Netflix’s gangster epic “The Irishman” leads the nominations for the Latino Entertainment Journalists Association (LEJA)’s second annual Latino Entertainment Film Awards with 10 nominations. “Monos” picked up seven nominations, and six nominations went to “Parasite,” “The Two Popes” and “Marriage Story.”
The 2019 AFI Latin American Film Festival will take place September 12–October 2 at the historic AFI Silver Theatre and Cultural Center in Silver Spring, MD. Celebrating its 30th edition this year, the festival honors Ibero-American cultural connections during National Hispanic Heritage Month. This year’s festival will showcase 53 films, nearly 40% of the films are directed by women.
The Final Girls Berlin Film Festival returns for the 4th edition with its annual showcase of horror films that were directed, written, and/or produced by women and non-binary filmmakers from across the globe.
Anna and the Apocalypse[/caption]
Scary Movies XI, the horror festival presented by New York’s Film Society of Lincoln Center returns August 17 to 23, 2018. The festival kicks off with the New York premiere of the delightful yet blood-soaked holiday-set high-school musical Anna and the Apocalypse, as a band of Scottish teens fight, sing, and dance to survive the undead horde taking over their small town in John McPhail’s sophomore feature. Closing Night is Jonas Åkerlund’s harrowing black-metal tragedy Lords of Chaos, the true story of legendary Norwegian band Mayhem starring Rory Culkin, Emory Cohen, and Sky Ferreira.
Other highlights of this year’s lineup include a trio of creepy Latin American offerings featuring possessions (Guillermo Amoedo’s The Inhabitant), dark fairy tales (Issa López’s Tigers Are Not Afraid), and haunted hospitals (J.C. Feyer’s The Trace We Leave Behind); the new film from last year’s closing night director Colin Minihan, who reunites with his It Stains the Sands Red actress Brittany Allen for What Keeps You Alive; and a selection of new indie horror at its most promising, including Sonny Mallhi’s gruesome slasher flick Hurt, Patrick von Barkenberg’s Swedish novelist nightmare Blood Paradise, and Andy Mitton’s house-flipping horror The Witch in the Window.
Scary Movies XI also presents the retrospective sidebar Tainted Waters, comprising a quartet of 35mm titles whose horrors take place above or below the surface—or sometimes come creeping onto the land: Phillip Noyce’s Dead Calm (featuring an early breakout performance by Nicole Kidman), Lewis Teague’s creature-feature classic Alligator, horror master Stuart Gordon’s H.P. Lovecraft adaptation Dagon, and Ken Wiederhorn’s Nazi zombie flick Shock Waves, starring the late, great Peter Cushing. Finally, the dynamic duo of Glenn McQuaid and Larry Fessenden present a brand new live edition of Glass Eye Pix’s acclaimed radio-play series Tales from Beyond the Pale. Entangling creatures, creeps, and ghouls with observations both personal and political, this special event offers two new Tales written and directed by Fessenden and McQuaid performed live on-stage with actors, foley artists, sound designers, and musicians.
FILMS AND DESCRIPTIONS
All screenings held at the Walter Reade Theater (165 West 65th Street) unless otherwise noted.
OPENING NIGHT
Anna and the Apocalypse
John McPhail, UK/USA, 2017, 92m
New York Premiere
As Anna (an enchanting Ella Hunt) nears the end of high school, the most pressing concerns are her questionable taste in guys and how to break the news to her widowed father that she plans to take a year of travel before heading to college. But those issues lose all importance when an unexplained plague begins spreading in her tiny Scottish town of Little Haven before Christmas break, and she and her classmates must battle hordes of zombies—and their unhinged headmaster (Paul Kaye)—in order to make it to graduation. Oh and they sing and dance, too… A highly accomplished musical, full of infectious songs and performance setpieces, and like one of its clear inspirations Shaun of the Dead, Anna and the Apocalypse features merriment and menace in perfect balance. An Orion Pictures release.
CLOSING NIGHT
Lords of Chaos
Jonas Åkerlund, UK/Sweden, 2018, 112m
New York Premiere
Pioneering Norwegian black-metal band Mayhem experienced a rise and fall so notorious that it’s provided the subject of multiple books and documentaries. And now a dramatization of their tragic tale finally makes it to the screen courtesy of Swedish music video and film director extraordinaire Jonas Åkerlund. It’s a devastating portrait of youth mixed with power in dangerous doses, yet it humanizes its antiheroes in unexpected ways, in part due to memorable performances from Rory Culkin as Euronymous, Mayhem co-founder and a key figure in the world of black metal; Emory Cohen as Varg Vikernes, his bandmate and eventual murderer; and Jack Kilmer as Mayhem’s ultra-melancholic first lead singer known as Dead. Like the best of Åkerlund’s video work and his dynamite 2002 film Spun, Lords of Chaos is profoundly disturbing but with a macabre, comical touch. A Gunpowder & Sky release.
Await Further Instructions
Johnny Kevorkian, UK, 2018, 91m
New York Premiere
Nick (Sam Gittins) brings his girlfriend Annji (Neerja Naik) home for the holidays after three years of avoiding his massively dysfunctional family. And it’s no wonder he chose to stay away: his grandfather (David Bradley) is a virulent racist, his father (Grant Masters) runs the family like it’s a business, and his mother (Abigail Cruttenden) just tries to hold it all together. Add in Nick’s high-strung pregnant sister (Holly Weston) and her dim-witted boyfriend (Kris Saddler) and Nick and Annji soon reach their breaking point. They attempt to leave early Christmas morning only to discover that a metallic substance has surrounded the house and there is no way out. The only clues to what’s happening come through the television, which, in the first of many cryptic messages, tells them to “STAY INDOORS AND AWAIT FURTHER INSTRUCTIONS.” Familial tensions and paranoia escalate into blood-soaked chaos in this ever-relevant chiller that contemplates the state of today’s technology-ruled world. A Dark Sky Films release.
