
With the 5th annual Chattanooga Film Festival just under one month away, the first wave of films are here.
Netflix today dropped the trailer for First Match, the first feature film from writer/director Olivia Newman, that is set to World Premiere at SXSW 2018. Following its debut, the film will launch on Netflix on March 30, 2018.
Hardened by years in foster care, a teenage girl from Brooklyn’s Brownsville neighborhood decides that joining the all-boys’ wrestling team is the only way back to her estranged father.First Match stars Elvire Emanuelle, Yahya Abdul-Mateen II, Colman Domingo, Jharrel Jerome and Jared Kemp. From producers Chanelle Elaine, Veronica Nickel and Bryan Unkeless. https://www.youtube.com/watch?v=Xva2FWNdcD0
New Wave: Dare To Be Different directed by Ellen Goldfard tells the story of the most influential radio station on Long Island, NY called WLLR 92. U2, Talking Heads, Depeche Mode, Blondie, Duran Duran, Tears for Fears, The Clash, The Cure – over half a billion records sold, but you might have never heard of them if not for the small suburban radio station on Long Island, NY called WLIR 92.7.
The documentary film is a nostalgic look back at the rogue radio station on the cutting edge of music throughout the 1980s. Program director Denis McNamara, the station crew and the biggest artists of the era tell the story of how they battled the FCC, record labels, mega-radio and all the conventional rules to create a musical movement that brought New Wave to America.
New Wave: Dare To Be Different features rare archival footage and candid interviews with artists including Joan Jett, Debbie Harry, Billy Idol, Nick Rhodes (Duran Duran), Dave Wakeling (The English Beat), Annabella Lwin (Bow Wow Wow), Jim Kerr (Simple Minds), Vince Clarke (Depeche Mode, YAZ and Erasure), Curt Smith (Tears for Fears), Fred Schneider (The B-52s), Mike Score (A Flock of Seagulls), Mike Peters (The Alarm), Katrina Leskanich (Katrina and the Waves), Thomas Dolby, Howard Jones and Midge Ure (Ultravox, Live Aid founder), among others. WLIR helped introduce most of these bands to a U.S. audience while creating a community centered around the punk and New Wave scene.
Now, 30 years after the station went off the air, the film tells the story of the unique rise and fall of this independent cultural institution. New Wave: Dare To Be Different premieres on Showtime on Friday, March 30 at 8 p.m. ET/PT
https://www.youtube.com/watch?v=SdmvLN_pZq8
The Rape of Recy Taylor[/caption]
Seven exclusive, first-run documentaries including The Rape of Recy Taylor, a film that exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story, have been acquired by Starz. The Rape of Recy Taylor will premiere on STARZ in July 2018.
Recently mentioned as “a name I know and I think you should know, too” by Oprah Winfrey during her acceptance speech for the Cecil B. DeMille Award for Lifetime Achievement at the 75th Golden Globes on January 7, 2018, Mrs. Recy Taylor was abducted and gang raped by six white men in Alabama in 1944. An epic story of black women who spoke up when danger was greatest, it was their noble efforts to take back their bodies that led to the Montgomery Bus Boycott and movements that followed.
Directed by Till Schauder, When God Sleeps is a rap-punk-rock documentary about Iranian musician Shahin Najafi, who is forced into hiding after hardline clerics issue a fatwa for his death, incensed by a rap song that focuses on the oppression of women and human rights abuses. Shahin’s frantic escape leads to an impossible romance with Leili Bazargan, granddaughter of the first prime minister of the Islamic Republic of Iran, who was handpicked for the job by none other than the late Ayatollah Khomeini. Risking his life every time he steps on a stage, Shahin refuses to stop performing as an act of resistance while living a modern day Romeo and Juliet romance. When God Sleeps premieres on Independent Lens on Monday, April 2, 2018, 10:00-11:30 PM ET (check local listings) on PBS.
In 2012, Najafi released a satirical rap song that triggered thousands to rally in a campaign for his assassination. Incensed by the song’s irreverent remarks about Ali al-Naghi, one of twelve imams revered by Shia Muslims, hardline clerics placed a $100,000 bounty on his head. “My songs didn’t make me famous,” said Shahin. “The fatwa did.”
German journalist Günter Wallraff, who gave refuge to Salman Rushdie after his death fatwa, offers shelter to Shahin too. Despite the threats against his life, Shahin insists on total freedom of expression. His stubborn refusal to back down in spite of death threats is reminiscent of a suicide mission, complicating long-term planning for his new romantic relationship. Ironically, his uncompromising stance is not unlike that of the religious hardliners who want him dead. Shahin sees it as his mission, indeed his life’s purpose, to stand up to oppressive religious leaders — even if he has to pay the ultimate price for it.
