The Rape of Recy Taylor (2017)

  • DOLORES, MINDING THE GAP, SHIRKERS Among Nominees for Peabody Awards

    Minding the Gap
    Minding the Gap

    The Peabody Awards Board of Jurors announced the 60 nominees that represent the most compelling and empowering stories released in broadcasting and digital media during 2018. Thirty winners selected from amongst these nominees will be announced beginning next week.

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  • 7 Documentaries incl. “The Rape of Recy Taylor” Acquired by Starz

    [caption id="attachment_26582" align="aligncenter" width="1200"]The Rape of Recy Taylor The Rape of Recy Taylor[/caption] Seven exclusive, first-run documentaries including The Rape of Recy Taylor, a film that exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story, have been acquired by Starz. The Rape of Recy Taylor will premiere on STARZ in July 2018. Recently mentioned as “a name I know and I think you should know, too” by Oprah Winfrey during her acceptance speech for the Cecil B. DeMille Award for Lifetime Achievement at the 75th Golden Globes on January 7, 2018, Mrs. Recy Taylor was abducted and gang raped by six white men in Alabama in 1944. An epic story of black women who spoke up when danger was greatest, it was their noble efforts to take back their bodies that led to the Montgomery Bus Boycott and movements that followed.

    DOCUMENTARY FILMS

    The Rape of Recy Taylor – Premiere Date: July 2, 2018 Mrs. Recy Taylor was abducted and gang raped by six white men in Alabama in 1944. Unbroken, she spoke up and fought for justice with help from the NAACP, Rosa Parks and legions of women. An epic story of sexual violence in the Jim Crow South, when courageous black women fight to take back their bodies and their dignity. McLaren – Premiere Date: March 12, 2018 A fearless sportsman and a brilliant visionary engineer, Bruce McLaren became a superstar during the glamorous jet-set world of 1960s Formula One motor racing. McLaren recounts the New Zealander’s life, from his humble beginnings at his father’s auto shop in Auckland, to revolutionizing Formula One Racing by becoming the youngest driver ever to win a Grand Prix, to his death at 32. Featuring interviews from his closest friends and family members, the documentary is an unprecedented window into the life of a true genius. Pecking Order – Premiere Date: March 26, 2018 Fierce rivalries, club infighting, problematic birds and irregular judging are just some of the challenges faced by a group of zealous Kiwi chicken breeders hell bent on victory at the 2015 National Poultry Show. Sled Dogs – Premiere Date: April 9, 2018 Winner of the World Documentary Award and Best Female-Directed Documentary at the Whistler Film Festival, Sled Dogs is the first documentary to look at the sometimes gruesome reality of what happens at sled dog operations and the Iditarod once the tourists go home. This film weaves together various characters and narratives to explore a truth about the dog sledding industry while posing the question: “Is the abuse seen against “man’s best friend” disguised as entertainment? Intent to Destroy: Death, Denial & Depiction – Premiere Date: April 23, 2018 Emmy(R) award winner and Academy Award(R)-nominated director Joe Berlinger (STARZ Original Docuseries “Wrong Man”) embeds himself on the epic film set of Terry George’s The Promise (2016) to take an unwavering look at the Armenian Genocide. Historians, scholars and filmmakers come together in Berlinger’s cinematic exploration of the tangled web of responsibility that has driven a century of denial by the Turkish government and its strategic allies. Intent to Destroy (2017) is a timely reckoning with the large-scale suppression of a historical tragedy. Berlinger confronts the fraught task of shedding light on the Armenian Genocide – whose witnesses and descendants are still fighting to be officially acknowledged as such by the international community – how it was carried out during World War I as the reign of the Ottoman Empire drew to a close, and how it laid the groundwork for the genocides that followed. What Haunts Us – Premiere Date: May 14, 2018 The 1979 class of Porter Gaud School in Charleston, South Carolina graduated 49 boys. Within the last 35 years, six of them have committed suicide. When Paige Goldberg Tolmach gets word that another former student from her beloved high school has killed himself, she decides to take a deep dive into her past in order to uncover the surprising truth and finally release the ghosts that haunt her hometown to this day. Stranger Fruit – Premiere Date: June 18, 2018 Stranger Fruit is a documentary about what happened to Mike Brown, told through the eyes of those closest to him, including his father, Michael Brown Sr. Pollock delivers an in-depth look at the facts of Mike Brown’s case in an effort to unravel the full story of what happened on Aug. 9, 2014, when then-Ferguson, Missouri, Police Officer Darren Wilson shot and killed Brown. Love & Bananas – Premiere Date: July 30, 2018 Ashley Bell and a team of elephant rescuers led by world renowned Asian elephant conservationist Lek Chailert, embark on a daring 48-hour mission across Thailand to rescue a 70-year old captive blind Asian elephant and bring her to freedom.

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  • 2018 Full Frame Documentary Film Festival Announces Lineup – “306 Hollywood” “Boom for Real” and More…

    [caption id="attachment_27448" align="aligncenter" width="1200"]306 Hollywood by Elan Bogarín and Jonathan Bogarín 306 Hollywood by Elan Bogarín and Jonathan Bogarín[/caption] The Full Frame Documentary Film Festival, today announced its lineup of features and short films. The 21st annual festival will take place April 5 to 8, 2018, in Durham, North Carolina. The NEW DOCS program includes 42 titles – 32 features and 10 shorts – selected from nearly 1,800 submissions from around the globe. These films are eligible for the Full Frame Audience Award and are shortlisted for a variety of additional juried awards offering a combined value of $40,000 in cash prizes. Award winners will be announced at the annual Awards Barbecue on Sunday, April 8. The Invited Program includes 22 feature films screening out of competition. Renowned filmmaker Joe Berlinger will curate the 2018 Thematic Program, and the festival will honor Jehane Noujaim’s illustrious body of work with the 2018 Tribute. Delving into the fascinating genre of true crime, the Thematic Program will feature films that follow individual cases and consider the ways documentary uniquely represents the complexities, and limitations, of the American judicial system. For the Tribute, Full Frame will showcase Noujaim’s lauded films exploring themes of resilience, freedom, democracy, and free speech.

