LGBTQ

  • IDEAL HOME Starring Steve Coogan and Paul Rudd as a Hilarious Gay Couple Opens June 29th [Trailer]

    Ideal Home Ideal Home written and directed by Andrew Fleming (The Craft, Dick, Hamlet 2) and starring Steve Coogan, and Paul Rudd, as a hilarious bickering gay couple will open in theaters and VOD on June 29th.  The film also stars Jack Gore (Billions, Wonder Wheel), Jake McDorman (Lady Bird, CBS’s 2018 revival of Murphy Brown, Limitless the TV series, Shameless), and Alison Pill. Ideal Home is the touching and humorous story of Erasmus and Paul (Steve Coogan and Paul Rudd), a bickering gay couple whose life is turned inside out when a ten-year old boy shows up at their door claiming to be Erasmus’ grandson. Neither Paul, nor Erasmus, are ready to give up their extravagant lifestyles to be parents, but maybe this little kid has thing or two to teach them about the value of family. https://youtu.be/lK3qmEe2cJg

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  • BELIEVER Follows Imagine Dragons’ Dan Reynolds on His Quest for LGBTQ Acceptance in the Mormon Community

    Dan Reynolds of Imagine Dragons at Rock im Park 2013 in Nuremberg, Germany
    Dan Reynolds of Imagine Dragons at Rock im Park 2013 in Nuremberg, Germany

    Imagine Dragons frontman and Mormon Dan Reynolds recently embarked on a new mission: to explore and influence how The Church of Jesus Christ of Latter-Day Saints treats its LGBTQ members.

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  • 2018 Outfest Los Angeles LGBT Film Festival to Open with STUDIO 54 Documentary

    [caption id="attachment_28858" align="aligncenter" width="1200"]Studio 54 Studio 54[/caption] Matt Tyrnauer’s vibrantly nostalgic documentary, Studio 54, featuring interviews with many of the legendary nightclub’s famous patrons, as well as those who worked behind the scenes during its heyday will open the 2018 Outfest Los Angeles LGBTQ Film Festival. The festival will honor Angela Robinson as the recipient of the 2018 Achievement Award recipient.  The Achievement Award Ceremony will take place at the Opening Night Gala at the Orpheum Theatre in Los Angeles on July 12, followed by the screening of Studio 54. Angela Robinson, a celebrated filmmaker and champion of LGBTQ rights, will receive the Achievement Award, Outfest’s highest honor, presented in recognition of a body of work that has made a significant contribution to LGBT film and media. In a time where women still only make up a fraction of directors, Robinson has carved a space for herself in both film and television, and frequently deals with LGBTQ topics in her work, such as D.E.B.S., “The L Word”, Herbie Fully Loaded, “True Blood”, How to Get Away with Murder”, and most recently Professor Marston and the Wonder Women. Outfest’s Executive Director Christopher Racster commented: “Outfest has a long and important legacy of launching filmmakers careers. I am incredibly proud that we have the opportunity honor an amazingly talented woman director whose career started at Outfest. Angela has forged a unique path of success within the industry. When jobs are hard to come by for women directors, Angela has blazed a path in high-profile television series, lauded independent films and major studio movies. Her unique vision, her sharp humor, and her humanity are constantly on display in each move she makes. Angela’s work is always fresh, intelligent and groundbreaking.” “It is such an honor to receive the Outfest Achievement Award this year – I premiered the first short film I ever made at Outfest and every film I’ve made since. It’s a joy to be recognized by Outfest in this way so many years later,” Angela Robinson remarked. Additional gala screenings include: Sundance NEXT Innovator Award winner We the Animals (U.S. Centerpiece), written and directed by Jeremiah Zagar; the sweeping French drama Reinventing Marvin (International Centerpiece), from filmmaker Anne Fontaine; famed choreographer and filmmaker Jamal Sims’ feature debut When the Beat Drops (Documentary Centerpiece) on the Deep South UNDERGROUND dance phenomenon known as “bucking”; and Our Future Ends (Platinum Centerpiece), a multimedia and multidisciplinary satire about near-extinct lemurs living on long-lost Lemuria. The 2018 Outfest Los Angeles LGBTQ Film Festival will close on July 22 at The Theatre at the Ace Hotel with Desiree Akhavan’s Sundance Grand Jury Prize winner, The Miseducation of Cameron Post, an unapologetically bold take on the topic of conversion therapy, starring Chloë Grace Moretz, Jennifer Ehle, Sasha Lane, John Gallagher Jr., and Forrest Goodluck. Outfest’s Direct of Programming Lucy Mukerjee commented: “After scouring the world for the past year to find the best LGBTQ films, our galas capture that queer pioneering spirit that lives across the ages. From our Opening Night Studio 54, where we learn the back story of the vibrancy that Steve Rubell and Ian Schrager brought to creating a safe HAVEN for LGBTQ folk to the urgency of expression in When the Beat Drops from long-time choreographer Jamal Sims, we see that freedom of identity cannot be held down. Even something as simple as coming of age in We Are Animals looks at new territory in Jeremiah Zagar’s deft hands. The breadth of our galas this year also continues Outfest’s commitment to celebrate female voices including the work of acclaimed director Anne Fontaine and Desiree Akhavan’s sophomore effort, proving once again we will be seeing exciting things from her for a long time to come. I am thrilled we are bringing back the Platinum Centerpiece – Our Future Ends – which combines many genres to tell a story about how to keep a culture from extinction. Happily our queer culture is far from that place!”

