• 2018 New Orleans French Film Festival Announces Lineup + Agnès Varda Retrospective

    [caption id="attachment_26732" align="aligncenter" width="1200"]Back to Burgundy ('Ce qui nous lie') Back to Burgundy[/caption] This year, the 21st edition of the New Orleans French Film Festival will kick off earlier than usual, beginning on February 23 and running through March 1, 2018, and will spotlight 17 feature films, 5 shorts, a retrospective of the magnificent Agnès Varda, French-themed live music performances prior to screenings, and special lectures, all in the historic Prytania Theater. “The New Orleans Film Society’s French Film Festival was founded to engage and celebrate the French influence on our beloved city,” said Fallon Young, Executive Director of the New Orleans Film Society. “That’s why, in New Orleans’ tricentennial year, we are especially pleased that the French Film Festival features the world premiere of a uniquely New Orleans story. Created by a local director, cast and crew, the short film Le Grande Remix depicts New Orleans as a diverse and vibrant city with global cultural influences.” Feature length films include the most awarded and sought after French films of the year: Back to Burgundy (opening night), Double Lover (closing night), 4 Days in France, After Love, All That Divides Us, Catch the Wind, Félicité, Ismael’s Ghosts, Marie Curie: The Courage of Knowledge, Montparnasse Bienvenüe, Nocturama, Souvenir, This is Our Land, as well as Jean Luc-Godard’s 1960 classic Breathless. The Agnès Varda retrospective includes three of her films, Le Bonheur (1965), The Gleaners and I (2000), and Faces, Places (2017). The shorts program includes Prestige Ingredients, We Are the Freak Show, The Elusive, Retaliation, and Le Grand Remix. The only female director of the French New Wave and the only female director to ever receive an honorary Oscar, Agnès Varda (born in Belgium in 1928) has occupied a singular and well-respected role within the film industry since her first film La Pointe Courte in 1956. The French Film Festival presents Agnès Varda: A Retrospective, which includes an under-seen example of her early, formally audacious fiction work Le Bonheur (1965), as well as two of her more recent autobiographical documentaries The Gleaners and I (2000), and Faces, Places (2017) which is a nominee for the Best Documentary at the 90th Academy Awards. The retrospective program includes a free lecture on Varda (on Sunday Feb 25, at 5pm) from Loyola professor Jean Brager, who will speak on Varda’s journey as a female filmmaker in a male-dominated industry as well as the ways in which her aesthetics paved the way for the Nouvelle Vague. The lecture will be followed by the screening of her latest documentary Faces, Places in which she collaborated with the phenomenal French photographer JR in search of the people and their villages that define rural France and make it what it is. What’s the connection of Congo and New Orleans? Join a free lecture by Freddi Williams Evans on Wednesday, Feb 28 at 7:15pm which will be followed by a screening of the Congo-set film Félicité. Evans will address the not so well known connections between Congo and New Orleans, as detailed in her essay “Enslaved Africans Perpetuated Cultural and Commercial Practices at Congo Square,” featured in the new book New Orleans & the World: 1718-2018 Tricentennial Anthology. Louisiana musicians Helen Gillet, Bart Ramsay, Bruce Sunpie Barnes, Thibault, Pascal Valcasara, and George Trahanis will be performing French-themed live music prior to select screenings during the French Film Festival. Performances will begin 30 minutes prior to the start time of the related films. Opening Night: Back to Burgundy | Friday, February 23 | 7:00-7:30 pm | Bart Ramsay Shorts Program | Saturday, February 24 | 2:00 – 2:30 pm | Bruce Sunpie Barnes After Love | Sunday, February 25 | 2:00 – 2:30 pm | Thibault Ismael’s Ghosts | Sunday, February 25 | 7:15 – 7:45 pm | Pascal Valcasara All That Divides Us | Tuesday, February 27 | 7:30 – 8:00 pm | George Trahanis Closing Night: Double Lover | Thursday, March 1 | 7:30 – 8:00 pm | Helen Gillet

    FILMS AND SYNOPSES

    Back to Burgundy, dir. Cedric Klapisch – Opening Night The latest from French director Cedric Klapisch (L’auberge espagnole) brings together three very different siblings who have inherited their father’s picturesque vineyard in the famous wine region of Burgundy in east-central France. Prodigal son Jean has spent 10 years away in Australia, and he and two siblings, Juliette and Jérémie, are forced to collectively decide if and how to save the family estate. Over the course of four seasons, from harvest through the stages of vinification, they must learn to forgive and trust themselves and one another, blossoming and maturing in step with the wine they make. An absorbing, bittersweet exploration of the complexities of family and winemaking, Back to Burgundy goes down like a fine pinot noir. Double Lover, dir. François Ozon – Closing Night Director François Ozon, French cinema’s “bad boy,” returns to his wild days with this erotic thriller, which screened in competition at Cannes in 2017. The film centers around Chloé, a beautiful young woman at a vulnerable time in her life, who begins therapy with Paul, an attractive and mysterious psychologist. Their charged conversations lead to an inevitable romance, and several months later Chloé is in love and living with her new partner. But she gradually comes to suspect that her lover is not exactly the man she thought he was. Starring Marine Vacth and Jeremie Renier, Ozon continuously deceives and mesmerizes in this this sensual and provocative film about identity, trust, and passion. (Not recommended for younger viewers.) Le Bonheur, dir. Agnès Varda Though married to the good-natured, beautiful Thérèse (Claire Drouot), young husband and father François (Jean-Claude Drouot) finds himself falling unquestioningly into an affair with an attractive postal worker. One of Varda’s most provocative films, Le Bonheur examines, with a deceptively cheery palette and the spirited strains of Mozart, the ideas of fidelity and happiness in a modern, self-centered world. Faces, Places , dir. Agnès Varda Varda, at 89 years old, hits the road in a van with superstar French photographer JR, 55 years her junior, in search of the people and their villages that define rural France and make it what it is. They travel the countryside, inviting villagers to pose for JR’s camera, and the massive prints he produces in the back of the van are then affixed to various buildings. The Gleaners and I, dir. Agnès Varda This delightful documentary is really a self-portrait of Varda, finding her fully embracing the freedom of digital video to craft a personal, political, and casually profound celebration of “gleaners”: those living on the margins of French society who scavenge for its leftovers–taking everything from surplus in the fields, to rubbish in trash cans, and oysters washed up after a storm. 4 Days in France, dir. Jérôme Reybaud On a seemingly ordinary night in Paris, Pierre takes a last look at his lover Paul’s sleeping body, then steals away into the morning light. Where he’s headed, neither of them know. Pierre’s only guide is his Grindr app, leading him on a series of encounters with an indelible cast of characters across the French countryside. Paul sets out after him, using his own phone to track Pierre’s movements in a strange and wonderful game of Grindr cat-and-mouse. A sly and sophisticated take on romance in the 21st century. After Love, dir. Joachim Lafosse Bernice Bejo (Oscar®-nominated for The Artist) and director-turned-actor Cedric Kahn star in this intimate family drama from acclaimed Belgian filmmaker Joachim Lafosse. After 15 years together, Boris and Marie have fallen out of love. After Love depicts the couple’s struggle to divide their assets and sort out custody of their two little girls, a task complicated by the fact that they aren’t married. Bejo and Kahn give unforgettable naturalistic performances in this intelligent and compassionate film. All That Divides Us, dir. Thierry Klifa A bourgeois family in a mansion in the middle of nowhere clashes with slum-dwellers residing in the projects in this engaging film noir starring acting heavyweights Catherine Deneuve and Diane Kruger. Intermingled in the mystery are a possible kidnapping, blackmail, and impossible love. Deneuve plays a mother trying desperately to save her daughter (Kruger) from a questionable relationship. Director Thierry Klifa created “authenticity of place” by shooting the film on location in region of Occitanie. Catch The Wind, dir. Gael Morel Edith, a 45-year-old textile factory worker, sees her life turned upside down by the company’s downsizing measures. Estranged from her son and without any other ties—and desperate to avoid unemployment—she decides to leave her life behind and follow the factory which has been relocated in Morocco. What follows is a revelatory story of immigration told from a new perspective, as Edith leaves France in search of opportunities in Northern Africa. Starring Sandrine Bonnaire from Agnès Varda’s seminal film Vagabond. Félicité, dir. Alain Gomis Félicité is a proud, free-willed woman working as a singer in a bar in the Congo. Her life is thrown into turmoil when her 14-year-old son gets into a terrible accident. To raise the money to save him, she sets out on a breakneck race through the streets of electric Kinshasa, a world of music and dreams. From French director Alain Gomis, Félicité was awarded the Grand Jury Prize at the Berlin International Film Festival and has been shortlisted for the Academy Award for Best Foreign Language Film. Ismael’s Ghosts, dir. Arnaud Desplechin The Opening Night selection at Cannes last year, Ismael’s Ghosts stars French screen regular Mathieu Amalric (The Diving Bell and the Butterfly) as a film director whose real life develops into a complex, Hitchcockian plot. He’s romantically involved with Sylvia (Charlotte Gainsbourg) but still grieving the loss of Carlotta (Oscar® winner Marion Cotillard), an old flame who disappeared mysteriously twenty years prior. When Sylvia attempts to leave, he must choose between the two and find an ending to the story. Marie Curie: The Courage of Knowledge, dir. Marie Noëlle Polish actress Karolina Gruszka stars in this sweeping biography of the legendary scientist Marie Curie. Curie courted controversy with her challenging of France’s male-dominated academic establishment with her unconventional romantic life. A pioneer in the study of radioactivity, Curie spent her life setting precedents: she was the first woman to win the Nobel Prize and the first person to win it twice. Director Marie Noëlle conjures her epic story in turn-of-the-century Europe in beautiful detail. Montparnasse Bienvenüe, dir. Léonor Serraille Thirty-something Paula has been dumped by her boyfriend after ten years together. Refusing to accept the role of the passive victim, she finds herself on an odyssey through Paris to recapture her independence and composure—a journey filled with rage, a fluffy cat, false identities, and a string of bizarre encounters. Recipient of the Caméra d’Or at last year’s Cannes Film Festival, Montparnasse Bienvenüe is both unexpected and funny, while relying on an incredible, explosive performance by Laetitia Dosch. Nocturama, dir. Bertrand Bonello Paris is being stalked by a hidden menace. You’d never recognize them. They have no religion, no affiliation, no shared skin. But they’re there, young and angry, drifting through the streets and subways hunting for weakness. And when they find it, they’re going to bring the city to its knees, and drink champagne and dance until the dawn. A film of daring politics, ravishing style, and sublime soundtracking, Nocturama offers up a grim fantasia of terror and excess that will stay with you for weeks. Souvenir, dir. Bavo Defurne Liliane (Isabelle Huppert) lives a modest and monotonous life. By day, she works in an industrial pâté factory, and by night, she sits on the couch and watches TV. One day, a new worker in the factory named Jean (Kévin Azaïs) arrives, and he grows increasingly convinced that he recognizes Liliane from a European singing contest he saw as a child. Was it her? Souvenir is a touching portrayal of a relationship between two people from different generations, coming together to make a life-changing comeback. This Is Our Land, dir. Lucas Belvaux This Is Our Land is a film for our times. Not so loosely based on French politician Marine Le Pen, the plot follows Pauline, an apolitical nurse frustrated by local politics, who is targeted by a far right-wing group to run for office. As her political star rises, inner turmoil sets in as she becomes increasingly dominated by the political machine. Probing issues of immigration and populism, the film is an incisive look at how the Front National political party operates and how it is perceived by the French. Breathless, dir. Jean-Luc Godard There was before Breathless, and there was after Breathless. Jean-Luc Godard burst onto the film scene in 1960 with this jazzy, free-form, and sexy homage to the American film genres that inspired him as a writer for Cahiers du Cinéma. With its lack of polish, surplus of attitude, anything-goes crime narrative, and effervescent young stars Jean-Paul Belmondo and Jean Seberg, Breathless helped launch the French New Wave and ensured that cinema would never be the same. French Short Films This 100-minute program includes 5 short films representing bold, new cinematic voices. Prestige Ingredients (26min | France | dir. Danielle + Adrian Rubi-Dentzel) A stifled, young Hollywood actress slips into a world of mouthwatering delicacies, sweet heartache, and bitter tears when she takes an unlikely job with an inspired rebel chef in Paris. We Are The Freakshow (10 min | Canada | dir. Fanny-Laure Malo, Philippe Lupien), A bingo game. An allegorical, wild, and humorous portrait. An homage to eccentricity and entertainment, to those things that remain unchanged. The Elusive (18min | Belgium | dir. Ely Chevillot), A complicated mother-son relationship becomes even more complicated when he acts inappropriately with another kid at the pool. Retaliation (26min I France, Benin I dir. Ange-Régis Hounkpatin) When her father is murdered in Benin, 18-year-old Awa is shaken by the brutal actions taken in her community to avenge his death. Le Grand Remix (17min I USA I dir. Austin Alward) Faced with not being allowed back into America if she leaves the U.S. to attend her sister’s wedding, a young African teacher at a French immersion school in New Orleans attempts to dance away her troubles to music is provided by a teenage Vietnamese-American DJ.  

