGNUSSON (SWEDEN) A documentary about Ingmar Bergman focussing on a hugely important year in his career, 1957, when he directed the masterpieces Det sjunde inseglet (The Seventh Seal) and Smultronstället (Wild Strawberries). However, more than simply looking at Bergman’s artistic facet, it addresses his private life like never before, particularly his stormy sentimental relationship with women, including several of the actresses he worked with. DE NATURA Short film LUCILE HADZIHALILOVIC (ROMANIA) Cast: Mihaela Manta, Maria Manta De Natura is an improvised poem, a peaceful and cheerful walk of two little girls in the middle of the nature, away from the eyes of grown-ups. But then, the joy starts disappearing gradually, the reverie becomes nostalgia, while at the edge of the road, among the summer’s putrescence fruits, some faint faces appear. The cycle of life does not lessen the magic of the world, whether it is lit by the moon or by the sun. DI QIU ZUI HOU DE YE WAN / LONG DAY’S JOURNEY INTO NIGHT BI GAN (CHINA) Cast: Sylvia Chang, Yongzhong Chen, Jue Huang Luo Hongwu returns to Kaili, the city of his birth, from which he fled years back. He sets out to find the woman he loved, and has never been able to forget. She told him her name was Wan Quiwen… KRABEN RAHU / MANTA RAY PHUTTIPHONG AROONPHENG (THAILAND – FRANCE) Cast: Wanlop Rungkamjad, Aphisit Hama, Rasmee Wayrana Near a coastal village of Thailand, by the sea where thousands of Rohingya refugees have drowned, a local fisherman finds an injured man lying unconscious in the forest. He rescues the stranger, who doesn’t speak a word, offers him his friendship and names him Thongchai. But when the fisherman suddenly disappears at sea, Thongchai slowly begins to take over his friend’s life – his house, his job and his ex-wife… LA CASA LOBO (THE WOLF HOUSE) CRISTÓBAL LEÓN, JOAQUÍN COCIÑA (CHILE) Young Maria seeks shelter in a big house after escaping from a sect of religious fanatics in Chile. There she is taken in by two pigs, its only inhabitants. Like in a dream, the universe of the house reacts to Maria’s feelings. The animals slowly morph into humans and the house into a nightmarish world. Inspired in the Colonia Dignidad case, La casa lobo (The Wolf House) seems to be an animated fairy tale produced by the sect leader to indoctrinate his followers. THE MEN BEHIND THE WALL Short film INÉS MOLDAVSKY (ISRAEL) Tinder. Woman seeks men. Man seeks women. Everything would be so simple if she weren’t in Israel and the guys nearby weren’t in the West Bank. Israeli filmmaker Ines Moldavsky sets out to meet up with the men that she is forbidden by law to see. She crosses the border into the West Bank to experience the personally unfamiliar physical space. The conversations revolve around virtual phone calls and physical encounters. Violence resonates in the search for a violation of boundaries. SOBRE COSAS QUE ME HAN PASADO Short film JOSÉ LUIS TORRES LEIVA (CHILE) Cast: Claudio Riveros Sobre cosas que me han pasado is based on the book by author Marcelo Matthey, narrating his own life in a style reminiscent of school compositions. His constant strolls through streets, houses and beaches are recorded in notes of what he saw, felt or thought during these wanderings or moments, but almost only recalling the processes, the timeline in which things occur and come to mind, the trail of associations coming one after the other, like the steps of a person walking along a street. Immediate impressions, fleeting moments normally lost in time and which are captured in the images and sounds of this short film. SONG FOR THE JUNGLE Short film JEAN-GABRIEL PÉRIOT (FRANCE) Calais a few weeks before its clearing: The Jungle is a place where thousands of migrants live and wait to go to England, or just for somebody to take care of them. They wander in this abandoned place, hoping to survive our indifference. SOPHIA ANTIPOLIS VIRGIL VERNIER (FRANCE) Cast: Dewi Kunetz, Sandra Poitoux, Hugues Njiba-Mukuna, Bruck, Lilith Grasmug Sophia Antipolis: a technopole on the French Riviera, a place where dreams should come true. But fear and despair lurk beneath the surface. Under a deceitful sun, five lives map out the haunting story of a young woman: Sophia.

