• 2011 Cannes Film Festival entry WE NEED TO TALK ABOUT KEVIN to be released in the US, Winter 2011

    Oscilloscope Laboratories, the film production and distribution company owned by Adam Yauch of Beastie Boys, will release in the US, the 2011 Cannes Film Festival competition entry WE NEED TO TALK ABOUT KEVIN, from director Lynne Ramsay (RATCATCHER and MORVERN CALLAR).  Oscilloscope will release WE NEED TO TALK ABOUT KEVIN theatrically this Winter, accompanied by an awards campaign.

    A suspenseful and psychologically gripping exploration into a parent dealing with her child doing the unthinkable, WE NEED TO TALK ABOUT KEVIN is told from the perspective of Eva, played by Tilda Swinton in a tour-de-force performance.

    Always an ambivalent mother, Eva and Kevin have had a contentious relationship literally from Kevin’s birth.  Kevin (Ezra Miller), now 15-years-old, escalates the stakes when he commits a heinous act, leaving Eva to grapple with her feelings of grief and responsibility, as well as the ire of the community-at-large.  WE NEED TO TALK ABOUT KEVIN explores nature vs. nurture on a whole new level as Eva’s own culpability is measured against Kevin’s innate evilness, while Ramsay’s masterful storytelling leaves enough moral ambiguity to keep the debate going.

    Adam Yauch, head of Oscilloscope Laboratories said:  “We are honored to be working with Lynne, Tilda, John, and Ezra to release this masterpiece—the most intense thriller I’ve seen since Polanski’s ROSEMARY’S BABY.  I was on the edge of my seat throughout and it was clear I was in the capable hands of a master filmmaker, who I’m now proud to see join all our other great filmmakers as a member of the O-Scope family.”

    With a screenplay by Lynne Ramsay & Rory Stewart Kinnear, WE NEED TO TALK ABOUT KEVIN based on the novel by Lionel Shriver.  The film also stars John C. Reilly as Eva’s husband Franklin, and Ezra Miller in a breakout performance as the titular Kevin.  Swinton’s recent credits include her acclaimed performance in Erick Zonca’s JULIA, which she received a Cesar Award nomination for Best Actress, and in Luca Guadagnino’s acclaimed film, I AM LOVE (Io Sono L’Amore), which she also produced.

    Other Oscilloscope theatrical releases include Yauch’s GUNNIN’ FOR THAT #1 SPOT, Irena Salina’s FLOW, Kelly Reichardt’s WENDY AND LUCY starring Michelle Williams, So Yong Kim’s TREELESS MOUNTAIN, the Academy Award(R)-nominated THE GARDEN from Scott Hamilton Kennedy, Anders Ostergaard’s Academy Award(R)-nominated BURMA VJ, Nati Baratz’s UNMISTAKEN CHILD, Oren Moverman’s Academy Award(R)-nominated THE MESSENGER starring Woody Harrelson, Ben Foster, and Samantha Morton, Henrik Ruben Genz’s Danish thriller TERRIBLY HAPPY, Michel Gondry’s personal family documentary THE THORN IN THE HEART, Jules Dassin’s classic THE LAW, Yael Hersonski’s award-winning WWII documentary A FILM UNFINISHED, Rob Epstein and Jeffrey Friedman’s HOWL starring James Franco as Allen Ginsberg, Jalmari Helander’s Christmas fantasy RARE EXPORTS: A CHRISTMAS TALE and Oscar(R)-nominated director Dana Adam Shapiro’s feature film debut MONOGAMY starring Chris Messina and Rashida Jones. Upcoming releases include Kelly Reichardt’s Western drama MEEK’S CUTOFF starring Michelle Williams, Bruce Greenwood, Paul Dano, Zoe Kazan, and Shirley Henderson, and James Franco’s directorial debut SATURDAY NIGHT, which covers a week on the set of Saturday Night Live.

