We the Animals[/caption]
We the Animals leads the nominations for the 2019 Film Independent Spirit Awards with 5 nods including Best First Feature, but missed out on a nomination for Best Feature. Nominees for Best Feature are Eighth Grade, First Reformed, If Beale Street Could Talk, Leave No Trace and You Were Never Really Here.
Suspiria was selected to receive the Robert Altman Award, which is bestowed upon one film’s director, casting director and ensemble cast. The Altman Award was created in 2008 in honor of legendary director Robert Altman who was known for creating extraordinary ensemble casts.
Winners of the Spirit Awards Filmmaker Grants will be announced at the Film Independent Spirit Awards Filmmaker Grant and Nominee Brunch on Saturday, January 5, 2019.
The Tale
An investigation into one woman’s memory as she’s forced to re-examine her first sexual relationship and the stories we tell ourselves in order to survive; based on the filmmaker’s own story.
Directed by Jennifer Fox
Starring Laura Dern, Isabel Nelisse, Jason Ritter, Elizabeth Debicki, Ellen Burstyn
Genre(s) Drama Film
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WE THE ANIMALS, EIGHTH GRADE, FIRST REFORMED Lead Nominations for 2019 Film Independent Spirit Awards
[caption id="attachment_30337" align="aligncenter" width="1228"]
We the Animals[/caption]
We the Animals leads the nominations for the 2019 Film Independent Spirit Awards with 5 nods including Best First Feature, but missed out on a nomination for Best Feature. Nominees for Best Feature are Eighth Grade, First Reformed, If Beale Street Could Talk, Leave No Trace and You Were Never Really Here.
Suspiria was selected to receive the Robert Altman Award, which is bestowed upon one film’s director, casting director and ensemble cast. The Altman Award was created in 2008 in honor of legendary director Robert Altman who was known for creating extraordinary ensemble casts.
Winners of the Spirit Awards Filmmaker Grants will be announced at the Film Independent Spirit Awards Filmmaker Grant and Nominee Brunch on Saturday, January 5, 2019.
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2018 Durban International Film Festival Awards: THE REPORTS ON SARAH AND SALEEM Wins Best Film
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The Reports on Sarah and Saleem[/caption]
The 39th Durban International Film Festival held its awards ceremony on Saturday and awarded the Best Feature Film prize to The Reports on Sarah and Saleem, directed by Muayad Alayan. Maisa Abd Elhadi was awarded Best Actress prize the for her role as Bisan in the film. A total of 17 awards were given out at the ceremony.
DIFF has recently been included as a Documentary Feature Qualifying Festival by the Academy of Motion Picture, Arts and Sciences, which means that both the winners of the Best Documentary, New Moon and Best SA Documentary Sisters of the Wilderness, will now automatically qualify for consideration for an Oscar nomination.
39th Durban International Film Festival Awards
Best Feature Film: The Reports on Sarah and Saleem, directed by Muayad Alayan, and produced by Muayad Alayan, Rami Alayan, Hans de Wolf, Hanneke Niens, Rebekka Garrido, Rodrigo Iturralde, Georgina Gonzalez, and Alejandro Duran. Best South African Feature Film: High Fantasy, directed by Jenna Bass and produced by David Horler and Steven Markovitz. Best Documentary: New Moon, produced and directed by Philippa Ndisi-Hermann. Best South African Documentary: Sisters of the Wilderness, directed by Karin Slater and produced by Ronit Shapiro. Best Direction: Constantin Popescu for Pororoca Best Cinematography: Liviu Marghidan for Pororoca Best Screenplay: Jennifer Fox for The Tale Best Actor: Bogdan Dumitrache for his role as Tudor in Pororoca, directed by Constantin Popescu Best Actress: Maisa Abd Elhadi for her role as Bisan in The Reports on Sarah and Saleem Best Editing: Anne Fabini, Alex Hall and Gary Level for The Tale Artistic Bravery: was won jointly by High Fantasy, directed by Jenna Bass and Supa Modo directed by Likarion Wainaina. Best South African Short Film: Stillborn, directed by Jahmil X. T. Qubeka and produced by Huanxi Media Group, Xstream Pictures, and Yellowbone Entertainment. Best African Short Film: Aya, directed by Moufida Fedhila and produced by Appel d’Air Films. Best Short Film: The Patience of Water (La Paciencia Del Agua), directed by Guillem Almirall. Audience Choice Award: The State Against Mandela and the Others, directed by Nicolas Champeaux and Gilles Porte. Amnesty International Durban Human Rights Award: Silas, directed by Anjali Nayar and Hawa Essuman and produced by Appian Way, Big World Cinema and Ink & Pepper Productions. Best Wavescape Film: Heavy Water, directed by Michael Oblowitz
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THE TALE Starring Laura Dern to have South African Premiere at Durban International Film Festival [Trailer]
The Tale, starring Laura Dern will have its South African Premiere at this year’s Durban International Film Festival. The director Jennifer Fox will be in attendance at the DIFF to present her film, and at the Durban FilmMart where she will be participating in a panel session entitled The Medium is the Message, where she will be discussing the transition from documentary film-making to narrative film-making. The Tale will screen on Saturday, July 21 at 14:15 at Suncoast CineCentre followed by a screening on July 23 at 16:00 at Musgrave Ster Kinekor.