    NEW DOCS

    306 Hollywood (Directors: Elan Bogarin, Jonathan Bogarin) When their beloved grandmother dies, two siblings embark on an imaginative exploration of her home, sifting through her belongings, and their own cherished memories, to discover her essence. América (Directors: Erick Stoll, Chase Whiteside) When their father is unexpectedly arrested, three brothers come together to care for their aging grandmother, América. This sensitive portrait delicately captures the frustrations and connections that evolve as they navigate her physical decline and their expectations of one another. The Area (Director: David Schalliol) Charismatic activist Deborah Payne tirelessly battles developers of a new multibillion-dollar freight yard that threatens to destroy Englewood, her neighborhood on Chicago’s South Side. World Premiere The Bastard (Director: Floris-Jan van Luyn) The Hoeks are united in name but severed by history: Ethiopian-born Daniel and his estranged Dutch father, Joop, each tell their story, but who can be trusted in this tangled tale of regret and misdeed? Bending Lines: The Sculpture of Robert Wiggs (Directors: Peter DeHart, Allison Bohl DeHart) Inspired by the geometry of nature—from the cracks in dried mud to the structure of pine cones to the scales on armadillos—Wiggs’s artistic process reveals the intriguing interplay between mathematics and art. World Premiere The Blessing (Directors: Hunter Robert Baker, Jordan Fein) In this stunningly and candidly shot film, Lawrence, a Navajo coal miner, wrestles with his relationship to land to which he is spiritually bound but employed to destroy, while his daughter, Caitlin, forms her own identity amid cultural pressures. World Premiere Cielo (Director: Alison McAlpine) Enter a wondrous exploration of the meeting of heaven and Earth in this dynamic exchange between humans and the starry skies of Chile’s Atacama Desert. Crime + Punishment (Director: Stephen Maing) This powerful film follows twelve brave whistleblowers who speak out against illegal policing quotas in the NYPD and the retaliation they experience after refusing to make arrests targeting minority populations. David. The Return to Land (David. El regreso a la tierra) (Director: Anaïs Huerta) Haitian, French, and adopted by Jewish parents, 34-year-old David embarks on a mission to better understand who he is in this beautifully nuanced observation of self-discovery. North American Premiere The Deminer (Director: Hogir Hirori; Co-director: Shinwar Kamal) After the fall of Saddam Hussein, Colonel Fakhir of the Iraqi army devotes his life to disarming landmines, with only a pocket knife and wire cutters, in this deeply suspenseful film that makes use of Fakhir’s own extensive video footage. North American Premiere A Friendship in Tow/Toe (Director: Atsushi Kuwayama) In the brief ascent up a flight of stairs, a pair of strangers find a rapport across languages and generations. From Parts Unknown (Director: Michael T. Workman) The poignant experience of a young man who determines an unlikely outlet for his pain and hardships: In local wrestling, he finds catharsis, community, and a sense of purpose. The Good Struggle (Director: Celia Peterson) Although few words are spoken between themselves, monks at a Greek Orthodox monastery in Lebanon provide voiceovers to their daily routines—their devout thoughts echo the beauty of their solitude. World Premiere Hale County This Morning, This Evening (Director: RaMell Ross) Observational and impressionistic, this poetic film is a humanist exploration of an Alabama community, where mostly black, working-class families live, work, dream, celebrate, and struggle together. I Am Bisha ( انا% ةش) ( Director: Roopa Gogineni) As an act of pure creative resilience, Ganja and his friends film a humorous and satirical web series, Bisha TV, starring puppets to combat the violent, genocidal regime of Sudanese president Omar al-Bashir. World Premiere Inventing Tomorrow (Director: Laura Nix) Six young scientists from around the globe compete in the largest international high school science fair—with their ingenious solutions to environmental problems, they don’t just aim to bring home the top prize, they hope to change the world. The Issue of Mr. O’Dell (Director: Rami Katz) The work of Jack O’Dell, who once worked alongside Martin Luther King, Jr., is revealed through a conversation with the 94-year-old activist, who delves into his historical involvement in the civil rights struggle as well as the movement’s contemporary incarnation under the stewardship of groups like Black Lives Matter. Lovers of the Night (Director: Anna Frances Ewert) Seven elderly monks at a Cistercian abbey in Ireland humorously muse on their spiritual experiences, way of life, and the inevitable end to it all. Maj Doris (Director: Jon Blåhed) Ever-able, 74-year-old Maj Doris Rimpi is a renowned Sámi artist who lives alone in Sweden and tends to her home and herd of reindeer, but after another long winter she wonders, is it time to consider a new way of life? North American Premiere The Mauritania Railway: Backbone of the Sahara (Director: MacGregor) In this expansive, gorgeously composed short, ride atop the railway car that serves as a 704- kilometer-long lifeline that supplies goods and iron ore to people in different cities in the Sahara Desert. World Premiere MELTING SOULS (NORILSK, L’étreinte de glace) (Director: François-Xavier Destors) This exquisitely photographed portrait documents a remote Arctic city centered around a metal refinery, where residents endure extreme, subzero temperatures to survive on the resource that lies beneath the tundra. North American Premiere Messenger on a White Horse (El mensajero) (Director: Jayson McNamara) This homage to the fearless investigative reporting of the Buenos Aires Herald during the disappearances and murders of Argentinians between 1976 and 1983, utilizes impeccable archival footage and testimonies from surviving members of the Mothers of the Plaza de Mayo as well as lead newspaper editor Robert Cox. North American Premiere Minding the Gap (Director: Bing Liu) Skateboarding and strained family relationships bond three friends together in this introspective saga about the journey from youth to adulthood. Las Nubes (Director: Juan Pablo González) As a father drives through an unidentified countryside, his car becomes a space for reflection as he recounts the impact of cartel violence on his home and family. Of Fathers and Sons (Director: Talal Derki) With rare and chilling insights, this film takes us into the lives of a Syrian family, led by an Al-Nusra fighter, where we observe how swiftly the innocence of childhood can fade. Our New President (Director: Maxim Pozdorovkin) By turns provocative, disorienting, and astonishing, this feature weaves clips from Russian state-owned news coverage of the 2016 U.S. presidential election to portray the perils of bias, conspiracy theories, and manufactured narratives. Owned: A Tale of Two Americas (Director: Giorgio Angelini) This energetic film unpacks the complex history of home ownership in America to reveal the postwar housing economy’s racist underpinnings—the creation of a large middle class simultaneous with the systematic defunding and segregating of communities. World Premiere PATRIMONIO (Directors: Lisa F. Jackson, Sarah Teale) When a multinational corporation attempts to covertly develop plans to build a resort on the fishermen’s coast in Todos Santos, Mexico, the locals unite for a momentous and riveting fight for their resources and their heritage—their patrimonio. North American Premiere Personal Truth (Director: Charlie Lyne) Spurred from the fake “Pizzagate” scandal, this frenetic and provocative observational film about the power of fake news suggests that conspiracy theories may be more believable than one might like to admit. The Providers (Directors: Laura Green, Anna Moot-Levin) The El Centro Family Health system in northern New Mexico covers 22,000 square miles and suffers from a chronic shortage of health care providers. This film follows three dedicated practitioners in their daily work and private lives. World Premiere The Pushouts (Directors: Katie Galloway, Dawn Valadez) This inspiring film follows the transformative work of Dr. Victor Rios, a former gang member and high school dropout, as he works to support students, through tools for selfreflection and expression, in an educational system that is failing to reach them. World Premiere Rebuilding in Miniature (Director: Veena Rao) In this short, miniaturist Ali Alamedy, an Iraqi refugee, painstakingly creates exquisitely detailed dioramas of places he’s never been in an attempt to heal his disrupted relationship to home. The Rescue List (Directors: Alyssa Fedele, Zachary Fink) In a Ghanaian safe house, a team works to rehabilitate two young men who were trafficked into slavery to fisherman on Lake Volta. As it moves from rescue operation to healing process, this riveting film follows the men through their recovery and reveals the extraordinary dedication of their rescuer. Shirkers (Director: Sandi Tan) A film lover’s dream quickly turns to nightmare: Sandi Tan recounts making her first film in Singapore in 1992 and how she loses everything when her mentor, Georges Carandos, steals the footage. This unique diary is a bright ode to cinema, and a moving story of friendship, betrayal, and failure. A Singular Garden (Um Jardim Singular) (Director: Monica Klemz) This experimental documentary blends old and new images of the garden next to the presidential palace in Rio de Janeiro and incorporates natural sound as a way to connect past and present. World Premiere Sky and Ground (Directors: Talya Tibbon, Joshua Bennett) Incorporating a refugee family’s own footage, Sky and Ground follows a Syrian-Kurdish refugee family as they flee from a holding camp at the Greece-Macedonia border and take their chances at reaching asylum by foot on a perilous one-way trip to Berlin. Tempting Promises (Le allettanti promesse) (Directors: Chiara Campara, Lorenzo Faggi) A small town tucked quietly away in the Italian Alps is chosen to host the 2016 Wikimania conference—an annual meeting of international Wikipedia contributors—and the townspeople unite to welcome the newcomers and the new technological age. North American Premiere This Is Home (Director: Alexandra Shiva) Through brilliant observational filmmaking, This Is Home tells the story of four Syrian families on the path to self-sufficiency, and success, in a resettlement program in Baltimore, Maryland. Three Identical Strangers (Director: Tim Wardle) A chance encounter leads three teenagers to discover that they are in fact triplets. Sharing this undeniable bond, they become fast friends and embark upon living their lives together, but the roots of their separation prove to be more sinister than they could have imagined. Thy Kingdom Come (Director: Eugene Richards) A priest bears witness to the personal stories of people in a mid-American town: Heartbreak, regret, faith, resignation all resonate profoundly in this succession of exquisitely photographed scenes of intimate communion. Time Trial (Director: Finlay Pretsell) Former doper and Tour de France champion David Millar is clean and ready to win the right way. This sensory ride travels alongside him for every breath, turn, and fall, through the thrills and hardships of professional cycling. The Unafraid (Directors: Anayansi Prado, Heather Courtney) The gripping and vital stories of three DACA students unfold as they work for immigrant rights, and the future of their families, after being banned from attending Georgia’s top universities or receiving in-state tuition. World Premiere

