The 2015 Toronto International Film Festival today announced award winners, and Room (pictured above) by Lenny Abrahamson is the winner of the Grolsch People’s Choice Award. Told through the eyes of five-year-old-Jack, Room is a thrilling and emotional tale that celebrates the resilience and power of the human spirit. To Jack, the Room is the world…it’s where he was born, where he and his Ma eat and sleep and play and learn. But while it’s home to Jack, to Ma it’s a prison. Through her fierce love for her son, Ma has managed to create a childhood for him in their 10-by-10-foot space. But as Jack’s curiosity is building alongside Ma’s own desperation — she knows that Room cannot contain either indefinitely. The second runner up is Tom McCarthy’s Spotlight. The first runner up is Pan Nalin’s Angry Indian Goddesses.
https://www.youtube.com/watch?v=E_Ci-pAL4eE
The Grolsch People’s Choice Midnight Madness Award went to Ilya Naishuller for Hardcore. Resurrected with no recollection of his past, a cyborg named Henry and his ally Jimmy must fight through the streets of Moscow in pursuit of Henry’s kidnapped wife, in the world’s first action-adventure film to be entirely shot from the first person perspective. The second runner up is Jeremy Saulnier for Green Room. The first runner up is Todd Strauss-Schulson for The Final Girls.
https://www.youtube.com/watch?v=wv33e0TyL6M
The Grolsch People’s Choice Documentary Award went to Evgeny Afineevsky for Winter on Fire: Ukraine’s Fight For Freedom. Chronicling events that unfolded over 93 days in 2013 and 2014, the film witnesses the formation of a new civil rights movement in Ukraine. What started as peaceful student demonstrations supporting European integration morphed into a full-fledged violent revolution calling for the resignation of the nation’s president. The second runner up is Brian D. Johnson’s Al Purdy Was Here. The first runner up is Avi Lewis’s This Changes Everything.
https://www.youtube.com/watch?v=RibAQHeDia8
SHORTS CUTS AWARD FOR BEST CANADIAN SHORT FILM
The Shorts Cuts Award for Best Canadian Short Film went to Patrice Laliberté for Overpass. The jury remarked, “For its seductive, elliptical and graceful manner of exploring the nature of grief and the unconventional ways that families react to loss, all of which was elevated by the performance of Téo Vachon Sincennes.”
The jury gave an honorable mention to Sol Friedman’s Bacon & God’s Wrath, “For its whimsical and wry examination of religious conviction and intellectual conversion, and the acknowledgment that courage and transformation can be achieved at any age and involve any manner of pork by-product.”
SHORT CUTS AWARD FOR BEST SHORT FILM
The Short Cuts Award for Best Short Film goes to Maïmouna Doucouré’s Maman(s). The jury remarked, “For its daring and revelatory exploration of a family’s dysfunction and upheaval through the eyes of a child and its refusal to cast characters as villains but rather as complex, and highly conflicted, human beings the jury selects Maman(s). The jury also wanted to acknowledge the vulnerable, defiant performance of the gifted Sokhna Diallo.”
The jury gave an honorable mention to Fyzal Boulifa’s Rate Me, “For its blithely unconventional approach to new media and new mores, and a sense of humor as wry as it was rude.”
CITY OF TORONTO AWARD FOR BEST CANADIAN FIRST FEATURE FILM
The City of Toronto Award for Best Canadian First Feature Film goes to for Andrew Cividino’s Sleeping Giant. The jury remarked, “For its sophisticated plotting, indelible characters and insightful critique of masculinity through a fateful rite of passage on the north shore of Lake Superior, the jury selects Sleeping Giant.”
https://www.youtube.com/watch?v=2A25lvWI4mc
CANADA GOOSE AWARD FOR BEST CANADIAN FEATURE FILM
The Canada Goose Award for Best Canadian Feature Film goes to Stephen Dunn’s Closet Monster. The jury remarked, “For its confidence and invention in tackling the pain and yearning of the first love and coming of age of a young gay man in Newfoundland, the jury recognizes the remarkable artistry and vision of first-time feature director Stephen Dunn for Closet Monster.” This award carries a cash prize of $30,000 and a custom award, sponsored by Canada Goose.
https://www.youtube.com/watch?v=VSLEI55SS5s
The jury gave an honorable mention to Philippe Falardeau’s My Internship in Canada, “For its dexterous intelligence and cinematic wit.”
THE PRIZES OF THE INTERNATIONAL FEDERATION OF FILM CRITICS (FIPRESCI PRIZES)
Prize of the International Federation of Film Critics (FIPRESCI) for the Discovery program is awarded to Marko Škop for Eva Nová. The jury remarked, “For exploring themes of humanity, dignity, addiction and redemption in a naturalistic, deceptively simple and non-exploitative manner, FIPRESCI is pleased to present the prize in the Discovery program to Marko Škop’s haunting debut feature Eva Nová.”
https://www.youtube.com/watch?v=3BaWGVaslcQ
Prize of the International Federation of Film Critics (FIPRESCI) for Special Presentations is awarded to Jonás Cuarón’s Desierto. The jury remarked, “For using pure cinema to create a strong physical sensation of being trapped in a vast space and hunted down by hatred in its most primal form, FIPRESCI presents the prize in the Special Presentations program to Desierto by Jonás Cuarón.”
NETPAC AWARD
As selected by a jury from the Network for the Promotion of Asian Cinema for the 4th consecutive year, the NETPAC Award for World or International Asian Film Premiere goes to Sion Sono for The Whispering Star. The jury remarked, “For its poetic, moving and brave attempt to express a grief that’s inexpressible, combining all too real elements with lo-fi sci-fi, the NETPAC jury awards the prize to The Whispering Star.”