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  • Bernie, starring Jack Black, Shirley MacLaine and Matthew McConaughey to open 2011 LA Film Festival

    The Los Angeles Film Festival announced the world premiere of Richard Linklater’s Bernie as the opening night film for the 2011 Festival.

    Richard Linklater’s Bernie will kick off the Festival on June 16 at Regal Cinemas Stadium 14 L.A. LIVE.  The film is written by Skip Hollandsworth and Linklater, stars Jack Black, Shirley MacLaine and Matthew McConaughey.  Black plays Bernie, the beloved mortician in a small Texas town.  MacLaine is the town’s richest, meanest widow, and even she adores him.  You can’t get anybody to say a bad word about Bernie—even after he commits a very nasty crime.

    Returning to downtown Los Angeles, with its central hub at L.A. LIVE, the Festival will run from Thursday, June 16 to Sunday, June 26.

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  • Charleston International Film Festival Announces 2011 Award Winners; “LA I Hate You” Wins Best Film

    The 4th Annual Charleston International Film Festival (CIFF), South Carolina’s premiere event for independent filmmakers and film enthusiasts, would like to announce and congratulate its 2011 Award Winners presented at the Awards Gala held at the Charleston Harbor Resort and Marina.  

    Golden Crescent Award
    -Golden Crescent Award for Best Film : “LA I Hate You” – Produced by Warren Ostergard

    Jury Awards
    – Best Feature: “Angel Camouflaged” – Written and Directed by Michael Givens
    – Best Short: “The Story of Us” – Written and Directed by Paul Krizan
    – Jury Award for Best Documentary: “American Jihadist” – Directed and Produced by Mark Claywell

    Audience Choice Awards
    – Best Documentary: “(Re)Discovering Don ZanFagna” –Directed by Kevin Harrison
    – Best Feature: “Cherry.” – Written, Directed and Produced by Quinn Saunders
    – Best Short: “God and Vodka” – Written and Directed by Daniel Stine
    – Best Foreign Film: “Atroz” – Written, Directed and Produced by Francisco Álvarez
    – Best Animation: “Place Stamp Here” – Directed by Joy Vaccese and Noelle Melody

    Screenplay Awards
    -Golden Crescent Screenplay Competition Winner: William Blackmon for “The Featherkeeper”
    -First Runner-Up: Elvis Wilson for “Driving Top Down”
    -Second Runner-Up: Sheila Watson & Tony Watson for “The Manifest”

    Special Honors
    -Channel 5 for Best Actress: Dedee Pfeiffer in “The Tub”
    -Channel 5 Award for Best Actor: Brian Dennehy in “alleged”
    -Cinebarre Award for Best SC Short Film: “Saying Goodbye” – Written and Produced by Brian Rish and Jocelyn Rish

    [via Charleston International Film Festival (CIFF)]

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  • 8th annual Damn These Heels!: LGBT Film Festival Announces Lineup

    [caption id="attachment_942" align="alignnone"]BEGINNERS[/caption]

    The lineup for the 8th annual Damn These Heels!: LGBT Film Festival (DTH!) was announced today and includes 14 feature films from seven countries screening June 17–19 at the historic Tower Theatre. Salt Lake City, Utah’s only annual LBGT film festival, DTH! showcases the best international and domestic documentary and narrative LGBT films from film festivals around the world. 

    The festival opens at 7:00 p.m. on Friday, June 17 with the Utah premiere of BEGINNERS. Directed by Mike Mills, largely known for his artwork and music videos, this is his second feature and loosely based on his own relationship with his father, who didn’t come out of the closet until he was in his seventies. An Opening Night Gala Celebration follows the screening. The rest of the DTH! program features films from many of the world’s top film festivals, a one-time-only audience participation event, and a panel discussion presented in partnership with Equality Utah.

    All screenings for the festival take place at the Salt Lake Film Society’s historic Tower Theatre, 876 E. 900 S. Individual tickets are $5 and can be purchased online at www.damntheseheels.org beginning May 13. A limited number of all-access passes will be offered for $25 and include access to Opening Night celebrations and all festival film screenings.

