Modified (2017)

  • MARGUERITE, THE ETRUSCAN SMILE, AMERICAN RELAPSE Win Top Awards at 2018 Rhode Island International Film Festival

    [caption id="attachment_29879" align="aligncenter" width="1200"]The Etruscan Smile The Etruscan Smile[/caption] Over its six-day run Flickers’ Rhode Island International Film Festival (RIIFF) screened 295 films and on Sunday announced the Award Winners for its 36th Anniversary Celebration. RIIFF is one of 10 Festivals in the world that is an Academy Award qualifier in the Live Action, Animation and Documentary Short categories and a qualifier with the British Academy of Film and Television Arts (BAFTA). The winners of RIIFF’s Live Action, Animation and Documentary Short Grand Prizes hold a special honor: they become the Festival’s nominees for Academy Award consideration. The award for LIVE ACTION SHORT went “Marguerite,” directed by: Marianne Farley, Canada, 2017. “Marguerite,” is the story of an aging woman and her nurse who develop a friendship that inspires her to unearth unacknowledged longing and thus help her make peace with her past. The award for ANIMATED SHORT went to “One Small Step” directed by: Bobby Pontillas | China/USA, 2018. “One Small Step” is an animation that tells the story of an ambitious young girl who aspires to be an astronaut with the support of her humble father. The award for DOCUMENTARY SHORT went to “Father K” directed by Judd Ehrlich | USA, 2018. The story concerns Palestinian Lutheran Pastor Khader El-Yateem who decides to become NYC’s first Arab-American elected official and the political establishment writes off his candidacy as a fantasy. But they underestimate “Father K”, who’s determined to unite Bay Ridge, the conservative Brooklyn neighborhood he calls home that is also the heart of the city’s Middle Eastern community. As Father K’s trailblazing campaign picks up steam, he must confront the harsh realities of electoral politics while trying to hold onto the optimism and hope that made his unlikely candidacy possible.

    2018 Flickers’ Rhode Island International Film Festival AWARDS

    BEST LIVE ACTION SHORT

    GRAND Prize: (RIIFF’s Official Academy Nomination) “Marguerite” | Directed by: Marianne Farley | Canada, 2017. JUDGE’S COMMENTS: “I almost always try to avoid the word “beautiful” when I critique art, but I guess sometimes you simply can’t reject it for any other critical terms. This is a deeply beautiful film, even with its frightening glimpses of the infirmity of old age. The script and editing could not be more perfect.” FIRST Prize: “The Collar” | Directed by: Viktoria Runtsova | Russia, 2017. Tied with: “Woe is Me” | Directed by: Simon Cartwright | United Kingdom, 2018.

    BEST SHORT ANIMATION

    GRAND Prize: (RIIFF’s Official Academy Nomination) “One Small Step” | Directed by: Bobby Pontillas | China/USA, 2018. JUDGE’S COMMENTS: “Delightful. Brilliant. Touching. It left me in tears FIRST Prize: “Two Balloons” | Directed by: Mark C. Smith | USA, 2017. Tied with: “Negative Space” | Directed by: Max Porter & Ru Kuwahata | France, 2017.

    BEST SHORT DOCUMENTARY

    GRAND Prize: (RIIFF’s Official Academy Nomination) “Father K” | Directed by: Judd Ehrlich | USA, 2018. JUDGE’S COMMENTS: “Documentaries are only as strong as their subject, and Father K is an inspirational subject. In these times it’s important to remember that causes can be ignited by individuals but are sustained by communities. This is an important film.” FIRST Prize: “Zion” | Directed by: Floyd Russ | USA, 2017. Tied with: “Guns Found Here” | Directed by: David Freid | USA, 2018.

    BEST FEATURE

    GRAND Prize: “The Etruscan Smile” | Directed by: Mihal Brezis & Oded Binnun | United Kingdom, Switzerland, USA, 2018. FIRST Prize: “You Can Choose Your Family” | Directed by: Miranda Bailey | USA, 2018. Tied with: “BACK ROADS” | Directed by: Alex Pettyfer | USA, 2018.

    BEST FEATURE DOCUMENTARY

    GRAND Prize: “AMERICAN RELAPSE” | Directed by: Pat McGee & Adam Linkenhelt | USA, 2018. FIRST Prize: “The Push” | Directed by: Brian Niles & Grant Korgan, | USA, 2018. Tied with: “Snow Birds” | Directed by: Joannie Lafrenière | Canada, 2017.

    FILMMAKER OF THE FUTURE AWARD

    Presented to a filmmaker whose vision excites audiences and judges alike about the potential to produce compelling and successful films in the future. Delphine Le Courtois, Director, “Upset Body” | Canada, 2018.

    BEST ACTOR

    Michael Rouse, Actor/Director, “Geoff” | United Kingdom, 2018. JUDGE’S COMMENTS: “Original, moving, peaceful and lovely story complemented by a perfectly balanced and sensitive portrayal by Michael Rouse. In 20 minutes, he conveys the pathos of a sensitive soul who must overcome his greatest fear with passion and warmth.”

    BEST ACTRESS

    Celine Held, Actor/Director, “Caroline” | USA, 2018. JUDGE’S COMMENTS: “A masterful performance filled with nuance and truth; one that stays with you long after the last frame has faded.”

    BEST COMEDY SHORT

    GRAND Prize: “We Are the Freak Show” | Directed by: Philippe Lupien & Marie-Hélène Viens | Canada, 2018. FIRST Prize: “Chuchotage” | Directed by: Barnabas Toth | Hungary, 2018. Tied with: “Fern” | Directed by: Johnny Kelly | United Kingdom, 2017.

    BEST EXPERIMENTAL

    GRAND Prize: “Interstitial” | Directed by: Shunsaku Hayashi | Japan, 2017. FIRST Prize: “Triptych” | Directed by: Katia Lom | United Kingdom, 2018.

    BEST DIRECTOR

    GRAND Prize: Pascal Plante, “Fake Tattoos” | Canada, 2017. FIRST Prize: Maggie Kiley, “6ate7” | Australia, 2018. Tied with: Ray Nomoto Robison “An Affair Remains” | USA, 2018.

    DR. J. GERALD LAMOUREUX AWARD FOR EXCELLENCE

    Presented to a filmmaker and artist who represents the spirit of cultural exchange between the United States and Canada. “Modified” | Directed by: Aube Giroux | Canada, 2017.