    Invited Program

    12th and Clairmount (Director: Brian Kaufman) Contemporary interviews bring to life scenes from home movies, newsreels, and photographs of one of the most violent civil disturbances in U.S. history, the 1967 Detroit riot, when police brutality against African American citizens ignited a five-day standoff. Bisbee ’17 (Director: Robert Greene) In 1917, a strike in an Arizona mining town culminated in the exile of over a thousand immigrant workers. One hundred years later, a large-scale reenactment of the shocking events serves as a catalyst for remembrance and reflection. Boom for Real: The Late Teenage Years of Jean-Michel Basquiat (Director: Sara Driver) This portrait of the pop culture icon revisits the years before he took the art world by storm.  Archival footage and intimate stories from a circle of friends, lovers, and neighbors recall both a singular talent and the New York City scene that influenced his career. Capturing the Flag (Director: Anne de Mare) During the 2016 U.S. presidential election, three friends travel to North Carolina to do voter protection work at the polls. This on-the-ground look at their efforts to help potential voters navigate the new laws and requirements that may prevent their vote reveals shocking accounts of voter suppression in play. World Premiere The Cleaners (Directors: Hans Block, Moritz Riesewieck) In the Philippines, a team of “cleaners” specialize in identifying and eliminating obscene content from the internet. Their personal accounts of the pressures and personal judgements inherent in their work give way to a broader examination of the global impact of manipulating content on social media. Dark Money (Director: Kimberly Reed) This modern-day political thriller follows investigative reporter John Adams into Montana’s fight against corrupt campaign financing, a struggle that could alter the devastating effects of unlimited anonymous funding on elections nationwide. Generation Wealth (Director: Lauren Greenfield) For 25 years, Lauren Greenfield has documented affluence around the world. In this fascinating overview of her immense body of work, the photographer reconnects with subjects of her images to consider their relationships to money, then and now, and her own fascination with the topic. Hal (Director: Amy Scott) Hal Ashby’s controversial films about race, sex, politics, and unconventional love made him a Hollywood rarity in the 1970s—a director who made films outside studio control. This loving remembrance by his peers celebrates the iconoclastic filmmaker. The Jazz Ambassadors (Director: Hugo Berkeley) During the Cold War, the U.S. government deployed some of its greatest jazz musicians around the world to promote democracy, even as many of them suffered Jim Crow racism in their own country. Rich archival material and powerful interviews delve into the deep conflict at the heart of the story. World Premiere The Judge (Director: Erika Cohn) Devoted to the law and unwilling to mince words, Kholoud Al-Faqih, the West Bank’s first female judge, navigates Palestine’s family court system, providing a rare glimpse into Islamic courts and gendered justice. Larger Than Life: The Kevyn Aucoin Story (Director: Tiffany Bartok) In the 1980s, Kevyn Aucoin redefined the role of the makeup artist. Home movies and recollections from family, friends, and an impressive roster of famous clients retrace his meteoric rise and his lasting impact. Love Means Zero (Director: Jason Kohn) Tennis coach Nick Bollettieri trained some of the sport’s greatest champions, but his volatility and harsh methods came at a price. Conversations between director and subject revisit moments of triumph and anguish, including Bollettieri’s infamous falling out with Andre Agassi. MAYNARD (Director: Sam Pollard) Interviews with family, friends, and political luminaries combine with archival footage and photographs in this captivating portrait of Maynard Jackson, Atlanta’s first black mayor, whose extraordinary influence spanned three terms in office. A Murder in Mansfield (Director: Barbara Kopple) Twelve-year old Collier Boyle’s testimony put his father in jail for the 1989 murder of his mother. Still imprisoned more than 25 years later, the father maintains his innocence, and Boyle returns to his Ohio hometown, in this sensitive examination of reconciling with the past. On Her Shoulders (Director: Alexandria Bombach) When ISIS devastates her Yazidi community, survivor Nadia Murad becomes the prevailing voice for her people. Following Murad as she recounts her harrowing experience time and again, this film intimately details the burden of imploring the world to intervene. The Price of Everything (Director: Nathaniel Kahn) Moving between auction houses, collectors, artists, and coveted works, this analysis of the art market questions how we determine value, the impact of purchasing art as a form of financial investment, and the cultural implications when pieces are only available to the highest bidder. RBG (Directors: Betsy West, Julie Cohen) This triumphant look at the life and career of Supreme Court Justice Ruth Bader Ginsburg revisits landmark cases and decisions, but also reveals the woman behind the robe and the personal experiences that continue to shape her legacy. The Rape of Recy Taylor (Director: Nancy Buirski) In 1944, Recy Taylor, a 24-year-old black woman, was abducted and raped by six white men in Alabama. The film centers on her unprecedented response—a fight for justice, with the aid of Rosa Parks and other black activists—whose profound influence on the civil rights movement still reverberates today. Rodents of Unusual Size (Directors: Quinn Costello, Chris Metzler, Jeff Springer) Kill them as invasive pests destroying coastal wetlands or keep them as part of the region’s culture? In this quirky account, citizens are divided on what to do about nutria, the giant 20-pound rodents with protruding orange teeth who have made southern Louisiana their home for decades. Solitary Land (Tierra Sola) (Director: Tiziana Panizza) This innovative meditation on Easter Island and its indigenous inhabitants uses historical and present-day footage to illustrate the legacy of colonial exploitation in one of the world’s most remote inhabited locales—a place of beauty, isolation, and tradition. North American Premiere Studio 54 (Director: Matt Tyrnauer) Rare footage transports us back in time and behind the velvet rope into the famed Manhattan disco, as a collection of insiders, including one of the co-founders, recall the rise and fall of the pioneering nightclub and iconic cultural landmark. Won’t You Be My Neighbor? (Director: Morgan Neville) Fred Rogers revolutionized children’s television. This remarkable portrait of the visionary behind Mr. Roger’s Neighborhood reveals the origins of the groundbreaking show, the ways it connected to current events, and its impact on the lives of children, and adults, across the country.

    FULL FRAME TRIBUTE Jehane Noujaim

    Control Room (Director: Jehane Noujaim) It’s 2003, and the United States is on the brink of war with Iraq. Control Room follows journalists of the Al Jazeera satellite channel—broadcasting news to some 40 million Arab viewers—as they try to cut through American rhetoric and awaken the viewers to the realities on the ground. Rafea: Solar Mama (Director: Jehane Noujaim) In this resounding global testament to the power and necessity of equal access to education, Rafea attends Barefoot College in India to become a solar engineer, learning with other women from developing areas how to create sustainable futures for their hometowns. The Square (Director: Jehane Noujaim) After the 2011 Egyptian revolution in Tahrir Square, citizens realize that former president Mubarak’s corrupt regime is still in power; they return to the streets to bring an end to the government, combatting controlled international media coverage, enduring violence, and navigating fragile relationships. Startup.com (Directors: Chris Hegedus, Jehane Noujaim) In the late 1990s, two high school friends attempt to turn the spark of an idea into a multimillion-dollar company. But when passion leads to tension, and the dot-com rush gives way to the dot-com bust, will they be able to deliver on their dream?

    THEMATIC PROGRAM Crime and Punishment

    Curated by Joe Berlinger Brother’s Keeper (Directors: Joe Berlinger, Bruce Sinofsky) A murder trial ignites the small farming community of Munnsville, New York, when Delbert Ward, an eccentric and uneducated man, confesses to suffocating his brother in the isolated home they shared with two other brothers. Was the killing an act of mercy? Was Delbert’s confession coerced? In Brother’s Keeper, a surprisingly complicated story emerges. The Farm: Angola, USA (Directors: Liz Garbus, Jonathan Stack) In The Farm, life at the Louisiana State Penitentiary in Angola, the largest maximumsecurity prison in the United States, is seen through the eyes of both its wardens and its prisoners—many of whom will die there—with disturbing parallels to plantation life. Gone: The Forgotten Women of Ohio (Director: Joe Berlinger) After numerous women go missing, leaving their families and local law-enforcement officers with more questions than answers, this stunning series investigates whether or not a serial killer is responsible. In Cold Blood (Director: Richard Brooks) Mixing elements of reality and fiction, In Cold Blood delves into the real-life murders of the Clutter family at the hands of Perry Smith and Dick Hickock in this scripted true-crime cinematic narrative based on Truman Capote’s novel. Paradise Lost: The Child Murders at Robin Hood Hills (Directors: Joe Berlinger, Bruce Sinofsky) When three young boys are brutally murdered, three teenagers are accused of committing the crime as part of a satanic ritual, and are convicted by their community before they even reach the courtroom. Paradise Lost is the first film of the groundbreaking trilogy that documented the case of the West Memphis Three. Scenes of a Crime (Directors: Grover Babcock, Blue Hadaegh) When a four-month-old boy dies, officers are convinced he was killed by his father, who after more than ten hours of questioning, confesses to the crime. Medical experts, police officers, and lawyers offer their opinions on this controversial admission of guilt, but the film’s focal point is the videotaped interrogation itself. The Thin Blue Line (Director: Errol Morris) A man is sent to prison for shooting a Dallas police officer. The documentary questions the veracity of the verdict through interviews with detectives, lawyers, and the alleged murderer, who all paint very different accounts of events, which are represented in stunning reenactments. Titicut Follies (Director: Frederick Wiseman) An intense, purely observational look at the stark conditions of inmate life in the 1960s at the Bridgewater State Hospital for the criminally insane in Massachusetts.

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  • #TBFF18 : 2018 Toronto Black Film Festival Announces Lineup, Closes with “KALUSHI: The Story of Solomon Mahlangu”

    Kalushi: The Story of Solomon Mahlangu
    Kalushi: The Story of Solomon Mahlangu

    The 6th Toronto Black Film Festival (TBFF) announced the official program and events lineup featuring over 60 films from 20 countries. 

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  • Toronto Black Film Festival to Open with Canadian Premiere of “The Rape of Recy Taylor”

    The Rape of Recy Taylor The Toronto Black Film Festival – TBF will kick start it’s 6th edition with the Canadian Premiere of Nancy Buirski’s documentary feature The Rape of Recy Taylor on Wednesday, February 14, 2018 at Isabel Bader Theatre. The film had its World Premiere at the Venice Film Festival and was awarded the prestigious Human Rights Nights Special Prize for Human Rights in 2017 at the 74° Venice Biennale. As Oprah Winfrey accepted the Cecil B. DeMille lifetime achievement award at the 2018 Golden Globe Awards, she invoked Taylor’s name in her speech that delved into racism and sexism. “She lived as we all have lived, too many years in a culture broken by brutally powerful men. For too long, women have not been heard or believed if they dare speak the truth to the power of those men. But their time is up. Their time is up.” “We are deeply honored to open #TBFF18 with Nancy Buirski’s The Rape of Recy Taylor, a poignant film which has arrived at a very pivotal moment. It is important for us to shed the light on this part of history, the climate that we’re in and the unprecedented transformational #MeToo movement that is empowering more women to speak up.” declared Fabienne Colas, President and founder of TBFF. Recy Taylor, a 24-year-old black mother and sharecropper, was gang raped by six white boys in 1944 Alabama. Common in Jim Crow South, few women spoke up in fear for their lives. Not Recy Taylor, who bravely identified her rapists. The NAACP sent its chief rape investigator Rosa Parks, who rallied support and triggered an unprecedented outcry for justice. This film exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story.