“Touching on hot topics like Islam, terrorism, protest, and the global refugee crisis, When God Sleeps checks off just about every newsworthy box as we immerse ourselves in the life of the ‘Salman Rushdie of Rap,’” said Lois Vossen, Independent Lens executive producer. “The human cost of resistance is at the core of this film, which explores nationalism and the growing hostility toward immigrants through the lens of a rebellious musician who occupies the complex role of both political activist and cultural bridge-builder.”
https://www.youtube.com/watch?v=sbk9nhUqmvs
Powerful interactive web documentary, “LIFE UNDERGROUND,” created and directed by award winning filmmaker Hervé Cohen, in collaboration with installation artist and media designer Tonian Irving, will debut online March 13th as part of the 2018 SXSW Festival Arts Program. The innovative experience will be available for viewing at life-underground.com in conjunction with a full-scale immersive installation on four large screens that will run daily from March 9 through 15 in room 306 at the JW Marriott.
Life Underground is a constantly evolving, ever-growing testament to the power of personal stories to transcend barriers of race, gender, culture and religion. Filmed in 14 thriving subways around the world, including Los Angeles, Paris, Hong Kong, Berlin and Santiago, Life Underground asks viewers to stop and listen as passengers speak candidly of their hopes, dreams, triumphs and defeats.
Online, Life Underground can be easily navigated using a personal electronic device, allowing viewers to experience as many stories as they desire, as well as to travel inside various train cabins and explore the landscapes of subways on an interactive map.
“This interactive documentary, where metros of the world join to form a unique worldwide underground line, is a platform to explore and instigate a conversation beyond language and cultural difference, while breaking the boundaries that divide us,” said Cohen.
The art installation, which made its world premiere at Los Angeles’ Union Station last January 30th through February 5th, is composed of a series of screens mounted at various angles in order to create the illusion of a staggered, illuminated passageway. Each screen runs a 35-minute loop of original footage, with audio tracks split and distributed separately to dedicated speakers throughout the space. Its sonic companion is an experimental score of music, from composer Brian Rodvien, created using raw sounds of multiple subways, which can be accessed individually on Soundcloud.
The installation allows for different levels of engagement with multiple screens, and will expand with time as Hervé continues to explore the subterranean passageways of the planet in search of the stories that make it move.
To date, 40 intimate stories can be accessed by clicking on the image of a silent individual as they ride a train. Viewers never see the person speak since their vocals were recorded separately. Instead, audiences are invited to watch, as if they were observing a fellow passenger with the added gift of hearing a thoughtful inner monologue.
Pilar in Madrid talks about the challenges of going blind later in life; while Stefanella in Berlin opens up about wanting to become a transgender performer; and Ibra in Brussels reveals the pain of being treated cruelly as an immigrant from Senegal and his dream of one day returning to his native land.
These stories serve as the connective tissue of a global journey composed of the rich sights and sounds of the world’s subways, filmed using a deeply human gaze that captures the depth of quiet moments as readily as it does the excitement of urban bustle. The full installation serves as a time capsule of life in the world’s great cities, speaking to salient themes of diversity, inclusion, classism, urbanization and social welfare.
Check out the new poster and trailer for More Human Than Human, the fascinating new documentary directed by Tommy Pallotta and Femke Wolting that delves into the increasing presence of Artificial Intelligence in our daily lives, and the existential questions it raises for humanity.
More Human Than Human premieres this Saturday March 10th, in the VISIONS section at SXSW 2018.
In this personal, playful and at times dramatic quest, filmmaker Tommy Pallota explores how much of his creativity and human values are at stake as he builds his own robot to replace himself as a filmmaker. The complexity of tasks that smart machines can perform is increasing at an exponential rate. Where will this ultimately take us? If a robot can learn to fold a towel on its own, will it someday be able to cook you dinner, perform surgery, and even conduct a war? This film instigates this debate between futurists and skeptics, about the potential of Artificial Intelligence. The filmmakers take us on a quest of understanding these innovations, opposing views and challenging our aspirations for the future of man and machine.
OFFICIAL SELECTION- SXSW 2018- VISIONS
MORE HUMAN THAN HUMAN
Directed By Tommy Pallotta & Femke Wolting
TRT: 78 min in English
Screening Times
Saturday, March 10 – 1:45 PM – Vimeo Theater
Monday, March 12 – 4:00 PM – Alamo Lamar D
Thursday, March 15 – 6:00 PM – Alamo Lamar A
French filmmaker Bertrand Bonello will chair the Cinéfondation and Short Films Jury of the 71st edition of the Festival de Cannes taking place May 8 to 19, 2018. Bonello will succeed Romanian director Cristian Mungiu.