Blood Paradise
Patrick von Barkenberg, USA/Sweden, 2018, 82m
English and Swedish with English subtitles
World Premiere
Reeling after her latest novel flops, best-selling crime writer Robin Richards (Andréa Winter) is sent by her publisher to the Swedish countryside to regain inspiration. There alone, she indeed comes across an assortment of peculiar characters, including her driver and most obsessive fan, his explosively jealous wife, and the progressively more unhinged man who owns the farm that’s hosting her. Totally out of place in her new surroundings—for one, she is always dressed for glamorous, big-city life—Robin discovers just how dangerous these oddballs may be. The unpredictable debut feature by Patrick von Barkenberg (who also appears as Robin’s boyfriend) is bathed in dreamy atmospherics and streaked with offbeat humor, but remains grounded throughout by Winter, who holds your attention rapt.
Boogeyman Pop
Brad Michael Elmore, USA, 2018, 90m
New York Premiere
Tony (James Paxton) is a punk who dreams of escaping his small town but finds his release in drugs—until a friend gives him a new kind of pill called Wendigo and can’t remember what he did the night before. Meanwhile, Danielle (Dominique Booth), who likes Tony, spends her night taking care of her drugged-out friends at a punk club and getting tied up with the town dealer, Matt (Greg Hill), who is trading in something much darker and more sinister than pills. And three kids from Danielle’s neighborhood have a run in with a bat-wielding, black Cadillac–driving, masked killer. This trio of perspective-shifting stories intersect into a maelstrom of murder, adolescent angst, sex, drugs, and black magic. Set during the course of one summer weekend, this indie film has punk-rock energy to spare and a distinct cinematic vision that transcends its micro budget.
Hurt
Sonny Mallhi, USA, 2018, 93m
New York Premiere
Halloween in New Caney, Texas, is slow and quiet. Rose (model Emily van Raay, in a striking debut performance) is having trouble connecting with her husband Tommy (Andrew Creer), who recently returned from military deployment and is struggling with PTSD. Rose’s sister and her husband urge them to head to the town’s haunted hayride to relive old traditions and maybe try to rekindle their relationship. The fairgrounds are filled with masked monsters and fake blood and death. Tommy runs off and the night gradually descends into chaos. Sonny Mallhi’s exquisitely realized third feature digs up the violence bubbling under the modern American experience and serves up a smart treatise on trauma. This truly gruesome and terrifying slasher flick reminds us that death is very real, and it’s not only the monstrous villains who wear masks.
Impossible Horror
Justin Decloux, Canada, 2017, 75m
New York Premiere
Following a bad breakup, aspiring filmmaker Lily (Haley Walker) struggles with a crippling creative block. Unable to sleep, she begins hearing a sinister scream outside her window every evening. Convinced she needs to help, she heads out into the dark night and meets Hannah (Creedance Wright), a veteran scream hunter obsessed with stopping the creepy occurrence. The two women team up to try and locate the source before they become the scream’s next victims. As much a horror movie as a movie about the horror of creation, Justin Decloux’s ultra-indie second feature references everything from Asian horror to giallo, and its DIY spirit and eerie underlying dread secures its place as a small but mighty genre discovery.
The Inhabitant / El habitante
Guillermo Amoedo, Mexico/Chile, 2017, 92m
Spanish with English subtitles
North American Premiere
In an attempt to secure some quick cash, three sisters break into the home of a super-wealthy family—and get a whole lot more than they bargained for. If this sounds tediously familiar, have no fear: The Inhabitant is no simple take on the old home-invasion-gone-wrong scenario. The film has serious political undertones—the house the women target belongs to a high-profile, and highly corrupt, senator—and its action opens up to also make room for a child possession tale like no other. Uruguayan-born, Chile-based filmmaker Guillermo Amoedo has made a name for himself working on screenplays for Eli Roth projects (The Green Inferno, Knock Knock, Aftershock), but this one outshines them all, featuring genuine chills and higher-gloss production values than usually found within such confined spaces. A Pantelion release.
Tales from Beyond the Pale Live Event
Larry Fessenden and Glenn McQuaid’s “Tales from Beyond the Pale” returns to the Film Society of Lincoln Center for a double bill of contemporary audio dramas. Now in its eighth year, the primarily spooky show, produced by Glass Eye Pix, has taken cues from the likes of Inner Sanctum Theatre and the Mercury Theatre Company while putting its own rich spin on the format. Observations both personal and political are often deeply entangled with whatever creature, creep, or ghoul Fessenden and McQuaid conjure up. Two new “Tales” written and directed by Fessenden and McQuaid will be performed live with actors, foley artists, sound designers, and musicians; it’s quite a sight, and if you dare to close your eyes, quite a listen! Previous shows have featured the vocal talents of the likes of Ron Perlman, Michael Cerveris, Lance Reddick, Doug Jones, Vincent D’Onofrio, Sean Young, and Alison Wright… so you never know who might show up.
Tigers Are Not Afraid / Vuelven
Issa López, Mexico, 2017, 83m
Spanish with English subtitles
New York Premiere
In the midst of a world plagued by gang violence, 10-year-old Estrella (Paolo Lara) is left to her own devices after her mom disappears. As a protection measure—or is it a stroke of the supernatural?—Estrella believes to have been granted three wishes, and she uses one to bring her mother back, though failing to mention that she wanted her alive. Haunted by the dead shell of her mother, she leaves home and ends up taking up camp with a group of local orphan boys in their small Mexican village, nervously trying to remain hidden from murderous drug-dealing local thugs and forming a strong familial bond in the process. A fantastical tale that is also steeped in hard-bitten realities, writer-director Issa López’s alternately heart-wrenching and chilling film inevitably elicits Guillermo del Toro comparisons, mostly for its ability to extract wholly believable performances from its young cast, but stands firmly on its own as inspired cinema. A Shudder release.
The Trace We Leave Behind / O Rastro
J.C. Feyer, Brazil, 2017, 96m
Portuguese with English subtitles
North American Premiere
João (a commanding Rafael Cardoso) is a doctor coordinating the removal of patients from a Rio de Janeiro public hospital that, despite harsh protests from the community, is scheduled to close due to Brazil’s recession. On the night of the transfer, a 10-year-old girl disappears without a trace and João must find her, even if just to prove to his pregnant wife Leila (Leandra Leal) that he can be a dependable father. The more he searches, the deeper he is drawn into a world he wishes he never entered. Long-kept secrets are unearthed and João struggles against the darkness that is closing in around him. Is the hospital haunted? Is he losing his mind? The feature debut by J.C. Feyer—a strong case for the resurgence of Brazilian horror—is relentless in both its dedication to scaring the pants off the audience and to shining a light on the country’s social unrest.
