
The Film Society of Lincoln Center and Istituto Luce Cinecittà announced the complete lineup for the 17th edition of Open Roads: New Italian Cinema taking place June 1 to 7, 2017.

The Film Society of Lincoln Center and Istituto Luce Cinecittà announced the complete lineup for the 17th edition of Open Roads: New Italian Cinema taking place June 1 to 7, 2017.
Liberia soldier Joseph Duo exults after firing a rocket at rebel forces in Monrovia, Liberia in 2003. The photo led to an unlikely and enduring friendship between the subject and the photographer, Getty Images photojournalist Chris Hondros. Film still from HONDROS. Photo by Chris Hondros.[/caption]
Festival goers at the 2017 Tribeca Film Festival voted The Divine Order (Die göttliche Ordnung) and Hondros the winners of the Audience Awards. The Divine Order (Die göttliche Ordnung), directed and written by Petra Volpe was chosen to receive the Narrative award and Hondros, directed by Greg Campbell, written by Greg Campbell, Jenny Golden, was chosen for the Documentary award. Each award comes with a cash prize of $10,000. Additionally, as part of the Tribeca Film Festival Artists Awards program, Divine Order receives R.H. Quaytman: Delphi Landscape, 2017, and Hondros receives Urs Fischer boomboomboom, 2016, The Transit of Venus (Melanie).
“It is always exited to see what resonates most with the audience, and this year both the narrative and documentary winners represent smart filmmaking and impactful storytelling,” said Tribeca Film Festival’s Paula Weinstein. “On behalf of the Tribeca team, we congratulate The Divine Order and Hondros as the 2017 Audience Award winners, and hope moviegoers worldwide get to experience these powerful films.”
The runners-up were Saturday Church, directed and written by Damon Cardasis, for the narrative audience award and Shadowman, directed and written by Oren Jacoby, for the documentary audience award. Throughout the Festival, which kicked off on April 19, audience members voted by using the official Tribeca Film Festival app on their mobile devices and rating the film they just experienced on a scale of 1-5 stars. Films in the U.S. Narrative Competition, International Narrative Competition, World Documentary Competition, Viewpoints, Spotlight, Specials, and Midnight sections were eligible.
THE AUDIENCE AWARD WINNING FILMS AND RUNNERS-UP:
WINNERS
The Divine Order (Die göttliche Ordnung), directed and written by Petra Volpe. (Switzerland) – International Premiere. Political leaders in Switzerland cited ‘Divine Order’ as the reason why women still did not have the right to vote as late as 1970. Director Petra Volpe explores this surprising history through the story of Nora, a quiet housewife from a quaint village searching for the fierce suffragette leader inside her. With Marie Leuenberger, Max Simonischek, Rachel Braunschweig, Sibylle Brunner, Marta Zoffoli, Bettina Stucky. In Swiss-German with subtitles.
The film played in the International Narrative Competition section.
Hondros, directed by Greg Campbell, written by Greg Campbell, Jenny Golden. (USA) – World Premiere. Beginning with the war in Kosovo in 1999, award-winning photographer Chris Hondros served as a witness to conflict for over a decade before being killed in Libya in 2011. In Hondros, director and childhood friend Greg Campbell creates a portrait of a man with not only great depth and sensitivity, but a passion for his craft, and an unending talent for creating breathtaking imagery. Executive produced by Jake Gyllenhaal. In Arabic, English with subtitles.
The film played in the Spotlight Documentary section.
RUNNERS UP
Saturday Church, directed and written by Damon Cardasis. (USA) – World Premiere. 14-year-old Ulysses is a shy and effeminate teen being raised in the Bronx by his strict Aunt Rose. He finds escape in a rich fantasy life of music and dance, and soon with a vibrant transgender youth community called Saturday Church. Damon Cardasis’ directorial debut is a rousing celebration of one boy’s search for his identity. With Luka Kain, Margot Bingham, Regina Taylor, Marquis Rodriguez, MJ Rodriguez, Indya Moore, Alexia Garcia.
The film played in the U.S. Narrative Competition section.
Shadowman, directed and written by Oren Jacoby. (USA) – World Premiere. In the early 1980s, Richard Hambleton was New York City’s precursor to Banksy, a rogue street artist whose silhouette paintings haunted the sides of Manhattan buildings. Like so many other geniuses of his time, he fell victim to drug addiction, even as his work continued to rise in both demand and value. Shadowman doubles as both a time capsule of a forgotten New York City era, and a redemption story.