    DIRECTORIAL DISCOVERY AWARD

    GRAND Prize Feature: “Rust Creek” | Directed by: Jen McGowan | USA, 2017 GRAND Prize Short: “Hero” | Directed by: Freddie Fox | France, United Kingdom, 2018

    BEST CINEMATOGRAPHY

    GRAND Prize: Olivier Gossot, Cinematographer/DP, “Fauve” | Directed by: Jeremy Comte| Canada, 2018 FIRST Prize Sarah Cunningham, Cinematographer/DP, “Flowers” | Directed by: Baptiste Petit-Gats | France, 2018 Tied with: Kelly Jeffrey, Cinematographer/DP, “Hunting Incident” | Directed by: Matthew James Thompson| USA, 2018

    CINEMA WITHOUT BORDERS AWARD

    “Saving My Pig” | Directed by: Frank Dobrin | Bulgaria, 2018

    THE CALL TO ACTION AWARD

    A film promoting advocacy or awareness of a pressing social or cultural issue GRAND Prize: “American” | Directed by: Richie Adams | USA, 2018 FIRST Prize: “Requiescat” | Directed by: S.J. Main Muñoz | Costa Rica, USA, 2018

    THE NEXT GENERATION AWARD

    Celebrating New Voices And New Perspective In Cinema “eHero” | Directed by: Joseph Procopio | Canada, 2018

    PRIX DU CINEMA SUISSE

    “Maximilian” | Directed by: Nicholas Greinacher | Switzerland, 2016

    THE MARLYN MASON AWARD

    New voices, new perspectives by women in film GRAND Prize: “The Lost Ones” | Directed by: Les Egares | France, 2018 FIRST Prize: “Mary Goes Round” | Directed by: Molly McGlynn | Canada, 2017

    VOYAGES OF DISCOVERY

    Exploring narratives that showcase the dynamics of youth GRAND Prize:“Warriors of Sanita” | Directed by: Luca Nappa | United Kingdom, Italy, 2018 FIRST Prize:“The Boy Who Wanted to Fly” | Directed by: Jorge Muriel | Spain, 2018

    RIIFF NEW ENGLAND DIRECTOR’S AWARD

    GRAND Prize:“Good Morning” | Directed by: Elaine Mongeon | USA, 2017 Tied with: “Warrior” | Directed by: Gene Pina | USA, 2017

    RIIFF DIRECTOR’S CHOICE AWARD

    “The Boy At Platform 3” | Directed by: Michael Daniel Vetter | Germany, Switzerland, 2018

    HEARTS, MINDS, SOULS AWARD

    Celebrating Films that Reflect the Jewish Experience. GRAND Prize: “Life Will Smile” | Directed by: Drey Kleanthous | Greece, Israel, United Kingdom, 2017 FIRST Prize: “The Driver is Red” | Directed by: Randall Christopher | USA, 2017 Tied with: “Oma” | Directed by: Bill Kirstein | USA, 2017

    BEST EDITING

    GRAND Prize: Amelia Allwarden, Editor, “Lunch Ladies” | Directed by: J.M. Logan | USA, 2017 FIRST Prize: Reema Senguptam, Editor, “Counterfeit Kunkoo” | Directed by: Reema Sengupta | India, 2017 Tied with: Mindy Elliott, Editor, “Pie” | Directed by: Adria Tennor | USA, 2018

    BEST SCREENPLAY

    GRAND Prize: “Find Me” | Directed by: Tom Huang | USA, 2018 FIRST Prize:“We Win” | Directed by: Michael Stahl-David | USA, 2018 Tied with: “One Cambodian Family Please for My Pleasure” | Directed by: A.M. Lukas | USA, 2018

    FLICKERS’ AMBASSADOR AWARD

    Presented to an individual who inspires and empowers communication and cultural understanding. Michele Noble, Director, “Reclamation: The Rise at Standing Rock” | USA, 2018

    FLICKERS’ INTERNATIONAL HUMANITARIAN AWARD

    Given annually to films or filmmakers who inspire social change and community outreach and strive to better the world in which we live. GRAND Prize: “QUAKERS: The Quiet Revolutionaries” | Directed by: Janet P. Gardner | USA, United Kingdom, 2018 FIRST Prize: “2nd class” | Directed by: Jimmy Olsson | Sweden, 2018

    PROVIDENCE FILM FESTIVAL AWARD

    Presented annually to a New England director whose work brings cinematic excellence to an international audience. “TRE MAISON DASAN” | Directed by: Denali Tiller | USA, 2017

    ALTERNATIVE SPIRIT AWARD (LGBTQ) SHORT

    GRAND Prize: “A Man My Son” | Directed by: Florent Gouëlou | France, 2018. FIRST Prize: “Fran This Summer” | Directed by: Mary Evangelista | USA, 2018. Tied with: “#hashtag” | Directed by: Atzin Ortiz Gonzalez | Mexico, 2017.

    ALTERNATIVE SPIRIT AWARD (FEATURE)

    GRAND Prize: “Retablo” | Directed by: Alvaro Delgado Aparicio | Peru, 2017. FIRST Prize: “Funny Story” |Directed by: Michael Gallagher | USA, 2017.

    ALTERNATIVE SPIRIT AWARD (DOCUMENTARY)

    GRAND Prize: “One Leg In, One Leg Out” | Directed by: Lisa Rideout | Canada, 2018. FIRST Prize: “Empire on Main Street” | Directed by: Jessica Congdon | USA, 2018.

    KIDSEYE INTERNATIONAL FILM FESTIVAL AWARDS

    Presented to a film that resonates with the filmmaker within both children and adults alike.