    Below is the complete list of the 8th Annual Damn These Heels!: LGBT Film Festival films:

    OPENING NIGHT FILM

    BEGINNERS

    Directed by Mike Mills

    A young man is rocked by two announcements from his elderly father: that he has terminal cancer and that he has a young male lover. (U.S.A., 105 min.)

    Official Selection — 2010 Toronto International Film Festival, 2011 SXSW

    CENTERPIECE SCREENINGS

    CIRCUMSTANCE

    Directed by Maryam Keshavarz

    A wealthy Iranian family struggles to contain a teenager’s growing sexual rebellion and control her brother’s dangerous obsession. (Iran/U.S.A./France, 95 min.)

    Audience Award Winner, World Cinema Dramatic — 2011 Sundance Film Festival

    L’AMOUR FOU

    Directed by Pierre Thoretton

    This documentary portrays the relationship between fashion designer Yves Saint-Laurent and his lover, Pierre Bergé, and the sale of their art collection following Yves’s death. (France, 98 min.)

    Official Selection — 2011 San Francisco Film Festival, 2011 Tribeca Film Festival

    PANEL DISCUSSION

    This panel discussion addresses the ways that so-called queer media has changed and evolved in recent years, as well as explores the ways that queer filmmakers, actors, writers and journalists have brought their causes and interests to mainstream and “straight” media.  Panel guests include DTH! 2011 filmmakers, local journalists, gender issue and LGBT experts. Presented in partnership with Equality Utah.

    SPECIAL SCREENING

    ALL ABOUT EVIL with Peaches Christ in 4-D

    Directed by Joshua Grannell

    This Utah premiere features Peaches Christ in a Rocky Horror Picture Show–style audience-participating, blood-soaked drag ball that has thrilled audiences across the country. In All About Evil, a mousy librarian discovers her inner serial killer as she works to save the family business — a failing movie house — by making a series of grisly shorts that turn out to be all too real. (U.S.A., 108 min.)

    Official Selection — 2010 San Francisco International Film Festival, 2010 Los Angeles Film Festival

    REGULAR SCREENINGS

    AUGUST

    Directed by Eldar Rapaport

    August tells the story of two former lovers, Troy and Jonathan, who reunite after a long-ago painful breakup. A seemingly innocent rendezvous turns into an attempt to revive past passions. Only it’s not that simple. (U.S.A., 100 min.)

    Official Selection — 2011 Seattle International Film Festival

    CODEPENDENT LESBIAN SPACE ALIEN SEEKS SAME

    Directed by Madeleine Olnek

    This quirky film charts the adventures of lesbian space aliens on the planet Earth and tells the story of the romance between Jane, a shy greeting-card-store employee, and Zoinx, the woman Jane does not realize is from outer space. Meanwhile, two government agents, or “Men in Black,” are closely tracking Jane and the aliens while harboring their own secrets. (U.S.A., 76 min.)

    Official Selection — 2011 Sundance Film Festival

    DIFFERENT FROM WHOM?

    Directed by Umberto Riccioni Carteni

    This slapstick comedy pairs a handsome gay politician with a conservative woman in a campaign for mayor. They work together, fight, and eventually have an affair that shakes their lives. But an alternative solution is at hand, and they grab it. (Italy, 103 min.)

    Official Selection — 2010 Palm Springs International Film Festival

    ELVIS & MADONA

    Directed by Marcelo Laffitte

    Elvis & Madona is a romantic comedy that deals with an unusual subject in a delicate and realistic way: a relationship between a young lesbian, Elvis, and a transvestite, Madona. Nevertheless, it is essentially a love story, proving that love transcends any boundaries. (Brazil, 105 min.)

    Official Selection — 2010 Tribeca Film Festival

    GUN HILL ROAD

    Directed by Rashaad Ernesto Green

    An ex-con returns home to the Bronx after three years in prison to discover his wife estranged and his teenage son exploring a sexual transformation that will put the fragile bonds of their family to the test. (U.S.A., 88 min.)