    GALA FILMS

    Studio 54 (Opening Night Gala) Director: Matt Tyrnauer When disco was the epicenter of popular culture, Studio 54 was the epicenter of disco. Brooklyn-born college pals Steve Rubell and Ian Schrager took a former opera house and CBS studio (where “What’s My Line?” and “Captain Kangaroo” filmed) in what was at the time one of New York City’s sketchiest neighborhoods and turned it into a dance palace known the world over. Extroverted gay Rubell and introverted straight Schrager (the latter giving his most extensive interview to date about Studio 54) were a powerful team – but the swirl of sex, drugs, celebrity, and tax evasion brought this phenomenon to an end, as did the advent of Ronald Reagan, the AIDS crisis, and the “Disco Sucks” backlash. But oh, what heady times there were during Studio 54’s heyday, which this vibrant documentary captures, mixing vintage interviews (Michael Jackson!) with reminiscences from the doormen, bartenders, and paparazzi who experienced the thrills and the beats on the dance floor and in the infamous balcony. There may never again be such a stately pleasure dome as Studio 54, but Matt Tyrnauer’s documentary pays homage to the hedonism, the hubris, and the outrageous delights that took place under the lights, behind the scenes, and on the other side of the velvet ropes. We the Animals (US Centerpiece) Writer-Director: Jeremiah Zagar Lovely and lyrical, this film received well-earned comparisons to Moonlight when it premiered at the Sundance Film Festival, where it earned the prestigious NEXT Innovator Award. Acclaimed documentary filmmaker Jeremiah Zagar makes his narrative debut with this haunting adaptation of the novel by Justin Torres about three boys navigating their parents’ volatile relationship and the aftermath of their breakup. Two of the sons clearly follow in the footsteps of their macho, anger-prone father (Raúl Castillo, “Looking”), while the sensitive youngest, Jonah (Evan Rosado), remains closer to their mother (Sheila Vand, Women Who Kill). Exquisitely photographed by Zak Mulligan, the film captures both the beauty and terror of childhood, guiding us through the wonders of the world and the pain and confusion of marital dysfunction. Strains of Malick (and, yes, Moonlight) appear throughout, but there is nothing contrived or overly familiar about this achingly crafted coming-of-age tale. The entire ensemble (which also includes newcomers Josiah Gabriel and Isaiah Kristian) gives the film a raw naturalism – we feel like invisible observers as young lives unfold before us. Subtle and haunting, bursting with empathy and energy, We the Animalsheralds a new chapter for a brilliant and essential storytelling talent. Reinventing Marvin (International Centerpiece) Writer-Director: Anne Fontaine Martin Clement is about to give the performance of his life – his life story, that is, in an autobiographical stage play. As a child, young Marvin Bijoux was bullied by homophobic classmates at school and misunderstood by his often-neglectful parents, making him feel like a lonely outsider in his small rural French village. But when a kind school principal guides him to join the drama club, Marvin discovers his gifts for play-acting the misery that surrounds him. When he qualifies to attend a theatrical school, Marvin acts the role of the brash straight stud until he meets an older mentor who encourages him to acknowledge his sexuality and to exorcise his pain by putting it all on the stage. This sweeping drama from director and co-writer Anne Fontaine (The Innocents, Coco Before Chanel) captures a life in the theater, as we see timid young Marvin (Jules Porier) blossom into adult Martin (Finnegan Oldfield, Nocturama) – with a little help along the way from Isabelle Huppert, playing herself. A moving tale of the past that many