TORONTO PLATFORM PRIZE
This is the inaugural year for Platform, the Festival’s new juried program that champions director’s cinema from around the world. The Festival awarded the first ever Toronto Platform Prize to Alan Zweig for HURT. The jury remarked, “Following a long discussion, the jury has chosen unanimously to give the Platform prize to HURT. It is a film that explores the complexity and fragility of human destiny in a country that much of the world sees as a paradise.”
https://www.youtube.com/watch?v=NDLhsxNp8m4
The jury gave honorable mentions to Gabriel Mascaro’s Neon Bull, He Ping’s The Promised Land, and Pablo Trapero’s The Clan.
DROPBOX DISCOVERY PROGRAMME FILMMAKERS AWARD
Earlier in the Festival, the winner of the Dropbox Discovery Program Filmmakers Award was announced. The award went to Adil El Arbi and Bilall Fallah whose film, Black, was presented as part of the Discovery program.
https://www.youtube.com/watch?v=qthmdtzPkL8This Changes Everything (2015)
Seven powerful portraits of community resistance around the world lead to one big question: what if confronting the climate crisis is the best chance we’ll ever get to build a better world? Inspired by Naomi Klein’s international bestseller and directed by her partner Avi Lewis, This Changes Everything is an affecting and hopeful call to action
Directed by Avi Lewis
Genre(s) Documentary Film
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2015 Toronto International Film Festival Award Winners; ROOM Wins People Choice Awards| TRAILER
The 2015 Toronto International Film Festival today announced award winners, and Room (pictured above) by Lenny Abrahamson is the winner of the Grolsch People’s Choice Award. Told through the eyes of five-year-old-Jack, Room is a thrilling and emotional tale that celebrates the resilience and power of the human spirit. To Jack, the Room is the world…it’s where he was born, where he and his Ma eat and sleep and play and learn. But while it’s home to Jack, to Ma it’s a prison. Through her fierce love for her son, Ma has managed to create a childhood for him in their 10-by-10-foot space. But as Jack’s curiosity is building alongside Ma’s own desperation — she knows that Room cannot contain either indefinitely. The second runner up is Tom McCarthy’s Spotlight. The first runner up is Pan Nalin’s Angry Indian Goddesses.
https://www.youtube.com/watch?v=E_Ci-pAL4eE
The Grolsch People’s Choice Midnight Madness Award went to Ilya Naishuller for Hardcore. Resurrected with no recollection of his past, a cyborg named Henry and his ally Jimmy must fight through the streets of Moscow in pursuit of Henry’s kidnapped wife, in the world’s first action-adventure film to be entirely shot from the first person perspective. The second runner up is Jeremy Saulnier for Green Room. The first runner up is Todd Strauss-Schulson for The Final Girls.
https://www.youtube.com/watch?v=wv33e0TyL6M
The Grolsch People’s Choice Documentary Award went to Evgeny Afineevsky for Winter on Fire: Ukraine’s Fight For Freedom. Chronicling events that unfolded over 93 days in 2013 and 2014, the film witnesses the formation of a new civil rights movement in Ukraine. What started as peaceful student demonstrations supporting European integration morphed into a full-fledged violent revolution calling for the resignation of the nation’s president. The second runner up is Brian D. Johnson’s Al Purdy Was Here. The first runner up is Avi Lewis’s This Changes Everything.
https://www.youtube.com/watch?v=RibAQHeDia8
SHORTS CUTS AWARD FOR BEST CANADIAN SHORT FILM
The Shorts Cuts Award for Best Canadian Short Film went to Patrice Laliberté for Overpass. The jury remarked, “For its seductive, elliptical and graceful manner of exploring the nature of grief and the unconventional ways that families react to loss, all of which was elevated by the performance of Téo Vachon Sincennes.”
The jury gave an honorable mention to Sol Friedman’s Bacon & God’s Wrath, “For its whimsical and wry examination of religious conviction and intellectual conversion, and the acknowledgment that courage and transformation can be achieved at any age and involve any manner of pork by-product.”
SHORT CUTS AWARD FOR BEST SHORT FILM
The Short Cuts Award for Best Short Film goes to Maïmouna Doucouré’s Maman(s). The jury remarked, “For its daring and revelatory exploration of a family’s dysfunction and upheaval through the eyes of a child and its refusal to cast characters as villains but rather as complex, and highly conflicted, human beings the jury selects Maman(s). The jury also wanted to acknowledge the vulnerable, defiant performance of the gifted Sokhna Diallo.”
The jury gave an honorable mention to Fyzal Boulifa’s Rate Me, “For its blithely unconventional approach to new media and new mores, and a sense of humor as wry as it was rude.”
CITY OF TORONTO AWARD FOR BEST CANADIAN FIRST FEATURE FILM
The City of Toronto Award for Best Canadian First Feature Film goes to for Andrew Cividino’s Sleeping Giant. The jury remarked, “For its sophisticated plotting, indelible characters and insightful critique of masculinity through a fateful rite of passage on the north shore of Lake Superior, the jury selects Sleeping Giant.”
https://www.youtube.com/watch?v=2A25lvWI4mc
CANADA GOOSE AWARD FOR BEST CANADIAN FEATURE FILM
The Canada Goose Award for Best Canadian Feature Film goes to Stephen Dunn’s Closet Monster. The jury remarked, “For its confidence and invention in tackling the pain and yearning of the first love and coming of age of a young gay man in Newfoundland, the jury recognizes the remarkable artistry and vision of first-time feature director Stephen Dunn for Closet Monster.” This award carries a cash prize of $30,000 and a custom award, sponsored by Canada Goose.
https://www.youtube.com/watch?v=VSLEI55SS5s
The jury gave an honorable mention to Philippe Falardeau’s My Internship in Canada, “For its dexterous intelligence and cinematic wit.”