From his very first film (Something Organic, 1998) to Nocturama (2016), Bertrand Bonello has occupied a unique place in the cinematographic landscape. His filmography includes seven feature films and eight short films, all of them highly distinctive. Since 2003, his films have been screened in Competition at the Festival de Cannes: Tiresia (2003), House of Tolerance (2011) and Saint Laurent (2014).
Whether in his portrait of a Brazilian transsexual, the refined but frosty everyday life of a brothel at the close of the nineteenth century, or a virtuoso biopic about creation and the pain it causes, sexual identity and the relationship to the body haunt his work. In his exploration of the troubled margins of our thoughts and desires, Bertrand Bonello ceaselessly questions the boundaries of reality.
Trained as a classical musician, this self-taught artisan works in music and cinema, sound and images, writes the script and composes the music for all his films. His critically acclaimed works reveal an acute mastery of audacity and aesthetics. Preferring perception over traditional narrative, long shots that emphasise the sensoriality of imagery, his worlds conjure up visual and sound experiences that break free of all limits. An admirer of Bresson, Pasolini and Jarmusch, fan of the Godfather and eXistenZ, Bonello seems to gravitate instinctively towards recurrent obsessions.
Bertrand Bonello: “What do we expect from young people, unknown filmmakers and early films? Let them shake us up, let them make us look at what we’re unable to see, let them enjoy the freedom, the sharpness, the recklessness and the daring that we sometimes no longer possess. The Cinéfondation has been working for 20 years to make these voices heard and I’m extremely proud this year to be able to accompany them.”
For his part, Gilles Jacob says of Bonello: “This year will be presided by one of the greatest contemporary directors, an iconoclastic and unique artist. And besides his art, his genuine humanity continues to shine to this day.”
The new 4K IndieCollect restoration of The Atomic Cafe, supervised by filmmakers Kevin Rafferty, Jayne Loader and Pierce Rafferty that is set to premiere at the 2018 SXSW Film Festival in Austin, TX, on Saturday, March 10, 2018, has been acquired by Kino Lorber Repertory for release in the U.S. The newly-restored The Atomic Cafe will open in theaters nationwide during the summer––and receive a home media release during fall 2018.
Composed entirely of civil defense and propaganda films created by the U.S. military and other agencies, The Atomic Cafe exploded myths about nuclear weapons and landed the filmmakers on Late Night with David Letterman: see video below.
It created a sensation when it opened at the Film Forum in March 1982 and played around the country to capacity audiences, garnering extraordinary reviews, including from the New York Times, whose critic Vincent Canby called it “A stunner! Has one howling with laughter, horror and disbelief.”
With the White House hurling threats to use nuclear weapons, The Atomic Cafe is the perfect movie for our time––a darkly funny meditation on Armageddon. Using our government’s own films, it pulls back the curtain to expose how Americans were taught to “stop worrying and love the bomb.” A cute cartoon assures children that ducking under their desks will protect them from radiation. A U.S. Army officer asserts the atomic bomb is a beautiful sight “when viewed at a safe distance,” as we watch young soldiers running towards a mushroom cloud. With Cold War memes re-emerging in our public discourse, audiences will weep with laughter and pained recognition as they contemplate the deployment of “alternate facts,” then and now, to achieve a desired end.
“Kevin Rafferty, Jayne Loader and Pierce Rafferty have made a landmark film about the nuclear age that remains just as relevant and darkly comical today as it’s ever been,” wrote Kino Lorber CEO Richard Lorber. “We wish times were different. But at least we have The Atomic Cafe to expose the horrific prospect of the Armageddon with humor, style and historical perspective.”
“We’re delighted to be rereleasing the 4K digital restoration of The Atomic Cafe with Kino Lorber,” said filmmakers Kevin Rafferty, Jayne Loader and Pierce Rafferty. “Kino Lorber did an outstanding job distributing Kevin’s film Harvard Beats Yale 29 – 29 and we’re all looking forward to working with their dynamic team.”
The Atomic Cafe was deemed of such historic importance that it was named to the National Film Registry of the Library of Congress in 2016. This 4K digital restoration was created by IndieCollect, a New York-based non-profit organization that saves and restores American independent films so that they can be seen in state-of-the-art digital formats. Funding was provided by the National Film Preservation Board of the Library of Congress, administered through a grant from the Council on Library and Information Resources (CLIR).
Caleb Emery, Cory Grüter-Andrew, Judah Lewis and Graham Verchere appear in Summer of ’84 by Francois Simard, Anouk Whissell and Yoann Whissell[/caption]
ROCK STEADY ROW and SUMMER OF ’84, have been selected as the opening night films of the 2018 Chattanooga Film Festival (CFF) slated for April 5 to 8, 2018. The festival will also screen the world premiere of the highly anticipated documentary LIFE AFTER FLASH.
