THE PRINCESS

  • 2022 British Independent Film Awards Announces Longlists for International Independent Film, Feature Documentary and Raindance Discovery Award

    Full Time by Eric Gravel
    Full Time by Eric Gravel

    The British Independent Film Awards (BIFA) 2022 announced the longlists for Best International Independent Film, Best Feature Documentary and Raindance Discovery Award.

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  • THE PRINCESS Trailer. Ed Perkins’ Sundance Documentary Looks at Key Events in Princess Diana Life

    The Princess directed by Ed Perkins official trailer
    The Princess directed by Ed Perkins (HBO | screenshot via Youtube)

    HBO debuted the official trailer for documentary film The Princess, an immersive look at the life of Princess Diana, directed by Academy Award® nominee Ed Perkins (“Black Sheep” “Tell Me Who I Am”).

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  • Princess Diana Documentary THE PRINCESS Debuts on HBO

    The Princess by Ed Perkins on HBO release date
    The Princess by Ed Perkins | photo by Kent Gavin.

    Directed by Academy Award® nominee Ed Perkins (“Black Sheep” “Tell Me Who I Am”), the documentary film The Princess is an intimate and immersive look at the life of Princess Diana, and produced by Lightbox, Academy Award®-winning Simon Chinn (“Man on Wire” “Searching for Sugar Man”) and Emmy®-winning Jonathan Chinn (“LA92” HBO’s “Tina”).

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  • 2022 Sundance Film Festival Announces Feature Films, Indie Episodic, New Frontier Lineups

    Sundance Film Festival 2022 Lineup - When You Finish Saving the World
    When You Finish Saving the World

    The 2022 Sundance Film Festival set to take place January 20–30, 2022, announced the films selected in the Feature Film, Indie Episodic, and New Frontier categories. The full slate of works announced includes 82 feature-length films representing 28 countries, and 39 of 92 (42%) feature film directors are first-time feature filmmakers.

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  • Mill Valley Film Festival Announces Full Lineup, Opens with U.S. Premieres of A PRIVATE WAR and GREEN BOOK

    [caption id="attachment_31408" align="aligncenter" width="1200"]Green Book Green Book[/caption] The Mill Valley Film Festival (MVFF) will showcase a diverse lineup of 204 films with 45% of all film directed by women, for the 41st edition of the festival, from October 4 to 14, 2018. The Festival will open with a double header –  the U.S. Premiere of  A Private War, starring Rosamund Pike, and Green Book starring Mahershala Ali.

    Opening Night – U.S. Premieres of A PRIVATE WAR and GREEN BOOK

    Opening night kicks off Thursday, October 4 with the U.S. Premiere of Aviron Pictures’ A Private War, starring Rosamund Pike as Marie Colvin, one of the most celebrated war correspondents of our era, and Universal Pictures’ Green Book, a sharply observed drama, inspired by real-life events, featuring Mahershala Ali as a classically trained Black jazz piano prodigy Dr. Don Shirley on a 1962 concert tour of the American South. Director Matthew Heineman and Rosamund Pike will be in attendance for A Private War and Oscar® winner Mahershala Ali and director Peter Farrelly for Green Book. Centerpiece Presentation – ROMA MVFFs 2018 Centerpiece presentation, ROMA, is the most personal project to date from Academy Award®-winning director and writer Alfonso Cuarón (Children of Men, Gravity). ROMA follows Cleo (Yalitza Aparicio), a young domestic worker for a family in the middle-class neighborhood of Roma in Mexico City. Delivering an artful love letter to the women who raised him, Cuarón draws on his own childhood to create a vivid and emotional portrait of domestic strife and social hierarchy amidst political turmoil of the 1970s. Attending will be director/writer Alfonso Cuarón.

    Closing Night – IF BEALE STREET COULD TALK

    MVFF41 will close with the Bay Area premiere of IF BEALE STREET COULD TALK, Barry Jenkins’ much anticipated follow up to his Oscar winning MOONLIGHT (MVFF39). Jenkins will be present for the screening. The film, based on James Baldwin’s novel of the same name, was adapted by Jenkins’, and follows a pregnant African-American who sets out to clear her fiance’s name after he is falsely imprisoned. The Closing Night Party following the film will be held at Elks Lodge in San Rafael.

    Spotlights

    MVFF41 will bestow a number of Spotlights throughout the Festival including: honoring rising star Amandla Stenberg for her work in The Hate U Give; Joel Edgerton for his work directing and co-starring in Boy Erased; Karyn Kusama for her directorial effort Destroyer; esteemed actor Richard E. Grant for his performance in Can You Ever Forgive Me?; acclaimed actress Maggie Gyllenhaal for The Kindergarten Teacher; and acknowledge Paul Dano and Carey Mulligan for their creative collaboration on Wildlife.

    Tribute – Pawel Pawlikowski

    Academy Award winning Polish director Pawel Pawlikowski (Ida) will receive a special Tribute from the Festival to celebrate his latest film Cold War, a star-crossed romance set during 1950s Cold War in Poland. Pawlikowski will be present for the awards presentation and an onstage conversation following the film.