THE PRIZES OF THE INTERNATIONAL FEDERATION OF FILM CRITICS (FIPRESCI PRIZES)
Prize of the International Federation of Film Critics (FIPRESCI) for the Discovery program is awarded to Marko Škop for Eva Nová. The jury remarked, “For exploring themes of humanity, dignity, addiction and redemption in a naturalistic, deceptively simple and non-exploitative manner, FIPRESCI is pleased to present the prize in the Discovery program to Marko Škop’s haunting debut feature Eva Nová.”
https://www.youtube.com/watch?v=3BaWGVaslcQ
Prize of the International Federation of Film Critics (FIPRESCI) for Special Presentations is awarded to Jonás Cuarón’s Desierto. The jury remarked, “For using pure cinema to create a strong physical sensation of being trapped in a vast space and hunted down by hatred in its most primal form, FIPRESCI presents the prize in the Special Presentations program to Desierto by Jonás Cuarón.”
NETPAC AWARD
As selected by a jury from the Network for the Promotion of Asian Cinema for the 4th consecutive year, the NETPAC Award for World or International Asian Film Premiere goes to Sion Sono for The Whispering Star. The jury remarked, “For its poetic, moving and brave attempt to express a grief that’s inexpressible, combining all too real elements with lo-fi sci-fi, the NETPAC jury awards the prize to The Whispering Star.”
TORONTO PLATFORM PRIZE
This is the inaugural year for Platform, the Festival’s new juried program that champions director’s cinema from around the world. The Festival awarded the first ever Toronto Platform Prize to Alan Zweig for HURT. The jury remarked, “Following a long discussion, the jury has chosen unanimously to give the Platform prize to HURT. It is a film that explores the complexity and fragility of human destiny in a country that much of the world sees as a paradise.”
https://www.youtube.com/watch?v=NDLhsxNp8m4
The jury gave honorable mentions to Gabriel Mascaro’s Neon Bull, He Ping’s The Promised Land, and Pablo Trapero’s The Clan.
DROPBOX DISCOVERY PROGRAMME FILMMAKERS AWARD
Earlier in the Festival, the winner of the Dropbox Discovery Program Filmmakers Award was announced. The award went to Adil El Arbi and Bilall Fallah whose film, Black, was presented as part of the Discovery program.
https://www.youtube.com/watch?v=qthmdtzPkL8
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34th Vancouver International Film Festival Reveals Films in Gala and Special Presentation
The 34th Vancouver International Film Festival will run from September 24th to October 9th, 2015 with John Crowley’s Brooklyn starting the festival off in the Opening Night Gala spot. With scripting by Nick Hornby (Wild, An Education), this 50s-era immigration film is an exhilarating tale of female empowerment. Marc Abraham’s I Saw the Light holds the Closing Night Gala position with a feature on the life of country star Hank Williams. Produced by Vancouver’s Bron Studios, this film reflects the best in BC’s ongoing production boom. Canadian productions remain front and centre when Philippe Falardeau’s My Internship in Canada opens the Canadian Images program, while Patricia Rozema’s Into the Forest takes the BC Spotlight Awards Gala spot.
The complete list of films in the Gala and Special Presentation categories include:
Opening Gala
Brooklyn
(JOHN CROWLEY, UK/IRELAND/CANADA)
Lured from Ireland by the American Dream, Eilis (Saoirse Ronan) instead lands in a hardscrabble reality of cramped boarding houses and grungy dancehalls. As homesickness grips her, she’s also torn between two admirers (Domhnall Gleeson and Emory Cohen). With Nick Hornby scripting, John Crowley crafts a stirring 50s-era immigration tale that also serves as an exhilarating profile of female empowerment. “Classily and classically crafted in the best sense.” — Hollywood Reporter
https://www.youtube.com/watch?t=2&v=15syDwC000k
Closing Gala
I Saw the Light
(MARC ABRAHAM, USA)
Having played gods and monsters with aplomb, Tom Hiddleston takes centre stage as country music legend/renegade Hank Williams. In turns as rambunctious as a barn dance and as reflective as a ballad, Marc Abraham’s film chronicles Williams’ rapid ascent to stardom and the tragedy of a career cut short by substance abuse. Laid to rest at only 29, Williams left behind a truly remarkable body of work. Handling the singing chores himself, Hiddleston does the man—and his music—proud.
Canadian Images Opening Film
My Internship in Canada
(PHILIPPE FALARDEAU, CANADA)
Philippe Falardeau (Monsieur Lazhar) returns with an energetic, laugh-out-loud political comedy that couldn’t be more timely. Steve Guibord (Patrick Huard, brilliant) is an independent Quebec MP travelling to his northern riding with a new Haitian intern. Soon after finding themselves caught in the crossfire of activists, miners, truckers, politicians and aboriginal groups, it turns out that Guibord somehow holds the decisive vote in a national debate that will decide whether Canada will go to war in the Middle East! The fabulous Suzanne Clément co-stars.