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  • 170 Documentary Feature Films Submitted for 90th Academy Awards

    [caption id="attachment_25315" align="aligncenter" width="1200"]Gaga: Five Foot Two Gaga: Five Foot Two[/caption] One hundred seventy features have been submitted for consideration in the Documentary Feature category for the 90th Academy Awards. A shortlist of 15 films will be announced in December. Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture, provided they meet the requirements for those categories. Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018. The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide. The submitted features, listed in alphabetical order, are: Abacus: Small Enough to Jail Aida’s Secrets Al Di Qua All the Rage All These Sleepless Nights AlphaGo The American Media and the Second Assassination of President John F. Kennedy And the Winner Isn’t Angels Within Architects of Denial Arthur Miller: Writer Atomic Homefront The B-Side: Elsa Dorfman’s Portrait Photography Bang! The Bert Berns Story Bending the Arc Big Sonia Bill Nye: Science Guy Birthright: A War Story Bobbi Jene Bombshell: The Hedy Lamarr Story Born in China Born to Lead: The Sal Aunese Story Boston Brimstone & Glory Bronx Gothic Burden California Typewriter Can’t Stop, Won’t Stop: A Bad Boy Story Casting JonBenet Chasing Coral Chasing Trane Chavela Citizen Jane: Battle for the City City of Ghosts Clive Davis: The Soundtrack of Our Lives Cries from Syria Cruel & Unusual Cuba and the Cameraman Dawson City: Frozen Time Dealt The Death and Life of Marsha P. Johnson Destination Unknown Dina Dolores Dream Big: Engineering Our World A Dying King: The Shah of Iran Eagles of Death Metal: Nos Amis (Our Friends) Earth: One Amazing Day 11/8/16 Elian Embargo Eric Clapton: Life in 12 Bars Escapes Everybody Knows… Elizabeth Murray Ex Libris – The New York Public Library Extraordinary Ordinary People Faces Places The Farthest The Final Year Finding Oscar 500 Years Food Evolution For Ahkeem The Force The Freedom to Marry From the Ashes Gaga: Five Foot Two A German Life Get Me Roger Stone Gilbert God Knows Where I Am Good Fortune A Gray State Hare Krishna! The Mantra, the Movement and the Swami Who Started It All Harold and Lillian: A Hollywood Love Story Hearing Is Believing Hell on Earth: The Fall of Syria and the Rise of ISIS Human Flow I Am Another You I Am Evidence I Am Jane Doe I Called Him Morgan Icarus If You’re Not in the Obit, Eat Breakfast The Incomparable Rose Hartman An Inconvenient Sequel: Truth to Power Intent to Destroy Jane Jeremiah Tower The Last Magnificent Jim & Andy: The Great Beyond – Featuring a Very Special, Contractually Obligated Mention of Tony Clifton Joan Didion: The Center Will Not Hold Joshua: Teenager vs. Superpower Karl Marx City Kedi Keep Quiet Kiki LA 92 The Last Dalai Lama? The Last Laugh Last Men in Aleppo Legion of Brothers Let It Fall: Los Angeles 1982 – 1992 Let’s Play Two Letters from Baghdad Long Strange Trip Look & See Machines Man in Red Bandana Mr. Gaga: A True Story of Love and Dance Motherland Mully My Scientology Movie Naples ’44 Neary’s – The Dream at the End of the Rainbow Night School No Greater Love No Stone Unturned Nobody Speak: Trials of the Free Press Nowhere to Hide Obit Oklahoma City One of Us The Paris Opera The Pathological Optimist Prosperity The Pulitzer at 100 Quest Rancher, Farmer, Fisherman The Rape of Recy Taylor The Reagan Show Restless Creature: Wendy Whelan Risk A River Below Rocky Ros Muc Rumble: The Indians Who Rocked the World Santoalla School Life Score: A Film Music Documentary Served Like a Girl The Settlers 78/52 Shadowman Shot! The Psycho Spiritual Mantra of Rock Sidemen: Long Road to Glory The Skyjacker’s Tale Sled Dogs Soufra Spettacolo Step Stopping Traffic: The Movement to End Sex-Trafficking Strong Island Surviving Peace Swim Team Take Every Wave: The Life of Laird Hamilton Take My Nose… Please! They Call Us Monsters 32 Pills: My Sister’s Suicide This Is Everything: Gigi Gorgeous Tickling Giants Trophy Twenty Two Unrest Vince Giordano – There’s a Future in the Past Voyeur Wait for Your Laugh Wasted! The Story of Food Waste Water & Power: A California Heist Whitney. Can I Be Me Whose Streets? The Work

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  • Washington, DC’s Double Exposure Investigative Film Festival Announces 2017 Lineup

    [caption id="attachment_21915" align="aligncenter" width="1200"]NO STONE UNTURNED - Alex Gibney NO STONE UNTURNED – Alex Gibneyno[/caption] The Double Exposure Investigative Film Festival and Symposium taking place October 19 to 22, in Washington, DC  will feature a lineup of 13 documentary films that go beyond the headlines to capture riveting stories and confront matters that have been hidden from the public, until now. The film program is intertwined with a daytime symposium with topics this year including panels on “the real take” on fake news, protecting sources and subjects in newly hostile environments, immersive and undercover reporting, and conversations with leading filmmakers. “We are excited to bring these probing, new investigative documentaries to Washington audiences,” said Diana Jean Schemo, Double Exposure’s founder and co-director. “This season’s slate explores timely issues in our nation’s political life just now, including race in America, the drug trade, Latin America, and the media itself.” “The films in this year’s lineup are not only great works of journalism, but great works of cinematic storytelling that bring vivid and distinct focus to a range of topics and issues otherwise left unseen,” said Sky Sitney, Double Exposure co-director. COCAINE PRISON Washington, DC Premiere Director Violeta Ayala Australia / France / Bolivia / United States From inside Bolivia’s most notorious prison a cocaine worker, a drug mule and his younger sister reveal the country’s complex and inescapable relationship with cocaine. DEVIL’S FREEDOM (LA LIBERTAD DEL DIABLO) Director Everardo González Mexico In searing testimony from both victims and perpetrators, this documentary paints an indelible portrait of violence in Mexico. Using masks to protect the identities of his subjects, filmmaker Everardo González brings a rare candor to their tales. DID YOU WONDER WHO FIRED THE GUN? Washington, DC Premiere Director Travis Wilkinson United States Travis Wilkerson sets out to explore the truth behind a family story: that his white supremacist great grandfather killed a black man in his store in lower Alabama in 1946. END OF TRUTH World Premiere Directors Tricia Todd and Eric Matthies United States An emotionally powerful investigation into the political and criminal enterprise of kidnappings as ISIS rose to power in war torn Syria. By intercutting exclusive footage with intimate interviews of negotiators, investigators, fixers and even a used car salesman who are caught up in the confusion, the filmmakers examine the leads that led to lies revealing the terrible consequence of misinformation when lives are at stake. HALL OF MIRRORS Washington, DC Premiere Directors Ena Talakic and Ines Talakic Italy / United States Edward Jay Epstein has built a career on taking a deeper look at hidden trends and unquestioned scripts that enter mainstream thinking. In Hall of Mirrors, he delves into Edward Snowden’s historic leak of data on U.S. government surveillance, delighting in the absurdities he discovers. NO STONE UNTURNED Centerpiece Film – Washington, DC Premiere Director Alex Gibney United States In 1994, six men were gunned down and five wounded in a pub while watching a World Cup soccer match in Loughinisland, Northern Ireland. With a police investigation that was perfunctory at best, the case remained unsolved. In this non-fiction murder mystery, Academy Award-winning documentarian Alex Gibney reopens the original case to investigate why no culprit was ever brought to justice. ONE OF US Opening Night Film – Washington, DC Premiere Directors Heidi Ewing and Rachel Grady United States Academy Award nominated filmmakers Heidi Ewing and Rachel Grady follow the lives of three people who have chosen to leave the world of Hasidic Judaism. A Netflix Original Documentary. THE OTHER SIDE OF EVERYTHING U.S. Premiere Director Mila Turajlic Serbia A locked door inside a Belgrade apartment has kept one family separated from their past for over 70 years. As the filmmaker begins an intimate conversation with her mother, the political fault line running through their home reveals a house and a country haunted by history. She fights and secures the release of hidden records that the nationalist government had removed from public archives. The chronicle of a family in Serbia turns into a searing portrait of an activist in times of great turmoil, questioning the responsibility of each generation to the next. THE RAPE OF RECY TAYLOR Washington, DC Premiere Director Nancy Buirski United States Recy Taylor was gang raped by 6 white boys in Alabama in 1944. Unbroken, she spoke up, and with help from Rosa Parks and legions of women, fought for justice. Entwined through family and social ties with local police, Taylor’s rapists were never tried for their crime. The film explores the largely hidden phenomenon of white men raping black women in the south, a crime all but ignored by law enforcement and the press. TRUSTWHO World Premiere Director Lillian Franck Germany Is the World Health Organization sick? The filmmaker and mother Lilian Franck reveals clandestine influences by the tobacco, pharmaceutical and nuclear industries on the organization, charged with protecting global health. VOYEUR Closing Night Film – Washington, DC Premiere Directors Myles Kane and Josh Koury United States Voyeur follows journalist Gay Talese as he reports on one of the most controversial stories of his career: a Colorado motel owner, Gerald Foos, who spent decades spying on his guests and recording their private moments. A Netflix original documentary.  

