The Cannes Film Festival yesterday announced the Official Selections of the 71st edition of the festival. The titles include the feature films in Competition, at Un Certain Regard, Out of Competition, in Midnight Screenings and in Special Screenings.
The 71st Cannes Film Festival will take place May 8 to 19, 2018.
https://www.youtube.com/watch?v=0swRBkl11rI
In Competition
Opening Film Asghar FARHADI TODOS LO SABEN (EVERYBODY KNOWS)Stéphane BRIZÉ AT WAR Matteo GARRONE DOGMAN Jean-Luc GODARD THE IMAGE BOOK (LE LIVRE D’IMAGE) Ryusuke HAMAGUCHI NETEMO SAMETEMO (ASAKO I & II) (ASAKO I & II) Christophe HONORÉ SORRY ANGEL Eva HUSSON GIRLS OF THE SUN JIA Zhang-Ke ASH IS PUREST WHITE KORE-EDA Hirokazu SHOPLIFTERS Nadine LABAKI CAPERNAUM LEE Chang-Dong BUH-NING (BURNING) Spike LEE BLACKKKLANSMAN David Robert MITCHELL UNDER THE SILVER LAKE Jafar PANAHI THREE FACES Pawel PAWLIKOWSKI ZIMNA WOJNA (COLD WAR) Alice ROHRWACHER LAZZARO FELICE Kirill SEREBRENNIKOV LETO A.B SHAWKY YOMEDDINE
Don’t Worry, He Won’t Get Far on Foot[/caption]
Sorry to Bother You, the new film from debut director and musician Boots Riley that pulls no punches in its portrayal of racial dynamics in the workplace, has been selected as the Centerpiece film of the 2018 Seattle International Film Festival. Closing Night sees the return of Seattle favorite Gus Van Sant with his latest film Don’t Worry, He Won’t Get Far On Foot, a bitingly sharp yet tender portrait of Portland-based cartoonist John Callahan, starring Joaquin Phoenix.
“We are constantly looking for dynamic, diverse stories, and we certainly found them with these two unforgettable films,” said SIFF Artistic Director Beth Barrett. “With these two Galas we’re thrilled to spotlight both an established filmmaker and a bold new voice, each with vision and strong storytelling powers.”
Centerpiece Film & Gala
Saturday, June 2
Following the release of the 
Cannes Film Festival today released the official poster of the 71st Festival – featuring a woman and a man engaged in a passionate kiss – taken from Pierrot le Fou, a 1965 French film directed by Jean-Luc Godard, and inspired by the work of Georges Pierre (1927-2003).
This immense still photographer immortalized the shooting of over a hundred films in a 30-year career that began in 1960 with Jacques Rivette, Alain Resnais and Louis Malle. He then worked in partnership with Robert Enrico, Yves Robert, Claude Sautet, Bertrand Tavernier, Andrzej Zulawski, Andrzej Wajda, and of course Jean-Luc Godard. Committed to achieving recognition for stills photographers as artists in their own right, Georges Pierre founded the Association des Photographes de Films, tasked with defending the material and moral interests of cinema photographers.
The poster itself is the work of graphic designer Flore Maquin. Inspired by pop culture, this 27-year-old illustrator blends drawing, painting and digital art in a vibrant and colourful world. A passionate film buff, she works with Universal Pictures, Paramount Channel, Europacorp, Wild Side, and Arte, revisiting or creating alternatives for film posters.
A24 released the official trailer for 
From the raucous dual imaginations of fantasy laureate Neil Gaiman (“American Gods,” CORALINE) and glamrock multi-hyphenate John Cameron Mitchell (HEDWIG AND THE ANGRY INCH, SHORTBUS) comes the electrifying and singular pop extravaganza film, HOW TO TALK TO GIRLS AT PARTIES.
Enn (Tony Award-winner Alex Sharp) is a shy suburban London teenager in 1977, sneaking out with his best friends to after-hours punk parties. One night they stumble upon a bizarre gathering of sexy teenagers who seem like they are from another planet. In fact, they are from another planet, visiting Earth to complete a mysterious rite of passage. That doesn’t stop Enn from falling madly in love with Zan (Elle Fanning), a beautiful and rebellious alien teenage who, despite her allegiance to her strange colony, is fascinated by Enn. Together they embark on a delirious adventure through the kinetic punk rock world of 1970s London, inadvertently setting off a series of events that will lead to the ultimate showdown of punks vs. aliens, and test the limits of how far each of them will go for true love.
How to Talk to Girls at Parties will be released on May 11th in the UK and on May 18th in the US.
https://www.youtube.com/watch?v=nWzHaRM8jeo
HBO Documentary Films has acquired the rights to the true-crime bestseller “I’ll Be Gone in the Dark: One Woman’s Obsessive Search for the Golden State Killer,” by Michelle McNamara, and will develop a documentary series based on the book, it was announced today by Nancy Abraham and Lisa Heller, executive vice presidents, HBO Documentary Films.
