The Gospel of Eureka

Faith, love and civil rights collide on voting day in a small Southern town that hosts a famous performance of the last days of Christ and an infamous gospel drag show. The new documentary by the award winning directors of October Country.

Directed by Michael Palmieri, Donal Mosher

Starring Mx Justin Vivian Bond, Anita Bryant

Genre(s) Documentary Film

PORTRAIT OF A LADY ON FIRE Leads Nominations for GALECA LGBTQ Critics’ 11th Dorian Awards

Portrait of a Lady On Fire (PORTRAIT DE LA JEUNE FILLE EN FEU)

Portrait of a Lady on Fire and Parasite led the film nominations for GALECA: The Society of LGBTQ Entertainment Critics’ 11th Dorian Awards given for the best in film and television of 2019. Portrait of a Lady on Fire and was nominated for Film of the Year, Foreign Language Film of the Year and LGBT Film of the Year.

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159 Documentary Feature Films Submitted for 2019 Oscar Race

DAVID HOGG in AFTER PARKLAND by Emily Taguchi and Jake Lefferman

One hundred fifty-nine features have been submitted for consideration in the Documentary Feature category for the 92nd Academy Awards®. Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture.

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THIS WORLD ALONE, WRESTLE, THE GOSPEL OF EUREKA Win at 2019 Oxford Film Festival

This World Alone by Jordan Noel

Jordan Noel’s THIS WORLD ALONE won the top Hoka award for Best Narrative Feature, and Suzannah Herbert and Lauren Belfer’s WRESTLE won for Best Documentary Feature at the 2019 Oxford Film Festival.

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Watch Drag Queens Meet Christianity in Official THE GOSPEL OF EUREKA Trailer

The Gospel of Eureka

Love, faith and civil rights collide in a southern town as evangelical Christians and drag queens step into the spotlight to dismantle stereotypes in the trailer for the documentary The Gospel of Eureka. Directed by Michael Palmieri and Donal Mosher; and narrated by Mx Justin Vivian Bond, Kino Lorber will release The Gospel of Eureka on February 8, 2019.

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2019 Oxford Film Festival Reveals Competition Films, Opens with John Stimpson’s GHOST LIGHT

[caption id="attachment_33037" align="aligncenter" width="1200"] GHOST LIGHT[/caption] The 2019 Oxford Film Festival (February 6-10), will kickoff with John Stimpson’s GHOST LIGHT as the Opening Night Gala selection, and Jacqueline Olive’s ALWAYS IN SEASON tabbed as the fest’s Closing Night Gala selection immediately following its debut at Sundance. Another choice hot off of Sundance will be Jon Strong’s documentary, LONG TIME COMING, presented as a Special Screening. Oxford Film Festival favorite Malcolm Ingram will present his latest documentary, SOUTHERN PRIDE as a Special Screening as well. Stimpson’s GHOST LIGHT combines laughs and scares as an understudy, aiming for the lead role and the leading lady during a traveling production of Shakespeare’s Macbeth, unleashes mayhem by disregarding the time-honored superstitions that go along with staging “The Scottish Tragedy.” The film stars an impressive cast including Cary Elwes, Roger Bart, Carol Kane, Shannyn Sossamon, Danielle Campbell, and Tom Riley. The film screens Thursday, February 7 at 7:00PM at the Gertrude C. Ford Center (351 University Ave.). Mississippi native Olive’s film, ALWAYS IN SEASON takes a look at how the terrorism of lynching in our country’s history still bleeds into the present via the case of Lennon Lacy, a teenage boy found hanging from a swing set in rural North Carolina in 2014. The film traces his mother’s pursuit of justice for her son as well as intersecting with stories from other communities looking seeking justice and reconciliation. The film screens Sunday, February 10 at 6:00PM at the Malco Commons (204 Commonwealth Blvd.). The two documentaries receiving Special Screening presentations include Strong’s LONG TIME COMING, which looks at how a simple little league game was anything but when it took place in the racially segregated South in 1955, and the two teams in question were a team of white boys and a team of black boys. Ingram’s SOUTHERN PRIDE brings us up to date via his film juxtaposing a bar owner who struggles to organize a Pride march in her hometown in Mississippi, while in another part of the state organizers of a Black Pride celebration are working to overcome numerous obstacles facing them. Narrative feature films in competition this year include: Daniel Campbell’s ANTIQUITIES; Stimpson’s GHOST LIGHT; Rob Heydon’s ISABELLE; Alex Eaton’s MOUNTAIN REST; Katie Orr’s POOR JANE; Jillian Armenante’s STUCK; and Jordan Noel’s THIS WORLD ALONE. Documentary features in competition include; Dava Whisenant’s BATHTUBS OVER BROADWAY; Nicholas Laviola’s HOLY GHOST FIRE: THE ECSTASY OF RANDY WOLFORD; Assia Boundaoui’s THE FEELING OF BEING WATCHED; Jon Strong’s LONG TIME COMING; Jamal Sims’s WHEN THE BEAT DROPS; Emily Harrold’s WHILE I BREATHE, I HOPE; and Suzannah Herbert and Lauren Belfer’s WRESTLE. The LGBTQ Juried Feature Competition will include; Kevin O’Brien’s AT THE END OF THE DAY; PJ Raval’s CALL HER GANDA; Keith Behrman’s GIANT LITTLE ONES; Michael Palmieri and Donal Mosher’s GOSPEL OF EUREKA; and Daniel Laabs’s JULES OF LIGHT AND DARK.
2019 Oxford Film Festival FEATURE FILMS
OPENING NIGHT SELECTION GHOST LIGHT Director: John Stimpson Country: USA, Running Time: 103 min. GHOST LIGHT is a haunted comedy about the absurd, but very seriously regarded, superstitions of the theatre, specifically those surrounding Shakespeare’s Macbeth. When a disgruntled and arrogant understudy tempts fate by uttering the forbidden name of the “Scottish King” on stage, the sorcery of the Bard’s witches overwhelms the production leading to chaos, misfortune and death. All’s well that ends well… but not for everyone. CLOSING NIGHT SELECTION ALWAYS IN SEASON Director: Jacqueline Olive Country: USA, Running Time: When 17-year-old Lennon Lacy is found hanging from a swing set in rural North Carolina in 2014, his mother’s search for justice and reconciliation begins as the trauma of more than a century of lynching African Americans bleeds into the present. SPECIAL SCREENINGS LONG TIME COMING Director: Jon Strong Country: USA, Running Time: 87 min. In 1955, when racial segregation defined America, two groups of twelve-year-old boys stepped onto a baseball field in a non-violent act of cultural defiance that would change the course of history and challenge their own perceptions sixty years later. SOUTHERN PRIDE Director: Malcolm Ingram Country: USA, Running Time: 91 min. A documentary about people from two towns in Mississippi organizing gay and black pride events in Trump’s backwater America.
NARRATIVE FEATURES JURIED COMPETITION
ANTIQUITIES Director: Daniel Campbell Country: USA, Running Time: 93 min. After his father’s death, Walt (Andrew J. West) moves to his dad’s hometown to learn more about who his father was. He accepts a job at a local antique mall where he’s introduced to the quirky world in which his dad grew up. There, Walt learns not only about his father, but a good bit about himself. The ensemble comedy feature stars Andrew J. West, Michaela Watkins, Michael Gladis, with Ashley Greene, and Mary Steenburgen. ISABELLE Director: Rob Heydon Country: Canada, Running Time: 80 min. A young couple’s dream of starting a family shatters as they descend into the depths of paranoia and must struggle to survive an evil presence that wants nothing more than their very own lives. MOUNTAIN REST Director Alex Eaton Country: USA, Running Time: 93 min. After sequestering herself to a small mountain town, an aging actress calls her estranged daughter and granddaughter home for reconciliation and one final celebration. POOR JANE Director: Katie Orr Country: USA, Running Time: 129 min. A housewife’s comfortable life unravels when she suddenly stops loving her husband. A raw portrait of a woman experiencing midlife malaise. STUCK Director: Jillian Armenante Country: USA, Running Time: 101 min. After getting into trouble with the law, Darby is sentenced to 30-days house arrest. Now she is ‘stuck’ in the same house as her ex-boyfriend and his new fiancée. THIS WORLD ALONE Director: Jordan Noel Country: USA, Running Time: 90 min. Following a cataclysmic event which left the Earth without technology or power, Sam (Belle Adams)—a book-obsessed girl in her late teens—lives in seclusion with her two mother-figures (Carrie Walrond Hood & Sophie Edwards). But after an accident, she’s pushed out of her protective world and forced to put her makeshift parents’ opposing world-views to the test as she faces the physical and emotional challenges of a world reclaimed by nature.
DOCUMENTARY FEATURES JURIED COMPETITION
BATHTUBS OVER BROADWAY Director Dava Whisenant County: USA, Running Time: 87 min. A Late Night comedy writer stumbles on a hilarious, hidden world of entertainment and finds an unexpected connection to his fellow man. With David Letterman, Martin Short, Chita Rivera, Jello Biafra, and more. HOLY GHOST FIRE: THE ECSTASY OF RANDY WOLFORD Director: Nicholas Laviola Country: USA, Running Time: 60 min. The Holiness Serpent Handlers, a group of born-again Pentecostal Christians deep in Appalachia, have taken this verse to be the base of their Apostolic movement. HOLY GHOST FIRE: THE ECSTASY OF RANDY WOLFORD is an unflinching look into their tragic service on Sunday, May 27, 2012, and a vital artifact of one of the darkest corners of American Religion. THE FEELING OF BEING WATCHED [caption id="attachment_27798" align="aligncenter" width="1200"] The Feeling of Being Watched[/caption] Director: Assia Boundaoui Country: USA, Running Time: 87 min. When journalist Assia Boundaoui investigates rumors of surveillance in her Arab-American neighborhood in Chicago, she uncovers one of the largest FBI terrorism probes conducted before 9/11 and reveals its enduring impact on the community. WHEN THE BEAT DROPS Director Jamal Sims Country: USA, Running Time: 87 min. Featuring footage and stories from the men of Atlanta’s bucking scene, director Jamal Sims gives a glimpse into the world of J-Setting as it grows into a national movement. WHILE I BREATHE, I HOPE Director: Emily Harrold Country: USA, Running Time: 72 min. What does it mean to be young, black, and a Democrat in the American South? WHILE I BREATHE, I HOPE follows South Carolina politician Bakari Sellers as he runs to become the first African American candidate elected statewide in over a century. The film begins by following Sellers as he makes his 2014 bid for Lieutenant Governor, through the Charleston Shootings, and during the removal of the Confederate flag in 2015. Through his experiences, the film offers audiences a window into the legacy of race in politics in the United States today. WRESTLE Directors: Suzannah Herbert, Lauren Belfer Country: USA, Running Time: 89 min. HOOP DREAMS goes to the mat in this coming-of-age-documentary about four members of a high-school wrestling team in Huntsville, Alabama. Jailen, Jamario, Teague, and Jaquan are the core of the team at J.O. Johnson High School, which has been on Alabama’s list of failing schools for years. Coached—and occasionally harangued—by teacher Chris Scribner, each of these young men faces challenges far beyond a shot at the State Championship: drug use, splintered family lives, pregnant girlfriends, and run-ins with the law threaten to derail their success on the mat and lock any doors that could otherwise open.
MISSISSIPPI FEATURES JURIED COMPETITION
ATTACHE Director: Melissa Pace Overholt Country: USA, Running Time: 73 min. As one of the poorest states in the country, Mississippi lands at the bottom of many lists. There’s at least one exception, the Clinton, Mississippi High School Attache Show Choir is considered to be among the most successful in history. In a region where arts and music funding have been virtually demolished, Clinton public school’s music program manages to thrive. Composed of students from different backgrounds, ATTACHE unites its members and, together, they rise above, consistently beating the odds. Preceded by COACH WADE Directors: Elisabetta Zengaro, Matteo Zengaro Country: USA, Running Time: 33 min. COACH WADE is the story of how a woman from a small, impoverished town in the Mississippi Delta rose to success coaching collegiate basketball. Coach Wade and her team overcame obstacles and brought distinction to their school, while also fighting against sexist media coverage of women’s sports, changing the nature of the sport for years to come. DOOR AJAR – THE M.B. MAYFIELD STORY [World Premiere] Director: John Reyer Afamasaga Country: USA, Running Time: 91 min. From inside a broom closet with the door cracked, an African American janitor listens and learns art in segregated Mississippi. DRIVEN Director: Glenn Payne Country: USA, Running Time: 89 min. Emerson Graham’s nights as a rideshare driver are filled with annoyances and inconveniences, but until she picks up Roger they have never included attacks, disappearances, and curse breaking. After picking up a mysterious passenger her night goes from working a job to performing a quest as they race the clock to defeat a force of evil and right a long-time wrong. The meter is running. SHARDE THOMAS: LEGACY OF THE FIFE [World Premiere] Director: Jeffrey Dennis Country: USA, Running Time: 41 min. Sharde Thomas, granddaughter of Blues legend Othar Turner, carries on the rich tradition of fife and drum music in North Mississippi. She and her family continue their G.O.A.T. picnic, which was started in the 1950’s to pay for school supplies. This film celebrates the amazing past, present, and future of the North Mississippi Hill Country Blues. Preceded by RESPECT OUR BLACK DOLLARS Director: Christopher Windfield Country: USA, Running Time: 44 min. RESPECT OUR BLACK DOLLARS is an organization created to help black owned businesses succeed. The founder Stanley Wesley soon finds himself under attack from racial intimidation within the state of Mississippi. THRASHER ROAD Director: Samantha Davidson Green Country: USA, Running Time: 86 min. When an accident strands pregnant Chloe and her dog, Thrasher, on the highway home from broken dreams in L.A., unwelcome rescue comes from her estranged dad, Mac, who takes them on a disastrous detour toward a second chance.
MUSIC DOCUMENTARIES JURIED COMPETITION
DON’T GET TROUBLE IN YOUR MIND Director: John Whitehead County: USA, Running Time: 83 min. Ranging from the historical to the deeply personal, this documentary tells the story of three African-American musicians from the hip-hop generation who embraced a traditional 19th-century folk genre and took it to Grammy-winning heights. Filmmaker John Whitehead followed the band from their meteoric rise through their breakup, making for an emotionally satisfying journey as well as a spectacular musical one. ICEPICK TO THE MOON Director: Skizz Cyzyk Country: USA, Running Time: 99 min. Obscure stripmine crooner, Rev. Fred Lane, is described by his obsessed fans as “subversive,” “completely satirical,” “the Dada Duke Ellington,” and “Demon Frank Sinatra.” His fans have spent years examining every detail of Fred Lane’s albums, and yet whatever information they have found out about their hero has only led them deeper into blissful confusion. ICEPICK TO THE MOON not only examines the cult of Fred Lane fans, but also pulls the curtain back on the mysterious artist who is Fred Lane, from his early involvement with the Raudelunas arts collective in Alabama in the Seventies, to his current occupation making whirligigs to sell on the arts and crafts show circuit. NEGRO TERROR Director: John Rash Country: USA, Running Time: 53 min. A cinematic and musical portrait of a punk band’s role in the vibrant and eclectic underground music community of Memphis, TN. Championing the history, music, and various politics of their beloved hometown, Negro Terror are far more than just another hardcore punk band with a provocative name. SATAN & ADAM Director: V. Scott Balcerek Country: USA, Running Time: 95 min. Sterling Magee experienced firsthand the music industry’s exploitation of black musicians. So he walked away to play on the Harlem streets for “his people.” Reborn as Mr. Satan, he spread his gospel of joy. One of those he converted was a white kid named Adam (Oxford resident Adam Gussow), who gave up the ivory tower life to play alongside this streetwise guru. Their improbable bond made them a sensation, and their journey a tale of tragedy, survival and miraculous rebirth. UP TO SNUFF Director: Mark Maxey Country: USA, Running Time: 80 min. Millions of people have been touched by his music, yet few know the journey, hardships and triumphs of American musician and composer W.G. Snuffy Walden. Friends and collaborators share personal stories, laughs and insights about this generous soul who overcame the excesses of rock and roll to become one of the most beloved composers in television history. Featuring Snuffy’s music throughout, UP TO SNUFF includes scenes from The West Wing, Wonder Years, Sports Night and thirtysomething, with insights from Aaron Sorkin, Martin Sheen, Tom Arnold, Timothy Busfield, Lawrence O’Donnell, Steve Lukather, Eric Burdon and Snuffy Walden.
LGBTQ FEATURES JURIED COMPETITION
AT THE END OF THE DAY Director: Kevin O’Brien Country: USA, Running Time: 108 min. After his wife leaves him and he is tossed out of his counseling job, Dave finds himself as a conservative professor at a Christian college. When the Dean gets word that a group is trying to buy a building he wants for expansion, he asks Dave to join the group and find out about their progress. Dave is in for the shock of his life when he finds himself in a gay support group. His job is to stop their launch of an LGBT homeless youth shelter in their small town. But things don’t always go as planned and love wins out in ways we may not expect. CALL HER GANDA [caption id="attachment_29069" align="aligncenter" width="975"] CALL HER GANDA[/caption] Director: PJ Raval Countries: Philippines/USA, Running Time: 97 min. When Jennifer Laude, a Filipina transwoman, is brutally murdered by a U.S. Marine, three women intimately invested in the case — an activist attorney (Virgie Suarez), a transgender journalist (Meredith Talusan) and Jennifer’s mother (Julita “Nanay” Laude) — galvanize a political uprising, pursuing justice and taking on hardened histories of U.S. imperialism. GIANT LITTLE ONES Director: Keith Behrman Country: Canada, Running Time: 94 min. Franky Winter (Josh Wiggins) and Ballas Kohl (Darren Mann) have been best friends since childhood. They are high school royalty: handsome, stars of the swim team and popular with girls. They live a perfect teenage life –until the night of Franky’s epic 17th birthday party, when Franky and Ballas are involved in an unexpected incident that changes their lives forever. GIANT LITTLE ONES is a heartfelt and intimate coming-of-age story about friendship, self-discovery and the power of love without labels. GOSPEL OF EUREKA Director: Michael Palmieri, Donal Mosher Country: USA, Running Time: 75 min. Love, faith, and civil rights collide in the south as evangelical Christians and drag queens step into the spotlight to explore the meaning of belief. Gospel drag shows and passion plays set the stage for one hell of a show. JULES OF LIGHT AND DARK Director: Daniel Laabs Country: USA, Running Time: 85 min. In present-day Texas, Maya (Tallie Medel) and her on again, off again girlfriend Jules (Betsy Holt) total their car after a night of backwoods raving and teen mischief. They’re rescued from the wreckage by Freddy (Robert Longstreet), a divorced oil worker whose stoic facade crumbles as he comes to see himself, and his repressed desires, in Maya. As Jules recovers, Maya and Freddy develop a rapport that dulls the debilitating silence of their small-town lives. Together, they subtly encourage one another to chase after what they want the most (or at least figure out what that might be).
2019 Oxford Film Festival SHORT FILMS

