Three Identical Strangers

  • Detroit Film Critics Loves EIGHTH GRADE, Named Best Film of 2018. No Love for THE FAVOURITE

    [caption id="attachment_27753" align="aligncenter" width="1200"]EIGHTH GRADE EIGHTH GRADE[/caption] Eighth Grade is the big winner at 2018 Detroit Film Critics Society Awards with eight nominations and three wins for Best Picture; Best Supporting Actor; and Breakthrough for Bo Burnham, the film’s writer and director.   https://www.youtube.com/watch?v=y8lFgF_IjPw Vice received five nominations and three wins for Adam McKay, Best Director; Best Ensemble; and tied for Best Screenplay with Green Book, which had four nominations. Other top nominees include A Star Is Born with six nominations and one win for Best Use of Music and The Favourite with five nominations, but no wins. The Detroit Film Critics Society was founded in the Spring of 2007 and consists of a group of 21 film critics with a Michigan connection who write or broadcast in the Detroit area as well as other major cities including Ann Arbor, Grand Rapids, Kalamazoo, Lansing, and Flint, Michigan; Toledo, Ohio; and New York, New York.

    2018 Detroit Film Critics Society Awards Winners

    (nominees are listed in alphabetical order)

    BEST PICTURE

    Winner: Eighth Grade A Quiet Place First Reformed Green Book Roma

    BEST DIRECTOR

    Winner: Adam McKay, Vice Bo Burnham, Eighth Grade Bradley Cooper, A Star Is Born Alfonso Cuarón, Roma Paul Schrader, First Reformed

    BEST ACTOR

    Winner: Ethan Hawke, First Reformed Christian Bale, Vice Bradley Cooper, A Star Is Born Rami Malek, Bohemian Rhapsody John David Washington, BlackKklansman

    BEST ACTRESS

    Winner: Toni Collette, Hereditary Olivia Colman, The Favourite Elsie Fisher, Eighth Grade Lady Gaga, A Star Is Born Melissa McCarthy, Can You Ever Forgive Me?

    BEST SUPPORTING ACTOR

    Winner: Josh Hamilton, Eighth Grade Mahershala Ali, Green Book Sam Elliott, A Star Is Born Richard E. Grant, Can You Ever Forgive Me? Jesse Plemons, Game Night

    BEST SUPPORTING ACTRESS

    Winner: Regina King, If Beale Street Could Talk Amy Adams, Vice Thomasin McKenzie, Leave No Trace Emma Stone, The Favourite Rachel Weiss, The Favourite

    BEST ENSEMBLE

    Winner: Vice Crazy Rich Asians Eighth Grade The Favourite Roma

    BREAKTHROUGH

    Winner: Bo Burnham, Writer/Director (Eighth Grade) Rafael Casal and Daveed Diggs, Writers/Actors (Blindspotting) Elsie Fisher, Actress (Eighth Grade) Lady Gaga, Actress (A Star Is Born) Boots Riley, Writer/Director (Sorry to Bother You)

    BEST SCREENPLAY

    Winner: Adam McKay, Vice Winner: Nick Vallelonga, Brian Hayes Currie, Peter Farrelly, Green Book Bo Burnham, Eighth Grade Deborah Davis, Tony McNamara, The Favourite Paul Schrader, First Reformed

    BEST DOCUMENTARY

    Winner: Three Identical Strangers Free Solo RBG Whitney Won’t You Be My Neighbor?

    BEST ANIMATED FEATURE

    Winner: Spider-Man: Into the Spider-Verse The Incredibles 2 Isle of Dogs Ralph Breaks the Internet Smallfoot

    BEST USE OF MUSIC

    Winner: A Star Is Born Bohemian Rhapsody Green Book Mandy Mary Poppins Returns

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  • THE FAVOURITE Leads Nominations for 2018 Washington DC Area Film Critics Award

    [caption id="attachment_30991" align="aligncenter" width="1200"]The Favourite The Favourite[/caption] The Washington DC Area Film Critics Association (WAFCA) which comprises of 60 DC-based film critics from the District, Maryland and Virginia announced their nominees for the 2018 awards. The Favourite lead with 10 nominations  including Best Film and Best Director for Yorgos Lanthimos.  Other films nominated for Best Film include A Star Is Born, Green Book, If Beale Street Could Talk, and Roma. The nominees for Best Documentary are Free Solo, RBG, Science Fair, Three Identical Strangers and Won’t You Be My Neighbor?  The nominees for Best Foreign Film are Burning, Capernaum, Cold War, Roma and Shoplifters. The nominees for the special category The Joe Barber Award for Best Portrayal of Washington, DC are The Front Runner, RBG and Vice. The 2018 WAFCA Award winners will be announced on Monday, December 3, 2018.

    2018 Washington DC Area Film Critics Association (WAFCA) AWARD NOMINEES

    Best Film:

    The Favourite Green Book If Beale Street Could Talk Roma A Star Is Born

    Best Director:

    Ryan Coogler (Black Panther) Bradley Cooper (A Star Is Born) Alfonso Cuarón (Roma) Barry Jenkins (If Beale Street Could Talk) Yorgos Lanthimos (The Favourite)

    Best Actor:

    Christian Bale (Vice) Bradley Cooper (A Star Is Born) Ethan Hawke (First Reformed) Rami Malek (Bohemian Rhapsody) Viggo Mortensen (Green Book)

    Best Actress:

    Glenn Close (The Wife) Toni Collette (Hereditary) Olivia Colman (The Favourite) Lady Gaga (A Star Is Born) Melissa McCarthy (Can You Ever Forgive Me?)

    Best Supporting Actor:

    Mahershala Ali (Green Book) Timothée Chalamet (Beautiful Boy) Sam Elliott (A Star Is Born) Richard E. Grant (Can You Ever Forgive Me?) Michael B. Jordan (Black Panther)

    Best Supporting Actress:

    Cynthia Erivo (Bad Times at the El Royale) Nicole Kidman (Boy Erased) Regina King (If Beale Street Could Talk) Emma Stone (The Favourite) Rachel Weisz (The Favourite)

    Best Acting Ensemble:

    Black Panther The Favourite If Beale Street Could Talk Vice Widows

    Best Youth Performance:

    Elsie Fisher (Eighth Grade) Thomasin Harcourt McKenzie (Leave No Trace) Milly Shapiro (Hereditary) Millicent Simmonds (A Quiet Place) Amandla Stenberg (The Hate U Give)

    Best Voice Performance:

    Bryan Cranston (Isle of Dogs) Holly Hunter (Incredibles 2) Shameik Moore (Spider-Man: Into the Spider-Verse) Sarah Silverman (Ralph Breaks the Internet) Ben Whishaw (Paddington 2)

    Best Motion Capture Performance:

    Josh Brolin (Avengers: Infinity War) Tye Sheridan (Ready Player One) Phoebe Waller-Bridge (Solo: A Star Wars Story)

    Best Original Screenplay:

    Bo Burnham (Eighth Grade) Deborah Davis and Tony McNamara (The Favourite) Paul Schrader (First Reformed) Nick Vallelonga & Brian Currie & Peter Farrelly (Green Book) Alfonso Cuarón (Roma)

    Best Adapted Screenplay:

    Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee (BlacKkKlansman) Ryan Coogler & Joe Robert Cole (Black Panther) Nicole Holofcener and Jeff Whitty (Can You Ever Forgive Me?) Barry Jenkins (If Beale Street Could Talk) Eric Roth and Bradley Cooper & Will Fetters (A Star Is Born)

    Best Animated Feature:

    Incredibles 2 Isle of Dogs Mirai Ralph Breaks the Internet Spider-Man: Into the Spider-Verse

    Best Documentary:

    Free Solo RBG Science Fair Three Identical Strangers Won’t You Be My Neighbor?

    Best Foreign Language Film:

    Burning Capernaum Cold War Roma Shoplifters

    Best Production Design:

    Production Designer: Hannah Beachler; Set Decorator: Jay Hart (Black Panther) Production Designer: Fiona Crombie; Set Decorator: Alice Felton (The Favourite) Production Designer: Nathan Crowley; Set Decorator: Kathy Lucas (First Man) Production Designer: John Myhre; Set Decorator: Gordon Sim (Mary Poppins Returns) Production Designer: Eugenio Caballero; Set Decorator: Bárbara Enríquez (Roma)

    Best Cinematography:

    Robbie Ryan, BSC (The Favourite) Linus Sandgren, FSF (First Man) James Laxton (If Beale Street Could Talk) Alfonso Cuarón (Roma) Matthew Libatique, ASC (A Star Is Born)

    Best Editing:

    Yorgos Mavropsaridis, ACE (The Favourite) Tom Cross, ACE (First Man) Alfonso Cuarón, Adam Gough (Roma) Jay Cassidy, ACE (A Star Is Born) Joe Walker, ACE (Widows)

    Best Original Score:

    Ludwig Göransson (Black Panther) Justin Hurwitz (First Man) Nicholas Britell (If Beale Street Could Talk) Thom Yorke (Suspiria) Hans Zimmer (Widows)

    The Joe Barber Award for Best Portrayal of Washington, DC:

    The Front Runner RBG Vice

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  • National Board of Review Announces 2018 Film Honorees, GREEN BOOK Named Best Film of the Year

    [caption id="attachment_32616" align="aligncenter" width="1200"]“Green Book” directed by Peter Farrelly “Green Book” directed by Peter Farrelly[/caption] The National Board of Review named Green Book as Best Film of the Year, Bradley Cooper as Best Director of the Year for A Star is Born,  Viggo Mortensen as Best Actor of the Year for his performance in Green Book, and Lady Gaga as Best Actress of the Year for her performance in A Star is Born. NBR President Annie Schulhof said, “We are proud to honor Green Book as our best film – it is a warm and heartfelt look at a remarkable friendship, brought to the screen at a moment where its story of love, compassion, and shared humanity deeply resonates. We are also thrilled to award Bradley Cooper as our best director – he is an extraordinary talent behind the camera, bringing a fresh and modern perspective, as well as superb craftsmanship and tremendous heart, to the classic story of A Star is Born.” The 2018 awards continue the NBR’s tradition of recognizing excellence in filmmaking, going back 109 years. This year 261 films were viewed by this select group of film enthusiasts, filmmakers, professionals, academics, and students, many of which were followed by in-depth discussions with directors, actors, producers, and screenwriters. The National Board of Review’s awards celebrate the art of cinema, with categories that include Best Picture, Best Director, Best Actor and Actress, Best Original and Adapted Screenplay, Breakthrough Performance, and Directorial Debut, as well as signature honors such as Freedom of Expression and the William K. Everson Film History Award. The honorees will be feted at the NBR Awards Gala, hosted by Willie Geist, on Tuesday, January 8, 2019 at Cipriani 42nd Street.

    2018 National Board of Review Award WInners

    Best Film: GREEN BOOK Best Director: Bradley Cooper, A STAR IS BORN Best Actor: Viggo Mortensen, GREEN BOOK Best Actress: Lady Gaga, A STAR IS BORN Best Supporting Actor: Sam Elliott, A STAR IS BORN Best Supporting Actress: Regina King, IF BEALE STREET COULD TALK Best Original Screenplay: Paul Schrader, FIRST REFORMED Best Adapted Screenplay: Barry Jenkins, IF BEALE STREET COULD TALK Best Animated Feature: INCREDIBLES 2 Breakthrough Performance: Thomasin McKenzie, LEAVE NO TRACE Best Directorial Debut: Bo Burnham, EIGHTH GRADE Best Foreign Language Film: COLD WAR Best Documentary: RBG Best Ensemble: CRAZY RICH ASIANS William K. Everson Film History Award: THE OTHER SIDE OF THE WIND and THEY’LL LOVE ME WHEN I’M DEAD NBR Freedom of Expression Award: 22 JULY NBR NBR Freedom of Expression Award: ON HER SHOULDERS Top Films (in alphabetical order) The Ballad of Buster Scruggs Black Panther Can You Ever Forgive Me? Eighth Grade First Reformed If Beale Street Could Talk Mary Poppins Returns A Quiet Place Roma A Star Is Born Top 5 Foreign Language Films (in alphabetical order) Burning Custody The Guilty Happy as Lazzaro Shoplifters Top 5 Documentaries (in alphabetical order) Crime + Punishment Free Solo Minding the Gap Three Identical Strangers Won’t You Be My Neighbor? Top 10 Independent Films (in alphabetical order) The Death of Stalin Lean on Pete Leave No Trace Mid90s The Old Man & the Gun The Rider Searching Sorry to Bother You We the Animals You Were Never Really Here  

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  • 7 Documentaries Nominated for 2019 Producers Guild of America Award

    [caption id="attachment_32398" align="aligncenter" width="1200"]Won’t You Be My Neighbor? Won’t You Be My Neighbor?[/caption] The Producers Guild of America (PGA) revealed today the 7 documentary films selected as 2019 Documentary Motion Pictures nominees that will advance in the final voting process for the 30th Annual Producers Guild Awards.  The Producers Guild Awards honor excellence in motion picture and television productions, as well as some of the living legends who shape the profession. The ceremony for the 2019 Producers Guild Awards presented by General Motors takes place on January 19, 2019 at The Beverly Hilton hotel in Los Angeles where the final winners will be announced. The films nominated for the Award for Outstanding Producer of Documentary Motion Pictures are listed below in alphabetical order: The Dawn Wall https://www.youtube.com/watch?v=edfw9ip9sCQ Free Solo https://www.youtube.com/watch?v=urRVZ4SW7WU Hal https://www.youtube.com/watch?v=GBGfKan2qAg Into the Okavango https://www.youtube.com/watch?v=SXVohy5eAP8 RBG https://www.youtube.com/watch?v=biIRlcQqmOc&t=2s Three Identical Strangers https://www.youtube.com/watch?v=uM5TQ4f7ycw Won’t You Be My Neighbor? https://www.youtube.com/watch?v=FhwktRDG_aQ&t=4s During the awards show, the Producers Guild also will present special honors to individual producers, including recognizing President of Marvel Studios Kevin Feige with its David O. Selznick Achievement Award. The 2019 Producers Guild Awards Event Chairs are Donald De Line and Amy Pascal. In 1990, the Producers Guild held the first-ever Golden Laurel Awards, which were renamed the Producers Guild Awards in 2002. Richard Zanuck and Lili Fini Zanuck took home the award for Best Produced Motion Picture for “Driving Miss Daisy,” establishing the Guild’s awards as a bellwether for the Oscars.

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  • 165 Films Documentary Feature Films Submitted for 2018 Oscar Race

    [caption id="attachment_28784" align="aligncenter" width="1200"]Robin Williams: Come Inside My Mind Robin Williams: Come Inside My Mind[/caption] One hundred sixty-six features have been submitted for consideration in the Documentary Feature category for the 91st Academy Awards®.  Several of the films have not yet had their required Los Angeles and New York qualifying releases. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules in order to advance in the voting process. This year, for the first time, films that have won a qualifying award at a competitive film festival or have been submitted in the Foreign Language Film category as their country’s official selection, are also eligible in the category. A shortlist of 15 films will be announced on December 17. Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture. Nominations for the 91st Academy Awards will be announced on Tuesday, January 22, 2019. The 91st Oscars® will be held on Sunday, February 24, 2019, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide. The submitted features, listed in alphabetical order, are: “Above and Beyond: NASA’S Journey to Tomorrow” “Active Measures” “Amazing Grace” “American Chaos” “Andy Irons: Kissed by God” [caption id="attachment_25696" align="aligncenter" width="1200"]Antonio Lopez 1970: Sex Fashion & Disco Antonio Lopez 1970: Sex Fashion & Disco[/caption] “Antonio Lopez 1970: Sex Fashion & Disco” “Avicii: True Stories” “Bali: Beats of Paradise” “Bathtubs over Broadway” “Be Natural: The Untold Story of Alice Guy-Blaché” “Believer” “Better Angels” “Bill Coors: The Will to Live” “Bisbee ’17” “The Bleeding Edge” “Boom for Real: The Late Teenage Years of Jean-Michel Basquiat” “Breaking Point: The War for Democracy in Ukraine” “Call Her Ganda” “Charm City” “Chef Flynn” “The China Hustle” “Christian Audigier The Vif” “The Cleaners” “Communion” “Crime + Punishment” “Dark Money” “Daughters of the Sexual Revolution: The Untold Story of the Dallas Cowboys Cheerleaders” “The Dawn Wall” “The Distant Barking of Dogs” “Divide and Conquer: The Story of Roger Ailes” “Drug$” “Eating Animals” “Eldorado” “Fahrenheit 11/9” “Fail State” “Family in Transition” “Far from the Tree” “Filmworker” “The First Patient” “Foreign Land” “40 Years in the Making: The Magic Music Movie” “Free Solo” “Garry Winogrand: All Things Are Photographable” “Generation Wealth” “Ghost Hunting” “Ghosthunter” “The Gilligan Manifesto” “The Gospel According to André” “Grace Jones: Bloodlight and Bami” “Graves without a Name” “The Great Buster: A Celebration” “Hal” “Hale County This Morning, This Evening” “Half the Picture” “The Heart of Nuba” “Hillbilly” “The Homeless Chorus Speaks” “Hondros” “Howard” “In Search of Greatness” “In the Land of Pomegranates” “Inventing Tomorrow” “Invisible Hands” “Itzhak” “Jane Fonda in Five Acts” “John McEnroe: In the Realm of Perfection” “The Judge” “Kangaroo: A Love Hate Story” “Killer Bees” “The King” “King in the Wilderness” “Kusama – Infinity” “The Last Race” “Leaning into the Wind: Andy Goldsworthy” “Letter from Masanjia” “Licu, a Romanian Story” “Living in the Future’s Past” “Liyana” “Lots of Kids, a Monkey and a Castle” “Love & Bananas: An Elephant Story” “Love, Cecil” “Love, Gilda” “Love Is Tolerance – Tolerance Is Love – Make Tolerance Great Again!” “Making The Five Heartbeats” “Maria by Callas” “Matangi / Maya / M.I.A.” “McQueen” “Minding the Gap” “Monrovia, Indiana” “The Most Unknown” “New Moon” “93Queen” “Nossa Chape” “Of Fathers and Sons” “Of Love & Law” “On Her Shoulders” “Opera about Poland” “The Opera House” “The Oslo Diaries” “The Other Side of Everything” “The Panama Papers” “Path of Blood” “People’s Republic of Desire” “Philosopher King – Lee Teng-hui’s Dialogue” “Pick of the Litter” “Piripkura” “Police Killing” “Pope Francis – A Man of His Word” “The Price of Everything” “The Price of Free” “Qiu (Inmates)” “Quincy” “RBG” “The Rachel Divide” “The Raft” “Recovery Boys” “Restoring Tomorrow” “Reversing Roe” “The Road Movie” “Robin Williams: Come inside My Mind” “Ruben Blades Is Not My Name” “Samouni Road” “Saving Brinton” “Say Her Name: The Life and Death of Sandra Bland” “Science Fair” “Scotty and the Secret History of Hollywood” “Searching for Ingmar Bergman” “Seeing Allred” “The Sentence” “Shirkers” “Shot in the Dark” “The Silence of Others” “Sisters of the Wilderness” “A Son of Man” “Songwriter” “Stan” “Studio 54” “Summer in the Forest” “Tea with the Dames” “That Summer” “That Way Madness Lies…” “They Fight” “They’ll Love Me When I’m Dead” “This Is Congo” “This Is Home: A Refugee Story” “Three Identical Strangers” “To Be Continued” “Transformer” “Travel Ban” “The Trial” “Triumph: The Untold Story of Perry Wallace” “Trust Machine” “Under the Wire” “United Skates” “Unknown Distance” “Up Down and Sideways” “The Waldheim Waltz” “We Could Be Heroes” “Weed the People” “What Haunts Us” “What Lies Upstream” “Whitney” “Wonderful Losers: A Different World” “Won’t You Be My Neighbor?” “Yellow Is Forbidden” “Yellowing”

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  • Cinema Eye Honors Announces 2018 Audience Choice, Heterodox, Broadcast, Unforgettables and Nonfiction “Shorts List”

    [caption id="attachment_32398" align="aligncenter" width="1200"]Won’t You Be My Neighbor? Won’t You Be My Neighbor?[/caption] The Cinema Eye Honors unveiled the first awards announcements for their 12th Annual awards, including The Unforgettables, their annual list of notable and significant nonfiction film subjects;  The Shorts List, an annual list of the year’s ten top Nonfiction Short Films; and nominees in four categories: Broadcast Film; Broadcast Series; the Heterodox Award, which recognizes fiction films that actively blur the line between fiction and documentary; and the annual Audience Choice Prize. The full list of nonfiction film and craft nominees, including the five nominees for Outstanding Nonfiction Short Film, will be revealed on Thursday, November 8. Eight films – Elizabeth Chai Vasarhelyi and Jimmy Chin’s Free Solo, Stephen Loveridge’s Mantangi/Maya/M.I.A., Bing Liu’s Minding the Gap, Alexandria Bombach’s On Her Shoulders, Julie Cohen and Betsy West’s RBG, Sandi Tan’s Shirkers, Tim Wardle’s Three Identical Strangers and Morgan Neville’s Won’t You Be My Neighbor? – were nominated for the Audience Choice Prize and also saw their subjects recognized amongst this year’s Unforgettables. Rashida Jones and Alan Hicks’ Quincy and Dava Whisenant’s Bathtubs Over Broadway round out this year’s Audience Choice nominees. This is the first year that Cinema Eye will have an award to recognize Outstanding Nonfiction Series for Broadcast. Inaugural nominees in the Series category are Steve James’ America to Me (STARZ), Trey Borzilleri & Barbara Schroeder’s Evil Genius (Netflix), Zackary Canepari, Drea Cooper & Jessica Dimmock’s Flint Town (Netflix) Liz Garbus’ The Fourth Estate (Showtime) Matthew Heineman’s The Trade (Showtime) and Chapman Way & Maclain Way’s Wild Wild Country (Netflix). The 12th Annual Cinema Eye Honors will be presented on Thursday, January 10, 2019 at the Museum of the Moving Image in New York City.