The Tale chronicles one woman’s powerful investigation into her own childhood memories, as she is forced to reexamine her first sexual experience – and the stories we tell ourselves in order to survive. The film is written and directed by Sundance Grand Prize winner and Emmy® nominee Jennifer Fox, who based it on her own true story.
Starring Laura Dern (Oscar® nominee for “Wild” and “Rambling Rose”; Emmy® winner for HBO’s “Big Little Lies”; Emmy® nominee for HBO’s “Enlightened,” “Recount” and “Afterburn”), together with Isabelle Nélisse (“Mama”), Elizabeth Debicki (“The Night Manager”), Jason Ritter (“Kevin (Probably) Saves the World”), Frances Conroy (Emmy® nominee for HBO’s “Six Feet Under”) and John Heard (Emmy® nominee for HBO’s “The Sopranos”), with Common (Oscar® winner for “Selma”) and Ellen Burstyn (Academy Award® winner for “Alice Doesn’t Live Here Anymore”).
An accomplished documentarian working in New York, Jennifer (Laura Dern) is completing her latest project about the lives of women around the world. She receives a series of phone calls from her mother, Nettie (Ellen Burstyn), who has found a short story Jennifer wrote at age 13, in which she describes various encounters with her riding instructor, Mrs. G (Elizabeth Debicki), and her running coach, Bill (Jason Ritter), while at summer camp. Nettie is unnerved by the implications of her daughter’s writing, but Jennifer is nonplussed. She has always looked back with fondness on the time she spent with these two charismatic adults.
Egged on by Nettie and encouraged by her supportive fiancé (Common), Jennifer yearns to know more and sets out on a journey, 30 years later, to find those people from her past – the children, now adults, who also attended the camp back then – and eventually the coaches themselves. But the more she learns, the more her memories shift and the more questions she unearths. As Jennifer’s frustration mounts, she finds herself turning inward to get to the truth, imagining conversations with her 13-year-old self (Isabelle Nélisse) and even Mrs. G and Bill in an effort to understand how and why events occurred so long ago.
An unforgettable meditation on the elusive nature of memory, The Tale is the first narrative feature from Jennifer Fox, whose documentary films have earned international acclaim for their groundbreaking artistry and unflinching honesty. Based on Fox’s own life story, THE TALE sees the filmmaker bravely pushing forward the boundaries of conventional storytelling, creating a dialogue between past and present to illustrate the interplay between memory and trauma.
“My goal was not to ask, ‘Did this happen?,’ because I always remembered it,” explains writer and director Fox. “It was, ‘How and why did it happen, and how and why did I spin it as a positive story?’ There was a lightbulb moment when I was making another film about women all around the world, and it seemed that every other woman – regardless of class, culture or color – had an abuse story to tell. Their stories just floored me, because they had a system or a paradigm that looked like my story. Suddenly, I couldn’t see it as my own private little narrative and knew that it was time to investigate what happened in the open space of a fictional film.”
[caption id="attachment_30723" align="aligncenter" width="1200"]
The Tale Director Jennifer Fox[/caption]
The Tale is produced by Jennifer Fox, Oren Moverman, Laura Rister, Mynette Louie, Simone Pero, Lawrence Inglee, Sol Bondy, Regina K. Scully, Lynda Weinman and Reka Posta. Julie Parker Benello, Dan Cogan, Geralyn Dreyfous, Wendy Ettinger, Abigail E. Disney, Robert & Penny Fox, Jayme Lemons, Amy Rodrigue, Ali Jazayeri, Jason Van Eman, David Van Eman, Ross Marroso and Ben McConley are executive producers.
https://www.youtube.com/watch?v=tXpYsr3AL4U
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2018 Durban International Film Festival Announces Films in Competition and Jury
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Spell Reel[/caption]
The Durban International Film Festival today announced the films and jury members for competition at this year’s 39th edition of the festival, which takes place from July 19 to 29, 2018.
Award categories are Best Feature Film, Best South African Feature Film, Best Documentary, Best SA Documentary, Best Short Film, Best African Short Film, Best South African Short Film, Best Actor Award, Best Actress, Best Direction, Best Cinematography, Best Screenplay, Best Editing, Artistic Bravery, Audience Choice Award, Wavescape Audience Choice Award and the Amnesty International Durban Human Rights Award.