The film played in the Documentary Competition section.
The Wedding Plan[/caption]
The Wedding Plan, an Israeli romantic comedy about a jilted Orthodox bride who embarks on an elaborate search for Mr. Right, will screen as the first film of the Atlanta Jewish Film Festival Selects series on Thursday, May 11.
The AJFF Selects series is designed to bring the same type of world-class films from the annual festival to audiences year-round. AJFF Selects will feature a series of special screening events outside of the annual festival. These programs will feature outstanding new foreign and independent films, as well as expert speakers and guest filmmakers.
Says AJFF Executive Director Kenny Blank, “With programming initiatives like the AJFF Selects, we have the opportunity to continue our conversation with the community and expand our artistic footprint all year long. We’re excited to unveil more films in the Selects series soon. This is just the beginning of new program offerings from AJFF.”
From acclaimed writer-director Rama Burshtein (Fill the Void) comes the surprisingly gentle and sweet new Israeli romantic comedy, The Wedding Plan.
After her fiancé calls off their wedding a month before the ceremony, an ultra-Orthodox woman (Noa Koler) decides to keep the wedding date, leaving it to fate to provide a suitable groom. Unwilling to return to lonely single life, Michal embarks on an exhaustive search for a spouse, enlisting different matchmakers and enduring a series of horrible blind dates. As the day of her wedding grows closer and without the presence of Mr. Right, the jilted bride-to-be puts everything on the line to find happiness.
Nominated for nine Israeli Academy Awards, The Wedding Plan is winner of Best Actress and Best Screenplay honors, and claimed Best Actress prize at the Haifa International Film Festival. A nominee for Best Film at the Venice Film Festival, the film is also an Official Selection of the 2017 Tribeca Film Festival.
Roman Polanski[/caption]
Roman Polanski’s latest film Based on a True Story (D’après une histoire vraie) along with six other films have been added to the lineup of the 2017 Cannes Film Festival. Based on a True Story will screen Out of Competition.
The complete list of films added to the 2017 Cannes Film Festival
Competition
The Square by Ruben Ostlund
Out of Competition
Based on a True Story (D’après une histoire vraie) by Roman Polanski
Un Certain Regard
La Cordillera by Santiago Mitre
Walking past the Future by Li Ruijun
Special Screenings
Le Vénérable W. by Barbet Schroeder
Carré 35 by Eric Caravaca
Children’s Screening
Zombillénium by Arthur de Pins and Alexis Ducord
The Festival de Cannes will also offer a screening tribute to André Téchiné presenting his newest film Nos années folles; and an event with a concert and a film by Tony Gatlif whose movie Djam will be screened at the Cinéma de la plage (“Movies on the Beach).
Brandon Polansky as David Cohen and Samantha Elisofon as Sarah Silverstein in KEEP THE CHANGE. Photographer: Giacomo Belletti.[/caption]
Keep the Change, Son of Sofia and Bobbi Jene won the top competition awards at the 16th Tribeca Film Festival award ceremony earlier tonight.
Keep the Change won the award for Best U.S. Narrative, Son of Sofia won for Best International Narrative, and Bobbi Jene won for Best Documentary.
For the fifth year, Tribeca awarded innovation in storytelling through its Storyscapes Award for immersive storytelling, which went to TREEHUGGER: WAWONA.
“It is more important than ever to celebrate artists both in front of and behind the camera who have the unique ability to share different viewpoints to inspire, challenge and entertain us,” said Jane Rosenthal, Executive Chair and Co-Founder, Tribeca Film Festival. “The winning creators from across the Festival program shared stories that did exactly that, and we are honored to recognize them tonight. And how wonderful is it that the top awards in all five feature film categories were directed by women.”
This year’s Festival included 97 feature length films, 57 short films, and 30 immersive storytelling projects from 41 countries.
DEAREST SISTER[/caption]
The fifth edition of Stranger With My Face International Film Festival will take place in Hobart from May 4 to 7, 2017. Stranger With My Face focuses on women’s perspectives in genre filmmaking with an emphasis on horror and related genres.
