The Third Wife (2018)

  • ‘Onyx the Fortuitous and the Talisman of Souls’ to Open Utah’s 21st HorrorFest Film Festival Lineup

    Onyx the Fortuitous and the Talisman of Souls directed by Andrew Bowser
    Onyx the Fortuitous and the Talisman of Souls

    Andrew Bowser’s Onyx the Fortuitous and the Talisman of Souls will kick off the 21st HorrorFest International Film Festival taking place October 18-21, 2023, in St. George, Utah, with Southern Utah’s historic Electric Theater once again serving as the primary venue for the event.

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  • Film Independent Announces Winners of Filmmaker Grants at Spirit Awards Nominee Brunch

    2020 FILM INDEPENDENT SPIRIT AWARDS FILMMAKER GRANT WINNERS. (L to R) Kelly Reichardt,  Mollye Asher,  Rashaad Ernesto Green and Nadia Shihab
    2020 FILM INDEPENDENT SPIRIT AWARDS FILMMAKER GRANT WINNERS. (L to R) Kelly Reichardt, Mollye Asher, Rashaad Ernesto Green and Nadia Shihab

    Film Independent announced the winners of its four filmmaker grants at the annual Spirit Awards Nominee Brunch hosted by director and Project Involve Fellow Jon M. Chu (In the Heights, Crazy Rich Asians) and actor and Spirit Award nominee Alfre Woodard (Clemency). Winners for the remaining categories will be revealed at the 2020 Film Independent Spirit Awards on Saturday, February 8. The awards ceremony will be broadcast live exclusively on IFC at 5:00 pm ET / 2:00 pm PT.

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  • THE LIGHTHOUSE and UNCUT GEMS Lead 35th Film Independent Spirit Award Nominations

    Uncut Gems
    Uncut Gems

    The Lighthouse and Uncut Gems lead the nominations for the 2020 Film Independent Spirit Awards with 5 nominations each. The Lighthouse is nominated for Best Cinematography, Best Director, Best Editing, Best Male Lead, and Best Supporting Male; and Uncut Gems is nominated for Best Director, Best Editing, Best Feature, Best Male Lead, and Best Screenplay. Other nominees for Best Feature included A Hidden Life, Clemency, The Farewell, and Marriage Story. This year marks the 35th anniversary of the Santa Monica beach-adjacent award show.

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  • 2019 Sarasota Film Festival Awards, THE THIRD WIFE, AMERICAN FACTORY Win Top Jury Prizes

    The Third Wife, directed by Ash Mayfair
    The Third Wife, directed by Ash Mayfair

    The Third Wife, directed by Ash Mayfair, won the Narrative Feature Jury Prize; and American Factory, directed by Steven Bognar and Julia Reichert, won the Documentary Feature Jury Prize at the 21st annual Sarasota Film Festival which came to a close on Sunday, April 14. The Independent Visions Jury Prize went to The World Is Full of Secrets, directed by Graham Swon.

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  • Cuban Dancer Carlos Acosta Biopic YULI to Open 2019 Minneapolis St. Paul International Film Festival

    Yuli directed by Icíar Bollaín
    Yuli directed by Icíar Bollaín

    Yuli, a dazzling dramatization of the early life and work of legendary Cuban dancer Carlos Acosta will be the Opening Night Film of this year’s 38th Minneapolis St. Paul International Film Festival, which runs April 4 to 20, 2019.

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  • Santa Barbara International Film Festival Unveils 2019 Film Lineup

    Diving Deep:The Life and Times of Mike deGruy
    Diving Deep:The Life and Times of Mike deGruy

    The 34th Edition of the Santa Barbara International Film Festival taking place from January 30 to February 9, 2019, will feature 63 world premieres and 59 U.S. premieres from 48 countries, along with tributes with the year’s top talent, panel discussions, and free community education and outreach programs. The 34th Festival Poster was unveiled, again created by Barbara Boros who has designed the SBIFF poster each year for 16 years, this year highlighting Butterfly Beach.

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  • HAPPY AS LAZZARO Wins Best Film at 54th Chicago International Film Festival

    [caption id="attachment_30997" align="aligncenter" width="1200"]HAPPY AS LAZARRO HAPPY AS LAZARRO[/caption] The 54th Chicago International Film Festival hosted its Awards Ceremony and taking home the top prize, the Gold Hugo for Best Film, in the International Feature Film Competition, is director Alice Rohrwacher’s Happy as Lazzaro, a film the jury recognized for its poetic cinematic language and formal rigor. The Silver Hugo for Best Director was awarded to Jia Zhangke for Ash Is Purest White and the Silver Hugo Special Jury Prize was awarded to Joy, directed by Sudabeh Mortezai. Director Ash Mayfair took home top honors in the New Directors Competition with a Gold Hugo for The Third Wife and the Silver Hugo was awarded to Joël Karekezi for The Mercy of the Jungle. The Roger Ebert Award, presented to an emerging filmmaker with a fresh and uncompromising vision, was awarded to directors Andréa Bescond and Eric Métayer for Little Tickles, and the Chicago Award was presented to Michael Paulucci for Hashtag Perfect Life. The Founder’s Award, given to one film across all categories that captures the spirit of the Chicago International Film Festival for its unique and innovative approach to the art of the moving image, was presented to Felix van Groeningen’s Beautiful Boy. “Each year, the films presented in our competitions represent the excellence and diversity of filmmaking from around the world, and this year was no exception,” said Festival Artistic Director Mimi Plauché. “We are proud to honor these extraordinary films from around the world and here at home, saluting a diverse lineup of singular filmmakers and their work.”

    Winners of 54th Chicago International Film Festival Awards

    International Feature Film Competition

    Gold Hugo: Best Film Happy as Lazzaro Italy/Switzerland/France/Germany Dir. Alice Rohrwacher Silver Hugo: Special Jury Prize Joy Austria Dir. Sudabeh Mortezai Silver Hugo: Best Director Jia Zhangke, Ash Is Purest White China/France Silver Hugo: Best Actor Jesper Christensen, Before the Frost Denmark Silver Hugo: Best Actress Zhao Tao, Ash is Purest White China/France Silver Plaque: Best Screenplay Stéphane Brizé and Olivier Gorce, At War France Silver Plaque: Best Cinematography David Gallego, Birds of Passage Colombia/Mexico/Denmark/France Silver Plaque: Best Art Direction Angélica Parea, Birds of Passage Colombia/Mexico/Denmark/France

    New Directors Competition

    Gold Hugo The Third Wife Vietnam Dir. Ash Mayfair Silver Hugo The Mercy of the Jungle Belgium/France/Rwanda Dir. Joël Karekezi Roger Ebert Award Little Tickles France Dirs. Andréa Bescond, Eric Métayer

    Documentary Competition

    Gold Hugo [Censored] Australia Dir. Sari Braithwaite Silver Hugo Ex-Shaman Brazil Dir. Luiz Bolognesi Silver Hugo The Raft Sweden Dir. Marcus Lindeen

