THE PARTING GLASS[/caption]
Artistic Director Mark Adams today unveiled details of the program for the upcoming Edinburgh International Film Festival (EIFF), taking place next month between 20 June to 1 July. This year the Festival will screen around 121 new features, including 21 world premieres, from 48 countries across the globe.
Highlights include the long-anticipated Disney-Pixar animation INCREDIBLES 2, Q&A and IN PERSON events with guests including the award-winning English writer and director David Hare, the much-loved Welsh comedian Rob Brydon and star of the compelling Gothic drama THE SECRET OF MARROWBONE, actor George MacKay, as well as the Opening and Closing Gala premieres of the previously announced PUZZLE and SWIMMING WITH MEN. This year’s People’s Gala will be the World Premiere of Stephen Moyer’s directorial debut, THE PARTING GLASS, starring Melissa Leo, Cynthia Nixon, Denis O’Hare, Anna Paquin (who also produces), Rhys Ifans and Ed Asner.
Mark Adams, EIFF Artistic Director, said: “EIFF prides itself on offering films and events that entertain, challenge, provoke, illuminate and excite and 2018 is no exception! From the best of up-and-coming British filmmakers to striking new cinema from around the world, we offer something for everyone: from rare access to filmmakers, live events to experience and the opportunity to see films that may never appear in the country again. We remain one of the world’s most venerable and acclaimed film festivals and are delighted to be able to offer audiences the chance to see some of the most exciting and innovative new film talent, in a setting steeped in history.”
This year’s BEST OF BRITISH strand includes exclusive world premieres of Simon Fellows’ thriller STEEL COUNTRY, featuring a captivating performance from Andrew Scott as Donald, a truck driver turned detective; comedy classic OLD BOYS starring Alex Lawther; the debut feature of writer-director Tom Beard, TWO FOR JOY, a powerful coming-of-age drama starring Samantha Morton and Billie Piper; oddball comedy-drama EATEN BY LIONS; striking debut from writer and director Adam Morse, LUCID, starring Billy Zane and Sadie Frost; Jamie Adams’ British comedy SONGBIRD, featuring Cobie Smulders and Haifaa al-Mansour’s MARY SHELLEY, with Elle Fanning taking on the role of Mary Wollstonecraft Godwin. Audiences can also look forward to a special screening of Mandie Fletcher’s delightfully fun rom-com PATRICK.
This year the AMERICAN DREAMS strand will offer audiences the chance to delve deep into some of the very best new films from American independent cinema including: UNICORN STORE, the directorial debut of Oscar-winning actress Brie Larson in which she stars alongside Samuel L. Jackson and Joan Cusack; the heart-warming HEARTS BEAT LOUD starring Nick Offerman; glossy noir thriller, TERMINAL, starring and produced by Margot Robbie; the engaging comedy HUMOR ME from Sam Hoffman, starring Jemaine Clement and Elliott Gould; IDEAL HOME in which Paul Rudd and Steve Coogan play a bickering gay couple who find themselves thrust into parenthood; 1980s set spy thriller starring Jon Hamm, THE NEGOTIATOR; and PAPILLON, starring Charlie Hunnam and Rami Malek.
The EUROPEAN PERSPECTIVES strand, supported by James and Morag Anderson, will feature a wonderful selection of new films that are powerfully visionary and passionate about storytelling. Notable features include touching drama NEVER LEAVE ME highlighting how young Syrian lives have been affected by war; freewheeling Euro romp TULIPANI: LOVE, HONOUR AND A BICYCLE; actor-turned-director Mélanie Laurent’s fourth feature DIVING, the thought-provoking WHAT WILL PEOPLE SAY by writer-director Iram Haq; the wonderfully weird CHARLIE AND HANNAH’S GRAND NIGHT OUT; French ensemble comedy C’EST LA VIE! and the brooding and atmospheric drama THE SECRET OF MARROWBONE starring George MacKay, Anya Taylor-Joy, Charlie Heaton, Mia Goth and Matthew Stagg.
This year’s WORLD PERSPECTIVES strand offers audiences a fascinating snapshot of developing world-cinema themes and styles from talented filmmakers from around the world. Highlights include acclaimed epic Chinese drama AN ELEPHANT SITTING STILL; award-winning South American drama THE HEIRESSES; powerful political drama NO. 1 CHUNG YING STREET; GIRLS ALWAYS HAPPY, an unflinching but darkly funny tale of a Chinese mother and daughter and Brazilian comedy LOVELING. For lovers of the land down under there’s also raucous Aussie comedy FLAMMABLE CHILDREN (SWINGING SAFARI) starring native icons Kylie Minogue and Guy Pearce; THE BUTTERFLY TREE starring Melissa George and Ben Elton’s THREE SUMMERS starring Robert Sheehan and set at an Australian folk music festival.
This year’s EIFF program features a diverse selection of new DOCUMENTARIES which reflect the ability of documentary film to inspire and challenge audiences. There is a strong musical theme that runs through this year’s films from WHITNEY, the much-anticipated documentary about the life and times of superstar Whitney Houston; GEORGE MICHAEL: FREEDOM – THE DIRECTOR’S CUT narrated by George Michael himself and ALMOST FASHIONABLE: A FILM ABOUT TRAVIS directed by Scottish lead-singer Fran Healy. Audiences will be inspired by the creativity of Orson Welles in Mark Cousins’ THE EYES OF ORSON WELLES; HAL, a film portrait of the acclaimed 1970s director Hal Ashby; LIFE AFTER FLASH, a fascinating exploration into the life of actor Sam J. Jones the topical POSTCARDS FROM THE 48% will also screen followed by a Q&A with director David Wilkinson, who travelled the UK to meet people from all sides of the BREXIT debate.