NARRATIVE SHORT FILMS
A CRAFTSMAN Director: Sanford Jenkins Jr. Country: USA, Running Time: 13 min. A SARI FOR PALLAVI [World Premiere] Director: Kate Chamuris Country: USA, Running Time: 10 min. AGE OF BRYCE [World Premiere] Directors: David Feagan, Brian Elliott Country: USA, Running Time: 10 min. APPROVAL NEEDED [U.S. Premiere] Director: Karen Anstee Country: UK, Running Time: 11 min. BEHIND CLOSED DOORS Director: Bianca Armbruster Country: USA, Running Time: 5 min. BREASTS Director: Eva Contis Country: USA, Running Time: 18 min. CARONTE Director: Luis Tinoco Pineda Country: Spain, Running Time: 15 min. DEAD GIRL [World Premiere] Director: Rachel Sweeney Country: USA, Running Time: 28 min. DEBRIS Director: Julio Ramos Country: Peru, Running Time: 14 min. DIFFERENT THIS YEAR Director: Meghann Artes Country: USA, Running Time: 2 min. THE DRINK [World Premiere] Director: Cosima Spender Country: UK, Running Time: 12 min. FAIR SHAKE TRANSFER Director: Joshua Morris Country: USA, Running Time: 16 min. THE FISHERMAN [U.S. Premiere] Director: Zoey Martinson Country: Ghana, Running Time: 15 min. THE FLOOD Directors: Adam Dietrich, Seraphina Nova Glass Country: USA, Running Time: 20 min. FUNERAL Director: Leah Shore Country: USA, Running Time: 8 min. THE GREAT BRITISH RACE OFF Director: Natasha Jatania Country: UK, Running Time: 8 min. THE GREAT UNKNOWN Directors: Anna Jones, Desirée Matthews Country: USA, Running Time: 15 min. I’D NEVER BOTHER ANOTHER CHICKEN AGAIN Director: Helen Cho Anthos Country: USA, Running Time: 4 min. THE INVENTION Director: Leo McGuigan Country: Northern Ireland, Running Time: 19 min. IVAN [U.S. Premiere] Director: Panagiotis Kountouras Country: Greece, Running Time: 9 min. THE LAST LINE Director: Renee Mao Country: USA, Running Time: 5 min. THE LOST ONES Directors: Maria Castillejo Carmen, Maëlle Grand Bossi, Elisabeth Silveiro Country: France, Running Time:14m. MEETING MOMMY Director: Tricia Lee Country: Canada, Running Time: 12 min. MRS. MURPHY’S CONFESSION Director: Ryan Turri Country: USA, Running Time: 26 min. NOBODY’S DARLING Director: Robyn Hicks Country: USA, Running Time: 14 min. OF MINE [World Premiere] Director: Cate Carson Country: USA, Running Time: 17 min. POZOLE [World Premiere] Director: Jessica Mendez Siqueiros Country: USA, Running Time: 11 min. SAC DE MERDE Director: Greg Chwerchak Country: USA, Running Time: 13 min. SNOW CHILD Director: Diana Cignoni Country: USA, Running Time: 12 min. TAKE ME TO THE WAVES Directors: Jake Taylor Kipping, Tom Stoker Country: UK, Running Time: 20 min. TO THE SEA [U.S. Premiere] Director: Emily Dynes Country: Australia, Running Time: 14 min. WILLOW CREEK ROAD Director: Francesca Mirabella Country: USA, Running Time: 16 min.
NARRATIVE SHORT FILMS SCREENING WITH FEATURES
FRONTIER Director: Chuck Kleven Country: USA, Running Time: 16 min. (screens with MOUNTAIN REST) HAPPY BIRTHDAY Directors: Alex A. Ginzburg, Tim Harms Country: Puerto Rico, Running Time: 8 min. (screens with THIS WORLD ALONE) HYPNOTIC INDUCTION Director: Donald Meyers Country: USA, Running Time: 15 min. (screens with ISABELLE) THE PARABLE OF THE DISAPPEARING RECLINER Director: Elisabeth Gray Country: USA, Running Time: 9 min. (screens with ANTIQUITIES) TOURIST Director: Paavo Hanninen Country: USA, Running Time: 13 min. (screens with POOR JANE) TRYING TO FIND ME Director: Dominique Tipper Country: UK, Running Time: 4 min. (screens with ISABELLE) TWO PUDDLES Director: Timothy Keeling Country: UK, Running Time: 6 m. (screens with ISABELLE)
DOCUMENTARY SHORT FILMS
605 ADULTS 304 CHILDREN Director: Michael Mahaffie Countries: Guyana/USA, Running Time: 13 min. BABY BROTHER Director: Kamau Bilal Country: USA, Running Time: 14 min. CARE Director: Jeremy Xido Country: USA, Running Time: 11 min CHILDREN OF THE DUST Director: Dan Sadgrove Country: Vietnam, Running Time: 7 min THE CONQUEROR Director: Timothy Blackwood Country: USA, Running Time: 12 min. HULA GIRL Directors: Amy Hill, Chris Riess Country: USA, Running Time: 10 min. I AM ABLE Directors: Morgane Bigault, Ed Thomas Country: UK, Running Time: 9 min LITTLE FIEL Director: Irina Patkanian Country: Mozambique, Running Time: 16 min. MAC’S GARDEN GIRL [World Premiere] Director: Julia Bell Country: USA, Running Time: 17 min. MEET UNCLE PAUL Director: Jessica Bursi Country: USA, Running Time: 14 min MIGRANT [World Premiere] Director: Abbey Hoekzema Country: USA, Running Time: 6 min. NOMAD CHAPTER [World Premiere] Director: John Rash Country: USA, Running Time: 8m. PHANTASIAMAN Director: Mariel Sosa Country: Germany, Running Time: 12 min. QUIET HOURS Director: Paul Szynol Country: USA, Running Time: 13 min. SHOTO Directors: Stories Found Nairobi Team Country: Kenya, Running Time: 5 min. THOU SHALL NOT TAILGATE Director: Greg Hamilton Country: USA, Running Time: 26 min. THE TRAFFIC SEPARATING DEVICE [U.S. Premiere] Director: Johan Palmgren Country: Sweden, Running Time: 15 min. WAITING FOR FUKUSHIMA [World Premiere] Director: Alana Hutton-Shaw Countries: USA/Japan, Running Time: 16 min. ZUMARI Directors: Stories Found Nairobi Team Country: Kenya, Running Time: 6 min.
DOCUMENTARY SHORT FILMS SCREENING WITH FEATURES
A STABLE MYSTIC Director: Randal Crow Country: USA, Running Time: 10 min (screens with SATAN AND ADAM) BIRTH OF AFROBEAT Director: Opiyo Okeyo Country: USA, Running Time: (screens with DON’T GET TROUBLE IN YOUR MIND) CONFEDERATE PRIDE, WHITE SUPREMACY, AND MY STATE FLAG Director: Adam Grannick Country: USA, Running Time: 20 min. (screens with WHEN I BREATHE, I HOPE) IT’S NOW OR NEVER: A RACE TO SAVE COLONEL PARKER’S COMPLEX Director: Austin Daniel Blasingame Country: USA, Running Time: 8 m (screens with UP TO SNUFF) THE JUKE JOINT SHOW: BECOMING BUKKA Director: Matt Wymer Country: USA, Running Time: 16m. (screens with DON’T GET TROUBLE IN YOUR MIND)
MISSISSIPPI SHORT FILMS (NARRATIVE)
BETTING THE OVERLAY Director: Robert Jordan Country: USA, Running Time: 14 min. CRESCENT Director: Edward Worthy Country: USA, Running Time: 14 min. DELTA CROSSING Director: James Puckett Country: USA, Running Time: 18 min. HAPPY BIRTHDAY, PAPA Director: Bennett Krishock Country: USA, Running Time: 15 min. PASSWORDS [World Premiere] Director: Chris Floyd Country: USA, Running Time: 2 min. SYNTHETIC PHOENIX Director: Ryan Perich Country: USA, Running Time: 23 min. THE FALL LEAVES [U.S. Premiere] Director: Maya McCullough Country: USA, Running Time: 26 min.
MISSISSIPPI SHORT FILMS (DOCUMENTARIES)
BROKEN, STAINED & BEAUTIFUL Director: Matt McCoy Country: USA, Running Time: 11 min. HOLT COLLIER Director: James Mathews Country: USA, Running Time: 16 min. NICOLE Director: Tori Gene McCarthy Country: USA, Running Time: 17 min. ROOTS AND WINGS Director: Hanna Miller Country: USA, Running Time: 21 min. SIGNS Directors: Matthew Cipollone, Mikey D’Amico Country: USA, Running Time: 4 min. THE FLY IN THE BUTTERMILK Director: Ashley Norwood Country: USA, Running Time: 18 min. THE HIDDEN VOTE Director: Hanna Miller Country: USA, Running Time: 10 min.
MISSISSIPPI SHORT FILMS SCREENING WITH FEATURES
ALONELINESS: A SCREENDANCE Director: Rachel Searcey Country: USA, Running Time: 8 min. (screens with THRASHER ROAD) JESUS & JIMMY RAY Director: McGee Monteith Country: USA, Running Time: 19 min. (screens with DRIVEN)
LGBTQ SHORT FILMS
ALL WE ARE Director: Will Stewart Country: USA, Running Time: 16 min. THE BOY WHO WANTED TO FLY Director: Jorge Muriel Country: Spain, Running Time: 20 min. THE DRESS YOU HAVE ON Director: Courtney Hope Therond Country: USA, Running Time: 13 min. HIDING IN DAYLIGHT [World Premiere] Director: Cheryl Allison Country: USA, Running Time: 15 min. HIPPOPOTAMUS Director: Jody Wheeler Country: USA, Running Time: 15 min. HOME ALONE, BABY BLUE Director: John e. Kilberg Country: USA, Running Time: 11 min. HOW I CAME OUT! Director: Mark Goshorn Jones Country: USA, Running Time: 6 min. IF THIS IS WRONG Director: Chelsea Woods Country: USA, Running Time: 14 min. LIGHT IN DARK PLACES Director: Lagueria Davis Country: USA, Running Time: 11 min. THE ONE YOU NEVER FORGET [World Premiere] Director: Morgan Jon Fox Country: USA, Running Time: 9 min. PEPPER Director: Jayil Pak Country: South Korea, Running Time: 15 min. QUEEN FOR A DAY [World Premiere] Director: Savannah Rodgers Country: USA, Running Time: 4 min. RIVER Director: Sam Crainich Country: USA, Running Time: 18 min. SELL YOUR BODY Director: Jaanelle Yee Country: USA, Running Time: 11 min. YOU SAY HELLO Director: Lovell Holder Country: USA, Running Time: 22 min.
LGBTQ SHORT FILMS SCREENING WITH FEATURES
A SON INHERIT Director: Michael Williams Country: USA, Running Time: 14 min. (screens with GOSPEL OF EUREKA) LEIA’S ARMY Director: Oriana Oppice Country: USA, Running Time: 14 min. (screens with CALL HER GANDA)
FEST FORWARD SHORT FILMS (ANIMATION BLOCK)
01 Directors: Julian Treemaker, Katharina Potratz Country: Germany, Running Time: 7 min. THE BIRD & THE WHALE Director: Carol Freeman Country: Ireland, Running Time: 7 min. EXPEND Director: Bismark Fernandes Country: USA, Running Time: 4 min. FLYTRAP Director: Connor Radding Country: USA, Running Time: 7 min. FROG DOG LOG Director: Jared D. Weiss Country: USA, Running Time: 3 min. FUSE Director: Shadi Adib Country: Germany, Running Time: 5 min. IDOL-L [U.S. Premiere] Director: JAEHYEONG KIM • Country: USA, Running Time: 3 min. MR. DEER Director: Mojtaba Mousavi Cpuntry: Iran, Running Time: 9 min. MY MOON Director: Eusong Lee Country: USA, Running Time: 9 min. NEKO NO HI – CAT DAYS Director: Jon Frickey Countries: Germany/Japan, Running Time: 11 min. TRUMP BITES Director: Bill Plympton Country: USA, Running Time: 5 min. ON THE DAY YOU WERE BORN Director: Duke Doyle Country: USA, Running Time: 10 min. POUR 585 Director: Patrick Smith Country: USA, Running Time: 5 min. RED DRESS, NO STRAPS Director: Maryam Mohajer Country: UK, Running Time: 8 min. SAD HOUR [World Premiere] Director: Sean Pettis Country: USA, Running Time: 7 min. SATELLITE STRANGERS Director: James Bascara Country: USA, Running Time: 6 min. WATCH ME! [U.S. Premiere] Director: Reza Mehranfar Country: Iran, Running Time: 3 min.
FEST FORWARD SHORT FILMS (EXPERIMENTAL)
ASTRONAUTS WITH WHEAT [U.S. Premiere] Director: Jon Bryant Crawford Country: USA, Running Time: 5 min. THE BORDER [U.S. Premiere] Director: Antonio Celotto Country: Italy, Running Time: 4 min. THE CAGE OF SAND [World Premiere] Director: Edward Rankus Country: USA, Running Time: 11 min. CURRENTS Director: Xinyi Zhu Country: USA, Running Time: 6 min. DATA DECAY Director: Tynan Humphrey Country: USA, Running Time: 3 min. DIARY 2013-2018 Director: Soyeon Kim Countries: USA/South Korea, Running Time: 3 min. DULL HOPE Director: Brian Ratigan Country: USA, Running Time: 3 min. EAST448 Director: Katharina Nesterowa Country: Germany, Running Time: 6 min. EVERYTHING CHANGES Director: Geoff Marslett Country: USA, Running Time: 6 min. FEAW Director: Robin Tremblay Country: Canada, Running Time: 7 min. FUCKED UP POINT BLANK [World Premiere] Director: Shayna Connelly Country: USA, Running Time: 5 min. FUN MORE [World Premiere] Director: Wally Chung Country: USA, Running Time: 1 min. FUN TO COOK “WORLD’S BEST FOOD” Director: Dongjun Kim Country: USA, Running Time: 4 min. GONE SALE Director: Matt Meindl Country: USA, Running Time: 5 min. HORROR VACUI Director: Matteo Zamagni Country: UK, Running Time: 3 min. I TASTE BLOOD Directors: Lauren Sotolongo, Samantha Sobash, Russell Sheaffer, Aaron Michael Smith Country: USA, Running Time: 3 min. IN MEDIAS RES Director: Gloria Chung Country: USA, Running Time: 1 min. THE ONLY THING THAT EXISTS IS THE DOT [World Premiere] Director: Philip Clyde-Smith Country: UK, Running Time: 6 min. PART I & II [U.S. Premiere] Director: Nadia Dermatopoulou Country: Scotland, Running Time: 5 min. REMISSION Directors: John Charter, Paul Kaiser Country: USA, Running Time: 7 min. THERE MUST BE A SAFE SPACE TO LOAD [U.S. Premiere] THE BUILDING MATERIALS Director: Ryan Betschart Country: USA, Running Time: 3 min.
MISSISSIPPI MUSIC VIDEOS
“Ain’t No Place” by Lightnin Malcolm Director: Lightnin Malcolm Country: USA, Running Time: 5 min. “Cellar Below” by The Great Dying Director: Alex Thiel Country: USA, Running Time: 3 min. “Coast Ghost” by Spacewolf Director: Drew McKercher Country: USA, Running Time: 2 min. “Crosstie Town” by Chance Stanley Directors: Clark Richey, Amye Gousset Country: USA, Running Time: 5 min. “Fit In” Director: J.B. Lawrence Country: USA, Running Time: 5 min. “Going to Mississippi to See my Sweet Southern Bell” by Sam Moseley Director: Roslynn Clark Copeland Country: USA, Running Time: 7 min. THE GREAT DEPRESSION Director: Jeff Gordon Country: USA, Running Time: 6 min. “Life Is” [World Premiere] Director: Irene Waites Country: USA, Running Time: 4 min. “Mississippi (Why you got to be so mean?)” Director: Libby Brawley Country: USA, Running Time: 4 min. “Moss Point Mississippi” Director: Don Smith Country: USA, Running Time: 2 min. “The Price Was Right” by Andrew Bryant Director: Alex Thiel Country: USA, Runnig Time: 4 min. “Right Now” by Swear Tapes Director: Alex Thiel Country: USA, Running Time: 3 min. “Till I Cross Your Mind” by Young Valley [U.S. Premiere] Director: Drew McKercher Country: USA, Running Time: 3 min. “Trina’s Story” Director: Andre Hill Country: USA, Running Time: 4 min. “Wash My Hands” by Cedric Burnside Director: Christian Walker Country: USA, Running Time: 6 min. “When It Rains” by Encantos [World Premiere] Director: Daniel Lee Perea Country: USA, Running Time: 4m. “Whiskey World” Director: Chaz Singleton Country: USA, Running Time: 4 min. “Why Can’t You” by Truck Patch Revival Director: Montana Byrd Country: USA, Running Time: 5 min. “Wolf 3” Director: Drew McKercher Country: USA, Running Time: 3 min.
STUDENT SHORT FILMS
BAD THINGS Director: Mira K. Lippold-Johnson Country: USA, Running Time: 22 min. FRENCHIES Director: Kuan-Fu Lin Countries: Taiwan/USA, Running Time: 8 min. THE MOON AND THE NIGHT Director: Erin Lau Country: USA, Running Time: 19 min. NO WAY IN HELL Director: Raul Toledo Country: USA, Running Time: 12 min. THE SUNDAY NIGHT DRINKERS CLUB Director: Ollie Gardner Country: UK, Running Time: 20 min. THIS ONE’S FOR YOU, ALICE [World Premiere] Director: Patrick Hanser Country: Brazil, Running Time: 11 min. WHERE I WAS BORN Director: Jungmin Cha Country: USA, Running Time: 4 min.
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Indie Memphis Film Festival Announces 2018 Lineup

