The Lavender Scare, the award-winning documentary film tells the story of the vicious witch hunt where tens of thousands of gay men and lesbians were fired from their jobs in a decades-long effort by the U.S. government to rid the federal workforce of homosexuals.
This year, the Tribeca Film Festival will debut the inaugural Tribeca Celebrates Pride, a day-long event on Saturday, May 4th at the Tribeca Festival Hub at Spring Studios concluding with the World Premiere of Wig, directed by Chris Moukarbel. The day will honor the 50th anniversary of the Stonewall riots, including one-on-one interviews with LGBTQ+ luminaries including Neil Patrick Harris, John Cameron Mitchell, Larry Kramer and guest speaker Asia Kate Dillon. The program will reflect on the impact of this seminal moment for the LGBTQ+ community and include conversations with Raul Castillo, Patti Harrison, Angelica Ross, and more.
The first trailer is here for the new documentary Gay Chorus Deep South chronicling The San Francisco Gay Men’s Chorus’ life-changing Lavender Pen Tour through five southern states in the fall of 2017.
Jeanie Finlay’s Seahorse, that follows a gay transgender man who decides to carry his own baby, released the first trailer ahead of its World Premiere at the 2019 Tribeca Film Festival on Saturday, April 27th.
From March 21st to 31st , the 33rd edition of BFI Flare: London LGBTQ+ Film Festival will showcase the best in contemporary global LGBTQ+ films, over 50 features, more than 80 shorts and a wide range of special events, guest appearances, club nights and much more.
Writer/director Matthew Montgomery’s Devil’s Path follows two men who meet up in a popular wilderness park for a casual hookup. Winner of Best First Narrative Feature and Best Supporting Actor at FilmOut San Diego, Devil’s Path opens in Los Angeles on March 1, DVD and VOD on March 5.
GLAAD, the lesbian, gay, bisexual, transgender, and queer (LGBTQ) media advocacy organization, announced the nominees for the 30th Annual GLAAD Media Awards at the Sundance Film Festival. Among the nominees: The Favourite, Can You Ever Forgive Me?, Boy Erased, Love Simon, and The Miseducation of Cameron Post. GLAAD announced Special Recognition Awards for Nanette, a Netflix special starring queer comedian Hannah Gadsby; TransMilitary, a documentary which premiered on Logo and spotlighted the lives of transgender service members; and House of Mamis, a Spanish-language docuseries about a LGBTQ voguing community in Mexico City which ran on LGBTQ site INTOMore.com.
Love, faith and civil rights collide in a southern town as evangelical Christians and drag queens step into the spotlight to dismantle stereotypes in the trailer for the documentary The Gospel of Eureka. Directed by Michael Palmieri and Donal Mosher; and narrated by Mx Justin Vivian Bond, Kino Lorber will release The Gospel of Eureka on February 8, 2019.
CALL HER GANDA[/caption]
Ganda [gʌn-daː] – meaning “beauty” in Tagalog
On October 11, 2014, Jennifer Laude was last seen with a United States Marine and later found dead in a motel bathroom. This and the identity of the suspect is known to both the Philippines and the United States Government, yet their imperialistic relationship and preponderant transphobia in both countries has rendered the case gridlocked. Filipino-American director PJ Raval seeks justice for trans woman Jeffery “Jennifer” Laude as her homicide evolves far beyond her death and echoes a long-pondered question: what is the United States’ role in the Philippines? Call her Ganda is a poignant exploration of LGBT+ relations in a time of social media saturation and in an environment dominated by lingering post-colonialism. Raval and journalist Meredith Talusan unravels the red herring media coverage and social delusion regarding Laude’s family and the trans community as they struggle for authentic visibility. This documentary intimately examines the resulting Filipino nationalism after Laude’s tragic death as well as the first indictment of a U.S. serviceman on Philippines soil.
Born Jeffery Laude, Jennifer was the breadwinner of her family and provided financial support to her mother. Though her main source of income was promiscuous, the viewer is asked to look beyond her sex-work, identity, and race to ultimately find humanity in someone that is most likely foreign to themselves. The film provides a glimpse into the misunderstood trans-culture of the Philippines and its relation to the nation’s prevailing poverty and corrupt political system. Testimony from her friends and family acquaints us with the bright and benevolent life Laude led while conversely probing us to question the immoral capabilities of United States servicemen. We feel her mother’s struggle for justice, recognize her fiancé’s pain as he tries to make sense of the tragedy, and understand the upheaval of the Filipino people in response U.S.’s intrusion in Filipino law. Raval inquires us to examine the relationship the Philippines has with its Western Subjugator and challenge documents such as the Visiting Forces Agreement (VFA) that allow the U.S. to interfere in Filipino judicial processes under certain circumstances.
