Cinedigm in partnership with Glass House Distribution released the award-winning independent film Saviors, winner of the Jury Award at the Madrid International Film Festival and the Beverly Hills Film Festival Audience Choice Award. Saviors starring Megan Johnson, Nathaniel Stroud, and Joe Cadiff is now available on Digital and DVD.
Reeling, Chicago’s LGBTQ+ film festival will celebrate its 38th anniversary this fall with a new virtual edition, showcasing 30 features, 54 shorts across eight shorts programs from 21 countries. Over the course of 11 days – from September 24 to October 4 – new titles will be premiered each day of the festival on Reeling’s online platform.
Sony Pictures released the trailer for the award winning film Yellow Rose which opens in theaters on October 9, 2020. Yellow Rose is the timely story of a Filipina teen from a small Texas town who fights to pursue her dreams as a country music performer while having to decide between staying with her family or leaving the only home she has known.
The 64th BFI London Film Festival (LFF) today announced a vibrant program of 58 films from around the world showcased at the reimagined 2020 festival that will be delivered both virtually and via physical screenings.
With over 175 films and 40+ countries represented, Calgary International Film Festival announced the 2020 lineup of much of the year’s most groundbreaking and must-see movies. The hybrid festival rolls out with 90+ in-cinema feature films and shorts package screenings and 160+ films that you can watch online. This will be first time the festival will be accessible by audiences outside Calgary – with streaming available across Alberta, Saskatchewan, and Manitoba from September 24 to October 4, 2020.
“My Brothers’ Crossing” is a spiritually uplifting film that depicts a true story about a black pastor that unintentionally has a head on collision with his car into a motorcycle killing a white couple shortly after the Missouri riots in August 2014. The movie will play in select Regal and AMC theaters throughout the US starting Thursday September 3rd.
Czech director Jiri Menzel, winner of the Academy Award for best foreign-language film in 1967 for “Closely Watched Trains”, died on Saturday, September 5, his wife, Olga Menzelova, announced on her Facebook page. He was 82.
The international premiere of the Colombian film Forgotten We’ll Be (El olvido que seremos), directed by Fernando Trueba and starring Javier Cámara, will close, out of competition, the Official Selection at the San Sebastian Festival’s 68th edition. The film, an adaptation of Héctor Abad Faciolince’s homonymous novel, is part of the Official Selection of Cannes 2020, cancelled due to the pandemic.
The Age of Nature, a three-part documentary series, explores how an increased awareness of the natural world is leading to a new chapter in the story of both humanity and the planet. With stunning photography, the series focuses on the resiliency of Earth’s ecosystems through stories of success, as scientists, citizens and governments act to fix past mistakes and restore the environment. With the current pandemic exposing the fragility and vulnerability of humankind, the balance of nature and our relationship with it is more important than ever. Narrated by Uma Thurman, The Age of Nature premieres Wednesdays, October 14-28, 10:00-11:00 p.m. ET..
Gravitas Ventures debuted the official trailer for the award-winning sci-fi comedy Alien Addiction directed by Shae Sterling.
Written and directed and by Kenyan filmmaker Sam Soko, Softie is the first film from Kenya to ever premiere at the Sundance Film Festival. The documentary film which won the Special Jury Award for Editing at the festival will be released in virtual cinemas nationwide starting September 18th.
Directed by Arthur Egeli (Murder on the Cape), The Black Emperor of Broadway is the story of the first African-American leading man on Broadway, Charles Gilpin. Gilpin was cast by playwright, Eugene O’Neill to be the lead in his play “The Emperor Jones” in 1920, a time when “blackface” was the norm on stage. O’Neill and Gilpin clashed numerous times over the cultural representation of Gilpin’s Emperor Jones, and while O’Neill’s name became celebrated, Gilpin’s was tragically lost to history.