Paul Schrader’s First Reformed leads the Vancouver Film Critic’s Circle international awards with three wins, including Best Director for Schrader. Alfonso Cuarón’s Roma however, picked up Best Picture along with Best Foreign Language Film, and Minding the Gap won for Best Documentary.
Roma and Spider-man: Into the Spider-Verse scored three awards with the Utah Film Critics Association, with Spider-man receiving the honors of being named Best Picture of 2018.
“The Hate U Give,” a drama that examines contemporary race relations in America through the eyes of a culturally conflicted young woman, took three prizes at the 2018 Indiana Film Journalists Association (IFJA) awards, including Best Film.
Roma and The Favourite took home three Kansas City Film Critics Circle’s James Loutzenhiser Awards each, and for the first time since 1992 and the fourth time in the organization’s 53-year history tied for the top prize of Best Film. Roma also won Best Foreign Film and helmer Alfonso Cuarón collected the Robert Altman Award for Best Director.
The Academy of Motion Picture Arts and Sciences today announced shortlists in consideration for the 91st Oscars® in nine categories: Documentary Feature, Documentary Short Subject, Foreign Language Film, Makeup and Hairstyling, Music (Original Score), Music (Original Song), Animated Short Film, Live Action Short Film and Visual Effects.
If Beale Street Could Talk, Barry Jenkins adaptation of James Baldwin’s 1974 novel won three award honors, including Best Picture of 2018 from the Boston Society of Film Critics.
The Dallas-Fort Worth Film Critics Association voted the musical drama A STAR IS BORN as the best film of 2018. Rounding out the composite list of the top 10 films of the year were ROMA (2), THE FAVOURITE (3), VICE (4), BLACKkKLANSMAN (5), BLACK PANTHER (6), GREEN BOOK (7), IF BEALE STREET COULD TALK (8), EIGHTH GRADE (9), and CAN YOU EVER FORGIVE ME? (10).
Yorgos Lanthimos’ The Favourite leads all films in the Vancouver Film Critics Circle’s international section with six nominations, and Katherine Jerkovic’s Roads in February leads all films in the Vancouver Film Critics’ Circles’ Canadian section with six nominations.
In the international section, Lanthimos’ delectable bodice ripper shares the Best Picture category with First Reformed, Paul Schrader’s pointed diagnosis of our ill-stricken times, and Alfonso Cuarón’s technically virtuosic and emotionally devastating Roma; Lanthimos, Schrader and Cuarón also assume their respective places in the Best Director category.
Burning, Roma and Shoplifters are up for Best Foreign Language Film, while Free Solo, Minding the Gap and Won’t You Be my Neighbor? are nominated for Best Documentary.
In the Canadian section, a wistful story about a young woman returning home to Uruguay after more than a decade away, Roads in February is nominated for Best Picture alongside Fausto, Andrea Bussmann’s loose adaptation of Goethe’s version of the Faust legend, and Edge of the Knife, co-directors Gwaai Edenshaw and Helen Haig-Brown’s 19th century epic, scripted entirely in two endangered Haida dialects (of which there are only 20-odd fluent speakers remaining). Jerkovic, Bussmann and Edenshaw and Haig-Brown are all nominated for Best Director, where they are joined by Philippe Lesage for Genesis.
The Best Canadian Documentary nominees are ANTHROPOCENE: The Human Epoch, The Museum of Forgotten Triumphs, and What Is Democracy?
The 30th annual Palm Springs International Film Festival (PSIFF) will open with All is True directed by Kenneth Branagh on Friday, January 4, and close with Ladies in Black, directed by Bruce Beresford on Sunday, January 13. The Festival will screen 223 films from 78 countries, with a focus on cinema from France, India and Mexico, Premieres, Talking Pictures, Book to Screen, Special Presentations, FLOS: Foreign Language Oscar Submissions, Gay!La, Local Spotlight, Modern Masters, True Stories, World Cinema Now, a 30-film retrospective of selections from past festivals and more.
In All is True, Kenneth Branagh, Judi Dench and Ian McKellen star in Branagh’s intimate, revelatory portrait of William Shakespeare in the last act of his life. His career over, he returns to his home in Stratford-upon-Avon to encounter old ghosts, old loves, and his resentful family. Branagh is expected to attend.
Ladies in Black, set in Sydney in 1959, Oscar®-nominated writer/director Bruce Beresford takes us back to the heyday of glamorous upscale department stores, when a concierge met you at the door and clerks wore gloves. The film from Lumila Films stars Julia Ormond, Angourie Rice, Rachael Taylor, Ryan Corr, Shane Jacobson and Alison McGirr. Beresford, Ormond, Taylor and McGirr are expected to attend.
Lucrecia Martel’s Zama, Lee Chang-dong’s Burning, and Paul Schrader’s First Reformed took the top spots among films released in 2018 on Film Comment’s annual end-of-year survey. Of the films that screened at festivals worldwide but have not announced stateside distribution, Roberto Minervini’s What You Gonna Do When the World’s on Fire?, Mariano Llinás’s La Flor, and Khalik Allah’s Black Mother received the top rankings.
The Santa Barbara International Film Festival has selected Yalitza Aparicio (Roma) Sam Elliott (A Star is Born), Elsie Fisher (Eighth Grade) Claire Foy (First Man), Richard E. Grant (Can You Ever Forgive Me?), Thomasin Harcourt McKenzie (Leave No Trace), John David Washington (BlacKkKlansman) and Steven Yeun (Burning) to receive the 2019 Virtuosos Award at the upcoming 34th edition of the festival.