
Yorgos Lanthimos’ The Favourite leads the nominations for the 2018 Houston Film Critics Society awards with six, including Best Picture, and Best Director for Yorgos Lanthimos.

Yorgos Lanthimos’ The Favourite leads the nominations for the 2018 Houston Film Critics Society awards with six, including Best Picture, and Best Director for Yorgos Lanthimos.

If Beale Street Could Talk, Barry Jenkins adaptation of James Baldwin’s 1974 novel won three award honors, including Best Picture of 2018 from the Boston Society of Film Critics.

The Dallas-Fort Worth Film Critics Association voted the musical drama A STAR IS BORN as the best film of 2018. Rounding out the composite list of the top 10 films of the year were ROMA (2), THE FAVOURITE (3), VICE (4), BLACKkKLANSMAN (5), BLACK PANTHER (6), GREEN BOOK (7), IF BEALE STREET COULD TALK (8), EIGHTH GRADE (9), and CAN YOU EVER FORGIVE ME? (10).

Yorgos Lanthimos’ The Favourite leads all films in the Vancouver Film Critics Circle’s international section with six nominations, and Katherine Jerkovic’s Roads in February leads all films in the Vancouver Film Critics’ Circles’ Canadian section with six nominations.
In the international section, Lanthimos’ delectable bodice ripper shares the Best Picture category with First Reformed, Paul Schrader’s pointed diagnosis of our ill-stricken times, and Alfonso Cuarón’s technically virtuosic and emotionally devastating Roma; Lanthimos, Schrader and Cuarón also assume their respective places in the Best Director category.
Burning, Roma and Shoplifters are up for Best Foreign Language Film, while Free Solo, Minding the Gap and Won’t You Be my Neighbor? are nominated for Best Documentary.
In the Canadian section, a wistful story about a young woman returning home to Uruguay after more than a decade away, Roads in February is nominated for Best Picture alongside Fausto, Andrea Bussmann’s loose adaptation of Goethe’s version of the Faust legend, and Edge of the Knife, co-directors Gwaai Edenshaw and Helen Haig-Brown’s 19th century epic, scripted entirely in two endangered Haida dialects (of which there are only 20-odd fluent speakers remaining). Jerkovic, Bussmann and Edenshaw and Haig-Brown are all nominated for Best Director, where they are joined by Philippe Lesage for Genesis.
The Best Canadian Documentary nominees are ANTHROPOCENE: The Human Epoch, The Museum of Forgotten Triumphs, and What Is Democracy?

Lucrecia Martel’s Zama, Lee Chang-dong’s Burning, and Paul Schrader’s First Reformed took the top spots among films released in 2018 on Film Comment’s annual end-of-year survey. Of the films that screened at festivals worldwide but have not announced stateside distribution, Roberto Minervini’s What You Gonna Do When the World’s on Fire?, Mariano Llinás’s La Flor, and Khalik Allah’s Black Mother received the top rankings.

Sight & Sound, the BFI’s international film magazine, today named Alfonso Cuarón’s Roma as the Best Film of 2018 in one of the most anticipated and respected critics’ opinion poll: Sight & Sound’s Films of the Year. Paul Thomas Anderson’s Oscar®-winning Phantom Thread is in second place, followed by Lee Chang-dong’s Burning in third.

The San Francisco Film Critics Circle named Roma the Best Picture of 2018 along with Best Foreign Language Picture but gave the award for Best Director to Spike Lee for BlacKkKlansman. BlacKkKlansman also won the awards for Best Original Score and Best Screenplay, Adapted.

“The Favourite” leads the nominations for the 24th Annual Critics’ Choice Awards this year with 14 nominations including Best Picture, Olivia Colman for Best Actress and Best Actress in a Comedy, Emma Stone and Rachel Weisz both for Best Supporting Actress, Best Acting Ensemble, and Yorgos Lanthimos for Best Director.

Roma continues to be the darling of the critics, winning Best Film at the 44th annual Los Angeles Film Critics Association Awards (LAFCA). Roma also won Best Director and Best Cinematography for Alfonso Cuaron. The award for Best Foreign Language Film was tie and went to Burning and Shoplifters; and the award for Best Documentary went to Shirkers.

Alfonso Cuaron’s “Roma,” is the clear favorite with the Chicago Film Critics Association, earning the most nominations of all for their 2018 film awards with nine. In addition to being one of the finalists for Best Picture, Cuaron himself was personally nominated in four additional categories for Director, Original Screenplay, Cinematography and Editing, the latter alongside Adam Gough. Yalitza Aparicio, the non-professional chosen by Cuaron to star in the film received two nominations herself for Best Actress and Most Promising Performer and it also received nods for Art Direction/Production Design and Foreign Film.