of us try to escape, but can never entirely leave behind, this film reminds us that no matter how far we get from our upbringing, a piece of it remains with us always. When the Beat Drops (Documentary Centerpiece) Director: Jamal Sims Drop into the electric and subversive UNDERGROUND dance scene known as “bucking.” As voguing exploded out of the ballroom scene of NYC, bucking was boldly pioneered in the clubs of the Deep South as a new form of self-expression. This film presents a fresh glimpse into the magnetic artistry and flair behind this emerging dance culture. In his feature debut, famed choreographer and filmmaker Jamal Sims (who has worked with the likes of Madonna, Jennifer LOPEZ and “RuPaul’s Drag Race”) illuminates the warm-hearted and fierce queer black performers who make up one of the leading “bucking” groups in the city of Atlanta. As they train for their biggest competition yet, they risk losing their jobs and family to compete at the top levels of this dance scene. Jamal Sims calls dance a “super power,” and with this film he crafts a vision of the power of dance to bring movement to new heights and to elevate the queer community. Our Future Ends (Platinum Centerpiece) Writer-Director: Clement Hil Goldberg Will queer culture go out with a stylish bang, or will the spirits of Lemuria inspire us to preserve our fabulousness? Clement Hil Goldberg’s multimedia and multidisciplinary satire envisions both near-extinct lemurs and long-lost Lemuria. Lemuria (a precursor to the occult city of Atlantis) was an imagined site of catastrophic loss populated by Lemurians, queer prehistoric entities that went extinct alongside the Atlanteans. Goldberg’s work illuminates the at-risk nature of queer spaces as well as the world’s most endangered mammal, the lemur. Pill-popping lemurs struggle to survive while Lemurians consult their crystals, as parallel extinction stories unfold through video, stop-motion animation, and live performance. Starring Brontez Purnell, Heather María Ács, and Siobhan Aluvalot, with Zackary Drucker, Silas Howard, Xandra Ibarra, Ben McCoy, and Maryam Farnaz Rostami as additional voices of the animated lemurs. Come with them all on this disco journey to the brink. The Miseducation of Cameron Post (Closing Night Gala) Director: Desiree Akhavan Desiree Akhavan won us over in 2014 with her hilarious feature debut Appropriate Behavior, and she brings her trademark wit and sass to this impressive follow-up feature. An adaptation of Emily M. Danforth’s celebrated queer YA novel, the film was awarded the Grand Jury Prize at the 2018 Sundance Film Festival for its warm, charismatic, and fearless performances. Set in the early ’90s, the film follows lesbian teen Cameron (Chloë Grace Moretz), sent to a religious conversion camp after she gets caught hooking up with her female best friend. At the camp, Cameron reluctantly undergoes various tactics used to “cure” same-sex attraction from persistent camp leaders Dr. Lydia Marsh (Jennifer Ehle) and Reverend Rick (John Gallagher Jr.), who are intent on “saving” LGBTQ teens. While some of the teens embrace the treatment, Cameron resists, and instead forms an alliance with the rebellious duo Jane (Sasha Lane, American Honey) and Adam (Forrest Goodluck, The Revenant). The heartfelt bond shared among the three friends gives them the strength they need in order to RISE up and live their truth. Akhavan’s unapologetically queer lens delivers a refreshing take on the troubling topic of conversion therapy (which is, to this day, still used in some states) while exploring the themes of self-love, identity, and chosen family, all with unexpected flourishes of humor.  

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  • 6 Indie Filmmakers to Compete in Seattle International Film Festival’s 2018 Fly Filmmaking Challenge