BC Spotlight Awards Gala
Into the Forest
(PATRICIA ROZEMA, CANADA)
The BC coastal forest is in all its glory as a father and his two daughters drive off to their remote and idyllic getaway home. They have little sense at first of the growing apocalypse that they are leaving in their wake. It will come to them. Ellen Page, Evan Rachel Wood, Max Minghella, Callum Keith Rennie and Michael Eklund star in this Patricia Rozema-directed adaptation of Jean Hegland’s novel.
Spotlight Gala
Beeba Boys
(DEEPA MEHTA, CANADA/INDIA)
Mix propulsive bhangra beats, blazing AK-47s, bespoke suits, solicitous mothers and copious cocaine, and you have the heady, volatile cocktail that is Deepa Mehta’s latest film, an explosive clash of culture and crime. Jeet Johar (Indian star Randeep Hooda) and his young, charismatic Sikh crew vie to take over the Vancouver drug and arms trade in this all-out action/drama. Blood is spilled, heads are cracked, hearts are broken and family bonds are pushed to the brink.
Special Presentations
Arabian Nights
(MIGUEL GOMES, PORTUGAL)
Miguel Gomes’ (Tabu, Our Beloved Month of August) astonishing three-volume, six-hour epic draws inspiration from the tales of Scheherazade (here played by Crista Alfaiate) and once again uses a fascinating combination of reality and fiction to comment on Portugal’s past, present and future. “There’s Bunuelian satire, lo-fi crime, Brechtian allegory, and high fantasy all in the mix. It’s dizzying stuff… a film that’s moving, sad, exciting, fiery, and funny.” — Indiewire
Dheepan
(JACQUES AUDIARD, FRANCE)
Jacques Audiard’s (A Prophet, Rust and Bone) latest dramatic inquiry into life on society’s margins is an alternately gripping and tender love story about the eponymous former Tamil fighter (Antonythasan Jesuthasan) and his improvised family, who exchange war in Sri Lanka for violence of another kind in Paris. “A searing yet hopeful slow-burn drama… Audiard delivers another distinctive [work] with this portrait of a family forged out of necessity…” — Hollywood Reporter Palme d’Or, Cannes 15
High-Rise
(BEN WHEATLEY, UK)
Ben Wheatley’s bold adaptation of JG Ballard’s novel takes no prisoners. This scorching satire on class, hedonism and depravity in an imploding luxury apartment building is an even more apocalyptic class polemic than Snowpiercer. Throw in exquisitely unsettling turns from Tom Hiddleston and Jeremy Irons, a string quartet cover of ABBA’s 1975 hit “SOS,” an orgy or two and spice with cannibalism, and you have a tour de force of astonishing architectural ambition.
Ingrid Bergman: In Her Own Words
(STIG BJÖRKMAN, SWEDEN), CANADIAN PREMIERE
Casablanca, Notorious, Voyage to Italy… That Ingrid Bergman, three-time Oscar winner, is one of filmdom’s all-time greats is inarguable. Narrated by Swedish (and now Hollywood) star Alicia Vikander, Stig Björkman’s intimate exploration of Bergman’s personal and professional life benefits immensely from the cooperation of Bergman’s daughter Isabella Rossellini, who allowed him access to never-before-seen private footage, notes, letters, diaries and interviews. The result is a rich and multicoloured portrait of this extraordinary human being—in her own words.
Louder Than Bombs
(JOACHIM TRIER, USA/FRANCE)
When a war photographer (Isabelle Huppert) dies on assignment, her husband (Gabriel Byrne) struggles to mount a retrospective while dealing with his grieving sons (Jesse Eisenberg, Devin Druid) and her combative colleague (David Strathairn). Joachim Trier (Oslo, 31st August) poses tough questions about family, marital responsibility and balancing one’s calling and kin. “A smart, measured tale steeped in understatement and complimented by first-rate performances…” — Indiewire
Room
(LENNY ABRAHAMSON, IRELAND/CANADA/UK)
Directed by Lenny Abrahamson and based on the best-selling Man Booker Prize-nominated novel by Irish-Canadian author Emma Donoghue, this is the story of five-year old Jack, who lives in an 11-by-11-foot room with his mother. Since it’s all he’s ever known, Jack believes that only “Room” and the things it contains (including himself and Ma) are real. Then reality intrudes and Jack’s life is turned on its head… A remarkable and disturbing work.
A Tale of Three Cities
(MABEL CHEUNG, HONG KONG/CHINA)
A rousingly entertaining movie romance, this historical drama tells the deeply moving story of kung fu superstar Jackie Chan’s parents. Both grew up in China’s tumultuous 20th century, swept by war, revolution and resistance. When charismatic customs officer Fang (Lau Ching-wan) meets impoverished young widow Chen (Tang Wei), an unbreakable bond is forged. Together, their love endures through extraordinary adventures, as they head towards a future in Hong Kong.
This Changes Everything
(AVI LEWIS, CANADA)
Naomi Klein (Shock Doctrine) has risen to prominence around the world as one of Canada’s most forceful and relevant public intellectuals. Her cogent call to direct action has inspired youth, helped chart roadmaps for social progressives and environmentalists, and yet worried those who believe that her critique of capitalism plays into the hands of right wingers who think climate change is a socialist plot. Join us, Naomi Klein and director Avi Lewis for this special presentation of This Changes Everything.