    AUDIENCE CHOICE PRIZE NOMINEES

    Bathtubs Over Broadway Directed by Dava Whisenant Free Solo Directed by Elizabeth Chai Vasarhelyi and Jimmy Chin Matangi/Maya/M.I.A. Directed by Stephen Loveridge Minding the Gap Directed by Bing Liu On Her Shoulders Directed by Alexandria Bombach Quincy Directed by Rashida Jones and Al Hicks RBG Directed by Julie Cohen and Betsy West Shirkers Directed by Sandi Tan Three Identical Strangers Directed by Tim Wardle Won’t You Be My Neighbor? Directed by Morgan Neville

    NONFICTION SHORTS LIST

    (Five nominees in this category will be announced on Thursday, November 8) Baby Brother Directed by Kamau Bilal Concussion Protocol Directed by Josh Begley The Earth is Humming Directed by Garrett Bradley My Dead Dad’s Porno Tapes Directed by Charlie Tyrell A Night at the Garden Directed by Marshall Curry Las Nubes Directed by Juan Pablo González Sister Hearts Directed by Mohammad Gorjestani Skip Day Directed by Patrick Bresnan and Ivete Lucas Volte Directed by Monika Kotecka and Karolina Poryzala Zhalanash – Empty Shore Directed by Marcin Sauter

    HETERODOX AWARD NOMINEES

    American Animals Directed by Bart Layton Obscuro Barrocco Directed by Evangelia Kranioti Skate Kitchen Directed by Crystal Moselle The Tale Directed by Jennifer Fox We the Animals Directed by Jeremiah Zagar

    BROADCAST FILM NOMINEES

    Baltimore Rising Directed by Sonja Sohn HBO Believer Directed by Don Argott HBO The Final Year Directed by Greg Barker HBO I Am Evidence Directed by Trish Adlesic and Geeta Gandbhir HBO Nobody Speak: Trials of the Free Press Directed by Brian Knappenberger Netflix This is Home: A Refugee Story Directed by Alexandra Shiva Epix

    BROADCAST SERIES NOMINEES

    America to Me Directed by Steve James Starz Evil Genius Directed by Trey Borzilleri and Barbara Schroeder Netflix Flint Town Directed by Zackary Canepari, Drea Cooper and Jessica Dimmock Netflix The Fourth Estate Directed by Liz Garbus Showtime The Trade Directed by Matthew Heineman Showtime Wild Wild Country Directed by Chapman Way and Maclain Way Netflix

    UNFORGETTABLES NONFICTION SUBJECTS OF 2018

    Annette Ontell 306 Hollywood América América Issei Sagawa Caniba Alex Honnold Free Solo Julita Salmerón Lots of Kids, a Monkey and a Castle Nick Bollettieri Love Means Zero M.I.A. Matangi/Maya/M.I.A. Kiere Johnson, Bing Liu and Zack Mulligan Minding the Gap Abu Osama Of Fathers and Sons Nadia Murad On Her Shoulders Ruth Bader Ginsburg RBG Scotty Bowers Scotty and the Secret History of Hollywood Georges Cardona, Jasmine Ng, Sophie Siddique and Sandi Tan Shirkers Edward Galland, David Kellman and Robert Shafran Three Identical Strangers Fred Rogers Won’t You Be My Neighbor?

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  • FREE SOLO Leads Nominations for 3rd Critics’ Choice Documentary Awards

    [caption id="attachment_32176" align="aligncenter" width="1200"]FREE SOLO FREE SOLO[/caption] Free Solo leads the nominees for this year’s  third annual Critics’ Choice Documentary Awards with six nominations and one honor, including Best Documentary, Jimmy Chin and Elizabeth Chai Vasarhelyi for Best Directors, Best Sports Documentary, Most Innovative Documentary, Best Cinematography, Best Editing and a Most Compelling Living Subject of a Documentary honor for Alex Honnold. Recognized with five nominations are Minding the Gap and Wild Wild Country. The nominations for Minding the Gap are Best Documentary, Best Sports Documentary, Bing Liu for Best Director and for Best First Time Director, and Best Cinematography. The nominations for Wild Wild Country are Best Documentary, Chapman Way and Maclain Way for Best First Time Directors, Most Innovative Documentary, Best Cinematography, and Best Limited Documentary Series. Recognized with four nominations are Dark Money, Hitler’s Hollywood and Won’t You Be My Neighbor? The nominations for Dark Money are Best Documentary, Kimberly Reed for Best Director, Best Political Documentary and Best Editing. The nominations for Hitler’s Hollywood are Best Documentary, Best Political Documentary, Rüdiger Suchsland for Best Director, and Most Innovative Documentary. The nominations for Won’t You Be My Neighbor? are Best Documentary, Morgan Neville for Best Director, Most Innovative Documentary and Best Editing. Three Identical Strangers received three nominations and an honor, including Best Documentary, Tim Wardle for Best Director, Best Editing and an honor for David Kellman and Bobby Shafran for Most Compelling Living Subjects of a Documentary. At the gala ceremony, filmmaker Stanley Nelson will be presented with the Critics’ Choice Impact Award, and multi award-winning filmmaker Michael Moore will be honored with the Critics’ Choice Lifetime Achievement Award. For the first year, the Critics’ Choice Documentary Awards has introduced the Catalyst Sponsorship, a program for industry leaders to support the event. The inaugural sponsors include Focus Features, National Geographic Documentary Films, Netflix, Curiosity Stream, and others. “We are thrilled to celebrate this year’s outstanding documentary work at the upcoming event,” said Broadcast Film Critics Association President Joey Berlin. “The year 2018 has been called ‘The Year of the Documentary’ and we are so happy to give these films and shows the recognition and high praise that they deserve.” The winners will be presented their awards at a gala event, hosted by science educator and television personality Bill Nye, on Saturday, November 10 at BRIC in Brooklyn, New York. The nominees for the third annual Critics’ Choice Documentary Awards are:

    BEST DOCUMENTARY

    Crime + Punishment – Director: Stephen Maing (Hulu) Dark Money – Director: Kimberly Reed (PBS) Free Solo – Directors: Jimmy Chin, Elizabeth Chai Vasarhelyi (National Geographic Documentary Films) Hal – Director: Amy Scott (Oscilloscope) Hitler’s Hollywood – Director: Rüdiger Suchsland (Kino Lorber) Minding the Gap – Director: Bing Liu (Hulu) RBG – Directors: Julie Cohen, Betsy West (Magnolia Pictures, Participant Media) Three Identical Strangers – Director: Tim Wardle (Neon, CNN Films) Wild Wild Country – Directors: Chapman Way, Maclain Way (Netflix) Won’t You Be My Neighbor? – Director: Morgan Neville (Focus Features)

    BEST LIMITED DOCUMENTARY SERIES

    America to Me (Starz) Dirty Money (Netflix) Elvis Presley: The Searcher (HBO Documentary Films, Sony Pictures Television) Flint Town (Netflix) One Strange Rock (National Geographic) The Fourth Estate (Showtime Networks) The Zen Diaries of Garry Shandling (HBO) Wild Wild Country (Netflix)

    BEST ONGOING DOCUMENTARY SERIES

    30 for 30 (ESPN) American Masters (PBS) Anthony Bourdain: Parts Unknown (CNN) Frontline (PBS) Independent Lens (PBS) Making a Murderer (Netflix) POV (PBS) The History of Comedy (CNN)

    BEST DIRECTOR

    Jimmy Chin and Elizabeth Chai Vasarhelyi – Free Solo (National Geographic Documentary Film) Bing Liu – Minding the Gap (Hulu) Morgan Neville – Won’t You Be My Neighbor? (Focus Features) Kimberly Reed – Dark Money (PBS) Rüdiger Suchsland – Hitler’s Hollywood (Kino Lorber) Tim Wardle – Three Identical Strangers (Neon, CNN Films)

    BEST FIRST TIME DIRECTOR

    Cristina Costantini and Darren Foster – Science Fair (National Geographic Documentary Films) Heather Lenz – Kusama – Infinity (Magnolia Pictures) Bing Liu – Minding the Gap (Hulu) Stephen Nomura Schible – Ryuichi Sakamoto: Coda (MUBI) Rudy Valdez – The Sentence (HBO Documentary Films) Chapman Way and Maclain Way – Wild Wild Country (Netflix)

    BEST POLITICAL DOCUMENTARY

    RBG – Directors: Julie Cohen, Betsy West (Magnolia Pictures, Participant Media) Dark Money – Director: Kimberly Reed (PBS) Fahrenheit 11/9 – Director: Michael Moore (Briarcliff Entertainment) Flint Town – Directors: Zackary Canepari, Drea Cooper, Jessica Dimmock (Netflix) Hitler’s Hollywood – Director: Rüdiger Suchsland (Kino Lorber) John McCain: For Whom the Bell Tolls – Directors: George Kunhardt, Peter W. Kunhardt, Teddy Kunhardt (HBO) The Fourth Estate – Directors: Liz Garbus, Jenny Carchman (Showtime Networks)

    BEST SPORTS DOCUMENTARY

    Andre the Giant – Director: Jason Hehir (HBO) Being Serena (HBO) Free Solo – Directors: Jimmy Chin, Elizabeth Chai Vasarhelyi (National Geographic Documentary Film) John McEnroe: In the Realm of Perfection – Director: Julien Faraut (Oscilloscope Laboratories) Minding the Gap – Director: Bing Liu (Hulu) The Workers Cup – Director: Adam Sobel (Passion River)

    BEST MUSIC DOCUMENTARY

    Bad Reputation – Director: Kevin Kerslake (Magnolia Pictures) David Bowie: The Last Five Years – Director: Francis Whately (HBO Documentary Films) Elvis Presley: The Searcher – Director: Thom Zimny (HBO Documentary Films, Sony Pictures Television) Lynyrd Skynyrd: If I Leave Here Tomorrow – Director: Stephen Kijak (Showtime Networks) Quincy – Directors: Alan Hicks, Rashida Jones (Netflix) Ryuichi Sakamoto: Coda – Director: Stephen Nomura Schible (MUBI) Whitney – Director: Kevin Macdonald (Roadside Attractions, Miramax)

    MOST COMPELLING LIVING SUBJECT OF A DOCUMENTARY

    (ALL LISTED IN THE CATEGORY WILL BE HONORED AT THE EVENT) Scotty Bowers – Scotty and the Secret History of Hollywood (Greenwich Entertainment, Kino Lorber, Starz!) Ruth Bader Ginsburg – RBG (Magnolia Pictures, Participant Media) Alex Honnold – Free Solo (National Geographic Documentary Film) Joan Jett – Bad Reputation (Magnolia Pictures) Quincy Jones – Quincy (Netflix) David Kellman and Bobby Shafran – Three Identical Strangers (Neon, CNN Films) John McEnroe – John McEnroe: In the Realm of Perfection (Oscilloscope Laboratories) Leon Vitali – Filmworker (Kino Lorber)

    MOST INNOVATIVE DOCUMENTARY

    306 Hollywood – Directors: Elan Bogarin, Jonathan Bogarin (PBS, El Tigre) Free Solo – Directors: Jimmy Chin, Elizabeth Chai Vasarhelyi (National Geographic Documentary Film) Hitler’s Hollywood – Director: Rüdiger Suchsland (Kino Lorber) Ryuichi Sakamoto: Coda – Director: Stephen Nomura Schible (MUBI) Wild Wild Country – Directors: Chapman Way, Maclain Way (Netflix) Won’t You Be My Neighbor? – Director: Morgan Neville (Focus Features)

    BEST CINEMATOGRAPHY

    306 Hollywood – Cinematographers: Elan Bogarin, Jonathan Bogarin, Alejandro Mejía (PBS, El Tigre) The Dawn Wall – Cinematographer: Brett Lowell (The Orchard) Free Solo – Cinematographers: Jimmy Chin, Clair Popkin, Mikey Schaefer (National Geographic Documentary Film) Minding the Gap – Cinematographer: Bing Liu (Hulu) Pandas – Cinematographer: David Douglas (Warner Brothers) Wild Wild Country – Cinematographer: Adam Stone (Netflix)

    BEST EDITING

    Dark Money – Editor: Jay Arthur Sterrenberg (PBS) Filmworker – Editor: Tony Zierra (Kino Lorber) Free Solo – Editor: Bob Eisenhardt (National Geographic Documentary Film) John McEnroe: In the Realm of Perfection – Editor: Julien Faraut (Oscilloscope Laboratories) Three Identical Strangers – Editor: Michael Harte (Neon, CNN Films) Won’t You Be My Neighbor? – Editors: Jeff Malmberg, Aaron Wickenden (Focus Features)

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  • 2018 DOC NYC Announces Full Lineup, Closes with BRESLIN AND HAMILL

    [caption id="attachment_32107" align="aligncenter" width="1200"]Breslin and Hamill: Deadline Artists Breslin and Hamill: Deadline Artists[/caption] DOC NYC, America’s largest documentary festival, returns for its ninth edition with 135 feature-length documentaries among over 300 films and events overall.   The festival takes place November 8 to 15 at in New York at the IFC Center in Greenwich Village and Chelsea’s SVA Theatre and Cinepolis Chelsea. Special Events include Closing Night Film, the world premiere of HBO’s Breslin and Hamill: Deadline Artists, about the beloved New York City journalists Jimmy Breslin and Pete Hamill, directed by Jonathan Alter, John Block and Steve McCarthy; and the festival’s Centerpiece presentation, the world premiere of Original Cast Album: Co-op, an episode in the upcoming season of IFC’s Documentary Now! series inspired by D.A. Pennebaker’s Original Cast Album: Company, followed by a conversation with creators Seth Meyers and Rhys Thomas, director Alex Buono, writer and star John Mulaney, and star Renee Elise Goldsberry (Hamilton). The NYC premiere of John Chester’s Telluride and Toronto hit The Biggest Little Farm will open the festival. World premieres at the festival include Lady Parts Justice in the New World Order, following The Daily Show co-creator Lizz Winstead on a “Vagical Mystery Tour” to fight for reproductive rights; New Homeland, the newest film from two-time Academy Award winner Barbara Kopple, following refugee boys to a summer camp; Cracked Up, a revealing portrait of Saturday Night Live alumnus Darrell Hammond; Olympia, on Academy Award winning actress Olympia Dukakis; Buzz, about Friday Night Lights author Buzz Bissinger; Afterward, a candid exploration of complex tensions between Germans, Jews and Palestinians; Creating a Character: The Moni Yakim Legacy, on the legendary Juilliard drama teacher who trained Meryl Streep and Viola Davis among countless other talents; Beyond the Bolex, a personal history of the iconic camera; and The Show’s the Thing: The Legendary Promoters of Rock, which reveals an untold chapter of rock history. Among this year’s U.S. premieres are Screwball, a hilarious exposé of Alex Rodriguez’s doping scandal; The Insufferable Groo, on a prolific low-budget filmmaker who recruits Jack Black for his latest opus; Evelyn, Oscar-winner Orlando von Einsiedel’s reckoning with a family tragedy; Rudeboy: The Story of Trojan Records, the fascinating tale about the popularization of Jamaican music worldwide; Barbara Rubin & the Exploding NY Underground, on an influential but little-recognized member of the 1960s film and art world; and The Artist & the Pervert, on the controversial relationship between a world renowned composer and a sex educator. The festival is curated in 21 sections that include five new strands: Series Showcase, offering world premieres of new episodic programs, including Showtime’s Enemies: The President, Justice & the FBI, exploring the contentious relationship between U.S. presidents and the FBI; and SundanceTV’s Jonestown: Terror in the Jungle, commemorating the 40th anniversary of the Jonestown Massacre. Photography on Film, which includes the world premiere of Last Stop Coney Island: The Life and Photography of Harold Feinstein, on the seven-decade career of the NYC photographer. Portraits, which presents the world premieres of The Great Mother, a profile of a woman serving as the legal guardian for 2,000 children of undocumented immigrants; and Welcome to the Beyond, the surprising story of a fashion model and a cult. In the System, offering an inside look at institutions, including sexism in the restaurant world in The Heat: A Kitchen (R)evolution; and the financial industry on the cusp of the economic recession in Inside Lehman Brothers. True Love, which presents the world premiere of Dennis and Lois, about a punk rock-loving older couple; and the U.S. premiere of China Love, which explores China’s $80 billion pre-wedding photo industry. In the festival’s two feature competition sections, nine films appear under the Viewfinders section for distinct directorial visions. They include the world premieres of Cooked: Survival by Zip Code, a radical reframing of natural disasters and their link to poverty; Out of Omaha, a coming-of-age story executive produced by musician J. Cole; The Smartest Kids in the World, an exploration of the shortcomings of the U.S. education system; and The Kleptocrats, an investigation of the Malaysian financial scandal that helped finance The Wolf of Wall Street. In the Metropolis competition section, seven films are dedicated to stories set in New York City. They include the world premieres of Jay Myself, about acclaimed photographer Jay Maisel; Decade of Fire, on the notorious series of fires that devastated the Bronx in the 1970s; See Know Evil, about a young photographer who left an indelible mark on fashion in the 1990s; and The Candidates, which follows an elaborate mock U.S. presidential election at a Queens high school. Other returning sections include high-profile Special Events; national and global takes inAmerican Perspectives and International Perspectives; and thematic sections Centerstage (on performance), Jock Docs (on sports), Science Nonfiction (on science and technology), Wild Life (on animals), Modern Family (on unconventional families), Behind the Scenes (on filmmaking), Fight the Power (on activism), Sonic Cinema (on music) and Docs Redux (revisiting classic nonfiction). Short-form content (92 films in total) is represented by the festival’s Shorts Competition and DOC NYC U (showcasing student work), selected by Programmer Opal H. Bennett. These sections join the Short List: Features titles, highlighting 15 of the year’s award contender documentary features; Short List: Shorts, an inaugural list of 12 of the year’s leading nonfiction shorts; and the eight-day DOC NYC PRO conference, doubled in size from 2017, focusing on panels and masterclasses. DOC NYC will welcome over 500 filmmakers and special guests in attendance for Q&As after most screenings and for DOC NYC PRO panels. Among the notable guests expected to appear in person are Jakob Dylan for Echo in the Canyon, Darrell Hammond for Cracked Up, Jeffrey Wright for We Are Not Done Yet, Sandra Lee for RX: Early Detection, J.Cole for Out of Omaha, Christo for Walking on Water, Alex Sharp for Creating a Character, Lizz Winstead for Lady Parts Justice in the New World Order and more to be announced in the coming weeks. For this year’s Short List section of awards season frontrunners, filmmakers presenting their work in person at the festival include Rashida Jones and Alan Hicks (Quincy), Wim Wenders (Pope Francis: A Man of His Word), Michael Moore (Fahrenheit 11/9), Morgan Neville (Won’t You Be My Neighbor?), Elizabeth Chai Vasarhelyi and Jimmy Chin (Free Solo), Betsy West and Julie Cohen (RBG), Rudy Valdez (The Sentence), Ricki Stern and Annie Sundberg (Reversing Roe), Susan Lacy (Jane Fonda in Five Acts), Bing Liu (Minding the Gap), Tim Wardle (Three Identical Strangers), Sandi Tan (Shirkers), Alexandria Bombach (On Her Shoulders), RaMell Ross (Hale County This Morning, This Evening) and Stephen Maing (Crime + Punishment). Filmmakers will also take part in the Short List Day of panel conversations on Nov. 9 at DOC NYC PRO. Notable documentarians will also be honored at the Visionaries Tribute Awards event on Nov. 8: Wim Wenders and Orlando Bagwell will receiveLifetime Achievement Awards while Elizabeth Chai Vasarhelyi and Jimmy Chin will receive the Robert and Anne Drew Award for observational filmmaking. Tabitha Jackson, director of the Documentary Film Program at Sundance Institute, will receive theLeading Light Award for distinguished service to documentary in a role outside filmmaking. The following is a breakdown of programming by section:

    SPECIAL EVENTS

    OPENING NIGHT THE BIGGEST LITTLE FARM Dir: John Chester (NYC PREMIERE) For over eight years, John and Molly Chester struggle to work with nature to establish a biodynamic farm, like a modern-day Little House on the Prairie. CLOSING NIGHT BRESLIN AND HAMILL: DEADLINE ARTISTS Dirs: Jonathan Alter, John Block and Steve McCarthy (WORLD PREMIERE) Legendary newspaper columnists Jimmy Breslin and Pete Hamill are profiled in this essential look at journalism in New York City. CENTERPIECE Documentary Now! Presents ORIGINAL CAST ALBUM: CO-OP Dir: Alex Buono (WORLD PREMIERE) IFC’s comedy series Documentary Now!, which pays homage to nonfiction classics, presents an episode inspired by D.A. Pennebaker’s Original Cast Album: Company.