What Keeps You Alive
Colin Minihan, Canada, 2018, 98m
New York Premiere
The follow-up to Colin Minihan’s It Stains the Sands Red, a closing-night selection of last year’s Scary Movies, offers another twisty thrill ride starring the always compelling Brittany Allen. Here, she plays Jules, who heads to a lakeside cabin with her wife, Jackie (Hannah Emily Anderson), to celebrate their one-year anniversary. The tranquil setting—the nearest neighbors are Jackie’s childhood friend and her husband across the lake—quickly turns terrifying, but to say anything more would spoil the surprises. Audacious and unsparing, the film veers into pitch-black comedy to keep the bloodletting and betrayal fun and boasts impressive cinematography that captures both the beauty and isolation of its remote environment and the ferocious violence that unfurls within. An IFC Midnight release.
The Witch in the Window
Andy Mitton, USA, 2018, 77m
U.S. Premiere
A divorced dad (Alex Draper) takes his 12-year-old son (Charlie Tacker) to the farmhouse he’s purchased to flip in middle-of-nowhere Vermont. It was cheap—and for a reason: there is an old witch, Lydia (Carol Stanzione), haunting the premises, mainly planted in a chair by an upstairs window. At first her presence seems harmless enough, but as the renovations continue, it becomes more apparent that she, the previous owner, has no interest in sharing her home. As in the two previous features he co-directed, YellowBrickRoad and We Go On, Andy Mitton’s solo directorial debut proves that big scares can come in small packages, and his latest refreshingly character-driven film, which sees a father desperately trying to protect a child he wants to reconnect with and the house he has always fantasized about, has way more on its mind than it initially lets on. A Shudder release.
Vuelven[/caption]
At its 10th anniversary closing night gala HOLA Mexico Film Festival (HMFF) presented its Cinelatino & DishLATINO Audience Choice Award and Cinelatino Best Director Award to Issa Lopez for Vuelven. Hailed by Oscar-winner Guillermo del Toro as one of the best Mexican films in recent years, Vuelven, a dark fantasy, is a heartfelt genre film that surpasses all expectations. Its protagonist, 10-year-old Estrella, has three wishes. The first one is for her missing mother to return. Her wish is granted, but her mother is dead and her ghost follows her everywhere. Terrified, Estrella tries to escape by joining a gang of orphan children, but she quickly discovers that in the real world, ghosts are never truly left behind, and that only the bravest survive the brutality and violence that surround her.
In collaboration with UNAM and presented for the first time, the Cinelatino Tomorrow’s Filmmakers Today Short Award was presented to Jimmy Moreno for short film Embalmer. Embalmer follows the story of a veteran mortician who muses about life, death and the things one must do in preparation.
Wildlife[/caption]
The first films of the 2018 Melbourne International Film Festival (MIFF) were revealed today along with big announcement that the 67th edition will open with the Australian premiere gala screening of Paul Dano’s directorial debut Wildlife – starring Carey Mulligan, Jake Gyllenhaal and Australia’s Ed Oxenbould. The First Glance selection of 32 films demonstrating MIFF’s expansive reach was also uncovered.
Based on the 1990 Richard Ford novel of the same name, Dano’s debut directorial outing (co-written by Zoe Kazan, seen alongside Dano at MIFF’s 2012 Ruby Sparks) tells a tender and empathetic story about a teen dealing with his family falling apart in 1960s Montana.
A hit at Sundance and Cannes, Wildlife is a bittersweet and elegant debut that represents a major coming-of-age – both off screen and on – for Oxenbould, an actor who broke out in MIFF 2014’s Paper Planes and last year’s MIFF Premiere Fund-supported The Butterfly Tree. Buoyed by exquisite cinematography from Diego Garcia (Neon Bull, MIFF 2016; Cemetery of Splendour, MIFF 2015) the film’s fine-tuned attention to period detail underscores its exceptional performances.
https://www.youtube.com/watch?v=4gSi0Qvki3o
“We are thrilled to announce Wildlife for this year’s Opening Night Gala. Paul Dano’s debut as a director provides a glimpse into a successful shift in his career from on screen to off, and the cast including Australia’s very own Ed Oxenbould (a special name here at MIFF) is an impressive way to kick off proceedings,” said MIFF’s Artistic Director Michelle Carrey.
“This in addition to the sneak peek of the rest of the program is an exciting time. Finally we can start talking about the most important thing…the films!”
This year’s MIFF program will feature more than 500+ screenings, including:
Ethan Hawke features with both on and off-screen contributions: he portrays a troubled priest experiencing a ‘crisis of faith’ in cinematic legend Paul Schrader’s latest feast of brooding menace, First Reformed; in Blaze, Hawke directs a daringly unconventional biopic of an unsung country music legend, featuring newcomer Benjamin Dickey in the title role (which won him a Sundance acting award) and Alia Shawkat.
Chloë Grace Moretz turns in a career-best performance in Desiree Akhavan’s sophomore feature The Miseducation of Cameron Post, winner of the Sundance Grand Jury Prize (US Dramatic); Cannes 2017 best actor winner Joaquin Phoenix features in Lynne Ramsay’s vengeance feature You Were Never Really Here, playing a war vet and ex-FBI agent whose new job includes rescuing children from paedophile rings; meanwhile, Bodied is the result of an unlikely pairing between Grammy-winning director Joseph Kahn and rapper turned producer Eminem who present their satirical story about an accidental battle-rap star.
In a variety of filmmaking firsts, acclaimed TV director Michael Pearce makes his feature debut in the sly, unsettling Beast – an impressive British crime drama love story wrapped in an intriguing psychosexual thriller; veteran slow-cinema auteur Tsai Ming-liang makes his debut foray into virtual reality with The Deserted, a 55-minute experience with a wordless, near-feature length tale of ghosts, grief and fish; and a little closer to home, Nash Edgerton’s TV series directorial debut Mr Inbetween brings The Magician’s charismatic killer-for-hire Ray Shoesmith back to our screens. MIFF will screen all six episodes before its television premiere on Foxtel’s Showcase channel.