    Official Selection — 2011 Sundance Film festival

    MANGUS!

    Directed by Ash Christian

    Mangus Spedgewick has had one dream his whole life… he wants to be Jesus — in his high school’s annual production of Jesus Christ Spectacular. Will he get to be their town’s first crippled Jesus? (U.S.A., 88 min.)

    Official Selection — 2011 Dallas International Film Festival

    THE TOPP TWINS: UNTOUCHABLE GIRLS

    Directed by Leanne Pooley

    If you see only one documentary about lesbian, country- singing, comedian twins from New Zealand, make this the one! This exuberant film captures the joy the entertaining Topp twins bring to their performances and their daily lives. (New Zealand, 101 min.)

    Official Selection — 2010 Toronto International Film Festival, 2010 IDFA Festival, 2010 London Lesbian and Gay Film Festival, 2010 RiverRun International Film Festival, 2010 Seattle International Film Festival, 2010 Provincetown International Film Festival, 2010 Outfest Film Festival

    WEEKEND

    Directed by Andrew Haigh

    After a drunken house party with his straight mates, Russell heads out to a gay club. Just before closing time, he picks up Glen, but what’s expected to be just a one-night stand becomes something else, something special. (U.K., 96 min.)

    Audience Award Winner — 2011 SXSW

    WHO TOOK THE BOMP? LE TIGRE ON TOUR

    Directed by Kerthy Fix

    Girl band Le Tigre is best known for its sociopolitical lyrics, electronic beats, and choreographed dance moves. Shot over the course of the band’s final tour, Who Took the Bomp? follows Kathleen, Johanna, and Jocelyn’s 10-year herstory of celebrating the legacy of feminism. (U.S.A., 67 min.)

    Official Selection — 2011 SXSW, 2011 Florida Film Festival, 2011 Independent Film Festival Boston

     

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  • RIP: documentary filmmaker Bruce Ricker

    [caption id="attachment_1382" align="alignnone" width="560"]Bruce Ricker (that’s him on the left, with Clint Eastwood and Quentin Tarantino) [/caption]

    Bruce Ricker — a Cambridge, Massachusetts -based director and producer of documentaries whose best-known film, “The Last of the Blue Devils’’ (1979), is a jazz classic — died of pneumonia Friday in Mount Auburn Hospital in Cambridge.

    He was 68.

    Mr. Ricker specialized in documentaries about jazz, popular music, and film history.

    Read more in Boston Globe

    image via Boston Globe

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  • RIP: Donald Krim, president of’ film distribution company, Kino International

    Donald Krim, a film distributor, president of’ Kino International, a company founded in 1977 and acquired by Mr. Krim in 1978, died on Friday at his home in Manhattan. He was 65.

    Among the films imported by Kino as a result of Mr. Krim’s festival explorations were Percy Adlon’s “Zuckerbaby” (1985), Mitsuo Yanagimachi’s “Himatsuri” (1986) and Michel Khleifi’s “Wedding in Galilee” (1988). Mr. Krim also helped to introduce the work of such art-house stalwarts as the Hong Kong director Wong Kar-wai (“Days of Being Wild,” 1990), the Austrian Michael Haneke (“The Piano Teacher,” 2001) and the Israeli Amos Gitai (“Kadosh,” 1999).

    Three Kino releases received Academy Award nominations in the best foreign-language film category: Joseph Cedar’s “Beaufort” (2007), Scandar Copti’s “Ajami” (2009) and Giorgos Lanthimos’s “Dogtooth” (2010).

    Read more in the NY Times

    image via NYTimes

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  • Cannes Film Festival 2011 Winners; Malick’s “Tree of Life” garners Palme D’Or

    [caption id="attachment_1357" align="alignnone" width="500"]Brad Pitt in Terence Malick’s ‘Tree of Life,’ winner of the Palme D’Or at the 2011 Cannes Film Festival. [/caption]

    The mysteriously enigmatic U.S. director Terrence Malick took the Cannes film festival’s top award, the Palme d’Or, Sunday evening,  for his film The Tree of Life-  about a family of sons dominated by a tyrannical father in Texas, and the origins and mysteries of life. The film stars Brad Pitt, Sean Penn and luminous newcomer Jessica Chastain. Shy as ever, Malick had one of the film’s co-producers, Bill Pohlad accept the award on his behalf. (Malick also did not promote the film at the festival.)