    VIEWFINDERS

    COOKED: SURVIVAL BY ZIP CODE Dir: Judith A. Helfand (WORLD PREMIERE) Director Judith A. Helfand (Blue Vinyl) investigates the victims and profiteers in extreme weather catastrophes like Hurricanes Katrina and Sandy. GHOST FLEET Dirs: Shannon Service, Jeffrey Waldron (NYC PREMIERE) This suspenseful high-seas adventure follows a team of activists who rescue modern-day slaves in Thailand’s illegal fishing industry. HEARTBOUND Dirs: Janus Metz, Sine Plambech (NYC PREMIERE) Janus Metz (Borg vs McEnroe) and Sine Plambech explore the surprising cross-cultural marriages between Danish men and Thai women over a decade. THE KLEPTOCRATS Dirs: Havana Marking, Sam Hobkinson (WORLD PREMIERE) Investigative journalists uncover how $3.5 billion was plundered from the Malaysian government for a spending spree that included funding The Wolf of Wall Street. A LITTLE WISDOM Dirs: Yuqi Kang (NYC PREMIERE) In a Tibetan Buddhist monastery, young novice monks try to balance rituals and discipline with the distractions of modern life and childhood. OUT OF OMAHA Dir: Clay Tweel (WORLD PREMIERE) A coming-of-age tale of twin African-American brothers filmed over eight years by director Clay Tweel (Gleason) and executive produced by musician J. Cole. THE SMARTEST KIDS IN THE WORLD Dir: Tracy Droz Tragos (WORLD PREMIERE) Based on Amanda Ripley’s bestselling book, four American teenagers go abroad to study in nations that outperform the US in education. UNDER THE WIRE  Dir: Chris Martin (NYC PREMIERE) A gripping, first-hand account of the mortal peril faced by war correspondent Marie Colvin and photographer Paul Conroy while reporting from within Syria. WALKING ON WATER Dir: Andrey Paounov (NYC PREMIERE) After the death of his partner, Jeanne-Claude, the visionary artist Christo, known for The Gates of Central Park, realizes his dream of The Floating Piers in Italy.

    METROPOLIS

    BARBARA RUBIN & THE EXPLODING NY UNDERGROUND Dir: Chuck Smith (U.S. PREMIERE) The untold story of an influential figure who defied sexist conventions and enabled surprising connections in the 1960s New York underground film scene. THE CANDIDATES Dirs: Alexandra Stergiou, Lexi Henigman (WORLD PREMIERE) In a Queens high school, a mock Presidential election sees a Russian-American as Donald Trump face off against a Pakistani-American as Hillary Clinton. CREATING A CHARACTER: THE MONI YAKIM LEGACY Dir: Rauzar Alexander (WORLD PREMIERE) Legendary Juilliard acting teacher Moni Yakim, who taught Meryl Streep, Viola Davis, Patti LuPone and countless others, gets his time in the spotlight. DECADE OF FIRE Dirs: Vivian Vazquez, Gretchen Hildebran (WORLD PREMIERE) The true, inside story behind the burning of the Bronx in the 1970s and how the community resisted, remained and rebuilt. JAY MYSELF Dir: Stephen Wilkes (WORLD PREMIERE) For five decades, photographer Jay Maisel created an artistic wonderland in a six-story building on the Bowery, but now it’s time to move. SEE KNOW EVIL Dir: Charles Curran (WORLD PREMIERE) At a young age, photographer Davide Sorrenti took New York City by storm in the 1990s and left an indelible imprint on the fashion world. THE WORLD BEFORE YOUR FEET Dir: Jeremy Workman (NYC PREMIERE) This charming portrait captures urban explorer Matt Green on his mission to walk every block of New York City.

    AMERICAN PERSPECTIVES

    THE BLESSING Dirs: Hunter Robert Baker, Jordan Fein (NYC PREMIERE) Deep in the Navajo Nation, one family struggles with contradictions as a coal company offers employment while destroying the community’s sacred homeland. CITY OF JOEL Dir: Jesse Sweet (NYC PREMIERE) In Monroe, NY, 50 miles north of NYC, a fast-growing Hasidic community sets off a turf war with political, economic and religious implications. THE CITY THAT SOLD AMERICA Dir: Ky Dickens (NYC PREMIERE) A playful and informative look at the key role Chicago has played in modern advertising and its impact on pop culture. Screening with Ross Kauffman’s short Still Plays with Trains: John reconstructs his idyllic 1950s childhood through one of the world’s largest model train sets. EMANUEL Dir: Brian Ivie (NYC PREMIERE) In the aftermath of the 2015 church shooting in Charleston, South Carolina, a community grapples with justice, faith and forgiveness. HARVEST SEASON Dir: Bernardo Ruiz (NYC PREMIERE) Set in California’s Napa and Sonoma Valley wine country, this film celebrates the unsung workers and small producers, from vine to vintage. HILLBILLY Dirs: Sally Rubin, Ashley York (NYC PREMIERE) Ashley York returns to her hometown in Appalachia where, contrary to dismissive stereotypes, she shows a diverse, complex and proud community. NORTH POLE, NY Dir: Ali Cotterill (NYC PREMIERE) Upstate New York’s Santa’s Workshop theme park struggles to overcome economic challenges and a con man who tries to steal Christmas. THE PROVIDERS Dirs: Anna Moot-Levin, Laura Green (NYC PREMIERE) In rural New Mexico, healthcare workers serve a community hard hit by the opioid crisis and still reeling from the 2008 recession. VERY SENIOR: ATTITUDE IS EVERYTHING Dir: Susan Gluth (WORLD PREMIERE) In Sun City, Arizona, seniors in a retirement community demonstrate the art of aging gracefully while making one’s own choices. Screening with Rachel Mills and Maya Tippett’s short Magnitudinous Illuminous: Meet Pete, a 66-year-old Brooklyn bartender and self-proclaimed philosopher. WHILE I BREATHE, I HOPE Dir: Emily Harrold (NYC PREMIERE) Young, African-American and a Democrat, Bakari Sellers faces an uphill struggle as he runs for lieutenant governor in South Carolina.

    INTERNATIONAL PERSPECTIVES

    AFTERWARD Dir: Ofra Bloch (WORLD PREMIERE) Disturbed by the resurgence of anti-Semitism worldwide, the filmmaker travels to Germany, Israel and Palestine to confront lasting tensions and contradictions. BRAVE GIRLS Dirs: Yashaswi Desai, Ellie Walton (WORLD PREMIERE) Three young Indian women in a conservative Muslim town seek to change their futures through education and self-determination. Screening with Guille Isa and Angello Faccini’s short Dulce: A mother teaches her daughter how to swim, essential to survival in their Colombian village. EXIT Dir: Karen Winther (NYC PREMIERE) What makes someone join neo-Nazis, Jihadists or other hate groups, and what makes them decide to leave? THE INTERPRETERS Dirs: Andres Caballero, Sofian Khan (NYC PREMIERE) Interpreters who worked for US military forces in Afghanistan and Iraq face retribution while they await promised but long-delayed special visas into the US. NEW HOMELAND Dir: Barbara Kopple (WORLD PREMIERE) Refugee boys from war-torn Syria and Iraq attend a Canadian summer camp where some thrive while others struggle. OF FATHERS AND SONS Dir: Talal Derki (NYC PREMIERE) In this Sundance Grand Jury Prize winner, director Talal Derki (Return to Homs) gains access to a radical Syrian jihadist and his family for two years. THE OTHER RIO Dir: Émilie B. Guérette (U.S. PREMIERE) In Rio de Janeiro, squatters live in an abandoned government building under the rule of drug dealers, but exhibit a remarkable resilience. TAKUMI: A 60,000 HOUR STORY ON THE SURVIVAL OF HUMAN CRAFT Dir: Clay Jeter (WORLD PREMIERE) Profiles of devoted artisans including a chef, a traditional paper cut artist, a car factory inspector and a carpenter.

    SERIES SHOWCASE

    ENEMIES: THE PRESIDENT, JUSTICE & THE FBI Dir: Jed Rothstein (WORLD PREMIERE) A preview of the new Showtime series, inspired by Tim Weiner’s Enemies: A History of the FBI, with an episode on the Iran-Contra affair plus an extended Q&A. JONESTOWN: TERROR IN THE JUNGLE Dir: Shan Nicholson (WORLD PREMIERE) Based on Jeff Guinn’s book The Road to Jonestown: Jim Jones and Peoples Temple, the first half of the new SundanceTV series is previewed, with an extended Q&A. LADY PARTS JUSTICE IN THE NEW WORLD ORDER Dir: Ruth Leitman (WORLD PREMIERE) Lizz Winstead, co-creator of The Daily Show, organizes activists and comedians for a satire-infused advocacy tour for reproductive rights.

    PHOTOGRAPHY ON FILM

    INSTANT DREAMS Dir: Willem Baptist (NYC PREMIERE) After the Polaroid company stops production, three enthusiasts are determined to keep alive the magical wonder and technology of instant cameras. THE LAST RESORT Dirs: Dennis Scholl, Kareem Tabsch (NYC PREMIERE) Photographers Andy Sweet and Gary Monroe captured Miami Beach’s aging Jewish population for a decade, even as the city transformed around them. LAST STOP CONEY ISLAND: THE LIFE AND PHOTOGRAPHY OF HAROLD FEINSTEIN Dir: Andy Dunn (WORLD PREMIERE) Photographer Harold Feinstein captured the beauty, joy and diversity of New Yorkers over seven decades. WITKIN & WITKIN Dir: Trisha Ziff (NYC PREMIERE) Gifted twin brothers—photographer Joel-Peter Witkin and painter Jerome Witkin—reunite for a joint show after decades of estrangement.

    PORTRAITS

    BUZZ Dir: Andrew Shea (WORLD PREMIERE) While co-writing Caitlyn Jenner’s biography, Pulitzer Prize-winning author Buzz Bissinger (Friday Night Lights) tests his marriage with surprising revelations. COMMANDER ARIAN: A STORY OF WOMEN, WAR & FREEDOM Dir: Alba Sotorra (NYC PREMIERE) Under threat from ISIS, Commander Arian gathers her all-women Kurdish battalion to rescue enslaved civilians in northern Syria. THE FEMINIST Dir: Hampus Linder (INTERNATIONAL PREMIERE) This starkly intimate portrait of Sweden’s feminist trailblazer politician Gudrun Schyman serves as a rallying call in today’s political climate. THE GREAT MOTHER Dirs: Dave LaMattina, Chad Walker (WORLD PREMIERE) Nora Sandigo has more than 2,000 kids, acting as the legal guardian for US-born children of undocumented immigrants. I’M LEAVING NOW Dirs: Lindsey Cordero, Armando Croda (U.S. PREMIERE) Felipe, an undocumented immigrant in NYC who has long struggled to support his family in Mexico, faces the limits of self-sacrifice. LAILA AT THE BRIDGE Dirs: Elizabeth Mirzaei, Gulistan Mirzaei (NYC PREMIERE) Self-proclaimed badass Laila offers salvation to drug addicts in Kabul, running a clinic with her brother, himself a recovered addict. WELCOME TO THE BEYOND Dir: Brent Huff (WORLD PREMIERE) The surprising story of Hoyt Richards, the world’s first male supermodel… and secretly a member of the Eternal Values cult. WORLDS OF URSULA K. LE GUIN Dir: Arwen Curry (NYC PREMIERE) A moving and intimate profile of feminist sci-fi/fantasy author Ursula K. Le Guin, featuring interviews with admirers like Neil Gaiman and David Mitchell.

    IN THE SYSTEM

    ALICIA Dir: Maasja Ooms (NORTH AMERICAN PREMIERE) A gem of observational cinema, Maasja Ooms’ film portrays the emotional roller coaster experienced by a girl in foster care longing for love. FALSE CONFESSIONS Dir: Katrine Philp (NYC PREMIERE) A dogged defense attorney is on a crusade to put a stop to coerced false confessions, exposing their destructive consequences. THE HEAT: A KITCHEN (R)EVOLUTION Dir: Maya Gallus (NYC PREMIERE) Seven female chefs are profiled in a no-holds-barred exploration of the struggles faced by women in the restaurant industry. INSIDE LEHMAN BROTHERS Dir: Jennifer Deschamps (NORTH AMERICAN PREMIERE) Ten years after Wall Street’s meltdown, Lehman Brothers whistleblowers look back on their efforts to sound an alarm. OWNED: A TALE OF TWO AMERICAS Dir: Giorgio Angelini (NYC PREMIERE) An investigation of how greed, flawed economics and systemic racism have distorted the American dream of homeownership. THE SCHOOL IN THE CLOUD Dir: Jerry Rothwell (NYC PREMIERE) The brainchild of TED Prize winner Sugata Mitra, a state of the art learning lab connects children in remote areas to teachers via the Internet. SEE YOU TOMORROW, GOD WILLING! Dir: Ainara Vera (NORTH AMERICAN PREMIERE) Seventeen octogenarian Franciscan nuns in Spain take care of each other in this beautifully observed and often humorous portrait. Screening with Leah Galant’s short Death Metal Grandma: A 97-year-old Holocaust survivor prepares a death metal audition for America’s Got Talent. SOMEWHERE TO BE Dir: Peter Odabashian (WORLD PREMIERE) In NYC’s Greenwich House, seniors from all walks of life share stories in this heartwarming portrait that redefines the meaning of a good life.

    TRUE LOVE

    THE ARTIST & THE PERVERT Dirs: Beatrice Behn, René Gebhardt (U.S. PREMIERE) In this provocative exploration of sexual kinks, composer Georg Friedrich Haas and sex educator Mollena Williams redefine norms of love and ownership. CHINA LOVE Dir: Olivia Martin-McGuire (INTERNATIONAL PREMIERE) In modern-day Shanghai, engaged couples go on a fantasy ride of glitz, excess and glamour in search of the perfect wedding photo. DENNIS AND LOIS Dir: Chris Cassidy (WORLD PREMIERE) Forty years after meeting at CBGB, aging superfans Dennis and Lois still live life to its fullest, traveling all over to support their favorite bands. SILICONE SOUL Dir: Melody Gilbert (NYC PREMIERE) Profiling individuals who form relationships with eerily lifelike dolls, this film sensitively explores the need for companionship and emotional connection.

    CENTERSTAGE

    CARE TO LAUGH Dir: Julie Getz (NYC PREMIERE) Jesus Trejo funnels his experiences as a caregiver to his elderly parents into disarmingly funny material for his stand-up routine. CRAFTING AN ECHO Dir: Marco Williams (WORLD PREMIERE) Choreographer Andonis Foniadakis struggles to stage an ambitious work with the Martha Graham Dance Company with no shortage of behind-the-scenes drama. Screening with Dime Davis’ short Wild Wild West: A Beautiful Rant by Mark Bradford: A provocative artist explains where artists come from. THE ICE KING Dir: James Erskine (NYC PREMIERE) A profile of 1976 Gold medal-winning figure skater John Curry, arguably the first openly gay Olympic athlete and the creator of ice dancing. OLYMPIA Dir: Harry Mavromichalis (WORLD PREMIERE) Follow Academy Award winner Olympia Dukakis behind the scenes in this affectionate profile of a stalwart New Yorker and beloved stage and screen treasure. WE ARE NOT PRINCESSES Dirs: Bridgette Auger, Itab Azzam (WORLD PREMIERE) Refreshingly candid Syrian women find personal connections to Greek tragedy during a theater workshop in a Lebanese refugee camp. WHEN ARABS DANCED Dir: Jawad Rhalib (NYC PREMIERE) Jawad Rhalib profiles artists in the Muslim world—including his mother, a Moroccan dancer—who seek freedom from stereotypes and repression.

    JOCK DOCS

    LIFE WITHOUT BASKETBALL Dirs: Tim O’Donnell, Jon Mercer (WORLD PREMIERE) Bilqis Abdul-Qaadir fights the International Basketball Federation to wear the hijab during Division I competition. MEMORY GAMES Dirs: Janet Tobias, Claus Wehlisch (WORLD PREMIERE) Inside the world championship of memory athletes, the abilities on display are unforgettable. MY PERFECT WORLD: THE AARON HERNANDEZ STORY Dir: Geno McDermott (WORLD PREMIERE) Sports journalists Dan Wetzel and Kevin Armstrong track the scandal of New England Patriots player Aaron Hernandez as he spiraled from stardom to infamy. SCREWBALL Dir: Billy Corben (U.S. PREMIERE) From the makers of Cocaine Cowboys, this true crime comedy exposes baseball player Alex Rodriguez’s doping scandal with a hilarious profile of his drug supplier.

    SCIENCE NONFICTION

    BEHIND THE CURVE Dir: Daniel J. Clark (NYC PREMIERE) A profile of passionate advocates of the Flat Earth theory reveals the deep-seated need for community and the hazards of believing in alternative facts. PEOPLE’S REPUBLIC OF DESIRE Dir: Hao Wu (NYC PREMIERE) This SXSW Grand Jury winner goes behind the scenes of China’s live-streaming showrooms, where web stars seek fans and financial rewards. THE TRUTH ABOUT KILLER ROBOTS Dir: Maxim Pozdorovkin (NYC PREMIERE) The director of Pussy Riot: A Punk Prayer investigates how robots are becoming more human and humans more robotic.

    WILD LIFE

    THE ANCIENT WOODS Dir: Mindaugas Survila (NYC PREMIERE) Ten years in the making, a biologist-turned-filmmaker documents an old-growth forest with immersive cinematography and sound design. THE CAT RESCUERS Dirs: Rob Fruchtman, Steven Lawrence (NYC PREMIERE) A profile of street-smart volunteers working tirelessly in Brooklyn to help save as many street cats in need as possible. ELEPHANT PATH/NJAIA NJOKU Dir: Todd McGrain (NYC PREMIERE) In the forests of the Central African Republic, one of the last wild herds of elephants struggles for survival. FIRE ON THE HILL: THE COWBOYS OF SOUTH CENTRAL LA Dir: Brett Fallentine (NYC PREMIERE) Three black cowboys seek to preserve a unique culture of horse-riding in the last public stable in South Central LA. FOR THE BIRDS Dir: Richard Miron (NYC PREMIERE) Kathy, an obsessive bird lover in upstate New York, struggles to maintain over 200 chickens, geese, ducks and turkeys. OF FISH AND FOE Dirs: Heike Bachelier, Andy Heathcote (U.S. PREMIERE) Wildlife preservation clashes with family tradition when one of Scotland’s last salmon fishing families is accused of animal rights violations. STARS IN THE SKY: A HUNTING STORY Dir: Steven Rinella (WORLD PREMIERE) Set in the Alaskan wilderness, this thought-provoking film explores controversies over the sport of hunting. Screening with Orlando Mora Cabrera’s short Olga: After years of taking in street cats, Olga has more than she can handle.