The 2018 program delves deep into three iconic names spanning fashion, sport and Hollywood, starting with McQueen, a flamboyant portrait of one of the world’s most revered designers, Alexander McQueen – a man who once said “My shows are about sex, drugs and rock’n’roll. It’s for the excitement and the goosebumps. I want heart attacks. I want ambulances.” This biographical documentary by Ian Bonhôte and Peter Ettedgui represents nothing less.
Julien Faraut’s John McEnroe: In the Realm of Perfection serves up a fascinating combination of instructional clips and exquisite 16mm footage of tennis bad boy John McEnroe at the height of his career at the 1984 French Open; and looking into the life of another legend, Tommy Avallone’s Bill Murray Stories: Life Lessons Learned from a Mythical Man follows the trail of the star’s alleged appearances musing on the interconnection of pop culture and ordinary life.
An Elephant Sitting Still takes us on a four-hour journey as Hu Bo paints a compelling, empathetic portrait of contemporary China in this FIPRESCI Prize-winning debut; and winner of SXSW’s Grand Jury Prize for documentary, People’s Republic of Desire is Hao Wu’s unsettling and fascinating look into the online world of live-streaming, social media and virtual relationships.
Turning impending loss into a poignant, poetic dreamscape, The Seen and Unseen is the second feature from Indonesia’s Kamila Andini and winner of best youth film at the 2017 Asia Pacific Screen Awards; Tigers Are Not Afraid is a stunning contemporary fairytale that does for Mexico’s drug war what Guillermo del Toro did for the Spanish Civil War. Praised by Stephen King, the film saw Issa López become the first woman to win Fantastic Fest’s Best Horror Director award.
Denmark’s Gustav Möller makes his directorial debut with the Sundance and Rotterdam award-winning The Guilty, an edge-of-your-seat psychological thriller told entirely in real time.
The UK’s Daniel Kokotajlo makes a devastating debut with Apostasy, a daring study of an all-female Jehovah’s Witness family riven by religious conflict starring Siobhan Finneran (Downton Abbey and Happy Valley); Babis Makridis proves he is coming into his own as a star with a second feature, Pity. A follow up to L (MIFF 2012), the quintessentially bleak and absurdist Greek New Wave comedy from the co-writer of The Lobster and Dogtooth was co-written with Yorgos Lanthimos’ key collaborator Efthymis Filippou (The Killing of a Sacred Deer, MIFF 2017).
Irreverent Iranian director Mani Haghighi (A Dragon Arrives! MIFF 2016) presents his latest meta-comedy magic, Pig – a riotous Iranian film industry satire about a serial killer; and Vivian Qu continues to interrogate crime, corruption and control in modern-day China in Angels Wear White, which won her the Best Director award at the Golden Horse Film Festival.
Based on Anna Seghers’ WWll novel of the same name, Transit is the slow-burn thriller from revered auteur Christian Petzold – a discomfiting fable of trans-European displacement that channels both Hitchcock and Casablanca; and one of contemporary cinema’s most esteemed directors Lucrecia Martel makes her long-awaited return with the historical fiction Zama, centred on an 18th-century Spanish magistrate marooned in a far-flung South American outpost where he’s losing touch with civilization and sanity.
Spaghetti Western, ’70s Euro-pulp and delirious psychedelia collide in Let the Corpses Tan – a glorious homage to cinema’s seedier retro fringes from genre connoisseurs Hélène Cattet and Bruno Forzani; audiences will step back in time to the French fashion scene with legendary fashion photographer William Klein’s award-winning black and white mockumentary that is now a groovy cult classic, Who are you, Polly Maggoo? and nominated for Best Foreign Film at the 2018 Academy Awards, The Insult is the multi-award winning new work from Lebanese visionary Ziad Doueiri (The Attack, MIFF 2012).
Delving into the complex emotions of passionate pop-music appreciation, emerging local director Jessica Leski presents I Used to be Normal: A Boyband Fangirl Story – an empathetic documentary exploring why we hold pop music so dear to our hearts.
The NSFA-restored The Cheaters offers viewers a rare big-screen treat of a pioneering silent-era classic. A major landmark of Australian cinema, this is not just one of our earliest feature films – it’s one of the first by women filmmakers, the McDonagh sisters. The remaining fragments of the sisters’ popular first feature Those Who Love will screen alongside.
An exhilarating debut feature from Australian director Jason Raftopoulos, the Venice-premiering West of Sunshine stars Pawno’s Damian Hill alongside his real-life step-son Ty Perham and Offspring’s Kat Stewart (Sucker, MIFF 2015). Shot in Melbourne, it explores fatherhood, trauma and second chances.
Director Jeremy Sim’s (Last Cab to Darwin, Beneath Hill 60) Wayne is a must-see for moto-GP fans. Here, Sims explores a defining piece of Australian sporting history that saw Wayne Gardner conquer the world of motorcycle racing and return home a hero; while Island of the Hungry Ghosts takes audiences on a unique and moving cinematic journey through the intersection of Christmas Island’s migrating land crabs, lost souls caught in limbo and political detainees.
Sundance award-winner, Stephen Loveridge digs deep into the life of his good friend Mathangi ‘Maya’ Arulpragasm in MATANGI / MAYA / M.I.A, demonstrating her pull-no-punches personality and focus on political activism, and how this caused her career to suffer; and rounding up the First Glance lineup, directors Dyana Winkler and Tina Brown dive wholeheartedly into the African-American roller rink scene, circling around racial profiling, the roots of rap and communities in crisis with Tribeca Film Festival Audience Award winner, United Skates.
