Take My Nose… Please!

  • 170 Documentary Feature Films Submitted for 90th Academy Awards

    [caption id="attachment_25315" align="aligncenter" width="1200"]Gaga: Five Foot Two Gaga: Five Foot Two[/caption] One hundred seventy features have been submitted for consideration in the Documentary Feature category for the 90th Academy Awards. A shortlist of 15 films will be announced in December. Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture, provided they meet the requirements for those categories. Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018. The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide. The submitted features, listed in alphabetical order, are: Abacus: Small Enough to Jail Aida’s Secrets Al Di Qua All the Rage All These Sleepless Nights AlphaGo The American Media and the Second Assassination of President John F. Kennedy And the Winner Isn’t Angels Within Architects of Denial Arthur Miller: Writer Atomic Homefront The B-Side: Elsa Dorfman’s Portrait Photography Bang! The Bert Berns Story Bending the Arc Big Sonia Bill Nye: Science Guy Birthright: A War Story Bobbi Jene Bombshell: The Hedy Lamarr Story Born in China Born to Lead: The Sal Aunese Story Boston Brimstone & Glory Bronx Gothic Burden California Typewriter Can’t Stop, Won’t Stop: A Bad Boy Story Casting JonBenet Chasing Coral Chasing Trane Chavela Citizen Jane: Battle for the City City of Ghosts Clive Davis: The Soundtrack of Our Lives Cries from Syria Cruel & Unusual Cuba and the Cameraman Dawson City: Frozen Time Dealt The Death and Life of Marsha P. Johnson Destination Unknown Dina Dolores Dream Big: Engineering Our World A Dying King: The Shah of Iran Eagles of Death Metal: Nos Amis (Our Friends) Earth: One Amazing Day 11/8/16 Elian Embargo Eric Clapton: Life in 12 Bars Escapes Everybody Knows… Elizabeth Murray Ex Libris – The New York Public Library Extraordinary Ordinary People Faces Places The Farthest The Final Year Finding Oscar 500 Years Food Evolution For Ahkeem The Force The Freedom to Marry From the Ashes Gaga: Five Foot Two A German Life Get Me Roger Stone Gilbert God Knows Where I Am Good Fortune A Gray State Hare Krishna! The Mantra, the Movement and the Swami Who Started It All Harold and Lillian: A Hollywood Love Story Hearing Is Believing Hell on Earth: The Fall of Syria and the Rise of ISIS Human Flow I Am Another You I Am Evidence I Am Jane Doe I Called Him Morgan Icarus If You’re Not in the Obit, Eat Breakfast The Incomparable Rose Hartman An Inconvenient Sequel: Truth to Power Intent to Destroy Jane Jeremiah Tower The Last Magnificent Jim & Andy: The Great Beyond – Featuring a Very Special, Contractually Obligated Mention of Tony Clifton Joan Didion: The Center Will Not Hold Joshua: Teenager vs. Superpower Karl Marx City Kedi Keep Quiet Kiki LA 92 The Last Dalai Lama? The Last Laugh Last Men in Aleppo Legion of Brothers Let It Fall: Los Angeles 1982 – 1992 Let’s Play Two Letters from Baghdad Long Strange Trip Look & See Machines Man in Red Bandana Mr. Gaga: A True Story of Love and Dance Motherland Mully My Scientology Movie Naples ’44 Neary’s – The Dream at the End of the Rainbow Night School No Greater Love No Stone Unturned Nobody Speak: Trials of the Free Press Nowhere to Hide Obit Oklahoma City One of Us The Paris Opera The Pathological Optimist Prosperity The Pulitzer at 100 Quest Rancher, Farmer, Fisherman The Rape of Recy Taylor The Reagan Show Restless Creature: Wendy Whelan Risk A River Below Rocky Ros Muc Rumble: The Indians Who Rocked the World Santoalla School Life Score: A Film Music Documentary Served Like a Girl The Settlers 78/52 Shadowman Shot! The Psycho Spiritual Mantra of Rock Sidemen: Long Road to Glory The Skyjacker’s Tale Sled Dogs Soufra Spettacolo Step Stopping Traffic: The Movement to End Sex-Trafficking Strong Island Surviving Peace Swim Team Take Every Wave: The Life of Laird Hamilton Take My Nose… Please! They Call Us Monsters 32 Pills: My Sister’s Suicide This Is Everything: Gigi Gorgeous Tickling Giants Trophy Twenty Two Unrest Vince Giordano – There’s a Future in the Past Voyeur Wait for Your Laugh Wasted! The Story of Food Waste Water & Power: A California Heist Whitney. Can I Be Me Whose Streets? The Work

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  • The Orchard Will Release Award-Winning Documentary TAKE MY NOSE… PLEASE!