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  • Toronto International Film Festival Unveils 2018 Wavelengths Program of 43 Experimental Films

    [caption id="attachment_31419" align="aligncenter" width="1200"]What You Gonna Do When the World’s on Fire? What You Gonna Do When the World’s on Fire?[/caption] The Toronto International Film Festival unveiled the 18th edition of it’s Wavelengths program showing adventurous and carefully curated lineup of shorts and feature films from around the world.  This year’s selection of 43 films, comprises 4 programs of experimental short films, 2 curated pairings, and 10 features, each contributing to an exciting, diverse lineup of moving-image art. Wavelengths ’18 offers trenchant reflections on home, memory, and a world in flux through artistic narratives produced by a mix of emerging talent and contemporary masters and working across a variety of inventive styles. Fiction highlights include Bi Gan’s dazzling and mysterious Long Day’s Journey Into Night, a dreamy neo-noir about memories, passion, and the malleability of time that received critical acclaim at Cannes; the beautiful and intimate RAY & LIZ, the searing debut feature by Richard Billingham, Turner Prize–nominated photographer-turned-filmmaker, inspired by his family and his own Thatcher-era childhood memories; and Mariano Llinás’ epic 14-hour drama La Flor — the longest film in Argentine history — which took nearly a decade to produce and which explores the possibilities of cinematic narrative through impressive and ingenious experiments in acting and genre. Wavelengths will showcase several astonishing and sure-to-be landmark documentaries, including master Chinese filmmaker Wang Bing’s powerful Dead Souls, a momentous, eight-hour documentary that offers sobering testimonials of experiences in China’s forced re-education camps in the 1950s; the World Premiere of the stunningly shot The Stone Speakers by Igor Drljača, a compelling documentary about faith, tourism, shifting industries, and competing historical narratives in Bosnia and Herzegovina; the provocative and powerful What You Gonna Do When the World’s on Fire? by the returning Roberto Minervini, a fiery portrayal of Black life in the American South; the gripping found-footage film The Trial by Festival mainstay Sergei Loznitsa, which assembles original material from a show trial conducted under Stalin’s Soviet government in 1930s Moscow; and the elegant, moving Erased,___Ascent of the Invisible by Ghassan Halwani, a personal-essay film by the animator of The Lebanese Rocket Society (Wavelengths 2012) inspired by the distorted image of a mysterious man thought to have disappeared many years ago in Beirut. Andrea Bussmann’s solo debut, Fausto, and Jodie Mack’s The Grand Bizarre are two of this year’s most exhilarating cinematic experiments; they defy categorization as they meld documentary inquiry with inspired audio-visual expressions, ranging from the mythical to the musical. Short-film highlights include new works by Apichatpong Weerasethakul, Abraaj Group Art Prize winner Lawrence Abu Hamdan, Nathaniel Dorsky, Mary Helena Clark, Laida Lertxundi, Ben Rivers, Kevin Jerome Everson, Laura Huertas Millán, and more. The programme also features the World Premiere of artist-filmmaker Beatrice Gibson’s I Hope I’m Loud When I’m Dead, a KW Production Series co-commission with Mercer Union (Toronto), Camden Arts Centre (London), and Bergen Kunsthall (Bergen), which is supported by the Julia Stoschek Foundation and Outset Germany_Switzerland and which features appearances by poets Eileen Myles and CAConrad. Wavelengths will also present a number of historical restorations and rediscoveries. This year’s archival selections include the previously unseen 1986 Summer (1986), by Japanese avant-garde titan Toshio Matsumoto; Lisa Baumgardner’s punchy Girl Pack (1981), recently restored by the Museum of Modern Art in New York; and the fascinating and idiosyncratic portrait film Alice (1974), directed by Austrian painter and filmmaker Maria Lassnig as part of her Soul Sisters series. The 43rd Toronto International Film Festival runs from September 6 to 16, 2018.