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  • 2018 Berlin Film Festival Unveils Full Panorama Lineup, Opens with Wolfgang Fischer’s STYX

    [caption id="attachment_26726" align="aligncenter" width="960"]Styx, Wolfgang Fischer Styx[/caption] The 2018 Berlin International Film Festival has revealed the full lineup of the Panorama program, which will feature a total of 47 films from 40 countries, with 37 world premieres and 16 directorial debuts. 20 films will be screened in the scope of Panorama Dokumente , while 27 fiction features are shown in Panorama Special as well as the main program. The section takes a look at Wolfgang Fischer’s Styx , which will open Panorama Special on February 16 at Zoo Palace. Nearly dialogue-free, the film tells the story of a female doctor on a sailing vacation. A Czech production opens Panorama Dokumente. Jan Gebert’s Až přijde válka ( When the War Comes ) is the global trend of a socially acceptable form of nationalism using the example of the Slovak Slovenski Branci Slovak paramilitary organization. Árpád Bogdán’s feature film Genezis ( Genesis ) takes place on the series of attacks on Roma in Hungary in 2008/2009, exposing their effects on the victimized families and the community as well as casting light on the failures of the Hungarian judicial system pursuit of those guilty of crimes perpetrated under the dictatorial Franco regime is depicted in The Silence of Others, produced by Pedro Almodóvar. Former Brazilian president Dilma Roussef’s impeachment can be witnessed firsthand in O processo ( The Trial ). In Generation Wealth , Lauren Greenfield raises awareness for the self-indulgent quest for luxury and the total surrender to vanity leading to a sort of “ultra-decadence,” while in Lemonade , produced by Cristian Mungiu, the American Dream remains tauntingly out of reach for those who can not afford to buy a piece of it. In the French-German production Game Girls , two women try to escape life on Skid Row, the USA’s “Capital City of the Homeless”. Shakedown immerses the viewer in the Afro-American queer strip club scene of Los Angeles 1990s, relating its protagonists’ search for freedom and self-determination to great immediacy. In the Italian production country, Iranian director Babak Jalali who is defending their cultural identity with dignity. Family dynamics under the microscope: In Al Gami’ya ( What Comes Around ), the residents of one of Cairo’s poorest districts have developed a bank-free financing system for themselves. Two intimate portraits of rural conflict, set in Central China’s Henan province and the German state of Saxony-Anhalt respectively, are drawn in Jordan Schiele’s The Silk and the Flame and Rosa Hannah Ziegler’s family life ( Family Life ). Yang Mingming’s debut film Rou Qing Shi ( Girls Always Happy ) showcases the verbal duels of an odd mother-daughter duo looking for happiness in style or daydreams of getting rich quick. In La enfermedad del domingo ( Sunday’s Illness ), a mother and her daughter return to one another following years of estrangement. In Jibril , her final work for the Babelsberg University of Applied Sciences KONRAD WOLF, Henrika Kull depicts the isolation and love in the interaction between a single mom and a prison inmate. The Argentinian production Marilyn and the Brazilian film Tinta Bruta ( Hard Paint ) both show the isolation and the inherent in their protagonists’ search for their place in the world. In the mafia tale La terra dell ‘abbastanza ( Boys Cry ), two young men discover an ostensibly simple way out of a sticky situation. A complex web of responsibilities is included in the two instalments of the miniseries Ondes de choc ( Shock Waves ), directed by Lionel Baier and Ursula Meier. Three further films serve as reflections on cinema itself: Mes provinciales ( A Paris Education ), which is set in a Parisian millennial student milieu; Depending vois rouge ( I See Red People ), In Which Bojina Payanotova Confronts her parents With Their possible connections to the Bulgarian secret police; and Hotel Jugoslavija , in which director Nicolas Wagnières elevates at abandoned Grand Hotel to the status of contemporary witness to history, acting on his principle of “filming to retain and regain”. Fluid boundaries between reality and fiction are especially present in four productions. Xiao Mei investigates the enigma surrounding the disappearance of a young woman while the dark fairy tale Koly padayut pereva ( When the Trees Fall ) includes the frightening and enchanting experiences of three generations of women. In a hybrid form between fiction and documentary film, Trinta Lumes ( Thirty Souls ) reimagines the Galician backcountry as a mythical place populated by both the living and the dead. Finally, in the deceptively calm flow of horizon ‘s ( Horizon ) images, a man is at risk of losing his footing in life after a separation. The hard reality reflected in two productions from India and the Democratic Republic of the Congo was in stark contrast in this context. In Garbage , a young woman’s endures a nightmare of male violence. Kinshasa Makambo on the other hand provides insight into the brutal everyday existence of Congolese resistance fighters. In addition to their appearance in  Yocho , cinematic dystopias and allegories of reality are featured in Kim Ki-duk’s Inkan, gongkan, sikan grigo inkan ( Human, Space, Time and Human ) , in which of the widely differing backgrounds assembled on a warship develop a bestial need for patriarchal domination. From Iran comes the film Hojoom (Invasion ), which adeptly establishes an oppressive mood with its post-apocalyptic science-fiction world devoid of sunlight. Partisan takes a look back at Frank Castorf’s twenty-five year legacy at Berlin’s Volksbühne theater. Chilly Gonzales, self-proclaimed president of the Berlin Underground, is the subject of Shut Up and Play the Piano . MATANGI / MAYA / MIA The Sri Lankan Resistance artist portrays the controversial star between the labels attached to the music and media industries. In Idris Elba’s directorial debut, Yardie , the score by Dickon Hinchcliffe (“Tindersticks”) accentuates the journey of a young man from Kingston to London . Al Gami’ya ( What Comes Around ) – Lebanon / Egypt / Greece / Qatar / Slovenia By Reem Saleh Documentary World Premiere Až přijde válka ( When the War Comes ) – Czech Republic / Croatia By Jan Gebert Documentary World Premiere La enfermedad del domingo ( Sunday’s Illness ) – Spain By Ramón Salazar With Bárbara Lennie, Susi Sánchez, Greta Fernández, Miguel Ángel Solá, Richard Bohringer World premiere Familienleben ( Family Life ) – Germany By Rosa Hannah Ziegler Documentary World Premiere Game Girls – France / Germany By Alina Skrzeszewska Documentary World Premiere  Garbage – India By Q With Tanmay Dhanania, Trimala Adhikari, Satarupa The World Premiere Generation Wealth – USA By Lauren Greenfield Documentary International Premiere Genezis ( Genesis ) – Hungary By Árpád Bogdán With Anna Marie Cseh, Enikő Anna Illési, Milán Csordá’s World Premiere Hojoom ( Invasion ) – Iran By Shahram Mokri With Abed Abest, Elaheh Bakhshi, Babak Karimi, Pedram Sharifi, Mehdi Etemad Saied International Premiere Horizonti ( Horizon ) – Georgia / Sweden By Tinatin Kajrishvili With George Bochorishvili, Ia Sukhitashvili, Jano Izoria, Soso Gogichaishvili World Premiere Hotel Jugoslavija – Switzerland By Nicolas Wagnières Documentary European Premiere Inkan, gongkan, sikan grigo inkan ( Human, Space, Time and Human ) – Republic of Korea By Kim Ki-dukWith Mina Fujii, Jang Keun-suk, Ahn Sung-ki, Lee Sung-jae, Ryoo Seung-bum, Sung Ki-youn, Joe Odagiri World premiere  Je vois rouge ( I See Red People ) – France / Bulgaria By Bojina Panayotova Documentary World Premiere Jibril – Germany By Henrika Kull With Susana Abdulmajid, Malik Adan, Doua Rahal, Emna El-Aouni World Premiere Kinshasa Makambo – Democratic Republic of the Congo / France / Switzerland / Germany / Qatar / Norway By Dieudo Hamadi Documentary World Premiere Koly padayut dereva ( When the Trees Fall ) – Ukraine / Poland / Macedonia By Marysia Nikitiuk With Anastasiia Pustovit, Sofia Halaimova, Maksym Samchyk, Mariya Svizhynska, Alla Samoilenko World Premiere  Country – Italy / France / Netherlands / Mexico By Babak Jalali With Rod Rondeaux, Florence Klein, James Coleman, Wilma Pelly World Premiere  Lemonade – Romania / Germany / Canada / Sweden By Ioana Uricaru With Mina Manovici, Steve Bacic, Dylan Scott Smith, Milan Hurduc, Ruxandra Maniu World Premiere Marilyn – Argentina / Chile By Martín Rodríguez Redondo With Walter Rodriguez, Catalina Saavedra, Germán de Silva, Ignacio Giménez, Rodolfo Garcia Werner World Premiere MATANGI / MAYA / MIA – USA / United Kingdom / Sri Lanka By Steve Loveridge With Maya Arulpragasam Documentary International Premiere Mes provinciales ( A Paris Education ) – France By Jean Paul Civeyrac With Andranic Manet, Corentin Fila, Gonzague Van Bervesselès, Diane Rouxel, Jenna Thiam, Sophie Verbeeck World Premiere O processo ( The Trial ) – Brazil / Germany / Netherlands By Maria Ramos Documentary World Premiere Ondes de choc – Journal de ma tête ( Shock Waves – Diary of My Mind ) – Switzerland By Ursula Meier With Fanny Ardant, Kacey Mottet-Klein, Jean-Philippe Ecoffey, Carlo Brandt, Stéphanie Blanchoud, Jean-Quentin Châtelain International Premiere Ondes de choc – Prénom: Mathieu ( Shock Waves – First Name: Mathieu ) – Switzerland By Lionel Baier With Maxime Gorbatchevsky, Michel Vuillermoz, Ursina Lardi, Mickael Amman, Adrien Barazzone, Piere-Isaïe Duc, Nastassja Tanner International Premiere Partisan – Germany By Lutz Pehnert, Matthias Ehlert, Adama Ulrich With Frank Castorf, Sophie Rois, Kathrin Angerer, Herbert Fritsch, Henry Hübchen, Alexander Scheer Documentary World Premiere Rou qing shi ( Girls Always Happy ) – People’s Republic of China Yang Mingming With Nai An, Yang Mingming, Zhang Xianmin, Li Qinqin, Huang Wei, Yuan Li World Premiere Shakedown – USA By Leilah Weinraub Documentary World Premiere Shut Up and Play the Piano – Germany / France / United Kingdom By Philip Jedicke With Chilly Gonzales, Peaches, Feist, Sibylle Berg, Jarvis Cocker Documentary World Premiere La terra dell’abbastanza ( Boys Cry ) – Italy By Damiano D’Innocenzo, Fabio D’Innocenzo With Matteo Olivetti, Andrea Carpenzano, Milena Mancini, Max Tortora, Luca Zingaretti World Premiere The Silence of Others – USA / Spain By Almudena Carracedo, Robert Bahar Documentary World Premiere The Silk and the Flame – United States By Jordan Schiele Documentary World Premiere  Styx – Germany / Austria By Wolfgang Fischer With Susanne Wolff, Gedion Oduor World Premiere Tinta bruta ( Hard Paint )- BrazilBy Marcio Reolon, Filipe Matzembacher With Shico Menegat, Bruno Fernandes, Guega Peixoto, Sandra Dani, Frederico Vasque’s World Premiere  Trinta Lumes ( Thirty Souls )- SpainBy Diana Toucedo With Alba Arias, Samuel Vilariño’s World Premiere  Xiao Mei – Taiwan By Maren Hwang With Chen Yi-Wen, Liu Kuan-Ting, Na Dow, Wu Chien-Ho, Yin Shin, Laurence Chiu, Chang Shao-Huai, Samantha Ko, Wu Kang-jen, Jao Cincin World Premiere Yardie – United Kingdom By Idris Elba With Aml Ameen, Shantol Jackson, Stephen Graham, Fraser James, Sheldon Shepherd, Everaldo Creary European Premiere Already featured films: L’Animale – Austria by Katharina Mückstein Bixa Travesty ( Tranny Fag ) – Brazil by Claudia Priscilla, Kiko Goifman Ex Pajé ( Ex Shaman ) – Brazil by Luiz Bolognesi Malambo, el hombre bueno (Malambo, the Good Man) – Argentina by Santiago Loza Obscuro Barroco – France / Greece by Evangelia Kranioti La omisión ( The Omission ) – Argentina / Netherlands / Switzerland by Sebastián Schjaer River’s Edge – Japan by Isao Yukisada Profiles – USA / UK / Cyprus by Timur Bekmambetov That Summer – Sweden / Denmark, USA by Göran Hugo Olsson Yocho (Foreboding) – Japan by Kiyoshi Kurosawa Central Airport THF ( Central Airport THF ) – Germany / France / Brazil by Karim Aïnouz