    “I know he is thrilled with this award, as are all of us,” Pohlad said. “The Tree of Life was a long road.” Malick apparently took an extra year re-cutting and fine-tuning the film, which was originally set to screen at the 2010 Cannes film festival.

    The award ceremony brought an end to the May 11-22 Cannes Film Festival. Belgium’s Dardenne brothers and Turkish director Nuri Bilge Ceylan shared the runner-up Grand Prix prize “The Kid With a Bike” and “Once Upon A Time in Anatolia.” Denmark’s Nicolas Winding Refn won the best director prize for his high-octane film noir “Drive,” starring Ryan Gosling and Carey Mulligan, about a stuntman who moonlights as a get-away car driver.

    The lovely Kirsten Dunst won the Cannes version of  “Best Actress” for her portrayal of a depressed woman at the end of the world in Lars von Trier’s “Melancholia.”

    “Well, what a week it’s been,” Dunst sighed, referencing the fact that her controversial director von Trier was named persona non grata by the Cannes team after his strange Hitler remarks at a recent press conference.

    “I’d like to say thank you to the Cannes film festival for allowing the film to be in competition, it’s such a special night for me,” she said, and thanked von Trier for casting her.

    French actor Jean Dujardin took the best actor award for his role as a silent movie star, fighting to deal with advent of talking films, in Michel Hazanavicius’  all silent movie “The Artist.”

    Winners

    In Competition :

    Feature films

    Palme d’Or
    THE TREE OF LIFE directed by Terrence MALICK

    Grand Prix Ex-aequo
    BIR ZAMANLAR ANADOLU’DA (ONCE UPON A TIME IN ANATOLIA) directed by Nuri Bilge CEYLAN
    LE GAMIN AU VÉLO (THE KID WITH A BIKE) directed by Jean-Pierre et Luc DARDENNE

    Award for Best Director
    Nicolas WINDING REFN for DRIVE

    Award for Best Screenplay
    Joseph CEDAR for HEARAT SHULAYIM (Footnote)\

    Award for Best Actress
    Kirsten DUNST in MELANCHOLIA directed by Lars VON TRIER

    Award for Best Actor
    Jean DUJARDIN in THE ARTIST directed by Michel HAZANAVICIUS

    Jury Prize
    POLISSE (POLISS) directed by MAÏWENN

    Short Films

    Palme d’Or – Short Film
    CROSS (CROSS – COUNTRY) directed by Maryna VRODA

    Jury Prize – Short Film
    BADPAKJE 46 (SWIMSUIT 46) directed by Wannes DESTOOP

     

    Cinefondation :

    1st Prize Cinéfondation
    DER BRIEF (THE LETTER) directed by Doroteya DROUMEVA

    2nd Prize – Cinéfondation
    DRARI directed by Kamal LAZRAQ

    3rd Prize Cinéfondation
    YA-GAN-BI-HANG (FLY BY NIGHT) directed by SON Tae-gyum

    Golden Camera :

    Caméra d’or
    LAS ACACIAS directed by Pablo GIORGELLI


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  • IFC Midnight to release Australian filmmaker Justin Kurzel’s psychological thriller SNOWTOWN in the U.S.

    [caption id="attachment_1377" align="alignnone" width="560"]SNOWTOWN[/caption]

    IFC Midnight announced from the 2011 Cannes Film Festival that the company Australian filmmaker Justin Kurzel’s psychological thriller SNOWTOWN in the U.S.. The directorial debut for Kurzel, with a screenplay by Shaun Grant, stars Lucas Pittaway, Daniel Henshall, and Louise Harris.  Arriving with much buzz after winning the Audience Award at the Adelaide Film Festival, the film was just awarded a special citation last night by the Critics’ Week jury. The film is also in competition for the Camera d’Or.