    WAVELENGTHS SHORT FILM PROGRAMS

    Wavelengths 1: Earth, Wind & Fire

    Polly One Kevin Jerome Everson | USA | Canadian Premiere Blue Apichatpong Weerasethakul | France/Thailand | International Premiere Fainting Spells Sky Hopinka | Ho-Chunk Nation/USA | International Premiere Prologue to the Tarot: Glenna Brittany Gravely, Ken Linehan | USA | World Premiere Hoarders Without Borders Jodie Mack | USA | World Premiere ante mis ojos Lina Rodriguez | Colombia/Canada | World Premiere ALTIPLANO Malena Szlam | Chile/Argentina/Canada | World Premiere

    Wavelengths 2: Another Brick in the Wall

    Ada Kaleh Helena Wittmann | Germany | World Premiere The Glass Note Mary Helena Clark | USA | North American Premiere mumok kino Philipp Fleischmann | Austria | International Premiere TREES DOWN HERE Ben Rivers | United Kingdom | International Premiere 1986 Summer ( 1986夏) Toshio Matsumoto | Japan | International Premiere Words, Planets Laida Lertxundi | Spain/USA | Canadian Premiere The Invisible Cinema 3 Philipp Fleischmann | Austria | International Premiere Walled Unwalled Lawrence Abu Hamdan | Germany | North American Premiere

    Wavelengths 3: Centerfold

    Girl Pack Lisa Baumgardner | USA | International Premiere Please step out of the frame. Karissa Hahn | USA | Toronto Premiere The Air of the Earth in Your Lungs Ross Meckfessel | USA/Japan | World Premiere Sira Rolla Tahir | Canada | World Premiere Slip Celia Perrin Sidarous | Canada | Toronto Premiere Alice Maria Lassnig | USA | Canadian Premiere Fallen Arches Simon Liu | United Kingdom/USA/Hong Kong | World Premiere I Hope I’m Loud When I’m Dead Beatrice Gibson | USA/Italy/United Kingdom | World Premiere

    Wavelengths 4: We’ve Only Just Begun

    Colophon (for the Arboretum Cycle) Nathaniel Dorsky | USA | World Premiere A Return James Edmonds | Germany | North American Premiere The Labyrinth ( El Laberinto) Laura Huertas Millán | Colombia/France | North American Premiere Île d’Ouessant David Dudouit | France | North American Premiere Julio Iglesias’s House ( La casa de Julio Iglesias) Natalia Marín | Spain | North American Premiere Man in the Well ( Jing li de ren) Hu Bo | China | North American Premiere

    PAIRINGS

    L. COHEN James Benning | USA Canadian Premiere preceded by Arena Björn Kämmerer | Austria International Premiere The Grand Bizarre Jodie Mack | USA North American Premiere preceded by Those Who Desire ( Los que desean) Elena López Riera | Switzerland/Spain International Premiere

    FEATURES

    Dead Souls ( Si Ling Hun) Wang Bing | France/Switzerland North American Premiere Erased,___Ascent of the Invisible ( Tirss, Rihlat Alsoo’oud ila Almar’i) Ghassan Halwani | Lebanon North American Premiere Fausto Andrea Bussmann | Canada/Mexico North American Premiere In My Room Ulrich Köhler | Germany/Italy North American Premiere The Flower (La Flor) Mariano Llinás | Argentina North American Premiere Long Day’s Journey Into Night (Di qiu zui hou de ye wan) Bi Gan | China/France North American Premiere RAY & LIZ Richard Billingham | United Kingdom North American Premiere The Stone Speakers (Kameni Govornici) Igor Drljača | Canada/Bosnia/Herzegovina World Premiere The Trial Sergei Loznitsa | Netherlands North American Premiere What You Gonna Do When the World’s on Fire? Roberto Minervini | Italy/USA/France North American Premiere Previously announced Canadian titles in the Wavelengths Program include Lina Rodriguez‘s ante mis ojos, Andrea Bussmann’s Fausto, Rolla Tahir’s Sira , Celia Perrin Sidarous’ Slip, and Igor Drljača’s The Stone Speakers.

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