As the sun sets, audiences will be able to journey into the dark and often downright strange side of cinema, with a selection of genre-busting edge-of-your-seat gems including: the gloriously grisly psychosexual romp PIERCING starring Mia Wasikowska; the world premieres of Matthew Holness’ POSSUM and SOLIS staring Steven Ogg as an astronaut who finds himself trapped in an escape pod heading toward the sun; dark and bloody period drama THE MOST ASSASSINATED WOMAN IN THE WORLD and the futuristic WHITE CHAMBER starring Shauna Macdonald.
The country focus for the Festival’s 72nd edition will be Canada and is supported by Telefilm Canada. FOCUS ON CANADA will allow audiences to take a cinematic tour of the country and its culture, offering insight as well as entertainment, from filmmakers new and already established. Selected by EIFF’s 2018 Young programrs are also a range of titles that explore the experiences of First Nations youth including INDIAN HORSE in which a young boy becomes a star ice-hockey player and KAYAK TO KLEMTU where a determined young girl, played by the charismatic Ta’kaiya Blaney, sets off to kayak the Inside Passage in British Colombia. The strand will also showcase a number of shorts in SPOTLIGHT ON CONTEMPORARY CANADIAN SHORT FILMS, a powerful combination of short fiction, documentary and animated films that focus on the central social, political and ethical issues prevalent within contemporary Canada.
Audiences are also invited to attend a number of talks in the Festival’s free lecture stand, Reel Talk, including: INTRODUCTION TO FILM STUDIES: FEMALE DIRECTORS IN AMERICAN CINEMA that will shine a spotlight on the acclaimed and ground-breaking female directors who shaped American cinema; Frank Cogliano and David Silkenat of the University of Edinburgh will record a live episode of their show Whiskey Rebellion, offering context for the history of paranoia in American politics and film, before answering questions from the audience in PARANOIA AND POLITICS IN AMERICAN FILM and FROM ROMERO TO GET OUT, OR: HOW HORROR HELPED WAKE ME UP TO THE AMERICAN NIGHTMARE which will explore the power and importance of the horror genre.
Audiences can look forward to four programs of short animation as part of the Festival’s dedicated ANIMATION strand, supported by Emperor and the Culture & Business Fund Scotland. The McLaren Award for Best New British Animation will return once again with two varied programs showcasing some of the most highly-anticipated new short animations from the UK and there will also be a special retrospective of unique talent Elizabeth Hobbs, the award-winning indie animator running as part of Anim18, a celebration of British animation taking place across the UK.
The world of experimental film is once again uncovered in the Festival’s ever-popular BLACK BOX strand. A selection of short and feature-length films that push the boundaries of visual communication will screen including the world premiere of PIG FILM, taking a look at the future of film, and a range of experimental short films from Canada that foreground the material properties of 16mm. Also, as part of this year’s FOCUS ON CANADA, the BLACK BOX strand will feature a special screening of short films by Joyce Wieland.
This year’s EIFF SHORTS will offer a thrilling showcase of the finest brand-new short films from across the globe including DREAM IMAGES; OPTICS; RESISTANT BODIES; SPECTRES; FIRECRACKER, celebrating the vibrant state of UK shorts; KALEIDOSCOPE drawn from the thriving Scottish short film scene and THE YOUNG & THE WILD, handpicked by the EIFF Young programrs. New in 2018 will be the inaugural NEW VISIONS program, introducing glowing new voices aged 14-25 from across Scotland to submit their newest works to EIFF’s newly developed short film competition for young people.
A number of special events will take place throughout the Festival including JAWS in Concert, a screening of Steven Spielberg’s seminal blockbuster with John Williams’ iconic score played live by the RSNO,a screening of the much-loved LOCAL HERO followed by a Q&A with writer director Bill Forsyth in conversation with Royal Lyceum Theatre Edinburgh’s Artistic Director, David Greig as well as an early preview of the upcoming season of the popular BBC Alba series BANNAN. Prior to the Festival on 27 May audiences will also have the chance to experience the vampire underworld in EIFF PLAY: BLADE, an immersive cinema experience built around a screening of the trailblazing comic-book adaptation of BLADE, in partnership with Hidden Door andThe List, in collaboration with New Media Scotland, and supported by Sir Ewan and Lady Brown. Continuing RETROSPECTIVE LIVE! – MONTEREY POP, DA Pennebaker’s brilliant concert film, will be played as if it were a real live gig as part of Summerhall’s brand new 10-day series, Southern Exposure.
Specially selected to showcase the very best in world cinema for younger audiences and the young at heart, FILM FEST JUNIOR boasts two UK Premieres, VITELLO and ZOMBILLENIUM as well as an exclusive preview of PRINCESS EMMY. As previously announced, the Festival’s expanded youth strand, The Young & the Wild will offer a range of masterclasses offering careers advice for filmmakers aged 15-25 years old, along with events and screenings for schools, as part of Scotland’s Year of Young People 2018 celebrations and supported by Baillie Gifford. The 2018 EIFF Young programrs, a group of 15-19 year olds who have curated their own shorts strand, The Young & the Wild, have also selected a number of films within this year’s program which are badged accordingly in the Festival brochure.Tulipani Love Honour and a Bicycle
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Edinburgh International Film Festival Reveals Full 2018 Program incl. World Premiere of THE PARTING GLASS
[caption id="attachment_29393" align="aligncenter" width="1200"] THE PARTING GLASS[/caption]
Artistic Director Mark Adams today unveiled details of the program for the upcoming Edinburgh International Film Festival (EIFF), taking place next month between 20 June to 1 July. This year the Festival will screen around 121 new features, including 21 world premieres, from 48 countries across the globe.