    Special Presentation – BEAUTIFUL BOY

    The Festival will present a Special Presentation screening of Beautiful Boy with Academy Award nominated actor Timothée Chalamet (Call Me By Your Name), Academy Award Nominated actress Amy Ryan (Gone Baby Gone), and Academy Award nominated Belgian director Felix van Groeningen (The Broken Circle Breakdown).

    Behind the Screens – Panels | Master Classes | Workshops

    The Festival will present another strong slate of Panels, Master Classes, and Workshops to supplement the outstanding film programming and to continue the discussion for Festival attendees. They include: back for a second year, the Mind The Gap Summit will again feature an extraordinary lineup of thought leaders and creatives in film and tech for a full day intensive to help work and share ideas as the Festival advocates gender equity in film; the annual State of the Industry panel will feature leaders of the independent film world to talk about the current pulse of the independent film community; the From Scene to Screen For Teens workshop, facilitated by Tom Franco and Iris Torres, will allow teenage participants the chance to workshop scenes from Gerrard Conley’s memoir Boy Erased; the Crowdfunding to Build Independence workshop teaches filmmakers the essentials for engaging their audience at every stage of their project; Tom Schlesinger will facilitate the workshop The Heroine’s Journey Onscreen Dramedy, a dive into utilizing the Heroine’s Journey for storytelling; the Medical Marijuana panel, following a screening of Weed the People will focus on the medical uses of marijuana and the many benefits to utilizing cannabis to treat a host of ailments; 420: Welcome The Waldos will illuminate the story behind the origins of the term 420; and finally, Graphic Novel Writing for Teens, is a hands-on workshop following the screening of the film Virus Tropical, and will introduce students to the work of several cartoonists and guide them through the process.

    MVFF Music

    MVFF Music returns for a fourth year with a diverse series of concerts at the Sweetwater Music Hall. Nine nights of live music include performances by artists featured in MVFF films, as well as local, national, and international musicians. Musicians include: Freddy Jones Band, Jarvis Cocker introducing Jarv is…, Holly Near with Tammy Hall and Jan Martinelli, Michael Franti, Black Zeppelin, the Oakland Interfaith Gospel Choir, Half Pint, and Honus Honus.

    ¡VIVA EL CINE!

    MVFF’s ¡Viva El Cine! Initiative showcases prize-winning Spanish Language and Latin American films that seek to engage and embrace our Spanish speaking and loving audiences. Highlights in this section include: Alfonso Cuarón’s Roma from Mexico, Birds of Passage from Columbia, El Ángel from Argentina, Richard Levien’s Collisions featuring Mexican American characters, Ernesto from Cuba, Too Late to Die Young from Chile, and The Silence of Others from Spain.

    Active Cinema

    Once again the MVFF’s Active Cinema initiative will showcase film’s power to inspire people to take action to create positive change. Screenings throughout the Festival support the grassroots activism of the filmmakers and engage with the work of the special guests, co-presenters and partners. Highlights include: Charm City in association with Ritter Center; From Baghdad to the Bay in association with the international Rescue Committee, Horizons Foundation, LGBT Asylum Project and Human Rights Watch; Harvest Season in association with La Luz Center; Stay Human in association with Do It For The Love; Time For Ilhan in association with Marin County Young Democrats; Who Killed Lt. Van Dorn? In association with Investigative Reporting Program at the Graduate School of Journalism, UC Berkeley and the Center for Investigative Reporting; Wild DaZe in association with Wildlife Works; and the Active Cinema Hike, a free networking in nature event.

    Mind The Gap Award – Stacy L. Smith

    Mind The Gap, MVFF’s gender equity initiative, amplifies and champions work by women filmmakers, who are changing the narrative that shapes the culture. The Festival is committed to programming 50/50 by 2020 – 50% women directors across all Festival sections by 2020. As part of Mind The Gap this year, the Festival will give Stacy L. Smith the Mind the Gap Award for Visionary Leadership. Smith is a visionary leader in the movement towards gender equity in the film industry. She is an associate professor at USC Annenberg and Founder and Director of the USC Annenberg Inclusion Initiative, the leading think tank globally studying issues of inequality in entertainment. Smith will receive the Mind the Gap Award during the Mind the Gap Summit on Saturday, October 6 where she will also present some of her most recent work.

    Focus | Black Is

    MVFF’s Focus Black Is will showcase emotionally and socially resonant films that explore what it means to be Black in the contemporary world. Films in this Focus include: the co-opening night film Green Book; The Hate U Give; the Closing Night film If Beale Street Could Talk; Little Woods; Long Time Coming: A 1955 Baseball Story; and Obey.

    Focus | Teens & 20’s

    The Festival’s Focus Teens & 20’s, is a focus on young adult films about that defining – and sometimes challenging – post-adolescent/pre-adult time of life. Films in this Focus include: the short program 5@5 The Way It Is; Angst; the Special Presentation Beautiful Boy; Ben is Back; The Hate U Give; Rafiki; The Silent Revolution; Too Late to Die Young; and Virus Tropical.