    MODERN FAMILY

    COLOSSUS Dir: Jonathan Schienberg (WORLD PREMIERE) Born in the US, 15-year-old Jamil copes with the deportation to Honduras of his undocumented parents and older sister. EVELYN Dir: Orlando von Einsiedel (INTERNATIONAL PREMIERE) Oscar-winning filmmaker Orlando von Einsiedel (The White Helmets) turns the camera on his family as they cope with a tragic loss. FAMILY IN TRANSITION Dir: Ofir Trainin (INTERNATIONAL PREMIERE) In a small Israeli town, a husband and father of four undergoes a gender transition that has rippling effects on the family. GLOBAL FAMILY Dirs: Melanie Andernach, Andreas Köhler (U.S. PREMIERE) A family, scattered across the globe in their escape from Somalia’s civil war, faces challenges when they must find a caregiver for their matriarch. LITTLE MISS WESTIE Dir: Joy E. Reed, Dan Hunt (WORLD PREMIERE) In Connecticut, Ren is the first out transgirl to compete in the Little Miss Westie Pageant, coached by her transgender brother. REFUGEE Dir: Alexander J. Farrell (WORLD PREMIERE) Syrian refugee Raf’aa seeks to be reunited with her family who are blocked by closed borders in this poignant story about today’s migration crisis. A SISTER’S SONG Dir: Danae Elon (NYC PREMIERE) In this real-life psychological thriller, an Israeli woman tries to convince her sister to leave the religious order which has kept them separated for 20 years. TO KID OR NOT TO KID Dir: Maxine Trump (WORLD PREMIERE) Filmmaker Maxine Trump (no relation) explores women like herself who face societal stigma for choosing not to have children. TRE MAISON DASAN Dir: Denali Tiller (NYC PREMIERE) This profile of three boys cut off from parents who are in prison poses meaningful questions about the effects of mass incarceration. WRESTLING GHOSTS Dir: Ana Joanes (NYC PREMIERE) A young mother tries to unravel her conflicted feelings around parenthood, inviting the viewer into her counseling sessions to heal past trauma.

    BEHIND THE SCENES

    BEYOND THE BOLEX Dir: Alyssa Bolsey (WORLD PREMIERE) Alyssa Bolsey explores the iconic Bolex camera, invented by her great-grandfather, Jacques Bolsey, who was a Russian refugee during World War I. CRACKED UP Dir: Michelle Esrick (WORLD PREMIERE) With courage and humor, comedian and Saturday Night Live alumnus Darrell Hammond reveals his dark history of child abuse. THE EYES OF ORSON WELLES Dir: Mark Cousins (NYC PREMIERE) Mark Cousins (The Story of Film) takes a novel approach to Orson Welles by studying the legendary filmmaker’s paintings, drawings and doodles. THE GHOST OF PETER SELLERS Dir: Peter Medak (NYC PREMIERE) Director Peter Medak (The Ruling Class) revisits his ill-fated 1973 pirate film with Peter Sellers in a classic insider’s tale of movie-making madness and folly. THE GREENAWAY ALPHABET Dir: Saskia Boddeke (NYC PREMIERE) Peter Greenaway (The Cook, The Thief, His Wife and Her Lover) is profiled with an alphabetical word association, directed by his multimedia artist wife. Screening with Chuck Workman’s short Moments of Truth: A masterful montage of moments from 100 documentary films. THE INSUFFERABLE GROO Dir: Scott Christopherson (NORTH AMERICAN PREMIERE) Stephen Groo, a Utah-based filmmaker of outlandish low-budget genre films with admirers like Jack Black, attempts an opus that may be his undoing. THE ORANGE YEARS: THE NICKELODEON STORY Dir: Scott Barber, Adam Sweeney (WORLD PREMIERE) A nostalgic and entertaining look back at the early years of Nickelodeon, the TV network that let kids enjoy being kids. THIS CHANGES EVERYTHING Dir: Tom Donahue (NYC PREMIERE) Meryl Streep, Jessica Chastain, Shonda Rhimes and Geena Davis join a who’s who of Hollywood in this investigation of the entertainment industry’s systemic sexism. UNITED WE FAN Dir: Michael Sparaga (NYC PREMIERE) Looking at fandom culture that rallied around shows like Star Trek or Cagney and Lacey,this film reflects on the meaning of pop culture devotion. WHAT SHE SAID: THE ART OF PAULINE KAEL Dir: Rob Garver (NYC PREMIERE) A nuanced portrait of controversial and influential film critic Pauline Kael revisits late-twentieth-century cinema through her words, followed by an extended Q&A.

    FIGHT THE POWER

    BEI BEI Dirs: Rose Rosenblatt, Marion Lipschutz (NYC PREMIERE) In Indiana, the murder trial of Chinese immigrant Bei Bei Shuai poses a disturbing legal precedent for terminating a pregnancy. BLEED OUT Dir: Steve Burrows (WORLD PREMIERE) In this legal drama meets medical mystery, Steve Burrows seeks justice for his mother, who suffers catastrophic complications after routine surgery. BOYS WHO LIKE GIRLS Dir: Inka Achté (NORTH AMERICAN PREMIERE) In the aftermath of the infamous Delhi gang rape, a man works to change the way Indian boys view females. Screening with Thomas Winston’s short Casting in Jagüey Grande: Cuban kids attempt to master the art of fly fishing with their mentor and father figure. GRIT Dirs: Cynthia Wade, Sasha Friedlander (NYC PREMIERE) In East Java, Indonesia, a mother and daughter battle a corporation over a man-made catastrophe that’s displaced more than 60,000 people. I AM THE REVOLUTION Dir: Benedetta Argentieri (WORLD PREMIERE) Three women in Afghanistan, Iraq and Syria lead the fight for gender equality and freedom in this empowering portrait. PATRIMONIO Dirs: Lisa F. Jackson, Sarah Teale (NYC PREMIERE) In Baja, Mexico, local fishermen face off against the development of a luxury resort, which will have a radical impact on the environment and on their livelihood. THE RESCUE LIST Dirs: Alyssa Fedele, Zachary Fink (NYC PREMIERE) On Ghana’s Lake Volta, activists work to rescue victims of a child-slavery industry and help them transition back to normal life. Screening with Nicholas Brennan’s short Mama: Gertrude has dedicated her life to delivering children in her rural Ugandan village.

    SONIC CINEMA

    THE 5 BROWNS: DIGGING THROUGH THE DARKNESS Dir: Ben Niles (NYC PREMIERE) Siblings and Juilliard-trained piano virtuosos, the 5 Browns confront a disturbing secret and use music to recover from its impact on their family. 16 BARS Dir: Samuel Bathrick (NYC PREMIERE) Grammy winner Todd Thomas—aka “Speech” of Arrested Development—leads a unique collaborative music workshop in a Virginia state penitentiary. ECHO IN THE CANYON Dir: Andrew Slater (NYC PREMIERE) Musician Jakob Dylan of The Wallflowers explores the 1960s musicians who fostered folk rock tradition in the community of Laurel Canyon. I USED TO BE NORMAL: A BOYBAND FANGIRL STORY Dir: Jessica Leski (NYC PREMIERE) Profiling the ardent fans who find joy in their devotion of boy bands such as New Kids on the Block, N*Sync, One Direction and The Beatles. IT MUST SCHWING! THE BLUE NOTE STORY Dir: Eric Friedler (NYC PREMIERE) Executive produced by Wim Wenders and featuring a swinging jazz soundtrack, this history of Blue Note Records profiles the company’s two Jewish German refugee founders. RUDEBOY: THE STORY OF TROJAN RECORDS Dir: Nicolas Jack Davies (U.S. PREMIERE) Set to great Jamaican music, a creative exploration of the pioneering 1960s label behind “Rudy, A Message to You,” “You Can Get if You Really Want” and more. THE SHOW’S THE THING: THE LEGENDARY PROMOTERS OF ROCK Dir: Molly Bernstein, Philip Dolin (WORLD PREMIERE) This untold chapter of rock history reveals the influential live music promoters behind the rise of the Rolling Stones, Simon & Garfunkel, David Bowie and more. TEDDY PENDERGRASS: IF YOU DON’T KNOW ME Dir: Olivia Lichtenstein (NYC PREMIERE) This definitive bio, set to a soulful soundtrack, tells the story of Teddy Pendergrass, poised to be the biggest R&B artist ever—until tragedy struck.

    DOCS REDUX

    A HYMN FOR ALVIN AILEY (1999) Dir: Orlando Bagwell A classic film by DOC NYC Lifetime Achievement Award-winner Orlando Bagwell, celebrating the legacy of pioneering choreographer Alvin Ailey.

    SHORTS PROGRAMS

    SHORTS: THE BIG APPLE New York, NY. It’s a helluva town. Seven films explore the city, from the lives of immigrant cabbies to the World Trade Center memorial. The Accidental Activist (Samia Khan) Footprint (Sara Newens) The Sheriff of Goodtimes (Brad Hinkle) A Sharper Sword (Olivier Bernier) I’ve Never Been a Fisherman (Joe Stankus) King of the Night (Molly Brass, Stephen Tyler) Vilaayat (Ansh Vohra) SHORTS: THE CREATIVE SPARK On artists, performers and designers. Eight films profile graffiti to woodworking, architecture to art in Havana. Painting the Town (William Higbie) Barbara Kruger: Part of the Discourse (Ian Forster) Perspective. (Allyssa Agro) Thomas Fire Architect (Nicholas Weissman) Cuban Canvas (Kavery Kaul) Don’t Define Me (Don Casper) Tapume (Hugo Faraco) My Paintbrush Bites (Joel Pincosy, Joe Egender) SHORTS: DRAWN TOGETHER Life, animated. Nine films offer a creative use of animation to tell stories about Christmas, clowns, film pioneers and more. Santa Is a Psychedelic Mushroom (Matthew Salton) Music & Clowns (Alex Widdowson) Obon (Andre Hoermann, Anna Samo) Tightly Wound (Shelby Hadden) For A Better Life (Yasmin Mistry) Carlotta’s Face (Valentin Riedl, Frédéric Schuld) Lon (Nina Landau) Lotte That Silhouette Girl (Elizabeth Beecherl, Carla Patullo) The Likes and Dislikes of Marj Bagley (Taylor Stanton) SHORTS: GENERATION Z The hopes and dreams of the youngest generation. Seven films detail young love, youth activism, refugee life and more. True Love in Pueblo Textil (Horatio Baltz) Station 15 (Kira Akerman, Sophie Tintori) Share (Barna Szász, Ellie Wen) Listen (Astrid Bussink) Osama and Ayman (Sam Price-Waldman, Ben Mullinkosson, Chris Cresci) We Became Fragments ( Luisa Conlon, Hanna Miller, Lacy Jane Roberts) Hallo Salaam (Kim Brand) SHORTS: I’M A SURVIVOR Contemplating life and death and finding grace. Six films offer hope in the face of life’s curveballs, from illness to accident. Grace (Rachel Pikelny) Sister Hearts (Mohammad Gorjestani) Crannog (Isa Rao) I Was Here (Julian Dalrymple) Prince’s Tale (Jamie Miller) The Pull (Paul Szynol) SHORTS: LEGACY History is made, for better or worse. Three films explore the legacy of both private and public actions. The Happiness Machine (Rebecca B. Blumhagen) In the Absence (Yi Seung-Jun) Father K (Judd Ehrlich) SHORTS: QUEERLY BELOVED Life, loud and proud. Four films detail the diversity of LGBTQ experience. The Journey: Gay Officers Action League (Det. John Giretti, Andrew Sklar) Landline (Matt Houghton) Almost Liam (Sapir Rokach) Transformations (Alonso Mayo) SHORTS: SPACES UNKNOWN Unexpected moments and unusual discoveries. Six surprising stories about fake news, rhino guardians and more. Fake News Fairytale (Kate Stonehill) The Traffic Separating Device (Johan Palmgren) Tungrus (Rishi Chandna) The Mauritania Railway: Backbone of the Sahara (MacGregor) Black Line (Mark Olexa, Francesca Scalisi) The Black Mambas (Bruce Donnelly) SHORTS: THIS IS AMERICA, 2018 The states of the nation. Seven stories offer seven stories about Alabama quilters, a Texas pastor, New Orleans politicians and more. Lonesome Willcox (Ryan Maxey, Zack Wright) Sole Doctor (Paula Bernstein) While I Yet Live (Maris Curran) Cats Cradle (Jonathan Napolitano) LA Stories (Sara Newens, Josh Polon) Last Sermon at George’s Creek (Spencer Creigh, Bobby Moser) All Skinfolk Ain’t Kinfolk (Angela Tucker) SHORTS: THIS SPORTING LIFE Athletes, on and off the field. Six portraits of boxing, climbing, football and more. El Gallo (Michael Medoway) Big Wall (Jennifer Law-Smith) Concussion Protocol (Josh Begley) This Is Yarra (Lydia Rui) Black 14 (Darius Clark Monroe) Junction (Brendan Young)

    DOC NYC U

    The festival’s long-running section offers showcases of some of the city’s top student documentary filmmaking programs. Five programs reveal the nonfiction filmmakers of tomorrow, with work from Columbia University, Hunter College, New York Film Academy, New York University and School of Visual Arts. Columbia Journalism School’s Documentary Project showcase includes: The Lifehouse (Heba Elorbany, Kimberly Flores Guzmàn) Love, Mommy (Tala Hadavi, Yeong-Ung Yang) Hunter’s MFA Program in Integrated Media Arts showcase includes: After… After… (Access) (Jordan Lord) Dick’s Decoys (Sean Hanley) Cranberry Lake (Zoya Baker) Gentrification Express: Breaking Down the BQX (Samantha Farinella, Amanda Katz) Postcards from Miss Universe (CG Foisy) NYFA’s Documentary Department showcase includes: Cricket Liu (Julia Cheng) I Love You, Wally (Simona Kubasova Prakash) Keliling Bali (Gary Bencheghib, Aitor Mendilibar) The Trolls & I (Charlotte Madvig Schmidt) NYU’s NewsDoc showcase includes: An Edited Life (Mathieu Faure) Trafficked In Paradise (Olivia Wilson) SVA’s MFA Social Documentary Film showcase includes: Bird (Kate Fisher) Bob Man (Olivia Garzon) The Calling (Padcha Ithijarukul) Dressed to Fight (Naijie Wang) In the Right Frame of Mind (Veronique Engel) Noodle Soul (Hong Shanjia) On Track (Yunhong Pu)

    SHORT LIST: SHORTS

    ’63 BOYCOTT Dir: Gordon Quinn In 1963, more than 250,000 students boycotted Chicago’s public schools to protest racial segregation. Combining period footage with reflections from participants, ‘63 Boycott links the past with present-day concerns around inequality in the education system. Courtesy of Kartemquin. EARTHRISE Dir: Emmanuel Vaughan-Lee In 1968, the first image of the Earth was captured from space, an iconic photograph that had an immediate and transformative impact around the globe. Earthrise explores the memories of the Apollo 8 astronauts responsible for the image, and their experience of awe in viewing the Earth framed against the void of space. Courtesy of New York Times Op-Docs/POV. END GAME Dirs: Rob Epstein, Jeffrey Friedman A moving film about the passage from life to death, End Game is a portrait of the last days of those in palliative care in two San Francisco Bay Area medical facilities pioneering new paradigms for end-of-life decisions. Courtesy of Netflix. THE GIRL AND THE PICTURE Dir: Vanessa Roth 80 years ago, Xia Shuqin witnessed the murder of her family during the Nanjing Massacre.The Girl and the Picture uncovers how an American missionary’s camera serendipitously captured Xia and her sister, binding his family and theirs forever. Courtesy of USC Shoah Foundation/Cause & Affect Media. THE HEAD & THE HAND Dir: Marc Serpa Francoeur A meditative portrait of two women who confronted great adversity with a profound bond and remarkable positivity, The Head & The Hand presents a rich exploration of disability, independence and sisterhood. Courtesy of Lost Time Media. LESSONS FROM A SCHOOL SHOOTING: NOTES FROM DUNBLANE Dir: Kim A. Snyder In the aftermath of the Sandy Hook school shooting, local priest Father Bob Weiss connects with Father Basil O’Sullivan of Dunblane, Scotland, from a community which could uniquely relate to Newtown’s trauma. Kim A. Snyder’s film explores the power of resilience through the bond forged between these two priests. Courtesy of Netflix. MY DEAD DAD’S PORNO TAPES Dir: Charlie Tyrell Following the death of his emotionally distant father, filmmaker Charlie Tyrell seeks to better understand him through the personal belongings he left behind… including a stack of dirty VHS tapes. Courtesy of New York Times Op-Docs. RX: EARLY DETECTION, A CANCER JOURNEY WITH SANDRA LEE Dir: Cathy Chermol Schrijver After an annual mammogram results in a diagnosis of breast cancer, Emmy-winning TV host and lifestyle expert Sandra Lee sets out to discover the best options for treatment and recovery, opening up her private journey to share the importance of early detection with other women. Courtesy of HBO Documentary Films. SIDELINED Dir: Galen Summer In 1978, inspired by the popularity of NFL cheerleaders, Playboy organized a pictorial feature approved by team management happy for the media exposure. But when the resulting pictures set off a critical backlash, cheerleaders were fired, exposing society’s hypocrisy around female sexuality. Courtesy of A&E IndieFilms/Lifetime Films. TAKE BACK THE HARBOR Dirs: Kristi Jacobson, Roger Ross Williams On Governor’s Island, an ambitious program works to restore once-bountiful oysters and the environmental benefits they bring to New York Harbor. Take Back the Harbor highlights students at a remarkable public high school where environmental stewardship is part of the curriculum. Courtesy of Discovery/Motto Pictures. WE ARE NOT DONE YET Dir: Sareen Hairabedian US veterans and active-duty service members come together through a workshop led by poet Seema Reza to combat their traumatic military pasts via the written word. Sharing fears, vulnerabilities and victories, their writing becomes a tool for empowerment and healing culminating in the live performance of a collaborative poem under the direction of Jeffrey Wright. Courtesy of HBO Documentary Films. ZION Dir: Floyd Russ Born without legs and growing up in the foster care system, Zion Clark moved from one home to another as he grew up. Floyd Russ’ inspiring portrait reveals how his discovery of wrestling in the second grade provided not only a therapeutic outlet, but a sense of family.Courtesy of Netflix.

    SHORT LIST: FEATURES

    CRIME + PUNISHMENT Dir: Stephen Maing With unparalleled access to the whistle-blowing NYPD 12, this compelling Sundance prize-winner exposes systemic police corruption. Courtesy of IFC Films/Hulu. FAHRENHEIT 11/9 Dir: Michael Moore “One of Moore’s best and most incisively funny films” (Rolling Stone) seeks to understand the rise of Donald Trump and the resistance against him. Courtesy of State Run Films/Briarcliff Entertainment. FREE SOLO Dirs: Elizabeth Chai Vasarhelyi & Jimmy Chin Alex Honnold aims to be the first climber to ascend free solo–without safety ropes–the 3,000-foot cliff of El Capitan in California’s Yosemite Park. Courtesy of National Geographic Documentary Films. HALE COUNTY THIS MORNING, THIS EVENING Dir: RaMell Ross In this lyrical portrait of two young African-American men in the American South, “you witness a new cinematic language being born” (Village Voice). Courtesy of Cinema Guild. JANE FONDA IN FIVE ACTS Dir: Susan Lacy This candid and entertaining portrait explores Jane Fonda’s many facets: sex symbol, Academy Award winner, controversial activist, tycoon’s wife and fitness mogul. Courtesy of HBO Documentary Films. MINDING THE GAP Dir: Bing Liu Bing Liu films his skateboarding friends Zack and Keire over a decade, capturing the legacy of troubled relationships with their fathers. Courtesy of Magnolia Pictures/Hulu. ON HER SHOULDERS Dir: Alexandria Bombach Before Nadia Murad was awarded the 2018 Nobel Peace Prize, this portrait captures the young Yazidi activist as she advocates for her minority community. Courtesy of Oscilloscope Laboratories/RYOT. POPE FRANCIS: A MAN OF HIS WORD Dir: Wim Wenders The Oscar-nominated director of Pina and Buena Vista Social Club now trains his camera on the Argentine pontiff who leads the Catholic Church. Courtesy of Focus Features. QUINCY Dirs: Rashida Jones, Alan Hicks Following the now 85-year-old producer Quincy Jones over three years on the road as he reflects on collaborators, from Frank Sinatra to Michael Jackson. Courtesy of Netflix. RBG Dirs: Betsy West, Julie Cohen In this vivid history, we watch Ruth Bader Ginsburg go from trailblazing ACLU lawyer to the key liberal voice on the conservative Supreme Court. Courtesy of Magnolia Pictures/Participant Media/CNN Films. REVERSING ROE Dirs: Ricki Stern, Annie Sundberg Acclaimed filmmakers Annie Sundberg and Ricki Stern trace the legacy of Roe v. Wade as reproductive rights are increasingly at risk. Courtesy of Netflix. THE SENTENCE Dir: Rudy Valdez For ten years, Rudy Valdez captures the lives of his nieces while their mother serves a harsh prison term due to mandatory minimum sentencing. Courtesy of HBO Documentary Films. SHIRKERS Dir: Sandi Tan Sundance Directing Award winner Sandi Tan solves a mystery from her youth in Singapore, when her mysterious older mentor stole her first film. Courtesy of Netflix. THREE IDENTICAL STRANGERS Dir: Tim Wardle When triplets separated at birth discovered each other in 1980, it was a media sensation, but the truth behind their past proves both surprising and disturbing. Courtesy of NEON/CNN Films. WON’T YOU BE MY NEIGHBOR? Dir: Morgan Neville Oscar-winning filmmaker Morgan Neville (20 Feet from Stardom) tells the story of Fred Rogers, who influenced generations of children through his pioneering TV program.Courtesy of Focus Features.