The 2017 program includes the Australian premiere of Elizabeth E. Schuch’s debut film THE BOOK OF BIRDIE. Schuch is a London-based director and producer specializing in creative visuals and has contributed to many films, TV, and theatre productions in the art department as a production designer, matte painter or storyboard and concept artist (including Wonder Woman and Pacific Rim:Uprising).
“It’s a visually stunning piece, with a fascinating intensity and sense of its own style,” says Festival Director Briony Kidd. “I’ve no doubt Elizabeth is a filmmaker to watch.”
The film tells the story of a fragile teenage girl who’s placed in a gloomy convent to be looked after by nuns. Will her unusual obsessions become a mark of sainthood or a dark heresy?
The director says: “I’m absolutely thrilled to bring the mad, mystical world of The Book of Birdie to meet the perfect genre audience in Tasmania, and to meet the other filmmakers passionate about telling strange dark tales with a female eye.”
Also screening at Stranger With My Face 2017:
The Australian feature film INNUENDO, directed by Saara Lamberg, in a micro-budget spotlight;
The Laos feature film DEAREST SISTER, a ghost story with powerful social resonances from SWMF favorite Mattie Do;
And a line-up of short films including:
Blood Sisters (Australia, dirs. Caitlin Koller & Lachlan Smith)
Doll (Australia, director Jia He)
The Man Who Caught a Mermaid (Australia, director Kaitlin Tinker)
What Happened to Her (USA, Kristy Guevara-Flanagan)
Pendulum (UK, Lauren Cooney)
Gardening at Night (USA, Shayna Connelly)
Slapper (Australia, Luci Schroder)
And the following one-hour talks make up this year’s Mary Shelley Symposium:
Print-maker Jazmina Cininas talking about her ‘Girlie Werewolf Hall of Fame’ body of work around the mythology of the female werewolf in culture (her exhibition Blood Moon will also be opened as part of the festival);
Film academic Deb Verhoeven talking about the films of Gaylene Preston, SMWF’s featured retrospective for 2017;
Writer, researcher and artist Lauren Carroll-Harris reflecting on the screen culture in Australia, with a presentation entitled ‘Why do we fund Australian films but not the cinemas to screen them in?’;
And horror fan and broadcaster Chloe Black with ‘The Wolf in the Dress’, an exploration of transgender and transphobic representation in modern horror.
The 2017 poster is by Adelaide-based artist Amy Fairweather, who cites influenced including Robert Louis Stevenson’s DR JECKYLL AND MR HYDE, and the Jennnifer Kent film THE BABADOOK. “I had an image in mind of a Victorian-esque woman who’s in a trance-like state, her ‘darker’ side emerging in plumes of smoke.The monster is a representation of her tormented, malevolent and twisted self.”
The key international guests for 2017, and mentors for the Attic Lab program for filmmakers that takes place within the festival, are Gaylene Preston (the featured retrospective filmmaker of the festival with her films PERFECT STRANGERS and MR WRONG screening), producer/director Roxanne Benjamin (whose anthology feature film XX is screening) and cinematographer Sandi Sissel (who worked on Wes Craven’s THE PEOPLE UNDER THE STAIRS) will be showcased in a special screening.
A film still from JULIAN SCHNABEL: A PRIVATE PORTRAIT.[/caption]
Pappi Corsicato’s documentary Julian Schnabel: A Private Portrait had its world premiere at the Tribeca Film Festival, and will be followed by a New York theatrical release on Friday, May 5 at the newly launched Quad Cinema and the Lincoln Plaza Cinema. A national theatrical rollout will follow.
Julian Schnabel: A Private Portrait is a vivid chronicle of the colorful personal life and public career of the celebrated painter and filmmaker. The film details the Brooklyn-born Schnabel’s formative years in Texas, the beginning of his professional career in New York City in the late ‘70s, his rise to superstar status in the ‘80s Manhattan art scene, and his move into filmmaking with 1995’s Basquiat followed by Before Night Falls and The Diving Bell and the Butterfly. With a kaleidoscopic blend of material from Schnabel’s personal archives, newly shot footage of the artist at work and play, and commentary from friends, family and artists, including Al Pacino, Mary Boone, Jeff Koons, and Laurie Anderson—not to mention Schnabel himself—Italian filmmaker Pappi Corsicato creates a fascinating portrait of one of the modern art world’s true mavericks.