    [caption id="attachment_27596" align="aligncenter" width="1200"]2018 SIFF Fly Filmmakers are Jeff Barehand (Olympia), Graham Bourque (Ellensburg), Myisa Plancq-Graham (Seattle), Elliat Graney-Saucke (Seattle), Kendra Ann Sherrill (Spokane), Masahiro Sugano (Tacoma) 2018 SIFF Fly Filmmakers are (top row: l – r) Jeff Barehand (Olympia), Graham Bourque (Ellensburg), Myisa Plancq-Graham (Seattle), (bottom row: l – r) Elliat Graney-Saucke (Seattle), Kendra Ann Sherrill (Spokane), Masahiro Sugano (Tacoma)[/caption] The Fly Filmmaking Challenge organized in partnership with Washington Filmworks, returns to the 2018 Seattle International Film Festival (SIFF) after a three year hiatus. For the first time ever, the Fly Filmmaking Challenge hit the road and invited filmmakers from cities across the state to participate. “As a statewide entity that works closely with creative industries, Washington Filmworks knows first hand how creativity and creative professionals transform communities both culturally and economically,” said Amy Lillard, Executive Director of Washington Filmworks. “The six filmmakers selected for this year’s Challenge have chosen to showcase a diverse group of people and places from their community which make a delightful, inspired, and unforgettable program for SIFF audiences.” Each filmmaker chose a creative professional living in their community as the subject of their documentary film. From a fashion professional to a creative technologist, from a woodworker to a literary artist, SIFF audiences will experience an intimate look inside each artisan’s creative process and understand how their work benefits the quality of life in the city which they live and work. Given only 10 weeks to plan, produce, and complete a short 5-7 minute documentary short within the creative challenges, filmmakers must think on their feet to present the most compelling film. “Documentary projects often afford months to years of production but this year’s team said they are up to the challenge.” said Dustin Kaspar, SIFF’s Education Programs Manager. “The abbreviated production timeline engages their creative instincts and provides a showcase of their visionary talent through another artist’s process. The final program features six short films by filmmakers from across the state, intended to shine a light on Washington’s far-reaching and inspired creative industries. The 2018 Fly Filmmakers are Jeff Barehand (Olympia), Graham Bourque (Ellensburg), Myisa Plancq-Graham (Seattle), Elliat Graney-Saucke (Seattle), Kendra Ann Sherrill (Spokane), Masahiro Sugano (Tacoma). The Fly Filmmaking Challenge is scheduled to premiere on Monday, May 28 and will screen again on Wednesday, June 6.

    The Filmmakers

    Jeff Barehand

    Jeff is an enrolled citizen of the Gila River Indian Community of Arizona. He studied at the Studio Theatre Acting Conservatory in Washington, D.C. and filmmaking at the American Indian Arts Institute’s intensive filmmaking workshop sponsored by ABC/Disney. He is a founding member of the non-profit, the Olympia Film Collective, a South Sound premiere filmmaking hub. He is co-owner of Sky Bear Media, a video production company specializing in producing media for Tribes, Native organizations, and Tribal youth programs. He is a Sundance Native Lab fellow and also the current Board Chair of Red Eagle Soaring, Seattle’s only Native youth theatre program.

    Graham Bourque

    Graham is a filmmaker living in Ellensburg, Washington. He graduated from Central Washington University in 2017 with a degree in Film Production, and has produced a number of short films, documentaries, and commercials. During his senior year, he produced Todd’s Vlog which won 1st place in the narrative short film category at the BEA Festival of Media Arts 2017.

    Elliat Graney-Saucke

    Elliat is a documentary filmmaker focused on equity and cultural knowledge exchange. Currently acting President of the Seattle Documentary Association, Elliat is completing her second feature documentary Boys on the Inside, about ‘boy’ culture in women’s prisons. She is also completing the documentary Art Heart: Children of Riot Grrrl with Celeste Chan, about coming of age in riot grrrl, queercore culture. After seven years in Berlin producing content in eight countries, she is back in Seattle as an organizer and teacher at Northwest Film Forum and Director of Elliat Creative, LLC.

    Myisa Plancq-Graham

    San Francisco native, Myisa, began her photography career exploring the streets of Atlanta in 2011. Her growing appreciation for photography and videography culminated in the creation of Annie Graham Imagery. Creating content by, about and for Black people is her primary filmmaking incentive. Myisa serves as lead director, videographer, and editor for documentary short series UNCODE, highlighting people and stories of the African Diaspora.

    Kendra Ann Sherrill

    Kendra Ann is an award-winning filmmaker from Spokane, WA. Many of her short films have screened at local film festivals such as the National Film Festival for Talented Youth, Seattle Shorts Film Festival, Local Sightings Film Festival, and Reel NW. She is a graduate of the Eastern Washington University’s Film Program, where she received the Best Director and Best Screenplay awards, and was a finalist for the the DGA Student Film Awards. Kendra also serves as the Assistant Director for the Spokane International Film Festival and works full time as an editor and producer for the Emmy award-winning television series Washington Grown.