BAD REPUTATION[/caption]
Oak Cliff Film Festival yesterday announced the Feature Program lineup for the 7th annual edition of the festival, taking place June 14-17, 2018 at the historic Texas Theatre, Bishop Arts Theatre Center, Kessler Theater, and numerous other venues around Dallas’ Oak Cliff neighborhood. The schedule is comprised of twenty-five feature-length films, with ten of the films having their Texas premiere at this year’s festival. The festival also includes 40 short films, as well as filmmaking workshops, live music and parties.
Kicking off proceedings with this year’s opening night film are director Kevin Kerslake and writer/editor Joel Marcus in attendance to present the Texas Premiere of BAD REPUTATION, their hard-rocking documentary on legendary rock-n-roll icon Joan Jett. The screening will be followed by a karaoke party behind the screen! The festival closes with NEVER GOIN’ BACK, a raunchy party comedy filmed and set in DFW, from Dallas filmmaker Augustine Frizzell and produced by Sailor Bear.
Additional festival highlights include: MEOW WOLF: ORIGIN STORY, a documentary on the Santa Fe based artist collective famous for their unique and immersive multimedia art installations; a screening of the newly restored 1928 silent film classic THE PASSION OF JOAN OF ARC, featuring a live score accompaniment composed by indie electronic artist George Sarah and performed by Curtis Heath and his Orchestra; The Zellner Bros’ new comedy western DAMSEL with the film’s composers, Austin-based indietronica band The Octopus Project, playing a live concert at The Texas Theatre; and director Penelope Spheeris in attendance for a new digital theatrical presentation of her rescued-from-obscurity and newly-restored 1987 punk rock western DUDES.
Parallel[/caption]
The Fantasia International Film Festival, celebrating its 22nd Anniversary in Montreal this summer, from July 12 to August 1, 2018, revealed the first wave of film titles, along with several special events. In addition to the festival, Frontières International Co-Production Market and Industry Rendez-Vous Weekend will be held July 19 to 22, 2018.
The festival’s full lineup of over 130 feature films will be announced in early July. In the meantime, Fantasia.
Unfriended: Dark Web[/caption]
The Overlook Film Festival today announced its second year programming lineup of 40 films (23 features and 17 short films from 12 countries) along with exciting parties, virtual reality, interactive events, and live performances – all taking place in America’s most haunted city: New Orleans, Louisiana.
On opening night of the festival, audience members will enjoy the chiller Unfriended: Dark Web (United States, 2018), from Blumhouse Productions and Bazelevs Productions, directed by Stephen Susco, and starring Colin Woodell, Betty Gabriel, Rebecca Rittenhouse, Andrew Lees, Connor del Rio, Stephanie Nogueras, and Savira Windyani.
The Overlook Film Festival will screen A24’s highly anticipated Hereditary (United States, 2018) as its closing feature presentation, directed by Ari Aster, and starring Toni Collette, Alex Wolff, Milly Shapiro, Ann Dowd, and Gabriel Byrne.
The Centerpiece of the 2018 edition of The Overlook Film Festival is St. Agatha, directed by Darren Lynn Bousman, which will hold its world premiere in New Orleans at the festival.
The festival’s Visionary Award will be presented to modern genre favorite Leigh Whannell, best known for writing the first three films in the Saw franchise, as well as Insidious, and Insidious: Chapter 2, and directing Insidious: Chapter 3. Whannell is an Australian screenwriter, producer, director, and actor who will celebrate his latest directorial effort at the festival, Upgrade. The Visionary Award was established to honor a contemporary horror figure or company elevating the genre, while fostering the community by providing opportunities for new talent to thrive.
In addition to the films and special guests, the Overlook Film Festival will be generously packed with live presentations. The festival’s virtual reality program will feature the world premiere of noted experience creator Jon Braver’s Delusion: Lies Within, a fully immersive, 360 degree episodic narrative from Skybound Entertainment.
I Kill Giants[/caption]
The 5th annual Chattanooga Film Festival is almost here, and the festival has released the second wave of films, comprising of a generous mix of fantasy, horror, documentary and animated films.
Film highlights include Timothée Chalamet, who has had recent turns in CALL ME BY YOUR NAME and LADY BIRD, stars in HOT SUMMER NIGHTS, a charming coming of age drama set during a summer at Cape Cod. Catch this winning flick at CFF before the good folks at A24 release it later this year.
BORLEY RECTORY is an animated documentary chronicling what came to be known as “the most haunted house in England.” The legends attached to the rectory at Borley and famed paranormal investigator Harry Price’s subsequent investigations of them, caught the public’s imagination during the late 1920s, in time becoming one of the world’s most notorious ghost stories.
ERNEST AND CELESTINE charmed audiences during its 2014 screening at CFF, and festival organizers are bringing the latest family crowd pleaser from the same talented filmmaking duo to Chattanooga. Bring your kids and the young film fans in your life to THE BIG BAD FOX & OTHER TALES, because this is a comedy adventure all ages can enjoy.
Rounding out CFF’s cinematic sojourn into the dark heart of the 1980s, along with this year’s SUMMER OF ’84 and LIFE AFTER FLASH, is THE POWER OF GLOVE. This doc is an absolute hoot and tells the strange, but true tale of the rise and fall of Nintendo’s Power Glove in the 1980s.
Anchored by one of the most amazing performances you’re likely to see this year by Valeria Bertuccelli, who also co-writes and directs, THE QUEEN OF FEAR tells the story of an actress that becomes over anxious in the days leading up to the premiere of her one-woman show. Along with previously announced selection MADELINE’S MADELINE, it makes for a fascinating and entertaining double feature about obsessive actors taking their craft perhaps a bit too seriously.
Director Ryuhei Kitamura’s latest is DOWNRANGE, revolving around a group of friends who after a roadside blowout become the targets of a mysterious sniper. Throw in an appearance by longtime CFF favorite Graham Skipper, also teaching our acting class along with actor/filmmaker Matt Mercer this year, and you’ve got a lightning-paced blast of a thriller.
In the action-packed true story A PRAYER BEFORE DAWN, an English boxer incarcerated in one of Thailand’s most notorious prisons fights in Muay Thai tournaments to earn his freedom. This movie lands like a punch in the gut and in this case, that’s a good thing.