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  • 2018 MidWest WeirdFest Reveals First 7 Films

    [caption id="attachment_26720" align="aligncenter" width="1200"]FUTURE FUTURE[/caption] The MidWest WeirdFest described as ‘a cinematic celebration of all things fantastic, frightening, offbeat, and just plain weird’ revealed the first seven feature films for the upcoming 2nd edition taking place March 9 to 11, 2018 at the Micon Downtown Cinema in Eau Claire, Wisconsin. “We are delighted to unveil this first glimpse at some of the 2018 festival’s incredible program”, says fest founder and veteran programmer Dean Bertram. “The selection encapsulates MidWest WeirdFest‘s mission of showcasing a heady combination of the latest and most original horror, sci-fi, underground, and documentary films. We can’t wait for the festival’s audience to journey with us on another twisting, terrifying, and at times hilarious journey through the cutting-edge of this season’s weird cinema.” The first seven feature films announced follow: 3 DEAD TRICK OR TREATERS (dir: Torin Langen) After stumbling upon the graves of three murdered trick or treaters, a small town paperboy discovers a series of handwritten horror stories tacked to the children’s headstones. Penned by a deranged pulp author driven mad by his craft, the stories chronicle grisly tales of Halloween rites, rituals and traditions. Absent of dialogue and heavy on atmosphere, 3 DEAD TRICK OR TREATERS is a horror chiller unlike any you’ve seen before. ATTACK OF THE TATTIE-BOGLE (dir: Pete Marcy) A group of unlikely bunkmates gathers at a mutual friend’s cabin in remote Wisconsin. Armed with all the comforts of urban life, they are ready to celebrate Independence Day; but when the group is attacked, they are sent reeling. Confused, scared, and unprepared to handle real danger, survivors are forced to battle fears, balance egos, and summon their courage – or die. Forget “cabin in the woods” slashers in the style of FRIDAY THE 13TH. This edge of your seat film depicts believable adult characters being killed with unpredictable, rapidly descending, and brutal violence. It feels uncannily real, and is all the more disturbing for it. BORLEY RECTORY (dir: Ashley Thorpe) This spine-tingling film chronicles the true story of “The most haunted house in England”. Narrated by Julian Sands (WARLOCK, GOTHIC, LEAVING LAS VEGAS), and starring Reece Shearsmith (THE LEAGUE OF GENTLEMEN, SHAUN OF THE DEAD), BORLEY RECTORY features a stunning combination of live action re-enactments, animated photographs from the period, and eerie visual effects. Be prepared to be mesmerized and chilled in equal portions by the most haunting film of the festival season. FAKE BLOOD (dir: Rob Grant) Rob Grant and Mike Kovac receive a disturbing fan video inspired by their previous horror movie MON AMI, motivating them to investigate the responsibility of filmmakers in portraying violence in movies. In their pursuit of the truth they are unwittingly introduced to the real world of violent criminals and their victims. Few films have managed to so successfully examine the blurred lines between real and imagined violence. FAKE BLOOD will keep you engaged and unbalanced until the final frame. THE FLATWOODS MONSTER: A LEGACY OF FEAR (dir: Seth Breedlove) Ahead of its official release this April, MidWest WeirdFest proudly presents this special sneak-peak screening of the latest, highly anticipated offering from production company Small Town Monsters. It is a terrifying documentary that revisits one of the earliest and most famous alien encounter reports of American UFO lore. The film’s director, Seth Breedlove (BOGGY CREEK MONSTER, THE MOTHMAN OF POINT PLEASANT, INVASION ON CHESTNUT RIDGE) is the most important documentarian working in the UFO/paranormal/cryptid field today, and was the recipient of 2017’s “Cryptozoologist of the Year” award. Don’t miss your chance to be one of the first people on this haunted planet to see his latest film. FUTURE (dir: Robert Cousineau, Chris Rosik) A drunken train-wreck of a time traveler offers a suicidally depressed tea store barista a do-over. The catch is, the do-over comes at a murderous price. FUTURE is a poignant and funny low-fi sci-fi that begs the question: If you only had a few days left to live, and you felt like no one wanted you around, what would you do with that time? Would you climb a mountain, fall in love, invent a world saving device? Or would you eat all the junk you usually don’t let yourself have, and blow off work to get drunk with your old friends? THE MOOSE HEAD OVER THE MANTEL (dir: Rebecca Comtois, Bryan Enk, Jessi Gotta, Matthew Gray, Shannon K. Hall, Jane Rose) Lillian Hoffhienze-Bachman and her family move into the previously abandoned Hoffhienze ancestral home, where their hopeful new start becomes tainted by the discovery of a century’s worth of abuse, dysfunction and violence. Lillian becomes consumed by her sordid ancestry, terrified that the past might dictate her son’s future. The grisly events of the past 100 years are revealed through the eyes of the family’s victims… including the moose head hanging on the mantel wall. Influenced and inspired by the notorious real lives of H.H. Holmes, The Bender Family, Lizzie Borden, Carl Panzram and The Fox Sisters, this dark and unsettling anthology chills to the core.