[caption id="attachment_31953" align="aligncenter" width="1170"] MR. SOUL![/caption] This year’s 2018 Indie Memphis Film Festival is promising to be a very exciting and wildly varied one, with a lineup featuring five World Premiere screenings and one U.S. Premiere screening, as well as Special Presentations such as CABIN BOY with Chris Elliott in attendance and Barbara Loden’s feminist masterpiece WANDA presented by Amy Seimetz (Showtime’s “The Girlfriend Experience”), as well as a retrospective of the recent films of filmmaker Hong Sangsoo. The Opening Night film is Melissa Haizlip and Samuel D. Pollard’s MR. SOUL!, a documentary chronicling Ellis Haizlip, the host of a groundbreaking weekly TV show called SOUL! that aired from 1968-1973, Barry Jenkins’ IF BEALE STREET COULD TALK as the Centerpiece Presentation, and Andrew Bujaski’s SUPPORT THE GIRLS as the Closing Night selection, followed by Bujalski presenting the “Indie Memphis Actor of the Year” award for an unforgettable role by a promising new performer to one of the film’s stars, Shayna McHayle (aka Junglepussy). As previously announced, SORRY TO BOTHER YOU filmmaker Boots Riley will be the festival’s keynote speaker for the Black Creatives Forum as well as presenting BRAZIL (1985, Terry Gilliam). The festival also includes 165 short films and over 50 music videos. This year’s festival should prove to be a very diverse one, as fifty percent of the films in the Narrative Competition are directed by female-identifying filmmakers and fifty percent are directed by people of color; in the Documentary Competition, forty-three percent are directed by women and seventy-one percent by people of color. In addition to films from the United States, the festival also boasts titles from Spain, France, South Korea, Israel, Germany, Australia, Zambia, United Kingdom, Portugal, Canada, and Democratic Republic of the Congo.
2018 Indie Memphis Film Festival Slate

OPENING NIGHT
MR. SOUL! (Dirs. Melissa Haizlip, Samuel D. Pollard) Before Oprah – Before Arsenio – there was Mr. SOUL! Ellis Haizlip makes television broadcast history with SOUL!, America’s first “black Tonight Show.” Featuring archive footage of Sidney Poitier, Patti LaBelle, Stevie Wonder, Gladys Knight, Harry Belafonte, among others. Filmmaker Melissa Haizlip in attendance. 2018, 90 min, Documentary
CENTERPIECE
IF BEALE STREET COULD TALK (Dir. Barry Jenkins) After her fiancé is falsely imprisoned, a pregnant young woman in Harlem sets out to clear his name and prove his innocence. 2018, 117 min, Drama
CLOSING NIGHT
SUPPORT THE GIRLS (Dir. Andrew Bujalski) The general manager at a highway-side ”sports bar with curves” has her incurable optimism and faith, in her girls, her customers, and herself, tested over the course of a long, strange day. Filmmaker Andrew Bujalski will present “Indie Memphis Actor of the Year” award to Shayna McHayle (aka Junglepussy). 2018, 94 min, Comedy
NARRATIVE COMPETITION
CLARA’S GHOST (Dir. Bridey Elliott) Set over the course of a single evening in the Reynolds family home in suburban Connecticut, Clara’s Ghost tells the story of Clara Reynolds who, fed up with constant ribbing from her self-absorbed showbiz family, finds solace in and guidance from the supernatural force she believes is haunting her. Filmmaker Bridey Elliott in attendance. Actors Abby Elliott, Chris Elliott, and Paula Niedert Elliott in attendance. 2018, 98 min, Comedy/Drama JINN (Dir. Nijla Mumin) A shape-shifting, pepperoni-loving, black teenage Instagram celebrity explores her identity and sexuality in the midst of her mother’s conversion to Islam. Filmmaker Nijla Mumin in attendance. 2018, 92 min, Drama JOBE’Z WORLD (Dir. Michael Bilandic) – World Premiere Jobe is a roller-blading delivery dude in NYC who, one endless night, delivers drugs to his favorite actor, Royce David Leslie. Filmmaker Michael Bilandic in attendance. 2018, 67 min, Comedy NEW MONEY (Dir. Jason B. Kohl) A struggling woman abducts her estranged father after he cuts her out of his will. 2018, 85 min, Drama/Thriller SEPULVEDA (Dirs. Jena English, Brandon Wilson) An existential urban road movie about three best friends who decide to drive L.A.’ s longest street. Filmmaker Brandon Wilson in attendance. 2016, 82 min, Comedy/Drama SHOOT THE MOON BETWEEN THE EYES (Dir. Graham Carter) – World Premiere Jerry and Carl have conned their way from one small Texas town to another. The plan for their final con goes haywire when one of them falls in love with Maureen, all while there’s a bumbling P.I. out for vengeance and hot on their trail. Filmmaker Graham Carter in attendance. 2018, 73 min, Comedy/ Drama /Musical/Romance SOLACE (Dir. Tchaiko Omawale) A 17-year-old orphan named Sole is shipped off to her estranged grandmother (Lynn Whitfield from EVE’S BAYOU) in Ladera Heights, Los Angeles. Sole plots her escape to New York while navigating a foreign environment, new friendships and a hidden eating disorder. Filmmaker Tchaiko Omawale in attendance. 2018, 127 min, Drama
DOCUMENTARY COMPETITION
ENTRIALGO (Dir. Diego Llorente) – World Premiere A beautiful and meditative study of rural Asturias, Spain. Life goes on with a different pace in Entrialgo. Rubén and Aitor grow with this rhythm. Their life swifts between the solitude of the courtyards of their house, the games mixed with the work of the adults and the school where they interact with their equals. Game, solitude and animals are witnesses and companions of a year in the life of these children. Filmmaker Diego Llorente in attendance. 2018, 65 min, Documentary HALE COUNTY: THIS MORNING, THIS EVENING (Dir. Ramell Ross) Composed of intimate and unencumbered moments of people in a community, HALE COUNTY: THIS MORNING, THIS EVENING allows the viewer an emotive impression of the Historic South — trumpeting the beauty of life and consequences of the social construction of race, while simultaneously a testament to dreaming — despite the odds. Filmmaker RaMell Ross in attendance. 2018, 76 min, Documentary KINSHASA MAKAMBO (Dir. Dieudo Hamadi) Christian, Ben and Jean-Marie are fighting for political change of power and free elections in their country, the Democratic Republic of the Congo. But the incumbent President refuses to relinquish power. Kinshasa Makambo immerses us in the combat these three activists are engaged in, a combat that neither bullets, nor prison, nor exile seem able to stop. 2018, 74 min, Documentary SHAKEDOWN (Dir. Leilah Weinraub) From 2002 to 2015, filmmaker Leilah Weinraub documents explicit performances in an underground black-lesbian club in Los Angeles. Filmmaker Leilah Weinraub in attendance. 2018, 82 min, Documentary/LGBTQ SPEAK UP! (Dir. Amandine Gay) – US Premiere An exploration of the intersections of discrimination, art and blackness, featuring interviews with black women in France and Belgium. Filmmaker Amandine Gay in attendance; this screening in collaboration with “Blackness in French and Francophone Film” at Columbia University. 2018, 122 min, Documentary THIS ONE’S FOR THE LADIES (Dir. Gene Graham) The Dojo, which is a children’s karate school by day, becomes a male strip joint on Thursday nights where hundreds of women convene for a potluck fundraiser, a sense of community, and the opportunity to throw singles at the New Jersey Nasty Boyz. Filmmaker Gene Graham in attendance. 2018, 82 min, Documentary WRESTLE (Dir. Suzannah Herbert) An intimate and nuanced documentary that follows the wrestling team at J.O. Johnson High School in Huntsville, which has been on Alabama’s failing schools list for decades. Filmmaker Suzannah Herbert in attendance. 2018, 99 min, Documentary
SPOTLIGHT
Narrative: DIAMANTINO (Dirs. Gabriel Abrantes, Daniel Schmidt) Diamantino, the world’s premiere soccer star loses his special touch and ends his career in disgrace. Searching for a new purpose, the international icon sets on a delirious odyssey where he confronts neo-fascism, the refugee crisis, genetic modification, and the hunt for the source of genius. 2018, 92 min, Comedy/Drama/Fantasy I AM NOT A WITCH (Dir. Rungano Nyoni) Shula is the first child taken to a traveling witch camp, where she is told that should she cut the ribbon and attempt to escape, she will be cursed and transformed into a goat. 2017, 93 min, Drama MADELINE’S MADELINE (Dir. Josephine Decker) A theater director’s latest project takes on a life of its own when her young star takes her performance too seriously. 2018, 93 min, Drama/Thriller NOTES ON AN APPEARANCE (Dir. Ricky D’ambrose) A young man leaves behind an obscure cache of letters, postcards, and notebooks when he disappears. Actor Keith Poulson in attendance. 2018, 60 min, Drama SORRY ANGEL (Dir. Christophe Honoré) Jacques is an older writer from Paris. Arthur is a young student in Rennes. They instantly fall in love. But they’ll have to face rejection and sickness to keep it that way. 2018, 133 min, Drama/LGBTQ TYREL (Dir. Sebastián Silva) Tyler goes to an isolated cabin in the Catskills for a raucous all-dude weekend birthday party for a friend. He finds he is the sole black person there and grows increasingly uncomfortable. 2018, 86 min, Comedy/Thriller WILD NIGHTS WITH EMILY (Dir. Madeleine Olnek) Dramatization of the little known side of the writer Emily Dickinson’s life, in particular her relationship with another woman. Actor Amy Seimetz in attendance. 2018, 84 min, Comedy Documentary: A BETTER MAN (Dirs. Attiya Khan, Lawrence Jackman) Filmmaker Attiya Khan documents her meetings with an abusive ex-boyfriend to show the healing and revelation that can happen for everyone involved when men take responsibility for their abuse. A fascinating and necessary exploration into restorative justice. 2017, 79 min, Documentary DIVIDE AND CONQUER: THE STORY OF ROGER AILES (Dir. Alexis Bloom) Director Alexis Bloom charts the rise and fall of the late Republican Party booster and controversial Fox News mogul who went down in flames amid multiple sexual harassment allegations. 2018, 107 min, Documentary THE GOSPEL OF EUREKA (Dirs. Michael Palmieri, Donal Mosher) Love, faith, and civil rights collide in the south as evangelical Christians and drag queens step into the spotlight to explore the meaning of belief. Gospel drag shows and passion plays intermix in Eureka Springs, Arkansas. 2018, 75 min, Documentary MATANGI / MAYA /M.I.A (Dir. Stephen Loveridge) Drawn from a never before seen cache of personal footage spanning decades, Stephen Loveridge creates an intimate portrait of the Sri Lankan artist and musician known as M.I.A. 2018, 96 min, Documentary MINDING THE GAP (Dir. Bing Liu) Three young men bond together to escape volatile families in their Rust Belt hometown. As they face adult responsibilities, unexpected revelations threaten their decade-long friendship. 2018, 93 min, Documentary
DEPARTURES
AUGUST AT AKIKO’S (Dir. Christopher Makoto Yogi) Armed with just his suitcase and a sax, cosmopolitan musician Alex Zhang Hungtai (DIRTY BEACHES) returns home to the Big Island of Hawai‘i having been away for nearly a decade. 2018, 75 min, Experimental Drama BLACK MOTHER (Dir. Khalik Allah) Filmmaker Khalik Allah offers a portrait of Jamaica, the home of his maternal grandparents. He interviews people and edits the audio as if it were music (as much for rhythm as content), exploring various themes while accompanied by his unique visual style. Filmmaker Khalik Allah in attendance. 2018, 77 min, Experimental Documentary LIFE IS FARE (Dir. Sephora Woldu) An experimental musical film exploring wildly different perspectives on the East African nation of Eritrea. Filmmaker Sephora Woldu in attendance. 2018, 62 min, Experimental/Musical THE WASHING SOCIETY (Dir. Lynne Sachs) Filmmaker Lynne Sachs and playwright Lizzie Olesker document the disappearing neighborhood laundromats and the labor that is associated with them. Filmmaker Lynne Sachs in attendance. 2018, 44 min, 2018, Documentary Screening with: “I Am Somebody” (Dir. Madeline Anderson) A short political documentary by Madeline Anderson about black hospital workers on strike in Charleston South Carolina. 1970, 30 min, Documentary
SOUNDS
BETTY: THEY SAY I’M DIFFERENT (Dir. Philip Cox) A creative documentary exploring the extraordinary story of Betty Davis (former wife of Miles Davis) as legendary funk pioneer and a woman who championed the road for all independent female artists who followed. 2017, 54 min, Documentary THE DREAMER’S FIELD (Dir. Noam Stolerman) The heartfelt journey of three childhood friends who wish to escape their boring life in the kibbutz and become London’s hottest rock band. THE DREAMER’S FIELD is a bitter-sweet journey of three misplaced and misguided individuals coming to terms with the real world. 2017, 65 min, Documentary MILFORD GRAVES FULL MANTHIS (Dir. Jake Meginsky) The first ever feature-length portrait of renowned percussionist Milford Graves, exploring his kaleidoscopic creativity and relentless curiosity. 2018, 95 min, Documentary MR. SOUL! (Dirs. Melissa Haizlip, Samuel D. Pollard) Before Oprah, Before Arsenio, there was Mr. SOUL! Ellis Haizlip makes television broadcast history with SOUL!, America’s first “black Tonight Show.” Featuring archival footage of James Baldwin, Nikki Giovanni, Sidney Poitier, Patti LaBelle, Stevie Wonder, Gladys Knight, Harry Belafonte, among others. Filmmaker Melissa Haizlip in attendance. 2018, 90 min, Documentary
HOMETOWNER
MEMPHIS MAJIC (Dir. Eddie Bailey) A riveting in-depth look at the city of Memphis through the lens of a 30 year old Memphis-born street dance called “Jookin’.” Filmmaker Eddie Bailey in attendance. 2018, 72 min, Documentary NEGRO TERROR: THE VOICE OF MEMPHIS (Dir. John Rash) – World Premiere A cinematic and musical portrait of a punk band’s role in the vibrant and eclectic underground music community of Memphis, TN. Filmmaker John Rash in attendance; Negro Terror to play live score during the film. 2018, 54 min, Documentary WAITING: THE VAN DUREN STORY (Dir. Greg Carey, Wade Jackson) – World Premiere In the 1970’s, out of the Memphis-Big Star scene came Van Duren, who was tipped to be the next Paul McCartney but instead faded into obscurity. Forty years later, two Australian friends come across his record and set out to discover what went wrong. Filmmakers Greg Carey and Wade Jackson and subject Van Duren in attendance. 2018, 80 min, Documentary RUKUS (Dir. Brett Hanover) A hybrid of documentary and fiction, RUKUS is a queer coming-of-age story set in the liminal spaces of furry conventions, southern punk houses, and virtual worlds. Filmmaker Brett Hanover in attendance. 2018, 87 min, Drama/LGBTQ
SPECIAL EVENTS
CABIN BOY with Chris Elliott (Dir. Adam Resnick) A fancy lad (Chris Elliott) en route to Hawaii meets unfriendly fishermen when he mistakenly boards their boat The Filthy Whore instead of a cruise ship to Hawaii. Star Chris Elliott in attendance. 1994, 81 min, Comedy Classic Picks with Boots Riley: BRAZIL (Dir. Terry Gilliam) Low-level bureaucrat Sam Lowry (Jonathan Pryce) investigates a case that led to the wrongful arrest and eventual death of an innocent man instead of wanted terrorist Harry Tuttle (Robert De Niro), and gets caught in a web of mistaken identities, mindless bureaucracy and lies. Introduced by filmmaker Boots Riley (“Sorry to Bother You”). 1985, 143 min, Science Fiction
Hong Sang-soo Recent Retro:
Grass (2018, 66 min) In a small Café, Min-hee Kim plays a guest who prefers to observe but not interact with the other guests herself. The Day After (2017, 92 min) When a woman discovers a love poem that was written for her husband, she mistakenly believes that the author is her husband’s new secretary. On the Beach at Night Alone (2017, 101 min) After a publicized affair with her director, an actress leaves South Korea and goes to Hamburg, where she gains insight into the meanings of love and identity. My First Film: Live Cinema w/ Zia Anger Anger will offer live-commentary on previously unseen work, by way of a split screen and text edit, as she attempts to recount the stories behind her lost and abandoned work–including her first feature–and her struggles in an industry often hostile to women filmmakers. Southern Documentary Fund Presents Fresh Docs: Black Genius A free, work-in-progress screening of film by Memphis native Kalimah Abioto, who explores the brilliance of Memphis’ people while also confronting gentrification. This portrait of various Memphis black leaders will be presented by the director, and will be followed by a discussion. Southern Food & Music (Dir. Les Blank + Southern Foodways Shorts) From a Labor Day barbeque in Northern Mississippi with drummer Otha Turner to farm cooking with Texas musician Mance Lipscomb, from Louisiana Cajun cuisine to an award winning pastry chef in Alabama, and even a factory farm in the Blue Ridge Mountains of North Carolina, this collection of short films by legendary documentarian Les Blank and Ava Lowrey (Southern Foodways) explores the intersection of music and food in the South. Blues Legend Otha Turner’s Truly Southern Barbecue (Ava Lowrey, 2016, 6 min) A Well Spent Life (Les Blank, 1971, 44 min) Yum! Yum! Yum! A Taste of Cajun and Creole Cooking of Louisiana (Les Blank, 1990, 31 min) Dol (Ava Lowrey, 2018, 6 min) Chicken Real (Les Blank, 1970, 23 min) WANDA (Dir. Barbara Loden) This 1970 independent film was written and directed by actress Barbara Loden, who also plays the title role. Wanda is an abused woman who turns to a life of crime, where she finds more abuse from men. Loden stated she was inspired to write it after reading a newspaper report that a woman had thanked a judge after he sentenced her to prison. Introduced by filmmaker and actress Amy Seimetz (Showtime’s “The Girlfriend Experience”). 1970, 102 min, Drama
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Damn These Heels, Utah’s LGBTQ Film Festival Unveils Lineup – 1985, THE MISANDRISTS, TRANNY FAG and More