    Out-Look Competition

    Gold Q-Hugo Retablo Peru/Germany/Norway Dir. Alvaro Delgado Aparicio Silver Q-Hugo Rafiki Kenya/South Africa/Germany/Netherlands/France/Norway/Lebanon Dir. Wanuri Kahiu Special Mention Hard Paint Brazil Dirs. Filipe Matzembacher, Marcio Reolon

    Documentary Short Film Competition

    Silver Hugo: Circle U.K./Canada/India Dir. Jayisha Patel Gold Plaque: Edgecombe U.S. Crystal Kayiza Special Mention: Black 14 U.S. Dir. Darius Clark Monroe

    Animated Short Film Competition

    Silver Hugo: Bloeistraat 11 The Netherlands Nienke Deutz Gold Plaque: Weekends U.S. Trevor Jimenez Special Mention: Opening Night U.S. Margaret Bialis

    Live Action Short Film Competition

    Gold Hugo Mamartuille Mexico Dir. Alejandro Saevich Silver Hugo Hair Wolf U.S. Dir. Mariama Diallo Special Mention Nyi ma lay Singapore Dir. Wei Liang Chiang

    Chicago Award

    Hashtag Perfect Life U.S. Dir. Michael Paulucci

    Founder’s Award

    Beautiful Boy U.S. The Founder’s Award is personally presented by Festival Founder Michael Kutza to the single film across all categories he feels best embodies the spirit of curiosity, optimism and love of film that led to his starting the Chicago International Film Festival 55-years ago. “Beautiful Boy is an emotional drama which remains full of hope and humanity with two of the most stunning performances of the year,” remarked Kutza.

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  • Hawaii International Film Festival Announces 2018 Lineup, Opens with Zhang Yimou’s SHADOW

    [caption id="attachment_32166" align="aligncenter" width="1200"]Shadow, Zhang Yimou Shadow, Zhang Yimou[/caption] The 38th edition of the Hawaii International Film Festival (HIFF) will present 187 films from over 35 countries, from November 8 through November 18, 2018.  The festival will open with highly anticipated new film from Zhang Yimou (House of Flying Daggers; Hero; Curse of the Golden Flower), Shadow, which stars Chao Deng (The Mermaid; Detective Dee: Mystery of the Phantom Flame), Li Sun (Fearless; Empresses in the Palace), and Ryan Zheng (The Great Wall; Back in Time), is based storied the “Three Kingdoms” Chinese legend. Shadow had its world premiere at the Venice International Film Festival, where audiences were wowed by Zhang’s masterful direction of this unique action-epic. HIFF’s Closing Night Presentation will be the world premiere of Moananuiākea: One Ocean. One People. One Canoe, directed by Na’alehu Anthony. This documentary looks at the latest worldwide voyage of Hōkūleʻa, four decades after its maiden voyage sparked the Hawaiian Renaissance and continues to inspire a new generation of navigators and voyagers to gather their courage and sail beyond the horizon of the Pacific. This year’s Centerpiece Presentation is Green Book, which world premiered at the Toronto Film Festival; where it won the coveted TIFF 2018 People’s Choice Award, an early barometer of being an Oscars favorite. The drama, follows Tony Lip (Viggo Mortensen), a bouncer from the Bronx, is hired to drive Dr. Don Shirley (Oscar winner Mahershala Ali), a world-class Black pianist, on a concert tour from Manhattan to the Deep South, they must rely on “The Green Book” to guide them to the few establishments that are safe for African Americans. Green Book won the coveted Audience Award at the recent Toronto Film Festival. Produced by Jim Burke (The Descendants, HIFF 2012), who will be in attendance at HIFF, and directed by Peter Farrelly (There’s Something About Mary), Green Book infuses heartfelt drama in an unlikely friendship that stood the test of time. HIFF audiences will critically acclaimed titles in the Awards Buzz section; which presents high profile films straight from major festivals like Cannes, Venice, Toronto and more. These must-see films are major players in the awards season, including: the Mexican drama Roma, directed Alfonso Cuarón (Gravity); If Beale Street Could Talk, directed by Barry Jenkins (Moonlight); Iranian director Asghar Farhadi’s (A Separation) Spain-set thriller Everybody Knows starring Javier Bardem and Penelope Cruz; and Natalie Portman’s new film Vox Lux, directed by Brady Corbet. This year HIFF presents a special spotlight on world renowned auteur Wong Kar-wai with the Filmmaker in Focus series. HIFF is proud to present In The Mood For Love (2000), Happy Together (1997), and Chungking Express (1994). A special extended Q&A with Director Wong Kar Wai will follow the screening of Chungking Express. In Special Presentations, HIFF will present the West Coast premiere of Wake, a comedy/drama directed by Cyrus Mirakhor. Wake follows a widowed mortician, struggling with agoraphobia, who receives a birthday gift from her mother and daughter as a joke. The gift, a life-size male doll named Pedro, goes from funny to fantastical, complicating her ties with her family and friends.  Wake stars James Denton (TV Series Good Witch), Caroline Lagerfelt (TV Series The Blacklist), and features the acting debut of Filipino-American stand-up comedian, Jo Koy. The popular comedian will attend the screening, and join director Mirakhor for the post-screening Q&A. The always popular Sound x Vision category offers must-see films for music fans and cinephiles. HIFF will host the North American premiere of The Legend of the Stardust Brothers, directed by Macoto Tezuka. This fascinating musical narrative, made in 1985, begins when Macoto Tezuka (son of the great manga artist Osamu Tezuka) met musician and TV personality Haruo Chicada who had made a soundtrack to a movie which didn’t actually exist: The Legend of the Stardust Brothers. With Chicada as producer, Tezuka then adapted this “fake soundtrack” into the real movie story of “The Stardust Brothers”. Tezuka assembled a cast of some of Japan’s most famous musicians of the time, including such greats as Kiyohiko Ozaki, ISSAY, Sunplaza Nakano and Hiroshi Takano, alongside many famous names in Manga such as Monkey Punch (Lupin the 3rd), Shinji Nagashima (Hanaichi Monme), Yosuke Takahashi (Mugen Shinsi) and even many upcoming film directors of the time such as Kiyoshi Kurosawa (Tokyo Sonata) and Daihachi Yoshida (The Kirishima Thing). The resulting film The Legend of the Stardust Brothers is the exact definition of a cult film. Despite the huge array of talent on board with a large budget, the film is totally unknown even to this day in both Japan and worldwide. More than 30 years since its release, The Stardust Brothers will finally make itself known worldwide with a new master and a brand new Director’s Cut. For the first time, the festival will present the HIFF VR Lounge; bringing together a selection of exciting contemporary Virtual Reality projects from around the world to SALT At Our Kakaako. Free and open to the public November 10th through 12th, the HIFF VR Lounge will feature virtual reality technologies bring us closer to the action than ever before, face-to-face with some of the most vital issues and stories in the world today. Audiences can visit the lounge and experience: Age Of Sail (Dir.: John Kahrs), Chasing Coral: The VR Experience (Dir.: Jeff Orlowski), Finding Haka (Dir.: James Hedley) and Songbird (Dir.: Lucy Greenwell).