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  • Kate Bosworth, Yahya Abdul-Mateen II and Lynn Shelton to Be Honored at 2018 Sun Valley Film Festival

    [caption id="attachment_26715" align="aligncenter" width="1200"]Kate Bosworth, Yahya Abdul-Mateen II and Lynn Shelton Kate Bosworth, Yahya Abdul-Mateen II and Lynn Shelton[/caption] Kate Bosworth, Yahya Abdul-Mateen II and Lynn Shelton join Gwyneth Paltrow as honorees of the 2018 Sun Valley Film Festival.  Kate Bosworth will receive the Pioneer Award, Yahya Abdul-Mateen II will receive the Rising Star Award and Lynn Shelton receive the High Scribe Award and host the Screenwriter’s Lab.  In addition, Sir Sly will be the special musical guests performing at the SVFF Awards Bash.

    KATE BOSWORTH

    SVFF will honor Kate Bosworth with the annual Pioneer Award presented by Nat Geo WILD. She is the first female producer to receive the award following past recipient Mark Duplass. It will be presented at a private reception on Friday, March 16 and she will be participating in the Nat Geo WILD’s Salon Seriesat Festival HQ. Under MAKE PICTURES PRODUCTIONS, her newly formed production company with husband filmmaker Michael Polish, Bosworth executive produced and appeared in NONA, a feature film that sheds light on the brutality of Central America’s sex trafficking industry. The screenplay was written and the picture directed by Polish. Bosworth most recently starred in National Geographic’s The Long Road Home and leads MGM’s upcoming post-apocalyptic drama, The Domestics. Her other film credits include Black Rock, Blue Crush, Big Sur, Homefront, The Horse Whisperer, Still Alice, Straw Dogs and Superman Returns.

    YAHYA ABDUL-MATEEN

    The Festival will also present burgeoning talent Yahya Abdul-Mateen II with the second annual rising star award for breakthrough talent in the film and television industry. He will receive the award in a private reception and will be participating in the Nat Geo WILD’s Salon Series at Festival HQ. Known for his role as Cadillac on Baz Luhrman’s acclaimed series The Get Down, Abdul-Mateen II has also played opposite Dwayne Johnson in Baywatch and Hugh Jackman in The Greatest Showman. He is set to star alongside Jason Momoa as villain Black Manta in DC’s upcoming Aquaman.

    LYNN SHELTON

    Lynn Shelton, award winning writer and director, will receive the High Scribe Award and host the Screenwriters Lab, sponsored by Variety on Saturday, March 17th. Shelton’s work has screened at TIFF, Sundance, Cannes Directors’ Fortnight, Slamdance, SXSW, and Deauville and been honored at several of those including 2009 Sundance Special Jury Prize and two Independent Spirit Awards—the Acura Someone To Watch Award and the John Cassavetes Award. Shelton has directed a number of television shows, including Mad Men, Master of None, Casual, Love, Santa Clarita Diet, The Mindy Project, New Girl, Shameless, Fresh Off The Boat, and GLOW. Academy Award nominated producer Kevin Walsh will attend as judge of the SVFF High Scribe screenplay competition. As the President of Ridley Scott’s production banner Scott Free Films, Kevin has overseen such films as Murder on the Orient Express, Bladerunner, Zoe, and All the Money in the World. Kevin was named one of Variety’s “10 Producers to Watch.”

    SIR SLY

    Indie Pop Band Sir Sly will join the 2018 Festival as the headliners of the SVFF Awards Bash, presented by Tito’s Handmade Vodka, on Saturday, March 17th at Whiskey Jacques. Led by frontman Landon Jacobs and instrumentalists Hayden Coplen and Jason Suwito, Sir Sly has released two full length albums: You Haunt Me in 2013 and Don’t You Worry, Honey just last year. Their hit singles “Gold,” “You Haunt Me” and “High” have spent multiple weeks on Billboard, Sirius, and Rock Airplay charts. The band is currently on tour in the US with scheduled stops at both Coachella and Bonnaroo music festival.

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  • Berlin Film Festival Completes Forum 2018 Program with Special Screenings + Concert

    [caption id="attachment_26709" align="aligncenter" width="1200"]11 x 14. by James Benning 11 x 14. by James Benning[/caption] A series of Special Screenings committed to an alternative view of film historiography has now completed the The Forum program lineup of the 2018 Berlin International Film Festival. Since its foundation in 1971, the Forum has always shone a spotlight on historical films too, shaking the foundations of a cinematic canon whose main interest lies in feature films from Western Europe and North America. This year’s programme once again stands in opposition to such views and is dedicated to cinema from Africa, documentary and experimental film, “anti-cinema” films and salacious b-movies and “dirty” films. Before becoming Nigerian prime minister, writer Abubakar Tafawa Balewa landed a bestseller with his biographical novella “Shaihu Umar”. In 1976, Adamu Halilu adapted the material into a film, which is set in the late 19th century and revolves around an Islamic cleric telling his life story, which bears the marks of slavery. Long thought lost, the film rolls for several prints were rediscovered in 2016 in the archive of the Nigerian Film Corporation and restored by Arsenal – Institute for Film and Video Art with the support of the German Federal Foreign Office. The splendid new digital version of Shaihu Umar now receives its first screening at the Forum. The Geschichten vom Kübelkind (Stories of the Dumpster Kid) were shown at the very first International Forum of New Cinema in 1971 and have now been digitally restored. The series revolves around a rebellious “Dumpster Kid” played by Kristine de Loup, who always appears in a red dress and has various anarchic struggles with society. Ula Stöckl and Edgar Reitz shot Geschichten vom Kübelkind in 1969 with only their friends. Their series of 25 16mm short films of different lengths was a way of positioning themselves outside of the standard cinema system, with guests at a sort of pub-cum-cinema in Munich able to “order” individual episodes from a menu. Together with the documentary Der Film verlässt das Kino: Vom Kübelkind-Experiment und anderen Utopien (Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias) by Robert Fischer, a selection of the unique films is now to be screened again. A “pub cinema” much the same as the original screening set-up will also be installed at silent green Kulturquartier in Wedding on February 19, with these Special Screenings attended by Stöckl and Reitz. Put together over five decades, the Arsenal and Forum archive still forms an important part of the institution’s work. This work involves a large amount of international exchange, which forms the subject of a public panel discussion on February 22 as part of Forum Expanded’s “Think Film No. 6 – Archival Constellations”. One of the participants is Viviana García Besné, who attends as a representative of the Permanencia Voluntaria film archive in Mexico, which was heavily damaged during the earthquake in September 2017. The archive’s treasures include many of the popular films built around the character of luchador Rodolfo Guzmán Huerta alias El Santo, a wrestling superstar and actor who always appeared in his iconic silver mask. He plays the role of “El Enmascarado” in his first film Santo contra Cerebro del mal (Santo vs. Evil Brain), which was shot in Cuba in 1961 by Joselito Rodríguez. A restored version has now been created in collaboration with the Academy Film Archive, which allows an important piece of Mexican popular culture to make its way back into cinemas. 11 x 14, the first feature-length film by James Benning, is film theory in images. It is composed of single shots, each of which individually narrate something and hold the film together via recurring elements. What is narrated is pure form. 11 x 14 was originally shown at the Forum in 1977. It has now been restored by the Austrian Film Museum in collaboration with Arsenal – Institute for Film and Video Art and returns to the Forum once again as a 35mm print. As the smallest unit of a festival, a film can also become its narrative. In their 1985 documentary Yama–Attack to Attack, which is hardly known outside of Japan, Japanese directors Mitsuo Sato and Kyoichi Yamaoka created a portrait of the Tokyo district of Sanya, where day workers lived in wretched conditions and were exploited by Yakuza gangs in full view of the police and the Japanese elite. For documenting the excesses of a capitalism with fascist undertones, the two directors paid the price with their lives, as both were murdered by Yakuza henchmen. This underrated milestone in political documentary filmmaking will be screened at the Forum on a 16mm print with English subtitles. Mohamed Zinet’s film Tahia ya Didou was shot in 1971 as a commission for the city of Algiers and blends documentary and fictional elements into a poetic, biting, passionate portrait of the director’s home city. Shelved by its original commissioners, it developed into a cult film following repeated screenings at the Cinémathèque d’Alger. A digital restoration of this imaginative work now receives its premiere at the Forum. Kad budem mrtav i beo (When I Am Dead and Pale) by Živojin Pavlović is regarded as a key work of the Yugoslavian “Black Wave”. Shot in 1967, it tells the story of the irreverent Jimmy, who wants nothing more than to make it as a singer, regardless of his lack of talent. This punk film bursting with music also explores the bustling outskirts of Belgrade, which back then were still a work in progress. Following a digital restoration by the Jugoslovenska Kinoteka, this new version is screening for the first time at the Forum. The Japanese “pink eiga” films form perhaps one of the most idiosyncratic phenomena in the whole of international cinema. Conceived to entice male audiences with erotic content, the genre also attracted numerous young directors who bent it to their will and created some of the most radical, avant-garde works in Japanese film. A considerable number of the Japanese directors most well-known today took their first steps with “pink film.” What’s less well-known is that one of the driving forces behind the “pinku eiga” genre is actually a woman, who was concealed behind the male pseudonym Daisuke Asakura. With its “Pink Tribute to Keiko Sato”, the Forum is showing three of the producer’s most original films. Atsushi Yamatoya wrote his absurdly titled 1967 film Inflatable Sex Doll of the Wastelands in parallel to his script for Seijun Suzuki’s classic Branded to Kill, to which the former work undoubtedly forms a twin of sorts. For Masao Adachi, 1971’s Gushing Prayer was one last attempt to couch social critique in sexually provocative form, before he turned his attention to political activism. Finally, the most recent work in the series is the debut film by Masayuki Suo, who later landed one of the biggest hits in Japanese film history with Shall We Dance. Abnormal Family from 1984 is his tribute to Yasujiro Ozu, who for all the stylistic similarities would hardly have been pleased by the degree of sexual permissiveness. This year’s Forum program is to be opened with a concert by a group of Arab avant-garde musicians who will each provide a solo accompaniment to seven short films by Georges Méliès from 1899 to 1907. Supported by the Arab Fund for Arts and Culture (AFAC), Sharif Sehnaoui (electric guitar), Khyam Allami (synthesizer, oud, drums), Magda Mayas (piano), Tony Elieh (electric bass, electronics) and Abed Kobeissy (buzuk, electronics) will be giving their “Georges Méliès “Solitudes” Cine-concert” at the Delphi Filmpalast on February 16.