Youth
(PAOLO SORRENTINO, ITALY/FRANCE/SWITZERLAND/UK)
Michael Caine, Harvey Keitel and Rachel Weisz anchor Paolo Sorrentino’s gorgeous follow-up to The Great Beauty. Fred (Caine), a retired composer, and friend Mick (Keitel), a film director, are sojourning in a stunning Swiss alpine spa. Surrounded by bodies old and young, supple and sagging, they reconsider their pasts–while Sorrentino choreographs the action with exquisite control. “Sorrentino’s… brightly effusive visual imagination can be intoxicating…” — New York Times
Canadian Images Special Presentations
Hyena Road
(PAUL GROSS, CANADA)
In Paul Gross’ film, ripped from the headlines, a sniper, who has never allowed himself to think of his targets as human, becomes implicated in the life of one of them. An intelligence officer, who has never contemplated killing, becomes the engine of a plot to kill. A legendary Mujahideen warrior, who had put war behind him, is now deeply involved. Three different men, three different worlds, three different conflicts, yet all stand at the intersection of modern warfare.
Remember
(ATOM EGOYAN, CANADA)
Atom Egoyan returns with a completely original take on the darkest chapter of horror in the last century. Christopher Plummer plays a man who’s looking for the person who might be responsible for wiping out his family, as he strains to seize the evanescent memories of long-ago brutality. The all-star cast includes Henry Czerny, Martin Landau and Bruno Ganz. Benjamin August’s screenplay will keep you guessing until the very end.
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2015 Camden International Film Festival Reveals Slate of Feature and Short Films
The 2015 Camden International Film Festival (CIFF) announced the slate of feature and short films for its 11th edition, which will take place September 17-20, 2015 throughout Camden, Rockport and Rockland, Maine. CIFF will present over 60 features and short films from across the globe, the country and the state, with filmmakers attending nearly every screening.
Highlights of this year’s program include Locarno titles Machine Gun or Typewriter, The Ground We Won and Locarno winner Olmo and the Seagull (pictured above), fresh from TIFF: climate change doc This Changes Everything; and Points North alums Containment and Drawing the Tiger. In addition to the titles below, CIFF will screen a sidebar program of historic ethnographic films with support from the Academy of Motion Picture Arts and Sciences, a program celebrating the home movie archives of Charles Norman Shay in collaboration with Northeast Historic Film, and the Cinema Eye Honors for Nonfiction Filmmaking Shorts List, whose titles will be announced at the festival next month.
The Camden International Film Festival will announce their Points North Documentary Forum lineup of films, speakers and panels on Thursday, August 27.
2015 CAMDEN INTERNATIONAL FILM FESTIVAL FEATURES
ABOVE AND BELOW
Nicolas Steiner | Switzerland, Germany | 2015
ALL THINGS ABLAZE
Oleksandr Technyski, Aleksey Solodunov, Dmitry Stoykov | Ukraine | 2014
ALMOST THERE
Aaron Wickenden, Dan Rybicky | United States | 2014
BEST OF ENEMIES
Morgan Neville, Robert Gordon | United States | 2014
BREAKING A MONSTER
Luke Meyer | United States | 2015
Filmmaker in attendance!
CONTAINMENT
Peter Galison, Robb Moss | United States | 2015
Filmmakers in attendance! Points North Alum!
DEMOCRATS
Camila Nielsson| Denmark | 2014
DRAWING THE TIGER
Amy Benson, Ramyata Limbu, Scott Squire | United States | 2015
Filmmakers in attendance! Points North Alum!
ELEPHANT’S DREAM
Kristof Bilsen | Belgium | 2014
Filmmaker in attendance!
FRAME BY FRAME
Alexandria Bombach, Mo Scarpelli | United States | 2015
Filmmakers in attendance!
FROM THIS DAY FORWARD
Sharon Shattuck | United States | 2015
Filmmaker in attendance!
GOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEF
Alex Gibney | United States | 2015
Filmmaker in attendance!
THE GROUND WE WON
Christopher Pryor | New Zealand | 2015
HOW TO CHANGE THE WORLD
Jerry Rothwell | United Kingdom, Canada | 2015
I AM THE PEOPLE (JE SUIS LE PEUPLE)
Anna Roussillon | France | 2014
IN TRANSIT
Albert Maysles, Lynn True, Nelson Walker, Ben Wu, David Usui | United States | 2015
Filmmakers in attendance!
KINGS OF NOWHERE
Betzabé García | Mexico | 2015
Filmmaker in attendance!
MACHINE GUN OR TYPEWRITER
Travis Wilkerson | United States | 2015
MERU
Jimmy Chin, Elizabeth Chai Vasarhelyi | United States | 2015
OF THE NORTH
Dominic Gagnon | Canada | 2015
Filmmaker in attendance!
OLMO AND THE SEAGULL
Petra Costa, Lea Glob | Denmark, Brazil, Portugal, France | 2015
Producer in attendance!
PEACE OFFICER
Scott Christopherson, Brad Barber | United States | 2015
Filmmaker in attendance!
THE RUSSIAN WOODPECKER
Chad Gracia | Ukraine, United Kingdom, United States | 2015
SAILING A SINK SEA
Olivia Wyatt | United States | 2015
Filmmakmer in attendance!
TELL SPRING NOT TO COME THIS YEAR
Saeed Taji Farouky, Michael McEvoy | United Kingdom | 2015
(T)ERROR
Lyric R. Cabral, David Felix Sutcliffe | United States | 2015
Filmmaker in attendance!
THANK YOU FOR PLAYING
David Osit, Malika Zouhali-Worrall | United States | 2015
Filmmakers in attendance!
THIS CHANGES EVERYTHING
Avi Lewis | Canada, United States | 2015
THOSE WHO FEEL THE FIRE BURNING
Morgan Knibbe | Netherlands | 2014
TOTO AND HIS SISTERS
Alexander Nanau | Romania, Hungary, Germany | 2014
T-REX
Drea Cooper, Zackary Canepari | United States | 2015
Filmmaker in attendance!