    Additional highlights at the 2018 Hawaii International Film Festival

    The world premiere of Eating Up Easter Island (Chile, United States), directed by Sergio M. Rapu. This documentary reveals the nuance of life on Rapa Nui (Easter Island), and straddles the fault line between local identity and the opportunities presented by globalism. As the local economy is subjugated by the demands of tourism, locals must contend with the contrasting expectations of indigenous culture and Western industrial capitalism amidst the fear that old practices are not valued or protected unless performed for visitors. Eating Up Easter Island screens as part of the Pacific Showcase lineup. Maui’s Hook (New Zealand), a documentary feature directed Paora Te Oti Takarangi Joseph, is one of the most original and stirring films released this year. Psychologist and filmmaker Paora Joseph journeys New Zealand’s North Island with families who lost someone close to them to suicide. Seamlessly combining scripted narrative sections with interviews of five brave families mourning the loss of a loved one, Joseph blurs the divide between documentary and drama to make a profound statement about suicide and the people left behind. This will be the film’s International Premiere. Shoplifters (Japan), directed by Hirokazu Kore-eda, is Japan’s official submission for Best Foreign Language Film at the 2019 Academy Awards. This Cannes Palme d’Or winner tells the story of a poor family who, after a shoplifting run, find a little girl freezing in the cold. Although initially reluctant, they welcome her into their home. Though happy together, an unforeseen incident begins to unravel hidden secrets and test the bonds that unite them. From Palme d’Or-winning director Hirokazu Kore-eda, Shoplifters tells a breathtaking story of family and love told across four seasons on the streets of contemporary Tokyo. The International Premiere of Still Human (Hong Kong), a drama directed by Oliver Siu Kuen Chan, explores the world of paralyzed and disgruntled Cheong-wing (Anthony Wong), who has gone through quite a few caretakers. When he gets new Filipino domestic helper, Evelyn (Crisel Consunji), they both realize that Evelyn does not speak a word of Cantonese. Somehow as the unlikely duo begin to warm up to each other, a bond forms that may transcend stereotypes and change them both in ways they never imagined. In Southeast Asian Showcase, HIFF presents the North American Premiere of Memories of My Body. This drama for Indonesia, directed by Garin Nugroho, follows Juno; a child who was recently abandoned by his father.. Alone now, he joins a dance center where men shape their feminine appearance and movement. But the sensuality and sexuality that come from dance and bodies, mixed with the violent social and political Indonesian environment, force Juno to move from village to village. Even if on his journey Juno receives love from his those around him, he still has to face the battlefield that his body is becoming. The United States Premiere of Sink or Swim (France), directed by Gille Lellouche. This hilarious crowd-pleaser, which world premiered at the Cannes Film Festival, follows a group of 40-something guys, all on the verge of a mid-life crisis, decide to form their local pool’s first ever synchronized swimming team – for men. Braving the skepticism and ridicule of those around them, and trained by a fallen champion trying to pull herself together, the group set out on an unlikely adventure, and on the way will rediscover a little self-esteem and a lot about themselves. Sink or Swim will screen as part of the European Showcase lineup. The United States Premiere of The Witch (South Korea), directed by Park Hoon-jung, is a Sci-Fi thriller set in rural South Korea, where a young girl flees a government facility. 10 years later a now teenage Ja-yoon has no recollection of her past, and knows only the elderly couple who have taken her is as her parents. But soon Ja-yoon discovers that she has some incredible talents, she is so talented in fact that she lands on national television. However shortly after her appearance, ominous figures show up, threatening to turn her peaceful life upside down. The Witch will screen as part of the Spotlight On Korea lineup HIFF welcomes Harry Shum Jr. Shum, who has won a Screen Actors Guild award for his performance on Glee, numerous awards and accolades for his role on Shadowhunters, and most recently has appeared on the blockbuster hit Crazy Rich Asians, will be part of the Future Filmmaker Luncheon and Panel. The panel, which will take at WaiWai Collective, will also be a destination for the student filmmaker finalists in the new short film contest presented by HIFF in partnership with the Daniel K. Inouye Institute. The partnership, launched in June, encouraged middle and high school students statewide to create films inspired by Senator Inouye’s historic speech at the 1968 Democratic National Convention.

    2018 Hawaii International Film Festival Honorees

    Ever year, HIFF hosts a prestigious awards ceremony to honor the competition titles at the fest and to celebrate luminaries in the filmmaking community. Past recipients include: Taika Waititi, Quentin Tarantino, Kevin Smith, Samuel L Jackson, Ang Lee, Maggie Cheung, Koji Yakusho. HIFF is proud to bestow awards on this year’s honorees. The Halekulani Maverick Award is given to an international cinema artist who has a unique and eclectic career trajectory, contributing to international cinema and the filmed arts in an innovative way. This year, HIFF will present the award to present to actor/producer Steven Yeun (Okja; TV series The Walking Dead; Burning, South Korea’s official entry to Oscars foreign language category). The Halekulani Maverick Award will also be presented to Awkwafina (Crazy Rich Asians; Ocean’s Eight). During the festival, Awkwafina will participate in an exclusive and intimate conversation about her career. IN CONVERSATION WITH AWKWAFINA, the wildly popular rapper turned actress, will discuss her humble beginnings in Queens, NY, and her stratospheric rise from working in a vegan bodega to hosting Saturday Night Live. The PIC Trailblazer Award is given to a cinema artist of Pacific Islander heritage who broadens the scope of Pacific Islander stories onto the world stage, producing award winning work in independent and global cinema, becoming a trendsetter in their field and a cultural ambassador that shines a spotlight on Pacific islander culture in mainstream media. This year HIFF will honor Heperi Mita as the current torchbearer for his mother Merata Mita’s legacy and work. Heperi continues to be a beacon for Maori and indigenous filmmakers and media, as a both a filmmaker and archivist, perpetuating this legacy for generations to come. The Halekulani Career Achievement Award is bestowed to an artist who has reached the career pinnacles very few have achieved via industry awards and accolades and a body of work that is known globally. This year HIFF is proud to present the Halekulani Career Achievement Award to actress Moon So-ri (Oasis; A Good Lawyer’s Wife). During the festival audiences can watch Moon So-ri’s directorial debut, The Running Actress.