Feature films in competition are Clint (India) directed by Harikumar Ramakrishna Pilla, Farewell Ella Bella (SA) directed by Lwazi Mvusi, The Foolish Bird (Ben Niao) (China) directed by Ji Huang, Otsuka Ryuji, High Fantasy (SA) directed by Jenna Bass, Mayfair (SA), directed by Sara Blecher, The Movie Of My Life (O Filme Da Minha Vida) (Brazil) directed by Selton Mello, Pororoca (Romania, France) directed by Constantin Popescu, Rafiki (Kenya, South Africa) directed by Wanuri Kahiu, The Recce (SA) directed by Ferdinand Van Zyl, The Reports on Sarah and Saleem (Palestine, Netherlands, Germany, Mexico) directed by Muayad Muayad, Supa Modo (Germany, Kenya), directed by Likarion Wainaina, The Tale (USA) directed by Jennifer Fox, A Trip To The Moon (Un Viaje A La Luna) (Argentina) directed by Joaquín Cambre.
[caption id="attachment_30651" align="aligncenter" width="1200"]
Silas[/caption]
Documentary films in competition are We could be Heroes (Denmark, Morocco, Tunisa, Brazil) directed by Hind Bensari, Silas (Canada/South Africa/Kenya) directed by Anjali Nayar and Hawa Essuman, Whispering Truth To Power (South Africa/Netherlands) directed by Shameela Seedat, New Moon directed by Philippa Ndisi-Herrmann, Kinshasa Makambo (Democratic Republic Of The Congo/France/Switzerland/Germany/Norway) directed by Dieudo Hamadi, Amal (Egypt/Lebanon/Germany) directed by Mohamed Siam, Spell Reel, (Germany/Portugal/France/Guinea-Bissau) directed by Filipa César, Shakedown (Usa) directed by Leilah Weinraub, The Silk and the Flame (Fei’e Pu Huo) (United States) directed by Jordan Schiele, The State Against Nelson Mandela and the Others (France) directed by Nicolas Champeaux and Gilles Porte.
All SA documentaries and features are also eligible for the SA Best Documentary and SA Best Feature awards.
Fiction section jurors are Bongiwe Selane, the award-winning SA producer with a string of credits behind her including her debut SA block buster feature Happiness is a Four-Letter- Word; Hakeem Kae Kazim, the well-known British-Nigerian actor who has gained international acclaim for his performance in the Oscar nominated film Hotel Rwanda. He has countless credits in major international films such as The Triangle with Sam Neill, Pirates of the Caribbean III, X-Men Origins: Wolverine with Hugh Jackman and many more. Nse Ikpe-Etim Nigerian is a multiple award-winning actress who DIFF audiences will remember from her role in the celebrated Meg Rickards’ film Tess.
The documentary film jury includes Uzanenkosi on of the SA’s busiest and most prolific producers, who created InterSEXions the award-winning first of its kind, world over drama series that won an unprecedented 11 SAFTA awards. Nakai Matema, a veteran Zimbabwean Producer who has produced several ground-breaking documentaries including Rehad, Desai’s My Land, My Life and Leo Phiri’s A Fighting Spirit from the STEPS for the Future series. Nigerian filmmaker Mahmood Ali-Balogun who has directed numerous films including multiple award-winning film Tango With Me, and has been on the juries of numerous festivals such as Cairo International Film Festival, Toronto International Film Festival, Abuja International Film Festival and African International Film Festival (AFRIFF). Dorothee Wenner is a Berlin-based freelance filmmaker, writer and curator who has been on the selection committee of Berlin’s International Forum since 1990 and serves as the Berlinale’s Delegate for India and sub- Saharan Africa.
The Shorts Jury includes Alicia Price, Head of the Film Department at SAE Cape Town and Leon Van Der Merwe, a founding member, Chief Operating Officer, board member and director of the Cape Town International Film Market and Festival (CTIFMF).
The Amnesty International Durban jury is convened by its chair Coral Vinsen with members Professor Margaret Daymond, Lazola Kati , Betty Rawheath and Nelvia Rawheath.
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Baby Mamas, The Tale, Rafiki Among Durban International Film Festival 2018 Program Lineup
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Baby Mamas[/caption]
This year’s 2018 Durban International Film Festival will offer a focused fare of 180 features films, documentaries, and shorts, along with an insightful industry program that includes Isisphethu for emerging and micro-budget filmmakers, the 11th Talents Durban, in partnership with Berlinale Talents, for pre-selected, semi-established filmmakers as well as the co-production and finance forum the 9th Durban FilmMart, the festival’s partner program with the Durban Film Office.
Opening the festival is the first feature film from South African director Jerome Pikwane, the horror flick The Tokoloshe. The LGTBI love-story Rafiki, directed by Kenyan Wanuri Kahiu, will close the festival.