[caption id="attachment_30361" align="aligncenter" width="1200"] THE MISANDRISTS[/caption] Damn These Heels, the longest running LGBTQ Film Festival in the Mountain West, returns for the 15th edition from July 20 to 22, 2018 at the Rose Wagner Performing Arts Center. The festival explores LGBTQ issues, ideas, and art through independent, documentary, and foreign films from around the world. New this year, filmmakers of all experience levels are invited to participate in the 48 Hour Film OUT project. On July 13-15, participating film teams are tasked with creating an LGBTQ themed short film in just 48 hours. All films that meet the requirements will be screened during the Festival on Saturday, July 21. The winning film will be screened at Filmapalooza in Paris in 2019 for a chance at the grand prize of screening at the Cannes Film Festival 2019 Short Film Corner. Patrick Hubley, Director of Programming for Utah Film Center, said, “Damn These Heels is a festival that uses the powerful art of film to celebrate inclusivity, community and individual expression. This year’s line up is full of personality and complexity, we are honored to commemorate the Festival’s 15th year with such a strong range of stories that will provoke thought, spark crucial dialogue and shift our perspective.” The films selected to screen in the 2018 Damn These Heels Festival are: 1985 Directed by Yen Tan 85 min | 2018 | USA A closeted young man goes home for the holidays and struggles to reveal his dire circumstances to his conservative family. Official Selection: 2018 SXSW Film Festival Cast: Cory Michael Smith, Aidan Langford, Jamie Chung, Virginia Madsen, and Michael Chiklis ALASKA IS A DRAG Directed by Shaz Bennett 89 min | 2018 | USA Fabulous Leo, an aspiring drag superstar who can throw a punch, is stuck working in a fish cannery in Alaska. Official Selection: 2018 Frameline Film Festival, 2018 Palm Springs International Film Festival, 2018 Cast: Martin L. Washington Jr., Maya Washington, Matt Dallas, Christopher O’Shea, Jason Scott Lee, and Margaret Cho ANCHOR AND HOPE (Tierra Firme) Directed by Carlos Marques-Marcet 113 min | 2017 | Spain Two women and their best friend living on a canal boat ask: Can we balance love, family, and life and stay united? Winner: Best Film-2017 Seville European Film Festival; Official Selection: 2018 Guadalajara International Film Festival Cast: Oona Chaplin, Natalia Tena, and Geraldine Chaplin CLOSE KNIT (Karera ga honki de amu toki wa) Directed by Naoko Ogigami 127 | 2017 | Japan A neglected daughter, a gentle uncle, and his transgender lover knitted together into an unconventional family. Winner: Teddy Award-2017 Berlin Film Festival, Chromie Audience Award-2017 Filmfest Homochrom Cast: Toma Ikuta, Kenta Kiritani, Rinka Kakihara FREELANCERS ANONYMOUS Directed by Sonia Sebastián 81 min | 2018 | USA Billie quits her job right before getting married, launching her into a rag-tag world of unemployed women and tech startups. Official Selection: 2018 FilmOut San Diego, 2018 Frameline Film Festival Cast: Jennifer Bartels, Megan Cavanagh, Alexandra Billings, and Grace Rex THE GOSPEL OF EUREKA Directed by Donal Mosher & Michael Palmieri 75 min | 2018 | USA Love, faith, and civil rights collide in the south as evangelical Christians and drag queens explore the meaning of belief. Official Selection: 2018 SXSW Film Festival, 2018 Sheffield International Documentary Festival Preceded by the short film FAITHFUL directed by Dane Christensen IDEAL HOME Directed by Andrew Fleming 91 | 2018 | USA A bickering gay couple must now deal with the unexpected task of raising a ten-year-old boy. Cast: Paul Rudd, Steve Coogan, Kate Walsh, Alison Pill, Jake McDorman, and Jack Gore JUST CHARLIE Directed by Rebekah Fortune 97 min | 2017 | UK Trapped in the body of a boy, soccer star Charlie is torn between placating her father and shedding this ill-fitting skin. Winner: Best Feature Film for Youth-2017 Zlin Film Festival; Official Selection: 2017 Edinburgh International Film Festival, 2017 Frameline Film Festival Cast: Patricia Potter, Scot Williams, HARRY Gilby, and Karen Bryson LEITIS IN WAITING Directed by Dean Hamer & Joe Wilson 72 min | 2018 | USA/Tonga The story of the Tonga Leitis, a group of transgender women fighting intolerance in the South Pacific Kingdom. Official Selection: 2017 Frameline Film Festival, 2018 Festival International Du Film Documentaire Oceanien, 2017 Big Sky Documentary Film Festival MAN MADE Directed by T Cooper 93 min | 2018 | USA A trans men bodybuilding competition reveals unexpected truths about gender, masculinity, humanity and love. Official Selection: 2018 Outfest Los Angeles, 2018 Frameline Film Festival THE MISANDRISTS Directed by Bruce LaBruce 91 min | 2017 | USA Salacious hell breaks loose within the FLA — a feminist terrorist group — when an injured man appears in their midst. Official Selection: 2017 Berlin International Film Festival Cast: Susanne Sachße, Viva Ruiz, Kembra Pfahler MY BIG GAY ITALIAN WEDDING (Matrimonio italiano) Directed by Alessandro Genovesi 90 min | 2018 | Italy In this merry movie of matrimony, Antonio brings his fiancé Paulo to meet his headstrong parents and reveal his sexuality. Official Selection: 2018 Seattle International Film Festival Cast: Diego Abatantuono, Monica Guerritore, Salvatore Esposito, Cristiano Caccamo, Dino Abbrescia, and Diana Del Bufalo MY LIFE WITH JAMES DEAN (Ma vie avec James Dean) Directed by Dominique Choisy 108 min l 2017 I France Young director Géraud Champreux goes on a wild and woeful film tour that changes his life. Official Selection: 2018 Brussels Pink Screens, 2018 San Francisco International Film Festival Cast: Johnny Rasse, Mickaël Pelissier, and Nathalie Richard QUIET HEROES Opening Night Film Directed by Jenny Mackenzie, Amanda Stoddard, & Jared Ruga 68 min | 2017 | USA One doctor’s fight against stigma, shame, and ignorance at the height of the HIV/AIDS crisis against a conservative religious monoculture. Official Selection: 2018 Sundance Film Festival, 2018 QDoc SHAKEDOWN Directed by Leilah Weinraub 72 min | 2018 | USA | Not Rated The chronicle of Los Angeles’ black lesbian strip club scene, an underground, illegal, and legendary moment. Mature audiences only. Official Selection: 2018 Berlin Film Festival, 2017 The Whitney Museum Biennial SHORT FILM PROGRAM: Reverent 89 min | Various A short film program featuring serious, heartfelt, and touching LGBTQ+ films from around the globe. Films include Top 10 Places to Visit in Sao Paulo, Beauty, A Kitchen Can Take You Back, Sunset, Spark, Crook – “Lavender,” and Something About Alex. SHORT FILM PROGRAM: Irreverent 78 min | Various A short film program featuring hilarious, goofy, crass, but still hard-hitting films from around the globe. Films include Magic H8 Ball, Dropping Penny, I Live Here, Scary Lucy, and Femme. SISTERHOOD Directed by Tracy Choi 97 min | 2017 | Macau/Hong Kong/Taiwan Upon seeing a missing person ad for a friend from her past, Sei decides to revisit Macau and makes a startling discovery. Nominated: Best Supporting Actress Nomination Fish Liew & Best New Performer Nomination Jennifer Yu-36th Hong Kong Film Award Cast: Gigi Leung, Fish Liew, and Jennifer Yu TRANNY FAG (Bixa Travesty) Directed by Kiko Goifman & Claudia Priscilla 75 min | 2018 | Brazil Mc Linn Da Quebrada’s electrifying performances (with plenty of nudity) brazenly take on Brazil’s hetero-normative machismo. Official Selection: 2018 Berlin Film Festival, 2018 Sheffield International Documentary Film Festival Preceded the short film MY PRICE directed by Fabricio Santiago TRANSMILITARY Directed by Gabriel Silverman and Fiona Dawson 93 min | 2018 | USA Four transgender individuals put their careers on the line by coming out in hopes of attaining the equal right to serve. Winner: Documentary Competition Audience Award-2018 SXSW; Official Selection: 2018 Frameline Film Festival WE THE ANIMALS Directed by Jeremiah Zagar 94 min | 2018 | USA Manny, Joel, and Jonah tear their way through childhood and push against the volatile love of their parents. Winner: Next Innovator Award-2018 Sundance Film Festival, Future/Now Award-2018 Montclair Film Festival Cast: Raúl Castillo, Josiah Gabriel, Isaiah Kristian, Evan Rosado, and Sheila Vand THE WILD BOYS (Les garçons sauvages) Directed by Bertrand Mandico 110 min | 2018 | France Surrealist, adolescent gender-bending sex fueled fantasy nightmare. A maritime adventure. Winner: Best Director-2018 Vilnius International Film Festival Cast: Pauline Lorillard, Vimala Pons, and Diane Rouxe
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Outfest Los Angeles LGBTQ Film Festival Announces Complete 2018 Lineup

[caption id="attachment_26747" align="aligncenter" width="1200"] Forrest Goodluck, Sasha Lane and Chloë Grace Moretz appear in The Miseducation of Cameron Post by Desiree Akhavan.[/caption] The 2018 Outfest Los Angeles LGBTQ Film Festival, taking place July 12-22, 2018, announce the complete programming lineup, with two thirds of this year’s content directed by women, people of color and trans filmmakers. As previously announced, the 2018 Outfest Los Angeles LGBTQ Film Festival opens at the Orpheum Theatre with Kino Lorber’s “Studio 54,” Matt Tyrnauer’s vibrantly nostalgic documentary; and closes with FilmRise’s “The Miseducation of Cameron Post,” Desiree Akhavan’s Sundance Grand Jury Prize winner starring Chloë Grace Moretz. The festival features five world premieres including the deeply felt film from Taiwan, “Bao Bao”; “Bright Colors and Bold Patterns” directed by Michael Urie with a hilarious performance from Drew Droege; Laura Madalinski’s “Two in the Bush: A Love Story” a polyamorous love story; Jamie Patterson’s new feature film “Tucked” about two drag performers connecting across generations; and “Room to Grow” a documentary looking at the lives of queer teenagers today. As well as North American and US Premieres, “Eva & Candela,” “Sodom,” “Canary,” “Cola De Mono,” and “Daddy Issues.” Outfest Los Angeles’ documentary section shines a light on UNSUNG communities, including Alina Skrzesewska’s “Game Girls” which follows a couple as they struggle to navigate life in Los Angeles’ Skid Row, to the much anticipated SXSW Audience Award winner “Transmilitary” about those fighting for an equal chance to service their country. The proactive experimental film section, Platinum, continues to highlight boundary-pushing work with Myyki Blanco and SSION teaming up to create a new short film “No Leash” and a feature documentary by performance artist, Narcissister, in “Narcissister Organ Player.” The infamous Alchemy Party returns, this year at Navel, with 13 performers including Dorian Electra, Saturn Rising, and Slather Factory’s Bebe Huxley, and The Uhuruverse who will stretch your musical imagination. The 2018 Outfest Los Angeles LGBTQ Film Festival will also return to The Ford Theatres. These screenings will kick off on July 18 with a screening of “Bad Reputation,” a documentary about Joan Jett; then Documentary Centerpiece, “When the Beat Drops,” followed by “Postcards from London” and concluding with “Wild Nights with Emily” featuring Molly Shannon. The Closing Night Gala “The Miseducation of Cameron Post” will screen at The Theatre at Ace Hotel. Special events include the 2nd Annual Trans Summit with Oscar nominated and Emmy Award-winning director and producer Yance Ford as the keynote speaker; the Focus On Taiwan event showcasing a collection of Taiwanese films including “Bao Bao” and “Alifu, The Prince/ss”; free screenings of films “Believer,” a documentary from Imagine Dragons frontman, Dan Reynolds, “They,” a family drama from director Anahita Ghazvinizadeh and Showtime’s “Beyond The Opposite Sex”, the long-awaited sequel to groundbreaking film, “The Opposite Sex.” Lastly, OutSet: The Young Filmmakers Project from Los Angeles LGBT Center and Outfest, will be premiering five new shorts on Sunday, July 22nd. Now in its sixth year, the OutSet program empowers youth ages 16-24 to share their stories though film.
2018 OUTFEST LOS ANGELES LGBT FILM FESTIVAL LINE-UP

GALA FILMS:
STUDIO 54 – Opening Night Gala Dir: Matt Tyrnauer, USA, 2018, 98 min OUR FUTURE ENDS – Platinum Centerpiece, Co-Presented by Some Serious Business Dir: Clement Hil Goldberg, USA, 2018, 50 min WE THE ANIMALS – U.S. Centerpiece Dir: Jeremiah Zagar, USA, 2018, 93 min REINVENTING MARVIN – International Centerpiece Dir: Anne Fontaine, France, 2017, 115 min WHEN THE BEAT DROPS – Documentary Centerpiece Dir: Jamal Sims, USA, 2018, 87 min THE MISEDUCATION OF CAMERON POST – Closing Night Gala Dir: Desiree Akhavan, USA, 2018, 90 min
DRAMATIC FEATURES
1985 Dir: Yen Tan, USA, 2018, 85 min ANCHOR AND HOPE Dir: Carlos Marques-Marcet, Spain, 2017, 113 min BITTER MELON Dir: H.P. Mendoza, USA, 2018, 100 min BRIGHT COLORS AND BOLD PATTERNS – World Premiere Dir: Michael Urie (For the Stage) & David Horn (For the Screen), USA, 2018, 89 min CANARY (KANARIE) – North American Premiere Dir: Christiaan Olwagen, South Africa, 2018, 120 min COLA DE MONO – US Premiere Dir: Alberto Fuguet, Chile, 2017, 102 min CUERNAVACA Dir: Alejandro Andrade Pease, Mexico, 2017, 89 min DADDY ISSUES – US Premiere Dir: Amara Cash, USA, 2018, 88 min EVA & CANDELA (¿CÓMO TE LLAMAS?) – North American Premiere Dir: Ruth Caudeli, Colombia, 2018, 90 min EVENING SHADOWS Dir: Sridhar Rangayan, India, 2018, 102 min HARD PAINT (TINTA BRUTA) Dir: Filipe Matzembacher & Marcio Reolon, Brazil, 2018, 118 min I MISS YOU WHEN I SEE YOU Dir: Simon Chung, Hong Kong, 2018, 93 min MALILA: THE FAREWELL FLOWER Dir: Anucha Boonyawatana, Thailand, 2017, 96 min MAPPLETHORPE Dir: Ondi Timoner, USA, 2018, 102 min MONTANA Dir: Limor Shmila, Israel, 2017, 79 min PORCUPINE LAKE Dir: Ingrid Veninger, Canada, 2017, 84 min POSTCARDS FROM LONDON Dir: Steve McLean, United Kingdom, 2018, 87 min RIOT Dir: Jeffrey Walker, Australia, 2017, 106 min SKATE KITCHEN Dir: Crystal Moselle, USA, 2018, 105 min SODOM – North American Premiere Dir: Mark Wilshin, United Kingdom, 2017, 94 min THAT NIGHT OF NOVEMBER (NOVE DE NOVEMBRO) Dir: Lázaro Louzao, Spain, 2018, 84 min TUCKED – World Premiere Dir: Jamie Patterson, United Kingdom, 2017, 80 min TWO IN THE BUSH: A LOVE STORY – World Premiere Dir: Laura Madalinski, USA, 2017, 97 min WILD NIGHTS WITH EMILY Dir: Madeleine Olnek, USA, 2018, 84 min
DOCUMENTARY FEATURES
BAD REPUTATION Dir: Kevin Kerslake, USA, 2018, 98 min CALL HER GANDA Dir: PJ Raval, Philippines/USA, 2018, 93 min CONVERSATIONS WITH GAY ELDERS: KERBY LAUDERDALE Dir: David Weissman, USA, 2017, 69 min DYKES, CAMERA, ACTION! Dir: Caroline Berler, USA, 2018, 58 min EVERY ACT OF LIFE Dir: Jeff Kaufman, USA, 2017, 92 min GAME GIRLS Dir: Alina Skrzeszewska, France/Germany, 2018, 90 min GOSPEL OF EUREKA Dir: Michael Palmieri & Donal Mosher, USA, 2018, 75 min THE ICE KING Dir: James Erskine, United Kingdom, 2018, 89 min LEITIS IN WAITING Dir: Dean Hamer, Joe Wilson & Hinaleimoana Wong-Kalu, Tonga/USA, 2018, 72 min LOOKING FOR? Dir: Tung-Yen Chou, Taiwan, 2017, 60 min MAN MADE Dir: T Cooper, USA, 2018, 97 min MR. GAY SYRIA Dir: Ay?e Toprak, Turkey/France/Germany, 2017, 87 min ROOM TO GROW (World Premiere) Dir: Matt Alber & Jon Garcia, USA, 2018, 89 min SCOTTY AND THE SECRET HISTORY OF HOLLYWOOD Dir: Matt Tyrnauer, USA, 2017, 98 min SHAKEDOWN Dir: Leilah Weinraub, USA, 2018, 82 min TRANSMILITARY Dir: Gabriel Silverman & Fiona Dawson, USA, 2018, 93 min
EPISODIC PROGRAMS
BONDING Created by: Rightor Doyle, USA, 2018, 108 min Two high school BFFS reunite and find they’re different as adults: he’s a newly-out gay man and she’s a dominatrix who’s going to tie him into her UNDERGROUND world of BDSM. VIDA Created by: Tanya Saracho, USA, 2018, 30 min “Vida” is a new Starz Original series about two Mexican-American sisters from the Eastside of Los Angeles who couldn’t be more different or distanced from each other. Circumstances force them to return to their old neighborhood, where they are confronted by the past and surprising truth about their mother’s identity. STRANGERS & FÉMININ/FÉMININ Created by: Mia Lidofsky (Strangers), USA, 2017, 52 min Created by: Chloé Robichaud & Florence Gagnon (Féminin/Féminin), Canada, 2017, 43 min Queer women are finding love and themselves in the second seasons of two of our favorite series from either side of the US/Canada border.
EPISODIC SHOWCASE
From the gay mafia to polyamory to queer and trans realities, this sampler of seven new independent series contemplates where our LGBTQ identities intersect, and how we can move forward together as a movement. RILEY PARRA Created by: Christin Baker, USA, 2018, 48 min Lesbian detective Riley discovers the city’s mean streets are actually a centuries-old battleground between angels and demons. THE FINDING HOME SERIES: LGBT IMMIGRANTS & ASYLUM SEEKERS Dir. Abraham Troen, USA, 2017, 63 min Explore the journeys of three queer immigrants in L.A. who have escaped persecution and violence in their native countries.
PLATINUM SECTION: EXPERIMENTAL FILMS & LIVE EVENTS
THE WILD BOYS (LES GARÇONS SAUVAGES) Dir: Bertrand Mandico, France, 2017, 110 min NARCISSISTER ORGAN PLAYER Dir: Narcissister, USA, 2017, 91 min BIXA TRAVESTY Dir: Claudia Priscilla & Kiko Goifman, Brazil, 2018, 75 min
SHORTS SHOWCASE
Dir: Multiple, UK, USA, Mexico, Canada, 2018, 100 min ALCHEMY PARTY Bae Bae, Bebe Huxley, Dorian Electra, London Jade, Lulo, Luna Lovebad, Mood Killer, Weston Allen, The Uhuruverse, Narcissister, Nebulae Cult, Saturn Rising
SPECIAL EVENTS
THEY Dir. Anahita Ghazvinizadeh, USA, 2017, 81 min After two years of taking hormone blockers to postpone puberty, a non-binary 14-year-old considers whether to transition and where to find their place in the world. BEYOND THE OPPOSITE SEX sponsored by Showtime Networks Dir. Emily Abt & Bruce Hensel, USA, 2018, 89 min In this sequel to Showtime’s The Opposite Sex, Rene and Jamie find that LIFE AFTER gender confirmation surgery comes with its own set of challenges. THE CARMILLA MOVIE sponsored by Shaftesbury Dir. Spencer Maybee, Canada, 2018, 94 min Laura and Carmilla’s domestic bliss is threatened by an unknown evil forcing the “Scooby gang” to team up once more to save their humanity. PROFESSOR MARSTON AND THE WONDER WOMEN sponsored by Annapurna Pictures Dir: Angela Robinson, USA, 2017, 108 min Angela Robinson introduces her latest feature about what inspired Harvard psychologist Dr. Marston (Luke Evans) to create the iconic Wonder Woman character. ALUMNI SPOTLIGHT: THE DARE PROJECT & CLAY FARMERS Dir: Adam Salky, USA, 2005 & 2018, 33 min Revisit two Outfest classics, including the story of a gay theatre kid and a curious jock reconnecting as adults, and the 30-year anniversary of a moving rural drama reminiscent of Brokeback Mountain. THE ADVOCATE CELEBRATES 50 YEARS: A LONG ROAD TO FREEDOM sponsored by here TV & The Advocate Dir: William Clift, USA, 2018, 105 min Over the course of five decades, The Advocate has reported the breaking news and ongoing challenges of the LGBTQ community. BELIEVER sponsored by HBO Dir. Don Argott, USA, 2018, 101 min Imagine Dragons’ frontman Dan Reynolds makes it his mission to foster acceptance toward LGBTQ members of the Mormon Church by crafting an unforgettable rock festival. ALONE IN THE GAME sponsored by AT&T Entertainment Group Dir. Natalie Metzger & Michael Rohrbaugh, USA, 2018, 95 min This documentary chronicles the challenges and triumphs of LGBTQ athletes in sports today, featuring Robbie Rogers, Gus Kenworthy, Layana White and Megan Rapinoe. BAO BAO – World Premiere – sponsored by Taiwan Academy & Taiwan Ministry of Culture Dir. Guang-cheng Shie, Taiwan, 2018, 97 min A married lesbian couple’s relationship is challenged after one of the women promises their unborn child to another couple. ALIFU, THE PRINCE/SS sponsored by Taiwan Academy & Taiwan Ministry of Culture Dir. Wang Yu-Lin, Taiwan, 2017, 91 min The intersection of several individuals in present-day Taiwan creates a colorful tapestry of LGBTQ lives, including Alifu, a young hairdresser who longs for a sex-change operation. QUEEROES Jill Soloway, Lena Waithe and Tanya Saracho introduce an innovative new mentorship model to elevate queer, trans and POC storytelling. ONE MINUTE MOVIE CONTEST A selection of the work submitted to this year’s Outfest Fusion One Minute Movie Contest, on the topic of Keeping Silent / Speaking Truth. AIDS DIVA: THE LEGEND OF CONNIE NORMAN (Sneak Preview) Dir. Dante Alencastre, USA, 2018, 45 min Seizing her power as she confronts her mortality, trailblazing trans activist Connie Norman evolves as an irrepressible, challenging and soulful voice for the AIDS and queer communities of early 90’s Los Angeles.
Panels & Workshops:
MAKE THEM HEAR YOU: THE TRUTH ABOUT CONTENT BY & FOR LGBTQ+ WOMEN Sponsored by AT&T Hello Lab LGBTQ+ women have been at the forefront of many movements throughout history. However, in Hollywood, queer women remain the least represented community in front of and behind the camera. This discussion will explore the past, present, and future LGBTQ+ women in entertainment, bringing together trailblazers who are leading the charge for a more inclusive and multi-dimensional landscape. TRANS SUMMIT Whether you’re an actor, artist, activist or academic, you’re welcomed here. The afternoon will begin with our Academy Award-nominated keynote speaker Yance Ford (Strong Island), followed by three compelling case studies focused on specific areas of need in media representation. THE ROOM will then come together for an unedited, organic, and dynamic conversation about issues relating to the trans and non-binary experience, moderated by the LA Times’ award-winning reporter Tre’vell Anderson. BI IN THE BIZ sponsored by SAG-AFTRA and SAGIndie While the L, G and T communities have made great strides toward visibility in the culture, the B’s still remain relatively hidden, even in the entertainment industry. This panel will feature out bisexual actors and entertainment industry professionals discussing the specific challenges and opportunities for film, TV and online performers who identify as such. Break out of the bi closet as we explore the politics and the pragmatism of actors living out in the open. THE NEW AIDS NARRATIVE PANEL Nearly 30 years since the first films about the HIV/AIDS epidemic hit the big screen, a new wave of scripted dramas is emerging. Join Outfest and GLAAD for a discussion of the history of HIV/AIDS representation in cinema, and what the arrival of films like BPM (Beats Per Minute), 1985 and Bohemian Rhapsodymeans with regards to telling HIV/AIDS stories to a new generation.
OUTFEST FORWARD
SCREENWRITING LAB: LIVE READING Outfest’s annual live reading of scenes from the five scripts chosen for the 2018 Outfest Screenwriting Lab.
OUTSET SHORTS SCREENING
VICTORY BOULEVARD Dir/Scr: Jonny Alvarez, Producer: Ash Lavacca, Production Designers: Tristin Brown & Juliet Delgado, Mentor: Henry Alberto BLESS THE USA Dir/Scr: Sebastian Vergara, Co-Dir/Producer: Anthony Rizo, Production Design Mentor: Haharhel Valencia, Mentor: Marcos Davalos SIGNOURNEY WEAVER Dir/Scr: Andrea Ngeleka, Producer: Tiffany Patterson, Production Designer: Hesed Kim, Mentors: Doendray Gossfield & Quincy LeNear Gossfield THE CURSE Dir/Scr: Dave Berenato, Producer: Moira McFadden, Production Designer: Juliet Delgado, Mentors: Coley Sohn & Leanna Creel FLAMERS:BOTTOMS IN A BRUSHFIRE Dir/Scr: Capucine Berney, Producer: Alfredo Hernandez, Production Designer: Tristin Brown, Mentor: Assaad Yacoub.
OUTFEST UCLA LEGACY PROJECT
BUDDIES Dir: Arthur J. Bressan Jr., USA, 1985, 81 min DUCK SEASON (TEMPORADA DE PATOS) Dir: Fernando Eimbcke, Mexico, 2004, 90 min SHOPPING FOR FANGS Dir: Quentin Lee & Justin Lin, USA, 1997, 90 min SHOW ME LOVE (FUCKING ÅMÅL) Dir. Lukas Moodysson, Sweden, 1998, 89 min
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Sundance Institute Awards Over Half a Million Dollars to Groundbreaking Documentary Projects