    Concert:

    “Georges Méliès „Solitudes“ Cine-concert” with Sharif Sehnaoui, Khyam Allami, Magda Mayas, Tony Elieh and Abed Kobeissy 

    The 2018 Forum Special Screenings:

    11 x 14 by James Benning, USA 1976 Der Film verlässt das Kino: Vom Kübelkind-Experiment und anderen Utopien (Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias) by Robert Fischer, Germany – WP Geschichten vom Kübelkind (Stories of the Dumpster Kid) by Ula Stöckl, Edgar Reitz, Germany 1970 Kad budem mrtav i beo (When I Am Dead and Pale) by Živojin Pavlović, Yugoslavia 1967 Santo contra Cerebro del mal (Santo vs. Evil Brain) by Joselito Rodríguez, Mexico 1961 Shaiu Umar by Adamu Halilu, Nigeria 1976 Tahia ya Didou by Mohamed Zinet, Algeria 1971 Yama–Attack to Attack by Mitsuo Sato, Kyoichi Yamaoka, Japan 1985

    “A Pink Tribute to Keiko Sato”:

    Inflatable Sex Doll of the Wastelands by Atsushi Yamatoya, Japan 1967 Gushing Prayerby Masao Adachi, Japan 1971 Abnormal Family by Masayuki Suo, Japan 1984

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  • 2018 Pan African Film & Arts Festival Reveals Highlights, Opens with “Love Jacked”

    [caption id="attachment_26705" align="aligncenter" width="1200"]Love Jacked Love Jacked[/caption] The 26th Annual Pan African Film and Arts Festival (PAFF) will take place Thursday, February 8 through Monday, February 19, 2018.  The festival will open with Love Jacked directed by Alfons Adetuyi, and close with Traffik directed by Deon Taylor, starring Paula Patton, Omar Epps and Laz Alonso. “The Pan African Film and Arts Festival has been recognized as one of the largest celebrations of Black culture and Black films,” mentions Ayuko Babu, PAFF Executive Director. “For 26 years, we have presented diverse and inclusive programming that features the creative work of leading disruptors in film and entertainment. The 2018 PAFF experience aims to step outside the ‘business as usual’ film festival norms and move the needle forward by amplifying the game-changing voices of influential, ethnic, millennial and LGBTQIA storytellers.” With pride, PAFF shares reign as one of two international film and art festivals that screen a large selection of new Black films and exhibit fine art and unique crafts from around the world. This year’s confirmed lineup showcases over 170 films from over 40 countries within five continents and in 26 languages! What’s more, as an official Oscar-qualifying festival for shorts and live-action films, PAFF will hold special screenings for several works that are up for consideration for the 90th Annual Academy Awards The festival will be held at the Cinemark Rave 15 Theatres/Baldwin Hills Crenshaw Plaza (3650 Martin Luther King, Jr. Blvd) in Los Angeles, California.

    Highlights of the 2018 Pan African Film & Arts Festival

    MARQUEE FILMS OPENING NIGHT Love Jacked (US) Directed By: Alfons Adetuyi Date: Thursday, February 8 Time: 6PM Red Carpet | 7PM Screening A warm family comedy centered around Maya, a headstrong 28-year-old with artistic ambitions and her father Ed, who wants a dutiful daughter to run the family store. Ed is shocked when Maya, asserting her independence, decides to travel to Africa for inspiration and returns with a fiancé. Stars Amber Stevens-West, Shamier Anderson, Lyriq Bent, Keith David, Mike Epps, Marla Gibbs, Angela Gibbs, Demetrius Grosse and Nicole Lyn. Cast members will be present. https://www.youtube.com/watch?v=s3XQ09nocQM CLOSING NIGHT Traffik (US) Directed By: Deon Taylor Date: Sunday, February 18 Time: 5:45PM Red Carpet | 6:45PM Screening Journalist Brea and her boyfriend John are off for a romantic weekend in the mountains. On their way up the coast they stop in a small town and are accosted by a group of men on motorcycles. Barely avoiding a fight, Brea and John continue on their trip, unaware that they have inadvertently come into possession of a cell phone–a cell phone that the bikers are desperate to retrieve. Now, alone in the mountains in an isolated rental home, Brea and John must defend themselves against the bikers who will stop at nothing to get the phone, destroy the evidence it holds and kill anyone who would tell their secrets. Stars Paula Patton, Omar Epps and Laz Alonso. Cast members will be present. https://www.youtube.com/watch?v=ttOv6zVsl6E SPOTLIGHT SCREENINGS Behind the Movement (US) – Presented by TVOne Directed By: Aric Avelino Date: Friday, February 9 Time: 7PM Red Carpet | 8PM Screening King of the Stage: The Woodie King, Jr. Story (US) – World Premiere Directed By: Juney Smith Date: Saturday, February 10 Time: 6PM Red Carpet | 7:15PM Screening | 9PM Lifetime Achievement Presentation Nothing Like Thanksgiving (US) Directed By: Mark Harris Date: Saturday, February 17 Time: 7:15PM Red Carpet | 8PM Screening UP FOR OSCAR CONSIDERATION Félicité (Senegal) – Oscar Short List Directed By: Alain Gomis Screening Dates & Times: Friday, February 9 @ 8:50PM Saturday, February 17 @ 9PM The Train of Salt and Sugar (Mozambique) – LA Premiere Directed By: Licínio Azevedo Screening Dates & Times: Wednesday, February 14 @ 7:30PM Saturday, February 17 @ 8PM The Wound (Inxeba) (South Africa) – Oscar Short List Directed By: John Trengrove Screening Dates & Times: Saturday, February 10 @ 7:05PM Tuesday, February 13 @ 6PM Monday, February 19 @ 9PM Woodpeckers (Dominican Republic) Directed By: José Maria Cabral Screening Dates & Times: Saturday, February 10 @ 8:40PM Friday, February 16 @ 1:25PM Image via Screen Shot

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  • Berlinale 2018: “NATIVe − A Journey into Indigenous Cinema” Spotlights Films from Pacific Ocean Region

    [caption id="attachment_26701" align="aligncenter" width="1200"]MA'OHI NUI, au cœur de l’océan mon pays (MA'OHI NUI, in the heart of the ocean my country lies) MA’OHI NUI, au cœur de l’océan mon pays (MA’OHI NUI, in the heart of the ocean my country lies)[/caption] This year, the 2018 Berlin International Film Festival will focus on Indigenous film-making in the countries and islands bound together by the Pacific Ocean, in the special program NATIVe − A Journey into Indigenous Cinema. Climate change is the most obvious link between the two seemingly very different regions: Melting ice masses are among the leading causes of the rising sea level, which threatens the whole Pacific region, including the island nations and regions of Polynesia, Melanesia/New Guinea and Micronesia, along with their primarily Indigenous populations. But climate change is not the only regional commonality. Industrialization, the repression of Indigenous languages and cultures, forced relocations and other long-term effects of colonizing practices still have consequences for both the peoples of the Arctic regions and the cultural areas in and around the Pacific. The documentary film MA’OHI NUI, au cœur de l’océan mon pays (MA’OHI NUI, in the heart of the ocean my country lies) clearly outlines one form of colonial aggression specific to the Pacific region: From 1966 to 1996, France ran an intensive nuclear testing program across French Polynesia. The film shows the catastrophic effects on the region’s environment and on the health and social structures of the Ma’ohi people. NATIVe will celebrate the documentary’s world premiere. The destructive effects of centuries of colonial repression are also illustrated in Anastasia Lapsui’s and Markku Lehmuskallio’s poetic, activist film Fata Morgana, and in the short film Three Thousand by Asinnajaq. In one striking scene in Fata Morgana, the children of the Chukchi explain how they must choose new Russian names for themselves at school so that their Russian teacher can pronounce them better. And the narrator in Three Thousand, an evocative tapestry of animated images and archival material, comments: “My father was born in a spring igloo − half snow, half skin. I was born in a hospital, with jaundice and two teeth.” As in previous years, there will be a number of talks and special presentations around the core film-program. The panel discussion “Establishing Indigenous Cinema” will continue NATIVe’s long-standing and successful collaboration with the Embassy of Canada. The industry talk, in which film professionals will discuss the role of Indigenous cinema within the global film scene, will be followed by a screening of the short film programme Reel Kanata VI. For the second time, NATIVe will be hosting an event together with the Helmholtz Climate Initiative Regional Climate Change (REKLIM) at the Alfred Wegener Institute, Helmholtz Centre for Polar and Marine Research and the DEKRA University of Applied Sciences Berlin. At “Indigenous Life and Global Climate Change − From Polar Regions to Pacific Islands. From Melting Sea Ice to Sea Level Rise” scientists and film-makers will take a closer look at the dramatic consequences of global warming and its regional effects in scientific talks, film screenings, and panel discussions. Furthermore, Berlinale Special will present the international premiere of the Australian documentary film Gurrumul. The screening will take place at Haus der Berliner Festspiele in cooperation with NATIVe. Gurrumul is an intimate portrait of the life and musical career of the late Geoffrey Gurrumul Yunupingu, the internationally celebrated blind Aboriginal singer who masterfully combined rhythms and melodies of his people, the Yolngu, with contemporary western music. Film program:

    Feature-length Films at NATIVe:

    Fata Morgana By Anastasia Lapsui, Markku Lehmuskallio, Finland 2005 Through a mesmerizing mix of filmic and storytelling styles, legendary film-making team Anastasia Lapsui and Markku Lehmuskallio recount thousands of years of history of the Chukchi people, from their mythology to the Russian colonisation and the modern-day survival of this culture. MA’OHI NUI, au cœur de l’océan mon pays (MA’OHI NUI, in the heart of the ocean my country lies) By Annick Ghijzelings, Belgium 2018 Documentary World premiere A poetic testimony on the adversities the Ma’ohi have undergone in times of contemporary colonization, portraying the aftermath of nuclear testing in French Polynesia, and the desire of a people to re-claim their identity.

    Short Film at NATIVe:

    Three Thousand By Asinnajaq, Canada 2017 Documentary By combining historic footage with original animation in a poetic tapestry, Asinnajaq explores her Inuit heritage throughout its entire audio-visual history and beyond, projecting a hopeful future.

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  • Sundance 2018: Aneesh Chaganty’s SEARCH Wins Alfred P. Sloan Foundation Feature Film Prize

    [caption id="attachment_26697" align="aligncenter" width="1200"]John Cho appears in Search by Aneesh Chaganty, an official selection of the NEXT program at the 2018 Sundance Film Festival. Courtesy of Sundance Institute | photo by Juan Sebastian Baron. John Cho appears in Search by Aneesh Chaganty, an official selection of the NEXT program at the 2018 Sundance Film Festival. photo by Juan Sebastian Baron.[/caption] The Sundance Institute and the Alfred P. Sloan Foundation handed out $71,000 in grants at a reception held at the 2018 Sundance Film Festival.  The Alfred P. Sloan Foundation Feature Film Prize was awarded to Aneesh Chaganty’s Search, who was presented with a $20,000 check.  Other winners include Cherien Dabis’s What The Eyes Don’t See (Sundance Institute | Sloan Commissioning Grant), produced by Rosalie Swedlin for Anonymous Content and executive produced by Michael Sugar; C. Wrenn Ball’s Katie Wright (Sundance Institute | Sloan Lab Fellowship) and John Lopez’ Untitled J.P. Morgan Project (Sundance Institute | Sloan Episodic Storytelling Grant).

    Search: Winner of the Alfred P. Sloan Foundation Feature Film Prize

    Search has been awarded the 2018 Alfred P. Sloan Feature Film Prize and received a $20,000 cash award from the Alfred P. Sloan Foundation at today’s reception. The Prize is selected by a jury of film and science professionals and presented to an outstanding feature film focusing on science or technology as a theme, or depicting a scientist, engineer or mathematician as a major character. The jury stated, “For its gripping and original interrogation of our evolving relationship with technology and how it mediates every other relationship in our lives, both positively and negatively, and for its rigorous formal experimentation with narrative, the 2018 Sloan Feature Film Prize at the Sundance Film Festival goes to Aneesh Chaganty’s Search.” Search / U.S.A. (Director: Aneesh Chaganty, Screenwriters: Aneesh Chaganty, Sev Ohanian, Producers: Timur Bekmambetov, Sev Ohanian, Adam Sidman, Natalie Qasabian) — After his 16-year-old daughter goes missing, a desperate father breaks into her laptop to look for clues to find her. A thriller that unfolds entirely on computer screens. Cast: John Cho, Debra Messing. Aneesh Chaganty is a 26-year-old writer/director whose two minute short film, a Google Glass spot called “Seeds”, became an internet sensation after garnering more than 1 million YouTube views in 24 hours. Following its success, Aneesh was invited to join the Google Creative Lab in New York City, where he spent two years developing, writing and directing Google commercials. He is a recipient of the Future of Storytelling Fellowship, awarded to only five young creatives around the world “who have demonstrated a fearlessness to tell stories in unconventional ways” and whose works “will be instrumental in shaping the future of storytelling.” Search is Aneesh’s first feature. Sev Ohanian is a 30-year-old screenwriter and producer native to Los Angeles. At the age of 20, he produced and self-distributed My Big Fat Armenian Family, a no-budget indie feature film that became popular with Armenian audiences around the world. Shortly after, he attended the USC School of Cinematic Arts MFA program — using the profits from his film to pay for tuition. Since graduating in 2012, he has been a producer on thirteen feature films, four of which have been Sundance Film Festival Official Selections. His first film, Ryan Coogler’s Fruitvale Station, won the Grand Jury Prize at the 2013 Sundance Film Festival. Andrew Bujalksi’s Results premiered at the 2015 Sundance Film Festival and was acquired by Magnolia Pictures. Clea DuVall’s The Intervention premiered at the 2016 Sundance Film Festival and was acquired by Paramount. At the 2018 Sundance Film Festival, Ohanian was awarded the Sundance Institute / Amazon Studios Producers Award.

    Sundance Institute / Sloan Commissioning Grant

    Cherien Dabis will receive a $25,000 cash award from the Alfred P. Sloan Foundation at this year’s Sundance Film Festival for What the Eyes Don’t See, produced by Rosalie Swedlin for Anonymous Content and executive produced by Michael Sugar. Previous winners include Alex Rivera’s La Vida Robot and Robert Edwards’s American Prometheus. What the Eyes Don’t See (U.S.A.) / Cherien Dabis (Writer/Director), Rosalie Swedlin (Producer) and Michael Sugar (Executive Producer) — A true story of how Iraqi American pediatrician and scientist Dr. Mona Hanna-Attisha blew the whistle on local and state government officials for poisoning thousands of Flint, Michigan residents, especially children, by exposing them to disastrous levels of toxic lead in the water. Cherien Dabis is an award winning filmmaker and television writer director who made her feature debut with Amreeka. The film world-premiered at the 2009 Sundance Film Festival and won the coveted FIPRESCI at Cannes. It went on to win a dozen more international awards including the Humanitas Prize and was nominated for a Best Picture Gotham Award, and 3 Independent Spirit Awards. Dabis returned to Sundance with her second feature May in the Summer, which opened the 2013 Sundance Film Festival’s U.S. Dramatic Competition section and had its international premiere at the Venice Film Festival. Dabis has also written and directed on such shows as Showtime’s groundbreaking series The L Word, Fox’s hit Empire and USA Network’s Golden Globe nominated crime thriller The Sinner. Rosalie Swedlin is a producer and literary manager at Anonymous Content. Swedlin began her career in New York book publishing, followed by six years handling publicity and marketing for various UK book publishers. Prior to joining Anonymous Content, she was a literary manager, producer, and partner at ICM for twelve years after having served as a senior vice president. Swedlin was an agent at CAA from 1981 – 1991 and was named co-head of the agency’s motion picture department. Swedlin executive produced the upcoming TNT limited series The Alienist based on Caleb Carr’s bestselling novel. The Wife, Swedlin’s most recent feature film, debuted at the 2017 Toronto International Film Festival. Her upcoming film projects include Jane Anderson’s adaptation of The Women in the Castle and Haifaa Al Mansour’s adaptation of the Cara Hoffman novel Be Safe I Love You. Michael Sugar recently launched Sugar23 — a management and production company with a multi-year, first-look deal with Anonymous Content — where he was a partner for many years. He was awarded the Oscar® for Best Picture for Spotlight and most recently wrapped production on the Netflix series Maniac, with Cary Fukunaga. He is currently in production on One Day She’ll Darken at TNT. He is an Executive Producer on the Netflix series The OA and the hit Netflix series 13 Reasons Why. Sugar also Executive Produced Cinemax’s critically acclaimed drama series The Knick directed by Steven Soderbergh. Sugar’s impressive roster of literary and talent clients includes Steven Soderbergh, Richard Linklater, Cary Fukunaga, Edgar Wright, Marc Webb, Patty Jenkins, and Robin Wright. He has been nominated for multiple Emmys, and won a Peabody Award for The Knick.

    Sundance Institute / Sloan Lab Fellowship

    C. Wrenn Ball will receive a $15,000 cash award from the Alfred P. Sloan Foundation at this year’s Sundance Film Festival. Previous winners include Logan Kibens’s Operator, Michael Almereyda’s Experimenter and Marjorie Prime, and Rob Meyer’s A Birder’s Guide to Everything. Katie Wright (U.S.A.) / C. Wrenn Ball (Writer) — Just as the Wright Brothers are about to capitalize on the invention of their airplane, Orville is badly injured in a public crash, and sister Katie unexpectedly emerges to lead their business. Fighting resistance from businessmen, society, and even her own brothers, she strives to keep the family together and claim her place as part of their legacy. Based on the forgotten true story. Hailing from North Carolina, C. Wrenn Ball exchanged life in the Southeast for work as an assistant on network television. He directed web series pilots in Los Angeles before completing an MFA at USC’s John Wells Division of Writing for Screen and Television. Obsessed by the twang and rhythm of life, Ball is constantly merging his Southern sensibilities with feature and television writing.