The Lost City of Cecil B. DeMille[/caption]
The Archaeology Channel International Film Festival said today that guests from Muslim-majority countries invited to this year’s festival will not attend largely because of obstacles to obtaining visas.
Largely because of obstacles to obtaining visas, most foreign guests invited to Lane County’s oldest film festival, The Archaeology Channel International Film Festival, will not attend. The absence of these anticipated participants, belonging to three Muslim-majority countries, will have a significant and damaging impact on the event.
Of nine individuals in this group from Egypt, Iran and Pakistan, only one has been granted a visa. Two of them have had their visa applications outright rejected and two have been place in the “Administrative Processing” category, a kind of limbo status that can last weeks or months and is a de facto denial of a visa for someone coming to a scheduled event. Three other anticipated guests, after initial attempts to obtain visas and learning that others were being denied visas, decided against coming to the Festival and one was blocked by his employer from coming.
TAC Festival opens its 14th edition on May 3rd at the Hilton Hotel and Conference Center in Eugene, Oregon. Other main components of the Festival are The Archaeology Channel Conference on Cultural Heritage Media, featuring presentations May 4-6 at the Hilton, and the film screenings for the competition at The Shedd May 4-7. Most of the expected guest who are not coming were scheduled to give formal presentations at the Conference.
“The U.S. State Department vetting process for visas already was arbitrary and unpredictable,” says Festival Director and ALI head Rick Pettigrew. “We saw problems of this kind last year. However, the difficulty faced by people trying to obtain visas from these countries appears to have grown significantly this year. One of our expected guests this year was here on our jury two years ago and spent months on Administrative Processing last year so he couldn’t come. Two others who won’t be with us were here last year. I can’t help but suspect that this outcome is the result of a silent but de facto travel ban as well as the negative publicity about the travel ban. It sends a message to people in these countries that an attempt to get a US visa is likely to be a waste of time and money. The absence of these guests weakens the value of our event for other participants and creates serious financial challenges for us in sustaining the event.”
The absences of foreign guests leave six open places in the presentation schedule for TAC Conference. Festival staff will do all possible to make use of the vacant times for other productive Festival purposes. Fortunately, the schedule includes other highly anticipated presentations, such as by Dr. Christopher Thornton of the National Geographic Society. Also noteworthy among the presenters at the Conference portion of the Festival are a group of panelists discussing their film about the lost Egyptian movie set of Cecil B. DeMille on the California coast, a filmmaker and archaeologist from Luxembourg who has been doing 3D documentation using drones in Iraqi Kurdistan, and a Kazakh filmmaker from Altay, China, describing the ancient skiing culture of the Altai Mountains in Central Asia. Several presentations focus on methods and opportunities for the development of network TV programming in the US. This is the most diverse and numerous set of presentations in the history of TAC Conference.
Ken Loach, Paul Laverty and James Newton Howard[/caption]
Director Ken Loach along with his long-time screenwriter Paul Laverty, and music composer James Newton Howard will be honored at the 52nd Karlovy Vary International Film Festival.
The Crystal Globe for Outstanding Artistic Contribution to World Cinema will be presented to two individuals who together have influenced the history of British cinema – director Ken Loach and his long-time screenwriter Paul Laverty. Ken Loach and Paul Laverty have worked together on twelve feature films and two shorts, in the process becoming pioneers of British social realist film with a humanitarian message.
The films of Ken Loach and Paul Laverty are regular winners of awards at renowned international festivals (Cannes, Venice), and Loach in particular has close ties to the festival in Karlovy Vary as well.
At the 16th Karlovy Vary IFF in 1968 Carol White has received Best Female Actress Award for her performance in Loach’s film Poor Cow. The film has also received a Special Jury Prize. In 1970, Loach personally accepted an award at the 17th annual KVIFF for his ground-breaking film Kes, a drama that the British Film Institute has included among the ten best British films of the 20th century.
Music composer James Newton Howard, the author of music to legendary movies such as Pretty Woman, The Sixth Sense, Batman Begins and all four parts of The Hunger Games will be a guest at the 52nd Karlovy Vary International Film Festival, where he will receive the Crystal Globe for Outstanding Artistic Contribution to World Cinema.