Everyone loves a good food documentary, and RAMEN HEADS straight up classifies as food porn. Osamu Tomita, Japan’s reigning king of ramen, takes us deep into his world, revealing every single step of his obsessive approach to creating the perfect soup and noodles and his relentless search for the highest-quality ingredients. Mixing in a brief rundown of ramen’s historical roots, the film gives viewers an in-depth look at the culture surrounding this unique and beguiling dish.
The National Pyrotechnic Festival in Tultepec, Mexico is the site of festivity unlike any other in the world, and has been captured in a hypnotically beautiful, charming and deeply entertaining documentary called BRIMSTONE & GLORY. In celebration of San Juan de Dios, patron saint of firework makers, conflagrant revelry engulfs the town for ten days. Artisans show off their technical virtuosity, up-and-comers create their own rowdy, lo-fi combustibles, and dozens of teams build larger-than-life papier-mâché bulls to parade into the town square, adorned with fireworks that blow up in all directions. For the people of Tultepec, this explosive celebration, is a combination of unrestrained delight and real peril.
Punk rock horror? Yes please. In Jenn Wexler’s debut THE RANGER, a group of punk rockers piss off a truly psychotic forest ranger. Coupled with a soundtrack loaded with deep punk rock cuts and some truly amazing thrills and chills, this film has put Wexler on CFF’s up and coming filmmakers list. Wexler and producer Heather Buckley will be on hand for a Q&A following the film.
Lola Kirk and Zoe Kravitz star in GEMINI, a mystery thriller by acclaimed director Aaron Katz. This is the kind of film that you go into cold, and let the film and its beguiling leads cast the same spell on you that it did on the CFF team.
Casey T. Malone has chosen CFF for the world premiere of his feature film LESSER BEASTS. This hauntingly beautiful, truly personal dazzler is a cross between Guy Maddin and Terence Malick, with a little dash of good ole David Lynchian experimentation to make the mix all the more compelling. Malone will be attending for a Q&A, along with some of the cast members.
Kane Hodder is a hero. More than just the man behind the mask for iconic film villains from FRIDAY THE 13TH’s Jason Vorhees to Adam Green’s cult classic HATCHET franchise, Hodder’s is a name that genre film fans revere. This incredible biography, TO HELL AND BACK: THE KANE HODDER STORY, traces his struggle to overcome a dehumanizing childhood and endless bullying, to his rise in becoming one of the true living legends of horror and genre cinema.
When filmmakers Mike Testin and Matt Mercer challenged themselves to make a film from conception to completion in just 31 days they created DEMENTIA PART II. Making its world premiere at CFF, there is so much to love; from insane plot to the inspiring way this film came to life.
To say the films of filmmakers Hélène Cattet and Bruno Forzani are in a class of their own is an understatement. In LET THE CORPSES TAN they do for the Spaghetti Western what they did for Giallo thrillers with their classic AMER, making a movie as psychedelic as it is unforgettable.
I KILL GIANTS has been selected as the closing night film for this year’s festival, a crowd-pleasing powerhouse fantasy brought to life by the producers of the Harry Potter films. Based on the graphic novel of the same name, I KILL GIANTS tell the story of Barbara Thorson as she struggles through life by escaping into a fantasy life of magic and monsters.
THE SECOND WAVE OF FILMS FOR 2018 CHATTANOOGA FILM FESTIVAL
TIGERS ARE NOT AFRAID | Director Issa López
A dark fairy tale about a gang of five children trying to survive the horrific violence of the cartels and the ghosts created every day by the drug war.
https://www.youtube.com/watch?v=D-kCERB3ss4
HOT SUMMER NIGHTS | Director Elijah Bynum
A boy comes of age during a summer he spends in Cape Cod.
BORLEY RECTORY | Director Ashley Thorpe
BORLEY RECTORY is an animated documentary chronicling what came to be known as “the most haunted house in England.” The legends attached to the rectory at Borley and famed paranormal investigator Harry Price’s subsequent investigations of them caught the public’s imagination during the late 1920s, in time becoming one of the world’s most notorious ghost stories. BORLEY RECTORY examines the legend, the controversial investigations and a ghost story that may well reveal more about what might have been missing from Borley rather than what might have been invading it.
https://www.youtube.com/watch?v=MwVon3ODMWo
THE BIG BAD FOX AND OTHER TALES | Directors Patrick Imbert, Benjamin Renner
Whoever thinks that the countryside is calm and peaceful is mistaken. In it we find especially agitated animals, a Fox that thinks it’s a chicken, a Rabbit that acts like a stork, and a Duck who wants to replace Father Christmas. If you want to take a vacation, keep driving past this place.
https://www.youtube.com/watch?v=x3QkSzpNGW8
THE POWER OF GLOVE | Directors Andrew Austin, Adam Ward
A documentary that chronicles the journey of the world’s most notorious video game controller: the Power Glove. For the first time, discover the history and legacy behind the glove that helped inspire a generation.
https://www.youtube.com/watch?v=Nfp2j7Zgo_g
THE QUEEN OF FEAR | Directors Valeria Bertuccelli, Fabiana Tiscornia
An actress becomes over anxious in the days leading up to the premiere of her one-woman show.
https://www.youtube.com/watch?v=f3tVbHrm7_k
BLEEDING SKULL PRESENTS NINJA ZOMBIE | Director Mark Bessenger
We already know that every sane moviegoer on earth loves occult mayhem, undead martial arts warriors and wizards with spiders tattooed on their faces. But little did we know that all of those things and more comprised a completely unseen feature-length Super-8 masterpiece from Illinois! A murdered karate expert rises from the grave to exact revenge and rescue his girlfriend from black magic maniacs. Despite its food stamp budget, Ninja Zombie is an unrelenting ruckus of supernatural threats and high-kicking vengeance.