Manager of DIFF Chipo Zhou, explains the choice of these two diverse films that have women as their focus. “We wanted to book-end DIFF with films that tell stories about women, their strength and their resilience. We also want to showcase the fact that there are many ways to tell these stories from a cinematic point of view,” said Zhou.
“We are in a time of diversity, where women, racial minorities and LGBTI communities who have traditionally been underrepresented in film are having their voices brought to the fore,” says Zhou. “Referencing this global narrative, the films in this year’s festival will reflect these new voices as much as possible.”
Among the features in competition this year are South African films Farewell Ella Bella directed by Lwazi Mvusi, which follows a young woman on a journey to bury her father; High Fantasy directed by Jenna Bass, in which a group of young South Africans have to navigate a personal-political labyrinth when they wake up to discover they have swapped bodies; Sara Blecher’s Mayfair, a gangster film about a father and son; and The Recce by Ferdinand van Zyl, which explores the pain and suffering families endured during and after South Africa’s 20-year border war.
International features in competition include The Tale (USA) directed by Jennifer Fox, which chronicles one woman’s powerful investigation into her own childhood memories as she is forced to re-examine her first sexual experience; Clint (India) by Hari Kumar, which tells the story of prodigious artist child who died before his seventh birthday, leaving behind 25000 pictures; and the closing film Rafiki (Kenya), directed by Wanuri Kahiu, which is set in Nairobi and tells the touching tale of two very different girls who fall in love.
Competition titles in the documentary section include the South African film Silas, a global tale directed by Anjali Nayar and Hawa Essuman which warns of the power of politics and celebrates the capacity of individuals to fight back, and Whispering Truth to Power, directed by human rights lawyer Shameela Seedat, which tracks Thuli Madonsela, South Africa’s first female Public Protector, as she builds her second case against President Jacob Zuma.
International documentaries in competition include New Moon (Kenya), directed by Phillippa Ndisi-Herrmann, who explores her journey to Sufi Islam; Amal (Lebanon, Egypt, France, Germany, Norway, Denmark), directed by Mohamed Siam, which follows a teenager as she comes to terms with her identity and sexuality in a post-revolutionary police state; Shakedown (USA) directed by Leilah Weinraub, which chronicles explicit performances in an underground queer club in Los Angeles; and The State Against Nelson Mandela and the Others (France) by Nicolas Champeaux and Gilles Porte, which offers archival recordings that include Mandela’s co-accused at the Rivonia Treason Trial hearings, and which transports the audience back into the courtroom battles.
Other South African films on the billing include Durban filmmaker Michael Cross’ award-winning The Fun’s Not Over, about the life of musician James Philips, and Eubulus Timothy’s warm, coming-of-age surf love story Deepend. Sisters of the Wilderness is Karin Slater’s inspiring film which is set in the iMfolozi Wilderness and follows five young Zulu women on a journey of self-discovery. Then there is Oscar-nominated director Darrel Roodt’s horror Siembamba, Stephina Zwane’s comedy Baby Mamas, which revolves around the daily lives and loves of four women and their own real-life baby mama drama, Leli Maki’s comedy Table Manners, in which a wife and mother finds solace and hope in cooking, learning that all she needs is life’s three courses – family, food and love.
Prior to each screening, public service announcements will be shown. These are themed around an industry campaign #thatsnotok created by SWIFT (Sisters Working in Film and Television), the SA-based non-profit that works to protect and advance the cause of women in the industry.
In 2018 DIFF continues its endeavours to grow cinema audiences and this year free community-based screenings will take place at Solomon Mahlangu Hall (New Germany/Clermont), KwaMashu Fan Park, Umlazi W Section Library and The Workshop Amphitheatre. Other screenings take place at Community ZA (formerly Artspace Gallery in Umgeni) and KZNSA Gallery, Musgrave Ster Kinekor, Suncoast Cine Centre and Elizabeth Sneddon Theatre, as well as Ushaka Marine World, where the popular free ocean-focused film festival Wavescapeswill take place in the public area.
“With about 400 film-makers in attendance, the public can look forward to a feast of film and some fascinating insights into the world of cinema,” concludes Zhou.
The DIFF is organised by the University of KwaZulu-Natal’s Centre for Creative Arts in partnership with the eThekwini Municipality, KwaZulu-Natal Film Commission, National Film and Video Foundation, Durban Film Office and other valuable partners.
DIFF opens at The Playhouse on July 19 and runs until July 29. The closing film will be screened on July 28, after the competition awards.
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Diverse Films from 19 Countries on 2018 Stony Brook Film Festival Program
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Aurora Borealis: Északi fény[/caption]
The 2018 Stony Brook Film Festival presented by Island Federal Credit Union presents films of great diversity this summer, both in their themes and their settings. The schedule for the ten-day Festival, held at Staller Center at Stony Brook University from July 19-28, is available online at stonybrookfilmfestival.com.