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  • Chicago Film Festival will Honor Sir Patrick Stewart and Alfre Woodard + Announces Black Perspectives Program

    [caption id="attachment_24891" align="aligncenter" width="1200"]Sir Patrick Stewart and Alfre Woodard Sir Patrick Stewart and Alfre Woodard[/caption] Film and theater legend Sir Patrick Stewart, and actress Alfre Woodard will be honored with Career Achievement Awards at the 53rd Chicago International Film Festival. Sir Patrick Stewart will be honored with the Gold Hugo Career Achievement Award, and Alfre Woodard will be honored with a Career Achievement Award as part of the 21st edition of the Festival’s Black Perspectives Program. The “Tribute to Alfre Woodard” and “Tribute to Patrick Stewart” will feature an onstage discussion, showcasing clips highlighting their decades-spanning career. The Black Perspectives Program was founded in 1997 in collaboration with Spike Lee to showcase excellence in African American filmmaking. Since the Festival began its annual Black Perspectives Tribute, Cinema/Chicago has consistently honored actors and filmmakers of the highest caliber, including Sidney Poitier, Halle Berry, Ruby Dee, Forest Whitaker, Morgan Freeman, Viola Davis, and Steve McQueen, among others. By arranging select screenings and panel discussions, the Festival creates a unique environment in which audiences can gain valuable insights into the challenges and triumphs of African American filmmakers and actors. This year’s Black Perspectives Program will present 13 compelling programs, including feature films, documentaries, short films, a film industry panel and a master class with Oscar-nominated director Sam Pollard. Among this year’s exciting lineup: the Sundance hit and award-season contender Mudbound; the French comedy Chateau; two documentaries about celebrated black artists, Sammy Davis, Jr. and Lorraine Hansberry; the world premiere of Kartemquin Films’ founder and Chicago filmmaker Gordon Quinn’s ‘63 Boycott, to be shown on the October 22nd anniversary of the famous Chicago public school march; and other highly anticipated and acclaimed films. Other films and events included in the Festival’s 2017 Black Perspectives Program include: Black Cop — Dir. Cory Bowles, Canada It’s not easy being a black cop: Your community doesn’t trust you and your colleagues are wary of you. But for one officer, the tension between duty and moral obligation eventually pushes him over the edge, and he sets out, vigilante-style, to exact a twisted kind of vengeance on the white and privileged in his city. Timely and bitingly funny, Black Cop is an unapologetic, confrontational satire about racial tension today. 91 min. Can’t Turn Back: Edith + Eddie and ‘63 Boycott From Chicago-based Kartemquin Films (Hoop Dreams) comes two new powerful half-hour documentaries about interracial harmony, conflict, and societal injustice. In Laura Checkoway’s award-winning Edith and Eddie, America’s oldest interracial newlyweds, ages 96 and 95, find their happy union threatened by a family feud. ‘63 Boycott, by Gordon Quinn (Golub), chronicles the Chicago Public School Boycott of Oct. 22, 1963 when more than 200,000 Chicagoans, mostly students, marched to protest segregationist policies. 60 min. With 30-minute post-screening discussion. Chateau (La Vie de Château) — Dirs. Modi Barry and Cédric Ido, France In the Château d’Eau district, a bustling African neighborhood in the heart of Paris, the always natty, fast-talking Charles (Jacky Ido) works the streets trying to lure clients into local hair salons. At odds with other hustlers, Charles sees the rise in competition as a sign that he needs to leave, but can he realize his own entrepreneurial dreams? This smart, fast-paced comedy brings wit and heart to the immigrant tale of trying to stay ahead of the game and out of the way of the law. French with subtitles. 81 min. Félicité — Dir. Alain Gomis, France/Belgium/Senegal Single mother and chanteuse Félicité ekes out a living performing in a rough Kinshasa bar. Her fiercely guarded independence is threatened after her son is involved in a life-altering accident, and she must find a way to pay for his care. A love letter to persistence and the power of song, Félicité is buoyed by one woman’s irrepressible spirit in the face of overwhelming odds. Lingala, French with subtitles. 123 min. For Ahkeem — Dirs. Jeremy S. Levine and Landon Van Soest, U.S. Daje Shelton, a 17-year-old girl from St. Louis, just wants to do the right thing. But growing up in a tough neighborhood, she can’t catch a break: she’s struggling in school; she’s distracted by boys; and she’s surrounded by a culture of violence and brutality. The fatal shooting of Michael Brown Jr. provides a powerful backdrop for this masterfully crafted portrait of working-class urban life. 90 min. Mudbound — Dir. Dee Rees, U.S. This powerful epic set in the 1940s follows the entangled lives of two families—one white, one black—on a single farm in rural Mississippi. Based on the bestselling novel, the film focuses on the unlikely friendship forged between each of the family’s oldest sons—both WWII veterans—and its catastrophic consequences. Featuring committed performances from Carey Mulligan, Garrett Hedlund, Mary J. Blige, and Jason Mitchell, Mudbound is a monumental and resonant tale about race in America. 134 min. The Rape of Recy Taylor — Dir. Nancy Buirski. U.S. From the director of the highly acclaimed The Loving Story comes another dramatic tale of racial conflict. In 1944, six young white men raped 24-year-old mother Recy Taylor in Alabama. Rather than stay silent, Taylor spoke up against her attackers. With the help of the NAACP and its chief investigator Rosa Parks, Taylor waged a battle for justice that is powerfully brought to life through archival footage, early “race films,” and heartbreaking personal interviews. 91 min. Sammy Davis, Jr.: I’ve Gotta Be Me — Dir. Sam Pollard, U.S. Singer, dancer, and actor; “Rat Pack” legend; civil rights activist; Jewish convert; and Nixon supporter—the life of Sammy Davis, Jr. defies expectations and easy categorization. Charting the performer’s surprising journey across the major flashpoints of contemporary American history, Oscar-nominated filmmaker Sam Pollard interviews such luminaries as Billy Crystal, Jerry Lewis, and Whoopi Goldberg and culls together an array of electric performances for this captivating exploration of the man, his talents and the struggle for identity. 100 min. Sighted Eyes/Feeling Heart — Dir. Tracy Heather Strain, U.S. The title of her posthumous autobiography To Be Young, Gifted and Black only partly sums up the trailblazing life of Southside Chicago playwright Lorraine Hansberry. Although best known for her landmark 1959 play A Raisin in the Sun, Hansberry forged an expansive path as an African-American female artist and activist—while also wrestling with self-doubt and questions about her sexual identity. 118 min. The Work — Dirs. Jairus McLeary and Gethin Aldous, U.S. Imposing men break down in tears; convicts embrace each other in emotional catharsis. Such is “the work” that takes place within the walls of Folsom State Prison’s Inside Circle, an intense four-day group therapy program where offenders interact with troubled individuals from the outside hoping to exorcise their own demons. This eye-opening, award-winning documentary chronicles the surprising moments of healing and camaraderie that can occur when confronting the darkest moments of one’s past. 87 min. Shorts 7 – Another Country: Black Perspectives A family grapples with the consequences of close-quarters racism in New Neighbors (U.S.). Fastest Man in the State (U.S.) examines the deep-seated racial divides embedded in the history of the University of Virginia. A bathroom attendant working the Night Shift (U.S.) in a Los Angeles nightclub attempts to get his life back on track. Waiting for Hassana (Nigeria) is a haunting recollection of a violent Boko Haram attack. A police Sketch (U.S) artist assumes he has solved a crime when he thinks he encounters a suspect from one of his renderings. Skull & Bone (U.S.) chronicles the costume-clad efforts of a New Orleans group to curb the threat of gun violence. Macho (U.S.) explores ideas of manhood and masculinity as a community reels from the recent murder of a transgender woman. Industry Days Panel – The Moonlight Effect: The Expanding of Black Cinema – Or Not? After black cinema triumphs Moonlight and Get Out, is the film industry expanding its definition of what African-American cinema is and can be? Join this provocative discussion about whether the industry is changing. Or are these films the exception and not the new rule?

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  • Woodstock Film Festival Unveils 2017 Film Lineup, will Open with East Coast Premiere of STUCK

    [caption id="attachment_24630" align="aligncenter" width="1200"] Stuck Stuck[/caption] The 18th Woodstock Film Festival, will open with the East Coast premiere of Stuck, a musical narrative about a group of six strangers trapped together on a stalled New York City subway car. The characters confront their assumptions of one another under the scrutinizing eye of a mysterious homeless man played by Giancarlo Esposito. This kickoff event will begin at 7PM October 11 at the Woodstock Playhouse. The Festival will present an outstanding lineup of films to be shown in Woodstock, Rhinebeck, Rosendale, Saugerties, and Kingston. “This year’s lineup is one that challenges our creative and intellectual boundaries and brings important social issues into focus, both locally and globally” said Woodstock Film Festival’s co-founder and executive director Meira Blaustein. “In today’s political climate it is particularly important to celebrate our differences and find our commonalities. This year’s participating filmmakers have gone above and beyond in capturing diverse moments of humanity that personify fierce independence.”