Highlights include the long-anticipated Disney-Pixar animation INCREDIBLES 2, Q&A and IN PERSON events with guests including the award-winning English writer and director David Hare, the much-loved Welsh comedian Rob Brydon and star of the compelling Gothic drama THE SECRET OF MARROWBONE, actor George MacKay, as well as the Opening and Closing Gala premieres of the previously announced PUZZLE and SWIMMING WITH MEN. This year’s People’s Gala will be the World Premiere of Stephen Moyer’s directorial debut, THE PARTING GLASS, starring Melissa Leo, Cynthia Nixon, Denis O’Hare, Anna Paquin (who also produces), Rhys Ifans and Ed Asner.
Mark Adams, EIFF Artistic Director, said: “EIFF prides itself on offering films and events that entertain, challenge, provoke, illuminate and excite and 2018 is no exception! From the best of up-and-coming British filmmakers to striking new cinema from around the world, we offer something for everyone: from rare access to filmmakers, live events to experience and the opportunity to see films that may never appear in the country again. We remain one of the world’s most venerable and acclaimed film festivals and are delighted to be able to offer audiences the chance to see some of the most exciting and innovative new film talent, in a setting steeped in history.”
This year’s BEST OF BRITISH strand includes exclusive world premieres of Simon Fellows’ thriller STEEL COUNTRY, featuring a captivating performance from Andrew Scott as Donald, a truck driver turned detective; comedy classic OLD BOYS starring Alex Lawther; the debut feature of writer-director Tom Beard, TWO FOR JOY, a powerful coming-of-age drama starring Samantha Morton and Billie Piper; oddball comedy-drama EATEN BY LIONS; striking debut from writer and director Adam Morse, LUCID, starring Billy Zane and Sadie Frost; Jamie Adams’ British comedy SONGBIRD, featuring Cobie Smulders and Haifaa al-Mansour’s MARY SHELLEY, with Elle Fanning taking on the role of Mary Wollstonecraft Godwin. Audiences can also look forward to a special screening of Mandie Fletcher’s delightfully fun rom-com PATRICK.
This year the AMERICAN DREAMS strand will offer audiences the chance to delve deep into some of the very best new films from American independent cinema including: UNICORN STORE, the directorial debut of Oscar-winning actress Brie Larson in which she stars alongside Samuel L. Jackson and Joan Cusack; the heart-warming HEARTS BEAT LOUD starring Nick Offerman; glossy noir thriller, TERMINAL, starring and produced by Margot Robbie; the engaging comedy HUMOR ME from Sam Hoffman, starring Jemaine Clement and Elliott Gould; IDEAL HOME in which Paul Rudd and Steve Coogan play a bickering gay couple who find themselves thrust into parenthood; 1980s set spy thriller starring Jon Hamm, THE NEGOTIATOR; and PAPILLON, starring Charlie Hunnam and Rami Malek.
The EUROPEAN PERSPECTIVES strand, supported by James and Morag Anderson, will feature a wonderful selection of new films that are powerfully visionary and passionate about storytelling. Notable features include touching drama NEVER LEAVE ME highlighting how young Syrian lives have been affected by war; freewheeling Euro romp TULIPANI: LOVE, HONOUR AND A BICYCLE; actor-turned-director Mélanie Laurent’s fourth feature DIVING, the thought-provoking WHAT WILL PEOPLE SAY by writer-director Iram Haq; the wonderfully weird CHARLIE AND HANNAH’S GRAND NIGHT OUT; French ensemble comedy C’EST LA VIE! and the brooding and atmospheric drama THE SECRET OF MARROWBONE starring George MacKay, Anya Taylor-Joy, Charlie Heaton, Mia Goth and Matthew Stagg.
This year’s WORLD PERSPECTIVES strand offers audiences a fascinating snapshot of developing world-cinema themes and styles from talented filmmakers from around the world. Highlights include acclaimed epic Chinese drama AN ELEPHANT SITTING STILL; award-winning South American drama THE HEIRESSES; powerful political drama NO. 1 CHUNG YING STREET; GIRLS ALWAYS HAPPY, an unflinching but darkly funny tale of a Chinese mother and daughter and Brazilian comedy LOVELING. For lovers of the land down under there’s also raucous Aussie comedy FLAMMABLE CHILDREN (SWINGING SAFARI) starring native icons Kylie Minogue and Guy Pearce; THE BUTTERFLY TREE starring Melissa George and Ben Elton’s THREE SUMMERS starring Robert Sheehan and set at an Australian folk music festival.
This year’s EIFF program features a diverse selection of new DOCUMENTARIES which reflect the ability of documentary film to inspire and challenge audiences. There is a strong musical theme that runs through this year’s films from WHITNEY, the much-anticipated documentary about the life and times of superstar Whitney Houston; GEORGE MICHAEL: FREEDOM – THE DIRECTOR’S CUT narrated by George Michael himself and ALMOST FASHIONABLE: A FILM ABOUT TRAVIS directed by Scottish lead-singer Fran Healy. Audiences will be inspired by the creativity of Orson Welles in Mark Cousins’ THE EYES OF ORSON WELLES; HAL, a film portrait of the acclaimed 1970s director Hal Ashby; LIFE AFTER FLASH, a fascinating exploration into the life of actor Sam J. Jones the topical POSTCARDS FROM THE 48% will also screen followed by a Q&A with director David Wilkinson, who travelled the UK to meet people from all sides of the BREXIT debate.