UNCERTAIN
Anna Sandilands, Ewan McNicol | United States | 2015
Filmmakers in attendance!
UNTITLED Work-in-Progress Screening
Ian Cheney | United States | 2015
Filmmaker in attendance!
WESTERN
Bill Ross, Turner Ross | United States | 2015
Filmmaker in attendance!
2015 CAMDEN INTERNATIONAL FILM FESTIVAL SHORT FILMS
70-SOME YEARS
Riley Hooper | United States | 2015
AMERICAN RENAISSANCE
Jarred Alterman, Ryan Scafuro | United States | 2015
BODY TEAM 12
David Darg | United States | 2015
CLAUDE LANZMANN: SPECTRES OF THE SHOAH
Adam Benzine | United Kingdom | 2015
CHOP MY MONEY
Theo Anthony | United States | 2014
DENALI
Ben Knight | United States | 2015
DIVER
Christoph Gelfand, Caroline Losneck | United States | 2015
Dirigo Short! Made in Maine!
ERIC, WINTER TO SPRING
Danya Abt | United States | 2014
THE FACE OF UKRAINE: CASTING OSKANA BAIUL
Kitty Green | Australia | 2015
FARM
Christoph Gelfand | United States | 2015
Dirigo Short! Made in Maine!
HERETIX: UP AND RUNNING
Francis Decky | United States | 2015
Dirigo Short! Made in Maine!
HOTEL 22
Elizabeth Lo | United States | 2014
THE LAND
Erin Davis | United States | 2015
THE LAST BARN DANCE
Ted Richardson, Jason Arthurs | United States | 2015
LAST PYRAMID
Dave Schachter | United States | 2015
Dirigo Short! Made in Maine!
LETTER TO SUBI
Genevieve Carmel | United States | 2015
LUCHADORA
River Finlay | United States, Mexico | 2014
THE MANY SAD FATES OF MR. TOLEDANO
Joshua Seftel | United States | 2015
MY GAL, ROSEMARIE
Jason Tippet | United States | 2015
NEW MISSION
Christopher Giamo | United States | 2014
OBJECT
Paulina Skibinska | Poland | 2015
OF THE UNKNOWN
Eva Weber | United Kingdom | 2014
PINK BOY
Eric Rockey | United States | 2015
THE REAGAN SHORTS
Pacho Velez | United States | 2015
Points North Alum!
SEEDING FEAR
Craig Jackson | Canada | 2015
SPEARHUNTER
Luke Poling, Adam Roffman | United States | 2014
TERRITORY
Eleanor Mortimer | United Kingdom | 2015
THINGS
Ben Rivers | United Kingdom | 2015
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40th Toronto International Film Festival Reveals Canadian Films on Lineup
The 40th Toronto International Film Festival taking place September 10 to 20, 2015, revealed a lineup of bold Canadian works by filmmakers including Patricia Rozema, André Turpin, Anne Émond, Kazik Radwanski and Guy Édoin, documentarians Mina Shum and Avi Lewis, trailblazers Bruce McDonald, Guy Maddin and Philippe Falardeau, promising new work from Andrew Cividino, Adam Garnet Jones and Stephen Dunn, and an impressive first feature by renowned visual contemporary artist Mark Lewis. From hardcore horror and political comedy to intense dramas and true tales of bravery, Canadians continue to carve their own place in filmmaking.
The Canada Goose Award for Best Canadian Feature Film will be given to one of many outstanding Canadian filmmakers, with the City of Toronto Award for Best Canadian First Feature Film being presented to the Canadian filmmaker with the most impressive debut feature film at the Festival. This year’s Canadian awards jury is composed of filmmaker Don McKellar (The Grand Seduction), Jacqueline Lyanga (Director of AFI Fest), and Ilda Santiago (Programming and Executive Director of Rio de Janeiro International Film
Festival).
SPECIAL PRESENTATIONS
Born to be Blue. Robert Budreau, Canada/United Kingdom World Premiere (pictured above)
Born to be Blue is a reimagining of jazz trumpeter Chet Baker’s life in the 1960s. When Chet is cast to star in a film about himself, a romance heats up with his female co-star, the enigmatic Jane. But his comeback bid is derailed when his past returns to haunt him and it appears he may never play music again. Starring Ethan Hawke and Carmen Ejogo.
Into the Forest. Patricia Rozema, Canada World Premiere
In a not-too-distant future, sisters Nell and Eva find themselves shuttered in their home. Surrounded by nothing but miles of dense forest, the sisters must fend for themselves using the supplies and food reserves they have before turning to the forest to discover what it will provide. They are faced with a world where rumour is the only guide, trust is a scarce commodity, gas is king and loneliness is excruciating. And yet somehow miraculously, love still grows. Starring Ellen Page and Evan Rachel Wood.
Ville-Marie. Guy Édoin, Canada World Premiere
An actress shooting a movie hopes to reconcile with her son. A paramedic haunted by his past tries to stay the course, while a caring nurse keeps an eye on him from afar as she tries, at the same time, to keep an emergency room running. It is at the Ville-Marie Hospital that these four lives will take an unexpected turn. Starring Monica Bellucci, Patrick Hivon, Pascale Bussières and 2015 TIFF Rising Star Aliocha Schneider.
TIFF DOCS
Al Purdy Was Here. Brian D. Johnson, Canada World Premiere
Al Purdy was Canada’s unofficial poet laureate, though he admits he didn’t write a good poem until he was 40. He found his voice in an A-Frame cabin he built in Ontario’s Prince Edward County. Canada’s leading musicians and artists from Bruce Cockburn and Sarah Harmer to Margaret Atwood and Michael Ondaatje come together to tell his story and celebrate his poetry.