    BEST CHILDREN’S ANIMATION

    GRAND Prize: (Feature) “Sgt Stubby – American Hero” | Directed by: Richard Lanni | France, Ireland, USA, 2018 GRAND Prize: (Short) “Tyrannosaurus Funk” | Directed by: Sandra Boynton | USA, 2017 FIRST Prize: “Rising Waters In Underwood Springs!” | Directed by: Mathieu Auvray | France, 2017

    LIVE ACTION

    GRAND Prize: “Space Girls” | Directed by: Carys Watford | United Kingdom, 2017 FIRST Prize: “The Extraordinary World of Cecily Blinkstop” | Directed by: Jennifer Potts | USA, 2018

    GREEN PLANET AWARD

    Celebrating the vision of man’s shared humanity and achieving sustainability on our planet. GRAND Prize Feature: “Secret Ingredients” | Directed by: Amy S. Hart & Jeffrey M. Smith | USA, 2018 GRAND Prize Short: “The Kodiak Queen” | Directed by: Rob Sorrenti | United Kingdom / Virgin Islands (British), 2018

    VORTEX SCI-FI & FANTASY AWARD

    GRAND Prize: “The Comet” | Directed by: Bård Røssevold | Norway, 2017 FIRST Prize: “Invaders” | Directed by: Daniel Prince | United Kingdom, 2018 Tied with: “ASIAN GIRLS” | Directed by: Hyun Lee | Australia, 2017

    BEST STUDENT FILM AWARD COLLEGE

    GRAND Prize: “The Day That” | Directed by: Dorian Tocker | USA, 2017 FIRST Prize: “SATAN” | Directed by: Carlos Tapia | Switzerland / Mexico, 2017

    HIGH SCHOOL

    GRAND Prize: “memory” |Directed by: Mew Kano | Japan, 2018 First Prize: “Blacked Out” | Directed by: Highland Park African-American History Project | USA, 2017 Tied with: “The Homecoming Game” | Directed by: Andrew Gerstenblatt | USA, 2017

    BEST MUSIC VIDEO

    GRAND Prize: “COPYSHOP” | Directed by: Jakob Grunert | Germany, Hong Kong, 2017 First Prize: “Ode to life” | Directed by: Coline Declef | France, 2018

    BEST TELEVISION PILOT

    GRAND Prize: Bhak – ‘Pilot’ | Directed by: Shreyom Ghosh & Arjun Chatterjee | India, 2018 First Prize: “Man-Babies” | Directed by: Tyler Hollinger | USA, 2018

    FLICKERS’ YOUTH FILM JURY AWARDS

    Awards were presented by Will Ford and the 2018 Youth Film Jury members:

    BEST LIVE ACTION SHORT

    GRAND Prize: “Wyrm” | Directed by: Christopher Winterbauer | USA, 2017

    BEST ANIMATION

    “The Death, Dad & Son” | Directed by: Vincent Parronaud | France, 2017

    BEST FEATURE DOCUMENTARY

    “TRE MAISON DASAN” | Directed by: Denali Tiller | USA, 2017

    BEST FEATURE FILM NARRATIVE

    “The Maestro” | Directed by: Adam Cushman | USA, 2017

    BEST DOCUMENTARY SHORT

    “My Dead Dad’s Porno Tapes” | Directed by: Charlie Tyrell | Canada, 2017

    BEST LGBTQ FILM

    “Marguerite” | Directed by: Marianne Farley | Canada, 2017

    MOST POPULAR

    “Souls of Totality” | Directed by: Richard Raymond | USA, 2018

    2018 INDUSTRY AWARD WINNERS & SPECIAL AWARDS

    GILBERT STUART ARTISTIC VISION (LIFETIME ACHIEVEMENT) AWARD was presented to Joseph M. Alves, an American film production designer. He designed the three mechanical sharks for the movie Jaws (1975). Alves also designed three features for Steven Spielberg, and was nominated for the Academy Award for Best Art Direction and won the BAFTA for Best Art Direction for his work on Close Encounters of the Third Kind. RI FILM & TELEVISION OFFICE DREAMMAKER AWARD Henry Bronchtein, Producer (“The Sopranos”) RIIFF SCREENPLAY COMPETITION AWARD was presented to Barry Brennessel from Silver Spring, MD whose screenplay is entitled “ANH SANG.” THE PRODUCER’S CIRCLE AWARDS are presented annually to members of the community who have actively worked to support and promote the mission of the Flickers’ Rhode Island International Film Festival. This year’s recipients include: • Michael Braca, photographer; • Judge Frank Caprio, Municipal Judge and television personality; • Fr. Kenneth Gumbert, Educator/filmmaker; • Mike Maino, Classical 95.9 FM WCRI; • Dr. J. Scott Oberacker, RIIFF Educational Outreach Director; • The Greenwich Odeum, East Greenwich Arts Center; • The Rhode Show, daily morning news magazine; • Libby Slader, Rhode Island State Council on the Arts; • Niko Stamatakos, business sponsor/supporter; and • Trinity Repertory Company, Tony Award winning Theatre WINIFRED BROWNELL SCHOLARSHIP AWARD BACKGROUND: Beginning on Tuesday, August 7, 2018, a special year long “Celebration of Women in Film and Arts” was launched by the Festival. In a recent study by The Center for the Study of Women in Television and Film, at San Diego State University, RIIFF was one of 23 “high profile” film festivals in the United States that was surveyed. What was striking about the study was that women accounted for 29 percent of directors, writers, producers, executive producers, editors, and cinematographers working on the indie films screened at the examined U.S. festivals in 2017-18. At the Rhode Island International Film Festival, that number was 41 percent with films selected by an international team of judges for quality, not a quota. This year, the Festival’s percentage is even higher. Out of nearly 300 films screening at RIIFF, 193 were created by female writers, directors and producers. That number translates to 65% of all the films at this year’s Festival had a woman at the helm. Here are the official numbers: FEMALE DIRECTORS: 99 FEMALE PRODUCERS: 72 FEMALE EXECUTIVE PRODUCERS: 22 = 193 FEMALE SCREENWRITERS: 18 FEMALE EDITORS: 48 FEMALE SOUND EDITORS: 14 = 80 TOTAL: 273 To celebrate this achievement, the Festival dedicated this year’s event to Dr. Winifred E. Brownell, a groundbreaking educator and Dean Emerita of the Arts and Sciences at the University of Rhode Island. Her visionary work propelled the University to become a leading hub for film media studies and nurtured the Festival during its infancy, spurring it to become the internationally acclaimed event that it is today. The Festival is also establishing a $2,000 annual scholarship in her name that pays recognition to her career championing the arts and humanities at the University of Rhode Island and a leading female voice in higher education. This year’s winner of the Award: Alyssa Botelho, a University of Rhode Island student in the Harrington School of Communication and Media.