    Made In Hawaii Feature Film Award Nominees:

    This year’s competition lineup continues to amplify the voice of local filmmakers. The Made In Hawaii competition film awards celebrate the dynamic and flourishing local independent film scene that strives onward here in the Hawaiian Islands. Fiction, Non-fiction and short films that are made by locally-based filmmakers or involve locally-based stories are eligible for the following awards—Best Made In Hawaii Feature and Best Made In Hawaii Short Film. This year’s competition films are: August At Akiko’s – This narrative feature, directed by Christopher Makoto Yogi, features cosmopolitan musician Alex Zhang Hungtai (Dirty Beaches, Last Lizard), who returns home to the Big Island having been away for nearly a decade. Amidst possessed sax solos and brooding strolls, Alex stumbles upon a Buddhist bed & breakfast run by a woman named Akiko (Akiko Masuda). Hungtai’s wild sax and Akiko’s Buddhist bells form the base for a rich soundtrack that wraps around the audience like a sonic web surrounding the unexpected new friendship. Bethany Hamilton: Unstoppable – This documentary feature directed by Aaron Lieber, is the untold story of the fearless athlete and her resilience against all odds to become one of the leading professional surfers of our time. Moananuiākea: One Ocean. On People. One Canoe – This documentary feature, directed by Na’alehu Anthony, looks at the latest worldwide voyage of Hōkūleʻa, four decades after its maiden voyage sparked the Hawaiian Renaissance and continues to inspire a new generation of navigators and voyagers to gather their courage and sail beyond the horizon of the Pacific. My Hero’s Shadow – A biographical documentary directed by Justin Young, begins when Shane Stant made international news when he struck Nancy Kerrigan’s knee the day before the 1994 US National Figure Skating Championships. He’s a different man today, but still has to deal with memories of his mistakes. Told by Stant’s sister Maile, MY HERO’S SHADOW is a compassionate look at trauma, poor choices and the redemptive value of family. Stoke – Directed by Zoe Eisenberg and Phillips Payson, this narrative feature Jane is an attorney based in Los Angeles and she’s clinically depressed. While channel flipping, she sees footage of Kilauea in full eruption. She buys a one-way ticket to the Big Island, and along the way, runs into two local guys who sell themselves as tour guides. What transpires is a road movie that captures some of the unique sub-cultures of Hawaii Island from hippie enclaves, and spiritual sanctuaries, to Native Hawaiians trying to make ends meet, and midnight ravers looking for their next hit. T-Shirt Theatre Presents: Kipuka – This documentary feature directed by Jeremiah Tayao, chronicles the work of the students in the company, as they address bullying, cyberbullying, and teen suicide prevention, all written and performed by the students (aged 13-18). Their 2017-2018 performance of “Kīpuka” – an oasis in a lava field – is reflective of the T-Shirt Theatre mantra that one smile, one word, one friend can make all the difference for someone in turmoil and contemplating tough decisions.

    Made In Hawaii Short Film Award Nominees:

    Mauka to Makai – Directors: Alika Maikau and Jonah Okano Hae Hawaii – Director: Ty Sanga Kalewa – Director: Gerard Elmore Kaumakaiwa – Director: Bradley Tangonan The Moon and the Night – Director: Erin Lau Shoreline (‘Ae Kai) – Director: Brandi Martin. Six Hundred Lux – Director: Koa San Luis Surfing To Cope – Director: Katie Walsh This and Nothing Else: Red Bull Wa’a – Directors.: Marc Levy, Justin Mitchell, Marc

    Kau Ka Hōkū Filmmaker Award nominees :

    HIFF was an annual stop for the Pulitzer winning film critic Roger Ebert, who hailed the festival as “a showcase for emerging filmmakers from the Asia and Pacific Rim.”. This year, HIFF will launch the Kau Ka Hōkū Filmmaker Award, which will be given to emerging directors with their 1st or 2nd feature film. Both fiction and non-fiction feature films will be nominated by the festival programmers and adjudicated by an international jury. August At Akiko’s – Director: Christopher Makoto Yogi Grit – Directors: Sasha Friedlander, Cynthia Wade House of My Fathers – Director: Suba Sivakumaran The Hungry Lion – Director: Takaomi Ogata Last Child – Director: Shin Dong-Seok Leiti’s In Waiting– Directors: Dean Hamer, Joe Wilson, Hinaleimoana Wong-Kalu Maui’s Hook – Director: Paora Te Oti Takarangi Joseph People’s Republic of Desire – Director: Hao Wu The Third Wife – Director: Ash Mayfair Transmilitary – DIrectors: Fiona Dawson, Gabe Silverman

    NETPAC award nominees

    The NETPAC award is presented annually at international film festivals in Berlin, Cannes, Venice, Rotterdam, Pusan, Singapore, Taiwan, Yamagata, Amiens and Hawaii. HIFF is the only film festival in North America granted the distinguished honor of presenting the NETPAC award. This year’s NETPAC nominees are: Adulthood (South Korea) – Director: In-seon Kim Emu Runner (Australia) – Director: Imogen Thomas Gatao: The Rise of the King (Taiwan) – Director: Yen Cheng-Kuo House of My Fathers (Sri Lanka) – Director: Suba Sivakumaran Last Child (South Korea) – Director.: Shin Dong-Seok Long Time No Sea (Taiwan ROC) – Director: Heather Tsui Sir (India) – Director: Rohena Gera Song Lang (Vietnam) – Director: Leon Le Still Human (Hong Kong) – Director: Oliver Siu, Kuen Chan Wrath of Silence (China) – Director: Yukun Xin

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  • 2018 Toronto International Film Festival Awards – GREEN BOOK Wins People’s Choice Award

    [caption id="attachment_31408" align="aligncenter" width="1200"]Green Book Green Book[/caption] The Toronto International Film Festival announced its award winners at the closing ceremony with the People’s Choice Award and $15,000 cash prize going to Peter Farrelly for Green Book.​ The first runner-up is Barry Jenkins’ If Beale Street Could Talk, and the second runner-up is Alfonso Cuarón’s ROMA.

    2018 Toronto International Film Festival Award Winners

    IWC​ ​SHORT​ ​CUTS​ ​AWARD​ ​FOR​ ​BEST​ ​SHORT​ ​FILM

    The IWC Short Cuts Award for Best Canadian Short Film goes to Meryam Joobeur’s Brotherhood.​ The jury remarked, “The film was masterfully executed, layered with bold ideas, rich textures, and nuanced character observations played by an unforgettable cast.” “The film successfully explored complex personal and political themes with compassion for its characters. By employing the intimate prism of a Tunisian family, the film was evidently made with a sense of maturity that points to a bright future from Meryam Joobeur.” The award offers a $10,000 cash prize, made possible by IWC Schaffhausen. The jury awarded an honorable mention to Jérémy Comte’s Fauve for its confident visual storytelling and moving performances from the child actors. The short-film awards were selected by a jury comprised of Claire Diao, Molly McGlynn, and Michael Pearce.