[caption id="attachment_29305" align="aligncenter" width="1200"] Central Airport THF[/caption] The Sundance Institute will award $585,000 in targeted grants to twenty-three projects from independent nonfiction storytellers. 57% of the supported projects are helmed by women, and 48% are from outside the U.S.; 34% of grantees are first-time feature filmmakers. “These artists are hard at work on projects that capture the world as it is, as well as imagining it as it could be,” said Hajnal Molnar-Szakacs, the recently-appointed Director of the Sundance Institute’s Documentary Film Fund. “The stories here deeply reflect my team’s collaborative vision for this fund and we are thrilled to highlight voices with richly diverse sensibilities and perspectives. In our current cultural and political moment, independent storytelling is vital: to help make meaning and present a layered, complex interpretation of truth.” Sundance Institute has a long history and firm commitment to championing the most distinctive nonfiction films from around the world. Recently-supported films include Hale County This Morning This Evening; I Am Not Your Negro; Last Men in Aleppo; An Insignificant Man; Casting JonBenet; Strong Island; Hooligan Sparrow; Newtown and Weiner.
Sundance Institute 2018 Documentary Fund grantees

DEVELOPMENT
Body Parts (United States) Director: Kristy Guevara-Flanagan Producer: Helen Hood Scheer Body Parts (working title) is a documentary feature exploring the nude female body in Hollywood media—hyper-sexualized, under attack, exploited on- and off- screen. From a wide range of perspectives, the film examines how actresses protect their bodies, how studios push back, and how unions have fought for better standards. The film also looks at how the female and queer gaze are redefining desire and sexuality. From the first body doubles in the 1920s to the digital enhancements of the internet age, the film asks: when scenes are about sex, to whom are they sexy? By what standards? How do race, age and body type factor in? The Hunt (United States) Directors: Michael Dweck and Gregory Kershaw Producers: Michael Dweck and Gregory Kershaw The Hunt is an immersive, cinematic documentary that will explore the mysterious and magical world of Italian truffle hunters and their quest for the world’s rarest and most valuable ingredient. The film will follow an ensemble of spirited old truffle hunters and their prized dogs who lead them through secret Piedmont forests during the yearly “gold rush” when the elusive white Alba truffle is in season. The narrative will capture their struggle to hold onto a centuries-old tradition in the face of globalization, climate change, and their own mortality in a place where mystery and magic still flourish. Mars (Switzerland, France) Director: Dea Gjinovci Producers: Britta Rindelaub, Jasmin Basic and Sophie Faudel Ibadeta and Djeneta Demiri have been in a coma for several years, victims of the “syndrome of resignation”. Traumatized, their bodies mysteriously stopped working. In central Sweden, the whole family is still trying to rebuild a normal life, far from their native Kosovo. But so far, their asylum applications have been refused one after the other. Furkan, 10, is the youngest in the family. He tries to escape this situation by building his own rocket to fulfill his dream: to go live on Mars to save his sisters. The Mole Agent (Chile) Director: Maite Alberdi Producer: Marcela Santibañez Romulo is a private investigator who has been hired to do a study of a retirement home where residents are thought to be victims of abuse. To this end, he trains an 83-year-old man, to live as The Mole Agent inside the home. Once the mole has infiltrated the facility, he struggles to assume his role as he gradually becomes more familiar with the residents and the routine at the home in pursuit of the truth. Untitled Religious Activism Documentary (United States) Director: Penny Lane Producer: Gabriel Sedgwick A wildly entertaining and surprising look at the intersection of faith and activism, that follows one of the most controversial religious movements in modern American history. Third River Film (United States) Director and Producer: Robb Moss The third of a trilogy, the film explores the lives of five friends over forty years, from being young to becoming old–a film about time, friendship, and the mysteries of aging.
PRODUCTION
Enemies of the State (United States) Director: Sonia Kennebeck Producer: Ines Hofmann Kanna An average American family becomes entangled in a bizarre web of espionage and corporate secrets when their hacker son is targeted by the U.S. government, making them all Enemies of the State. Mississippi Red (United States) Director: Kelly Duane de la Vega Producer: Jessica Anthony In Mississippi, women have fewer rights or protections than in any other part of the country. Mississippi Red looks at the status of women in the deep South through the lens of race, religion and the political establishment with a constellation of close-to-the-bone stories that revolve around the fight to pass an equal pay law through a resistant male dominated state legislature. Untitled Safe Schools Project (United States) Director: Todd Chandler Producer: Danielle Varga Untitled Safe Schools Project explores the landscape of 21st century school safety in the United States, illuminating the complex ways in which we as a nation struggle to understand and prevent violence, and endeavor to create safer schools. Scheme Birds (United Kingdom, Sweden) Directors: Ellen Fiske, Ellinor Hallin Producers: Ruth Reid, Mario Adamson Scheme Birds is the story of Gemma, a teenage troublemaker, growing up in a world of violence and pigeons. From childhood to motherhood, her life unfolds on screen as childish games turn towards serious crime. The Silhouettes (Iran, Philippines) Director: Afsaneh Salari Producers: Jewel Maranan, Afsaneh Salari At the height of the USSR’s invasion of Afghanistan in 1982, 1.5 million Afghans took a long journey to the border of Iran to flee war. Taghi, born after that generation and unwilling to inherit the limitations of his parents’ refugee status, navigates outside the protective walls of his family to trace his identity and the doors to his future in the homeland he never knew. As war continues to rage in Afghanistan, what future awaits him in which land? TransFormed (United States) Director: Lisa Leeman Producers: Lisa Leeman, Thomas G. Miller What are the costs of living an authentic life? Twenty-six years after intimately chronicling artist Gabi P.’s gender transition in the groundbreaking film Metamorphosis (Sundance’s Filmmakers Trophy; POV), Lisa Leeman reconnects with Gabi. Now age 65, one year sober, and a devout Christian, Gabi stands at a new and unexpected crossroads. Probing universal themes of aging, faith, and identity, TransFormed is a story of struggle and resiliency- against the backdrop of society’s persistent transphobia. When Claude Got Shot (working title) (United States) Director and Producer: Brad Lichtenstein Three strangers are tragically united and changed forever by a weekend of gun violence in When Claude Got Shot, an intimate and unflinching personal documentary that investigates the problem of gun violence in America’s black communities. Made possible with support from The Kendeda Fund Untitled (United States, Kenya) Director: Daphne Matziaraki Producers: Toni Kamau, Maya Craig This feature documentary explores land use in Africa. It examines the ubiquitously 21st Century question of who controls natural resources, and at what cost?
POST PRODUCTION
Caballerango (Mexico, United States) Director: Juan Pablo González Producers: Jamie Gonçalves, Makena Buchanan, Ilana Coleman A family reflects on a young man’s disappearance in a Mexican village under the watchful eyes of the horse who saw him last. Central Airport THF (Germany, France) Director: Karim Aïnouz Producer: Felix von Boehm Co-Producers: Charlotte Uzu, Joana Mariani, Diane Maia Berlin’s historic defunct Tempelhof Airport remains a place of arrivals and departures. Today its massive hangars are used as one of Germany’s largest emergency shelters for asylum seekers, like 18-year-old Syrian student Ibrahim and Iraqi physiotherapist Qutaiba. As they adjust to a transitory daily life of social services interviews, German lessons and medical exams, they try to cope with homesickness and the anxiety of whether or not they will gain residency or be deported. The Gospel of Eureka (United States) Directors: Michael Palmieri and Donal Mosher Producer: Charlotte Cook Love, faith and civil rights collide in a southern town as evangelical Christians and drag queens step into the spotlight to dismantle stereotypes. Gospel drag shows and passion plays set the stage for one hell of a show. Narrated by Mx Justin Vivian Bond. In Real Life (United States) Director: Liza Mandelup Producers: Bert Hamelinck, Lauren Cioffi This intimate contemplation on modern youth follows 16-year-old Austyn Tester as he flirts with the world of social media fame. Driven by a wide-eyed desire for stardom, Austyn cultivates a singularly positive online persona that’s at odds with growing up in small town Tennessee. After trading in a high school education for management and devoted fangirl followers, Austyn confronts his own motivation and questions whether he’s cut out for the business of virtual connection. Kids (Australia) Director: Maya Newell Producers: Sophie Hyde, Rachel Nanninaaq Edwardson, Larissa Behrendt, Maya Newell Like many Indigenous kids before him, 10-year-old Dujuan is fighting an enemy he cannot see, which makes him strike out at everything. When he cannot run, nor fight alone, he realises that not only has he inherited the trauma and dispossession of his land, but also the resilience and resistance of many generations of his people which holds the key to his future. Made with and alongside those represented, this feature doc by Australian filmmaker Maya Newell (Gayby Baby) is the second in her series about child perspectives. Midnight Family (United States, Mexico) Director: Luke Lorentzen Producers: Kellen Quinn, Daniela Alatorre, Elena Fortes, Luke Lorentzen In Mexico City’s wealthiest neighborhoods, the Ochoa family runs a private ambulance, competing with other for-profit EMTs for patients in need of urgent help. As they try to make a living in this cutthroat industry, they struggle to keep their financial needs from compromising the people in their care. Midnight Traveler (United States, Afghanistan) Director: Hassan Fazili Producer: Emelie Mahdavian Midnight Traveler follows a family of Afghan filmmakers on the run from the Taliban. Told from refugee-Director Hassan Fazili’s unique first-person perspective, their story provides unprecedented access to the complex refugee encounter with the West. The Seer and the Unseen (United States) Director: Sara Dosa Producer: Shane Boris The Seer and the Unseen is an unexpected environmental film about invisible elves, the free market and the surprising power of belief told through the story of an Icelandic woman’s quest to save a threatened landscape and the beloved home her family has lived in for generations. Unfolding through vérité magical realism, the film explores the unseen forces that shape our visible worlds and transform our natural landscapes – and, the profound meaning of home.
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Oak Cliff Film Festival Announces 2018 Feature Film Lineup, Opens with Joan Jett’s Documentary BAD REPUTATION

[caption id="attachment_29262" align="aligncenter" width="1200"] BAD REPUTATION[/caption] Oak Cliff Film Festival yesterday announced the Feature Program lineup for the 7th annual edition of the festival, taking place June 14-17, 2018 at the historic Texas Theatre, Bishop Arts Theatre Center, Kessler Theater, and numerous other venues around Dallas’ Oak Cliff neighborhood. The schedule is comprised of twenty-five feature-length films, with ten of the films having their Texas premiere at this year’s festival. The festival also includes 40 short films, as well as filmmaking workshops, live music and parties. Kicking off proceedings with this year’s opening night film are director Kevin Kerslake and writer/editor Joel Marcus in attendance to present the Texas Premiere of BAD REPUTATION, their hard-rocking documentary on legendary rock-n-roll icon Joan Jett. The screening will be followed by a karaoke party behind the screen! The festival closes with NEVER GOIN’ BACK, a raunchy party comedy filmed and set in DFW, from Dallas filmmaker Augustine Frizzell and produced by Sailor Bear. Additional festival highlights include: MEOW WOLF: ORIGIN STORY, a documentary on the Santa Fe based artist collective famous for their unique and immersive multimedia art installations; a screening of the newly restored 1928 silent film classic THE PASSION OF JOAN OF ARC, featuring a live score accompaniment composed by indie electronic artist George Sarah and performed by Curtis Heath and his Orchestra; The Zellner Bros’ new comedy western DAMSEL with the film’s composers, Austin-based indietronica band The Octopus Project, playing a live concert at The Texas Theatre; and director Penelope Spheeris in attendance for a new digital theatrical presentation of her rescued-from-obscurity and newly-restored 1987 punk rock western DUDES.
Oak Cliff Film Festival 2018 Feature Program Lineup.