    Take My Nose... Please! by Joan Kron The Orchard will release the award-winning documentary film “TAKE MY NOSE… PLEASE!” in the United States and Canada on all digital and on-demand platforms beginning on January 9, 2018, director Kron’s 90th birthday. The film is currently finishing its Oscar® qualifying theatrical run in theaters in Los Angeles and New York. The acclaimed film, directed by the 89-year-old, first-time filmmaker Joan Kron (former contributing editor at large of Allure Magazine for 25 years and former fashion reporter of the Wall Street Journal), looks at the pressure on women to be attractive through the lens of comedy, and features well-known funny women including Jackie Hoffman, Judy Gold, Julie Halston, Lisa Lampanelli, Giulia Rozzi and a who’s-who of female comedy icons. “I am excited to be working with The Orchard to bring this film to a larger audience,” said director Kron. “We learned in festivals and in our theatrical screenings how the picture resonates with women–and men–by opening up for discussion a topic often spoken about in whispers. After years as a print journalist, it is thrilling for me to see how a film can affect audiences viscerally. Not only is “TAKE MY NOSE… PLEASE!” entertaining – even hilarious – it is visual truth serum, giving viewers permission to talk about their own experiences with age or appearance discrimination and their attitudes, pro and con, toward cosmetic surgery.” “Some people are surprised,” Kron adds, “that at this late age, I could learn to work in another medium, but I tell them, if I could start writing at age 41, I can become a director in my 80’s.” Prior to its theatrical run, “TAKE MY NOSE… PLEASE!” was a selection of many film festivals around the country including the Newport Beach Film Festival, Martha’s Vineyard Film Festival, and San Francisco DocFest among others. The film won the Audience Award at the Miami Film Festival and at the Berkshire International Film Festival. “TAKE MY NOSE… PLEASE!” follows two comedians as they deliberate about going under the knife. Emily Askin, an up-and coming improv performer, has always wanted her nose refined. Emmy-nominated Jackie Hoffman, a seasoned headliner on Broadway and TV, considers herself ugly and regrets not having the nose job offered in her teens. And maybe she’d like a face-lift, as well. As we follow their surprisingly emotional stories, we meet others who have taken the leap – or held out. Putting it all in perspective are surgeons, sociologists, and cultural critics. And for comic relief and the profundity only comedians can supply, there are some high-profile cameos.

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  • Insightful and Funny Docu Film TAKE MY NOSE… PLEASE! Sets Release Date | Trailer

    Take My Nose... Please! by Joan Kron The insightful and funny Take My Nose… Please! by Joan Kron goes in depth with a comedic take from the top female comedians on the subject of women and plastic surgery and their career as artists. Interviews, clips and commentary from some of our legendary comics including Roseanne Barr, Phyllis Diller, the late Joan Rivers,Judy Gold, Julie Halston, Kathy Griffin, Margaret Cho, Wanda Sykies, Lisa Lampanelli, Giulia Rozzi, and Adrianne Tolsch add to the magic of this film. Take My Nose… Please! is the debut feature film from longtime former Allure Magazine editor now turned filmmaker, Joan Kron. For Joan, at the amazing age of 89 years-old, documentary film making is now her new career. The film will open exclusive one week engagements in New York on October 6 at the Village East Cinemas, and then October 13 in Los Angeles at the Laemmle Monica in Santa Monica. It will open nationally following these cities. Take My Nose… Please! is a seriously funny and wickedly subversive look at the role comedy has played in exposing the pressures on women to be attractive and society’s desire/shame relationship with plastic surgery. More than 15 million cosmetic procedures were performed in the US in 2014. And 90% of them on were done on women. Yet, for those who elect to tinker with Mother Nature, especially for high-profile women, plastic surgery is still a very dark secret. Funny women, though, are the exception. From Phyllis Diller and Joan Rivers to Roseanne Barr and Kathy Griffin, comedians have been unashamed to talk about their perceived flaws, and the steps taken to remedy them. For these dames, cosmetic surgery isn’t vanity, it is affirmative action – compensation for the unfair distribution of youthfulness and beauty. By admitting what their sisters in drama deny, comic performers speak to women who feel the same pressures, giving them permission to pursue change (or not to) while entertaining us. Take My Nose… Please! follows two comedians as they deliberate about going under the knife. Emily Askin, an up-and coming improv performer, has always wanted her nose refined. Jackie Hoffman, a seasoned headliner on Broadway and on TV, considers herself ugly and regrets not having the nose job offered in her teens. And maybe she’d like a face-lift, as well. As we follow their surprisingly emotional stories, we meet other who have taken the leap – or held out. Putting it all in perspective are psychologists, sociologists, the medical community and cultural critics. And for comic relief and the profundity only comedians can supply. The film includes commentary from Roseanne Barr, Phyllis Diller, the late Joan Rivers,Judy Gold, Julie Halston, Lisa Lampanelli, Giulia Rozzi, Bill Scheft, and Adrianne Tolsch.