Call Her Ganda makes it a point to remind us of media’s involvement in the proceedings following the incident and the interconnective soapbox that is social media. We see how opinions over the internet sustain widespread dogmatism over complex controversies and how media can contort the truth for political interest whenever convenient. Though Laude and Pemberton’s case may seem unambiguous to either side of the aisle due to predispositions of gender, race, and nationality, Talusan explores varying perspectives subsequently highlighting the numerous moral dilemmas that saturate both the events in question and the legal turbulence that follows. The film itself seeks “Justice for Jennifer,” yet rather than completely villainizing a single person or group, Talusan ventures toward understanding Pemberton’s perspective and widespread transphobia ultimately revaluating modern and western education of gender fluidity.
Despite the film’s emphasis on social media’s tendency to polarize opinions, it doesn’t forget to demonstrate its power to bring people together under a meaningful cause. The film itself is a product of social support as it captures the united front that is transgender and Filipino pride. Joseph Scott Pemberton’s actions that night may have pained so many who knew and sympathized with Jennifer Laude, but this documentary makes it known that her death was not in vein. The anger and sadness that stems from mourning is galvanized into a passion for justice and social equality. Laude’s name stands as a reminder that trans people will continue to be marginalized and Filipinos overlooked if these moral dilemmas go unaddressed, unexamined, and uncontested. Call Her Ganda attempts to breed empathy regarding gender identity and race, ultimately breathing new life into Jennifer Laude by recognizing a deep desire shared by all humans: to unapologetically be one’s true self. Laude defined herself by who she knew she was and took pride in her identity making her truly Ganda.
https://www.youtube.com/watch?v=6YwQtgBRhZQ
Finnish-Syrian LGBT romantic drama A Moment in the Reeds, the feature debut of Finnish writer/director Mikko Makela is a moving gay romance between a young Finnish academic and a struggling Syrian refugee, set against an idyllic Finnish summer.
After world premiering at the 2017 London Film Festival and a year of critical success on the worldwide festival circuit and opening theatrically to critical acclaim in Finland this past summer, A Moment in the Reeds releases on December 4th, 2018 in the U.S. and Canada on DVD & VOD.
Mikko Makela’s stunning debut explores the relationship between two men, set against an idyllic Finnish summer. Whilst visiting his estranged father, Leevi meets Tareq, a handsome Syrian immigrant employed to restore the family lake house. Leevi’s father departs for the city, leaving the two men alone in the beautiful remote countryside and enabling them to act on their impulses and the chemistry that clearly exists between them. Far removed from their everyday lives, the only immediate threat to the men’s relationship is the eventual return of Leevi’s father. But there’s also Tareq’s complex relationship with his family back in Syria. Makela sensitively explores the perspectives of both men, who long for some human connection, acceptance and a place to call home. Locating marginalised characters at the forefront of the story, Makela’s film is a very welcome and refreshingly frank portrait of contemporary Finnish society.
One of the first LGBT-themed films made in Finland, Makela’s intimate drama places at its center the freedom and acceptance of sexual and ethnic minorities, amidst the backdrop of breathtaking Finnish lake country.
https://www.youtube.com/watch?v=sld9shloXw4
Light in the Water[/caption]
Logo Documentary Films today announced its 2018 slate which includes Light in the Water, When the Beat Drops and Quiet Heroes. The first film, Light in the Water, premiering Thursday, July 19th on Logo, details the humble beginnings of one of the first openly gay masters swim and water polo club in 1982. When the Beat Drops, premiering August 9th, follows a crew of gay African-American men as they pioneer the Southern-rooted underground dance scene known as “bucking.” The Sundance Film Festival favorite, Quiet Heroes, which tells the story of one female doctor fighting to save the denigrated and largely male AIDS population in the socially conservative Salt Lake City area, premieres August 23rd. Logo Documentary Films division recently received the 2018 Television Academy Honor for Forbidden: Undocumented and Queer in Rural America as well as its third Daytime Emmy for KEVYN AUCOIN Beauty & The Beast in Me.