    IWC​ ​SHORT​ ​CUTS​ ​AWARD​ ​FOR​ ​BEST​ ​SHORT​ ​FILM

    The IWC Short Cuts Award for Best Short Film goes to Sandhya Suri’s The Field​. The jury noted, “The film is striking for its aesthetic lyricism, tender performances, and powerful emotional impact.” “It’s a unique and refreshing glimpse into female desire set in rural India that demonstrated a scope greater than its short format.” The award offers a $10,000 cash prize, made possible by IWC Schaffhausen. The jury gave honorable mentions to Anette Sidor’s Fuck You, for its acutely observed study of teenage sexuality, and to Emma de Swaef and Marc James Roels’s This Magnificent Cake!, for the spectacular level of animation and the surreal humour it uses to explore its complex colonial subject matter. The short-film awards were selected by a jury comprised of Claire Diao, Molly McGlynn, and Michael Pearce.

    CITY​ ​OF​ ​TORONTO​ ​AWARD​ ​FOR​ ​BEST​ ​CANADIAN​ ​FIRST​ ​FEATURE​ ​FILM

    The City of Toronto Award for Best Canadian First Feature Film goes to Katherine Jerkovic’s Roads in February (Les routes en février). The jury remarked it was selected, “For its warm portrayal of a young woman trying to reconnect with her distant heritage after her father’s untimely death, and for the way the film demonstrates how genuine human connections best develop between two individuals when they stand on common ground.” This award carries a cash prize of $15,000, made possible by the City of Toronto. The Canadian awards were selected by a jury comprised of Mathieu Denis, Ali Özgentürk, and Michelle Shephard.

    CANADA​ ​GOOSE®​ ​AWARD​ ​FOR​ ​BEST​ ​CANADIAN​ ​FEATURE​ ​FILM

    The Canada Goose® Award for Best Canadian Feature Film goes to Sébastien Pilote’s The Fireflies Are Gone (La disparition des lucioles). The jury said it was chosen, “For its true-to-life depiction of a young woman’s quest to find meaning and hope in a world that has constantly disappointed her.” This award carries a cash prize of $30,000 and a custom award, sponsored by Canada Goose®. The Canadian awards were selected by a jury comprised of Mathieu Denis, Ali Özgentürk, and Michelle Shephard.

    THE​ ​PRIZES​ ​OF​ ​THE​ ​INTERNATIONAL​ ​FEDERATION​ ​OF​ ​FILM​ ​CRITICS​ ​(FIPRESCI​ ​PRIZES)

    The Prize of the International Federation of Film Critics (FIPRESCI) for the Discovery programme is awarded to Carmel Winters for Float Like a Butterfly​, which the jury called “a pastoral and traditional bucolic film, capturing the familiar angst and anxiety a young adult woman undergoes in order to have her say in the scheme of things in a predominately male-driven patriarchal society.” “Through her spectacular and deft narrative, nuanced understanding of the dilemmas women face, and a pitch-perfect performance by Hazel Doupe, this film is a triumph of free spirit.” Honorable mention goes to Laura Luchetti’s Twin Flower. The Prize of the International Federation of Film Critics (FIPRESCI) for Special Presentations is awarded to Guy Nattiv for Skin, which the jury called “a gripping study of a group of extremists and the choices available to them. It’s raw yet intelligently paced, with stunning performances, especially by a near-unrecognizable Vera Farmiga.” honorable mention goes to Louis Garrel’s A Faithful Man.

    NETPAC​ ​AWARD

    As selected by a jury from the Network for the Promotion of Asian Pacific Cinema for the seventh consecutive year, the NETPAC Award for World or International Asian Film Premiere in the Discovery and Contemporary World Cinema sections goes to Ash Mayfair’s The Third Wife. The jury remarked, ”Ash Mayfair’s debut feature The Third Wife signaled the emergence of a young female director-writer whose aesthetic sensibilities, cinematic language, and extraordinary ability to illuminate the past for contemporary audiences augur well for the future of Vietnamese and world cinema.” The jury gave honorable mention to Bai Xue’s The Crossing. The jury said, “Bai Xue’s storytelling in her debut film The Crossing shattered cinematic boundaries to create an original visual language that propelled her protagonist’s emotional crossing into adulthood as she crossed the physical boundaries of Hong Kong into mainland China.” EURIMAGES’ AUDENTIA AWARD The Festival and the Council of Europe’s Eurimages Fund present the third Audentia Award for Best Female Director to Aäläm-Wärqe Davidian’s Fig Tree. “Fig Tree is a stunning and illuminating debut,” the jury remarked. “Based on her own experiences, Ethiopian-Israeli writer-director Aäläm-Wärqe Davidian takes us on an unsentimental journey and shows us the tragic effects of civil war on ordinary people. Confidently directed with grit and compassion, Fig Tree is a beautifully rendered, big-hearted story about a Jewish teenage girl’s attempt to save those she loves, but it’s also an intimate coming-of-age story of self-discovery and female empowerment.” This award carries a €30,000 cash prize. Awarding an honorable mention to Camilla Strøm Henriksen’s Phoenix, the jury said: “Phoenix is a courageous debut from Norwegian director Camilla Strøm Henriksen. A visually arresting and emotionally nuanced film, Phoenix focuses on a young teen who assumes an enormous burden of responsibility in the face of her mother’s mental illness and her father’s absence. With a seamless blend of stark realism and cinematic magic realism, Henriksen’s story subtly, yet powerfully, unfolds from the perspective of her mature young protagonist.”

    TORONTO​ ​PLATFORM​ ​PRIZE​ ​PRESENTED​ ​BY​ ​AIR​ ​FRANCE

    This is the fourth year for Platform, the Festival’s juried program that champions directors’ cinema from around the world. The Festival welcomed an international jury comprised of award-winning filmmakers Mira Nair, Béla Tarr, and Lee Chang-dong, who unanimously awarded the Toronto Platform Prize Presented by Air France to Wi Ding Ho’s Cities of Last Things. The jury said, “This is a deeply moving drama from a director who shows great skill in his ability to weave together multiple genres with social and political critique, while telling a story that remains intimately human at its core. For us, this film has a spirit that always feels beautifully close to real life.” “Over the course of the Festival, we’ve had the privilege of watching 12 films that left us excited with the feeling that the future of directors’ cinema is in such capable hands. The great joy of being on the Platform Jury has been participating in a competition celebrating emerging visions that are bold, daring, innovative, and sometimes even challenging. The great difficulty, however, has been selecting only one director to win the Toronto Platform Prize. After much contemplation and thorough discussion, we all agreed together upon one prize winner and one honorable mention.” Awarding an honorable mention to Emir Baigazin’s The River, the jury said: “We were completely absorbed by the singular world this film creates through precise and meticulous craft, breathtaking visuals, and a boldly patient yet engrossing observational style.” The Toronto Platform Prize offers a custom award and a $25,000 cash prize, made possible by Air France.