In 1985, he was offered his first film, Head Office, and he quickly knew he had found his calling. Since then, he has scored films such as all four installments of The Hunger Games, Concussion, The Huntsman: Winter’s War, Maleficent, Nightcrawler, Snow White and the Huntsman, The Bourne Legacy, Salt, The Last Airbender, Water For Elephants, Gnomeo & Juliet, Batman Begins, Collateral, Snow Falling on Cedars, Outbreak, The Village, Hidalgo, Peter Pan, Wyatt Earp, Lady in the Water, The Sixth Sense, Unbreakable, Freedomland, Treasure Planet, Signs, Falling Down, Primal Fear, Glengarry Glen Ross, Waterworld, The Devil’s Advocate, Dave, and Pretty Woman among many others. In 2016 he composed the music for the prequel to Harry Potter, Fantastic Beasts and Where to Find Them, which was released in November.
In 2017 he is working on the scores for Disney’s The Nutcracker and the Four Realms, Inner City with Denzel Washington and Red Sparrow with Jennifer Lawrence.
The festival will continue a successful tradition with the world premiere screening of the digitally-restored, The Shop on Main Street from from creative pair Ján Kadár and Elmar Klos, and winner of Academy Award for Best Foreign Language Film in 1966.
One of the most highly respected filmmakers in the history of cinema, Japanese Master Kenji Mizoguchi, will be celebrated at the festival via a collection of ten fundamental pictures from his extensive filmography as selected by renowned British writer, curator and film critic Tony Rayns.
“At a time when film buffs are often forced to watch classic movies on screens that measure diagonally about the length of your forearm, KVIFF will provide big-screen viewing of mainly 35mm prints for another chapter in our series devoted to filmmakers who had an immense influence on the development of film culture,” said festival artistic director Karel Och.
The festival will also pay tribute to the legend of Czech cinematography Jiří Brdečka on the occasion of the 100th anniversary of his birthday. The festival will present the well-known film Lemonade Joe and the cross-section of the Brdečka’s short films.
Ed Asner and AutFest honoree Ben Affleck (PRNewsfoto/The Autism Society)[/caption]
Actor Ben Affleck, Pixar filmmakers Pete Docter and Jonas Rivera were among the awardees honored for their filmmaking contributions to autism awareness at the 1st AutFest International Film Festival in Orange, California.
After a screening of his 2016 film The Accountant, in which he portrayed a forensic accountant on the autism spectrum, seven-time Emmy® winner and autism advocate Ed Asner presented Affleck with the AutFest Awareness Award.
Oscar-winning Pixar filmmakers Pete Docter and Jonas Rivera were honored by Asner with the AutFest Vanguard Award after a screening of their film Inside Out.
Over nine feature films and six short films were presented during the two-day festival that included this year’s Oscar-nominated documentary Life, Animated and international films from China (Destiny) and Malaysia (Redha). Two of the shorts, Even in Death and The Adventures of Pelican Pete: A Bird is Born, were written and directed by filmmakers on the autism spectrum. Panelists included Po’s director John Asher and actor Julian Feder, as well as an autism sibling panel following the Life, Animated screening.
The 1st Annual AutFest International Film Festival winners include:
Best Film:
Po, directed by John Asher (U.S.A.)
Best Documentary:
Swim Team, directed by Lara Stolman (U.S.A.)
Best Short:
The Buddy System, directed by William Harris and Megan Smith-Harris (U.S.A.)
Best Performance
Julian Feder, Po (U.S.A.)
Audience Award:
The Accountant, directed by Gavin O’Connor (U.S.A.)
Best Autistic Filmmaker:
Zac Davis, Even in Death (U.S.A.)
NEW YORK, NY – APRIL 24: Host Bob Harper, Director Susan Froemke and Director of Mount Sinai Heart and Physician-in-Chief of The Mount Sinai Hospital Dr. Valentin Fuster, MD, PHD during the Tribeca Film Festival premiere for the feature documentary, The Resilient Heart.[/caption]
Oscar-nominee and Grammy winning director, Susan Froemke, premiered her feature documentary film, The Resilient Heart, during the 2017 Tribeca Film Festival to a packed audience. The screening event was hosted by Bob Harper, the celebrity trainer and host of NBC’s Biggest Loser, who suffered a heart attack earlier this year. Over the weekend, the film made its world premiere in competition at the acclaimed Newport Beach Film Festival.