Guantanamo’s Child: Omar Khadr. Patrick Reed and Michelle Shephard, Canada World Premiere
Omar Khadr: child soldier or unrepentant terrorist? The 28-year-old Canadian has been a polarizing figure since he was 15. In 2002, Khadr was captured by American forces in Afghanistan and charged with war crimes, including murder. After spending half his life behind bars, including a decade at Guantanamo, Khadr is released. This is his story, in his own words.
Ninth Floor. Mina Shum, Canada World Premiere
It started quietly when six Caribbean students, strangers in a cold new land, began to suspect their professor of racism. It ended in the most explosive student uprising Canada had even known. Over four decades later, Ninth Floor reopens the file on the infamous Sir George Williams Riot: a watershed moment in Canadian race relations and one of the most contested episodes in the nation’s history. Director Mina Shum (Double Happiness) locates the protagonists in clandestine locations throughout Trinidad and Montreal — the wintry city where it all went down. In a cinematic gesture of reckoning and redemption, she listens as they set the record straight.
This Changes Everything. Avi Lewis, Canada/USA World Premiere
Seven powerful portraits of community resistance around the world lead to one big question: what if confronting the climate crisis is the best chance we’ll ever get to build a better world? Inspired by Naomi Klein’s international bestseller and directed by her partner Avi Lewis, This Changes Everything is an affecting and hopeful call to action
Welcome to F.L. Geneviève Dulude-De Celles, Canada World Premiere
Welcome to F.L. portrays a community of teenagers navigating their environment, identity and other questions of youth within their high-school world in a small town in Quebec. Learning to define themselves inside and outside school boundaries as they transition into the challenges of adulthood, they expose refreshing points of view filled with humour, philosophy and courage.
DISCOVERY
Closet Monster. Stephen Dunn, Canada World Premiere
Oscar Madly hovers on the brink of adulthood — destabilized by his dysfunctional parents, unsure of his sexuality, and haunted by horrific images of a tragic gay bashing he witnessed as a child. A talking hamster, imagination and the prospect of love help him confront his surreal demons and discover himself. Starring 2015 TIFF Rising Star Aliocha Schneider and 2014 Rising Star Connor Jessup.
Fire Song. Adam Garnet Jones, Canada World Premiere
When a teenage girl commits suicide in a remote Northern Ontario Aboriginal community, it’s up to her brother Shane to take care of their family. Shane was supposed to move to the city for university in the fall, and has been trying to convince his secret boyfriend to come with him, but now everything is uncertain. Torn between his responsibilities at home and the promise of freedom calling him to the city, circumstances take a turn for the worse and Shane has to choose between his family and his future.
The Rainbow Kid. Kire Paputts, Canada World Premiere
Part gritty coming-of-age story, part episodic road film filled with magic realism, The Rainbow Kid follows Eugene, a young man with Down syndrome as he embarks on a life-changing adventure to find the pot of gold at the end of the rainbow.
River. Jamie M. Dagg, Canada/Laos World Premiere
In the south of Laos, an American volunteer doctor becomes a fugitive after he intervenes in the sexual assault of a young woman. When the assailant’s body is pulled from the Mekong River, things quickly spiral out of control. Starring Rossif Sutherland.
CONTEMPORARY WORLD CINEMA
How Heavy This Hammer. Kazik Radwanski, Canada World Premiere
Erwin, a 47-year-old father of two, spends his time idly procrastinating between work and family, and is seemingly more engaged by playing a crude Viking computer game. His listless energy is contrasted on weekends by throwing himself into ‘old boys’ rugby matches. As Erwin’s marriage with his wife becomes increasingly compromised, something stirs inside him… or maybe something has stopped stirring.
My Internship in Canada. Philippe Falardeau, Canada North American Premiere
Guibord is an independent Member of Parliament representing a vast county in Northern Quebec who unwillingly finds himself in the awkward position of determining whether Canada will go to war. Accompanied by his wife, daughter and Souverain (Sovereign) Pascal, an idealistic intern from Haiti, Guibord travels across his district in order to consult his constituents and face his own conscience. This film is a sharp political satire in which politicians, citizens and lobbyists go head-to-head tearing democracy to shreds.
Our Loved Ones (Les êtres chers). Anne Émond, Canada North American Premiere
The story begins in 1978 in a small town on the Lower St. Lawrence, where the Leblanc family is rocked by the tragic death of Guy, found dead in the basement of the family home. For many years, the real cause of his death is hidden from certain members of the family, his son David among them. David starts his own family with his wife Marie and lovingly raises his children, Laurence and Frédéric, but deep down he still carries with him a kind of unhappiness. Our Loved Ones is a film of filial love, family secrets,
redemption and inherited fate. Featuring 2015 TIFF Rising Star Karelle Tremblay.
The Waiting Room. Igor Drljaca, Canada North American Premiere
Jasmin, once a successful actor in former Yugoslavia, now lives in Toronto with his second wife and young son. While juggling a construction job and a busy audition schedule, he dreams of re-launching an old televised stage show that made him famous in his homeland. When he is cast in a role that triggers recollections of the civil war, he is forced to reconcile his current reality with memories of his past success. From the team behind Krivina and In Her Place.