    GROLSCH​ ​PEOPLE’S​ ​CHOICE​ ​AWARDS

    This year marked the 41st year that Toronto audiences were able to cast a ballot for their favorite Festival film for the Grolsch People’s Choice Award. This year’s award goes to Peter Farrelly for Green Book.​ The award offers a $15,000 cash prize and custom award, sponsored by Grolsch. The first runner-up is Barry Jenkins’ If Beale Street Could Talk. The second runner-up is Alfonso Cuarón’s ROMA. The Grolsch People’s Choice Midnight Madness Award goes to Vasan Bala’s The Man Who Feels No Pain​.​ The first runner-up is David Gordon Green’s Halloween. The second runner-up is Sam Levinson’s Assassination Nation. The Grolsch People’s Choice Documentary Award goes to Free Solo, directed by E. Chai Vasarhelyi and Jimmy Chin. The first runner-up is Tom Donahue’s This Changes Everything. The second runner-up is John Chester’s The Biggest Little Farm.

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  • 46 Breakout Films Selected for 2018 Toronto International Film Festival Discovery Program

    [caption id="attachment_31512" align="aligncenter" width="1200"]Screwdriver Screwdriver[/caption] The Toronto International Film Festival revealed the 46 breakout films from 50 international storytellers that will screen in its 2018 Discovery lineup,  marking a record year for the program. Hailing from 37 different countries, these promising new filmmakers present works that explore identity, complex portraits of women, and youth as they struggle to navigate a fragile world. Twenty-nine of the films will make their World Premieres at the Festival. The lineup stands out for the impressive number of Asian and Eastern European films — accounting for 26% of the Discovery program — and the number of films directed by women. Opening this year’s Discovery program will be Bai Xue’s The Crossing, a captivating Chinese film following the journey of an ordinary teenage girl who becomes entangled in illicit activities. https://www.youtube.com/watch?v=GVd56lm-8Cs The program’s highlights include: Adina Pintilie’s innovative Touch Me Not, winner of the Golden Bear and Best First Feature in Berlin; Syrian director Soudade Kaadan’s The Day I Lost My Shadow, a bewitching film on the Syrian conflict; Nino Zhvania’s Parade, the only Georgian feature in the selection; Lithuanian director Marija Kavtaradze’s touching Summer Survivors; Han Ka-ram’s charming Our Body; and renowned Nigerian actor Genevieve Nnaji’s exciting directorial debut, Lionheart. This year’s lineup also stands out for the strong portrayals of sensitive and witty women within it. Among them are Arturo Infante’s sci-fi comedy The Extraordinary Journey of Celeste García , starring popular actor María Isabel Díaz; Mexican director Lila Avilés’ The Chambermaid; Arash Lahooti’s Orange Days; Nikos Labôt’s Her Job; and Woman at War by Icelandic director Benedikt Erlingsson, which has already earned critical praise. Putting the struggles of young characters front and centre, the Discovery program includes UK actor-director Adewale Akinnuoye-Agbaje’s Farming, which tells the story of a Nigerian immigrant facing a racist skinhead gang in 1980s England; Carmel Winters’ beautiful Float Like a Butterfly; Lukas Dhont’s Girl; Daniel Sawka’s Icebox; Rosanne Pel’s Light as Feathers; Darko Štante’s Consequences; Ash Mayfair’s The Third Wife; Imogen Thomas’ poetic Emu Runner; Ethiopian–Israeli filmmaker Aäläm-Wärqe Davidian’s Fig Tree; and Joël Karekezi’s The Mercy of the Jungle, showcasing the breakthrough performance of TIFF International Rising Star Stéphane Bak. Risk-takers and daring artists also stand out in this year’s slate, as in Wanuri Kahiu’s Rafiki, an electric female LGBTQ+ love story set in Kenya, where homosexuality is illegal; Sameh Zoabi’s border-crossing dark comedy Tel Aviv on Fire; Ognjen Glavonić’s The Load; and Irish brothers Andy and Ryan Tohill’s suspenseful thriller The Dig. Bold Australian filmmaker Benjamin Gilmour will present the groundbreaking Jirga . To close this bright selection, Palestinian director Bassam Jarbawi will introduce North American audiences to his exceptional first feature film, Screwdriver, a gripping drama that examines the psychological impact of the Palestinian–Israeli conflict. The 43rd Toronto International Film Festival runs from September 6 to 16, 2018

    2018 Toronto International Film Festival Discovery Program

    aKasha hajooj kuka | Sudan/South Africa/Qatar/Germany North American Premiere ANIARA Pella Kågerman, Hugo Lilja | Sweden World Premiere Blind Spot (Blindsone) Tuva Novotny | Norway International Premiere The Chambermaid (La Camarista) Lila Avilés | Mexico World Premiere Complicity (Kazenoki Wa Koto No Youni) Kei Chikaura | Japan/China World Premiere Consequences (Posledice) Darko Štante | Slovenia/Austria World Premiere Discovery Opening Film The Crossing (Guo Chun Tian) Bai Xue | China World Premiere The Day I Lost My Shadow (Yom Adaatou Zouli) Soudade Kaadan | Syria/France/Qatar/Lebanon North American Premiere The Dig Andy Tohill, Ryan Tohill | United Kingdom North American Premiere An Elephant Sitting Still (Da Xiang Xi Di Er Zuo) Hu Bo | China Canadian Premiere Emu Runner Imogen Thomas | Australia World Premiere ENDZEIT – EVER AFTER (ENDZEIT) Carolina Hellsgård | Germany World Premiere The Extraordinary Journey of Celeste García (El Viaje Extraordinario de Celeste García) Arturo Infante | Cuba/Germany World Premiere Farming Adewale Akinnuoye-Agbaje | United Kingdom World Premiere Fig Tree Aäläm-Wärqe Davidian | Israel/Germany/France/Ethiopia World Premiere Float Like a Butterfly Carmel Winters | Ireland World Premiere Girl Lukas Dhont | Belgium Canadian Premiere Gwen William McGregor | United Kingdom World Premiere Helmet Heads (Cascos Indomables) Neto Villalobos | Costa Rica/Chile World Premiere Her Job Nikos Labôt | Greece/France/Serbia World Premiere Icebox Daniel Sawka | USA World Premiere Jirga Benjamin Gilmour | Australia North American Premiere Light as Feathers Rosanne Pel | Netherlands World Premiere Lionheart Genevieve Nnaji | Nigeria World Premiere The Load (Teret) Ognjen Glavonic | Serbia/France/Croatia/Iran/Qatar North American Premiere Manta Ray (Kraben Rahu) Phuttiphong Aroonpheng | Thailand/France/China North American Premiere The Mercy of the Jungle Joël Karekezi | Belgium/France/Germany North American Premiere Orange Days (Rooz-haye Narenji) Arash Lahooti | Iran World Premiere Our Body (A-wol Ba-di) Han Ka-ram | South Korea World Premiere Parade (Aglumi) Nino Zhvania | Georgia/Russia World Premiere Phoenix (Føniks) Camilla Strøm Henriksen | Norway/Sweden World Premiere Rafiki Wanuri Kahiu | Kenya/South Africa/France/Lebanon/Norway/Netherlands/Germany/USA North American Premiere Saf Ali Vatansever | Turkey/Germany/Romania World Premiere Discovery Closing Film Screwdriver (Mafak) Bassam Jarbawi | Palestine/USA/Qatar North American Premiere Summer Survivors Marija Kavtaradze | Lithuania World Premiere Tel Aviv on Fire Sameh Zoabi | Luxembourg/France/Israel/Belgium North American Premiere The Third Wife Ash Mayfair | Vietnam World Premiere Tito and the Birds (Tito e os Pássaros) Gustavo Steinberg, Gabriel Bitar, André Catoto | Brazil North American Premiere Too Late to Die Young (Tarde para morir joven) Dominga Sotomayor | Chile/Brazil/Argentina/Netherlands/Qatar North American Premiere Touch Me Not Adina Pintilie | Romania/Germany/Czech Republic/Bulgaria/France North American Premiere Twin Flower (Fiore Gemello) Laura Luchetti | Italy World Premiere Woman at War (Kona fer í stríð) Benedikt Erlingsson | Iceland/France/Ukraine North American Premiere Previously announced Canadian titles in the Discovery programme include Akash Sherman’s Clara , Gwaai Edenshaw and Helen Haig-Brown’s Edge of the Knife, Jasmin Mozaffari’s Firecrackers, and Zach Lipovsky and Adam Stein’s Freaks.