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  • Melbourne International Film Festival Unveils 2018 Program Lineup of 374 Films

    [caption id="attachment_30671" align="aligncenter" width="1200"]The Merger The Merger[/caption] The Melbourne International Film Festival (MIFF) today unveiled its 2018 program featuring 254 feature films, 120 shorts and 19 virtual reality experiences over 18 action-packed days of cinema. In addition to Paul Dano’s highly anticipated Wildlife, as the Opening Night Gala film, for its middle weekend Centrepiece Gala, the festival revealed that uproarious Australian comedy The Merger would have its world premiere. Based on comedian Damian Callinan’s acclaimed stage show of the same name, The Merger is the tale of a struggling small town footy team that recruits refugees to survive. Starring John Howard, Josh McConville, Fayzaal Bazzi, Kate Mulvany and Callinan himself, The Merger is a film with big laughs, a big heart and lashings of sweet and sour chicken kiev. MIFF will screen The Coming Back Out Ball Movie to bring the festival to a close. Directed by Sue Thomson and supported through the MIFF Premiere Fund, The Coming Back Out Ball Movie is a triumphant and life-affirming love letter to Australia’s original fighters for queer equality – a film that will have audiences laughing, crying and ready to dance, darling. Reflecting an extraordinary year of filmmaking, this year’s 15 Headliners represent the most buzzed about international cinema: After receiving a 15-minute standing ovation, Nadine Labaki – one of 90 female directors in this year’s program – offers Capharnaüm, winner of this year’s Jury Prize at Cannes. Centred on a 12-year-old child attempting to divorce himself from his parents, Labaki’s neorealist fable is notable for the astonishing performances she draws out from her cast of non-professional actors. In Burning, South Korean auteur Lee Chang-dong adapts author Haruki Murakami’s short story of romantic longing into a riveting and dramatic thriller. Wildly praised at Cannes, Burning set a new record for the highest-ever score in Screen International’s poll of critics at the festival. Doubling down on the sensory experience of their past works, Colombian-born filmmakers Ciro Guerra and Cristina Gallego bring a distinct perspective to the time-honoured rags-to-riches drug saga. Mythical in its storytelling, Birds of Passage combines eye-popping traditional costumes and culture, an immersive atmosphere of surreal imagery and glorious widescreen cinematography. Equally intense in its visceral qualities, Climax is an ecstatic and nightmarish orgy of sex, drugs and 90s club music from legendary provocateur Gaspar Noé. Winner of the Art Cinema Award at Cannes, Climax reaffirms Noé as modern cinema’s most incisive and inventive observer of humanity’s animal darkness. Oscar nominated Debra Granik – a guest of this year’s festival – returns to feature filmmaking with Leave No Trace, a humane depiction of the bond between father and daughter and the universal desire to live by your own rules. Recipient of the Cannes Best Director prize, Pawel Pawlikowski’s Cold War is a love story that wends its way through a partitioned Europe. Inspired by Pawlikowski’s own parents’ story, Cold War offers audiences a lyrical and emotional work replete with virtuosic black-and-white visuals and a keen sense of music. Decades in the making, director Terry Gilliam’s near-mythical riff on Cervantes’ fantastic tale, The Man Who Killed Don Quixote, finally makes its way to Melbourne. Starring Adam Driver alongside Gilliam stalwart Jonathan Pryce, it’s the story of a cynical ad man trapped in the delusions of an old shoemaker who believes himself to be Don Quixote. The 2018 festival program highlights the rise of Australia’s next generation of filmmakers.  Alena Lodkina’s visually stunning feature debut Strange Colours is a story of family and estrangement set amid the alien landscape of Australia’s opal miners. With most of the characters played by actual opal miners, it’s a hypnotic dusky reverie, filled with quiet grace and power. Fellow Lab alumnus Ted Wilson however, delivers a feel-good film of family, cricket and one man’s hunt for David Boon, in his delicately poised Under the Cover of Cloud. The MIFF Premiere Fund-supported Acute Misfortune is the debut feature from renowned independent theatre director, Thomas M. Wright. A lyrical adaptation of journalist Erik Jensen’s acclaimed biography of infamous Archibald Prize-winning artist Adam Cullen played by Daniel Henshall, who will return from New York for the film’s world premiere. Also supported through the Fund, director Miranda Nation’s Undertow is a psychological thriller of grief, abuse and obsession set against the backdrop of local footy culture. From rising filmmaker Ben Hackworth comes Celeste, a literally operatic character study of loss and power and the things that tear us apart. A sumptuously shot psychological thriller starring Radha Mitchell and Nadine Garner, Celeste is a riveting statement of intent from one of Australia’s boldest cinematic voices. The stories of Australia’s Indigenous population will be brought to life in one of the most dynamic showcases of Indigenous content in the festival’s history. An exhilarating and immersive film that will be shown at Melbourne’s Planetarium, Carriberrie tells the expansive story of Indigenous Australian song and dance. Featuring Aboriginal dance theatre group Bangarra and actors Jack Charles and David Gulpilil, Carriberrie is an intimate and breathtaking showcase of Aboriginal performance and Australian landscape. A starkly different documentary and a powerful call to action, the MIFF Premiere Fund-supported Undermined: Tales from the Kimberley, from award-winning director Nicholas Wrathall (Gore Vidal: The United States of Amnesia), unearths the true cost of doing business in Australia’s world-famous Kimberley region; a place where mega-mining and pastoral developments threaten not just the environment but more than 200 Indigenous communities and their peoples’ sacred links to Country. In a ground-breaking work of interactive filmmaking, Thalu: Dreamtime is Now takes audiences on a journey into the modern Dreamtime stories of the western Pilbara-based Ngarluma. Directed by award-winning Ngarluma man Tyson Morwarin, this is a rare opportunity for audiences to hear these stories and to experience them through the medium of virtual reality. A tribute to an outcast musical genius; the astonishing story of three identical triplets separated at birth; the tale of a motorcycling legend; an unrestrained insight into one of music’s most provocative stars; and the story of Australia’s original working class man, all mark out this year’s documentary selection. In a coup for Melbourne audiences, MIFF will screen the world premiere of Jimmy Barnes: Working Class Boy – Mark Joffe’s captivating and compassionate portrait of one of Australia’s most well-known musical figures. Based on the best-selling memoir of the same name, the film joins Jimmy as he retraces his earliest steps through the hard streets of Glasgow and revisits childhood ghosts in South Australia. It’s a raw, yet darkly funny story set against a backdrop of never-seen-before archival footage and interviews along with captivating musical moments. Equally unflinching and honest, MATANGI/MAYA/M.I.A. presents outspoken musician M.I.A at her most candid. Winner of the Special Jury Award (World Cinema Documentary) at Sundance, this film is as dynamic, eclectic and electrifying as the artist herself. In his feature documentary debut, director Jeremy Sims turns his lens on Australia’s greatest ever professional motorcyclist – Wayne “The Wollongong Whiz” Gardner. In a film that’s as free-spirited, introspective, honest and cheeky as the man himself, Wayne offers a revealing portrait of a man who, during his career, was certainly hard to miss. Like something out of The Twilight Zone, Three Identical Strangers tells the incredible true story of triplets separated at birth…but that’s just the beginning of an even more astonishing saga. Having taken Sundance by storm, Three Identical Strangers is both a remarkable real-life tale and bona fide thriller, which will leave audiences gobsmacked. Inspired by former Prime Minister Paul Keating’s searing eulogy for Geoffrey Tozer, the Premiere Fund-supported The Eulogy explores the remarkable and tragic story of Australia’s greatest-ever, and perhaps most overlooked, pianist. Directed by Janine Hosking, the film includes Keating re-staging his famous funeral oration, as celebrated conductor Richard Gill AO embarks on a journey to restore Tozer’s legacy. From Givenchy to Gaultier, Armani to Alpha60, fashion design and style have long been influenced by cinema. In 2018, MIFF brings some of the most iconic style films to the big screen; films that launched style icons and influenced style for decades to come. In a program specially curated by Artistic Director Michelle Carey, Fashion x Cinema covers multiple genres, with each film unified by a sense of timelessness and jaw-dropping beauty. [caption id="attachment_28266" align="aligncenter" width="1200"]Alexander McQueen in MCQUEEN. McQueen[/caption] This programming strand features: McQueen, director Ian Bonhôte’s ode to one of fashion’s most storied designers; Yellow is Forbidden, where veteran documentarian Pietra Brettkelly tells the haute couture Cinderella story of China’s Guo Pei – the designer behind the famed yellow dress worn by Rihanna at the 2015 Met Gala; and Westwood: Punk, Icon, Activist – an observational look at the orange-haired punk icon who rewrote the rules for the generation of designers who followed in her footsteps. Retrospective titles include: Funny Face, the film that saw Audrey Hepburn join forces with Givenchy; Berry Gordy’s rarely screened Mahogany, where Diana Ross plays an aspiring fashion designer torn between activism and a career of luxury; and Peter Weir’s inimitable Australian classic, Picnic at Hanging Rock. African Film Rediscovered is a retrospective program of recently restored and newly recovered classic African films, showcasing films from three decades and ten countries to celebrate the diversity and unique perspective of African cinema. Featuring Chronicle of the Years of Embers, the stirring, 1975 Palme d’Or winner by Mohammed Lakhdar-Hamina (Algeria); Selma Baccar’s pioneering feminist essay-film, Fatma 75 (Tunisia); and Shadi Abdel Salam’s haunting classic The Night of Counting the Years (Egypt). African Film Rediscovered is an in-depth look at the continent’s most seminal filmmaking. The Italo-Crime retrospective takes a focused look at Eurocrime and poliziotteschi – a genre of Italian crime thrillers from the 60s and 70s. Considered a defining moment in the poliziotteschi genre, the retrospective kicks off with The Violent Four, a down and dirty cinema vérité-inspired thriller set in the seedy Milan underworld. Other films include: Confessions of a Police Captain, an anti-buddy cop classic that quite literally cuts the red tape and leaves it full of bullet holes; Milan Caliber 9, one of Quentin Tarantino’s greatest inspirations; and the Oscar-winning Investigation of a Citizen Above Suspicion – a Kafkaesque collision of fascist noir and absurdist satire that trails the powerful police chief hunting down a vicious killer: himself. Spearheaded by this year’s Palme d’Or winning Australian film, All These Creatures, MIFF Shorts will feature 90 films, as well as a specially curated (by the Harvard Film Archive) program of the intimate diary films of Bostonian artist, Anne Charlotte Robertson. Winner of the Grand Jury Prize at this year’s Sundance, director Álvaro Gago delivers Matria; Israel’s Miki Polonski offers Shmama, the story of a mother and her daughter trapped in their own relationship; Australian Kerinne Jenkins brings the festival Cattle, a narrative of unspoken fears and inexplicable occurrences; and Iranian director Mojtaba Mousavi presents Mr. Deer – the tale of a deer attempting to rekindle the humanity of his fellow train passengers. In its largest iteration to date, the 2018 program has left no stone unturned. Presenting its core international and local selections alongside their regular programming strands – Experimentations, Music on Film, Night Shift, Retrospectives, Special Events and Talks – MIFF 2018 will beckon audiences everywhere to come and see another side of film.

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  • 2018 Sheffield Doc/Fest film Unveils Lineup of ‘bold and innovative non-fiction films’

    [caption id="attachment_29118" align="aligncenter" width="1200"]Before Father Gets Back Before Father Gets Back[/caption] The 2018 Sheffield Doc/Fest film program lineup presents bold and innovative non-fiction films made by some of the most authentic international filmmakers working today. 2018 audiences will be treated to 37 World, 18 International, 24 European and 70 UK film premieres. The works are selected across the main program Doc/Adventure, Doc/Expose, Doc/Think, Doc/Love, Doc/Rhythm, Doc/Visions, and focus Retro/Electric Avenues, New/UK, New/Lebanon program strands and accompanying Special Live events. Doc/Fest 2018 film program includes one special Preview screening, a late-night offering as Docs ‘Til Dawn and a selection of outdoor screenings Free Screen. The festival opens on Thursday 7 June with the world premiere of Sean McAllister’s A Northern Soul.

    OPENING NIGHT

    A Northern Soul (World premiere; UK, 2018, 80 min, dir. Sean McAllister) – Following A Syrian Love Story’s Doc/Fest Grand Jury Award win in 2015, Sean McAllister returns to Sheffield to open the Festival’s 25th Edition with the World Premiere of A Northern Soul. With his signature vision and sense of rapport, Sean reflects on changes to his Yorkshire hometown: a city divided by Brexit that is simultaneously celebrated as UK City of Culture and hit by austerity. Drawn to the fringes of town, Sean encounters Steve, a struggling warehouse worker by day and hip-hop performer by night, with a dream…

    SPECIAL PREVIEW

    McQueen (UK/USA, 2017, 111 min, dir. Ian Bonhôte and Peter Ettedgui) – Archival footage and personal testimonials present an intimate portrait of revolutionary British fashion designer ‘Lee’ Alexander McQueen, the working-class boy who became a global one-man fashion brand.THE FULL FILM program LINE-UP – BY STRAND:

    DOC/ADVENTURE

    Before Father Gets Back (World premiere; dir. Mari Gulbiani, 80 min) – In a Georgian village, from which many men have left for Syria, two girls escape a shared longing for their fathers through the magic of cinema. Bruce Lee & the Outlaw (World premiere; dir. Joost Vandebrug, 85 min) – Nicu, a young homeless boy, is adopted by Bruce Lee, the notorious “King of the Underworld” and goes to live with him in the tunnels underneath Bucharest. Central Bus Station (World premiere; dir. Tomáš Elšík, 78 min) – Central Bus Station, a building which has turned from great gift to a place for immigrants. Yonathan has learnt that it can reveal the essence of the society as well as one’s soul. Ghosthunter films in competition Into The Okavango films in competition Love Means Zero (UK premiere; dir. Jason Kohn, 89 min) – At eighty-six, famed tennis coach Nick Bollettieri is a living legend. At his academy in Florida, he raised a generation of champions. Too Beautiful: Our Right to Fight (World premiere, dir. Maceo Frost, 77 min) – Cuba ranks highly at Olympic boxing, but women can’t compete. This immersive film follows Havana boxer Namibia, who’s hoping the ban is lifted before she ages out of eligibility. Over the Limit Phantom Cowboys (International premiere; dir. Daniel Patrick Carbone, 93 min) – Three boys in small town America find their hopes and dreams tempered by their circumstances. Moving back and forth over eight years, this is a moving, skilful exploration of adolescence. Tanzania Transit (European premiere; dir. Jeroen van Velzen, 75 min) – On a train crossing Tanzania, a riding microcosm of East African society, we follow three main characters, reflecting on the strength to survive. The Game The Insufferable Groo (World premiere, 98 min, dir. Scott Christopherson) – Having directed nearly 200 low-budget movies, Utah filmmaker Stephen Groo seeks Jack Black for his latest human/elf fantasy drama. This hilarious yet sincere portrait depicts an uphill production battle. The Lonely Battle of Thomas Reid (UK premiere; dir. Feargal Ward, 77 min) – Thomas Reid lives a solitary life. But beside his 17th century farm looms a vast American factory. When the Irish State tries to take his farm, he vows to resist. The Man Who Stole Banksy (European premiere; 91 min, dir. Marco Proserpio) – A Palestinian taxi driver attempts to sell a Banksy mural on eBay. As we follow the artwork, we uncover a secret art market of stolen walls from around the world. Three Identical Strangers (European premiere; 96 min, dir. Tim Wardle) – In 1980, three New York identical triplets, separated at birth, discovered each other. But behind the remarkable story lurked a dark secret that questioned the notion of who we are. Time Trial Vienna Calling (World premiere; dir. Petr Šprincl, 67 min) – In this docufiction road movie, a grave robbing artist and his sidekicks journey to Vienna in a horse drawn caravan of death to return some famous teeth.

    Shorts

    Zion – see Short Doc Award Cheer From Parts Unknown Hands Up, Chin Down Skip Day Skywards To Be a Torero Taking the Waters The Water Slide

    DOC/EXPOSE

    A Thousand Girls Like Me (European premiere; dir. Sahra Mosawi, 76 min) – A young Afghan woman confronts the will of her family and the traditions of her country to seek justice for years of sexual abuse from her father. A Woman Captured Commander Arian I, Dolours (European premiere; dir. Maurice Sweeney, 82 min) – Dolours Price, bred to violent republicanism, yet ultimately haunted by her actions, gave a filmed interview not to be broadcast until after her death. This is her shocking story. Kinshasa Makambo Laila At The Bridge Lost Warrior Of Fathers and Sons On Her Shoulders One or Two Questions (UK premiere; dir. Kristina Konrad, 237 min) – In 1986, Uruguay passed a law granting amnesty for human rights violations committed by the military and police during the dictatorship (1973-85). One or Two Questions uses footage of interviews recorded on the streets between 1987 and 1989, to present a multifaceted reflection of the country and its inhabitants, in which the values of democracy – such as peace, justice – are continually questioned. The Ballymurphy Precedent (World premiere; dir. Callum Macrae, 106 min) – The little known story about the death of eleven innocent people at the hands of the British Army in a Catholic estate in Belfast in 1971. This is a massacre that few have heard of, yet it was one of the most significant events in the Troubles. The British army continues to cover it up because they cannot afford to admit the truth. The relatives of those who died are fighting for justice – and our investigation shows why. This secret massacre led directly to the Bloody Sunday killings by the same Parachute regiment just five months later. The Congo Tribunal (UK premiere; dir. Milo Rau, 100 min) – Staged as a tribunal on-location in Bukavu and Berlin, director Milo Rau creates an unshrouded portrait of one of the biggest and bloodiest economic wars in human history. The Distant Barking of Dogs The Silence of Others The Trade (European premiere; dir. Matthew Heineman, 125 min) – Addicts and their families struggle in Atlanta, drug lords and poppy-seed farmers toil in Mexico, and narcotics units and dealers clash in Columbus. Under The Wire (World premiere; dir. Chris Martin, 93 min) – A powerful film that tells the story of celebrated Sunday Times journalist Marie Colvin and photographer Paul Conroy’s ill-fated trip to Syria in February 2012. Based on Conroy’s book of the same title. When the War Comes (UK premiere; dir. Jan Gebert, 76 min) – A paramilitary group in Slovakia is recruiting hundreds of young men, aiming to create a model community based on military drill, obedience and fear. Whispering Truth to Power (European premiere; dir. Shameela Seedat, 87 min) – With exclusive, behind-the-scenes access, this film charts the final year in office of South African anti-corruption champion Thuli Madonsela as she attempts to seek justice for ordinary people. After successfully challenging President Jacob Zuma for illegal use of state funds, she faces the biggest challenge of her career: exposing the systematic takeover of government by a private family in cahoots with the President.