As the sun sets, audiences will be able to journey into the dark and often downright strange side of cinema, with a selection of genre-busting edge-of-your-seat gems including: the gloriously grisly psychosexual romp PIERCING starring Mia Wasikowska; the world premieres of Matthew Holness’ POSSUM and SOLIS staring Steven Ogg as an astronaut who finds himself trapped in an escape pod heading toward the sun; dark and bloody period drama THE MOST ASSASSINATED WOMAN IN THE WORLD and the futuristic WHITE CHAMBER starring Shauna Macdonald.
The country focus for the Festival’s 72nd edition will be Canada and is supported by Telefilm Canada. FOCUS ON CANADA will allow audiences to take a cinematic tour of the country and its culture, offering insight as well as entertainment, from filmmakers new and already established. Selected by EIFF’s 2018 Young programrs are also a range of titles that explore the experiences of First Nations youth including INDIAN HORSE in which a young boy becomes a star ice-hockey player and KAYAK TO KLEMTU where a determined young girl, played by the charismatic Ta’kaiya Blaney, sets off to kayak the Inside Passage in British Colombia. The strand will also showcase a number of shorts in SPOTLIGHT ON CONTEMPORARY CANADIAN SHORT FILMS, a powerful combination of short fiction, documentary and animated films that focus on the central social, political and ethical issues prevalent within contemporary Canada.
Audiences are also invited to attend a number of talks in the Festival’s free lecture stand, Reel Talk, including: INTRODUCTION TO FILM STUDIES: FEMALE DIRECTORS IN AMERICAN CINEMA that will shine a spotlight on the acclaimed and ground-breaking female directors who shaped American cinema; Frank Cogliano and David Silkenat of the University of Edinburgh will record a live episode of their show Whiskey Rebellion, offering context for the history of paranoia in American politics and film, before answering questions from the audience in PARANOIA AND POLITICS IN AMERICAN FILM and FROM ROMERO TO GET OUT, OR: HOW HORROR HELPED WAKE ME UP TO THE AMERICAN NIGHTMARE which will explore the power and importance of the horror genre.
Audiences can look forward to four programs of short animation as part of the Festival’s dedicated ANIMATION strand, supported by Emperor and the Culture & Business Fund Scotland. The McLaren Award for Best New British Animation will return once again with two varied programs showcasing some of the most highly-anticipated new short animations from the UK and there will also be a special retrospective of unique talent Elizabeth Hobbs, the award-winning indie animator running as part of Anim18, a celebration of British animation taking place across the UK.
The world of experimental film is once again uncovered in the Festival’s ever-popular BLACK BOX strand. A selection of short and feature-length films that push the boundaries of visual communication will screen including the world premiere of PIG FILM, taking a look at the future of film, and a range of experimental short films from Canada that foreground the material properties of 16mm. Also, as part of this year’s FOCUS ON CANADA, the BLACK BOX strand will feature a special screening of short films by Joyce Wieland.
This year’s EIFF SHORTS will offer a thrilling showcase of the finest brand-new short films from across the globe including DREAM IMAGES; OPTICS; RESISTANT BODIES; SPECTRES; FIRECRACKER, celebrating the vibrant state of UK shorts; KALEIDOSCOPE drawn from the thriving Scottish short film scene and THE YOUNG & THE WILD, handpicked by the EIFF Young programrs. New in 2018 will be the inaugural NEW VISIONS program, introducing glowing new voices aged 14-25 from across Scotland to submit their newest works to EIFF’s newly developed short film competition for young people.
A number of special events will take place throughout the Festival including JAWS in Concert, a screening of Steven Spielberg’s seminal blockbuster with John Williams’ iconic score played live by the RSNO,a screening of the much-loved LOCAL HERO followed by a Q&A with writer director Bill Forsyth in conversation with Royal Lyceum Theatre Edinburgh’s Artistic Director, David Greig as well as an early preview of the upcoming season of the popular BBC Alba series BANNAN. Prior to the Festival on 27 May audiences will also have the chance to experience the vampire underworld in EIFF PLAY: BLADE, an immersive cinema experience built around a screening of the trailblazing comic-book adaptation of BLADE, in partnership with Hidden Door andThe List, in collaboration with New Media Scotland, and supported by Sir Ewan and Lady Brown. Continuing RETROSPECTIVE LIVE! – MONTEREY POP, DA Pennebaker’s brilliant concert film, will be played as if it were a real live gig as part of Summerhall’s brand new 10-day series, Southern Exposure.
Specially selected to showcase the very best in world cinema for younger audiences and the young at heart, FILM FEST JUNIOR boasts two UK Premieres, VITELLO and ZOMBILLENIUM as well as an exclusive preview of PRINCESS EMMY. As previously announced, the Festival’s expanded youth strand, The Young & the Wild will offer a range of masterclasses offering careers advice for filmmakers aged 15-25 years old, along with events and screenings for schools, as part of Scotland’s Year of Young People 2018 celebrations and supported by Baillie Gifford. The 2018 EIFF Young programrs, a group of 15-19 year olds who have curated their own shorts strand, The Young & the Wild, have also selected a number of films within this year’s program which are badged accordingly in the Festival brochure.