    TIFF DOCS

    Reason (Vivek) Anand Patwardhan | India World Premiere

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  • 13 Filmmakers to Compete for Kutxabank-New Directors Award at 2018 San Sebastián Film Festival

    [caption id="attachment_30728" align="aligncenter" width="1000"]Apuntes para una película de atracos (Notes for a Heist Film). Apuntes para una película de atracos (Notes for a Heist Film).[/caption] Thirteen first or second films by European, Asian and Latin American directors that will be competing for the Kutxabank-New Directors Award at the 2018 San Sebastián Film Festival. Koldo Almandoz (San Sebastián, 1973) has had an intense career in the world of short films, linked to the Kimuak programme and to the San Sebastián Festival, which programmed his first short, Razielen itzulera (The Return of Raziel), in 1997 in Zabaltegi, the section in which two decades later he presented his first full-length film, Sipo Phantasma (Ghost Ship), after premiering it in Rotterdam. Oreina (The Deer) is his second feature film. Elías León Siminiani (Santander, Spain, 1971), nominated for a Goya for Mapa (Map), is now presenting Apuntes para una película de atracos (Notes for a Heist Film). For her part, Nataliia Meshchaninova (Krasnodar, Russia, 1982), who competed in Rotterdam with her first full-length film, Kombinat ‘Nadezhda’ / The Hope Factory, focuses on the vet on a farm in Serdtse Mira / Core of the World. And after Ama Doren / Hold my hand, Ismet Sijarina in Nëntor i ftohtë / Cold November returns to the War in the Balkans, in this case to its background, when Kosovo’s autonomy was suppressed. Hadrian Marcu (Brăila, Rumanía, 1976) will be presenting Un om la locul lui / A Decent Man, about a man who is torn by an emotional conflict, that was selected last year in the first Glocal in Progress, the industry activity at the Festival aimed at European films in non-hegemonic languages. It stars Bodgan Dumitrache, who won the Silver Shell for best actor last year for his performance in Pororoca. The selection also includes the first film by Francisco Marise (La Plata, Argentina, 1985), Para la Guerra (To War), coproduced by the filmmaker, Javier Rebollo, who also takes part in the editing process, and the first film by Hiroshi Okuyama (Japan, 1996), the award-winning music video director, who makes his debut with Boku wa Iesu-sama ga kirai / Jesus. The short by Inés María Barrionuevo (Córdoba, Argentina, 1980), La quietud (2012), competed in the official section at Locarno, and her first feature film, Atlántida (2014), was selected at the Berlinale in the Generation 14plus section. In Julia y el zorro (Julia and the Fox) she deals with a woman and her twelve-year-old daughter who are going through a mourning process. The director, producer and actress Lila Avilés (Mexico, 1982), after working in theatre and presenting shorts at international festivals, in her first full-length film, entitled La camarista (The Chambermaid), describes the everyday life of one of the so-called ‘chambermaids’. After winning awards in his short-film career (with films like Teneriffa), Hannes Baumgartner (Männedorf, Switzerland, 1983) has been inspired in his first feature film Der läufer / Midnight Runner, by the true story of an athlete who starts to commit robberies and lead a double life. Snow, the graduation film by Laurits Flensted-Jensen (Aarhus, Denmark, 1985), was selected at Rotterdam and was chosen as best documentary short by the Danish Academy. His fictional short Melon Rainbow was once again programmed at the Dutch festival and won the most important award at Odense. Neon Heart is his first full-length film. After taking part in the Short Film Corner at Cannes with Grasshopper, the Vietnamese director Ash Mayfair (Ho Chi Minh City, 1985) is presenting her feature-film debut at San Sebastián with The Third Wife, whose screenplay was chosen by Spike Lee as the winner of his Spike Lee Film Production Fund Award in 2014. The short film Luisa no está en casa (Luisa is not Home) by Celia Rico Clavellino (Seville, 1982) was chosen in the Short Film Corner at Cannes and at Venice and won the Gaudí award for best short. Her first full-length film, Viaje al cuarto de una madre (Journey to a Mother’s Room), whose screenplay took part in the Berlinale Talents Script Station Lab, stars Lola Dueñas and Anna Castillo. The remaining titles making up the New Directors section will be announced in the coming weeks. APUNTES PARA UNA PELÍCULA DE ATRACOS (NOTES FOR A HEIST FILM) LEÓN SIMINIANI (SPAIN) Elías is a film director who dreamed of making a heist movie. During the summer of 2013 he reads a news story about the arrest of ‘The Vallecas Robin Hood’, the leader of ‘the sewers gang’. He then feels that he has found the opportunity to make his dream come true. He sends him a letter to the prison where he is serving his sentence. Against all odds, Elías receives a reply three weeks later. Robin Hood agrees for him to come and visit him in prison. BOKU WA IESU-SAMA GA KIRAI / JESUS HIROSHI OKUYAMA (JAPAN) Cast: Yura Sato, Riki Okuma Yura is a young boy whose family leaves Tokyo to live with his grandmother in the snowy countryside. Not only must he fit in at a new school, but it’s a Christian one. At first he is puzzled when he and his classmates are called to ‘worship’, but he gradually adjusts to his new environment. One day, in the middle of a prayer, he sees a very small Jesus appear before him. Each wish Yura makes to Jesus comes true, and he starts to have faith in the power of the Lord. DER LÄUFER / MIDNIGHT RUNNER HANNES BAUMGARTNER (SWITZERLAND ) Cast: Max Hubacher, Annina Euling, Luna Wedler, Sylvie Rohrer, Christophe Sermet, Saladin Dellers Jonas Widmer is one of the best runners in Switzerland and his focus is to attend the Olympic games. Besides the sport Jonas is a successful cook and plans to move in with his girlfriend Simone. But Jonas perfect life gets disturbed by the increasing memories of his late brother. He starts a tragic double life by robbing young women at night. After a true story. JULIA Y EL ZORRO (JULIA AND THE FOX) INES MARÍA BARRIONUEVO (ARGENTINA) Cast: Umbra Colombo, Pablo Limarzi, Victoria