    Shorts

    Black Sheep – see Short Doc award Ebrahim Fake News Fairytale Las Nubes The Holiday Inn-Side Watching the Detectives Doc/Dispatch – showcase for short documentary journalism from citizen reporters, investigative filmmakers and responsive news units; projects TBA

    DOC/LOVE

    Amal América Ashore (UK premiere; dir. Leonor Teles, 82 min) – Ashore portrays the life of a singular fisherman in an ancient riverfront community near Lisbon as he drifts between ocean solitude and family anchors. For The Birds Game Girls (UK premiere; dir. Alina Skrzeszewska, 90 min) -This compassionate observational documentary charts the relationship between two homeless women in Los Angeles’ sprawling Skid Row. Tiahna seems resigned to street life, but girlfriend Teri wants to escape. Have You Seen The Listers? (UK premiere; dir. Eddie Martin, 86 min) – From the director of All This Mayhem, a candid and personal family portrait as young father Anthony Lister embarks on the rocky road to become the world’s greatest street artist. Home Games (World premiere; dir. Alisa Kovalenko, 86 min) – A season in the life of Alina, a poor 20-year-old girl from Kyiv who has a chance to be saved by football. A Northern Soul (World premiere) – see OPENING NIGHT Minding the Gap Out (UK premiere; dir. Denis Parrot, 70 min) – The first documentary to address LGBTQ+ coming out stories exclusively through social media footage. People’s Republic of Desire (European premiere; dir. Hao Wu, 95 min) – In China’s popular live streaming showrooms, two internet celebrities seek fame, fortune and human connection, ultimately finding the same promises and perils online as in their real lives. The Eyes of Orson Welles (UK premiere; dir. Mark Cousins, 110 min) – Filmmaker Mark Cousins dives deep into the visual world of this legendary director and actor, to reveal a portrait of the artist as he’s never been seen before. Turning 18 (World premiere; dir. Ho Chao-ti, 87 min) – Two young girls meet at a vocational training program after which their lives move in completely different directions. Both from broken homes, Pei searches for hope in love, while Chen struggles to avoid her parents’ fate. As they approach 18, the undercurrents of their lives surface, nearly overwhelming them. How can an unloved life find a strength of her own? Young Solitude

    Shorts

    Baby Brother Black I Am Confessions of an Angry Mother Landline Last Man Standing Lotus Lovers of the Night Mountain – see Short Doc award Pumpkin Movie

    RETRO/ELECTRIC AVENUES

    Cocorico Monsieur Poulet Disorder

    Shorts program

    Black Film City of Contrasts Horse of Mud + Sad Song of Touha + The Sandwich IFO In Order Not To Be Here Liberty City Crawl (Superman II) Many Thousands Gone Mobile Men Moor Mother Live in London My White Baby Secrets From the Street: No Disclosure Sto Lat Strolling – also see Free Screen on page xx The Strike

    DOC/RHYTHM

    Antigone (UK premiere; dir. Pedro González Rubio, 73 min) – In the biggest public university in Latin America a group of theatre students and their teacher prepare Antigone, a Greek tragedy that addresses the conflict between the rules of power and the will of a young woman to do the right thing. Life, theatre and fiction are interwoven following the rehearsals in classrooms, in their homes, in public spaces and surrealist landscapes of the city. Ashes and Embers (UK premiere; dir. Manon Ott, 71 min) – A poetic and political portrait of a working-class suburb in the process of change, “Ashes and Embers” invite us to meet its inhabitants: a journey from dusk to dawn where, while speaking of their lives, they also express their revolt and their quest for freedom. Blue Note Records: Beyond the Notes (European premiere; dir. Sophie Huber, 85 min) – The film explores the vision behind the iconic American jazz record label. Through current recording sessions, rare archive and conversations with iconic Blue Note artists, the film reveals an intimate perspective of a legacy that continues to be vital in today’s political climate. Legendary artists Herbie Hancock and Wayne Shorter come together with today’s generation of ground-breaking Blue Note artists such as Robert Glasper and Ambrose Akinmusire to record an All-Stars album. Desolation Center (UK premiere; dir. Stuart Swezey, 92 min) – followed by live performance from Thurston Moore – The film vividly portrays the untold story of a series of guerrilla desert gatherings now recognised as the inspiration for Burning Man and Coachella, with performances by Sonic Youth, Minutemen, Meat Puppets, Swans, and more. Generation Wealth (dir. Lauren Greenfield, 108 min) – Lauren Greenfield’s postcard from the edge of the American Empire captures a portrait of a materialistic, image-obsessed culture. Simultaneously personal journey and historical essay, the film bears witness to the global boom-bust economy, the corrupted American Dream, and the human costs of late stage capitalism, narcissism, and greed Harmony (UK premiere; dir. Frederick Paxton, 71 min) – Bold city symphony reveals the terrible beauty in Siberia’s polluted Chelyabinsk. A mesmerizing mix of sound and image highlight the often punishing rituals inflicted on young Russian boys and girls. Milford Graves Full Mantis (UK premiere; dir. Jake Meginsky, Neil Young (Co-Director), 91 min) – Celebrating the creativity of legendary American percussionist Milford Graves, this film is itself a kaleidoscope ode to the creative process, and a unique homage to the free jazz pioneer. Parallel Planes (International premiere; dir. Nicole Wegner, 100 min) – This film pays homage to the American DIY spirit and the diversity of the US musical landscape outside the commercial music industry. Nicole Wegner maintains eye level with her twelve subjects, including Ian MacKaye (Minor Threat, Fugazi), Michael Gira (Swans) and Valentine Falcon (Get Hustle), who gleefully hack the music industry and play by their own rules. Punk Voyage (dir. JP Passi, Jukka Kärkkäinen, 97 min) – PKN, a band of four mentally disabled men, is Europe’s no 1 punk-rock act. When the band’s leader decides to retire, Punk Voyage shows all the quarrels, tears and laughter. Shakedown (UK premiere; dir. Leilah Weinraub, 72 min) – “If you straight, you don’t need to be in the front.” Former drag show host Teresa and Ronnie-Ron co-founded Shakedown in the 90s, establishing a thriving underground scene. Dancers including Egypt, Miss Mahogany, I-Dallas and Slow-Wine entertain the throng. This strip club was a space for LA’s African-American queer community to explore identity, sexuality and have an incredible time. Silvana (UK premiere; dir. Mika Gustafson, Olivia Kastebring, Christina Tsiobanelis, 91 min) – Silvana Imam is a fierce force of nature. We witness the Swedish rap artist’s career soar, and the genesis of her relationship with pop artist, Beatrice Eli. The pair become Sweden’s Beyoncé and Jay-Z; a power-couple of phenomenal talent and influence. As the pressures of her iconic status begin to spiral, Silvana is forced to confront her inner conflicts. This One’s For The Ladies (International premiere; dir. Gene Graham, 83 min) – Race, class and sexuality intersect at Newark strip club the Dojo: a karate school by day, home to the New Jersey Nasty Boyz by night. In addition to spotlighting the exotic dancers who work there – both male and lesbian – Gene Graham’s affectionate portrait celebrates the community of women who sustain this microcosm of black American society. Tranny Fag Yellow Is Forbidden (European premiere; dir. Pietra Brettkelly, 94 min) – Haute couture is the most exclusive club in the world: Mostly men. Exclusively European. Largely conglomerate-funded. Yet, Guo Pei, an independent Chinese designer has been invited to present a collection.

    Shorts

    Artificial Things Arr. for a Scene Mini Miss To The Front: Scenes From a Women’s Rock Camp Weltschmerz – see Short Doc award

    DOC/THINK

    A Journey to the Fumigated Towns Boys Who Like Girls (World premiere; dir. Inka Achte, 68 min) – Two years have passed since the infamous Delhi gang rape, and India is ablaze with talk of men’s role in gendered violence. Teenager Ved joins a boys’ club run by ‘Men Against Violence and Abuse’ and realises there may be a healthier path for him than the one paved by his abusive father. Will his be the first generation of boys that actually likes girls? Central Airport THF Ex-Shaman Flow (World premiere; dir. Nicolás Molina, 82 min) – FLOW observes the human connection between two rivers: Ganges in India and Biobío in Chile. It proposes a poetic journey blending both civilizations through the flow of one great river. German Class (World premiere; dir. Florian Heinzen-Ziob, 89 min) – Over the course of six months the film closely follows the daily ups and downs of a group of children from abroad as they take their first steps in the German school system. Infinite Football (World premiere; dir. Corneliu Porumboiu, 70 min) – Romanian filmmaker Porumboiu focuses on Laurentiu Ginghina, a bureaucrat who dreams of revolutionizing football. Yet when the director makes Ginghina’s alternative game reality, the bureaucrat can’t stop reworking his theories. Esta Todo Bien (World premiere; dir. Tuki Jencquel, 70 min) -“That’s the drama. You can’t get sick.” These sadly apt words are spoken by Francisco, an activist who delivers badly needed medicines in Venezuela where salaries peak at twelve dollars a month and 16,000 doctors have left the country. Our New President Radio Atlas: A Lunkhead Among The Stars (dir. Gyrid Listuen, 47 min) – Radio Atlas presents Gyrid Listuen’s Prix Europa-winning radio documentary from the nineties — exploring the internal world of a young man with Down’s Syndrome. The Cleaners (UK premiere; dir. Hans Block, Moritz Riesewieck, 88 min) – Digital scavengers’ are outsourced to delete inappropriate content from the net, while at the same time the lives of people around the globe are dramatically affected by online censorship. A ‘cleaner’ rates thousands of disturbing images every day, with lasting psychological impact. From the shared global village to fake news and radicalization, the film charts the rise and fall of social media’s utopian ideology. The Dread The Gospel of Eureka The Pain of Others The Proposal The Trial (UK premiere; dir. Maria Ramos, 139 min) – The Trial offers a behind-the-scenes look at the impeachment of Dilma Rousseff, Brazil’s first female President. The film portrays the “judicial political” trial first at the House of Representatives and then, at the Senate focusing on the President’s Defence Team: her lawyer José Eduardo Cardoso and two senators who struggle to prove the President’s innocence against a majority vote by a Congress riddled with corruption. The Waldheim Waltz What Is Democracy? When Lambs Become Lions

    Shorts

    90 Seconds in North Korea Girlhood Give I Am Bisha I Signed The Petition The River of the Kukamas

    DOC/VISIONS

    Arboretum Cycle (UK premiere; dir. Nathaniel Dorsky, 137 min) – A magical collection of seven 16mm films by Nathaniel Dorsky, explores the beauty of Californian nature in Spring light. Each silent film celebrates qualities of energy, joy, fullness, and rebirth. Black Mother Doel Female Human Animal (European premiere; dir. Josh Appignanesi, 74 min) – Shot in the real-life contemporary art world, Female Human Animal is a psycho-thriller about a creative woman disenchanted with what modern life and “modern men” have to offer her. When writer Chloe Aridjis curates an inspiring retrospective of the surrealist Leonora Carrington, an elusive, brooding man appears, seeming to offer more. A darkly romantic docufiction that puts on screen the lurid unconscious of our new sexual politics. Going South (UK premiere; dir. Dominic Gagnon, 104 min) – Going South is the second part of a tetralogy in which Dominic Gagnon intends to explore the cardinal points of the Internet in the post-truth era. Hale County This Morning, This Evening La Commune (Paris, 1871) Last Year in Utopia (UK premiere; dir. Jana Magdalena Keuchel, Katharina Knust, 72 min) – In this revealing and playful Brechtian recreation of events, six cast members from a cancelled German reality television program make an emotional return to their show’s isolated forest location. Margaret Tait: A Century (64 min, dir. Margaret Tait) – Marking both the centenary of the 1918 suffrage act and her birthday, pioneering British filmmaker Margaret Tait is the center of Margaret Tait: A Century -a mini retrospective collection of her titles: Colour Poems, A Portrait of Ga, Tailpiece, Aerial, Where I am is Here. McQueen Music When The Lights Go Out Obscuro Barroco Shirkers Sleep Has Her House (UK premiere; dir. Scott Barley, 90 min) – A hypnotic reverie in a dark forest, underneath waterfalls and shifting shapes in the night. Captured on an iPhone, this is a symphonic and haunting science fiction of nature. The Task Turtle Rock Victory Day (UK premiere; dir. Sergei Loznitsa, 94 min) – Once a year, crowds gather in Berlin’s Treptower Park to mark the anniversary of the Soviet victory over Nazi Germany. Master of sustained observation, Sergei Loznitsa, captures the medal bedecked veterans and burly biker gangs assembling for this spring day of patriotic songs and speeches. Loznitsa’s carefully framed compositions become a meditation on the nationalistic myths still gripping Europe. Worlds of Ursula K. Le Guin (World premiere; dir. Arwen Curry, 65 min) – A trailblazing rebel who shook the world of literature, defying gender norms, societal expectations and patriarchal gatekeeping. Ursula K Guin remains a peerless lightning bolt of imagination and political insight.

    Shorts

    A God’s Shadow Cops Are Actors Fluid Frontiers Here There Is No Earth House Maskirovka Rebirth is Necessary – see Short Doc award Song for Europe With history in a room filled with people with funny names 4

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  • THE SHAPE OF WATER Leads Nominations for 19th Golden Trailer Awards

    [caption id="attachment_25167" align="aligncenter" width="1200"]The Shape Of Water Sally Hawkins and Octavia Spencer in the film THE SHAPE OF WATER.[/caption] The Shape of Water along with Hitman’s Bodyguard lead the nominations for the 19th annual Golden Trailer Awards competition that has emerged as the most recognized event devoted to the artistry of film marketers and companies that create movie trailers, commercials and posters worldwide. GTA 19 will take place on Thursday, May 31st at the Theatre at the Ace Hotel in Downtown Los Angeles hosted by comedienne and actress Michelle Buteau (“The Tick,” “Broad City,” “Key & Peele”).

    19th Golden Trailer Awards Nominations

    Best Independent Trailer

    The Florida Project, “Trailer,” A24, Mark Woollen & Associates I, Tonya, “Haters,” Neon, Zealot Thoroughbreds, “Red Band Trailer,” Focus Features, Motive The Shape of Water, “Connection,” Fox Searchlight Pictures, MOCEAN Under the Silver Lake, “Trailer 1,” A24, Motive

    Best Documentary

    The China Hustle, “Trailer,” Magnolia, Zealot City of Ghosts, “Promise,” Amazon Studios, MOCEAN Icarus, “Distance,” Netflix, GrandSon Won’t You Be My Neighbor, “Trailer,” Focus Features, Mark Woollen & Associates Three Identical Strangers, “Reunited,” Neon, Zealot

    Best Drama

    All The Money In The World, “Power,” Sony Pictures, Project X|AV Darkest Hour, “Trailer,” Focus Features, Mark Woollen & Associates The Shape of Water, “Escape,” Fox Searchlight Pictures, MOCEAN Megan Leavey, “Mission,” Bleecker Street, Open Road Chappaquiddick, “Conspiracy,” Entertainment Studios, MOCEAN

    Best Comedy

    Game Night, “Welcome,” New Line Cinema, MOCEAN Uncle Drew, “Uncle Drew,” Lionsgate, Seismic Productions Sorry to Bother You, “Voice,” Annapurna Pictures, Trailer Park, Inc. Lady Bird, “Domestic Trailer #1,” A24 Films, Giaronomo Productions Gringo, “Friendly,” Amazon, GrandSon

    Best Horror

    A Quiet Place, “A Quiet Place | Teaser – Listen,” Paramount, Ignition Insidious: The Last Key, “Family,” Universal Pictures, Buddha Jones Mother!, “Puzzle,” Paramount Pictures, Buddha Jones A Quiet Place, “A Quiet Place,” Paramount, AV Squad Hereditary, “Hereditary,” A24, AV Squad

    Best Action

    Kingsman: The Golden Circle, “Team,” 20th Century Fox, Create Advertising Group Black Panther, “Crown,” Walt Disney Studios, Create Advertising Group Tomb Raider, “SURVIVOR,” Warner Bros., Ant Farm Avengers: Infinity War, “Millions,” Disney/Marvel, MOCEAN Rampage, “Battle,” Warner Bros., Aspect

    Best Animation / Family

    The Nutcracker and The Four Realms, “Clara,” Walt Disney Pictures, TRANSIT Peter Rabbit, “Home,” Sony Pictures, Create Advertising Group Ralph Breaks the Internet: Wreck It Ralph 2, “Wired Refresh,” Disney/Pixar, MOCEAN Isle Of Dogs, “Domestic Trailer #1,” Fox Searchlight, Giaronomo Productions Despicable Me 3, “Mojo,” Universal Pictures, Workshop Creative

    Best Fantasy Adventure

    Jumanji: Welcome To The Jungle, “New World,” Sony, TRANSIT Fantastic Beasts: The Crimes of Grindelwald, “Expelliarmus,” Warner Bros., Jax Thor: Ragnarok, “New Journey,” Disney/Marvel, MOCEAN Star Wars: The Last Jedi, “Rebellion Reborn DCM Trailer,” Walt Disney Studios / Lucasfilm, Tiny Hero Solo: A Star Wars Story, “Something,” Disney, Disney In-house

    Best Music

    The Greatest Showman, “Imagination,” 20th Century Fox, Wild Card All The Money In The World, “True Story,” Sony Pictures, Project X|AV Baby Driver, “Tekillyah,” Sony Pictures Entertainment, Trailer Park, Inc. Ocean’s 8, “7 People,” Warner Bros. Pictures, Trailer Park, Inc. Pacific Rim: Uprising, “Untouchable,” Universal Pictures, Inside Job

    Best Summer Blockbuster Trailer

    Ocean’s 8, “7 People,” Warner Bros., Trailer Park, Inc. Mission: Impossible – Fallout, “CHOICE,” Paramount Pictures, Ant Farm The Incredibles 2, “Illegal,” Disney, Trailer Park, Inc. Deadpool 2, “Comeback,” 20th Century Fox, MOCEAN Jurassic World: Fallen Kingdom, “Kingdom,” Universal Pictures, Inside Job

    Best Teaser

    Murder on the Orient Express, “Suspect,” 20th Century Fox, Wild Card Red Sparrow, “Program,” 20th Century Fox, Wild Card Deadpool 2, “Cable Red,” 20th Century Fox, MOCEAN Mortal Engines, “London,” Universal Pictures, Inside Job Avengers: Infinity War, “Balance,” Disney/Marvel, MOCEAN

    Best Thriller

    Annihilation, “Mission,” Paramount Pictures, Buddha Jones Unsane, “Believe,” Bleecker Street, Buddha Jones The Commuter, “The Commuter,” Lionsgate, AV Squad It Comes At Night, “It Comes at Night,” A24, AV Squad Sicario Day of the Soldado, “Win,” Sony Pictures Entertainment, MOCEAN

    Best Video Game Trailer

    Assassin’s Creed Origins, “Order of The Ancients,” Ubisoft, Sunny Side Up Creative Assassin’s Creed: Origins, “Legend,” Ubisoft, Buddha Jones Far Cry 5, “Story Trailer,” Ubisoft, Buddha Jones Call of Duty: WWII, “Call of Duty:WWII – Reveal Trailer,” Activision, gnet Outlast Series Switch Trailer, “Outlast Series Trailer for the Nintendo Switch,” Red Barrels, Altar Creative

    Golden Fleece

    Proud Mary, “Rolling, Sony Pictures Entertainment, Trailer Park, Inc. Flatliners, “Relax,” Sony Pictures & Columbia Pictures, Buddha Jones Death Wish, “Reaper,” MGM, Create Advertising Group The Meg, “Carnage,” Warner Bros., Trailer Park, Inc. Snowman, “Domestic Trailer #1,” Universal Studios, Giaronomo Productions

    Most Original Trailer

    Thoroughbreds, “Red Band Trailer,” Focus Features, Motive Baby Driver, “Tekillyah,” Sony Pictures Entertainment, Trailer Park, Inc. Deadpool 2, “Paintings – Bob Ross Trailer,” 20th Century Fox, MOCEAN/Big Picture Hereditary, “Hereditary,” A24, AV Squad Patti Cake$, “PATTI CAKE$ Lyric Video,” Fox Searchlight Pictures, Studio Cadre & Ruff Mercy

    Best Independent Trailer (for film budget shot under a million US)

    Still/Born, “Still/Born Trailer,” Vertical Entertainment, Jay Gartland Ghost House, “Ghost House Trailer,” Vertical Entertainment, Jay Gartland Gemini, “Trailer,” Neon, Mark Woollen & Associates MEAT, “COMPLEX,” M.P.I, Dhruv Kumar The Endless, “The Endless “Cult” Official Trailer,” Well Go USA Entertainment, Sequence Creative

    Best Motion/Title Graphics

    Baby Driver, “Tekillyah,” Sony Pictures Entertainment, Trailer Park, Inc. Ready Player One, “Hall H,” Warner Bros. , Buddha Jones THE SPY WHO DUMPED ME, “Bond”,” Lionsgate, Seismic Productions Thoroughbreds, “Twisted,” Focus Features, GrandSon Slice, “Line Rider,” A24, GrandSon

    Best Original Score

    Jurassic World: Fallen Kingdom, “Ignite,” Universal Pictures, Inside Job Avengers: Infinity War, “Millions,” Disney/Marvel, MOCEAN The Incredibles 2, “Illegal,” Disney, Trailer Park, Inc. Good Time, “Feelin It,” A24, GrandSon The Hitman’s Bodyguard, “Make New Friends,” Lionsgate, In House

    Best Romance

    Our Souls at Night, “Sunday Love Teaser,” Netflix, Mark Woollen & Associates Love, Simon, “Courage,” 20th Century Fox, TRANSIT Call Me By Your Name, “Call Me By Your Name,Theatrical Trailer,” Sony Pictures Classics, The Grossmyth Company Mamma Mia 2, “Memories,” Universal Pictures, Inside Job Adrift, “Bon Voyage,” STX Entertainment, Trailer Park, Inc.