Alan Inkles, founder and director of the Stony Brook Film Festival, comments, “Films from nineteen different countries, from Scotland to Spain, Argentina to Afghanistan, and coast to coast across the United States, promise to take filmgoers on an extraordinary journey. We have carefully curated this Festival to give patrons a great mix of the best in new independent films. Many filmmakers and actors are coming to the Festival to represent their films and will take the stage for questions and answers. It’s a highlight of the Festival to hear from them.”
This year the Stony Brook Film Festival travels from a war-torn past to an embattled future, from light-hearted comedies to heart-stopping thrillers, and from modern class struggles to sexual abuse stories that feel straight out of the #MeToo movement. Some of the films take place over decades, while others unfold in real time. There are social-media addicted mobsters, Shakespearian partygoers, and a shoe-stealing soccer prodigy.
The opening night film, Shelter, is an international spy thriller from returning filmmaker Eran Riklis (Lemon Tree, Zaytoun) that follows an Israeli agent protecting a Lebanese informant in Germany, and features actress Golshifteh Farahani (best known to U.S. audiences from Paterson, and to Stony Brook audiences from My Sweet Pepperland and About Ella) as well as acclaimed Israeli actress Neta Riskin. (Thursday, July 19 at 8:00 pm)
The closing night film, Aurora Borealis: Északi fény, was directed and co-written by the incredible Márta Mészáros, who—with 65 directing credits to her name going all the way back to 1954—is one of Hungary’s most accomplished female directors. A film that is part mystery and part war-drama, it not only uncovers atrocities during the Soviet occupation of Hungary, it also confronts secrets from the past and the measures people will take to protect those they love. (Saturday, July 28 at 8:00 pm)
Premieres at the Stony Brook Film Festival
The World Premiere of Dean Darling on Saturday, July 21st at 4:00 pm is an ambitious, coming-of-age drama created by local, Long Island talent and shot entirely in Smithtown and Coney Island on a miniscule budget. The film was written and directed by Calogero Carucci and features Douglas Towers, Joel Widman and Allison Frasca. [caption id="attachment_29879" align="aligncenter" width="1200"]
The Etruscan Smile[/caption]
Acclaimed actor Brian Cox returns to the Stony Brook Film Festival in the U.S. Premiere of The Etruscan Smile, in which a rugged, old Scotsman who has reluctantly left his beloved Scottish Isle for medical treatment finds his life transformed by a new-found bond with his baby grandson. This gem also stars Thora Birch, JJ Field, and Roseanna Arquette, with several of the actors planning to be in attendance at the 9:30 pm screening on Saturday, July 21st.
Other U.S. Premieres include Octav, a nostalgic, life-affirming story from Romania (Saturday, July 21st at 7:00 pm), Outdoors, a captivating film about a city couple building a home in the country from Israel (Tuesday, July 24 at 7:00 pm), Growing Up, a riotous, romantic comedy from Spain (Friday, July 20 at 9:30 pm), and A Dysfunctional Cat, a quirky story about two Iranians navigating their arranged marriage—and a very bizarre cat—while living in Germany (Wednesday, July 25 at 7:00 pm).
Female Filmmakers at the Stony Brook Film Festival
Fourteen films are by female directors, with Growing Up written and directed by Spanish filmmaker Clara Martínez-Lázaro, and A Dysfunctional Cat, written and directed by Iranian-German filmmaker Susan Gordanshekan. Another female-helmed feature, The Tale, has writer and director Jennifer Fox recounting her personal story of sexual abuse at a very young age in an intense, unnerving and cathartic work starring Laura Dern, Elizabeth Debicki, Ellen Burstyn and Isabelle Nélisse (Friday, July 27 at 7:00 pm). Other women filmmakers include writer and director Isabel Coixet, whose film The Bookshop was adapted from the novel by Penelope Fitzgerald about a widow who puts her grief behind her and opens a bookshop in a small, seaside town in England (Friday, July 20 at 7:00 pm). Virna Molina, who co-wrote and co-directed Symphony for Ana, recounts the struggle of high school students during the bloodiest coup d’etat in Argentina (Thursday, July 26 at 7:00 pm). Writer and director Samantha Davidson Green, whose Thrasher Road is a big-hearted father/daughter road trip, screens on Sunday, July 22 at 9:30 pm. Skye Borgman, director of the documentary Abducted in Plain Sight, recounts the absolutely bizarre double-kidnapping of Jan Broberg in the 70’s (Sunday, July 22 at 4:00 pm). Female-directed short films have been chosen that will stretch boundaries and touch hearts– shorts by Amy Wang, writer/director/actress Ashley Grace, Tesia Walker, Jackie L. Stone, and Helen Crosse.Films with Heart and Films with Guts