VANGUARD
Endorphine. André Turpin, Canada World Premiere
Thirteen-year-old Simone is trying to feel emotion again as a trauma survivor. Twenty-five-year-old Simone is a solitary woman trying to control panic attacks. Sixty-year-old Simone is an accomplished physician who gives a conference on the nature of time. The new film from celebrated director and cinematographer André Turpin intertwines the lives of three women in an intoxicating cinematic puzzle.
Hellions. Bruce McDonald, Canada Canadian Premiere
Strange trick-or-treaters plague conflicted teenager Dora Vogel at her isolated home on Halloween. Under siege by forces she can’t understand, Dora must defend both body and soul from relentless hellions, dead set on possessing something Dora will not give them. Set in a visually haunting landscape, Hellions redefines the boundaries of horror with its potent brew of Halloween iconography, teenage angst and desperate survival. Starring Chloe Rose.
No Men Beyond This Point. Mark Sawers, Canada North American Premiere
Sixty years ago, women began reproducing asexually, and now are no longer able to give birth to male babies. This deadpan mockumentary follows 37-year -old Andrew Myers — the youngest man alive —who is at the centre of a battle to save men from extinction. No Men Beyond This Point asks what would happen if only women ran the world.
WAVELENGTHS
The following feature films will screen as part of the Wavelengths program:
88:88. Isiah Medina, Canada North American Premiere
A digital cinema incendiary, Isiah Medina’s anticipated feature debut explodes with ideas about time, love, knowledge, poverty, and poetry, all erupting within a densely layered montage that is formally rigorous and emotionally raw. 88:88 (or –:–) is what appears when bills are paid after the electricity has been abruptly cut off, demonstrating that people who live in poverty live in suspended time.
88:88 will be preceded by Denis Côté’s short film May We Sleep Soundly.
The Forbidden Room. Evan Johnson and Guy Maddin, Canada Canadian Premiere
Honouring classic cinema while electrocuting it with energy, Evan Johnson and Guy Maddin’s grand ode to lost cinema begins (after a prologue on how to take a bath) with the crew of a doomed submarine chewing flapjacks in a desperate attempt to breathe the oxygen within. Suddenly, a lost woodsman wanders into their company to tell his tale of escape from a fearsome clan of cave dwellers, and we are taken high into the air, around the world, and into dreamscapes, spinning tales of amnesia, captivity, deception and murder, skeleton women and vampire bananas. Like a glorious meeting between Italo Calvino, Sergei Eisenstein and a perverted six-year-old child, created with the help of master poet John Ashberry, Mathieu Amalric, Udo Kier, Charlotte Rampling, Geraldine Chaplin, Roy Dupuis, Clara Furey, Louis Negin, Maria de Medeiros, Jacques Nolot, Adèle Haenel, Amira Casar and Elina Löwensohn make up a cavalcade of misfits, thieves and lovers.
Invention. Mark Lewis, United Kingdom/Canada World Premiere
Shot in Paris, São Paulo and Toronto, Mark Lewis’ anthology of films captures the ever-changing textures of these cities through moving images of glass, light, shadows and reflections, offering homage to the City Symphony films of the 1920s, while also juxtaposing modernist architecture with the compositional structures of old master paintings.
Minotaur. Nicolás Pereda, Mexico/Canada World Premiere
Acclaimed Mexican-Canadian auteur Nicolás Pereda (Greatest Hits) returns to the Festival with this lovely, wraithlike fantasy that observes three thirty-somethings as they sleep, dream, read and receive visitors in a Mexico City apartment.
Free and open to the public during the Festival, the following Wavelengths Installations will be showcased at various venues throughout downtown Toronto:
Bring Me The Head of Tim Horton. Guy Maddin, Evan Johnson and Galen Johnson World Premiere
Guided by the spirit of Maddin’s “Cuadecec Manifesto” (which calls for makings-of en masse), Bring Me the Head of Tim Horton is a strange and stirring behind-the-scenes look at Paul Gross’s new feature, Hyena Road. Shot on location at CFB Shilo near Brandon, Manitoba and in Aqaba, Jordan, the film summons psychedelic energy from the main event. Presented at TIFF Bell Lightbox, Reitman Square, 350 King Street West.
The Forbidden Room – A Living Poster. Galen Johnson World Premiere
Initially designed to promote Evan Johnson and Guy Maddin’s The Forbidden Room, A Living Poster employs the same digital techniques used to create the text-based intertitles and treat the footage within the film. A looping collection of living, moving, morphing posters, it blurs the boundaries between poster and trailer and suggests an anachronistic collision between digitally corrupted video files and a damaged film print from the silent era forming a beguiling hybrid aesthetic of digital data loss and decaying analogue emulsion. Presented at TIFF Bell Lightbox, Reitman Square, 350 King Street West.
La Giubba. Tony Romano and Corin Sworn, Canada/United Kingdom World Premiere
The first major collaboration between Canadian artist Tony Romano and English-born, Toronto-raised Corin Sworn, La Giubba follows the intersections of five drifters over the course of two summer days in southern Italy. This installation is presented in partnership with Clint Roenisch Gallery (190 St Helens Ave, Toronto).
Stories are Meaning-Making Machines. Annie MacDonnell and Maïder Fortuné, France/Canada International Premiere
A live in-cinema reading at TIFF Bell Lightbox performed by Canadian artist Annie MacDonnell and French artist Maïder Fortuné which explores a new form of cinematic memory. Originally commissioned by Le Centre Pompidou’s Hors Pistes Festival, Paris.
Deepa Mehta’s Beeba Boys, Jon Cassar’s Forsaken, Paul Gross’ Hyena Road (Hyena Road: Le Chemin du Combat), and Atom Egoyan’s Remember are Canadian features previously announced in the Galas Programme.