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‘IN THE ORCHARD’ ‘SALYUT-7’ ‘THE NEED TO GROW’ Win at 21st Sonoma International Film Festival
[caption id="attachment_27812" align="aligncenter" width="1200"]
IN THE ORCHARD[/caption]
The 21st annual Sonoma International Film Festival came to a close over the weekend with the awards ceremony, and IN THE ORCHARD directed by Christopher Knoblock won the prize for Best American Independent Feature. In the film a grief-stricken woman befriends a Marine Veteran with PTSD, and the two begin a relationship which may lead them towards tragic consequences.
https://www.youtube.com/watch?v=lv3eTd7rEYU
Other winners include SALYUT-7 directed by Klim Shipenko snagging the prize for Best World Feature; and THE NEED TO GROW directed by Rob Herring & Ryan Wirick won for Best Documentary Feature.
In SALYUT-7, Astronauts are sent to the rescue of Salyut 7, an unresponsive Soviet space station in what will become one of the most complicated mission in the history of space navigation. The documentary THE NEED TO GROW follows the personal journeys of solution innovators as they fight to localize sustainable food systems and regenerate Earth’s dying soils.
The SIFF 2018 winners are:
SIFF JURIED AWARDS
Best American Independent Feature: IN THE ORCHARD / Directed by Christopher Knoblock Best World Feature: SALYUT-7 / Directed by Klim Shipenko Best Documentary Feature: THE NEED TO GROW / Directed by Rob Herring & Ryan Wirick Best Animated Short: TWO BALLOONS / Directed by Mark C. Smith Best Comedy Short: SAM DID IT / Directed by Dominic Burgess Best Dramatic Short: WOODMAN / Directed by Mike Jackson Best World Short: INTO THE BLUE / Directed by Antoneta Alamat KusijanovicSIFF AUDIENCE AWARDS
The A3 Audience Award: Best Documentary: THE PUSH / Directed by Grant Korgan & Brian Niles (co-directors Geoff Callan) The Stolman Audience Award for Best American Indie: FUNNY STORY / Directed by Michael Gallagher SIFF Award for Best World Cinema: TULIPANI / Directed by Mike van DiemAUDIENCE SHORTS AWARDS
Best Animated: THE DRIVER IS RED / Directed by Randall Christopher Best Comedy: GRAHAM’S MATE/ Directed by Andy Hill Best Dramatic: WOODMAN / Directed by Mike Jackson Best Documentary: EMPIRE ON MAIN STREET / Directed by Jessica Congdon Best World Cimena: CROSSING FENCES / Directed by Annika Pampel Best Delicious: SAFRON / Directed by Andreas Ewels
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DARKEST HOUR Starring Gary Oldman Wins Whistler Film Festival’s Audience Award
[caption id="attachment_25385" align="aligncenter" width="1200"]
DARKEST HOUR[/caption]
Joe Wright’s DARKEST HOUR, starring Gary Oldman and Lily James is the winner of the 2017 Whistler Film Festival’s Audience Award. Endorsed by Winston Churchill’s estate, the film tells the story of Churchill’s refusal to engage in peace treaty negotiations with Nazi Germany during WWII, and his determination to fight on against incredible odds.
The WFF Audience Award runner-ups were the Western Canadian premieres of I, TONYA, directed by Craig Gillespie and starring Margot Robbie, about disgraced figure skater Tonya Harding, followed by TULIPANI: LOVE, HONOUR, AND A BICYCLE, from Oscar Winner Mike Van Diem with the Netherlands, Italy, and Canada co-production. The WFF Audience Award is a non-cash prize presented to the highest-rated film as voted by the audience.
“We were very fortunate to open this year’s fest with the Western Canadian premiere of DARKEST HOUR, a film we are convinced will be a major contender in this year’s awards season race,” said Paul Gratton, WFF Director of Programming. “The festival took off from there, with many sold out screenings, packed and newsworthy industry sessions, and almost 400 guests who made a point of trekking out to Whistler to support their films and talk business with the high-level movers and shakers also in attendance. 2017 represented another step forward towards establishing the Whistler Film Festival as the coolest film fest in the world.”
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Whistler Film Festival Unveils Lineup, Opens with Winston Churchill Biopic DARKEST HOUR
[caption id="attachment_25385" align="aligncenter" width="1200"] DARKEST HOUR[/caption]
The 17th Whistler Film Festival, aka ‘Canada’s Coolest Film Fest’, will take place from November 29 to December 3, 2017, and feature 87 fresh films (46 features and 41 shorts) from over 15 countries.
WFF is set to open with Joe Wright’s DARKEST HOUR, starring Gary Oldman and Lily James. Endorsed by Winston Churchill’s estate, the film tells the story of Churchill’s refusal to engage in peace treaty negotiations with Nazi Germany during WWII, and his determination to fight on against incredible odds. Closing the festival is the World Premiere of THE MOMENT. Darcy Hennessey Turenne’s latest documentary feature uncovers the origin of Freeride Mountain Biking and its provenance in British Columbia by following a dedicated group of adventure seekers who changed the course of the sport forever.
Oscar-contending films screening at WFF include the Western Canadian premieres of I, TONYA, one of the most pleasant surprises of this year’s festival season about disgraced figure skater Tonya Harding, directed by Craig Gillespie and starring Margot Robbie; THE DISASTER ARTIST, directed and starring James Franco along with Dave Franco, tells the true-life story of Tommy Wiseau, Hollywood outsider and director of the cult-hit THE ROOM, which will also debut as the “From the Vault” selection; and Canada’s entry in this year’s Best Foreign-Language film Oscar competition HOCHELAGA, LAND OF SOULS directed by François Girard.
Additional critically acclaimed directors with works premiering in the festival include Richard Linklater, with LAST FLAG FLYING starring Bryan Cranston, Steve Carell and Laurence Fishburne, about three ex-marines who reunite thirty years after the Vietnam War; Émile Gaudreault with FATHER AND GUNS 2 (DE PÉRE EN FLIC 2), Canada’s highest grossing film of the year; Oscar Winner Mike Van Diem with the Netherlands, Italy, Canada co-production TULIPANI: LOVE, HONOUR, AND A BICYCLE; and acclaimed Canadian documentarian Alan Zweig with his latest film THERE IS A HOUSE HERE, about an Inuk rock singer Lucie Idlout.