    Based on a true story, SNOWTOWN follows sixteen-year-old Jamie (Pittaway) who begins a friendship with a charismatic older man (Henshall).  As the relationship grows, so do Jamie’s suspicions, until he finds his world threatened by both his loyalty for, and fear of, his newfound father-figure.  The older man Jamie befriended was John Bunting, Australia’s most notorious serial killer.

     

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  • Poliss from 2011 Cannes Film Festival to be relased in the US

    ,

    [caption id="attachment_1375" align="alignnone" width="560"]POLISS[/caption]

    Sundance Selects announced from the 2011 Cannes Film Festival that the company will release in the U.S.,  writer-director and actress Maiwenn’s POLISS.  The film, which made its world premiere in Competition at the festival, was produced by Alain Attal and co-written by actress Emmanuelle Bercot, who also co-stars in the film. The film also stars Karin Viard, Joeystarr, Marina Fois, Nicolas Duvauchelle, Karole Rocher, Frederic Pierrot, Arnaud Henriet, Naidra Ayadi and Jeremie Elkhaim.

    The film follows a group of individuals and officers working in and around a child protection unit in Paris.

    Sundance Selects has also picked up several other titles at this week’s festival including Julia Leigh’s SLEEPING BEAUTY; writer/director Bertrand Bonello’s HOUSE OF TOLERANCE; writer/director Mia Hansen Love’s GOODBYE FIRST LOVE; and Jean-Pierre and Luc Dardenne’s THE KID WITH A BIKE. IFC Midnight, Sundance Selects’ sister division, additionally picked up Australian filmmaker Justin Kurzel’s psychological thriller SNOWTOWN ot U.S. release

    Sundance Selects is a sister division to IFC Films and IFC Midnight, and is owned and operated by Rainbow Media.

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  • Arirang and AUF FREIER STRECKE (Stopped on track) tied to win Un Certain Regard prize at 2011 Cannes Film Festival

    [caption id="attachment_1373" align="alignnone" width="560"]Stopped on Track (Halt auf Freier Strecke)[/caption] ARIRANG directed by KIM Ki-Duk and HALT AUF FREIER STRECKE (Stopped on track) by Andreas DRESEN tied to win the Un Certain Regard prize at the 2011 Cannes Film Festival.

    In Arirang, director KIM Ki-Duk turned the cameras on himself as he is ‘playing 3 roles in 1.’ HALT AUF FREIER STRECKE (Stopped on track) by Andreas DRESEN is described as ‘A story about death that celebrates life.’ Forty-year-old healthy Frank has been diagnosed with an inoperable brain tumor and suddenly condemned to only a few months to live.

    ELENA by Andrey ZVYAGINTSEV was awarded the Special Jury Prize and Mohammad RASOULOF received the Directing Prize for BÉ OMID É DIDAR (Au revoir).

     

     

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  • Kings of Leon documentary ‘Talihina Sky’ to rock deadCENTER Film Festival kick-off celebration

    The rock and roll documentary Talihina Sky: The Story of Kings of Leon will celebrate its Oklahoma premiere on Wednesday, June 8 as the inaugural film of the 2011 deadCENTER Film Festival.

    Talihina Sky is the story of Kings of Leon, whose strict Pentecostal upbringing in Oklahoma and Tennessee preceded their unlikely transformation into one of the biggest rock bands in the world. 

    The free, outdoor screening begins at 9:30 p.m. at the 400 block of N. Broadway Avenue. Running time is 87 minutes.  A Q&A with Director Stephen Mitchell will take place directly following the film.

    Due to scenes with graphic content and adult themes, this film is recommended for mature audiences only. 