    Focus | Queer-ish

    Diverse stories of queer representation found in a wide, genre-twisting array of films will be showcased in the Festival’s Focus Queer-ish. Films in this Focus include: Alifu The Prince/ss; El Ángel; Border; Joel Edgerton’s Spotlight presentation film Boy Erased; Richard E. Grant’s Spotlight presentation film Can You Ever Forgive Me?; The Favorite; From Baghdad to the Bay; Holly Near: Singing For Our Lives; The Parting Glass; and Rafiki.

    Focus | Animation Nation

    An assemblage of gorgeous, entertaining, and occasionally kooky animation fiction and non-fiction films from around the globe highlight the Focus Animation Nation. Films in this Focus include: the short program 5@5 Circle Game; The Big Bad Fox and Other Tales; Chris The Swiss; Coco; Seder-Masochism; A Ton O’Toons; Virus Tropical; and Zootopia.

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  • 6 Films Selected for Films in Progress 28 at 2015 San Sebastian International Film Festival

    LA PRINCESITA (THE PRINCESS) MARIALY RIVAS The San Sebastian International Film Festival has revealed the lineup of the Films in Progress 28 program. The final selection includes the following titles: Aquí no ha pasado nada (Much Ado About Nothing) by Alejandro Fernández Almendras (Chile), Era o Hotel Cambridge (The Cambridge Squatter) by Eliane Caffé (Brazil – France), La emboscada (The Ambush) by Daniel Hendler (Uruguay – Argentina), La Princesita (The Princess) by Marialy Rivas (Chile – Argentina – Spain), Rara by Pepa San Martín (Chile – Argentina) and Sobrevivientes de Rober Calzadilla (Venezuela – Colombia). This year’s edition will also showcase the first or second works by directors such as Pepa San Martín, Rober Calzadilla, Marialy Rivas and Daniel Hendler alongside films by more experienced directors like Eliane Caffé and Alejandro Fernández Almendras.   AQUÍ NO HA PASADO NADA (MUCH ADO ABOUT NOTHING) ALEJANDRO FERNÁNDEZ ALMENDRAS (CHILE) Young, daring and lonely, Vicente spends his life at his parent’s home by the beach. These are days of relaxation, sea and partying with anyone who’s up for it. But one night of alcohol and flirting will change his life forever; he is accused of a hit-and-run crime in which a fisherman is killed. “I wasn’t driving”, he says, but his memories are hazy and he says the boy at the wheel was the son of an influential politician. Power, manipulation and guilt will send his sweet summer holidays careering towards a bitter end. This is the third time the director has participated in Films in Progress. His previous film, Matar a un hombre (To Kill a Man), landed the Grand Jury Prize at the Sundance Festival. ERA O HOTEL CAMBRIDGE / THE CAMBRIDGE SQUATTER ELIANE CAFFÉ (BRASIL – FRANCE) ERA O HOTEL CAMBRIDGE / THE CAMBRIDGE SQUATTER ELIANE CAFFÉ The Cambridge Squatter shows us the unusual situation of the Brazilian homeless and refugees who squat together in an abandoned building in downtown Sao Paulo. The daily tension caused by the threat of eviction reveals the dramas, the joys and the different points of view of the squatters. LA EMBOSCADA (THE AMBUSH) DANIEL HENDLER (URUGUAY – ARGENTINA) Martin Marchand throws himself into the political contest. As a result of his work in the social media, a traditional political structure invites him to join their list. Martin calls in technicians and advisors to create his campaign image. Over a weekend, immersed in the bucolic setting of a country house, they get down to designing the leader’s image. But an infiltrator seeking to obtain information on the coming electoral alliance creates an atmosphere of mistrust. The film, with the working title of El Palomar, participated in the I Europe-Latin America Co-production Forum. LA PRINCESITA (THE PRINCESS) (pictured in main image above) MARIALY RIVAS (CHILE – ARGENTINA – SPAIN) A film inspired by true events in Southern Chile. A family sect only has one purpose and belief: a new order is necessary. Tamara, 11, is responsible for procreating the leaders of the new world. Disgruntled with her “lot”, Tamara’s sexual exploration with a boy in her year at school will have unexpected consequences, marking her violent transition from childhood to womanhood. Tamara will gain her freedom in a way she had never imagined. Marialy Rivas’s previous film, Joven y alocada, participated in Films in Progress and landed awards at Sundance and Bafici, among other festivals. RARA PEPA SAN MARTÍN (CHILE – ARGENTINA) RARA PEPA SAN MARTÍN A story inspired by the case of a Chilean judge who lost the custody of her children for being a lesbian, told from the point of view of her eldest daughter Sara, aged 13. The screenplay is based on true events that could be related as a tale of lawyers and courthouses, lawsuits, claimants, defenders and victims, but instead, it will be the story of a family. SOBREVIVIENTES ROBER CALZADILLA (VENEZUELA – COLOMBIA) 1988. The town of El Amparo. Border with Colombia. Chumba and Pinilla survive an armed assault in the channels of the Arauca River in which fourteen of their companions are killed in the act. The Venezuelan Army accuses them of being guerrilla fighters and tries to seize them from the cell where they are being watched over by a policeman and a group of locals to prevent them from being taken away. They say they are simple fishermen, but pressure to yield to the official version is eyewatering.

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