Director of Programming Paul Gratton stated: ”It is gratifying to see that the Whistler Film Festival’s ever growing reputation as a cool film festival in which to showcase original work is growing well beyond our borders. The quality of our American Indie submissions was way up this year, as was the quality of our hundreds of Canadian entries. The Borsos jury will have a particularly challenging time picking the winners this year.”
Programming strands include American Indies, Canada 150, Contenders, Doc Bloc, Family Feature, First Features, From Overseas, From The Vault, Mountain Culture, ShortWork, Transgressive Tales, and World Premieres.
This year WFF is proud to boast that all five films in its “American Indies” strand will grace Canadian screens for the first time in Whistler. American Indies include STORY OF A GIRL, the directorial debut from Kyra Sedgwick starring Kevin and Sosie Bacon; THE BALLAD OF LEFTY BROWN starring Bill Pullman directed by Jared Moshe; THE LEARS directed by longtime Whistler Alumnus and Canadian filmmaker Carl Bessai starring Bruce Dern, Sean Astin and Anthony Michael Hall; NEVER HERE directed by Camille Thoman starring the late Sam Shepard in his last performance on screen; and PAINLESS directed by Jordan Horowitz starring Canadian actor Joey Klein. Other American films include PERMISSION directed by Brian Crano starring Rebecca Hall, Dan Stevens and Jason Sudeikis; BERNARD AND HUEY directed by Slamdance Founder Dan Mirvish with the original script written by the legendary Jules Feiffer; and HEAVEN’S FLOOR directed by Lori Stoll based on the true story of a LA photographer who heads to Iqualuit for a shoot. And it’s not just Americans are entrusting WFF with their Canadian premieres. From Hungary, WFF will present Eva Gardos’ Chinatown style film noir set in Budapest during the early years of World War II. BUDAPEST NOIR is the story of an investigator trying to uncover the truth about a prostitute’s murder, though no one around him seems to care.
This year, 20 Canadian films will compete for Canada’s second largest festival prize -Borsos Competition for Best Canadian Feature. Borsos titles include eight World Premieres featuring work from WFF Alumni including Pat Kiely with SOMEONE ELSE’S WEDDING starring Jacob Tierney, Jessica Paré, Jessica Parker Kennedy, Kevin Zegers, Kathleen Turner and Wallace Shawn; PRODIGALS directed by Michelle Ouellet starring Sara Canning and David Alpay; Jackie English’s first feature BECOMING BURLESQUE about a Muslim woman who turns to burlesque dancing starring Shiva Negar; Gail Harvey’s crime thriller NEVER SAW IT COMING based on the novel by Linwood Barclay; NOBODY FAMOUS directed by Sarah Rotella; plus three features from Vancouver based directors including 8 MINUTES AHEAD by Ben Hoskyn shot over the course of four years in Vancouver and China; THE PRODIGAL DAD, a home-grown sort of Toni Erdmann directed by Robert Wenzek; and THE CANNON directed by WFF Alumni Marshall Axani, who won the inaugural MPPIA Short Film Award.
Canadian premieres in the Borsos competition include Hannah Cheesman and Mackenzie Donaldson’s coming of age story, THE DEFINITES, Daniel DiMarco’s atmospheric character study JUGGERNAUT starring Jack Kesy and Amanda Crew, and the family friendly Christmas story SANTA STOLE OUR DOG: A MERRY DOGGONE CHRISTMAS starring Ed Asner from DIY master Bryan Michael Stoller. Western Canadian premieres in the Borsos Competition include Carlos and Jason Sanchez’s first time feature A WORTHY COMPANION starring Evan Rachel Wood and Vancouver’s Julia Sarah Stone produced by the TIFF Canadian producers of the year, Luc Déry and Kim McCraw, ALL YOU CAN EAT BUDDHA the original and rhythmic visual buffet from first time director Ian Lagarde, Grayson Moore and Aidan Shipley’s drama CARDINALS featuring an unforgettable performance from Sheila McCarthy, Vladimir de Fontenay’s Canada/France co-production MOBILE HOMES starring Imogen Poots, Callum Keith Rennie and Callum Turner, TRENCH 11 an unusual WWI dark thriller starring Rossif Sutherland, the comedic drama VENUS about a man transitioning to a woman, and PORCUPINE LAKE, a beloved coming of age story about two best friends directed by DIY queen Ingrid Veninger. Also screening alongside PORCUPINE LAKE is the making of documentary feature THE OTHER SIDE OF PORCUPINE LAKE directed by Julian Papas. Other Canadian films screening at the festival out of competition include ANOTHER WOLFCOP directed by Lowell Dean, the hilarious sex comedy A SWINGERS WEEKEND directed by Jonathan Cohen, and the original crime drama ORDINARY DAYS shot in three segments by three directors Jordan Canning, Kris Booth and Renuka Jeyapalan. In addition to the World