    FESTIVALS AND AWARDS:

    Audience Award – Miami International Film Festival Audience Award – Berkshire International Film Festival Official Selection – Newport Beach International Film Festival; San Francisco Doc Fest; Arizona International Film Festival; Middlebury New Filmmakers Festival; San Luis Obispo Film Festival; Martha’s Vineyard International Film Festival; and more

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  • 2017 Miami Film Festival Awards – Chilean Film FAMILY LIFE Wins Grand Prize

    [caption id="attachment_21583" align="aligncenter" width="1180"]Family Life (Vida De Familia) Family Life (Vida De Familia)[/caption]

    Chilean filmmakers Cristian Jiménez and Alicia Scherson’s Family Life (Vida De Familia) won the Knight Competition Grand Jury Prize of the 34th annual Miami Dade College’s Miami Film Festival.

    Family Life, which had its World Premiere at the 2017 Sundance Film Festival,  stars Jorge Becker, Gabriela Arancibia, Blanca Lewin, Cristián Carvajal.  In the film, Bruno and his family leave their Santiago home for a three-month visit to France. Bruno’s cousin Martín is left in charge of the house and cat. The cat goes missing, which leads Martín to meet Pachi. A romance begins, albeit one based on false pretenses: Martín claims the house is his, and that he’s a father and divorcé. Martín invents a whole new life—but when happens when real life comes back from holiday?

    The awards ceremony capped a stellar edition of the Festival featuring a total of 140 films from 41 countries, including 17 World Premieres.

    2017  MIAMI FILM FESTIVAL AWARD WINNERS

    KNIGHT COMPETITION

    BEST FILM: $30,000 Prize Family Life / Director: Cristian Jiménez, Alicia Scherson (Chile) BEST DIRECTOR: $5,000 Prize Daniel Hendler for The Candidate (Uruguay) BEST ACTOR: $5,000 Prize (shared) Lola Amores and Eduardo Martinez for Santa y Andres (Cuba)

    HBO IBERO-AMERICAN FEATURE FILM COMPETITION

    BEST FILM: $10,000 Prize Maria (And Everyone Else) / Frida Films – Director: Nely Reguera) (Spain) HONORABLE MENTION Marc Crehuet for The One Eyed King (El Rey Tuerto) (Spain)

    JORDAN RESSLER SCREENWRITING COMPETITION

    BEST SCRIPT: $10,000 Prize Tomas Alzamora for Little White Lie (La mentirita blanca) (Chile) KNIGHT DOCUMENTARY ACHIEVEMENT AWARD: Take My Nose…Please! / Director: Joan Kron (USA, Mexico)

    ZENO MOUNTAIN AWARD

    BEST FILM: $5,000 PREMIO – The Grown-Ups (Los Niños) / Director: Maite Alberdi (Chile)

    AUDIENCE FAVORITE

    La Soledad by Jorge Thielen Armand (Venezuela)

    AUDIENCE FAVORITE SHORT

    Havana House by Gaspar González (USA)

    SHORTS COMPETITION AWARD

    BEST FILM: $2,500 Prize The Head Vanishes / Director: Frank Dion (Canada, France)

    RENE RODRIGUEZ CRITICS AWARD

    BEST FILM: Harmonium / Director: Kôji Fukada (Japan)

    ENCUENTROS AWARD (WORKS-IN-PROGRESS)

    $10,000 Prize (shared) – Tigre (Argentina, Pucará Cine) & Camocim (Brazil, Ponte Produções)

    MIAMI FILM 2017 $5,000 each to:

    And The Whole Sky Fit in the Dead Cow’s Eye (Y todo el cielo cupo en el ojo de la vaca) by Francisca Alegria (Chile) Connection (CONECTIFAI) by Zoe Garcia (Cuba) The Inconvenience (El Inconveniente) by Adriana Yurcovich (Argentina)

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