“I’ll Be Gone in the Dark” is a meticulous exploration of the case of an elusive, violent predator who terrorized California in the late ’70s and early ’80s by journalist Michelle McNamara, who died tragically while investigating the unsolved crimes. Framed by an introduction by Gillian Flynn and afterword by McNamara’s husband, Patton Oswalt, the book was completed by McNamara’s lead researcher, Paul Haynes, and a close colleague, Billy Jenkins.
A chilling investigation of the mysterious serial killer and the wreckage he left behind, “I’ll Be Gone in the Dark” is also a compelling self-portrait of the author that reveals her obsession with solving crimes, and her unflagging search for the truth and for justice for the victims and their families.
“HBO taking on this story will advance the passionate pursuit that Michelle shared with dozens of men and women in law enforcement? – ?to solve the mystery of one of California’s most notorious serial killers,” commented Oswalt.
Creator of the popular website TrueCrimeDiary.com, McNamara was determined to find the violent psychopath she dubbed “The Golden State Killer,” who committed 50 home-invasion sexual assaults in Northern California before moving south, where he perpetrated ten murders. Then he disappeared, eluding multiple police forces and some of the best detectives in the area. Obsessed with the case three decades later, McNamara pored over police reports, interviewed victims and embedded herself in the online communities that were as obsessed with the case as she was. “I’ll Be Gone in the Dark” also explores her own past, including her years growing up in Oak Park, Ill. in a large family, and the reverberations of the unsolved murder that haunted her youth.
Published earlier this year, the book debuted at #1 on the New York Times combined print and e-book bestseller list. “I’ll Be Gone in the Dark: One Woman’s Obsessive Search for the Golden State Killer” was hailed by the New York Times as “a vivid and meticulous investigation” and “a wrenching personal account from a writer who became consumed by her subject.”
The Netflix documentary “Mercury 13” directed by David Sington and Heather Walsh is a remarkable story of the women who were tested for spaceflight in 1961 before their dreams were dashed in being the first to make the trip beyond Earth. An Official Selection of the 2018 San Francisco International Film Festival and the 2018 Hot Docs Canadian International Documentary Festival, Mercury 13 will premiere on Netflix on April 20, 2018.
On April 9, 1959, NASA introduced their first astronaut class of all men, Mercury 7, to the world.
This is the story of the 13 women who were just as deserving of their place in space.
Mercury 13 is a remarkable story of the women who were tested for spaceflight in 1961 before their dreams were dashed in being the first to make the trip beyond Earth. NASA’s ‘man in space’ program, dubbed ‘Project Mercury’ began in 1958. The men chosen – all military test pilots – became known as The Mercury 7. But away from the glare of the media, behind firmly closed doors, female pilots were also screened. Thirteen of them passed and, in some cases, performed better than the men. They were called the Mercury 13 and had the ‘right stuff’ but were, unfortunately, the wrong gender. Underneath the obsession of the space race that gripped America, the women were aviation pioneers who emerged thirsty for a new frontier, but whose time would have to wait. The film tells the definitive story of thirteen truly remarkable women who reached for the stars but were ahead of their time. A Netflix original documentary directed by David Sington (The Fear of 13) and Heather Walsh.
https://www.youtube.com/watch?v=jpiVx2mQhKI
Won’t You Be My Neighbor?[/caption]
In honor of its 12th anniversary, Dallas International Film Festival (DIFF) released a preview of 12 features and shorts screening up the upcoming festival in Dallas taking place from Thursday, May 3 to Thursday, May 10, 2018.
This year, for the first time ever, all competition feature and short film screenings at the Dallas International Film Festival (DIFF) will take place at The Magnolia in Uptown’s West Village shopping center.
The 2018 Dallas International Film Festival (DIFF) will screen over 110 films from 25 countries and will include the 12 films listed below and a series of Special Events including a 25th anniversary event for Steven Spielberg’s three-time Academy Award®-winning blockbuster Jurassic Park.
One Vote[/caption]
Seven documentary Special Presentations including the World Premiere of James Keach’s Turning Point will screen at the upcoming 49th Annual Nashville Film Festival. Music journeys will also be depicted in 
Yaser Murtaja, a 31-year-old Gaza photojournalist, who worked as a cameraman for Ai Weiwei’s documentary, 
Alia Shawkat as Alia and Laia Costa as Laia in DUCK BUTTER. Photo credit: Hillary Spera.[/caption]
The trailer and poster debuted for 
Mary Goes Round[/caption]
The inclusive lineup for this year’s 2018 Bentonville Film Festival includes 42 Competition Films, 13 episodic content presentations, notable showcase screenings of top festival films, critical favorites, anniversary screenings of classics, a presentation of family focused and animated greats, and every film to date from the Marvel Cinema Universe in a special free-to-the-public presentation for BFF’s film fans.
“This year’s edition of the