OPENING NIGHT SELECTION
BAD REPUTATION (USA, 95 mins) Dir. Kevin Kerslake TEXAS PREMIERE – Director Kevin Kerslake and writer/editor Joel Marcus in attendance Joan Jett is so much more than “I Love Rock ’n’ Roll.” It’s true, she became mega-famous from the number-one hit, and that fame intensified with its endless play on MTV. But that staple of popularity can’t properly define a musician. Jett put her hard work in long before the fame, ripping it up onstage as the backbone of the hard-rock legends The Runaways, influencing many musicians—both her cohort of punk rockers and generations of younger bands—with her no-nonsense style.
CLOSING NIGHT SELECTION
NEVER GOIN’ BACK (USA, 85 mins) Dir. Augustine Frizzell DFW PREMIERE – Producers Toby Halbrooks, James M. Johnston, Liz Cardenas in attendance w/ a special Skype-in from director Augustine Frizzell BFFs Angela (Maia Mitchell) and Jessie (Cami Morrone) are high school dropouts working dead-end waitressing jobs in the same shitty diner. Their dream vacation to sunny Galveston, Texas, is only a few shifts away. But after a drug deal goes bad and their home is invaded—and they have to serve a short stint in juvenile detention—their beach trip is in serious jeopardy. They’ll have to use every bit of guile their perpetually buzzed teenage brains can muster as they try to get (relatively) rich quick while wandering suburban Dallas.
NARRATIVE FEATURE COMPETITION
BIRDS WITHOUT FEATHERS (USA, 84 mins) Dir. Wendy McColm DFW PREMIERE – Director Wendy McColm in attendance Desperate for human interaction, six emotionally damaged individuals put self respect on the line, shedding their disillusionment in a last grasp for happiness. Birds Without Feathers is a cruel-world dark comedy populated by struggling Instagram stars, Russian cowboys, Self-help gurus and more, as their lives crash and collide in astounding and awkward ways. DON’T LEAVE HOME (USA, 86 mins) Dir. Michael Tully DFW PREMIERE – Director Michael Tully in attendance Melanie Thomas is an American artist whose latest show recounts the infamous Irish urban legend of Father Alistair Burke, who painted a portrait of 8-year-old Siobhan Callahan in 1986. Days later, Siobhan went missing on the very morning that her figure miraculously vanished from the painting as well. Though absolved of any wrongdoing, Burke abandoned the priesthood and went into self-exile. After receiving a bad review before her opening, Melanie is contacted by the reclusive Burke, who offers to fly her to Ireland to create a new sculpture that he will help her to sell while she’s there. Telling no one where she’s going, Melanie never stops to consider that some urban legends are real. I AM NOT A WITCH (UK, ZAMBIA, 93 mins) Dir. Rungano Nyoni TEXAS PREMIERE When eight-year-old Shula turns up alone and unannounced in a rural Zambian village, the locals are suspicious. A minor incident escalates to a full-blown witch trial, where she is found guilty and sentenced to life on a state-run witch camp. There, she is tethered to a long white ribbon and told that if she ever tries to run away, she will be transformed into a goat. As the days pass, Shula begins to settle into her new community, but a threat looms on the horizon. Soon she is forced to make a difficult decision – whether to resign herself to life on the camp, or take a risk for freedom. TIGERS ARE NOT AFRAID (Mexico, 83 mins) Dir. Issa López DFW PREMIERE Estrella (Paola Lara), a ten-year-old girl living in Mexico, finds herself the owner of three wishes soon after her mother disappears. After her wish first – the bring her mother back wish – has some unexpectedly frightening repercussions, she finds herself on the streets. Before too long, Estrella partners up with a young boy, El Shine (Juan Ramón López), and his band of orphaned boys. The newly formed group find themselves at war with the local cartel, witnessing and enduring things that no child should ever have to. VIRUS TROPICAL (Colombia, 96 mins) Dir. Santiago Caicedo DFW PREMIERE Born in a not-so-conventional family, Paola grows up between Ecuador and Colombia and finds herself unable to fit in any mold. With a unique feminine vision of the world, she will have to fight against prejudice and struggle for her independence while her universe is struck by a series of crises. Based on the graphic novel by Powerpaola. WINTER BROTHERS (Denmark, Iceland, 94 mins) Dir. Hlynur Pálmason TEXAS PREMIERE We follow two brothers working in the harsh environment of a rural chalk-mining community during a cold winter. Younger brother Emil, who distills moonshine made from stolen chemicals from the factory, is an outsider, an oddball, who made a conscious choice for loneliness and is only accepted by the mining community due to his older brother Johan. When a fellow worker becomes sick, the moonshine and Emil are prime suspects. Gradually a violent feud erupts between him and the tightly-knit mining community. Revenge, loneliness, and lack of love pervade this modern brother odyssey.
DOCUMENTARY FEATURE COMPETITION
BLACK MOTHER (USA, 77 mins) Dir. Khalik Allah TEXAS PREMIERE Part film, part baptism, director Khalik Allah mixes film formats from Super 8mm to HD, while experimenting with voice over audio techniques that cast his view between the prostitutes and churches of Jamaica. Black Mother creates a visual prayer of indelible portraits and an intimate polyphonic symphony. GOSPEL OF EUREKA (USA, 79 mins) Dir. Donal Mosher and Michael Palmieri DFW PREMIERE Love, faith and civil rights collide in a southern town as evangelical Christians and drag queens step into the spotlight to dismantle stereotypes. The film takes a personal, and often comical look at negotiating differences between religion and belief through performance, political action, and partnership. Gospel drag shows and passion plays set the stage for one hell of a show.3-4 sentence summary here. INGRID (USA, 52 mins) Dir. Morrisa Maltz TEXAS PREMIERE – Filmmaker Morrisa Maltz in attendance Ingrid tells the story of a prominent Dallas fashion designer in the 80s–who dropped her life and ran off to the woods in order to pursue a personal and creative one. She has since become a total hermit and spends her time, creating clay sculptures and art out of rocks from the nearby creek. Ingrid peels off the layers of this woman’s persona, questioning what would drive a successful Texas fashion designer to immerse herself in nature to create and become an entirely self sufficient woman of the woods. MAISON DU BONHEUR (Canada, 62 mins) Dir. Sofia Bohdanowicz TEXAS PREMIERE Maison du bonheur is a documentary that studies the day-to-day life of a Parisian astrologer, Juliane Sellam, who has been residing in the same Montmartre apartment for over 50 years. As we listen to her muse about her life as an astrologer, Sellam moves through her daily routine: making her morning coffee, watering plants, putting on makeup. Each segment is narrated by Sellam or the filmmaker herself, slowly constructing a dual portrait of two very different but equally charming women. MILFORD GRAVES FULL MANTIS (USA, 91 mins) Dir. Jake Meginsky and Neil Young DFW PREMIERE – Filmmaker Jake Meginsky in attendance This is the first ever feature-length portrait of renowned percussionist Milford Graves, exploring his kaleidoscopic creativity and relentless curiosity.Graves tells stories of discovery, struggle and survival, ruminates on the essence of ‘swing,’ activates electronic stethoscopes in his basement lab to process the sound of his heart, and travels to Japan where he performs at a school for children with autism, igniting the student body into an ecstatic display of spontaneous collective energy. Oscillating from present to past and weaving intimate glimpses of the artist’s complex cosmology with blistering performances from around the globe, MILFORD GRAVES FULL MANTIS is cinema full of fluidity, polyrhythm and intensity, embodying the essence of Graves’ music itself. OPUNTIA (Mexico/USA, 60 mins) Dir. David Fenster DFW PREMIERE – Filmmaker David Fenster in attendance In 1528 Álvar Núñez Cabeza de Vaca crossed the Gulf of Mexico on a raft made of melted armor and slaughtered horses. Over the next eight years, experiences with various Native American groups transformed him from conquistador to shamanic healer. When he returned to Spain he wrote La Relación, a chronicle of his experiences in the “New World”. Using these writings and with help from a psychic medium, David Fenster (director) attempts to communicate with Álvar Núñez Cabeza de Vaca through a prickly pear cactus, also known as Opuntia, the plant that saved him from starvation.
SPOTLIGHT FEATURES
BISBEE ‘17 (USA, 112 mins) Dir. Robert Greene TEXAS PREMIERE An old mining town on the Arizona-Mexico border finally reckons with its darkest day: the deportation of 1200 immigrant miners exactly 100 years ago. Townspeople confront this violent, misunderstood past by staging dramatic recreations of these devastating events. Directed by the Townspeople themselves, these recreations show the personal history of the families affected by the deporations on the 100th anniversary of their occurence. DAMSEL (USA, 112 mins) Dir. David Zellner and Nathan Zellner DFW PREMIERE – Film producers and composers The Octopus Project in attendance It’s the age of The Wild West, circa 1870. An affluent pioneer, Samuel Alabaster (Robert Pattinson) ventures deep into the American wilderness to reunite with and marry the love of his life, Penelope (Mia Wasikowska). For his journey he brings Butterscotch, a miniature horse intended as a wedding present for his bride, and enlists drunkard Parson Henry (David Zellner) to conduct the ceremony. As they traverse the lawless frontier their once simple journey grows treacherous, and the lines between hero, villain, and damsel are blurred. HAL (USA, 90 mins) Dir. Amy Scott TEXAS PREMIERE In the 1970’s Hal Ashby spent 9 years pushing Hollywood norms directing an unconventional, uncompromising string of remarkable films — including The Landlord (1970), Harold and Maude (1971), The Last Detail (1973) and Being There (1979) — that influenced generations of filmmakers to follow. His everlasting legacy on cinema is evident by the group of talented interview subjects including David O. Russell, Judd Apatow, Allison Andres and Jeff and Beau Bridges. However he failed to sustain success fighting for the importance of art and socially consciousness stories against the looming weight of Hollywood’s profit driven machine. HAL is a celebration of his lifework. HALF THE PICTURE (USA, 94 mins) Dir. Amy Adrion DFWPREMIERE – Penelope Spheeris in attendance for Q/A with Seed & Spark Founder Emily Best HALF THE PICTURE consists of interviews with high profile women directors, including Ava DuVernay, Jill Soloway, Lena Dunham, Catherine Hardwicke, Miranda July, Penelope Spheeris and many more. These artists discuss how they made their first features, how they transitioned to studio films or television, how they balance a demanding directing career with family, and the challenges and joys along the way. In addition, experts on gender inequality in Hollywood, including the ACLU’s Melissa Goodman, Vanity Fair’s Rebecca Keegan, and USC’s Dr. Stacy Smith, weigh in on the magnitude of this issue as women are shut out, across the board, of an industry that systemically denies women’s expression and point of view. MEOW WOLF: ORIGIN STORY (USA, 100 mins) Dir. Jilann Spitzmiller and Morgan Capps DFW PREMIERE – Filmmakers Morgan Capps and Jilann Spitzmiller in attendance A group of artists in Santa Fe, NM become a DIY collective called Meow Wolf. Their immersive, large-scale exhibitions crack open a profitable niche in the arts industry, even as their social mission is challenged by the demands of rapid success. The group’s members navigate fracture and loss for years in pursuit of their idealistic vision. When they spark the interest of George R. R. Martin and receive his support to take over an old bowling alley, Meow Wolf builds a massive exhibition with over 140 artists working at a breakneck pace. With the wild success of the House of Eternal Return, Meow Wolf now faces its own internal turmoil as it begins to change the lives of creatives everywhere. PITY (Greece, 97 mins) Dir. Babis Makridis TEXAS PREMIERE A miserable middle aged man enjoys only one thing in life, the sorrow from others. After his wife re-emerges from a long coma he’s willing to do anything to continue to evoke this emotion from those around him. Addicted to misery, this man seeks to maintain the only feeling to give him pleasure, pity. RELAXER (USA, 91 mins) Dir. Joel Potrykus DFW PREMIERE – Director Joel Potrykus, Cinematographer Adam J. Minnick and actor Andre Hyland in attendance Doom and gloom are on the way. The Y2K apocalypse can’t be stopped. Abbie’s older brother issues him the ultimate challenge before it goes down: stay on the couch until he beats the infamous Billy Mitchell record on Pac-Man by getting past level 256. No getting up, no matter what. No quitting. Abbie must survive inside a rotten living room with no food or water, and numbnut friends and toxic gas getting in his face. Luckily, Abbie’s secret 3D glasses begin to give him new abilities, controlling the powers of his tiny universe. SKATE KITCHEN (USA, 100 mins) Dir. Crystal Moselle TEXAS PREMIERE – Members of the filmmaking team in attendance Introverted skateboarder Camille befriends “The Skate Kitchen,” an all-girl skateboarding crew in New York City. She finds the home she never had with her mother in Long Island as she becomes part of the in-crowd. They quickly accept her into this wild new world of trick-shot videos and their own mania filled, underground, New York subculture. However this new friendship becomes tricky to navigate when she falls for a boy skateboarder from a rival group.
REPERTORY
BEING THERE (USA, 1979, 130 mins) Dir. Hal Ashby In one of his most finely tuned performances, Peter Sellers plays the pure-hearted, childlike Chance, a gardener who is forced into the wilds of Washington, D.C., when his wealthy guardian dies. Shocked to discover that the real world doesn’t respond to the click of a remote, Chance stumbles into celebrity after being taken under the wing of a tycoon (Melvyn Douglas, in an Oscar-winning performance), who mistakes his protégé’s horticultural mumblings for sagacious pronouncements on life and politics, and whose wife (Shirley MacLaine) targets Chance as the object of her desire. Being There is both deeply melancholic and hilarious; a the culmination of Hal Ashby’s remarkable string of films in the 1970s, and a carefully modulated examination of the ideals, anxieties, and media-fueled delusions that shaped American culture during that decade and still ring true today in 2018. DUDES (USA, 1987, 90 mins) Dir. Penelope Spheeris New DCP with Director Penelope Spheeris in attendance Penelope Spheeris’s 5th feature film which came after her punk soap SUBURBIA and was “released” the year before her magnum opus DECLINE OF WESTERN CIVILIZATION PART II; DUDES, was never given much of a proper release. Distributors and exhibitors were confused on how to market the punk rock western and it quickly excited theaters. The home video VHS was its last available version until this years HD remaster by SHOUT FACTORY. The film, which features early Cinematography from future three time Oscar winner Robert Richardson and a fantastic punk / metal soundtrack featuring The VANDALS, JANES ADDICTION and MEGADETH exists in a late 80’s ahead of its time capsule. THE PASSION OF JOAN OF ARC with Live Score Accompaniment (France, 1928, 81 mins) Dir. Carl Theodor Dreyer New Restoration with live score accompaniment composed by indie electronic artist George Sarah, performed by Curtis Heath and his orchestra Spiritual rapture and institutional hypocrisy are brought to stark, vivid life in one of the most transcendent achievements of the silent era. Chronicling the trial of Joan of Arc in the final hours leading up to her execution, Danish master Carl Theodor Dreyer depicts her torment with startling immediacy, employing an array of techniques—including expressionistic lighting, interconnected sets, and painfully intimate close-ups— to immerse viewers in her subjective experience. Anchoring Dreyer’s audacious formal experimentation is a legendary performance by Renée Falconetti, whose haunted face channels both the agony and the ecstasy of martyrdom. Thought to have been lost to fire, the film’s original version was miraculously found in perfect condition in 1981 in a Norwegian mental institution, heightening the mythic status of this widely revered masterwork.
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AFI DOCS 2018 Unveils Full Slate of 92 Films

[caption id="attachment_29156" align="aligncenter" width="1200"] UNITED SKATES[/caption] AFI DOCS has finally revealed its full slate of 92 films representing 22 countries for the 16th edition of the American Film Institute’s five-day documentary film festival in the nation’s capital. AFI DOCS 2018 runs June 13 to 17 in Washington, DC, and Silver Spring, MD. As previously announced, the festival will open with the world premiere of PERSONAL STATEMENT and will close with UNITED SKATES. ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW screens as the Centerpiece Screening. Special Screenings include THE COLD BLUE, KINSHASA MAKAMBO, MR. SOUL! and WITKIN & WITKIN.
AFI DOCS 2018 PROGRAM