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  • Kew Gardens Festival of Cinema in Queens, NY, Reveals 2018 Film Lineup + New Home

    [caption id="attachment_29603" align="aligncenter" width="1242"]The Song of Sway Lake The Song of Sway Lake[/caption] Kew Gardens Festival of Cinema returns with a film lineup of 110 films and Regal Entertainment Group as the lead sponsor for the 2nd annual 10-day event in Queens, taking place from August 3rd to August 11th, 2018. While the festival organizers are saddened to leave the Kew Gardens Cinemas in Kew Gardens, they are very excited for what this means for the future of the film festival. For it’s sophomore year, Kew Gardens Festival of Cinema will be moving into its new home at Regal Entertainment Group’s UA Midway Stadium 9 in Forest Hills, Queens. The Opening Night Film at the Midway will be the New York Premiere of Ari Gold’s award-winning and critically acclaimed “The Song of Sway Lake” starring Rory Culkin on Friday, August 3rd at 6:30pm. On Sunday, August 12th, the festival’s Awards Dinner Gala returns to Terrace on the Park in Flushing Meadows-Corona Park. To kick-off the sophomore edition, Kew Gardens Festival of Cinema has partnered with Queens Museum to bring A MIDSUMMER NIGHT’S FEAST: A Celebration of Food, Art and Cinema. This spectacular one-night event, taking place inside the Queens Museum on Tuesday, July 31st from 6:00 p.m. to 9:00 p.m., will feature over 30 food vendors from Queens and other parts of NYC. On Thursday, August 9th, the Queens Museum will be presenting a festival selected film, as part of their Passport Thursdays Outdoor Screening series. On Saturday, August 12th, The Center At Maple Grove will play host to two panels – The Jury’s Out: Meet the 2018 Festival Jurors, and A Change Overdue: Diversity in Cinema, a discussion on diversity in an independent film featuring invited filmmakers from the Festival. Friday, August 10th, UA Midway Stadium 9 will play host to the Festival’s Midnight Madness Grindhouse Horror Night.

    2018 Kew Gardens Festival of Cinema Film Lineup

    NARRATIVE FEATURES:

    A VIOLENT MAN Dir. Matthew Berkowitz, USA, 107 min. NEW YORK PREMIERE Ty is a little known MMA fighter until a viral video reveals him beating the undefeated world champion in a local gym. Ty is suddenly a murder suspect when the reporter covering his story is found dead, but why kill the journalist who would make him a legend? ALL EYES ON YOU Dir. Felix Maxim Eller, Germany, 88 min. NEW YORK PREMIERE The silent loner Marco is dreaming about a girl ever since they met, but she seems to have disappeared. In a cold Halloween night, he searches for her in the streets once again. Chased by a mysterious man, he soon discovers the darkest secrets of the city, initiating a nightmarish race against time. BEHIND THE BLUE DOOR Dir. Mariusz Palej, Poland , 93 min. EAST COAST PREMIERE For 11-year-old Lukas, an incredible adventure begins the moment he and his mom set off on a summer holiday trip and have a terrible car crash. His mom is in a coma, and the boy must visit his aunt Agatha. She brings him to her guesthouse by the seaside. Here, discovers a secret passage to a different dimension and soon learns what amazing and yet frightening mysteries this new world offers. The movie won Best Debut at Ale Kino! BLUE Dir. Gabriela Ledesma, USA, 109 min. EAST COAST PREMIERE Based on true events, Blue is a light hearted drama that tells the story of Helen Daniels, a young woman struggling to piece her world together after a botched suicide attempt. This is the debut feature film for writer/director Gabriela Ledesma. BRUCE!!!! Dir. Eden Marryshow, USA, 104 min. QUEENS PREMIERE Let’s be real: Bruce is an a**hole. He’s sh*tty to his friends. He’s sh*tty to pretty much every woman in his life. He has no job. He has no career. And his parents are tired of lending him money. And you know what? Honestly, all of this was working out pretty well for him, until he meets Kiera, falls hopelessly in love and is finally forced to grow the f*ck up… in his thirties. CHASING SUNSHINE Dir. Darren Coyle, USA, 63 min. NEW YORK PREMIERE A buddy, odd couple comedy where we follow Darcy and Jack as they drive all over the San Fernando Valley following clues on a scavenger hunt. DARCY Dir. Heidi Philipsen and Jon Russell Cring, USA, 96 min. QUEENS PREMIERE It’s summer break, and fifteen-year-old Darcy is working in her family’s motel, a seedy operation on the edge of town. Sustaining the motel is the practice of taking in occupants who have until only recently been incarcerated—an arrangement that Darcy’s parents have arranged with the Department of Corrections for a price. EDGE OF THE WORLD Dir. Randy Redroad, USA, 85 min. NEW YORK PREMIERE Mitch Davis has a long winning history as the Boys Ranch cross country coach. Admired for his leadership with at risk young men, he is well respected by his peers. But, since a devastating personal loss five years ago, Coach Davis has not been the same. HOW TO GROW YOUR OWN Dir. Milton Chassman, USA, 91 min. EAST COAST PREMIERE One part mockumentary, one part docu-drama, How to Grow Your Own could very well be cinema’s first ever mocku-drama! It tells the story of a weed-growing agoraphobic and the directionless stoner who comes to stay. INTO THE VALLI Dir. Nicholas Buscarino, USA, 77 min. WORLD PREMIERE Into the Valli takes us on a dive into Chris Parrella’s warped mind; which houses a multi-layered obsession to do whatever it takes to emulate the life of a legendary singer. As his family distances themselves, his obsession grows deeper in hopes he can reach the same level of success. MOVING PARTS Dir. Emilie Upczak, Trinidad and Tobago, 77 min. NEW YORK PREMIERE After the death of her father, Zhenzhen hires a smuggler to take her to the Caribbean island where her brother, Wei, works in construction. Wei gets her a job at a restaurant, but when the smuggler demands more cash, she is forced into a compromising position. Help comes unexpectedly from Evelyn, who runs an art gallery in the neighborhood—but the contrast between the dark rooms above the restaurant and the blindingly white gallery calls everyone’s innocence into question. MURDER MADE EASY Dir. Dave Palamaro, United States, 76 min. EAST COAST PREMIERE Best pals Joan and Michael host an elaborate dinner party for their dearest friends to remember the passing of Joan’s husband Neil. But as each guest arrives they find that their very lives are on the menu to protect a secret that links them all. Pop Horror.com calls Murder Made Easy: “A spectacular homage to the classic murder mysteries of Agatha Christie and Alfred Hitchcock.” MY NAME IS BATLIR, NOT BUTLER Dir. Stare Yildirim, Turkey, 90 min. QUEENS PREMIERE In My Name is Batlir, Not Butler, the film’s protagonist says, “I’m not actually overweight, I just have some excess in a certain area….It is told in Anatolia that, the baby looks like whatever the mother craves for while she is pregnant. My mother craved for watermelon. I mostly talk to 52 Hertz, she is the loneliest whale in the world, and she is my best friend.” NYMPHADELLE Dir. Quentin de Jubécourt, France, 55 min. NEW YORK PREMIERE A long time ago, in a medieval world, Aegeus, son of Lord Theron, is forced to hide in the forest after the murder of his parents for political reasons. He meets there a young woman, Asteria, who decides to follow him on his journey. ONE BEDROOM Dir. Darien Sills-Evans, USA, 83 min. QUEENS PREMIERE Breaking up is easy. Moving out is hard. After five years of ups and downs, an African American 30-something couple in a gentrifying Brooklyn neighborhood spends their final afternoon together arguing and remember better days, as one of them moves out and hopefully on with her life. REGIONRAT Dir. Javier Reyna, USA, 99 min. EAST COAST PREMIERE Ray, a pothead underachieving teenager, feeling lonely after a self-imposed six months exile in Seattle, returns to his hometown and as he reconnects with friends, he is soon reminded why he left town in the first place. Based on the novel by Richard Laskowski. SNOWFLAKE Dir. Adolfo Kolmerer and William James, Germany, 121 min. In an odd twist of fate, Tan and Javid find themselves living out a bizarre screenplay page by violent page. While hunting down the murderer of their families, their reality turns topsy turvy when they read of their own untimely deaths and realize this screenplay is coming true. SOMETHING Dir. Stephen Portland, USA, 90 min. EAST COAST PREMIERE A man (Michael Gazin) and woman (Jane Rowen) are struggling to adjust to life with their new baby. But their situation begins to unravel further, when they start to suspect that a menacing stranger could be lurking, watching, even entering their home. This twisty and chilling single-location drama/horror/mystery will keep you guessing right up until the end, and even after that. SUSHI TUSHI OR HOW ASIA BUTTED INTO AMERICAN PRO FOOTBALL Dir. Ziad Hamzeh, USA, 90 min. NEW YORK PREMIERE The coach of a pro football team, The Portland Lobsters, that has lost 32 in a row, as a last resort, travels to Japan to buy a school of sumo wrestlers. He intends to bring the sumo wrestlers back to Maine to replace his inept offensive line. The team is eventually able to form a front line that allows their QB to throw a pass and not get sacked. T-JUNCTION Dir. Amil Shivji, Tanzania, 105 min. After the passing of her estranged father, Fatima makes an unlikely friend at a hospital, Maria. Bound by pain, Fatima keeps coming back to hear Maria’s tale of the T-junction where she found love and loss in a ragtag community. THE BEST OF ALL WORLDS Dir. Adrian Goiginger, Austria, 103 min. QUEENS PREMIERE A kid’s true story of his life in the unusual world of his heroin addict mother and their love of each other. THE DIRTY KIND Dir. Vilan Trub, USA, 85 min. WORLD PREMIERE Raymond, a young private investigator specializing in divorce, gets too ambitious and takes on a case that involves more than just snapping pictures of cheating couples. While searching for the estranged daughter of a client, Raymond discovers that she works as a stripper under the name Natalie Cottontail. Natalie’s exploits bring together a desperate collection of lost souls – sucking everyone down a drain of despair. THE DOCTOR’S CASE Dir. James Douglas, Canada, 66 min. EAST COAST PREMIERE The Master of Horror meets the Master Detective. When a diabolical English lord is murdered, Sherlock Holmes and Watson must unexpectedly exchange roles in order to solve ‘the perfect locked room mystery.’ Based on the short story by Stephen King. THE ESCORT Dir. Bizhan Tong, United Kingdom, 69 min. WORLD PREMIERE When Eric pays an escort, Veronica, for 60 minutes of her time he intends to convince her to quit this line of work. But Veronica is no damsel in distress and what ensues is a verbal battle of wits which peel away the layers of who they really are. What they find out about themselves and the secret Eric holds will ensure nothing remains the same again. THE MISSING SUN Dir. Brennan Vance, USA, 78 min. NEW YORK PREMIERE After a solar flare powers down her remote community, Alma discovers her husband Terry comatose. Suspecting he is having an out-of-body affair with an ex-lover, Alma attempts to bring him back to reality with help from Terry’s estranged, drug-addled son and the leader of a new-age religion that specializes in astral travel. THE SONG OF SWAY LAKE Dir. Ari Gold, USA, 94 min. NEW YORK PREMIERE It’s summer on Sway Lake, the most glamorous lake in the Adirondacks – former playground of the jazz-age New York aristocracy. Music collector Ollie Sway recruits his only friend, a rowdy Russian drifter, to help him steal a 78 record from his own family’s estate. TRAUMA Dir. Lucio A. Roja, Chile , 107 min. A shocking, brutal tale that blends the dark history of Chile’s recent past (violent and repressive military dictatorship of Pinochet) with the seemingly modern and progressive Chile of today. The two worlds clash when a group of women venture to the idyllic countryside for a weekend of fun. However, their outing soon turns nightmarish when a man, a victim of torture in the hands of the government, unleashes his pent-up rage on them. VIRGINIA MINNESOTA Dir. Daniel Stine, USA, 97 min. NEW YORK PREMIERE Separated for fifteen years by a childhood tragedy that robbed them of their mysterious and inspirational little friend, Virginia, two young women—Lyle and Addison—are reunited at the place both vowed never to return. Together, they embark on an illuminating overnight journey where they revisit painful memories and discover long-forgotten gifts Virginia had bestowed on them so many years before. WE (WIJ) Dir. Rene Eller, The Netherlands, 100 min. Sex, nihilism and aimless youth…During one hot summer in a Belgian-Dutch border village, eight teenagers play games of discovery to break the listless monotony. They challenge each other and themselves and soon, their sexual curiosity starts to blur the lines between right and wrong.