    NARRATIVE FEATURES

    The Bachelors, directed by Kurt Voelker The Ballad of Lefty Brown, directed by Jared Moshe Beauty Mark, directed by Harris Doran Becks, directed by Dan Powell and Elizabeth Rohrbaugh Cold November, directed by Karl Jacob Crash Pad, directed by Kevin Tent Don’t Come Back From the Moon, directed by Bruce Thierry Cheung Girl in Flight, directed by Sandra Vannucchi Holden On, directed by Tamlin Hall Infinity Baby, directed by Bob Byington Last Flag Flying, directed by Richard Linklater The Light of the Moon, directed by Jessica M. Thompson A Real Vermeer, directed by Rudolf van den Berg Revengeance, directed by Bill Plympton and Jim Lujan The Song of Sway Lake, directed by Ari Gold The Sounding, directed by Catherine Eaton The Square, directed by Ruben Östlund The Strange Ones, directed by Christopher Radcliff and Lauren Wolkstein Stuck, directed by Michael Berry Submission, directed by Richard Levine They, directed by Anahita Ghazvinizadeh Time Trap, directed by Mark Dennis and Ben Foster The Traveller, directed by Hadi Ghandour Us And Them, directed by Joe Martin Waterboys, directed by Robert Jan Westdijk What Children Do, directed by Dean Peterson

    DOCUMENTARY FEATURES

    32 Pills: My Sister’s Suicide, directed by Hope Litoff 40 Years in the Making: The Magic Music Movie,directed by Lee Aronsohn Against All Odds – The Fight for a Black Middle Class with Bob Herbert, directed by Bob Herbert Arthur Miller: Writer, directed by Rebecca Miller Bean, directed by Emilie Bunnell Becoming Who I was, directed by Moon Chang-Yong and Jeon Jin Bombshell: The Hedy Lamarr Story, directed by Alexandra Dean The Chocolate Case, directed by Benthe Forrer The Cycle (America Divided), directed by Solly Granatstein, Lucian Read and Richard Rowley Happening: A Clean Energy Revolution, directed by Jamie Redford Joan Didion: The Center Will Not Hold, directed by Griffin Dunne La Chana, directed by Lucija Stojevic The Last Pig, directed by Allison Argo Mary Janes: The Women of Weed, directed by Windy Borman My Name is Pedro, directed by Lillian LaSalle Nat Bates for Mayor, directed by Bradley Berman and Eric Weiss The Organizer, directed by Nick Taylor The Rape of Recy Taylor, directed by Nancy Buirski Roll With Me, directed by Lisa France Sammy Davis, Jr.: I’ve Gotta Be Me, directed by Sam Pollard Shingal, Where Are You?, directed by Angelos Rallis Supermensch, directed by Mike Myers, Beth Aala A Symphony of Hope, directed by Brian Weidling Thank You For Coming, directed by Sara Lamm This Is Everything: Gigi Gorgeous, directed by Barbara Kopple To A More Perfect Union: U.S. v. Windsor, directed by Donna Zaccaro To the Edge of the Sky, directed by Jedd Wider and Todd Wider

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  • Guillermo del Toro’s THE SHAPE OF WATER Wins Golden Lion at Venice International Film Festival

    Guillermo del Toro 2017-venice international film festival awards Guillermo del Toro fairy tale drama The Shape of Water, set against the backdrop of Cold War era America circa 1962 won the Golden Lion for Best Film at the 2017 Venice International Film Festival.  The film, starring Sally Hawkins, Michael Shannon, Richard Jenkins, Doug Jones, Michael Stuhlbarg, Octavia Spencer, also won the Future Film Festival Digital Award, C. Smithers Foundation Award – CICT-UNESCO, and the Soundtrack Stars Award. https://www.youtube.com/watch?v=XFYWazblaUA The Silver Lion – Grand Jury Prize went to Foxtrot by Samuel Maoz, and the Silver Lion – Award for Best Director went to Xavier Legrand  for his film Custody (Jusqu’à la Garde).  Custody also won the award for  Lion of The Future “Luigi de Laurentiis” Venice Award for a Debut Film.

    2017 Venice International Film Festival Awards

    VENEZIA 74

    GOLDEN LION for Best Film to: THE SHAPE OF WATER by Guillermo del Toro (USA) SILVER LION – GRAND JURY PRIZE to: FOXTROT  by Samuel Maoz (Israel, Germany, France, Switzerland) SILVER LION – AWARD FOR BEST DIRECTOR to: Xavier Legrand  for the film JUSQU’À LA GARDE (France) COPPA VOLPI for Best Actress: Charlotte Rampling in the film HANNAH by Andrea Pallaoro (Italy, Belgium, France) COPPA VOLPI for Best Actor: Kamel El Basha in the film THE INSULT by Ziad Doueiri (Lebanon, France) AWARD FOR BEST SCREENPLAY to: Martin McDonagh for the film THREE BILLBOARDS OUTSIDE EBBING, MISSOURI by Martin McDonagh (Great Britain) SPECIAL JURY PRIZE to: SWEET COUNTRY by Warwick Thornton (Australia) MARCELLO MASTROIANNI AWARD for Best Young Actor or Actress to: Charlie Plummer in the film LEAN ON PETE by Andrew Haigh (Great Britain)

    ORIZZONTI

    ORIZZONTI AWARD FOR BEST FILM to: NICO, 1988 by Susanna Nicchiarelli (Italy, Belgium) ORIZZONTI AWARD FOR BEST DIRECTOR to: Vahid Jalilvand for BEDOUNE TARIKH, BEDOUNE EMZA (NO DATE, NO SIGNATURE) (Iran) SPECIAL ORIZZONTI JURY PRIZE to: CANIBA by Véréna Paravel and Lucien Castaing-Taylor (France, USA) ORIZZONTI AWARD FOR BEST ACTRESS to: Lyna Khoudri in LES BIENHEUREUX by Sofia Djama (France, Belgium, Qatar) ORIZZONTI AWARD FOR BEST ACTOR to: Navid Mohammadzadeh in BEDOUNE TARIKH, BEDOUNE EMZA (NO DATE, NO SIGNATURE) by Vahid Jalilvand (Iran) ORIZZONTI AWARD FOR BEST SCREENPLAY to: Alireza Khatami for LOS VERSOS DEL OLVIDO by Alireza Khatami (France, Germany, Netherlands, Chile) ORIZZONTI AWARD FOR BEST SHORT FILM to: GROS CHAGRIN by Céline Devaux (France) VENICE SHORT FILM NOMINATION FOR THE EUROPEAN FILM AWARDS 2017 to: GROS CHAGRIN by Céline Devaux (France)

    VENICE AWARD FOR A DEBUT FILM

    LION OF THE FUTURE “LUIGI DE LAURENTIIS” VENICE AWARD FOR A DEBUT FILM to: JUSQU’À LA GARDE by Xavier Legrand (France) VENEZIA 74

    VENICE CLASSICS

    VENICE CLASSICS AWARD FOR BEST DOCUMENTARY ON CINEMA to: THE PRINCE AND THE DYBBUK by Elwira Niewiera and Piotr Rosołowski (Poland, Germany) VENICE CLASSICS AWARD FOR BEST RESTORED FILM to: IDI I SMOTRI (COME AND SEE) by Elem Klimov (USSR, 1985)

    VENICE VIRTUAL REALITY

    BEST VR AWARD to: ARDEN’S WAKE (EXPANDED) by Eugene YK Chung (USA) BEST VR EXPERIENCE AWARD (FOR INTERACTIVE CONTENT) to: LA CAMERA INSABBIATA by Laurie Anderson and Hsin-Chien Huang (USA, Taiwan) BEST VR STORY AWARD (FOR LINEAR CONTENT) to: BLOODLESS by Gina Kim (South Korea, USA)