SUPER INFRA-MAN | Director Shan Hua
In this Shaw Bros. classic, Princess Dragon Mom and her mutant army have arisen, and only Inframan can stop them!
https://www.youtube.com/watch?v=rLlecrotn0Q
DOWNRANGE | Director Ryûhei Kitamura
Stranded at the side of the road after a tire blowout, a group of friends become targets for an enigmatic sniper.
https://www.youtube.com/watch?v=sHLHKmWVDYw
A PRAYER BEFORE DAWN | Director Jean-Stéphane Sauvaire
The true story of an English boxer incarcerated in one of Thailand’s most notorious prisons as he fights in Muay Thai tournaments to earn his freedom.
https://www.youtube.com/watch?v=Mp88Nuci68c
RAMEN HEADS | Director Koki Shigeno
In ‘Ramen Heads,’ Osamu Tomita, Japan’s reigning king of ramen, takes us deep into his world, revealing every single step of his obsessive approach to creating the perfect soup and noodles, and his relentless search for the highest-quality ingredients. In addition to Tomita’s story, the film also profiles five other notable ramen shops, each with its own philosophy and flavor, which exemplify various aspects the ramen world. Mixing in a brief rundown of ramen’s historical roots, the film gives viewers an in-depth look at the culture surrounding this unique and beguiling dish. This is a documentary record of 15 months in the lives of Japan’s top ramen masters and their legions of devoted fans.
https://www.youtube.com/watch?v=_3E9MGOK4LY
BRIMSTONE & GLORY | Director Viktor Jakovleski
Ecstatic ritual, danger and the absolute beauty of fireworks.
https://www.youtube.com/watch?v=gQmNtP3TRmI
THE RANGER | Director Jenn Wexler
A group of punk rockers piss off a psychotic forest ranger.
Q&A following with director Jenn Wexler and producer Heather Buckley
GEMINI | Director Aaron Katz
A heinous crime tests the complex relationship between a tenacious personal assistant and her Hollywood starlet boss. As the assistant unravels the mystery, she must confront her own understanding of friendship, truth, and celebrity.
https://www.youtube.com/watch?v=ISjmjYU-kMI
LESSER BEASTS | Director Casey T. Malone
*WORLD PREMIERE
Four stories. One mystery.
Q&A following with director Casey T. Malone and cast.
https://vimeo.com/213251995
TO HELL AND BACK: THE KANE HODDER STORY | Director Derek Dennis Herbert
TO HELL AND BACK: THE KANE HODDER STORY is the harrowing story of a stuntman overcoming a dehumanizing childhood filled with torment and bullying in Sparks, Nevada. After surviving a near-death burn accident, he worked his way up through Hollywood, leading to his ultimate rise as Jason Voorhees in the Friday the 13th series and making countless moviegoers forever terrified of hockey masks and summer camp. Featuring interviews with cinema legends, including Bruce Campbell (Ash vs. Evil Dead), Robert Englund (Freddy Krueger), and Cassandra Peterson (Elvira: Mistress of the Dark), To Hell and Back peels off the mask of Kane Hodder, cinema’s most prolific killer, in a gut-wrenching, but inspiring, documentary.
https://www.youtube.com/watch?v=10ViGiRfRCo
DEMENTIA PART II | Directors Mike Testin, Matt Mercer
*WORLD PREMIERE
Suzanne wasn’t always this confused. She wasn’t always dead either… When an ex-con takes a job as a handyman for an unstable elderly woman to avoid a parole violation, it becomes a choice he may regret. From the makers of Dementia and Contracted comes the unnecessary midnight-movie sequel you never knew you wanted… made script-to-screen in literally one month!
Q&A following with directors Mike Testin and Matt Mercer
LET THE CORPSES TAN | Director Hélène Cattet, Bruno Forzani
The Mediterranean summer: blue sea, blazing sun….and 250 kg of gold stolen by Rhino and his gang! They had found the perfect hideout: an abandoned and remote hamlet now taken over by a woman artist in search for inspiration. Unfortunately surprise guests and two cops compromise their plan: the heavenly place where wild happenings and orgies used to take place turns into a gruesome battlefield.
https://www.youtube.com/watch?v=ONMbWj8u-RA
NOVEMBER | Director Rainer Sarnet
Based on Estonian novel “Rehepapp” by Andrus Kivirähk, a bestseller of the last twenty years, the film is a mixture of magic, black humor and romantic love. The story is set in a pagan Estonian village where werewolves, the plague, and spirits roam. The villagers’ main problem is how to survive the cold, dark winter. And, to that aim, nothing is taboo.
TURBO KID | Directors François Simard, Anouk Whissell, Yoann-Karl Whissell
*FREE SCREENING
In a post-apocalyptic wasteland in 1997, a comic book fan adopts the persona of his favorite hero to save his enthusiastic friend and fight a tyrannical overlord.
François Simard, Anouk Whissell, Yoann-Karl Whissell in attendance
https://www.youtube.com/watch?v=AFlZ6pVtnv0
THE ENDLESS | Directors Justin Benson, Aaron Moorhead
*FREE SCREENING
Two brothers return to the cult they fled from years ago to discover that the group’s beliefs may be more sane than they once thought.
Q&A with producer and cast member David Lawson
I KILL GIANTS | Director Anders Walter
Barbara Thorson struggles through life by escaping into a fantasy life of magic and monsters.
https://www.youtube.com/watch?v=FZ0QKOR5Kgc
Ghost Stories[/caption]
FrightFest, the horror fantasy event returns to Glasgow Film Festival for its 13th year, from Thursday March 1, to Saturday March 3, 2018.
This year’s bold line-up, once again housed at the iconic Glasgow Film Theatre, embraces the latest horror, fantasy and sci-fi discoveries from ten countries, spanning four continents, reflecting the world-wide popularity of the genre.
Ghost Stories remains one of the scariest stage shows ever seen and on Thursday night FrightFest kicks off with a special screening of Andy Nyman and Jeremy Dyson’s smash hit phenomenon. Starring Martin Freedman, Paul Whitehouse, as well as Nyman, this unforgettable screen adaptation terrifies in a whole new thrilling and chilling dimension. Jeremy and Andy will be attending. This is followed by the Scottish premiere of Brian O’Malley’s supernatural romance The Lodgers, a masterful Irish set Gothic ghost story, starring Charlotte Vega and David Bradley.