“Now more than ever, it is imperative for us to tell the stories of our community’s ability to triumph over adversity,” said Taj Paxton, VP of Logo Documentary Films. “These documentaries represent our bravery and our continued fight against stigma and the sting of hatred and intolerance.”
The 2018 slate includes:
LIGHT IN THE WATER / Premieres Thursday, July 19th at 8PM ET/PT on Logo
Light in the Water reveals the untold story of a group of gay men and women who found one another through their love of competitive swimming, ultimately becoming a family and a force for the LGBTQ sports movement.
The West Hollywood Aquatics Team were pioneers in gay sports, from registering as one of the first openly gay Masters swim teams in 1982, to pushing through the devastation of the AIDS crisis. This documentary reveals the inside story of a group of trailblazers who personified the change they wanted to see and created a legacy for equality in sports that lives on in the team today.
Light in The Water is produced by Patty Ivins Specht and Lis Bartlett and directed by Bartlett. Executive Producers from Logo Documentary Films are Pamela Post and Taj Paxton.
Forrest Goodluck, Sasha Lane and Chloë Grace Moretz appear in The Miseducation of Cameron Post by Desiree Akhavan.[/caption]
The 2018 Outfest Los Angeles LGBTQ Film Festival, taking place July 12-22, 2018, announce the complete programming lineup, with two thirds of this year’s content directed by women, people of color and trans filmmakers.
As previously announced, the 2018 Outfest Los Angeles LGBTQ Film Festival opens at the Orpheum Theatre with Kino Lorber’s “Studio 54,” Matt Tyrnauer’s vibrantly nostalgic documentary; and closes with FilmRise’s “The Miseducation of Cameron Post,” Desiree Akhavan’s Sundance Grand Jury Prize winner starring Chloë Grace Moretz.
The festival features five world premieres including the deeply felt film from Taiwan, “Bao Bao”; “Bright Colors and Bold Patterns” directed by Michael Urie with a hilarious performance from Drew Droege; Laura Madalinski’s “Two in the Bush: A Love Story” a polyamorous love story; Jamie Patterson’s new feature film “Tucked” about two drag performers connecting across generations; and “Room to Grow” a documentary looking at the lives of queer teenagers today. As well as North American and US Premieres, “Eva & Candela,” “Sodom,” “Canary,” “Cola De Mono,” and “Daddy Issues.”
Outfest Los Angeles’ documentary section shines a light on UNSUNG communities, including Alina Skrzesewska’s “Game Girls” which follows a couple as they struggle to navigate life in Los Angeles’ Skid Row, to the much anticipated SXSW Audience Award winner “Transmilitary” about those fighting for an equal chance to service their country. The proactive experimental film section, Platinum, continues to highlight boundary-pushing work with Myyki Blanco and SSION teaming up to create a new short film “No Leash” and a feature documentary by performance artist, Narcissister, in “Narcissister Organ Player.” The infamous Alchemy Party returns, this year at Navel, with 13 performers including Dorian Electra, Saturn Rising, and Slather Factory’s Bebe Huxley, and The Uhuruverse who will stretch your musical imagination.
The 2018 Outfest Los Angeles LGBTQ Film Festival will also return to The Ford Theatres. These screenings will kick off on July 18 with a screening of “Bad Reputation,” a documentary about Joan Jett; then Documentary Centerpiece, “When the Beat Drops,” followed by “Postcards from London” and concluding with “Wild Nights with Emily” featuring Molly Shannon. The Closing Night Gala “The Miseducation of Cameron Post” will screen at The Theatre at Ace Hotel.
Special events include the 2nd Annual Trans Summit with Oscar nominated and Emmy Award-winning director and producer Yance Ford as the keynote speaker; the Focus On Taiwan event showcasing a collection of Taiwanese films including “Bao Bao” and “Alifu, The Prince/ss”; free screenings of films “Believer,” a documentary from Imagine Dragons frontman, Dan Reynolds, “They,” a family drama from director Anahita Ghazvinizadeh and Showtime’s “Beyond The Opposite Sex”, the long-awaited sequel to groundbreaking film, “The Opposite Sex.”
Lastly, OutSet: The Young Filmmakers Project from Los Angeles LGBT Center and Outfest, will be premiering five new shorts on Sunday, July 22nd. Now in its sixth year, the OutSet program empowers youth ages 16-24 to share their stories though film.