OPENING NIGHT SCREENING
PERSONAL STATEMENT: DIRS Juliane Dressner and Edwin Martinez. USA. Karoline, Enoch and Christine are Brooklyn high school seniors who just want to go to college, but like so many public-school students throughout the country, their schools don’t have enough college guidance support. Refusing to give up, they decide to work as college counselors in their schools, becoming the very resource they don’t have themselves. World Premiere.
CLOSING NIGHT SCREENING
UNITED SKATES: DIRS Dyana Winkler and Tina Brown. USA. Roller-skating has played a critical role in modern African-American culture, with rinks serving as both a haven of community and of artistic expression, and a flashpoint in the civil rights movement. UNITED SKATES chronicles the fight to save these rinks, and the souls of communities nationwide.
CENTERPIECE SCREENING
ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW: DIR Rory Kennedy. USA. Rory Kennedy tells the stories of the women and men behind the National Aeronautics and Space Administration’s decades-long exploration of our solar system, our universe and our planet, in this enlightening film that celebrates NASA’s triumphs, mourns its tragedies and affirms the importance of its mission both in space and on Earth.
SPECIAL SCREENINGS
THE COLD BLUE: DIR Erik Nelson. USA. In 1943, legendary Hollywood director William Wyler crafted MEMPHIS BELLE, a celebrated tribute to the titular WWII bomber. Using footage shot by Wyler from the National Archives, director Erik Nelson has made a new film, featuring gripping narration from some of the last surviving B-17 pilots. A meditation on youth, war and stunning bravery. World Premiere. KINSHASA MAKAMBO: DIR Dieudo Hamadi. DRC, France, Germany. Amid the backdrop of seemingly the neverending political and social unrest that hangs over the Democratic Republic of Congo, three young activists take to the streets with their fellow countrymen to overthrow their country’s President and help enact much needed change in their politically beleaguered country. East Coast Premiere. MR. SOUL!: DIRS Sam Pollard and Melissa Haizlip. USA. An in-depth look at the late 1960s WNET public television series SOUL! and its producer Ellis Haizlip. The series was among the first to provide expanded images of African Americans on television, shifting the gaze from inner-city poverty and violence to the vibrancy of the Black Arts Movement. WITKIN + WITKIN: DIR Trisha Ziff. Mexico. The artwork of septuagenarian twins Joel-Peter and Jerome Witkin transcends genres and traditional form. WITKIN & WITKIN explores the brothers’ complicated relationship with one another, and examines depths and divisions in their work. Joel-Peter’s stunning photography and Jerome’s powerful figurative paintings distinctly capture the human condition, reflecting differing emotional and intellectual approaches. U.S. Premiere.
FEATURE FILM SELECTIONS
209 RUE SAINT-MAUR, PARIS 10ÈME – THE NEIGHBOURS: DIR Ruth Zylberman. France. After selecting a building at random in a Jewish neighborhood in Paris, French director Ruth Zylberman meticulously reconstructed its community of inhabitants during the German occupation. What results is the spellbinding 209 RUE SAINT-MAUR, an experimental historiography that tells the emotional story of lives uprooted and destroyed under the Nazis. U.S. Premiere. ALONE IN THE GAME: DIRS Natalie Metzger and Michael Rohrbaugh. USA. Outdated ideas and outright prejudice have made competitive sports one of the gay rights movement’s final frontiers. ALONE IN THE GAME reveals how a new generation of queer and transgender athletes are scoring victories on and off the field by standing up for their rights — including the right to compete. World Premiere. AMÉRICA: DIRS Erick Stoll and Chase Whiteside. USA. At the heart of this film is 93-year-old matriarch América. When an accidental fall lands her son in jail for neglect, her three freewheeling grandsons must reunite to get their father out of prison and their grandmother out of bed. What emerges is an unforgettable and tender tale of familial love. AMERICA TO ME: DIR Steve James. USA. In this first episode of his excellent miniseries, Steve James returns to the subjects that have marked his career — class, race, and how the two affect social and economic mobility. James follows students at a public high school in suburban Chicago that is considered the gold standard of diversity, yet on the ground, he discovers a different story. BATHTUBS OVER BROADWAY: DIR Dava Whisenant. USA. Steve Young is obsessed with industrial musicals, the often bizarre and hilarious productions commissioned by companies to celebrate their products at corporate conventions. Follow him as he investigates this odd aspect of midcentury corporate culture, while continuing his search for gems like “Diesel Dazzle” and “The Bathrooms Are Coming!” BISBEE ’17: DIR Robert Greene. USA. Bisbee, Arizona, an old copper-mining town on the Mexican border, finally reckons with its darkest day: the deportation of 1,200 immigrant miners left to die in the middle of the desert in 1917. Filmmaker Robert Greene captures the city’s residents as they commemorate this tragic event by staging a reenactment on its 100th anniversary. BLOWIN’ UP: DIR Stephanie Wang-Breal. USA. A New York City courtroom recommends a unique and compassionate intervention option to young women charged with prostitution: submit to free counseling sessions designed by a mentoring program to get you off the street, and your record will be expunged. Are they ready to make that change? CENTRAL AIRPORT THF: DIR Karim Aïnouz. Germany, France, Brazil. A decade after ceasing operations, Berlin’s historic Tempelhof Airport has found a second life serving a new group of arrivals and departures: refugees now seeking asylum in Germany. CENTRAL AIRPORT THF looks at the absurdity of life for migrants making the most of the long layover. CHARM CITY: DIR Marilyn Ness. USA. On the streets of Baltimore, the murder rate is approaching an all-time high, and distrust of the police reaches a fever pitch. With neighborhoods in peril, residents attempt to diffuse the violence through cooperative efforts helmed by community leaders, compassionate law-enforcement officers and a progressive young city councilman. COMBAT OBSCURA: DIR Miles Lagoze. USA. Miles Lagoze was deployed as a combat photographer in Afghanistan, making videos for official Marine Corps recruitment purposes. Compiled of outtakes from those videos, this disturbingly raw portrait of the conflict in Afghanistan exposes the gulf between the war we’re meant to see and the war as it really is. East Coast Premiere. CRIME + PUNISHMENT: DIR Stephen Maing. USA. In 2015, a group of 12 whistleblower cops sued the NYPD for using illegal quotas despite a 2010 statewide ban on the practice. A blood-boiling investigation into a corrupt organization, CRIME + PUNISHMENT follows these officers as they face retaliation for attempting to resist against racist practices. DARK MONEY: DIR Kimberly Reed. USA. A portrait of democracy under fire, DARK MONEY pulls back the curtain on big money in national politics. Revealing how right-wing giants like the Koch brothers hide behind super PACs to do their bidding — in the forms of corporate-funded smear campaigns and dangerous legislation — this film is as timely as it is eye-opening. THE DISTANT BARKING OF DOGS: DIR Simon Lereng Wilmont. Denmark, Finland, Sweden. Taking an observational approach, this masterful film follows 10-year-old Oleg and his grandmother as they cope with life mere miles from the frontline of the war in Ukraine, showing how children navigate the trauma of conflict, while still seeing the world with naiveté and wonder. DON’T BE NICE: DIR Max Powers. USA. Following a diverse team of slam poets as they mine their feelings and personal experiences about race, sexuality, gender and popular culture to craft poems for national competition, DON’T BE NICE demonstrates how collaboration and communication between artists can allow them to better understand who they are and what they want to say. U.S. Premiere. FOR THE BIRDS: DIR Richard Miron. USA. In Richard Miron’s surprising and empathetic film, we follow a woman named Kathy who lives with 200 pet birds. What starts as a story about Kathy’s battle with local animal advocacy groups slowly transforms into an intimate drama about the toll of Kathy’s bird-hoarding — on her marriage and mental health. North American Premiere. FOSTER: DIR Mark Jonathan Harris. USA. Oscar® winners Mark Jonathan Harris and Deborah Oppenheimer (INTO THE ARMS OF STRANGERS: STORIES OF THE KINDERTRANSPORT) roam courtrooms, foster homes, juvenile halls and the streets of Los Angeles to tell the moving human stories behind the largest county child protection agency in the United States. World Premiere. THE GOSPEL OF EUREKA: DIRS Michael Palmieri and Donal Mosher. USA. A tiny Arkansas town is home to a popular live-action Passion Play — and a tightknit gay community centered around a lively drag bar. A touching, upbeat look at an enlightened town that maintains a peaceful coexistence of two seemingly divergent groups through tolerance, love and inclusion. GURRUMUL: DIR Paul Williams. Australia. With the release of his debut album, blind indigenous Australian musician Geoffrey Gurrumul Yunupingu became an unlikely star in both his homeland and in the larger world music scene. But as Gurrumul’s fame grew, the balance between his culture’s way of life and a career in music proved tricky to maintain. U.S. Premiere. HAL: DIR Amy Scott. USA. Surveying the works of iconoclastic filmmaker Hal Ashby (HAROLD AND MAUDE, THE LAST DETAIL, COMING HOME), director Amy Scott identifies how Ashby’s brilliant and seminal works helped define both the New Hollywood of the 1970s and the American experience for a decade. HALE COUNTY THIS MORNING, THIS EVENING: DIR RaMell Ross. USA. Winner of a Special Jury Prize at this year’s Sundance Film Festival, RaMell Ross’ assured feature debut is a lyrical look at the lives of two young African-American men born and raised in Alabama’s Hale County, the community that surrounds them and the paths they follow throughout the years. HAPPY WINTER: DIR Giovanni Totaro. Italy. The escapism of being on holiday gets a fascinating twist in Giovanni Totaro’s shrewdly observant HAPPY WINTER. Mondello beach in Palermo, Italy, is a seemingly pleasant circus of bronzed vacationers milling about. But behind the happy goings-on is a different story of collective denial about the looming economic crisis. U.S. Premiere. HESBURGH: DIR Patrick Creadon. USA. He counseled presidents and popes, served on corporate boards and infuriated Richard Nixon. He was one of the only friends to whom Ann Landers turned for advice. During his 35 years as president of the University of Notre Dame, Theodore Hesburgh became one of the most influential and inspiring people of the 20th century. World Premiere. INTO THE OKAVANGO: DIR Neil Gelinas. USA. National Geographic photographer Neil Gelinas makes his directorial debut with INTO THE OKAVANGO. This visually stunning film follows three passionate individuals as they embark on a four-month journey along the titular river — witnessing Africa’s animal and bird population in visceral, jaw-dropping close-up — to discover why the Okavango Delta is rapidly drying up. INVENTING TOMORROW: DIR Laura Nix. USA. Laura Nix’s inspiring film follows high school students from around the world, many of whom hail from dangerously polluted countries, as they tackle daunting environmental issues affecting their communities. Watch as the teens then bring their ingeniously proposed solutions to “the science fair of science fairs” — the Intel International Science and Engineering Fair. IT WILL BE CHAOS: DIRS Lorena Luciano and Filippo Piscopo. USA. Follow an Eritrean man and a Syrian family on dual quests for freedom amid the refugee crisis in the eastern Mediterranean. Tension mounts as they battle the rough seas, harsh conditions and red tape standing in their way. Will they make it to a new life in Europe? THE LIBERATION: DIRS Christoph Green and Brendan Canty. USA. Therapy sessions, cooking lessons and raw personal stories provide the drama in THE LIBERATION, DC-based filmmakers Christoph Green and Brendan Canty’s story of the formerly incarcerated men and women struggling to get through DC Central Kitchen’s 14-week culinary training program. Can they make it and turn their lives around? East Coast Premiere. LOVE, GILDA: DIR Lisa D’Apolito. USA. Lisa D’Apolito’s moving documentary LOVE, GILDA looks back at the exuberant life and courageous death of Gilda Radner, the first female superstar of SATURDAY NIGHT LIVE. Using an abundance of archival photos and clips, along with confessional narration by Radner, the film paints a loving portrait of her short but spectacularly eventful life. MATANGI / MAYA / M.I.A.: DIR Stephen Loveridge. UK. Drawn from 22 years’ worth of personal video footage, MATANGI / MAYA / M.I.A. is an intimate look at the life of rapper, songwriter and activist M.I.A., from her childhood in war-torn Sri Lanka, to her eventual rise to international stardom as one of the most thought-provoking artists working in music today. MCQUEEN: DIRS Ian Bonhôte and Peter Ettedgui. UK. This intimate profile offers unparalleled access to one of the fashion industry’s brightest stars, Alexander McQueen. Brilliant, bold and informed by a British punk aesthetic, the designer was known for his exquisite and strikingly original clothes and his legendary runway shows — theatrical spectacles influenced by contemporary art, theater and photography. MINDING THE GAP: DIR Bing Liu. USA. First-time filmmaker Bing Liu turns the camera on himself, his family members and his skateboarder friends in this deeply moving depiction of three young men in a small Midwestern town grappling with issues of class, race and learning to overcome the cycles of family violence. A MURDER IN MANSFIELD: DIR Barbara Kopple. USA. Two-time Oscar® winner Barbara Kopple takes on true crime, revisiting a horrific 1989 domestic murder in Ohio. Collier Boyle was 12 when his father killed and buried his wife under the flooring of a remote countryside home. Now an adult, Collier returns to Mansfield to face the lingering impact of his mother’s murder. ON HER SHOULDERS: DIR Alexandria Bombach. USA. Filmmaker Alexandria Bombach follows Nadia Murad, a young Yazidi woman who gained international attention after escaping captivity by the Islamic State. Forgoing sensationalism, Bombach’s award-winning film offers a fresh perspective on Nadia’s new life as a human rights activist raising awareness for her people and their plight. OVER THE LIMIT: DIR Marta Prus. Poland, Germany, Finland. As the 2016 Summer Olympics loom, Russian gymnast Margarita Mamun prepares to represent her country at this historic event. But the path to the Olympics is not an easy one in this unflinching portrait of an athlete straining to retain her humanity while going for gold. U.S. Premiere. PICK OF THE LITTER: DIRS Dana Nachman and Don Hardy. USA. Shortly after birth, five Labrador puppies enter the intensive two-year training program at California’s Guide Dogs for the Blind. Here, only the best pups will make the cut to protect and serve blind partners, while others will have to change careers for good. THE PRICE OF EVERYTHING: DIR Nathaniel Kahn. USA. An examination of the contemporary art market through the eyes of artists, dealers and collectors, THE PRICE OF EVERYTHING is the latest work from Oscar® nominee Nathaniel Kahn. Illuminating complex dynamics between artistic intention and consumer behavior, the film begs the question: What value do we place on the priceless? THE PROVIDERS: DIRS Anna Moot-Levin and Laura Green. USA. THE PROVIDERS follows three “country doctors” — health care providers working for a small network of clinics in northern New Mexico — as they confront the challenges of keeping those in their poor and opioid-plagued communities safe. As the film movingly shows each doctor’s day-to-day responsibilities, a complex portrait emerges of small-town America. SHIRKERS: DIR Sandi Tan. USA. In 1992, Sandi Tan shot a film in Singapore with her friends and her American mentor, Georges. As the film neared completion, Georges disappeared with the footage, leaving Sandi heartbroken. Twenty years later, the footage is discovered, and the strange mystery of Georges begins to unravel. THE SILENCE OF OTHERS: DIRS Almudena Carracedo and Robert Bahar. USA, Spain. A quest for justice by those who suffered under the repressive regime of General Francisco Franco is at the heart of this powerful and provocative film. Those who were tortured or had family members murdered are demanding the truth be told to the Spanish people, and the remaining perpetrators put on trial. U.S. Premiere. STUDIO 54: DIR Matt Tyrnauer. USA. An Icarus tale unfolds to a disco beat in STUDIO 54, an intimate peek behind the velvet ropes, where mirror balls twinkled over Liza Minelli, Diana Ross, Mick Jagger and Andy Warhol in Matt Tyrnauer’s illuminating history of the rise and fall of the legendary New York nightclub. THIS ONE’S FOR THE LADIES: DIR Gene Graham. USA. Diving inside an unexpected subculture of Newark, THIS ONE’S FOR THE LADIES follows a group of women who throw weekly underground male exotic dance parties. Exploring sexual identity and the meaning of community, the film is a unique portrait of the black experience in 21st-century America. TRANSMILITARY: DIRS Gabriel Silverman and Fiona Dawson. USA. Gabriel Silverman and Fiona Dawson make their stirring feature debut with TRANSMILITARY, following four individuals who come out as transgender to top officials at the Pentagon — a brave move that puts their military careers in jeopardy, and shows a struggle for equality that is more relevant than ever. TRE MAISON DASAN: DIR Denali Tiller. USA. With a parent in prison, three Rhode Island boys tackle adult realities few of their peers can even imagine. Unfettered access to three troubled but promising young lives produces an unforgettable perspective on the multigenerational consequences of U.S. incarceration, where one out of 14 kids has a parent with a prison history. UNDER THE WIRE: DIR Chris Martin. UK. In 2012, acclaimed journalist Marie Colvin illegally crossed the Syrian border to cover the country’s civil war. She became one of the only voices reporting on the atrocities being committed against the Syrian people. With breathtaking footage, UNDER THE WIRE profiles one woman’s drive to uncover the truth, no matter the cost. International Premiere. UNITED WE FAN: DIR Michael Sparaga. Canada. UNITED WE FAN follows the ingenious save-our-show campaigns that have been spurred by passionate television uber-fans throughout the decades. From STAR TREK to CAGNEY AND LACEY and CHUCK — plus many more — this delightful doc highlights the grassroots efforts needed to save beloved TV shows. U.S. Premiere. YOURS IN SISTERHOOD: DIR Irene Lusztig. USA. More than four decades after the birth of Ms. Magazine, director Irene Lusztig combs the publication’s archives and pairs some of the most memorable letters, many never published, with contemporary readers to comment on just how far we’ve come — and what we still have to accomplish.
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2018 Sheffield Doc/Fest film Unveils Lineup of ‘bold and innovative non-fiction films’