    Sundance Institute / Sloan Episodic Storytelling Grant

    John Lopez will receive an $11,000 cash award from the Alfred P. Sloan Foundation at this year’s Sundance Film Festival. Untitled J.P. Morgan Project (U.S.A.) / John Lopez (Writer, Creator) — A look at the family drama and professional innovations of American financier J.P. Morgan as the 20th century dawns and the country he helped build transforms radically. A Los Angeles native, John Lopez has covered film and the arts for Grantland, Vanity Fair online and Bloomberg Business Week. His short Plan B, starring Randall Park and Rosa Salazar, was a finalist in the NBC Short Cuts Film festival; he also directed segments for NBC’s 2014 Actor’s Showcase and served as associate producer on Hossein Amini’s film The Two Faces of January. In 2015, John was selected as a fellow for the 2015 Sundance Episodic Lab with his pilot Crude. Most recently, John has written for Netflix’s upcoming crime drama Seven Seconds and CBS All Access’s upcoming period drama Strange Angel, and he has just completed a mini-room for AMC’s Silent History.

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  • Berlinale 2018: 12th Culinary Cinema to Feature 10 Films Focusing on Food, Culture and Politics, Opens with “Chef Flynn”

    [caption id="attachment_26690" align="aligncenter" width="1200"]Flynn McGarry appears in Chef Flynn by Cameron Yates Flynn McGarry appears in Chef Flynn by Cameron Yates[/caption] Nine documentaries and a fictional film focussing on the relationship between food, culture, and politics are being presented this year in the 12th Culinary Cinema at the 2018 Berlin International Film Festival, held under the motto “Life Is Delicate” from February 18 to 23, 2018. “When it comes to cultural and political matters, sensitive decisions have to be made all the time. It’s like in a kitchen, where it’s also tricky to make, at the very least, something edible and, at the very best, something delicate,” Festival Director Dieter Kosslick says in explaining the motto. The main program of Culinary Cinema will present three world premieres, as well as an international and a German premiere. Following these screenings, top chefs Thomas Bühner, Sonja Frühsammer, Michael Kempf, Flynn McGarry, and The Duc Ngo will take turns serving menus inspired by the films in the Gropius Mirror Restaurant. Chef Flynn, a US documentary by Cameron Yates, will open the program. The film’s protagonist, Flynn McGarry, was born in 1998 and is already a famous chef. In the film we see how at the early age of ten, he transforms his parents’ living room in Los Angeles into a pop-up restaurant called Eureka and serves multi-course menus. Culinary superstars are impressed by his dishes. The New York press celebrates him as a ‘culinary prodigy’.  In addition, on February 22, 2018, during “Youth Food Cinema” Day, Flynn McGarry will cook together with school kids. Afterwards he will talk with experts about how to prepare tasty food with good, clean and fair products, and the positive impact using them has on living conditions, the climate and sustainable development worldwide.  In La quête d’Alain Ducasse (The Quest of Alain Ducasse) by Gilles de Maistre, culinary visionary Ducasse defines his task: “We create memories that last.” To accomplish it he tirelessly travels the world, inspects his 23 restaurants on three continents and maintains his 18 Michelin stars. Vines have been cultivated in Georgia for around 8,000 years. But during the Soviet regime, ancient methods of vinification were almost lost. In Our Blood Is Wine by Emily Railsback we experience how the tradition is being revived. Michael Kempf (two Michelin stars, “Facil”, Berlin) will be interpreting Georgia’s gastronomic heritage. In Cuba, culinary traditions were also being neglected for a long time. But now they say that “the taste is back” on the island. The road movie Cuban Food Stories by Asori Soto takes us to remote places where delicacies are prepared al fresco. Sonja Frühsammer (two Michelin stars, “Frühsammers Restaurant”, Berlin) will be paying culinary homage to Cuba. After participating in 2016, director Eric Khoo will be returning to Culinary Cinema with his new fictional film, Ramen Teh, set in the multi-ethnic city state and nation of Singapore. Here food serves as a means not only to preserve painful memories, but also to achieve reconciliation. The late-night screenings (where no meals are served afterwards) explore many aspects of the culinary cosmos. The Green Lie by Werner Boote unmasks the sometimes subtle, often crass methods of ‘greenwashing’ with which companies deceive consumers. In The Game Changers by Oscar-winner Louie Psihoyos, outstanding athletes show how they maintain a healthy weight and stay in form without eating meat. Patrimonio by Lisa F. Jackson and Sarah Teale is also encouraging: in this film, Mexicans manage to protect their village from takeover by a US construction company. How a group of women in a Lebanese refugee camp succeeds in organising a food truck and getting out of the camp is recounted in Soufra by Thomas Morgan. In Tuscany, the views of the landscape are magnificent but there is no future in sight for the peasant farmers in Lorello e Brunello by Jacopo Quadri.

    Culinary Cinema Program 2018 Films

    Chef Flynn USA By Cameron Yates Documentary International premiere Cuban Food Stories USA / Cuba By Asori Soto Documentary World premiere The Game Changers USA By Louie Psihoyos Documentary International premiere The Green Lie Austria By Werner Boote Documentary World premiere La quête d’Alain Ducasse (The Quest of Alain Ducasse) France By Gilles de Maistre Documentary German premiere Lorello e Brunello Italy By Jacopo Quadri Documentary German premiere Our Blood Is Wine USA By Emily Railsback Documentary World premiere Patrimonio USA By Lisa F. Jackson, Sarah Teale Documentary World premiere Ramen Teh Singapore / Japan / France By Eric Khoo World premiere Soufra USA By Thomas Morgan Documentary European premiere

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  • Sundance Announces 2018 Short Film Awards – Álvaro Gago’s “Matria” Wins Grand Jury Prize

    ,
    [caption id="attachment_26681" align="aligncenter" width="1200"]Francisca Iglesias Bouzón appears in Matria by Álvaro Gago, an official selection of the Shorts Programs at the 2018 Sundance Film Festival. Courtesy of Sundance Institute | photo by Lucia C. Pan. Francisca Iglesias Bouzón appears in Matria by Álvaro Gago[/caption] Winners of the 2018 Sundance Film Festival jury prizes in short filmmaking were announced at a ceremony in Park City, Utah, with the Short Film Grand Jury Prize going to Matria, written and directed by Álvaro Gago.  This year’s Short Film jurors are Cherien Dabis, Shirley Manson and Chris Ware. Short Film awards winners in previous years include And so we put goldfish in the pool. by Makato Nagahisa, Thunder Road by Jim Cummings, World of Tomorrow by Don Hertzfeldt, SMILF by Frankie Shaw, Of God and Dogs by Abounaddara Collective, Gregory Go Boom by Janicza Bravo, The Whistle by Grzegorz Zariczny, Whiplash by Damien Chazelle, FISHING WITHOUT NETS by Cutter Hodierne, The Tsunami and the Cherry Blossom by Lucy Walker and The Arm by Brie Larson, Sarah Ramos and Jessie Ennis.

    2018 Sundance Film Festival Short Film Jury Awards: 

    The Short Film Grand Jury Prize was awarded to: Matria / Spain (Director and screenwriter: Álvaro Gago) — Faced with a challenging daily routine, Ramona tries to take refuge in her relationships with her daughter and granddaughter. The Short Film Jury Award: U.S. Fiction was presented to: Hair Wolf / U.S.A. (Director and screenwriter: Mariama Diallo) — In a black hair salon in gentrifying Brooklyn, the local residents fend off a strange new monster: white women intent on sucking the lifeblood from black culture. The Short Film Jury Award: International Fiction was presented to: Would You Look at Her / Macedonia (Director and screenwriter: Goran Stolevski) — A hard-headed tomboy spots the unlikely solution to all her problems in an all-male religious ritual. The Short Film Jury Award: Non-fiction was presented to: The Trader (Sovdagari) / Georgia (Director: Tamta Gabrichidze) — Gela sells secondhand clothes and household items in places where money is potatoes. The Short Film Jury Award: Animation was presented to: GLUCOSE / U.S.A. (Director and screenwriter: Jeron Braxton) — Sugar was the engine of the slave trade that brought millions of Africans to America. Glucose is sweet, marketable and easy to consume, but its surface satisfaction is a thin coating on the pain of many disenfranchised people. A Special Jury Award was presented to: Emergency / U.S.A. (Director: Carey Williams, Screenwriter: K.D. Dávila) — Faced with an emergency situation, a group of young Black and Latino friends carefully weigh the pros and cons of calling the police. A Special Jury Award was presented to: Fauve / Canada (Director and screenwriter: Jérémy Comte) — Set in a surface mine, two boys sink into a seemingly innocent power game, with Mother Nature as the sole observer. A Special Jury Award was presented to: For Nonna Anna / Canada (Director and screenwriter: Luis De Filippis) — A trans girl cares for her Italian grandmother. She assumes that her Nonna disapproves of her – but instead discovers a tender bond in their shared vulnerability. Image: Francisca Iglesias Bouzón appears in Matria by Álvaro Gago, an official selection of the Shorts Programs at the 2018 Sundance Film Festival. Courtesy of Sundance Institute | photo by Lucia C. Pan.