    Talihina Sky follows Nathan, Caleb, Jared and Matthew Followill back to Talihina, Oklahoma for their annual family reunion. This reunion serves as a catalyst to explore the band’s roots and the difficulties they faced growing up. Home movies, childhood photos and revealing interviewswith family members — including a colorful group of parents, grandparents, aunts, uncles and  cousins — expose how the influence of their family has informed the creativity that drives Kings of Leon today.

    “10 years ago I witnessed the creation of this family band in their mother’s Tennessee garage. Even then, I was fascinated by their strict Pentecostal upbringing and the eccentric and colorful characters that make up their family,” said Director Stephen Mitchell.  “There was no doubt in my mind that they would become one of the biggest rock bands in the world. My goal with this film was to document the roots of their music and how rock-n-roll transformed their lives.  I am proud and honored to share the story of Kings of Leon.”

    Talihina Sky made its world premiere at the Tribeca Film Festival in April. 

    “The kick-off block party and outdoor screening is always a highlight of the deadCENTER experience,” said Kim Haywood, chief operating officer for the festival.  “Bring your lawn chairs and blankets, and enjoy a great movie with thousands of friends on a huge HD screen, with the nighttime city skyline as a backdrop.  There is nothing quite like it.”

    The 2011 deadCENTER Film Festival is June 8 – 12 at seven locations in downtown Oklahoma
    City.

     

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    [via deadCENTER Film Festival ]

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  • REVIEW:The Big Uneasy .. worth seeing for a whole new perspective on the Hurricane Katrina disaster

    There have been some important documentaries about Hurricane Katrina, including Spike Lee’s epic When the Levees Broke, and the very personal Trouble the Water, but Harry Shearer’s The Big Uneasy is worth seeing for a whole new perspective on the disaster, one that was far from “natural.”

    Shearer (an actor and comedian, as well as New Orleans resident) presents a wealth of data and evidence proving undoubtedly that it was the many engineering and design flaws, largely the work of the US Army Corps of Engineers, which led to the flooding of the city. He interviews three main figures, two academic scientists and an Corps engineer, whose expertise and knowledge in the field is indisputable, and whose findings have led to one losing his job, and the others being ostracized. The two scientists, Robert Bea and Ivor van Heerden, were part of two separate scientific investigations examining the levees, and how, why, and when they broke. Their investigations were largely ignored and led to big lawsuits with little results. The engineer Maria Garzino worked with the Corps prior to Katrina testing the pumps that were meant to keep flooding water out of the city, but that were defective and “temporarily” installed anyway. She released a memo warning of these defects, and hit wall after wall of federal and governmental authorities.

    These three testimonies make up the core of the film’s argument, but some other enlightening aspects of the film’s investigation include the debate about the wetlands surrounding the city, which provide a natural defense against hurricanes but are severely depleted, and a new design option for New Orleans, mimicking the use of water in places like Holland, where the water running through cities has been designed into tributaries rather than damned off. The documentary also goes back decades in time to the “Mr Go” project in the late 50s– the first huge engineering mistake made in New Orleans, never repaired, and part of the reason for the flooding.

    The Big Uneasy gives an almost overwhelming amount of new information that has not fully been released to the public before, and although it is in some ways a conspiracy, it is rooted in fact, and the cover up is simply abominable. The film certainly incriminates the Army Corps and the US Congress, but the interviews with Corps employees and soldiers speak for themselves. The cinematic style of the documentary is something to be desired; it’s mostly talking heads, documents highlighted onscreen, and some celebrity voice-overs, as well as animated sequences mapping out the flood, but an original style isn’t the goal of the film. Rather, like An Inconvenient Truth, it seeks to give crucial information to the public in an effective manner. One hopes that it will escape the controversy of the former film; unless you work or endorse the Army Corps, I don’t see how you could have mixed feelings about the information given. To balance the scientific talk, Shearer attempts to provide some sardonic wit and a more personal perspective on the subject with an appearance by John Goodman, and input from regular New Orleanians about their city. And, so as not to fully depress the audience, the film attempts ends on a hopeful note for the future.

    Opens Friday, May 20th in NYC

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