Premiere of THE MOMENT which closes the fest, Mountain Culture films include A TO B ROLLERSKI directed by Arnis Aspers about an athlete who “rollerskis” from the Arctic to Baja, DEPTH PERCEPTION the latest brainchild of Travis Rice directed by Chip Taylor and Chris Murphy accompanied by the short series SOMETHING from The Manboys as well as compilation of short mountain based films from some of the industry’s finest athletes and storytellers. This year’s Doc Bloc competition features a very diverse film line-up. In keeping with the theme of emerging talent, WFF is pleased to present the World Premiere of BECOMING ICONIC, Neal Thibedeau’s incisive look at aspiring New York based director Jonathan Barker’s first feature with Nicolas Cage, Gina Gershon and Faye Dunaway, and interviews with such directing legends as Adrian Lyne, John Badham, Jodie Foster and Taylor Hackford about their first time on set as directors. Additional films in this section include WORLD OF DARKNESS, a detailed look at the history and evolution of one the most popular goth lifestyle games of all time, will receive its Canadian Premiere at our fest; and THE GOSPEL ACCORDING TO ANDRÉ, a probing biodoc of André Leon Talley, former editor of Vogue Magazine, featuring interviews with everyone from Anna Wintour to Tom Ford.WFF 2017 COMPLETE FEATURE FILM LISTING BY STRAND:
American Indies:
THE BALLAD OF LEFTY BROWN (United States) Dir. Jared Moshe THE LEARS (Canada, United States) Dir. Carl Bessai NEVER HERE (United States) Dir. Camille Thoman PAINLESS (United States) Dir. Jordan Horowitz STORY OF A GIRL (United States) Dir. Kyra SedgwickCanada 150:
ANOTHER WOLFCOP (Canada) Dir. Lowell Dean FATHER AND GUNS 2 (DE PÉRE EN FLIC 2) (Canada) Dir. Émile Gaudreault HEAVEN’S FLOOR (Canada, United States) Dir. Lori Stoll JUGGERNAUT (Canada) Dir. Daniel DiMarco MOBILE HOMES (Canada, France) Dir. Vladimir de Fontenay ORDINARY DAYS (Canada) Dir. Jordan Canning, Kris Booth, Renuka Jeyapalan PORCUPINE LAKE (Canada) Dir. Ingrid Veninger TRENCH 11 (Canada) Dir. Leo SchermanContenders:
THE DARKEST HOUR (United Kingdom) Dir. Joe Wright THE DISASTER ARTIST (United States) Dir. James Franco HOCHELAGA, LAND OF SOULS (HOCHELAGA, TERRE DES ÂMES) (Canada) Dir. François Girard I, TONYA (United States) Dir. Craig GillespieThe Doc Bloc:
BECOMING ICONIC (United States) Dir. Neal Thibedeau THE GOSPEL ACCORDING TO ANDRE (United States) Dir. Kate Novack THE OTHER SIDE OF PORCUPINE LAKE (Canada) Dir. Julian Papas THERE IS A HOUSE HERE (Canada) Dir. Alan Zweig WORLD OF DARKNESS (Sweden) Dir. Giles AldersonFamily Feature:
SANTA STOLE OUR DOG: A MERRY DOGGONE CHRISTMAS! (Canada) Dir. Bryan Michael StollerFirst Features:
ALL YOU CAN EAT BUDDHA (Canada) Dir. Ian Lagarde BECOMING BURLESQUE (Canada) Dir. Jackie English CARDINALS (Canada) Dir. Aidan Shipley & Grayson Moore THE DEFINITES (Canada) Dir. Hannah Cheesman & Mackenzie DonaldsonFrom Overseas:
BUDAPEST NOIR (Hungary) Dir Éva Gárdos TULIPANI: LOVE, HONOUR, AND A BICYCLE (Canada, Netherlands, Italy) Dir. Mike Van DiemFrom The Vault:
THE ROOM (United States) Dir. Tommy WiseauMountain Culture:
A TO B ROLLERSKI (Latvia, United States, Canada, Mexico) Dir. Arnis Aspers DEPTH PERCEPTION Dir. Chip Taylor & Chris MurphyTransgressive Tales:
A SWINGER’S WEEKEND (Canada) Dir. Jonathan Cohen A WORTHY COMPANION (Canada) Dir. Carlos Sanchez & Jason Sanchez BERNARD AND HUEY (United States) Dir. Dan Mirvish THE CANNON (Canada) Dir. Marshall Axani PERMISSION (United States) Dir. Brian Crano VENUS (Canada) Dir. Eisha MarjaraWorld Premieres:
8 MINUTES AHEAD (Canada, China) Dir. Ben Hoskyn NEVER SAW IT COMING (Canada) Dir. Gail Harvey NOBODY FAMOUS (Canada) Dir. Sarah Rotella PRODIGALS (Canada) Dir. Michelle Ouellet THE PRODIGAL DAD (Canada) Dir. Robert Wenzek SOMEONE ELSE’S WEDDING (Canada) Dir. Pat KielyWFF 2017 Feature Films Eligible for the Borsos Competition for Best Canadian Feature:
A WORTHY COMPANION ALL YOU CAN EAT BUDDHA BECOMING BURLESQUE THE CANNON CARDINALS THE DEFINITES HOCHELAGA, LAND OF SOULS JUGGERNAUT MOBILE HOMES NEVER SAW IT COMING NOBODY FAMOUS PORCUPINE LAKE PRODIGALS THE PRODIGAL DAD SANTA STOLE OUR DOG: A MERRY DOGGONE CHRISTMAS SOMEONE ELSE’S WEDDING TRENCH 11 TULIPANI: LOVE, HONOUR AND A BICYCLE VENUS 8 MINUTES AHEAD
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2017 Whistler Film Festival Reveals First 15 Films, PRODIGALS, NOBODY FAMOUS and More
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Tulipani, Love, Honour and a Bicycle[/caption]
The 2017 Whistler Film Festival (WFF) taking place from November 29th to December 3rd, today offered a sneak peek including the first 15 confirmed films, plus industry and event programming highlights.