    Best Sound Editing

    Baby Driver, “Heist,” Sony, Wild Card Baby Driver, “Tekillyah,” Sony Pictures Entertainment, Trailer Park, Inc. Mother!, “Puzzle,” Paramount Pictures, Buddha Jones Pacific Rim Uprising, “Pacific Rim Uprising,” Universal, AV Squad Star Wars: The Last Jedi, “Rebellion Reborn” DCM Trailer, Walt Disney Studios / Lucasfilm, Tiny Hero

    The Don LaFontane Award for Best Voice Over

    Micro Machines World Series Trailer, “Micro Machines World Series,” Deep Silver/Codemasters, YellowPike Media Mudbound, “Trailer,” Netflix, Mark Woollen & Associates Hellblade: Senua’s Sacrifice, Ninja Theory Mother!, “FEAR,” Paramount Pictures, Ant Farm The Hitman’s Bodyguard, “Bonus Sh*t!,” Lionsgate, Tiny Hero

    Trashiest Trailer

    Father Figures, “Every Dad,” Warner Bros., Create Advertising Group The Hitman’s Bodyguard, “Bonus Sh*t!,” Lionsgate,Tiny Hero The Little Hours, “The Little Hours,” Gunpowder & Sky, Jump Cut Creative Hitman’s Bodyguard, “Make New Friends”, Lionsgate, In House Sharknado 5: Global Swarming, “Stronger,” SyFy, AV Squad

    Best Foreign Action Trailer

    Salut – 7, “Salyut -7,” Eugeny Makharashvili, Butterfly Effect Beyond the edge, “Beyond the edge TRL,” KINODANZ, On/Off Production The Outsider, “Never Go Back,” Netflix, Jax Rubicon, “Trailer,” RFG, Most, Chechen Film, Alexandr Serzhantov The Villainess, “The Villainess, Official US Trailer,” Well Go USA Entertainment, Red Circle, Inc.

    Best Foreign Animation Family Trailer

    In This Corner Of The World, “International Trailer,” Manga, Editpool Bilal, “Unite,” Vertical, Zealot Monster Hunt 2, “Adventure,” EDKO Films Ltd., Trailer Park, Inc. Here Comes the Grump, “Here Comes The Grump Trailer,” GFM Films, Zealot UK Kikoriki. Dejavu, “Kikoriki. Dejavu,” The Riki Group, Stanislav Ivanov

    Best Foreign Comedy Trailer

    The Death Of Stalin, “US Trailer,” IFC, Intermission Film The Square, “Trailer,” Magnolia Pictures, Mark Woollen & Associates THE PARTY, “Trailer 1,” Roadside Attractions, Big Science Film Swinging Safari, “Swinging Safari Trailer,” Becker Film Group, Zealot UK Blockbuster, “Blockbuster Trailer,” NETFLIX, Zealot UK

    Best Foreign Documentary Trailer

    Faces Places, “Trailer,” Cohen Media Group, Mark Woollen & Associates Charcoal Burner Nights, Zeitraum Film, Trailerhaus GmbH McLaren, “McLaren Trailer,” Gunpowder & Sky, Zealot UK Devil’s Freedom, “JUNKY SKULL,” ANIMAL DE LUZ, ART Kingdom Yellow is Forbidden, “Couture,” Madman/NZ Film Commission, AV Squad

    Best Foreign Drama Trailer

    One Percent, “Trailer,” See Pictures, Zealot The Eternal Feminine, “The Eternal Feminine,” Luxbox , Good Hands Peace Breaker first trailer, “Peace Breaker first trailer,” Nurostar Rubicon, “Trailer,” RFG, Most, Chechen Film, Alexandr Serzhantov A Fantastic Woman, “A Fantastic Woman Trailer,” Curzon Artificial Eye, Intermission Film

    Best Foreign Horror Trailer

    From A House On Willow Street, “From A House On Willow Street.” Fat Cigar, The First Order Ghost Stories, “Trailer,” Lionsgate UK, Intermission Film Killing Ground, “Trailer,” IFC, Zealot The Secret Of Marrowbone, eOne, SILK FACTORY Slumber, “Slumber Trailer,” Goldcrest Films, Zealot UK

    Best Foreign Independent Trailer

    BPM, “Trailer,” The Orchard, Mark Woollen & Associates Moka, “Driven,” Film Movement, PK Creative Edie, “Trailer,” Arrow Films, Editpool Double Lover, “Lust,” Cohen Media Group, AV Squad IN THE AISLES, Zorro Film GmbH, Requination/Niemiproduktion

    Best Foreign Music Trailer

    MY GENERATION, “My Generation – UK Trailer,” Lionsgate, SILK FACTORY Youth, “Youth,” Nurostar Witnesses, “Silent” Trailer,” RFG, ARK PICTURES, Alexandr Serzhantov Foundling, “Foundling “Trailer,” Amedia Production, 1tv, Andrei Solodovnikov Pope Francis: A Man of His Word, Universal Pictures International, Muniq Creative Agency

    Best Foreign Romance Trailer

    About Love. Adults Only, Stanislav Ivanov From the Land of the Moon, IFC, Zealot A Fantastic Woman, Sony Pictures Classic, The Grossmyth Company Submergence, Embankment Films, Zealot UK Breathe, Bleecker Street, Zealot UK

    Best Foreign Teaser

    Coach, Kinoslovo/DK Entertainment, Vadzim Khudabets The Whiskey Bandit Viszkis Film, Film Force Team, Peter Varsics Yardie, Studiocanal, Intermission Film Viy 2: The Mystery of the Dragon’s Seal, “Visit”, RFG, Alexandr Serzhantov Wings of the Empire, 3xmedia, 1tv, Andrei Solodovnikov

    Best Foreign Thriller Trailer

    Killing Ground, IFC, Zealot THE GIRL IN THE FOG, Studio Canal, Silk Factory Luna, Universum Film, Trailerhaus GmbH Beast, Altitude, Intermission Film Double Lover, “Lust” Cohen Media Group, AV Squad

    Most Original Foreign Trailer

    The Square, Magnolia Pictures, Mark Woollen & Associates Frontier, Studio “KIT,” Stanislav Ivanov Youth, Nurostar Ichi The Killer, Well Go USA Entertainment, Sequence Creative Jeannette, Luxbox, Good Hands

    Best Action TV Spot (for a Feature Film)

    Kingsman: The Golden Circle, “Poppy Dance,” 20th Century Fox, Trailer Park, Inc. Wonder Woman, “Together :60,” Warner Bros., Buddha Jones Black Panther, “Entourage :60,” Walt Disney Pictures, AV Squad Deadpool 2, “Save Me / Tea,” 20th Century Fox, Wild Card Tomb Raider, “:30 “Brilliant,” Warner Bros., Mob Scene Creative & Productions

    Best Animation / Family TV Spot (for a Feature Film)

    The Greatest Showman, “World,” 20th Century Fox, Create Advertising Group Ferdinand, “Week Before Xmas,” 20th Century Fox Animation, MOCEAN Wonder, “TV60 “You Are A Wonder,” Lionsgate, Markus Wernig – Offramp Creative Inc. Isle Of Dogs, “:30TV “Sic Em,” Fox Searchlight, Giaronomo Productions Despicable Me 3, “Evil Mastermind,” Universal Pictures , Workshop Creative

    Best Comedy TV Spot (for a Feature Film)

    The Hitman’s Bodyguard, “Mofo Count” :30,” Lionsgate, Outpost Media Thoroughbreds, “Society Story,”Focus Features, Buddha Jones The Disaster Artist, “Make Movie,” A24, GrandSon Daddy’s Home 2, “Let’s Hold Hands,” Paramount Ocean’s 8, “7 People Cutdown,” Warner Bros. Pictures, Trailer Park, Inc.

    Best Documentary TV Spot (for a Feature Film)

    Jim and Andy: The Great Beyond, “Andy,” Netflix, Mark Woollen & Associates I Am Not Your Negro, “PBS Independent Lens – I Am Not Your Negro,” ITVS RBG, “Truth,” Magnolia Pictures, Mark Woollen & Associates Faces Places, “Cutdown 30,” Cohen Media Group, Mark Woollen & Associates Icarus, “RIVETING,” Netflix, Ant Farm

    Best Drama TV Spot (for a Feature Film)

    The 15:17 to Paris, “Departure,” Warner Bros., Wild Card Three Billboards Outside Ebbing, Missouri, “Pointy,” Fox Searchlight Pictures, Motive The Shape of Water, “Tale of Love,” Fox Searchlight, Mark Woollen & Associates War for the Planet of the Apes, “Fear :30,” Fox, AV Squad Mudbound, “Beautiful,” Netflix, GrandSon

    Best Fantasy Adventure TV Spot (for a Feature Film)

    Thor: Ragnarok, “Thor: Ragnarok, “Mjolnir” Digital,” Disney, Aspect Ready Player One, “Fantasy,” Warner Bros., Buddha Jones Guardians Of The Galaxy 2, “OogaChaka,” Walt Disney Studios / Marvel, Tiny Hero Ready Player One, “Come With Me 60,” Warner Bros., Statement Advertising Jumanji, “Worlds Apart :60,” Sony Pictures, Big Picture

    Best Foreign TV Spot (for a Feature Film)

    Selfie, “Selfie TV Spot “Double,” Stanislav Ivanov The Square, “Museum,” Magnolia Pictures, Mark Woollen & Associates Okja, “Ready Action,” Netflix, Bond Youth, “Youth and Fire,” Nurostar Black Water, “Koch Media Film,” Muniq Creative Agency

    Best Graphics in a TV Spot (for a Feature Film)

    War for the Planet of the Apes, “War / Letters,” 20th Century Fox, Wild Card Notes From The Field, “Graphic Tease,” HBO, Buddha Jones Get Out, “Poetic Review,” Universal Pictures, Inside Job THE SPY WHO DUMPED ME, “TSR BOND,” LIONSGATE, Seismic Productions Thoroughbreds, “Princess,” Focus Features, GrandSon

    Best Horror TV Spot (for a Feature Film)

    Alien: Covenant, “Born Neo,” 20th Century Fox, Wild Card IT, “:30TV “Friends,” Warner Bros., Aspect Mother!, “Experience,” Paramount Pictures, Buddha Jones A Quiet Place, “Survive,” Paramount Pictures, Project X/AV Insidious: The Last Key, “Invite :30,” Sony Pictures, AV Squad

    Best Independent TV Spot (for a Feature Film)

    Thoroughbreds, “Shall We,” Focus Features, Motive Three Billboards Outside Ebbing, Missouri, “Just About Right,” Fox Searchlight Pictures, Motive Mudbound, “Land Cutdown,” Netflix, Mark Woollen & Associates The Killing of a Sacred Deer, “Me,” A24, GrandSon Lady Bird, “Playgirl,” A24, GrandSon

    Best Music TV Spot (for a Feature Film)

    Bright, “Heroes/Danger MGK” Trailer,” Netflix, AV Squad Life Itself, “Love,” Amazon Studios, Trailer Park, Inc. Tomb Raider, “Lara,” Warner Brothers, Cole Barager/ Deva Studios Ocean’s 8, “7 People Cutdown,” Warner Bros.,Trailer Park, Inc. Black Panther, “Women of Wakanda,” Walt Disney Studios / Marvel, Tiny Hero

    Best Original Score TV Spot (for a Feature Film)

    Phantom Thread, “Taste,” Focus Features, Buddha Jones Phantom Thread, “Dying to Wear,” Focus Features, Buddha Jones Phantom Thread, “Triumph Review :60,” Focus Features, Buddha Jones The Greatest Showman, “Different,” 20th Century Fox, Create Advertising Group

    Best Romance TV Spot (for a Feature Film)

    Phantom Thread, “Dream,” Focus Features, Mark Woollen & Associates Fifty Shades Freed, “BROUGHT TO LIFE,” Universal Pictures, Ant Farm Life Itself, “Love,” Amazon Studios, Trailer Park, Inc. Love, Simon, “Digital “Heart,” 20th Century Fox, Aspect The Shape of Water, “Princess Without a Voice,” Fox Searchlight Pictures, Fox Searchlight Marketing

    Best Sound Editing in a TV Spot (for a Feature Film)

    Atomic Blonde, “Begin,” Universal, Wild Card Baby Driver, “Hip-Hop,” Sony Pictures, Project X|AV Star Wars: The Last Jedi, “It’s Time,” Disney, Trailer Park, Inc. The Killing of a Sacred Deer, “Me,” A24, GrandSon Black Panther, “Team,” Walt Disney Studios / Marvel, Tiny Hero

    Best Summer Blockbuster TV Spot (for a Feature Film)

    Solo: A Star Wars Story, “So Low Super Bowl,” Disney, Disney In-house Jurassic World: Fallen Kingdom, “Miracle,” Universal Pictures, Inside Job Solo: A Star Wars Story, “45TV “Crew,” Disney, Aspect Deadpool 2, “Save Me / Tea,” 20th Century Fox, Wild Card Deadpool 2, “Selfless.” 20th Century Fox, Wild Card

    Best Thriller TV Spot (for a Feature Film)

    Dunkirk, “Dunkirk | TV 60 – Never Surrender,” Warner Bros, Ignition Annihilation, “Evolution :60,” Paramount Pictures, Buddha Jones Suburbicon, “Doors :60,” Paramount, AV Squad The Shape of Water, “Ticking Thriller,” Fox Searchlight Pictures, MOCEAN Unsane, “Never Safe,” Bleecker Street, Open Road

    Best Video Game TV Spot

    Overwatch, “Dare,” Blizzard Entertainment, Mark Woollen & Associates Call of Duty WW2, “Heroes,” Activision, Aspect Gran Turismo Sport, “GT Sport – Go Get It,” Sony Interactive Entertainment, PlayStation Creative Call of Duty: WWII, “Call of Duty: WWII Story Trailer,” Activision, gnet PUBG, “PUBG – Unknown Air,” PUBG Corp., gnet

    Best Voice Over TV Spot (for a Feature Film)

    Atomic Blonde, “Modern Woman,” Universal, Wild Card Coco, “Coco – “You Know” – Christian Lanz,” Disney – Pixar, Create Advertising Insidious: The Last Key, “Welcome To New Mexico,” Sony, BOND Guardians Of The Galaxy 2, “Get it!,” Walt Disney Studios / Marvel, Tiny Hero The Hitman’s Bodyguard, “#1 Movie!,” Lionsgate, Tiny Hero

    Golden Fleece TV Spot (for a Feature Film)

    The Mummy, “Thrill Kids,” Universal Pictures, Rogue Planet Fifty Shades Freed, “Happy Ending,” Universal Pictures,Trailer Park, Inc. Resident Evil: The Final Chapter, “Reviewing Evil with Chris Hardwick,” Screen Gems, Viacom Velocity Flatliners, “Relax :30,” Sony Pictures & Columbia Pictures, Buddha Jones The Dark Tower, “Battle,” Sony Pictures, Create Advertising Group

    Most Original TV Spot (for a Feature Film)

    The Hitman’s Bodyguard, “Mofo Count” :30,” Lionsgate, Outpost Media I, Tonya, “Mirror,” Neon, Zealot Kingsman: The Golden Circle, “Poppy Dance,” 20th Century Fox, Trailer Park, Inc. Insidious: The Last Key, “Welcome To New Mexico,” Sony, Bond The House, “Frank’s Place,” New Line Cinema, MOCEAN

    Best Action (TV Spot / Trailer / Teaser for a series)

    Narcos: S3, “Succession,” Netflix, TRANSIT Jessica Jones S2, “Official Trailer “Control,” Netflix, Aspect Jack Ryan, “Brave – Super Bowl,” Amazon, Jax The Punisher, “The Punisher – Reflections,” Netflix, gnet Altered Carbon,”Altered Carbon – Last Night I Died Again,” Netflix, gnet

    Best Animation / Family (TV Spot / Trailer / Teaser for a series)

    Big Mouth S1, “Official Trailer “Life,” Netflix, Aspect Bojack Horseman S4, “Official Trailer “Missing,” Netflix, Aspect Trollhunters, “Trailer,” Netflix, InSync PLUS Spirit Riding Free, Dreamworks Animation Television, Jamestown Productions Trollhunters Tales of Arcadia – Season 3, Dreamworks Animation Television, Outpost Media

    Best Comedy (TV Spot / Trailer / Teaser for a series)

    American Vandal, “Conspiracy,” Netflix, Zealot Future Man, “Future Man | Trailer – Time Travel,” Hulu, Ignition Comrade Detective, “Comrades,” Amazon Studios, TRANSIT GLOW, “Become,” Netflix, Buddha Jones Hidden America: Season 2, “Travel,” Seeso, AV Squad

    Best Documentary/Reality (TV Spot / Trailer / Teaser for a series)

    National Geographic, “One Strange Rock Trailer,” 2C Creative Wormwood, “Disappeared,” Netflix, Wild Card Rock and a Hard Place “Redemption” Trailer”, HBO, AV Squad Flint Town, “System,” Netflix, GrandSon Bobby Kennedy for President, “Change,” Netflix, Mob Scene Creative & Productions

    Best Drama (TV Spot / Trailer / Teaser for a series)

    Ozark, “Last Resort – Trailer,” Netflix, Mark Woollen & Associates The Alienist, “Game,” TNT, Zealot Mr. Robot, “Democracy,” USA Network, Buddha Jones Dark, “Machine,” Netflix, Buddha Jones Westworld Season 2, “Locked Inside,” HBO, Jax

    Best Fantasy Adventure (TV Spot / Trailer / Teaser for a series)

    Game of Thrones, “Legendary,” HBO, Editpool Stranger Things Season 2, “Darkness,” Netflix, Trailer Park, Inc. Legion – season 2, “Everything,” FX, Create Advertising Group The Tick, “Team,” Amazon Studios, Create Advertising Group Game of Thrones Season 7, “Survive,” HBO, Jax

    Best Foreign (TV Spot / Trailer / Teaser for a series)

    The Pack (Wataha) “Season 2 Heartbeat Teaser,” HBO Europe Dark: S1, “Tick Tock,” Netflix, TRANSIT Dark, “Machine,” Netflix, Buddha Jones O Mecanismo, “Greed,” Netflix, BOND YOU ARE WANTED S2 FOR AMAZON PRIME VIDEO, Amazon Prime Video, Pantaleon Films GmbH, Warner Bros. Entertainment GmbH, BDA Creative GmbH

    Best Graphics (in a TV Spot / Trailer / Teaser for a series)

    Comrade Detective, “Comrades,” Amazon Studios, TRANSIT Real Time with Bill Maher, “Open Our Eyes,” HBO, Buddha Jones Rotten The Future, “Netflix,” Buddha Jones Lady Dynamite, “Fancy Guest,” Netflix, GrandSon The Punisher, “The Punisher – Reflections,” Netflix, gnet

    Best Horror / Thriller (TV Spot / Trailer / Teaser for a series)

    Ash vs. Evil Dead (Season 3), “Supernatural,” Starz, Zealot Westworld, “New Chaos,” HBO, Motive Rellik, “What You Deserve,” Cinemax, Buddha Jones The Walking Dead Season 8B, “Nightmare,” AMC Network, Giaronomo Productions The Alienist, “Monster,” TNT, Trailer Park

    Best Music (TV Spot / Trailer / Teaser for a series)

    Ozark, Netflix, Mark Woollen & Associates Stranger Things Season 2, “Darkness,” Netflix, Trailer Park, Inc. The Defenders, “Quartet,” Netflix, MOCEAN Impulse, “Impulse Teaser,” YouTube, Trailer Park The Crown, “For You,” Netflix, GrandSon