    COLLATERAL AWARDS

    Arca CinemaGiovani Award Venezia 74 Best Film: FOXTROT by Samuel Maoz Best Italian Film: BEAUTIFUL THINGS by Giorgio Ferrero BNL People’s Choice Award – Giornate degli Autori GA’AGUA (LONGING) by Savi Gabizon Brian Award LES BIENHEUREUX by Sofia Djama Circolo del Cinema di Verona Award – 32nd Venice International Film Critics’ Week TEAM HURRICANE by Annika Berg Civitas Vitae Award IL COLORE NASCOSTO DELLE COSE by Silvio Soldini Fair Play Cinema Award EX LIBRIS – THE NEW YORK PUBLIC LIBRARY by Frederick Wiseman Special Mention: HUMAN FLOW by Ai Weiwei Fedeora Award (Federazione dei Critici Europei e dei Paesi Mediterranei) Best Film: EYE ON JULIET by Kim Nguyen Best Director of a Debut Film: SARA FORESTIER for M Best Actor: REDOUANNE HARJANE for M FEDIC Award LA VITA IN COMUNE by Edoardo Winspeare Special Mention: NICO, 1988 by Susanna Nicchiarelli Mention FEDIC – Il giornale del cibo: LE VISITE by Elio Di Pace FIPRESCI Award EX LIBRIS – THE NEW YORK PUBLIC LIBRARY by Frederick Wiseman Best Debut Film: LOS VERSOS DEL OLVIDO by Alireza Khatami Fondazione Mimmo Rotella Award GEORGE CLOONEY, MICHAEL CAINE and AI WEIWEI Enrico Fulchignoni – CICT-UNESCO Award HUMAN FLOW by Ai Weiwei Future Film Festival Digital Award THE SHAPE OF WATER by Guillermo del Toro Special Mention: GATTA CENERENTOLA by A. Rak, I. Cappiello, M. Guarnieri, D. Sansone GdA Director’s Award – Giornate degli Autori CANDELARIA by Jhonny Hendrix Hinestroza Green Drop Award  FIRST REFORMED by Paul Schrader HRNs Award – Special Prize for Human Rights THE RAPE OF RACY TAYLOR by Nancy Buirski Special Mention: L’ORDINE DELLE COSE by Andrea Segre Special Mention: HUMAN FLOW by Ai Weiwei Interfilm Award LOS VERSOS DEL OLVIDO by Alireza Khatami Label Europa Cinemas Award M by Sara Forestier Lanterna Magica Award (CGS) L’EQUILIBRIO by Vincenzo Marra La Pellicola d’Oro Award Best Production Manager in an Italian Film: DANIELE SPINOZZI for Ammore e Malavita Best Production Manager in an International Film: RICCARDO MARCHEGIANI for Mektoub My Love: Canto Uno Best Stagehand: ROBERTO DI PIETRO for Hannah Leoncino d’Oro Agiscuola Award THE LEISURE SEEKER by Paolo Virzì Cinema for UNICEF Award: HUMAN FLOW by Ai Weiwei Lizzani Award GÉRÔME BOURDEZEAU and DOMINIQUE BATTESTI IL COLORE NASCOSTO DELLE COSE by Silvio Soldini Lina Mangiacapre Award LES BIENHEUREUX by Sofia Djama Mouse d’Oro Award MEKTOUB, MY LOVE: CANTO UNO by Abdellatif Kechiche Mouse d’Argento Award: GATTA CENERENTOLA by A. Rak, I. Cappiello, M. Guarnieri, D. Sansone NuovoImaie Talent Award FEDERICA ROSELLINI for Dove cadono le ombre MIMMO BORRELLI for L’equilibrio Open Award GATTA CENERENTOLA by A. Rak, I. Cappiello, M. Guarnieri, D. Sansone Francesco Pasinetti Award – SNGCI AMMORE E MALAVITA by Manetti Bros. Special Award: GATTA CENERENTOLA by A. Rak, I. Cappiello, M. Guarnieri, D. Sansone Special Award: NICO, 1988 by Susanna Nicchiarelli Gillo Pontecorvo Award – Arcobaleno Latino MIAO XIAOTIAN, CEO of China Film Coproduction Corporation Queer Lion Award MARVIN by Anne Fontaine Mario Serandrei – Hotel Saturnia Award for the Best Technical Contribution – 32nd Venice International Film Critics’ Week LES GARÇONS SAUVAGES by Bertrand Mandico Sfera 1932 Award LA MÉLODIE by Rachid Hami SIAE Audience Award – 32nd Venice International Film Critics’ Week TEMPORADA DE CAZA by Natalia Garagiola SIGNIS Award LA VILLA by Robert Guédiguian Special Mention: FOXTROT by Samuel Maoz C. Smithers Foundation Award – CICT-UNESCO THE SHAPE OF WATER by Guillermo del Toro Sorriso Diverso Venezia 2017 Award – Ass Ucl IL COLORE NASCOSTO DELLE COSE by Silvio Soldini Soundtrack Stars Award ALEXANDRE DESPLAT for The Shape of Water Special Award: AMMORE E MALAVITA by Manetti Bros. Lifetime Achievement Award to ANDREA GUERRA UNIMED Award LA VILLA by Robert Guédiguian Special Mention: BRUTTI E CATTIVI by Cosimo Gomez image via Twitter

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  • Films by Abel Ferrara, Alex Gibney, Vanessa Redgrave and More on 2017 New York Film Festival Spotlight on Documentary Lineup

    [caption id="attachment_24059" align="aligncenter" width="1200"]Jane Jane[/caption] The  Spotlight on Documentary lineup for this year’s 2017 New York Film Festival features new films by Abel Ferrara, Alex Gibney, Vanessa Redgrave’s directorial debut, and more Selections include three documentaries spotlighting acclaimed writers, including the World Premiere of Griffin Dunne’s Joan Didion: The Center Will Not Hold; returning NYFF filmmaker Rebecca Miller’s tender portrait of her father, Arthur Miller: Writer; and the World Premiere of Myles Kane and Josh Koury’s Voyeur, capturing the investigations explored in Gay Talese’s book The Voyeur’s Motel. Other notable documentary subjects include Jean-Michel Basquiat, who commands the downtown NYC scene of the late ’70s and early ’80s in Sara Driver’s BOOM FOR REAL The Late Teenage Years of Jean-Michel Basquiat; and Jane Goodall, whose original expedition to contact a chimpanzee population is brought back to life via 50-year-old National Geographic footage in Brett Morgen’s Jane. Additional selections by NYFF alums are Travis Wilkerson’s Did You Wonder Who Fired the Gun?, in which Wilkerson confronts his family’s white supremacist roots; the North American Premiere of The Rape of Recy Taylor, Nancy Buirski’s passionate film about the 1944 case of a black woman who was raped by several white men; Joshua Bonnetta & J.P. Sniadecki’s El mar la mar, a 16mm meditation on the dangerous trek from Mexico to the U.S. through the Sonoran Desert; the North American premiere of Abel Ferrara’s Piazza Vittorio, a charming snapshot of Rome’s largest public square; and three music films by Mathieu Amalric: C’est presque au bout du monde, Zorn, and Music Is Music. Other highlights of this year’s Spotlight on Documentary section include Vanessa Redgrave’s directorial debut, Sea Sorrow, an expertly crafted call for Western aid to the global refugee crisis; Barbet Schroeder’s The Venerable W., which confronts an Islamophobic Burmese Buddhist monk; and Alex Gibney’s No Stone Unturned, a critical investigation into the 1994 Loughinisland massacre in Ireland.