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  • Complete List of 90th Academy Awards Nominations, “The Shape of Water” Leads With 13

    [caption id="attachment_25167" align="aligncenter" width="1200"]The Shape Of Water Sally Hawkins and Octavia Spencer in the film THE SHAPE OF WATER.[/caption] Actress-comedian Tiffany Haddish and actor-director Andy Serkis, joined by Academy President John Bailey, announced the 90th Academy Awards nominations today, with “The Shape of Water” leading with 13 nominations, followed by “Dunkirk,” with got eight nominations, and “Three Billboards Outside Ebbing, Missouri,” received seven nominations. The 90th Oscars, hosted by Jimmy Kimmel, will be held on Sunday, March 4, 2018, at the Dolby Theatre® at Hollywood & Highland Center in Hollywood, and will be televised live on the ABC Television Network at 6:30 p.m. ET/3:30 p.m. PT.

    Nominations for the 90th Academy Awards

    Performance by an actor in a leading role

    Timothée Chalamet in Call Me by Your Name Daniel Day-Lewis in Phantom Thread Daniel Kaluuya in Get Out Gary Oldman in Darkest Hour Denzel Washington in Roman J. Israel, Esq.

    Performance by an actor in a supporting role

    Willem Dafoe in The Florida Project Woody Harrelson in Three Billboards outside Ebbing, Missouri Richard Jenkins in The Shape of Water Christopher Plummer in All the Money in the World Sam Rockwell in Three Billboards outside Ebbing, Missouri

    Performance by an actress in a leading role

    Sally Hawkins in The Shape of Water Frances McDormand in Three Billboards outside Ebbing, Missouri Margot Robbie in I, Tonya Saoirse Ronan in Lady Bird Meryl Streep in The Post

    Performance by an actress in a supporting role

    Mary J. Blige in Mudbound Allison Janney in I, Tonya Lesley Manville in Phantom Thread Laurie Metcalf in Lady Bird Octavia Spencer in The Shape of Water

    Best animated feature film of the year

    The Boss Baby Tom McGrath and Ramsey Naito The Breadwinner Nora Twomey and Anthony Leo Coco Lee Unkrich and Darla K. Anderson Ferdinand Carlos Saldanha Loving Vincent Dorota Kobiela, Hugh Welchman and Ivan Mactaggart

    Achievement in cinematography

    Blade Runner 2049 Roger A. Deakins Darkest Hour Bruno Delbonnel Dunkirk Hoyte van Hoytema Mudbound Rachel Morrison The Shape of Water Dan Laustsen

    Achievement in costume design

    Beauty and the Beast Jacqueline Durran Darkest Hour Jacqueline Durran Phantom Thread Mark Bridges The Shape of Water Luis Sequeira Victoria & Abdul Consolata Boyle

    Achievement in directing

    Dunkirk Christopher Nolan Get Out Jordan Peele Lady Bird Greta Gerwig Phantom Thread Paul Thomas Anderson The Shape of Water Guillermo del Toro

    Best documentary feature

    Abacus: Small Enough to Jail Steve James, Mark Mitten and Julie Goldman Faces Places Agnès Varda, JR and Rosalie Varda Icarus Bryan Fogel and Dan Cogan Last Men in Aleppo Feras Fayyad, Kareem Abeed and Søren Steen Jespersen Strong Island Yance Ford and Joslyn Barnes

    Best documentary short subject

    Edith+Eddie Laura Checkoway and Thomas Lee Wright Heaven Is a Traffic Jam on the 405 Frank Stiefel Heroin(e) Elaine McMillion Sheldon and Kerrin Sheldon Knife Skills Thomas Lennon Traffic Stop Kate Davis and David Heilbroner

    Achievement in film editing

    Baby Driver Paul Machliss and Jonathan Amos Dunkirk Lee Smith I, Tonya Tatiana S. Riegel The Shape of Water Sidney Wolinsky Three Billboards outside Ebbing, Missouri Jon Gregory

    Best foreign language film of the year

    A Fantastic Woman Chile The Insult Lebanon Loveless Russia On Body and Soul Hungary The Square Sweden

    Achievement in makeup and hairstyling

    Darkest Hour Kazuhiro Tsuji, David Malinowski and Lucy Sibbick Victoria & Abdul Daniel Phillips and Lou Sheppard Wonder Arjen Tuiten

    Achievement in music written for motion pictures (Original score)

    Dunkirk Hans Zimmer Phantom Thread Jonny Greenwood The Shape of Water Alexandre Desplat Star Wars: The Last Jedi John Williams Three Billboards outside Ebbing, Missouri Carter Burwell

    Achievement in music written for motion pictures (Original song)

    Mighty River from Mudbound Music and Lyric by Mary J. Blige, Raphael Saadiq and Taura Stinson Mystery Of Love from Call Me by Your Name Music and Lyric by Sufjan Stevens Remember Me from Coco Music and Lyric by Kristen Anderson-Lopez and Robert Lopez Stand Up For Something from Marshall Music by Diane Warren; Lyric by Lonnie R. Lynn and Diane Warren This Is Me from The Greatest Showman Music and Lyric by Benj Pasek and Justin Paul

    Best motion picture of the year

    Call Me by Your Name Peter Spears, Luca Guadagnino, Emilie Georges and Marco Morabito, Producers Darkest Hour Tim Bevan, Eric Fellner, Lisa Bruce, Anthony McCarten and Douglas Urbanski, Producers Dunkirk Emma Thomas and Christopher Nolan, Producers Get Out Sean McKittrick, Jason Blum, Edward H. Hamm Jr. and Jordan Peele, Producers Lady Bird Scott Rudin, Eli Bush and Evelyn O’Neill, Producers Phantom Thread JoAnne Sellar, Paul Thomas Anderson, Megan Ellison and Daniel Lupi, Producers The Post Amy Pascal, Steven Spielberg and Kristie Macosko Krieger, Producers The Shape of Water Guillermo del Toro and J. Miles Dale, Producers Three Billboards outside Ebbing, Missouri Graham Broadbent, Pete Czernin and Martin McDonagh, Producers

    Achievement in production design

    Beauty and the Beast Production Design: Sarah Greenwood; Set Decoration: Katie Spencer Blade Runner 2049 Production Design: Dennis Gassner; Set Decoration: Alessandra Querzola Darkest Hour Production Design: Sarah Greenwood; Set Decoration: Katie Spencer Dunkirk Production Design: Nathan Crowley; Set Decoration: Gary Fettis The Shape of Water Production Design: Paul Denham Austerberry; Set Decoration: Shane Vieau and Jeff Melvin

    Best animated short film

    Dear Basketball Glen Keane and Kobe Bryant Garden Party Victor Caire and Gabriel Grapperon Lou Dave Mullins and Dana Murray Negative Space Max Porter and Ru Kuwahata Revolting Rhymes Jakob Schuh and Jan Lachauer

    Best live action short film

    DeKalb Elementary Reed Van Dyk The Eleven O’Clock Derin Seale and Josh Lawson My Nephew Emmett Kevin Wilson, Jr. The Silent Child Chris Overton and Rachel Shenton Watu Wote/All of Us Katja Benrath and Tobias Rosen

    Achievement in sound editing

    Baby Driver Julian Slater Blade Runner 2049 Mark Mangini and Theo Green Dunkirk Richard King and Alex Gibson The Shape of Water Nathan Robitaille and Nelson Ferreira Star Wars: The Last Jedi Matthew Wood and Ren Klyce

    Achievement in sound mixing

    Baby Driver Julian Slater, Tim Cavagin and Mary H. Ellis Blade Runner 2049 Ron Bartlett, Doug Hemphill and Mac Ruth Dunkirk Mark Weingarten, Gregg Landaker and Gary A. Rizzo The Shape of Water Christian Cooke, Brad Zoern and Glen Gauthier Star Wars: The Last Jedi David Parker, Michael Semanick, Ren Klyce and Stuart Wilson

    Achievement in visual effects

    Blade Runner 2049 John Nelson, Gerd Nefzer, Paul Lambert and Richard R. Hoover Guardians of the Galaxy Vol. 2 Christopher Townsend, Guy Williams, Jonathan Fawkner and Dan Sudick Kong: Skull Island Stephen Rosenbaum, Jeff White, Scott Benza and Mike Meinardus Star Wars: The Last Jedi Ben Morris, Mike Mulholland, Neal Scanlan and Chris Corbould War for the Planet of the Apes Joe Letteri, Daniel Barrett, Dan Lemmon and Joel Whist

    Adapted screenplay

    Call Me by Your Name Screenplay by James Ivory The Disaster Artist Screenplay by Scott Neustadter & Michael H. Weber Logan Screenplay by Scott Frank & James Mangold and Michael Green; Story by James Mangold Molly’s Game Written for the screen by Aaron Sorkin Mudbound Screenplay by Virgil Williams and Dee Rees

    Original screenplay

    The Big Sick Written by Emily V. Gordon & Kumail Nanjiani Get Out Written by Jordan Peele Lady Bird Written by Greta Gerwig The Shape of Water Screenplay by Guillermo del Toro & Vanessa Taylor; Story by Guillermo del Toro Three Billboards outside Ebbing, Missouri Written by Martin McDonagh

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  • “This Is Home: A Refugee Story,” to Air on EPIX in 2018 Following World Premiere at Sundance Film Festival

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    This Is Home: A Refugee Story This Is Home: A Refugee Story which world premiere at the 2018 Sundance Film Festival, will make its television debut on the premium pay television network EPIX, later in 2018. Directed by Alexandra Shiva (How to Dance in Ohio), This is Home is an intimate portrait of four Syrian refugee families arriving in America and struggling to find their footing. Displaced from their homes and separated from loved ones, they are given eight months of assistance from the International Rescue Committee to become self-sufficient. As they learn to adapt to challenges, including the newly imposed travel ban, their strength and resilience are tested. After surviving the traumas of war, the families arrive in Baltimore, Maryland and are met with a whole new set of challenges. They attend cultural orientation classes and job training sessions where they must “learn America” – everything from how to take public transportation to negotiating new gender roles. This Is Home goes beyond the statistics, headlines, and political rhetoric to tell deeply personal stories, putting a human face on the global refugee crisis.

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