LIFE AFTER FLASH is an inspiring and moving feature documentary that celebrates what makes that Mike Hodges enduring classic FLASH GORDON so iconic with audiences to this day. This film takes a looks at the real man behind the heroic mask, Sam J. Jones, including his successes, his battles, and his ultimate struggle for redemption. Director Lisa Downs, along with star Sam J. Jones and producer Ashley Pugh, will be in attendance for this once in a lifetime screening.
“The Chattanooga Film Festival has quickly grown over the last four years,” says festival executive director Chris Dortch. “Last year was our biggest, and for our fifth anniversary we weren’t going to settle for anything less than our best, most insane year yet.”
ROCK STEADY ROW | Director Trevor Stevens
Rock Steady Row centers around a young college freshman who, after his bike is stolen, lands on a college campus and is compelled to take action against the reigning fraternities and ultimately the dean.| Q&A with Trevor Stevens
https://www.youtube.com/watch?v=LJAEbawJZzg
SUMMER OF ’84 | Directors François Simard, Anouk Whissell, Yoann-Karl Whissell
After suspecting that their police officer neighbor is a serial killer, a group of teenage friends spend their summer spying on him and gathering evidence in, but as they get closer to discovering the truth, things get dangerous. | Q&A with François Simard, Anouk Whissell, Yoann-Karl Whissell
https://www.youtube.com/watch?v=6B46J7fY4PY
LIFE AFTER FLASH | Director Lisa Downs
*WORLD PREMIERE
LIFE AFTER FLASH explores the life of Sam J Jones since his iconic performance as ‘Flash Gordon’ in the 1980 classic of the same name, and the aftermath of the young stars’ clash with one of Hollywood’s biggest legends, producer Dino De Laurentiis. Q&A with star Sam J. Jones, Lisa Downs, and producer Ashley Pugh
THE RACHEL DIVIDE[/caption]
Netflix has dropped the trailer for the “The Rachel Divide” – the documentary on delf-described “trans racial” activist Rachel Dolezal, which along with three other films will premiere at the 2018 Tribeca Film Festival. The films include the North American debuts of Cargo and Sunday’s Illness (aka La Enfermedad Del Domingo); and world premieres of documentaries The Rachel Divide and The Bleeding Edge.
Cargo (Netflix Launch: May 18, 2018)
Stranded in rural Australia in the aftermath of a violent pandemic, an infected father desperately seeks a new home for his infant child, and a means to protect her from his own changing nature. Directed by Ben Howling and Yolanda Ramke and written by Yolanda Ramke, Cargo boasts a top-line international cast including Martin Freeman, Anthony Hayes, Susie Porter, Caren Pistorius, Kris McQuade, Natasha Wanganeen and David Gulpilil. Cargo is produced by Samantha Jennings and Kristina Ceyton of Causeway Films (The Babadook). Russell Ackerman, John Schoenfelder and Mark Patterson also serve as producers.
Sunday’s Illness (aka La Enfermedad Del Domingo) (Netflix Launch: June 15, 2018)
In Sunday’s Illness (aka La Enfermedad Del Domingo), Anabel abandoned her daughter Chiara when she was barely eight years old. Thirty-five years later Chiara returns with a strange request for her mother; she asks to spend ten days together. Anabel sees this trip as a chance to get her daughter back, but she doesn’t know that Chiara has a hidden purpose and she’ll have to face the most important decision of her life. Written and Directed by Ramón Salazar, the film stars Bárbara Lennie and Susi Sánchez. Sunday’s Illness is produced by Francisco Ramos and executive produced by Rafael López Manzanara.
Take Your Pills, directed by acclaimed documentarian Alison Klayman (Ai Weiwei: Never Sorry) and executive produced by Maria Shriver and Christina Schwarzenegger, explores the rise in popularity of prescription stimulants such as Adderall in today’s do-more-better-faster world.
Take Your Pills will premiere at SXSW on Friday, March 9, and will launch globally on Netflix on Friday, March 16.
The pressure to achieve more, do more, and be more is part of being human – and in the age of Adderall and Ritalin, achieving that can be as close as the local pharmacy. No longer just “a cure for excitable kids,” prescription stimulants are in college classrooms, on Wall Street, in Silicon Valley…any place “the need to succeed” slams into “not enough hours in the day.” But there are costs. In the insightful Netflix documentary Take Your Pills, award-winning documentarian Alison Klayman (Ai Weiwei: Never Sorry) focuses on the history, the facts, and the pervasiveness of cognitive-enhancement drugs in our amped-up era of late-stage-capitalism. Executive produced by Maria Shriver and Christina Schwarzenegger, Take Your Pills examines what some view as a brave new world of limitless possibilities, and others see as a sped-up ride down a synaptic slippery slope, as these pills have become the defining drug of a generation.
https://www.youtube.com/watch?v=X6Xebo1pngM