    2017 New York Film Festival Spotlight on Documentary

    Arthur Miller: Writer Dir. Rebecca Miller, USA, 2017, 98m Rebecca Miller’s film is a portrait of her father, his times and insights, built around impromptu interviews shot over many years in the family home. This celebration of the great American playwright is quite different from what the public has ever seen. It is a close consideration of a singular life shadowed by the tragedies of the Red Scare and the death of Marilyn Monroe; a bracing look at success and failure in the public eye; an honest accounting of human frailty; a tribute to one artist by another. Arthur Miller: Writer invites you to see how one of America’s sharpest social commentators formed his ideologies, how his life reflected his work, and, even in some small part, shaped the culture of our country in the twentieth century. An HBO Documentary Films release. BOOM FOR REAL The Late Teenage Years of Jean-Michel Basquiat Dir. Sara Driver, USA, 2017, 79m U.S. Premiere Sara Driver’s documentary is both a celebration of and elegy for the downtown New York art/music/film/performance world of the late 1970s and early ’80s, through which Jean-Michel Basquiat shot like a rocket. Weaving Basquiat’s life and artistic progress in and out of her rich, living tapestry of this endlessly cross-fertilizing scene, Driver has created an urgent recollection of freedom and the aesthetic of poverty. Graffiti meets gestural painting, hip hop infects rock and roll and visa versa, heroin comes and never quite goes, night swallows day, and everybody looms as large as they feel like looming on the crumbling streets of the Lower East Side. Cielo Dir. Alison McAlpine, Canada/Chile, 2017, 74m World Premiere The first feature from Alison McAlpine, director of the beautiful 2008 “nonfiction ghost story” short Second Sight, is a dialogue with the heavens—in this case, the heavens above the Andes and the Atacama Desert in northern Chile, where the sky “is more urgent than the land.” McAlpine keeps the vast galaxies above and beyond in a delicate balance with the earthbound world of people, gently alighting on the desert- and mountain-dwelling astronomers, fishermen, miners, and cowboys who live their lives with reverence and awe for the skies. Cielo itself is an act of reverence and awe, and its sense of wonder ranges from the intimate and human to the vast and inhuman. Did You Wonder Who Fired the Gun? Dir. Travis Wilkerson, USA, 2017, 90m How is it that some people escape the racism and misogyny in which they are raised, and some cling to it as their reason to exist? For 20 years, Travis Wilkerson has been making films that interrogate the malevolent effects of capitalism on the American Dream. Here he turns his sights on his own family and the small town of Dothan, Alabama, where his white supremacist great-great grandfather S.E. Branch once shot and killed Bill Spann, an African-American man. Branch was arrested but never charged with the crime. The life of his victim has been all but obliterated from memory and public record. “This isn’t a white savior story. This is a white nightmare story,” says the filmmaker, who refuses to let himself or anyone else off the hook. El mar la mar Dir. Joshua Bonnetta & J.P. Sniadecki, USA, 2017, 94m The first collaboration between film and sound artist Bonnetta and filmmaker/anthropologist Sniadecki (The Iron Ministry, NYFF52) is a lyrical and highly topical film in which the Sonoran Desert, among the deadliest routes taken by those crossing from Mexico to the United States, is depicted a place of dramatic beauty and merciless danger. Haunting 16mm images of the unforgiving landscape and the human traces within it are supplemented with an intricate soundtrack of interwoven sounds and oral testimonies. Urgent yet never didactic, El mar la mar allows this symbolically fraught terrain to take shape in vivid sensory detail, and in so doing, suggests new possibilities for the political documentary. A Cinema Guild release. Filmworker Dir. Tony Zierra, USA, 2017, 94m Leon Vitali was a name in English television and movies when Stanley Kubrick cast him as Lord Bullingdon in Barry Lyndon, but after his acclaimed performance the young actor surrendered his career in the spotlight to become Kubrick’s loyal right-hand man. For the next two decades, Vitali was Kubrick’s factotum, never not on call, for whom no task was too small. Along the way, Vitali’s personal life suffered, he drifted from his children, and his health deteriorated as he gave everything to his work. Filmworker is of obvious interest to anyone who cares about Kubrick, but it is also a fascinating portrait of awe-inspired devotion burning all the way down to the wick. Hall of Mirrors Dir. Ena Talakic and Ines Talakic, USA, 2017, 87m World Premiere In this lively documentary portrait, the great nonpartisan investigative reporter Edward Jay Epstein, still going strong at 81, takes us through his most notable articles and books, including close looks at the findings of the Warren Commission, the structure of the diamond industry, the strange career of Armand Hammer, and the inner workings of big-time journalism itself. These are interwoven with an in-progress investigation into the circumstances around Edward Snowden’s 2013 leak of classified documents, resulting in Epstein’s recently published, controversial book How America Lost Its Secrets: Edward Snowden, the Man and the Theft. One of the last of his generation of journalists, the energetic, articulate, and boyish Epstein is a truly fascinating character. Jane Dir. Brett Morgen, USA, 2017, 90m U.S. Premiere In 1960, Dr. Louis Leakey arranged for a young English woman with a deep love of animals to go to Gombe Stream National Park near Lake Tangyanika. The Dutch photographer and filmmaker Hugo van Lawick was sent to document Jane Goodall’s first establishment of contact with the chimpanzee population, resulting in the enormously popular Miss Goodall and the Wild Chimpanzees, the second film ever produced by National Geographic. One hundred hours of Lawick’s original footage was rediscovered in 2014. From that material, Brett Morgen (Kurt Cobain: Montage of Heck) has created a vibrant film experience, giving new life to the experiences of this remarkable woman and the wild in which she found a home. A National Geographic Documentary Films release. Joan Didion: The Center Will Not Hold Dir. Griffin Dunne, USA, 2017,  92m World Premiere Griffin Dunne’s years-in-the-making documentary portrait of his aunt Joan Didion moves with the spirit of her uncannily lucid writing: the film simultaneously expands and zeroes in, covering a vast stretch of turbulent cultural history with elegance and candor, and grounded in the illuminating presence and words of Didion herself. This is most certainly a film about loss—the loss of a solid American center, the personal losses of a husband and a child—but Didion describes everything she sees and experiences so attentively, so fully, and so bravely that she transforms the very worst of life into occasions for understanding. A Netflix release. No Stone Unturned Dir. Alex Gibney, Northern Ireland/USA, 2017, 111m World Premiere Investigative documentary filmmaker Alex Gibney—best known for 2008’s Oscar-winning Taxi to the Dark SideEnron: The Smartest Guys in the Room, and at least a dozen others—turns his sights on the 1994 Loughinisland massacre, a cold case that remains an open wound in the Irish peace process. The families of the victims—who were murdered while watching the World Cup in their local pub—were promised justice, but 20 years later they still didn’t know who killed their loved ones. Gibney uncovers a web of secrecy, lies, and corruption that so often results when the powerful insist they are acting for the greater good. Piazza Vittorio Dir. Abel Ferrara, Italy/USA 2017, 69m North American Premiere Abel Ferrara’s new documentary is a vivid mosaic/portrait of Rome’s biggest public square, Piazza Vittorio, built in the 19th century around the ruins of the 3rd century Trofei di Mario. The Piazza is now truly a crossroad of the modern world: it offers a perfect microcosm of the changes in the west brought by immigration and forced displacement. Ferrara, now a resident of Rome himself, talks with African musicians and restaurant workers, Chinese barkeeps and relocated eastern Europeans, homeless men and women, artists, members of the right wing movement CasaPound Italia, filmmaker Matteo Garrone, actor Willem Dafoe, and others, all with varying opinions about the vast changes they’re seeing in their neighborhood and world. The Rape of Recy Taylor Dir. Nancy Buirski, USA, 2017, 90m North American Premiere On the night of September 3, 1944, a young African-American mother from Abbeville, Alabama, named Recy Taylor was walking home from church with two friends when she was abducted by seven white men, driven away and dragged into the woods, raped by six of the men, and left to make her way home. Against formidable odds and endless threats to her life andthe lives of her family members, Taylor bravely spoke up and pressed charges. Nancy Buirski’s passionate documentary shines a light on a case that became a turning point in the early Civil Rights Movement, and on the many formidable women—including Rosa Parks—who brought the movement to life. Sea Sorrow Dir. Vanessa Redgrave, UK, 2017, 72m Vanessa Redgrave’s debut as a documentary filmmaker is a plea for a compassionate western response to the refugee crisis and a condemnation of the vitriolic inhumanity of current right wing and conservative politicians. Redgrave juxtaposes our horrifying present of inadequate refugee quotas and humanitarian disasters (like last year’s clearing of the Calais migrant camp) with the refugee crises of WWII and its aftermath, recalled with archival footage, contemporary news reports and personal testimony—including an interview with the eloquent Labor politician Lord Dubs, who was one of the children rescued by the Kindertransport. Sea Sorrow reaches further back in time to Shakespeare, not only for its title but also to further remind us that we are once more repeating the history that we have yet to learn. A Skin So Soft Denis Côté, Canada/Switzerland/France, 2017, 94m U.S. Premiere Studiously observing the world of male bodybuilding, Denis Côté’s A Skin So Soft (Ta peau si lisse) crafts a multifaceted portrait of six latter-day Adonises through the lens of their everyday lives: extreme diets, training regimens, family relationships, and friendships within the community. Capturing the physical brawn and emotional complexity of its subjects with wit and tenderness, this companion piece to Cote’s singular animal study Bestiaire (2012) is a self-reflexive rumination on the long tradition of filming the human body that also advances a fascinating perspective on contemporary masculinity. Speak Up Dir. Stéphane de Freitas, co-directed by Ladj Ly, France, 2017, 99m North American Premiere Each year at the University of Saint-Denis in the suburbs of Paris, the Eloquentia competition takes place to determine the best orator in the class. Speak Up (À voix haute – La Force de la Parole) follows the students, who come from a variety of family backgrounds and academic disciplines, as they prepare for the competition while coached by public-speaking professionals like lawyers and slam poets. Through the subtle and intriguing mechanics of rhetoric, these young people both reveal and discover themselves, and it is impossible not to be moved by the personal stories that surface in their verbal jousts, from the death of a Syrian nightingale to a father’s Chuck Norris–inspired approach to his battle with cancer. Without sentimentality, Speak Up proves how the art of speech is key to universal understanding, social ascension, and personal revelation. The Venerable W. Dir. Barbet Schroeder, France/Switzerland, 2017, 100m The Islamophobic Burmese monk known as The Venerable Wirathu has led hundreds of thousands of his Buddhist followers in a hate-fueled, violent campaign of ethnic cleansing, in which the country’s tiny minority of Muslims were driven from their homes and businesses and penned in refugee camps on the Myanmar border. Barbet Schroder’s portrait of this man again proves, along with his General Idi Amin Dada (1974) and Terror’s Advocate (2007), that the director is a brilliant interviewer, allowing power-hungry fascists to damn themselves with their own testimony. His confrontation with Wirathu—a figure whose existence contradicts the popular belief that Buddhism is the most peaceful and tolerant major religion—is revelatory and horrifying. A release from Les Films du Losange. Preceded by: What Are You Up to, Barbet Schroeder? (2017, 13m), in which the director traces the path that led him to Myanmar, a center of Theravada Buddhism, where racial hatred was mutating into genocide. Voyeur Myles Kane and Josh Koury, USA, 2017, 96m World Premiere Gerald Foos bought a motel in Colorado in the 1960s, furnished the room with louvered vents that allowed him to spy on his guests, and kept a journal of their sexual encounters…among other things. As writer Gay Talese, who had known Foos for more than three decades, came close to the publication of his book The Voyeur’s Motel (preceded by an excerpt in The New Yorker), factual discrepancies in Foos’s account emerged, and documentarians Kane and Koury were on hand to record some wild encounters between the veteran New York journalist and his enigmatic subject. A Netflix release. Three Music Films by Mathieu Amalric C’est presque au bout du monde (France, 2015, 16m) Zorn (2010-2017) (France, 2017, 54m) Music Is Music (France, 2017, 21m) These three movies from Mathieu Amalric are musicals, from the inside out: they move with the mental and physical energies of John Zorn, the wildly prolific and protean composer/performer/bandleader/record label founder/club owner and all-around grand spirit of New York downtown music; and via the great Canadian-born soprano/conductor/champion of modern classical music Barbara Hannigan. Amalric’s Zorn film began as a European TV commission that was quickly abandoned in favor of something more intimate: an ongoing dialogue between two friends that will always be a work-in-progress. The two shorter pieces that bracket the Zorn feature Hannigan nurturing music into being with breath, sound, and spirit. Taken together, the three films make for one thrilling, intimate musical-gestural-cinematic ride.

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