The feature length documentary film, which centers on the work of Dr. Valentin Fuster, a world-renowned cardiologist and Physician-in-Chief at The Mount Sinai Hospital, has been picked up by Amazon Prime Video and Amazon.com for a global launch, and is available now.
Froemke announced the release of The Resilient Heart in Park City, UT following the 2017 Sundance Film Festival premiere of her documentary Rancher, Farmer, Fisherman.
[gallery size="large" type="rectangular" ids="22059,22060,22061,22062,22063,22064,22065"]
“When I first met Dr. Valentin Fuster, I thought cardiovascular disease was a rich nation’s illness, but I soon found out it was the leading cause of death across the globe,” said Froemke. “Dr. Fuster’s mission to stem the tide of this debilitating epidemic inspired me to make The Resilient Heart with the hope to bring his important story to a wide audience.”
“Every year, over 17 million people worldwide die from heart disease,” explained Dr. Fuster. “By 2030 that number is expected to be 23 million, and most of those deaths are preventable. I hope this film will help to change those statistics moving forward.”
The film, made with generous support from The Valentin Fuster Mount Sinai Foundation for Science, Health & Empowerment, Inc., focuses on Dr. Fuster’s research and travels as he discovers that the real answer to fighting chronic disease lies in early education. The Resilient Heart follows Dr. Fuster as he travels from Bogota, Columbia, to Eldoret, Kenya, the island of Grenada, Madrid, the Harlem neighborhood of New York City, and Mexico, where he encounters the profound impacts of coordinated global health initiatives, proactive public policy, and the passion of people to better the health and well-being of populations, no matter the circumstances.
The film was directed by Oscar®-nominee and Grammy® winner Susan Froemke, a non-fiction filmmaker with over 30 documentaries to her credit, including the iconic Grey Gardens (1976), the Academy Award nominated Lalee’s Kin (2001), Conversations With The Rolling Stones (1994), and Escape Fire: The Fight To Rescue American Healthcare which premiered at Sundance in 2013.
For four decades, Dr. Fuster has been a global leader in the field of cardiology, including cardiovascular medicine, translational research, and education. He has a keen interest in promoting cardiovascular health, especially for the world’s tiniest hearts — those in our children. Dr. Fuster has published more than 1,000 research studies on the prevention and treatment of heart disease, coronary artery disease, atherosclerosis, and thrombosis, and is Director of Mount Sinai Heart and Physician-in-Chief of The Mount Sinai Hospital. Dr. Fuster is the former President of the American Heart Association and the World Heart Federation.
https://www.youtube.com/watch?v=dbg0ojiNixc
Sundance Film Festival: London at Picturehouse Central[/caption]
The 2017 Sundance Film Festival: London, taking place June1 to 4 at Picturehouse Central will present 14 feature films direct from this year’s Sundance Film Festival in Park City, Utah. The festival will open with the International premiere of Miguel Arteta’s Beatriz at Dinner, and it will close four days later with the UK premiere of David Lowery’s critically acclaimed A Ghost Story, starring Casey Affleck and Rooney Mara.
The 2017 festival will also include a short film program with 15 shorts, including a strand dedicated to new UK shorts. For the first time, the program will include a “Surprise Film” screening which promises festivalgoers an exclusive chance to catch an audience hit from this year’s festival in Park City. Additionally, the Sundance Film Festival: London will introduce an Audience Favorite award for 2017, giving festivalgoers the chance to vote for their favorite features, with the winner announced at the close of the festival.
The Special Events program comprises three panel events and an “In Conversation” event with renowned guests, providing incredible insights into the filmmaking process. The “Independent Film Trumps Reality” panel will examine independent filmmaking in the current political climate, involving directors at the festival whose films have gained a new level of currency in the age of Trump, while the “On Collaboration: Documentary Practices and Process” panel (presented by Dropbox) will explore the themes of diversity, accessibility and progress in documentary, and the short filmmaker panel “Art vs. Stepping Stone” (presented in association with London Short Film Festival) will pose the question, “Are shorts simply a stepping stone or do they sustain a filmmaker throughout a career?” Acclaimed director David Lowery, whose highly anticipated film A Ghost Story will close the festival, will participate in an “In Conversation” event (presented in association with Empire magazine) which will be followed by a special screening of his earlier feature, Ain’t Them Bodies Saints.