WFF’s Director of Programming Paul Gratton had this to say about the 2017 lineup confirmed to date: “The Whistler Film Festival is a must-attend event for film fans, emerging filmmakers and anyone who cares about quality cinema. We continue to pursue our own unique festival niche by offering an impressive selection of films, featuring Oscar hopefuls and emerging talent, with a particular focus on female directors. Our Summit will complement our film programming by addressing key trends and opportunities facing the industry, and our Signature Series events will shine the spotlight on some of the top filmmakers of the day. While our final programming is far from complete, we will continue to build on the momentum established over our last few years, and are confident that this will be our best year ever. This year, we are particularly gratified to note the large number of alumni returning to Whistler with their new films.
Toplining this year’s Canadian titles are the following World Premiere selections, some of which are eligible for WFF’s coveted Borsos Competition for Best Canadian Feature, featuring a $15,000 cash prize sponsored by the Directors Guild of Canada, British Columbia
PRODIGALS: After the success of After-Party at WFF 2013, BC director Michelle Ouellet returns with a searing drama about a man who revisits his home town for a trial, where an ex-girlfriend and a checkered past await him, with David Alpay and Sara Canning (I PUT A HIT ON YOU, 2014).
THE MOMENT: Whistler is the perfect location to World Premiere BC filmmaker Darcy Turenne’s exhaustive and definitive history of dirt bike mountain racing that features breathtaking archival footage and stunt biking.
SOMEONE ELSE’S WEDDING: Following 2013’s THREE NIGHT STAND, director Pat Kiely offers up another hilarious comedy about a family gathering for an unusual wedding in Montreal, featuring Kathleen Turner, Jessica Paré, Jacob Tierney, Wallace Shawn, Frances Fisher, Kevin Zegers and Luke Kirby.
THE OTHER SIDE OF PORCUPINE LAKE: Director Julian Papas captures the unique camaraderie and DIY craziness on the set of Ingrid Veninger’s PORCUPINE LAKE.
8 MINUTES AHEAD: Director Ben Hoskyn’s first feature film shot in Vancouver and Hong Kong is about two brothers who have never met, but who fight over their late father’s business inheritance, even though they live in entirely different socioeconomic worlds and two very different cities.
NOBODY FAMOUS: A scathing black comedy from director Sarah Rotella about the jealousies and competitiveness of aspiring actors, as one gets a great role while spending a friendly weekend at the cottage with other wannabes.
Canadian Premieres include:
THE LEARS: Award winning filmmaker Carl Bessai met producer Irwin Olian from NeoClassics Films during the Whistler Film Festival in 2016 and the result is this well acted drama about a dysfunctional family gathering around their aging, cantankerous architect dad (Bruce Dern) hoping to score some inheritance points as he is about to retire. Also featuring Sean Astin and Anthony Michael Hall.
SANTA STOLE OUR DOG: A MERRY DOGGONE CHRISTMAS: Peterborough-born Bryan Michael Stoller is another master of the DIY school of filmmaking. Bryan moved to Hollywood many years ago, wrote the best-selling book “Filmmaking for Dummies”, and makes his own charming indie films, the last three of which have also starred his own pet dog. This one features Ed Asner as Santa, Eric Roberts and internet sensation Yvette Rachelle, who also serves as co-producer on the project.
PAINLESS: Canadian actor Joey Klein gives a remarkable performance as a man who is incapable of feeling any pain, but spends his life seeking a scientific cure for his ailment. Directed by Jordan Horowitz.
Other programming highlights confirmed for this year include:
PORCUPINE LAKE: After the success of THE ANIMAL PROJECT in 2013 and the Borsos cinematography win for HE HATED PIGEONS in 2015, Ingrid Veninger returns to present her latest feature, a charming study of that special inexplicable best girlfriends forever bond that consumes many young women at the onset of puberty.
THE PRODIGAL DAD: Vancouver based filmmaker Robert Wenzek’s first feature is a delightful character comedy about a young woman’s dad who shows up on her doorstep uninvited and becomes a hit with her friends, much to her embarrassment. A sort of Canadian Toni Erdmann. With Michelle Harrison and Mackenzie Gray.
CARDINALS: Sheila McCarthy gives one of her finest screen performances as a self-described recovering alcoholic stalked by the son of a man she killed in a car accident. Directed by Grayson Moore and Aidan Shipley, with Katie Boland and Noah Reid.
MOBILE HOMES: Imogen Poots, Callum Turner and Callum Keith Rennie star in this dark drama about a directionless young mother, saddled with an eight year old son and a shiftless druggie boyfriend. A French co production directed by Vladimir de Fontenay. Poots is outstanding in the lead role.
OCTAVIO IS DEAD: Sarah Gadon in a role that will surprise her fans, as she slowly discovers the secrets of her late father’s life, including his sexual predilections, which began to fascinate her. The latest gender bending provocation from director Sook-Yin Lee, with Rosanna Arquette.
BECOMING BURLESQUE: A shy Muslim woman takes a great risk when she joins a local burlesque repertory company of extraordinary women on the burlesque stage. Featuring many real-life burlesque dancers and many exotic routines. Directed by Jackie English, with Shiva Negar and Pastel Supernova.
TULIPANI: LOVE, HONOUR AND A BICYCLE: A beautiful story about a romantic Dutch man who cycles to Italy and plants a field of tulips in the sweltering heat of Puglia. Co-produced by Don Carmody, directed by award winning Mike Van Diem and starring Giancarlo Giannini and Ksenia Solo.
The full film lineup will be released on November 1.