Friday’s line-up lunges into vampiric action with the UK premiere of Dragos Buliga’s The Wanderers: Quest of the Demon Hunter, an inspired modern twist on Transylvanian mythology. This is followed by the world premiere of writer/director Kelly Greene’s pastiche gem Attack of the Bat Monsters. If you liked The Love Witch, this is your new retro-perfect jam and Kelly will be in attendance. Next up is the UK premiere of The Ravenous, writer/director Robin Aubert’s surreal and wickedly humorous addition to the Living Dead canon.
The 8.45pm presentation is the UK premiere of the powerfully gripping Cold Skin. At the vanguard of French extreme cinema, director Xavier Gens made his name with Frontiere(s) and The Divide. Now he brings us a stunning adaptation of Albert Sánchez Piñol’s acclaimed novel that’s part H.P. Lovecraft, part Joseph Conrad and Xavier will be at the festival to discuss his film. Rounding off the evening is the European premiere of Primal Rage, a creature feature that blows the lid off traditional Bigfoot mythology. Special effects guru/director Patrick Magee has created an intelligent, cunning primitive warrior being guaranteed to terrify.
Getting the Saturday program off to a demonically hellish start is the UK premiere of Paul Urkijo’s visually breath-taking fantasy The Blacksmith and the Devil a vivid Basque fairy-tale, produced by Spanish legend Alex de la Iglesia, This is followed by the European premiere of supernatural chiller Pyewacket, a beautifully paced, dread-filled study of occult belief by writer/director Adam MacDonald. Next up is the UK premiere of Friendly Beast, Gabriela Amaral Almeida’s intense shocker, which explores the latent evil within us all.
Climb on board for a fiendishly tense slay-ride as the evening programme kicks off with the UK premiere of director Adam Marcus’ savvy seasonal shocker Secret Santa. Marcus will be joined onstage by some of the cast and producers. Following this is the much anticipated UK premiere of Tigers Are Not Afraid, an unflinching South of the Border cautionary fable, an audacious mix of Pan’s Labyrinth and Narcos, which firmly announces director Issa López as a rising star of Mexico’s New Wave cinema.
This year’s global celebration of the genre ends on an adrenalin-fuelled high with the European premiere of Neil Mackay’s ultra-violent, action-packed thriller Sixty Minutes to Midnight. Actor Arnold Sydney Junior and producer Frank Leraci will be in Glasgow to introduce the movie.
Alan Jones, FrightFest co-director, said today: “With our bold choices and the quality of programming, FrightFest is once again positioned to deliver at our beloved second home in Glasgow. It’s no surprise to us that the genre has just had its biggest and most successful year. If you’ve ever attended one of our events, you’ll know exactly why. For FrightFest will always create a communal space where the pure enjoyment of the occasion is paramount and a vital shared experience. Welcome to our Pleasure Dome, FrightFest- Glasgow-style”.
LET THE CORPSES TAN[/caption]
With little more than two weeks to go, the 6th Ithaca Fantastik (IF) taking place November 3 to 12 in Ithaca, NY, unveiled its full features and short film lineup of 37 films from 20 countries.
In LET THE CORPSES TAN, Belgian duo Hélène Cattet and Bruno Forzani pay visual homage to Italian gangster films. Marc Meyers’s award-winning MY FRIEND DAHMER, based on the graphic novel of the same name, follows the teenage years of the budding serial killer. Ryan Prows’s mesmerizing and gritty LA tale LOWLIFE takes viewers on a high-energy organ-harvesting misadventure. And Deborah Haywoods’s beautifully disturbing and deeply personal PIN CUSHION explores intergenerational bullying in a small but toxic English town.
Playing to a full range of IF6’s retrospective theme—Italiano Psichedeliko—with a contemporary eye, Rupert Jones’s murder-mystery, KALEIDOSCOPE, mesmerizes with lush visuals and amazing performances from Sinead Matthews and Toby Jones. Rainer Sarnet’s NOVEMBER plunges vanguard film-lovers into a surrealist maelstrom of faith, witchcraft, and love, while German tale FREDDY/EDDY ushers in a doubled and troubled soul from the mind of Tini Tüllmann.
Any pure horror lovers in the room? Giddens Ko’s MON MON MON MONSTER blows minds with its thoughtful subtext on bullying dressed with gory violence. A Taiwanese echo to Haywoods’s PIN CUSHION, this film takes no prisoners. The same can be said about Gabriela Amaral’s FRIENDLY BEAST: What starts out as a classic social drama makes a sharp turn into more graphic territory demanding self-reflection. And for undead action, Robin Aubert’s LES AFFAMÉS – an art house Zombie film full of deep social commentary—is a brilliant homage to maestro George Romero’s ghoul metaphor.
Sometimes, real life is more Fantastik than fiction. Brad Abrahams’s documentary, LOVE AND SAUCERS, tells the improbable story of David Higgins’ intimate love for an alien and the art that followed. For sheer genre joy, Australian mockumentary TOP KNOT DETECTIVE is Aaron McCann and Dominic Pearce’s madcap love letter to late-night Japanese television—from Lone Wolf and Cub and Mute Samurai to Message from Space and Space Sheriff Gavan.
IF completes this year’s smorgasbord with the crazies: Adolfo Kolmerer and William James’s SNOWFLAKE, the prodigal son of Pulp Fiction and Synecdoche NY, with producer Eric Sonnenburg here for the sceening; Thomas Berg and Frederik Waldeland’s super-weird, laugh-out-loud VAMPYR VIDAR; and Jimmy Henderson’s JAILBREAK with its roots in HK martial arts cinema, Jean Paul Ly’s choreography, dynamic camerawork, and the incisive power of a Tony Jaa elbow strike.
IF also shines a spotlight on BLUE UNDERGROUND, Bill Lustig’s distribution company, with the 4K restoration of Gary Sherman’s DEATH LINE, a direct transfer from the camera negative—as close as you can get to a director’s true vision! Another new 4K transfer, Bob Clark’s DEAD BY NIGHT, offers a deep meditation on the effects of war …with a zombie trope.
Along with this incredible lineup, IF will also present its 2017 art show: THE STRANGE COLORS OF GILLES VRANCKX featuring the work of the Belgian poster genius behind art for Amer, The Strange Colors of Your Body’s Tears, LET THE CORPSES TAN, and more.