Other selected films include My Brother Simple, a heart-warming and humorous story about a young man trying to take custody of his mentally-handicapped adult brother, screening on Sunday, July 22 at 7:00 pm. The Guilty, an edge-of-your-seat thriller from Denmark that takes place entirely in an alarm dispatch facility, screens on Monday, July 23 at 9:30 pm. Trauma, an intense documentary about the medics and pilots of a US Black Hawk medevac unit in Afghanistan screens on Tuesday, July 24 at 9:30 pm. Wednesday, July 25 at 9:30 pm showcases Funny Story, a dark comedy about a womanizing former TV star trying to reconnect with his estranged daughter. The emotional journey of A Boy, A Girl, A Dream unfolds in real time against the backdrop of the 2016 Presidential election on Thursday, July 26 at 9:30 pm. Other shorts include stories about a young woman with cerebral palsy falling in love, an Israeli patient finding out she has an Arab doctor, a foreman protecting her workers from the Department of Labor, and a law school student trying to explain a rather dire situation to police detectives. Images credit: The Etruscan Smile (Rosanna Arquette and Brian Cox pictured), photo credit: Po Valley Productions Aurora Borealis: Eszaki feny (Closing Night feature, Franciska Töröcsik pictured) photo credit: The Hungarian National Film Fund
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Watch First Trailer for THE TALE Starring Laura Dern, Sets HBO Premiere Date
HBO today released the trailer for The Tale starring Laura Dern that chronicles one woman’s powerful investigation into her own childhood memories, as she is forced to reexamine her first sexual experience – and the stories we tell ourselves in order to survive. Debuting Saturday, May 26 at 10:00 p.m. (ET/PT), the HBO Films presentation is written and directed by Sundance Grand Prize winner and Emmy(R) nominee Jennifer Fox, who based it on her own true story.
The film will also be available on HBO NOW, HBO GO, HBO On Demand and partners’ streaming platforms.
The Tale stars Laura Dern (Oscar(R) nominee for “Wild” and “Rambling Rose”; Emmy(R) winner for HBO’s “Big Little Lies”; Emmy(R) nominee for HBO’s “Enlightened,” “Recount” and “Afterburn”), Isabelle Nélisse (“Mama”), Elizabeth Debicki (“The Night Manager”), Jason Ritter (“Kevin (Probably) Saves the World”), Frances Conroy (Emmy(R) nominee for HBO’s “Six Feet Under”) and John Heard (Emmy(R) nominee for HBO’s “The Sopranos”), with Common (Oscar(R) winner for “Selma”) and Ellen Burstyn (Academy Award(R) winner for “Alice Doesn’t Live Here Anymore”).
An accomplished documentarian working in New York, Jennifer (Laura Dern) is completing her latest project about the lives of women around the world. She receives a series of phone calls from her mother, Nettie (Ellen Burstyn), who has found a short story Jennifer wrote at age 13, in which she describes various encounters with her riding instructor, Mrs. G (Elizabeth Debicki), and her running coach, Bill (Jason Ritter), while at summer camp. Nettie is unnerved by the implications of her daughter’s writing, but Jennifer is nonplussed. She has always looked back with fondness on the time she spent with these two charismatic adults.
Egged on by Nettie and encouraged by her supportive fiancé (Common), Jennifer yearns to know more and sets out on a journey, 30 years later, to find those people from her past – the children, now adults, who also attended the camp back then – and eventually the coaches themselves. But the more she learns, the more her memories shift and the more questions she unearths. As Jennifer’s frustration mounts, she finds herself turning inward to get to the truth, imagining conversations with her 13-year-old self (Isabelle Nélisse) and even Mrs. G and Bill in an effort to understand how and why events occurred so long ago.
An unforgettable meditation on the elusive nature of memory, The Tale is the first narrative feature from Jennifer Fox, whose documentary films have earned international acclaim for their groundbreaking artistry and unflinching honesty. Based on Fox’s own life story, The Tale sees the filmmaker bravely pushing forward the boundaries of conventional storytelling, creating a dialogue between past and present to illustrate the interplay between memory and trauma.
“My goal was not to ask, ‘Did this happen?,’ because I always remembered it,” explains writer and director Fox. “It was, ‘How and why did it happen, and how and why did I spin it as a positive story to myself?’ There was a lightbulb moment when I was making another film about women all around the world, and it seemed that every other woman – regardless of class, culture or color – had an abuse story to tell. Their stories just floored me, because they had a system or a paradigm that looked like my story. Suddenly, I couldn’t see it as my own private little narrative and knew that it was time to investigate what happened in the open space of a fictional film.”
https://www.youtube.com/watch?v=tXpYsr3AL4U
The Tale is produced by Jennifer Fox, Oren Moverman, Laura Rister, Mynette Louie, Simone Pero, Lawrence Inglee, Sol Bondy, Regina K. Scully, Lynda Weinman and Reka Posta. Julie Parker Benello, Dan Cogan, Geralyn Dreyfous, Wendy Ettinger, Abigail E. Disney, Robert & Penny Fox, Jayme Lemons, Amy Rodrigue, Ali Jazayeri, Jason Van Eman, David Van Eman, Ross Marroso and Ben McConley are executive producers.