    DOCUMENTARIES:

    BENEATH THE INK Dir. Cy Dodson, USA, 13 min. EAST COAST PREMIERE A timely look at hate and racism in one Southeastern Ohio community that reveals heartfelt moments of change and redemption. BETWEEN NEIGHBORHOODS Dir. Seth Fein, USA, 82 min. Have you seen the Unisphere? What do you see? Between Neighborhoods sees the interborough and international histories of imperialism and immigration that orbit the world, in Queens, across the last fifty years. HORROR MOVIE: A LOW BUDGET NIGHTMARE Dir. Gary Doust, Australia, 100 min. NEW YORK PREMIERE A filmmaker’s life-long dream turns into a nightmare when he sets out to make a super-low-budget horror film about an aborted fetus that seeks revenge on its family. With Hollywood ‘scream queen’ Dee Wallace (E.T., Cujo, The Howling) onboard, union issues and the budget spiralling out of control, it’s not long before things wildly go off the rails. KEW GARDENS: SAVE THE BRIDGE Dir. Jonathan Oliveira, USA, 19 min. WORLD PREMIERE A series of mom and pop shops reside on the Kew Gardens bridge which bring a variety of uniqueness to the community; but after the MTA pleas for the bridge to be brought down, three teens take it upon themselves to give the people of Kew Gardens a voice to speak out against the corporate giant. MODIFIED Dir. Aube Giroux, Canada, 87 min. NEW YORK PREMIERE Modified is a feature-length documentary-memoir that questions why genetically modified organisms (GMOs) are not labeled on food products in the United States and Canada, despite being labeled in 64 countries around the world. NOTHING CHANGES: ART FOR HANK’S SAKE Dir. Matthew Kaplowitz, USA, 80 min. How far would you go to pursue your passion? At 87 years old, Hank Virgona commutes to his Union Square studio six days a week and makes art. Despite poor health, cancer, lack of revenue and obscurity as an artist, Hank is unrelenting in his quest to understand how life and art are the same. OPERATION WEDDING Dir. Anat Zalmanson-Kuznetsov, Israel and Latvia, 63 min. QUEENS PREMIERE Leningrad, 1970. A group of young Soviet Jews who were denied exit visas, plots to “hijack” an empty plane and escape the USSR. STAMP SHOW Dir. Michael Fishman, USA, 14 min. WORLD PREMIERE In 2016 the world’s largest stamp show, which takes place once every ten years, was held in NYC at the Javits Convention Center. The subject was intriguing though I knew it would be crowded and challenging (the official count for attendees was 23,017). With a small camera in hand, I set out to capture the experience of attending the sprawling show. THE COMMODORE STORY Dir. Steven Fletcher, United Kingdom, 120 min. EAST COAST PREMIERE A cram-packed 2-hour documentary that take us through Commodore’s world changing evolution from the 70’s to the 90’s from the PET, Vic20, C64 to the Amiga and beyond including the very rare C65 and the wave of new Commodore related products that are hitting the market today. Commodore was started by Jack Tramiel who was a survivor of the Holocaust. THIS LAND Dir. Alan Thompson, USA, 58 min. NEW YORK PREMIERE This land is our only home, yet due to our addiction to fossil fuels, a finite, non-renewable source of energy to sustain our lifestyles, we are putting our future at risk. This Land takes us from the Texas and Mexico border to the Dakotas, and then Northern Canada. We’ll meet native and local communities fighting against gas and oil pipelines and see what is at stake for our land, this land.

    SHORT FILMS:

    88 CENTS Dir. Tyler Pina, USA, 37 min. NEW YORK PREMIERE A TAXI OF COLDNESS Dir. Joonha Kim, South Korea, 20 min. ACE Dir. Jordan Gear, USA, 19 min. NEW YORK PREMIERE AN AMERICAN ATTORNEY IN LONDON Dir. Darrell Alden, United Kingdom, 15 min. NEW YORK PREMIERE ANGEL OF ANYWHERE Dir. James Kicklighter, USA, 22 min. ANOTHER GIRL Dir. Austin Kase, USA, 22 min. AWKWARD Dir. Jared Beekhuyzen, Australia, 13 min. WORLD PREMIERE BLESS ME FATHER Dir. Paul Horan, USA, 16 min. BUTTERFLIES Dir. Cady McClain, USA, 13 min. QUEENS PREMIERE CAST IRON CAN’T BE WELDED Dir. Buks Rossouw, South Africa, 19 min. CREATIVE BLOCK Dir. Nicola Rose, USA, 16 min. QUEENS PREMIERE DAMES IN CARS Dir. Jason Spagnuoli, USA, 6 min. DOOR TO DOOR Dir. Kevin Etherson, USA, 9 min. QUEENS PREMIERE E.RO.SION, NOUN Dir. Catriona Rubenis-Stevens, USA, 14 min. QUEENS PREMIERE FLOAT Dir. Tristan Seniuk and Voleak Sip, USA 24 min. QUEENS PREMIERE JESSICA Dir. Jessica Kingdon, USA, 11 min. JOE Dir. Kaye Tuckerman, USA, 20 min. NEW YORK PREMIERE LOSS Dir. Jayne Nicoletti, USA, 3 min. MS. LINDA Dir. Ciara Cordasco, USA, 3 min. MY NAME IS SOMEBODY Dir. Orges Bakalli, USA, 14 min. ONCE UPON A DREAM Dir. Anthony Nion, Belgium, 13 min. QUEENS PREMIERE PATH OF DREAMS Dir. Tamara Ruppart, Japan, 25 min. QUEENS PREMIERE PHOTOKILL Dir. Lance J. Reha, USA, 19 min. PIETAS Dir. Lance J. Reha, USA, 4 min. R.V Dir. Will Hawkes and Melissa Center, USA, 10 min. EAST COAST PREMIERE ROOSTER AND THE QUEEN Dir. Aaron Weisblatt , USA , 18 min. ROSE AND PEONY Dir. Sébastien Azzopardi , France, 11 min. SISTERS Dir. Charles Ancelle, USA, 21 min. NEW YORK PREMIERE ST. JOSEPH Dir. Kathrina Miccio, USA, 24 min. NEW YORK PREMIERE SWEETHEART Dir. Marco Spagnoli, Italy, 8 min. NORTH AMERICAN PREMIERE TABIIB (THE DOCTOR) Dir. Jim Savio, USA, 30 min. THE CONDUCTOR Dir. Xavier Guignard, United Kingdom, 22 min. EAST COAST PREMIERE THE GIRLS WERE DOING NOTHING Dir. Dekel Berenson, United Kingdom, 17 min. THE INVADERS Dir. Mateo Márquez, USA, 7 min. NEW YORK PREMIERE THE LONG WET GRASS Dir. Justin Davey, Ireland, 14 min. QUEENS PREMIERE THE NOISE OF THE LIGHT Dir. Valentin Petit, France, 23 min.