    Best Opening Title Sequence or Closing Credit Sequence for a feature film

    Wonder Woman, “Wonder Woman Main-On-End Titles,” Warner Bros, Greenhaus GFX Insidious – The Last Key, “The Last Key – Main-On-End Titles,” Blum House, Greenhaus GFX DC, “DC Logo,” Warner Bros., Buddha Jones Proud Mary, “Opening Title GFX,” Screen Gems, Seismic Productions Game Night, “Game Night,” New Line Cinema, Aspect

    Best Original Score (TV Spot / Trailer / Teaser for a series)

    Blood Drive, “Master Collection,” SyFy, Buddha Jones Fox League X Briggs- “HERE,” Fox Sports Creative Westworld Season 2, “Locked Inside,” HBO, Jax Westworld Season 2, “Beautiful World – Super Bowl,” HBO, Jax

    Best Promo for a OTO or Special (i.e. Oscars, CMAs or Super Bowl)

    NBC Sports: Championship Season, Agency: 2C Creative ESPN: Curry/Lonzo Game Promo, 2C Creative Jonestown: The Women Behind the Massacre, “Deadliest,” A&E, The Shop The OSCARS, “The Oscars 2018 Jimmy Returns,” ABC Entertainment Marketing + Black Label Content

    Best Promo for a TV Network

    2017 PBS Previews Campaign, “2017 PBS Previews Campaign: Drama,” PBS Stan Lee, “Stan the Man,” Disney/Marvel & Netflix, MOCEAN HBO Documentary, “Trailer,” HBO, Create Advertising Group HBO “Game of Thrones” Image, HBO, Trailer Park truTV, “truTV onair refresh,” truTV, TruTV

    Best Sound Editing (in a TV Spot / Trailer / Teaser for a series)

    The Pack (Wataha) “Season 2 Heartbeat Teaser,” HBO Europe Stranger Things Season 2, “Darkness,” Netflix, Trailer Park, Inc. Dark, “Machine,” Netflix, Buddha Jones The Punisher, “Family Man,” Netflix, MOCEAN Westworld S2, “30TV “Revenge,” HBO, Aspect

    Best Voice Over (in a TV Spot / Trailer / Teaser for a series)

    Ozark, “Last Resort Cutdown,” Netflix, Mark Woollen & Associates Ozark, “Money,” Netflix, Mark Woollen & Associates Comrade Detective, “Comrades,” Amazon Studios, TRANSIT GRAND PRIX DRIVER, “Series Trailer,” Amazon Studios, Tiny Hero

    Most Original (TV Spot / Trailer / Teaser for a series)

    American Vandal, “Conspiracy,” Netflix, Zealot Comrade Detective, “Comrades,” Amazon Studios, TRANSIT The Innocents, “Changes Everything,” Netflix, Trailer Park, Inc. The Crown 2, “The Crown Trailer,” Netflix, Intermission Film Altered Carbon, “Live Forever” Date Announce,” Netflix, gnet

    Best Action Poster

    Wonder Woman, “Wonder Woman, One-Sheet,” Warner Bros., BOND Thor: Ragnarok, “Thor: Ragnarok, One-Sheet,” Walt Disney Studios, BOND Wonder Woman, “Wonder Woman One Sheet,” Warner Bros., P+A Tomb Raider, “Tomb Raider Ice Pick,” Warner Bros., WORKS ADV

    Best Animation / Family Movie Poster

    Peter Rabbit, “Peter Rabbit One Sheet,” Sony Pictures Entertainment, WORKS ADV

    Best Billboard

    Wonder Woman, “Wonder Woman,” Warner Bros., “Concept Arts” Jumanji: Welcome to the Jungle, “Jumanji: Welcome to the Jungle, Billboard,” Sony, BOND Love, Simon, “Love, Simon LA Billboard 20th Century Fox,” WORKS ADV Black Panther, “Arclight Motion Billboard,” Walt Disney Motion Pictures, The M Factor

    Best Comedy Poster

    Game Over, Man! Digital Finish, Netflix, Ignition Life of the Party, Warner Bros. Pictures, Cold Open A Futile and Stupid Gesture,Netflix, Leroy & Rose Super Troopers 2, “Payoff Poster 2,” Fox Searchlight Pictures, Midnight Oil

    Best Comedy Poster for a TV Show / TV Series

    Baskets S3 One-Sheet, FX Networks, Ignition Vice Principals One-Sheet, “Vice Principals One-Sheet,” HBO, Ignition Hap & Leonard: Mucho Mojo, SundanceTV, The Refinery The Mick, “Season 2,” Fox, Leroy & Rose

    Best Documentary / Reality Poster for a TV Show or TV Series

    Wormwood One-Sheet, Netflix, Ignition Mind Field – Season 2, YouTube Red, Cold Open Daughters of Destiny, Netflix, Concept Arts Adam Ruins Everything, “Adam Ruins the Rest Room,” truTV, TruTV

    Best Documentary Poster

    DOLORES, PBS, POV Studio 54, AE Films, Concept Arts Lenny, HBO, Cold Open Jim & Andy: The Great Beyond, Netflix, BOND

    Best Drama / Action TV Series Poster

    Ozark, Netflix, The Refinery Handmaids Tale, Hulu, Leroy & Rose The Americans: Season 6, FX, P+A American Gods, Starz, BOND

    Best Drama Poster

    Mudbound, Netflix, The Refinery Realive, Syfy Films, The Refinery Dunkirk, “Bus Shelter,” Warner Bros., Concept Arts Three Billboards Outside Ebbing, Missouri, Fox Searchlight, BOND

    Best Fantasy / Adventure Poster

    Blade Runner 2049, Warner Bros., WORKS ADV Ready Player One, “Payoff,” Warner Brothers, BOND Star Wars: The Last Jedi, Walt Disney Studios, BOND The Shape of Water, Fox Searchlight Pictures, Midnight Oil, Digital Finishing by Daniel Clark Creative

    Best Foreign Poster

    Das Schweigende Klassenzimmer, “Silence speaks volumes,” The Dream Factory The Death of Stalin, AllCity Media Euphoria, Great Point Media, Coffee & Cigarettes Birthmarked, Aqute Media, Champ & Pepper

    Best Horror / Thriller TV Series Poster

    The Strain Digital Finish, FX Networks, Ignition Dark, Netflix, The Refinery American Horror Story: Cult, FX, BOND Fight of the Living Dead: Paradise Calls, YouTube Red, Cold Open

    Best Horror Poster

    The Cured, IFC Films, InSync PLUS Insidious: The Last Key, “Scream,” Universal Pictures, Concept Arts Winchester, CBS Films, Cold Open Slender Man, “Teaser,” Screen Gems, P+A

    Best Independent Poster

    Okja, Netflix, BOND Thelma, The Orchard, P+A The Little Hours, GUNPOWDER & SKY, Jump Cut Creative The Endless, Well Go USA Entertainment, Jump Cut Creative

    Best International Poster

    Downsizing One-Sheet, Paramount, Ignition Winchester – International Poster (Spain), CBS Films, Cold Open Wonder Woman, “Walking,” Warner Bros., WORKS ADV A Wrinkle in Time, “International (Germany),” Walt Disney Pictures, Cold Open

    Best Motion Poster

    Peter Rabbit, Sony Pictures Entertainment, WORKS ADV Dunkirk, “Destroyer,” Warner Bros., Concept Arts Isle Of Dogs, “Wild Post,”Fox Searchlight Pictures, BLT Communications, LLC Isle Of Dogs, “Sneezing,” Fox Searchlight Pictures, BLT Communications, LLC

    Best pre-show Theatrical Advertising for a Brand

    Guardians of the Galaxy Vol 2, “The Sprint Disruption,” Screenvision Media, 40 Foot Solutions Cinemark XD, “Magic,” Cinemark, MOCEAN A Quiet Theater, “A Quiet Theater,” Paramount Pictures, M3 Creative SHUDDER, “EVOKE,” SHUDDER, HEART SLEEVE CREATIVE Gogol, ‘Gogol asks to turn off phones in cinemas,” TV-3

    Best Radio / Audio Spot

    The Cloverfield Paradox, “Stop,” Netflix, Buddha Jones Kingsman: The Golden Circle, “Summer,” 20th Century Fox, Create Advertising Group The Hitman’s Bodyguard, “RADIO :30 SAM VS RYAN,” NEW LINE, Seismic Productions The Shape of Water, “Score Radio,” Fox Searchlight, Mark Woollen & Associates Black Panther, “Just Getting Started,” Walt Disney Studios / Marvel, Tiny Hero

    Best Summer Blockbuster Poster

    Rampage, New Line Cinema, Concept Arts Skyscraper, Universal Pictures, Concept Arts Wonder Woman, Warner Brothers, BOND Guardians of the Galaxy Vol. 2, Walt Disney Studios, BOND

    Best Teaser Poster

    Ocean’s 8, Warner Bros., WORKS ADV Game Night, Warner Brothers, Leroy & Rose All The Money In the World, Sony Pictures, P+A Super Troopers 2, Fox Searchlight Pictures, Midnight Oil

    Best Thriller Poster

    The New Mutants, 20th Century Fox, Ignition Flatliners, Sony, Concept Arts Annabelle: Creation, “Tea Party,” New Line Cinema, Concept Arts You Were Never Really Here, Amazon Studios, P+A

    Best Trailer for Book or Novel

    The Bad Seed, HarperCollins Publishers Everless, HarperCollins Publishers Tattoo, The 8 Percent The Butchering Art, Light Arcade The Sheriff’s Catch (Part 1 of The Sassana Stone Pentalogy), “Unbound,” James Vella-Bardon

    Best TrailerByte for a Feature Film

    Flatliners, “What Could Go Wrong,” Sony, BOND Thoroughbreds, “Alibi,” Focus Features, GrandSon The Greatest Showman, “Singalong Social Campaign,” 20th Century Fox, Create Advertising Super Troopers 2, “Super Troopers 2, Cologne Commercial,” Fox Searchlight Pictures, Fox Searchlight Marketing Peter Rabbit, “Bring The Fight,” Sony Pictures Entertainment, Workshop Creative

    Best TrailerByte for a TV Series/Streaming Series

    Ballers: Season 3, HBO, AV Squad GAME OF THRONES, “Season 7 Social Carousel,” HBO, Silk Factory Westworld S2, “Digital “Out There,” HBO, Aspect The Long Road Home, National Geographic, InSync PLUS Truth or Dare, “:10 Do or Die,” Universal Pictures Intl, The Picture Production Company

    Best Video Game Poster

    Civilization VI, 2K Games, Inc., Ignition Uncharted, “10th Anniversary Poster,” Sony Interactive Entertainment, PlayStation Creative Horizon Zero Dawn The Frozen Wilds, Sony Interactive Entertainment, PlayStation Creative Shadow of the Colossus, “Hero,” Sony Interactive Entertainment, PlayStation Creative

    Best Viral Campaign

    Bright, “Digital Campaign,” Netflix, InSync PLUS Impractical Jokers, “Surprise and Delight,” truTV, Fooji Gogol.Origins, “The first audience talks about the film Gogol. Origins,” TV-3, TV-3 Good Time, “Social Campaign,” A24, GrandSon The Disaster Artist, “The Tommy Award,” A24, GrandSon

    Best Wildposts (Teaser Campaign)

    Justice League, “Justice League,” Warner Bros., The Refinery Blade Runner 2049, “Blade Runner 2049 11up,” Warner Bros., Concept Arts Love, Simon, “Love Letter Wildposts,” 20th Century Fox, WORKS ADV Black Panther, “Character Series,” Marvel Studios, Art Machine

    Most Innovative Advertising (for a TV Series / Streaming Series)

    Altered Carbon, “Psychasec Campaign,” Netflix, gnet Westworld 2, “Loops,” HBO, HBO (Internal) The Long Road Home, “National Geographic,” InSync PLUS F Is For Family (Season 2), “Social Campaign,” Netflix, InSync PLUS Impractical Jokers, “Block Party,” truTV, Brand Connections

    Most Innovative Advertising for a Brand / Product

    Guardians of the Galaxy Vol 2, “Sprint Disruption,” Screenvision Studios, 40 Foot Solutions Citizen Graduation Gift, Screenvision Studios, 40 Foot Solutions Coco, “Celebration Family Digital,” Disney, Trailer Park, Inc. Oculus “Step into Rift” Brand Anthem, Oculus, space.camp

    Most Innovative Advertising for a Feature Film

    Bright, “Social Campaign,” Netflix, InSync PLUS The Babysitter, “Social Campaign,” Netflix, InSync PLUS A Quiet Place, “A Quiet Theater,” Paramount Pictures, M3 Creative A Ghost Story, “A Ghost Pie,” A24, GrandSon Coco, Walt Disney Motion Pictures, The M Factor

    Most Innovative Advertising for a Video Game

    Space Pirate Trainer, I-Illusions, kertgartner.com Call of Duty: WW2, “Brotherhood,” Activision, Aspect Hellblade: Senua’s Sacrifice, “Accolades Trailer,” Ninja Theory Oculus “Step into Rift” Brand Anthem, Oculus, space.camp Clash Royale, “Flash Royale,” Supercell, gnet

    Most Original Poster

    The Vietnam War: A Film by Ken Burns & Lynn Novick, “Reflections,” PBS Okja, Netflix, BOND Guardians of the Galaxy Vol. 2, Walt Disney Studios, BOND The Shape of Water, “Embrace Art,” Fox Searchlight Pictures, Midnight Oil, Digital Finishing by Daniel Clark Creative

    Best Film Festival Trailer

    Palm Springs International Film Festival, Palm Springs International Film Society, Stampede Studios Online Film Festival 2017, PBS Kamloops Film Festival 2018, Josh Sunderman BOFA Film Festival, Rhino Post Production BFI Bergman Season, BFI, The Picture Production Company

    Best Film Festival Poster

    Online Film Festival 2017, PBS Battle of the Sexes, “Telluride Poster,” Fox Searchlight Pictures, Fox Searchlight Marketing Battle of the Sexes, “Toronto Film Festival Poster,” Fox Searchlight Pictures, Fox Searchlight Marketing

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  • Provincetown International Film Festival Announces 2018 Lineup, Closes with MAPPLETHORPE

    [caption id="attachment_28780" align="aligncenter" width="1200"]MAPPLETHORPE MAPPLETHORPE[/caption] The Provincetown International Film Festival (PIFF) announced their complete lineup of narrative, documentary and short films for the 20th anniversary edition. The festival will kick off with the New England premiere of WILD NIGHTS WITH EMILY, starring Molly Shannon. Written and directed by Madeleine Olnek, the film is a dramatic comedy about the secret life of Emily Dickinson. Ondi Timoner’s MAPPLETHORPE, starring Matt Smith, has been selected as the Closing Night film. Additionally, acclaimed director Sean Baker will receive the “Filmmaker on the Edge” Award in conversation with John Waters, and actress Chloë Grace Moretz will be on hand to receive the festival’s Next Wave Award; Moretz’s latest film, THE MISEDUCATION OF CAMERON POST, is a Spotlight selection. Said Artistic Director Lisa Viola, “For our 20th anniversary festival, we are absolutely thrilled to present a lineup featuring new work by a group of extraordinarily talented filmmakers, and we are especially proud that all five of our Spotlight films are directed by women!” The Provincetown International Film Festival runs June 13 to 17, 2018 in Provincetown, MA.

    2018 Provincetown International Film Festival Lineup

    OPENING NIGHT

    WILD NIGHTS WITH EMILY – directed by Madeleine Olnek (Wednesday, June 13)

    CLOSING NIGHT

    MAPPLETHORPE – directed by Ondi Timoner (Sunday, June 17)

    SPOTLIGHT SELECTIONS

    THE MISEDUCATION OF CAMERON POST – directed by Desiree Akhavan (Thursday, June 14) AND BREATHE NORMALLY – directed by Ísold Ugadóttir (Friday, June 15) LEAVE NO TRACE – directed by Debra Granik (Saturday, June 16)

    SPECIAL SCREENINGS/EVENTS

    JOHN WATERS PRESENTS: I, OLGA – directed by Petr Kazda, Tomás Weinreb MODERN LOVE LIVE, presented by WBUR and The New York Times at the Provincetown Film Festival (Friday, June 15) FEMALE TROUBLE – directed by John Waters MIDNIGHT COWBOY – directed by John Schlesinger TANGERINE – directed by Sean Baker

    NARRATIVE FEATURES

    1985 – directed by Yen Tan BLINDSPOTTING– directed by Carlos López Estrada THE CAKEMAKER – directed by Ofir Raul Graizer THE CHILDREN ACT – directed by Richard Eyre DON’T WORRY, HE WON’T GET FAR ON FOOT – directed by Gus Van Sant EIGHTH GRADE – directed by Bo Burnham THE GUILTY – directed by Gustav Möller HEARTS BEAT LOUD– directed by Brett Haley A KID LIKE JAKE – directed by Silas Howard LEMONADE – directed by Ioana Uricaru LOVELING – directed by Gustavo Pizzi MADELINE’S MADELINE – directed by Josephine Decker MARIO – directed by Marcel Gisler NIGHT COMES ON – directed by Jordana Spiro PUZZLE – directed by Marc Turtletaub WE THE ANIMALS – directed by Jeremiah Zagar

    DOCUMENTARY FEATURES

    CHEF FLYNN – directed by Cameron Yates DAWNLAND – directed by Adam Mazo, Ben Pender-Cudlip EVERY ACT OF LIFE – directed by Jeff Kaufman A FINE LINE – directed by Joanna James GENERATION WEALTH – directed by Lauren Greenfield THE GOSPEL OF EUREKA – directed by Donal Mosher, Michael Palmieri JOHN McENROE: IN THE REALM OF PERFECTION – directed by Julien Faraut LIFE IN THE DOGHOUSE – directed by Ron Davis McQUEEN – directed by Ian Bonhôte, Peter Ettedgui THE PRICE OF EVERYTHING – directed by Nathaniel Kahn ROBIN WILLIAMS: COME INSIDE MY MIND – directed by Marina Zenovich SCIENCE FAIR – directed by Cristina Costantini, Darren Foster SCOTTY AND THE SECRET HISTORY OF HOLLYWOOD – directed by Matt Tyrnauer THE SENTENCE – directed by Rudy Valdez STUDIO 54 – directed by Matt Tyrnauer THREE IDENTICAL STRANGERS – directed by Tim Wardle TIME FOR ILHAN – directed by Norah Shapiro WESTWOOD: PUNK, ICON, ACTIVIST – directed by Lorna Tucker WYETH – directed by Glenn Holsten

    SHORTS

    AFTER PROM – directed by Nona Schamus BABS – directed by Celine Held & Logan George BECAUSE YOU’RE HERE – directed by Mike Syers BRAINWORM BILLY – directed by Emily Hubley THE DARE PROJECT – directed by Adam Salky, written by David Brind EDWARD HOPPER & MARSHALL’S HOUSE – directed by Bob Burnett FEVAH – directed by Randall Dottin GIRL FRIEND – directed by Chloe Sarbib HEATHER HAS FOUR MOMS – directed by Jeanette L. Buck JUDITH LOVES MARTHA – directed by Anna Gaskell KEEPER – directed by Marnie Crawford Samuelson & Shane Hofeldt KHOL (OPEN) – directed by Faroukh Virani LANDLINE – directed by Matt Houghton THE LAYOVER – directed by Joe Stankus LONESOME WILLCOX – directed by Ryan Maxey & Zack Wright MARGUERITE – directed by Maria Gracia Turgeon MAUDE – directed by Anna Margaret Hollyman MEN DON’T WHISPER – directed by Jordan Firstman MOTHER MOTHER – directed by Robert Machoian & Rodrigo Ojeda-Beck NEGATIVE SPACE – directed by Ru Kuwahata & Max Porter NEUTRAL – directed by Nathan Barnatt PAID FOR BY – EPISODE 2 – DIANE BUSCH’S WOMEN’S ISSUE AD – directed by Dawn Smith SET ME AS A SEAL UPON THINE HEART – directed by Omer Tobi SHE IS JUICED: SLICE ONE – JO HAY – directed by Lois Norman SLEEPOVER – directed by Jimi Vall Peterson SUPER 8 DAZE – directed by Rob Hampton & John Morgan WOULD YOU LOOK AT HER – directed by Goran Stolevski WORLD OF TOMORROW EPISODE 2: THE BURDEN OF OTHER PEOPLE’S THOUGHTS –directed by Don Herzfeldt WREN BOYS – directed by Harry Lighton

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