Castelo Arzubialde Julia, an ex-actress, and her daughter Emma move into a mansion in a village in Córdoba, Argentina. It is winter and Julia needs to fix up the house so she can sell it. Quite a while has gone by since the death of her husband and Emma’s father, but they are still in mourning. The days go gloomily by. Grief has made Julia quiet and cool with her daughter. One night Julia meets Gaspar, a life-long friend of hers. Gaspar tries to convince Julia to take part in a theatre competition. Julia, Emma and Gaspar find a way to rebuild their lives by starting a rather uncertain project to form a new type of family. LA CAMARISTA (THE CHAMBERMAID) LILA AVILÉS (MEXICO – USA) Cast: Gabriela Cartol, Teresa Sánchez Eve is a young chambermaid working in one of the most luxurious hotels in Mexico City, an exclusive glass tower inhabited by guests so wealthy she can only imagine their lives through intimate fantasies of the belongings they’ve left behind. Long, laborious shifts prevent Eve from caring for her child while she helps guests with their own children, but she believes her situation will improve if she gets promoted to work at executive-level suites, for which she accepts a grueling schedule. In keeping with this goal, she also enrolls in the hotel’s adult education program… NËNTOR I FTOHTË / COLD NOVEMBER ISMET SIJARINA (KOSOVO – ALBANIA – FORMER YUGOSLAV REPUBLIC OF MACEDONIA) Cast: Kushtrim Hoxha, Adriana Matoshi, Emir Hadzihafizbegovic, Fatmir Spahiu, Majlinda Kosumovic, Bislim Mucaj, Lum Veseli, Aurita Agushi In the beginning of the ’90s, Yugoslavian Government cancelled the autonomy of Kosovo, dissolved its Parliament and closed down the National Television. Whole institutional life was reorganized by new authorities, while the majority of citizens responded with peaceful demonstrations. During this evil time, Fadili who is working as an archivist has to choose between two options, being aware that both of them are wrong. In this way, he involuntarily and unwillingly, ‘swallows’ the shame, endures the pressure coming from all sides and deals with the bad reputation for just one reason: to provide welfare for his family. NEON HEART LAURITS FLENSTED-JENSEN (DENMARK) Cast: Victoria Carmen Sonne, Niklas Herskind, Noah Skovgaard Skands Neon Heart is a story about three people chasing life and each other. Laura is on her way to a porn film casting. Niklas is trying to take care of two men with Down’s Syndrome, and Frederik is out to gain respect as a hooligan. In glimpses and fragments of past and present, we follow the three characters on a journey full of taboos and desires. With a cast of mainly non-actors in authentic environments, Neon Heart confronts its audience with a world we would rather not look at. OREINA (THE DEER) KOLDO ALMANDOZ (SPAIN) Cast: Laulad Ahmed, Patxi Bisquert, Ramón Agirre, Iraia Elías, Erika Olaizola Khalil is a rootless young man who lives on the edge of town, where the industrial estates merge into the river and the marshes. Khalil gets by as best he can and spends his time with an old poacher, who shares a house on the riverbank with a brother who he hasn’t spoken to in years. On the banks of the marshes, the tides mark the time for love and heartbreak, friendship and revenge. PARA LA GUERRA (TO WAR) FRANCISCO MARISE (CUBA – ARGENTINA – SPAIN) Para la guerra explores the memory and loneliness of a Cuban former internationalist soldier by observing his body and (extra)ordinary gestures. This is a bloodless war film without any shooting; a film about a wound, that ‘Sledgehammer’, ‘ El Rayado’, Andrés, has, this special forces veteran who tries to find his colleagues from the commando that survived their last mission 30 years ago. [caption id="attachment_30730" align="aligncenter" width="1000"]Core of the World (Serdtse Mira Core of the World (Serdtse Mira[/caption] SERDTSE MIRA / CORE OF THE WORLD NATALIIA MESHCHANINOVA (RUSSIA) Cast: Stepan Devonin, Dmitriy Podnozov, Jana Sekste Egor is a veterinarian on a rural farm which doubles as a hunting dog training center. He is a grown man, but deep inside he is a child who has been hurt and abandoned by everyone, including his own mother. All he wants is to care for the animals and to feel part of the close-knit family he works for. When animal rights activists invade this fragile microcosm, throwing off its delicate balance, Egor’s world begins to crumble… Or so it seems. THE THIRD WIFE ASH MAYFAIR (VIETNAM) Cast: Trần Nữ Yên Khê, Mai Thu Hường, Nguyễn Phương Trà My, Nguyễn Như Quỳnh In 19th century rural Vietnam, 14-year-old May becomes the third wife of wealthy landowner Hung. Soon she learns that she can only gain status by asserting herself as a woman who can give birth to a male child. May’s hope to change her status turns into a real and tantalizing possibility when she gets pregnant. Faced with forbidden love and its devastating consequences, May finally comes to an understanding of the brutal truth: the options available to her are few and far between. UN OM LA LOCUL LUI / A DECENT MAN HADRIAN MARCU (ROMANIA) Cast: Bogdan Dumitrache, Ada Gales, Madalina Constantin, Iulian Postelnicu, Adrian Titieni Petru is a drilling engineer living in a community of oil industry workers. Petru is quite conflicted. On one hand he is about to get married to his pregnant girlfriend Laura, on the other he is involved with the wife of one of his colleagues, Sonia, who had a serious work-related accident. His new life seems to begin while she feels hers is ending. Everything is thrown into chaos when Laura finds out about his relationship with Sonia. He feels guilt-ridden but also responsible for the upcoming baby. Participant in the first edition of Glocal in Progress. VIAJE AL CUARTO DE UNA MADRE (JOURNEY TO A MOTHER’S ROOM) CELIA RICO CLAVELLINO (SPAIN- FRANCE) Cast: Lola Dueñas, Anna Castillo, Pedro Casablanc Leonor wants to leave home, but she doesn’t dare to tell her mother. Estrella doesn’t want her to leave but is unable to keep her by her side either. Mother and daughter will have to face this new stage in life in which the world that they share starts to fall apart.

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