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  • Ashland Independent Film Festival Rolls Out 2018 Program | ‘First Reformed’, ‘On Chesil Beach’, ‘Hearts Beat Loud’ and More ..

    [caption id="attachment_27690" align="aligncenter" width="1080"]On Chesil Beach On Chesil Beach[/caption] The Ashland Independent Film Festival announced its lineup for the five-day festival taking place April 12 to 16, 2018, and featuring over 120 films chosen from nearly a thousand films submitted to the festival, or specially selected by AIFF Artistic and Executive Director Richard Herskowitz. Special screenings include the upcoming features First Reformed (directed by Paul Schrader and starring Ethan Hawke), On Chesil Beach with Saoirse Ronan, Brett Haley’s Hearts Beat Loud with Nick Offerman, Andrew Haigh’s Oregon-filmed Lean on Pete, and Borg vs. McEnroe, starring Shia LeBoeuf, plus 2018 Sundance Film Festival award-winning documentaries Minding the Gap, On Her Shoulders, and Crime + Punishment.

    Award Recipients

    AIFF will present Rogue Awards to two special guests, Academy Award®-winning actor Chris Cooper and Seattle-based director Lynn Shelton. Cooper launched his film acting career with his role as a union organizer in Matewan, the first of five films he appeared in directed by John Sayles, and won the Academy Award in 2002 for his supporting role in Adaptation. In addition to participating in the TalkBack panel “Talking Acting with Chris Cooper,” Cooper will present on Opening Night the world premiere of a film he narrated and executive produced, Intelligent Lives, accompanied by director Dan Habib and executive producer Marianne Leone Cooper. Cooper met Marianne Leone in 1979 at an acting class in New York City. Their son, Jesse Lanier Cooper, was born three months prematurely in October 1987 and developed cerebral palsy and epilepsy. Chris and Marianne became advocates for inclusive education and champions of kids with special needs. Jesse was a mainstreamed student at Silver Lake Regional High School where he was an honor student. In 2005, Jesse died suddenly from a seizure at age 17. Intelligent Lives explores how our society’s narrow views of intelligence have led to the segregation of people with intellectual disabilities. AIFF will also present a Rogue Award to Lynn Shelton, who will present her sixth feature film, Outside In, starring Edie Falco and Jay Duplass and released by The Orchard. Shelton, proudly based in Seattle, has had a stellar career as an independent film director since winning the Grand Jury Award at the 2006 Slamdance Film Festival with her debut feature, We Go Way Back. Since then, Shelton’s films, including Humpday (2009), Your Sister’s Sister (AIFF2012), and Laggies (2012) have garnered awards and acclaim at Sundance, the Film Independent Spirit Awards, and the Gotham Independent Film Awards, as well as theatrical distribution from Magnolia and A24. Beginning with Mad Men in 2010, Lynn has directed over 25 episodes of television series including New Girl, Fresh Off the Boat, Master of None, Maron, and GLOW. The recipient of AIFF’s 2018 Pride Award, honoring filmmakers who have made significant contributions to LGBTQ media, is Zackary Drucker, an independent media artist and trans woman whose work crosses boundaries between the art world and popular culture. Drucker has performed and exhibited her work internationally in museums, galleries, and film festivals including the 2014 Whitney Biennial, MoMA PS1, Hammer Museum, and SF MoMA, among others. She is also a producer on the Golden Globe® and Emmy®-winning Amazon series Transparent. She will screen an episode of this series and two films featuring her late friend and mentor, Flawless Sabrina: Drucker’s video, She Gone Rogue and The Queen, Frank Simon’s rarely screened documentary of the 1967 Miss All-American Camp Beauty Pageant. Other special guests attending this year’s Festival include James Ivory, recipient of AIFF2017’s Lifetime Achievement Award and a 2018 Academy Award for his screenplay of Call Me By Your Name. Ivory will return to present the restored classic Shakespeare Wallah and join in a conversation after the screening with Oregon Shakespeare Festival’s Artistic Director Bill Rauch. AIFF is reaffirming its mission to promote independent filmmaking by honoring companies that have built the infrastructure of the independent film movement and challenged Hollywood’s dominance. This year, tribute will be paid to Milestone Films, which has gained an international reputation for releasing classic cinema masterpieces, groundbreaking documentaries, and American independent features. Since 2007, Milestone has concentrated on the restoration and worldwide distribution of films outside the Hollywood mainstream featuring “lost” films by and about African Americans, Native Americans, LGBTQ, and women. Milestone co-founders Dennis Doros and Amy Heller will present their recent restoration of No Maps on My Taps, accompanied by its director, George Nierenberg. The screening will be followed by a live performance and “tap-in” (with all audience members who bring tap shoes) led by dancer Suzanne Seiber. The second “Indie Institution” honoree will be the Independent Documentary Association (IDA). IDA’s educational, advocacy, production support, and exhibition programs, including the Pare Lorentz and Enterprise Documentary Funds and Documentary Magazine, provide resources, create community and defend rights and freedom for documentary artists, activists, and journalists. IDA’s Director of Programming and Policy, Claire Aguilar, joined by the films’ directors and subjects, will present The Blessing (an IDA Pare Lorentz Fund grantee) and Crime + Punishment (Enterprise Documentary Fund grantee, and winner of a jury prize at Sundance). Aguilar will also moderate the TalkBack panel “Seeking Justice in Documentary.” According to Festival director Richard Herskowitz, “The tribute to Milestone Films’ restoration and distribution is part of a larger programming focus this year on classic cinema that includes Shakespeare Wallah and No Maps on My Taps. Exposure to classic films, I believe, inspires indie film audiences and filmmakers (from James Ivory to Lynn Shelton) to question and reinvent filmmaking conventions.” The emphasis on classic film is highlighted in this year’s festival posters, based on images from the animated films of Stacey Steers. Steers’ sculptural media installations will be on view at the Schneider Museum of Art as part of an exhibition, The Animated Image ( April 12 – May 12) co-curated by Herskowitz and Schneider Museum director Scott Malbaurn. Also in this exhibition are animated media installations by Chris Doyle, Rick Silva, and Matt Bollinger. Steers’ trilogy of animated films featuring collages of silent film actresses in magical settings will be presented with new scores composed by Ashland-based composers Terry Longshore and Tessa Brinckman, which they will perform live on Saturday, April 14 at SOU Music Recital Hall. Also on that program will be a live performance accompanying the Russian silent film The Dying Swan, a Milestone Films release, with a score created by Ashland-based international opera and film score composer Joby Talbot. Talbot will perform on piano, joined by cellist Michal Palzewicz and violinist Jessica Lambert. Other classic film-themed screenings include Love, Cecil, the documentary on Academy Award-winning costume and set designer and photographer Cecil Beaton that will be accompanied by its director Lisa Immordino Vreeland. Film archivist Michael Zahs, the charismatic film archivist and subject of the documentary feature film Saving Brinton, will demonstrate an early Magic Lantern, a progenitor of the film projector, following Saving Brinton’s screening at the Historic Ashland Armory. Zahs will also demonstrate the Magic Lantern to kids during AIFF’s Family Day of film presentations and hands-on filmmaking activities at ScienceWorks Hands-On Museum on Saturday, April 14.