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Impressive Slate of 96 Feature Film Selections on Lineup for 4th Bentonville Film Festival
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Mary Goes Round[/caption]
The inclusive lineup for this year’s 2018 Bentonville Film Festival includes 42 Competition Films, 13 episodic content presentations, notable showcase screenings of top festival films, critical favorites, anniversary screenings of classics, a presentation of family focused and animated greats, and every film to date from the Marvel Cinema Universe in a special free-to-the-public presentation for BFF’s film fans.
“This year’s edition of the Bentonville Film Festival truly exemplifies our mission,” said BFF co-Founder Geena Davis. We are thrilled to honor industry pioneers, while at the same time recognizing current trendsetters and changemakers, and showcasing a new class of inclusive storytellers. To be able to bring them all together in one place to enact change – that is what BFF is all about.”
Films in the dramatic feature competition this year include: Marisol Gomez-Mouakad’s ANJELICA; Sanghoon Lee’s BANANA SEASON; Kevin Arbouet’s BENJI THE DOVE; Marinanna Palka’s EGG; Tom Huang’s FIND ME; Sean Olson’s F.R.E.D.I.; Anne-Marie Hess’s GOOD AFTER BAD; Jenna Laurenzo’s LEZ BOMB; Molly McGlynn’s MARY GOES ROUND; Autumn McAlpin’s MISS ARIZONA; Vashhti Anderson’s MOKO JUMBIE; Santiago Rizzo’s QUEST; Alex Ranarivelo’s RIDE; Jenn McGowan’s RUST CREEK; Megan Griffith’s SADIE; Anthony Nardolillo’s SHINE; Ramaa Mosley’s TATTERDEMALION; Mark Dennis and Ben Foster’s TIME TRAP; Teddy Smith’s URBAN COUNTRY; Nadine Truong’s I CAN I WILL I DID; Suzi Yoonessi’s UNLOVABLE; and Kendall Goldberg’s WHEN JEFF TRIED TO SAVE THE WORLD.
Documentary features in competition include: Marvin Blunte’s 6 WEEKS TO MOTHER’S DAY; Joanna James’s A FINE LINE; Skye Borgman’s ABDUCTED IN PLAIN SIGHT; Robin Hauser’s BIAS; Stacey Reiss’s DAUGHTERS OF THE SEXUAL REVOLUTION; Luis Prieto’s THE DISUNITED STATES OF AMERICA; Brian Ivie’s EMANUEL; Dan Habib’s INTELLIGENT LIVES; Susan Kucera’s LIVING IN FUTURE’S PAST; Trish Russo and Craig E. Shapiro’s LOVE ALWAYS, MOM; T Cooper’s MAN MADE; Sebastien Paquet’s MIND OVER MATTER; Rob Herring and Ryan Wirick’s THE NEED TO GROW; Kulap Vilaysack’s ORIGIN STORY; Kate Hickey’s ROLLER DREAMS; Mark Hayes’s SKID ROW MARATHON; Robin Berghaus’s STUMPED; Jillian Moul and Matthew Moul’s SURVIVING HOME; Maya Washington’s THROUGH THE BANKS OF THE RED CEDARS; P.J. Marcellino, and Hermon Farahi’s WHEN THEY AWAKE and Sally Colón-Petree’s WOMEN LIKE US.
The Episodic Projects vying for prizes are: Ben Strang’s Beast; Morgan Beck’s Brooke; Keith Miller’s Brooklynification; Jennifer Morrison’s Fabled; Raj Trivedi’s From Jappan; Corrie Chen and Tori Garrett’s Mustangs FC; Kholi Hicks’s Reaver Vs. Specter; Max Rissman’s Root for the Villain; Will Seefried’s Sink Sank Sunk; Andrew Olsen’s SusaneLand; Jeremy Redleaf’s Threads; Milena Govich’s Unspeakable; and Allison Vanore’s Whatta Lark (Ep 1).
BFF previously announced that Elissa Downs’s THE HONOR LIST would make its world premiere as the Opening Night selection, with Lea Thompson’s THE YEAR OF SPECTACULAR MEN screening as this year’s Centerpiece selection.