[caption id="attachment_29118" align="aligncenter" width="1200"] Before Father Gets Back[/caption] The 2018 Sheffield Doc/Fest film program lineup presents bold and innovative non-fiction films made by some of the most authentic international filmmakers working today. 2018 audiences will be treated to 37 World, 18 International, 24 European and 70 UK film premieres. The works are selected across the main program Doc/Adventure, Doc/Expose, Doc/Think, Doc/Love, Doc/Rhythm, Doc/Visions, and focus Retro/Electric Avenues, New/UK, New/Lebanon program strands and accompanying Special Live events. Doc/Fest 2018 film program includes one special Preview screening, a late-night offering as Docs ‘Til Dawn and a selection of outdoor screenings Free Screen. The festival opens on Thursday 7 June with the world premiere of Sean McAllister’s A Northern Soul.
OPENING NIGHT
A Northern Soul (World premiere; UK, 2018, 80 min, dir. Sean McAllister) – Following A Syrian Love Story’s Doc/Fest Grand Jury Award win in 2015, Sean McAllister returns to Sheffield to open the Festival’s 25th Edition with the World Premiere of A Northern Soul. With his signature vision and sense of rapport, Sean reflects on changes to his Yorkshire hometown: a city divided by Brexit that is simultaneously celebrated as UK City of Culture and hit by austerity. Drawn to the fringes of town, Sean encounters Steve, a struggling warehouse worker by day and hip-hop performer by night, with a dream…
SPECIAL PREVIEW
McQueen (UK/USA, 2017, 111 min, dir. Ian Bonhôte and Peter Ettedgui) – Archival footage and personal testimonials present an intimate portrait of revolutionary British fashion designer ‘Lee’ Alexander McQueen, the working-class boy who became a global one-man fashion brand.THE FULL FILM program LINE-UP – BY STRAND:
DOC/ADVENTURE
Before Father Gets Back (World premiere; dir. Mari Gulbiani, 80 min) – In a Georgian village, from which many men have left for Syria, two girls escape a shared longing for their fathers through the magic of cinema. Bruce Lee & the Outlaw (World premiere; dir. Joost Vandebrug, 85 min) – Nicu, a young homeless boy, is adopted by Bruce Lee, the notorious “King of the Underworld” and goes to live with him in the tunnels underneath Bucharest. Central Bus Station (World premiere; dir. Tomáš Elšík, 78 min) – Central Bus Station, a building which has turned from great gift to a place for immigrants. Yonathan has learnt that it can reveal the essence of the society as well as one’s soul. Ghosthunter films in competition Into The Okavango films in competition Love Means Zero (UK premiere; dir. Jason Kohn, 89 min) – At eighty-six, famed tennis coach Nick Bollettieri is a living legend. At his academy in Florida, he raised a generation of champions. Too Beautiful: Our Right to Fight (World premiere, dir. Maceo Frost, 77 min) – Cuba ranks highly at Olympic boxing, but women can’t compete. This immersive film follows Havana boxer Namibia, who’s hoping the ban is lifted before she ages out of eligibility. Over the Limit Phantom Cowboys (International premiere; dir. Daniel Patrick Carbone, 93 min) – Three boys in small town America find their hopes and dreams tempered by their circumstances. Moving back and forth over eight years, this is a moving, skilful exploration of adolescence. Tanzania Transit (European premiere; dir. Jeroen van Velzen, 75 min) – On a train crossing Tanzania, a riding microcosm of East African society, we follow three main characters, reflecting on the strength to survive. The Game The Insufferable Groo (World premiere, 98 min, dir. Scott Christopherson) – Having directed nearly 200 low-budget movies, Utah filmmaker Stephen Groo seeks Jack Black for his latest human/elf fantasy drama. This hilarious yet sincere portrait depicts an uphill production battle. The Lonely Battle of Thomas Reid (UK premiere; dir. Feargal Ward, 77 min) – Thomas Reid lives a solitary life. But beside his 17th century farm looms a vast American factory. When the Irish State tries to take his farm, he vows to resist. The Man Who Stole Banksy (European premiere; 91 min, dir. Marco Proserpio) – A Palestinian taxi driver attempts to sell a Banksy mural on eBay. As we follow the artwork, we uncover a secret art market of stolen walls from around the world. Three Identical Strangers (European premiere; 96 min, dir. Tim Wardle) – In 1980, three New York identical triplets, separated at birth, discovered each other. But behind the remarkable story lurked a dark secret that questioned the notion of who we are. Time Trial Vienna Calling (World premiere; dir. Petr Šprincl, 67 min) – In this docufiction road movie, a grave robbing artist and his sidekicks journey to Vienna in a horse drawn caravan of death to return some famous teeth.
Shorts
Zion – see Short Doc Award Cheer From Parts Unknown Hands Up, Chin Down Skip Day Skywards To Be a Torero Taking the Waters The Water Slide
DOC/EXPOSE
A Thousand Girls Like Me (European premiere; dir. Sahra Mosawi, 76 min) – A young Afghan woman confronts the will of her family and the traditions of her country to seek justice for years of sexual abuse from her father. A Woman Captured Commander Arian I, Dolours (European premiere; dir. Maurice Sweeney, 82 min) – Dolours Price, bred to violent republicanism, yet ultimately haunted by her actions, gave a filmed interview not to be broadcast until after her death. This is her shocking story. Kinshasa Makambo Laila At The Bridge Lost Warrior Of Fathers and Sons On Her Shoulders One or Two Questions (UK premiere; dir. Kristina Konrad, 237 min) – In 1986, Uruguay passed a law granting amnesty for human rights violations committed by the military and police during the dictatorship (1973-85). One or Two Questions uses footage of interviews recorded on the streets between 1987 and 1989, to present a multifaceted reflection of the country and its inhabitants, in which the values of democracy – such as peace, justice – are continually questioned. The Ballymurphy Precedent (World premiere; dir. Callum Macrae, 106 min) – The little known story about the death of eleven innocent people at the hands of the British Army in a Catholic estate in Belfast in 1971. This is a massacre that few have heard of, yet it was one of the most significant events in the Troubles. The British army continues to cover it up because they cannot afford to admit the truth. The relatives of those who died are fighting for justice – and our investigation shows why. This secret massacre led directly to the Bloody Sunday killings by the same Parachute regiment just five months later. The Congo Tribunal (UK premiere; dir. Milo Rau, 100 min) – Staged as a tribunal on-location in Bukavu and Berlin, director Milo Rau creates an unshrouded portrait of one of the biggest and bloodiest economic wars in human history. The Distant Barking of Dogs The Silence of Others The Trade (European premiere; dir. Matthew Heineman, 125 min) – Addicts and their families struggle in Atlanta, drug lords and poppy-seed farmers toil in Mexico, and narcotics units and dealers clash in Columbus. Under The Wire (World premiere; dir. Chris Martin, 93 min) – A powerful film that tells the story of celebrated Sunday Times journalist Marie Colvin and photographer Paul Conroy’s ill-fated trip to Syria in February 2012. Based on Conroy’s book of the same title. When the War Comes (UK premiere; dir. Jan Gebert, 76 min) – A paramilitary group in Slovakia is recruiting hundreds of young men, aiming to create a model community based on military drill, obedience and fear. Whispering Truth to Power (European premiere; dir. Shameela Seedat, 87 min) – With exclusive, behind-the-scenes access, this film charts the final year in office of South African anti-corruption champion Thuli Madonsela as she attempts to seek justice for ordinary people. After successfully challenging President Jacob Zuma for illegal use of state funds, she faces the biggest challenge of her career: exposing the systematic takeover of government by a private family in cahoots with the President.
Shorts
Black Sheep – see Short Doc award Ebrahim Fake News Fairytale Las Nubes The Holiday Inn-Side Watching the Detectives Doc/Dispatch – showcase for short documentary journalism from citizen reporters, investigative filmmakers and responsive news units; projects TBA
DOC/LOVE
Amal América Ashore (UK premiere; dir. Leonor Teles, 82 min) – Ashore portrays the life of a singular fisherman in an ancient riverfront community near Lisbon as he drifts between ocean solitude and family anchors. For The Birds Game Girls (UK premiere; dir. Alina Skrzeszewska, 90 min) -This compassionate observational documentary charts the relationship between two homeless women in Los Angeles’ sprawling Skid Row. Tiahna seems resigned to street life, but girlfriend Teri wants to escape. Have You Seen The Listers? (UK premiere; dir. Eddie Martin, 86 min) – From the director of All This Mayhem, a candid and personal family portrait as young father Anthony Lister embarks on the rocky road to become the world’s greatest street artist. Home Games (World premiere; dir. Alisa Kovalenko, 86 min) – A season in the life of Alina, a poor 20-year-old girl from Kyiv who has a chance to be saved by football. A Northern Soul (World premiere) – see OPENING NIGHT Minding the Gap Out (UK premiere; dir. Denis Parrot, 70 min) – The first documentary to address LGBTQ+ coming out stories exclusively through social media footage. People’s Republic of Desire (European premiere; dir. Hao Wu, 95 min) – In China’s popular live streaming showrooms, two internet celebrities seek fame, fortune and human connection, ultimately finding the same promises and perils online as in their real lives. The Eyes of Orson Welles (UK premiere; dir. Mark Cousins, 110 min) – Filmmaker Mark Cousins dives deep into the visual world of this legendary director and actor, to reveal a portrait of the artist as he’s never been seen before. Turning 18 (World premiere; dir. Ho Chao-ti, 87 min) – Two young girls meet at a vocational training program after which their lives move in completely different directions. Both from broken homes, Pei searches for hope in love, while Chen struggles to avoid her parents’ fate. As they approach 18, the undercurrents of their lives surface, nearly overwhelming them. How can an unloved life find a strength of her own? Young Solitude
Shorts
Baby Brother Black I Am Confessions of an Angry Mother Landline Last Man Standing Lotus Lovers of the Night Mountain – see Short Doc award Pumpkin Movie
RETRO/ELECTRIC AVENUES
Cocorico Monsieur Poulet Disorder
Shorts program
Black Film City of Contrasts Horse of Mud + Sad Song of Touha + The Sandwich IFO In Order Not To Be Here Liberty City Crawl (Superman II) Many Thousands Gone Mobile Men Moor Mother Live in London My White Baby Secrets From the Street: No Disclosure Sto Lat Strolling – also see Free Screen on page xx The Strike
DOC/RHYTHM
Antigone (UK premiere; dir. Pedro González Rubio, 73 min) – In the biggest public university in Latin America a group of theatre students and their teacher prepare Antigone, a Greek tragedy that addresses the conflict between the rules of power and the will of a young woman to do the right thing. Life, theatre and fiction are interwoven following the rehearsals in classrooms, in their homes, in public spaces and surrealist landscapes of the city. Ashes and Embers (UK premiere; dir. Manon Ott, 71 min) – A poetic and political portrait of a working-class suburb in the process of change, “Ashes and Embers” invite us to meet its inhabitants: a journey from dusk to dawn where, while speaking of their lives, they also express their revolt and their quest for freedom. Blue Note Records: Beyond the Notes (European premiere; dir. Sophie Huber, 85 min) – The film explores the vision behind the iconic American jazz record label. Through current recording sessions, rare archive and conversations with iconic Blue Note artists, the film reveals an intimate perspective of a legacy that continues to be vital in today’s political climate. Legendary artists Herbie Hancock and Wayne Shorter come together with today’s generation of ground-breaking Blue Note artists such as Robert Glasper and Ambrose Akinmusire to record an All-Stars album. Desolation Center (UK premiere; dir. Stuart Swezey, 92 min) – followed by live performance from Thurston Moore – The film vividly portrays the untold story of a series of guerrilla desert gatherings now recognised as the inspiration for Burning Man and Coachella, with performances by Sonic Youth, Minutemen, Meat Puppets, Swans, and more. Generation Wealth (dir. Lauren Greenfield, 108 min) – Lauren Greenfield’s postcard from the edge of the American Empire captures a portrait of a materialistic, image-obsessed culture. Simultaneously personal journey and historical essay, the film bears witness to the global boom-bust economy, the corrupted American Dream, and the human costs of late stage capitalism, narcissism, and greed Harmony (UK premiere; dir. Frederick Paxton, 71 min) – Bold city symphony reveals the terrible beauty in Siberia’s polluted Chelyabinsk. A mesmerizing mix of sound and image highlight the often punishing rituals inflicted on young Russian boys and girls. Milford Graves Full Mantis (UK premiere; dir. Jake Meginsky, Neil Young (Co-Director), 91 min) – Celebrating the creativity of legendary American percussionist Milford Graves, this film is itself a kaleidoscope ode to the creative process, and a unique homage to the free jazz pioneer. Parallel Planes (International premiere; dir. Nicole Wegner, 100 min) – This film pays homage to the American DIY spirit and the diversity of the US musical landscape outside the commercial music industry. Nicole Wegner maintains eye level with her twelve subjects, including Ian MacKaye (Minor Threat, Fugazi), Michael Gira (Swans) and Valentine Falcon (Get Hustle), who gleefully hack the music industry and play by their own rules. Punk Voyage (dir. JP Passi, Jukka Kärkkäinen, 97 min) – PKN, a band of four mentally disabled men, is Europe’s no 1 punk-rock act. When the band’s leader decides to retire, Punk Voyage shows all the quarrels, tears and laughter. Shakedown (UK premiere; dir. Leilah Weinraub, 72 min) – “If you straight, you don’t need to be in the front.” Former drag show host Teresa and Ronnie-Ron co-founded Shakedown in the 90s, establishing a thriving underground scene. Dancers including Egypt, Miss Mahogany, I-Dallas and Slow-Wine entertain the throng. This strip club was a space for LA’s African-American queer community to explore identity, sexuality and have an incredible time. Silvana (UK premiere; dir. Mika Gustafson, Olivia Kastebring, Christina Tsiobanelis, 91 min) – Silvana Imam is a fierce force of nature. We witness the Swedish rap artist’s career soar, and the genesis of her relationship with pop artist, Beatrice Eli. The pair become Sweden’s Beyoncé and Jay-Z; a power-couple of phenomenal talent and influence. As the pressures of her iconic status begin to spiral, Silvana is forced to confront her inner conflicts. This One’s For The Ladies (International premiere; dir. Gene Graham, 83 min) – Race, class and sexuality intersect at Newark strip club the Dojo: a karate school by day, home to the New Jersey Nasty Boyz by night. In addition to spotlighting the exotic dancers who work there – both male and lesbian – Gene Graham’s affectionate portrait celebrates the community of women who sustain this microcosm of black American society. Tranny Fag Yellow Is Forbidden (European premiere; dir. Pietra Brettkelly, 94 min) – Haute couture is the most exclusive club in the world: Mostly men. Exclusively European. Largely conglomerate-funded. Yet, Guo Pei, an independent Chinese designer has been invited to present a collection.
Shorts
Artificial Things Arr. for a Scene Mini Miss To The Front: Scenes From a Women’s Rock Camp Weltschmerz – see Short Doc award
DOC/THINK
A Journey to the Fumigated Towns Boys Who Like Girls (World premiere; dir. Inka Achte, 68 min) – Two years have passed since the infamous Delhi gang rape, and India is ablaze with talk of men’s role in gendered violence. Teenager Ved joins a boys’ club run by ‘Men Against Violence and Abuse’ and realises there may be a healthier path for him than the one paved by his abusive father. Will his be the first generation of boys that actually likes girls? Central Airport THF Ex-Shaman Flow (World premiere; dir. Nicolás Molina, 82 min) – FLOW observes the human connection between two rivers: Ganges in India and Biobío in Chile. It proposes a poetic journey blending both civilizations through the flow of one great river. German Class (World premiere; dir. Florian Heinzen-Ziob, 89 min) – Over the course of six months the film closely follows the daily ups and downs of a group of children from abroad as they take their first steps in the German school system. Infinite Football (World premiere; dir. Corneliu Porumboiu, 70 min) – Romanian filmmaker Porumboiu focuses on Laurentiu Ginghina, a bureaucrat who dreams of revolutionizing football. Yet when the director makes Ginghina’s alternative game reality, the bureaucrat can’t stop reworking his theories. Esta Todo Bien (World premiere; dir. Tuki Jencquel, 70 min) -“That’s the drama. You can’t get sick.” These sadly apt words are spoken by Francisco, an activist who delivers badly needed medicines in Venezuela where salaries peak at twelve dollars a month and 16,000 doctors have left the country. Our New President Radio Atlas: A Lunkhead Among The Stars (dir. Gyrid Listuen, 47 min) – Radio Atlas presents Gyrid Listuen’s Prix Europa-winning radio documentary from the nineties — exploring the internal world of a young man with Down’s Syndrome. The Cleaners (UK premiere; dir. Hans Block, Moritz Riesewieck, 88 min) – Digital scavengers’ are outsourced to delete inappropriate content from the net, while at the same time the lives of people around the globe are dramatically affected by online censorship. A ‘cleaner’ rates thousands of disturbing images every day, with lasting psychological impact. From the shared global village to fake news and radicalization, the film charts the rise and fall of social media’s utopian ideology. The Dread The Gospel of Eureka The Pain of Others The Proposal The Trial (UK premiere; dir. Maria Ramos, 139 min) – The Trial offers a behind-the-scenes look at the impeachment of Dilma Rousseff, Brazil’s first female President. The film portrays the “judicial political” trial first at the House of Representatives and then, at the Senate focusing on the President’s Defence Team: her lawyer José Eduardo Cardoso and two senators who struggle to prove the President’s innocence against a majority vote by a Congress riddled with corruption. The Waldheim Waltz What Is Democracy? When Lambs Become Lions
Shorts
90 Seconds in North Korea Girlhood Give I Am Bisha I Signed The Petition The River of the Kukamas
DOC/VISIONS
Arboretum Cycle (UK premiere; dir. Nathaniel Dorsky, 137 min) – A magical collection of seven 16mm films by Nathaniel Dorsky, explores the beauty of Californian nature in Spring light. Each silent film celebrates qualities of energy, joy, fullness, and rebirth. Black Mother Doel Female Human Animal (European premiere; dir. Josh Appignanesi, 74 min) – Shot in the real-life contemporary art world, Female Human Animal is a psycho-thriller about a creative woman disenchanted with what modern life and “modern men” have to offer her. When writer Chloe Aridjis curates an inspiring retrospective of the surrealist Leonora Carrington, an elusive, brooding man appears, seeming to offer more. A darkly romantic docufiction that puts on screen the lurid unconscious of our new sexual politics. Going South (UK premiere; dir. Dominic Gagnon, 104 min) – Going South is the second part of a tetralogy in which Dominic Gagnon intends to explore the cardinal points of the Internet in the post-truth era. Hale County This Morning, This Evening La Commune (Paris, 1871) Last Year in Utopia (UK premiere; dir. Jana Magdalena Keuchel, Katharina Knust, 72 min) – In this revealing and playful Brechtian recreation of events, six cast members from a cancelled German reality television program make an emotional return to their show’s isolated forest location. Margaret Tait: A Century (64 min, dir. Margaret Tait) – Marking both the centenary of the 1918 suffrage act and her birthday, pioneering British filmmaker Margaret Tait is the center of Margaret Tait: A Century -a mini retrospective collection of her titles: Colour Poems, A Portrait of Ga, Tailpiece, Aerial, Where I am is Here. McQueen Music When The Lights Go Out Obscuro Barroco Shirkers Sleep Has Her House (UK premiere; dir. Scott Barley, 90 min) – A hypnotic reverie in a dark forest, underneath waterfalls and shifting shapes in the night. Captured on an iPhone, this is a symphonic and haunting science fiction of nature. The Task Turtle Rock Victory Day (UK premiere; dir. Sergei Loznitsa, 94 min) – Once a year, crowds gather in Berlin’s Treptower Park to mark the anniversary of the Soviet victory over Nazi Germany. Master of sustained observation, Sergei Loznitsa, captures the medal bedecked veterans and burly biker gangs assembling for this spring day of patriotic songs and speeches. Loznitsa’s carefully framed compositions become a meditation on the nationalistic myths still gripping Europe. Worlds of Ursula K. Le Guin (World premiere; dir. Arwen Curry, 65 min) – A trailblazing rebel who shook the world of literature, defying gender norms, societal expectations and patriarchal gatekeeping. Ursula K Guin remains a peerless lightning bolt of imagination and political insight.
Shorts
A God’s Shadow Cops Are Actors Fluid Frontiers Here There Is No Earth House Maskirovka Rebirth is Necessary – see Short Doc award Song for Europe With history in a room filled with people with funny names 4
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The Gospel of Eureka

2019 Oxford Film Festival FEATURE FILMS

NARRATIVE FEATURES JURIED COMPETITION

DOCUMENTARY FEATURES JURIED COMPETITION

MISSISSIPPI FEATURES JURIED COMPETITION

MUSIC DOCUMENTARIES JURIED COMPETITION

LGBTQ FEATURES JURIED COMPETITION

2019 Oxford Film Festival SHORT FILMS

NARRATIVE SHORT FILMS

NARRATIVE SHORT FILMS SCREENING WITH FEATURES

DOCUMENTARY SHORT FILMS

DOCUMENTARY SHORT FILMS SCREENING WITH FEATURES

MISSISSIPPI SHORT FILMS (NARRATIVE)

MISSISSIPPI SHORT FILMS (DOCUMENTARIES)

MISSISSIPPI SHORT FILMS SCREENING WITH FEATURES

LGBTQ SHORT FILMS

LGBTQ SHORT FILMS SCREENING WITH FEATURES

FEST FORWARD SHORT FILMS (ANIMATION BLOCK)

FEST FORWARD SHORT FILMS (EXPERIMENTAL)

MISSISSIPPI MUSIC VIDEOS

STUDENT SHORT FILMS

2018 Indie Memphis Film Festival Slate

OPENING NIGHT

CENTERPIECE

CLOSING NIGHT

NARRATIVE COMPETITION

DOCUMENTARY COMPETITION

SPOTLIGHT

DEPARTURES

SOUNDS

HOMETOWNER

SPECIAL EVENTS

Hong Sang-soo Recent Retro:

2018 OUTFEST LOS ANGELES LGBT FILM FESTIVAL LINE-UP

GALA FILMS:

DRAMATIC FEATURES

DOCUMENTARY FEATURES

EPISODIC PROGRAMS

EPISODIC SHOWCASE

PLATINUM SECTION: EXPERIMENTAL FILMS & LIVE EVENTS

SHORTS SHOWCASE

SPECIAL EVENTS

Panels & Workshops:

OUTFEST FORWARD

OUTSET SHORTS SCREENING

OUTFEST UCLA LEGACY PROJECT

Sundance Institute 2018 Documentary Fund grantees

DEVELOPMENT

PRODUCTION

POST PRODUCTION

Oak Cliff Film Festival 2018 Feature Program Lineup.

OPENING NIGHT SELECTION

CLOSING NIGHT SELECTION

NARRATIVE FEATURE COMPETITION

DOCUMENTARY FEATURE COMPETITION

SPOTLIGHT FEATURES

REPERTORY

AFI DOCS 2018 PROGRAM

OPENING NIGHT SCREENING

CLOSING NIGHT SCREENING

CENTERPIECE SCREENING

SPECIAL SCREENINGS

FEATURE FILM SELECTIONS

OPENING NIGHT

SPECIAL PREVIEW

DOC/ADVENTURE

Shorts

DOC/EXPOSE

Shorts

DOC/LOVE

Shorts

RETRO/ELECTRIC AVENUES

Shorts program

DOC/RHYTHM

Shorts

DOC/THINK

Shorts

DOC/VISIONS

Shorts