    2018Ashland Independent Film Festival Program Summary

    2018 Documentary Feature Selections

    América The Blessing Citizen Blue & The March Crime + Punishment Dark Money Five Seasons The Foreigner’s Home The Gospel of Eureka I Am Maris: Portrait of a Young Yogi Intelligent Lives Itzhak The King Liyana Love, Cecil Minding the Gap Modified Mr. Fish: Cartooning from the Deep End No Maps on My Taps On Her Shoulders One October The Queen The Reluctant Radical & Symphony for Nature: The Britt Orchestra at Crater Lake A River Below Saving Brinton Skid Row Marathon Sky and Ground A Tuba to Cuba Two Trains Runnin’

    2018 Narrative Feature Selections

    Back at the Staircase Borg v. McEnroe The Dying Swan First Reformed For Izzy Fort Maria Hearts Beat Loud The Last Hot Lick Lean on Pete On Chesil Beach Outside In People People The Rainbow Experiment Shakespeare Wallah Wild Honey

    SHORTS PROGRAMS

    Curated Programs CineSpace KidFlix: Best of the New York Children’s International Film Festival Animated Worlds: Stop-Motion Classics with Mark Shapiro Zackary Drucker: Trans Film Television Competition Program Short Stories 1: In the Light of Day Short Stories 2: After Hours Short Docs 1: About Work Short Docs 2: About Community Short Stories and Docs: About Family Locals Only Locals Only 1: Family Friendly – Launch Student Film Competition Locals Only 2: Ashland Roots Locals Only 3: On the River, On the Land

    PERFORMANCES

    Silent Scores: The Dying Swan and Stacey Steers’ Trilogy with Tessa Brinckman, Terry Longshore, and Joby Talbot Live Tap-in with Suzanne Seiber following No Maps on My Taps

    FAMILY DAY AT SCIENCEWORKS

    Saturday, April 14, 10am-5pm: Hands-on film activities and presentations by NASA’s Ralph Grau, archivist Michael Zahs, and LAIKA’s Mark Shapiro

    AIFF MEDFORD

    4 shows at Collaborative Theatre Project on March 21, April 14 and 16, and a special screening at Kids Unlimited of Dolores with Peter Bratt and Dolores Huerta (May 3)

    EXHIBITION AT SCHNEIDER MUSEUM OF ART: THE ANIMATED IMAGE

    Media installations by Stacey Steers, Chris Doyle, Matt Bollinger, and Rick Silva on view April 12 – May 12.

    TALKBACKS

    Talking Acting with Chris Cooper Seeking Justice in Documentary Composing Scores for Classic and Contemporary Films

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  • STRAWBERRY DAYS and PLASTIC CHINA Win Golden Tine Awards at Devour! The Food Film Fest

    [caption id="attachment_25361" align="aligncenter" width="1200"]Strawberry Days, directed by Wiktor Ericsson Strawberry Days[/caption] Eight Filmmakers from around the globe have become the winners of the coveted Golden Tine Awards as the seventh edition of Devour! The Food Film Fest comes to a close in Wolfville, Nova Scotia. Strawberry Days, directed by Wiktor Ericsson, won Best Feature Drama for shining an intimate light on a part of the food industry we don’t often see up close; and Jiu-liang Wang’s Plastic China won Best Feature Documentary for tackling a massive global issue and bringing it right down to a human, in fact child size, level. Shingo Usami received the Golden Tine Award in the Best Short Drama category for Riceballs, a film built on small moments around food for a father and son. Best Short Documentary went to Patrick Bresnan for The Rabbit Hunt which follows a family on a rabbit hunt as sugar cane fields are being burned. Best Animation went to Fabio Friedli’s In a Nutshell, a clever and creative film that makes unexpected but legitimate links. Honourable mentions go to Aube Giroux for her film Modified and Kevin Kossowan for his short, Kill DayThe jurors were impressed by the way Giroux’s film wove together a political and personal story, ambitiously assembling an assortment of footage and techniques from home movies to interviews. The Devour! jury was incredibly moved by Kevin Kossowan’s Kill Day. Never has a butcher so eloquently summed up the somewhat conflicted, ongoing struggle to put ethically sourced meat on the table. Kossowan takes a topic so many people would rather look away from and brings it to life in a very poetic and poignant way. The Nourish Nova Scotia Youth Food & Film Challenge winner was also awarded at today’s brunch. Presented by CBC’s Tom Murphy, Christelinda Laureijs took home the $500.00 Nourish Nova Scotia Youth Food & Film Challenge prize to support a healthy eating initiative in their school/community for her film, Food for the Planet. Laureijs was also gifted a brand-new CBC prize, a $500 GoPro Kit. The eighth edition of Devour! will take place October 24 to 28, 2018.

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