Special Spotlight selections include; Carlos Lopez Estrada’s drama BLINDSPOTTING, about the intersection of race and class, set against the backdrop of a rapidly gentrifying Oakland; Sara Driver’s documentary BOOM FOR REAL, about legendary New York City-centric artist Jean-Michel Basquiat; Brett Haley’s crowd-pleaser HEARTS BEAT LOUD, starring Nick Offerman and Kiersey Clemons as a father and daughter, who form an unlikely songwriting duo; Julie Cohen and Betsy West documentary RBG, about the inestimable Justice Ruth Bader Ginsburg; Andrew Bujalski’s latest, SUPPORT THE GIRLS, about a restaurant manager attempting to outmaneuver the owner as she tries to help one of her employees; and Jennifer Fox’s Sundance hit, THE TALE, which stars Laura Dern, Ellen Burstyn, and Common, in a devastating film which dramatizes Fox’s reconciling her memories of her first sexual relationship with the reality of what actually transpired.
The Sony/ConAgra Outdoor Theatre @ Lawrence Plaza will offer a number of family-friendly and animated hits including; the recent Academy Award winner, Lee Unkrich and Adrian Molina’s COCO, Ang Lee’s classic, CROUCHING TIGER, HIDDEN DRAGON (2000); Otto Bell’s adventure film, THE EAGLE HUNTRESS (2016); both Joe Johnston’s JUMANJI (1995) and Jake Kasdan’s recent blockbuster hit, JUMANJI: WELCOME TO THE JUNGLE, and Tony Bancroft and Barry Cook’s animated classic, MULAN (1998), celebrating its 20th Anniversary.
Additional highlights and events within the film festival are; the Easterseals Disability Film Challenge Finalists screening on Wednesday, May 3, followed by a Q&A with founder Nic Novicki; the special Project Zero screening and event on, Sunday, May 5, to raise awareness for the Arkansas-based organization’s mission to diligently and passionately promote adoption through the foster care system; the Helen R. Walton Children’s Enrichment Center, Ready Nation, Moms in Film and Arkansas Advocates for Children and Families presentation of Raising America on Friday, May 4, followed by a panel discussion with Kyle Peterson, Alysia Reiner and others; the Samsung Create Event, on Thursday, May 23, presenting student filmmakers challenged to make a short film based on the mission of BFF by utilizing a Samsung Galaxy phone and tablet; and Marvel Experience, Wednesday May 2 – Friday May 4, at Skylight Cinema which will offer the ultimate Marvel Experience for film fans, with free film screenings, themed concessions and galactic experiences.
For the 4th consecutive year, BFF will remain the only film festival in the world to offer guaranteed distribution to its narrative feature film winner. BFF’ s distribution partners include AMC Theatres, Lifetime, Starz, ACI-Inspires and others.
In 2018, BFF will add new prizes for its other juried categories. Through a partnership with MarVista Entertainment, the winner of the Short Film Competition will be awarded a directing role on one of MarVista’s future feature films, providing an opportunity for diverse ideas, opinions and stories to be heard.
The winner of the Documentary Film Competition will receive a mentorship prize package sponsored by ITVS, a San Francisco-based nonprofit organization that has, for over 25 years, funded and partnered with a diverse range of documentary filmmakers to produce and distribute untold stories. The Episodic Competition winner will receive a prize package sponsored by SeriesFest, an award winning festival dedicated to showcasing the best and boldest in episodic storytelling from around the world, that includes a screening at the SeriesFest Season 4 in Denver, a consultation with an industry professional, and a VIP Badge.

Won’t You Be My Neighbor?[/caption]
The Cinema Eye Honors unveiled the first awards announcements for their 12th Annual awards, including The Unforgettables, their annual list of notable and significant nonfiction film subjects; The Shorts List, an annual list of the year’s ten top Nonfiction Short Films; and nominees in four categories: Broadcast Film; Broadcast Series; the Heterodox Award, which recognizes fiction films that actively blur the line between fiction and documentary; and the annual Audience Choice Prize. The full list of nonfiction film and craft nominees, including the five nominees for Outstanding Nonfiction Short Film, will be revealed on Thursday, November 8.
Eight films – Elizabeth Chai Vasarhelyi and Jimmy Chin’s
The Kindergarten Teacher[/caption]
The 2018 Sundance Film Festival returns to Park City, Salt Lake City and at Sundance Mountain Resort, from January 18 to 28, and today announced the feature films lineup showcasing bold, independent storytelling.
For the 2018 Festival, 110 feature-length films were selected, representing 29 countries and 47 first-time filmmakers, including 30 in competition.These films were selected from 13,468 submissions including 3,901 feature-length films and 8,740 short films. Of the feature film submissions, 1,799 were from the U.S. and 2,102 were international. One-hundred feature films at the Festival will be world premieres
Robert Redford, President and Founder of Sundance Institute, said, “The work of independent storytellers can challenge and possibly change culture, illuminating our world’s imperfections and possibilities. This year’s Festival is full of artfully-told stories that provoke thought, drive empathy and allow the audience to connect, in deeply personal ways, to the universal human experience.”