    Masahiro Sugano

    Masahiro, a Sundance Film Festival alumnus, is an award winning filmmaker whose accolades stretch from a Student Academy Award nomination in 1997 to his most recent 2016 Documentary Award given by the National Asian American Journalists Association. In 2013 he received the Center for Asian American Media’s Innovation Fund for his series “Verses in Exile,” currently hosted on PBS.org. Masahiro’s second feature, Cambodian Son is winner of several awards including the Best Documentary Award at CAAMFEST 2014 and the Audience Choice Award at Bali International Film Festival 2015. As co-founder of artist-ran media lab Studio Revolt, Masahiro creates short films on a variety of societal issues such as deportation. He’s also a pioneering force in the art of spoken word videos. Earning a B.A. in Philosophy from California State University, Northridge, Masahiro went on to earn an M.F.A. in Film from University of Illinois, Chicago. Masahiro currently resides in Tacoma, WA and serves as an Artist-in-Residence at the University of Washington, Bothell.

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  • VIDEO: Watch Trailer for LGBT Romantic Drama SEBASTIAN

    Sebastian LGBT romantic drama Sebastian releases on February 6, 2018 worldwide on DVD & VOD via Wolfe.  In this urban gay love story, sexy Argentinian hunk Sebastian (Alex House) arrives in Toronto on a one week visit and meets his cousin’s boyfriend, Alex (writer-director, James Fanizza). Instant attraction leads Alex to question his rocky relationship with his boyfriend. As he and Sebastian decide to explore their forbidden passion, they connect deep in emotion. Alex must confront his conflicted feelings for his boyfriend and Sebastian, as well as some surprising, long buried secrets from his past. Sebastian is a uniquely modern story – exploring the search for love in an age of instant gratification, online hookups, and the yearning for connection in an age of convenience and superficiality. It paints a nuanced portrait of 20-something queerness; that perpetual feeling of having what you want at the tip of your fingers, but not being sure if you really want to grab it. This intimate feature debut from filmmaker / actor James Fanizza features Brian “Katya” McCook from The Trixie and Katya Show & RuPaul’s Drag Race, Alex House, and acclaimed Mexican/South African actress-singer Amanda Martinez.

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  • Trans Teen Drama JUST CHARLIE Sets Release Date | Trailer

    Just Charlie Powerful working-class trans teen drama Just Charlie traces with nuance and sensitivity one young person’s struggle with gender identity through the lens of a gritty, sports loving blue-collar community and a tough family struggling to accept it. The film will be released on January 30th in the U.S. and Canada on DVD & VOD via Wolfe. Set in Tamworth, a gritty, small working class Midland town in the UK, teenage soccer star Charlie and his family see soccer as a way out of a dead end factory life for him. But Charlie is struggling with gender dysphoria, and is torn between his father’s expectations and shedding his male identity. With dramatic yet surprising results for himself, his family, and his community, Charlie begins a gender transition while continuing to pursue the dream of becoming a soccer star. Just Charlie is the feature film directorial debut of theatre & TV actress / director Rebekah Fortune. Inspired by emotional real life accounts from transgender communities, Fortune was inspired by these resonant stories to create a poignant account of one young teen’s identity transition in a small, gritty British town. Said Fortune, “Just Charlie is a film about chasing your dreams, and accepting those who are different because – sometimes – the rules on how to love, what you can do, and who you should be, are meant to be broken. This is a story about identity, who we think we are and who we really are. About being true to ones self in the face of terrible adversity.” Featuring a breakout lead performance from theatre / TV actor Harry Gilby (star of the play version of The Full Monty). This film marks his cinema debut, and he was nominated for Most Promising Newcomer at the British Film Awards.

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  • BELIEVER, Documentary on Mormon Church Treatment of LGBTQ Members, Heads to HBO

     Believer, directed by Don Argott The powerful documentary Believer, directed by Don Argott, follows Mormon Dan Reynolds, frontman for the Grammy Award-winning band Imagine Dragons, as he takes on a new mission to explore how the Mormon Church treats its LGBTQ members. With the rising suicide rate amongst teens in the state of Utah, his concern with the church’s policies sends him on an unexpected path of acceptance and change. Believer, from Live Nation Productions, will have its world premiere in the Documentary Premieres section of the 2018 Sundance Film Festival, and will debut this summer on HBO. The film documents this past year of Reynolds’ life during the process of organizing the first-ever LoveLoud Festival concert in Orem, Utah, to benefit such gay rights organizations as GLAAD and the Trevor Project, among others. While Believer takes a broader look at The Church of Jesus Christ of Latter-day Saints’ treatment of LGBTQ members, it also focuses on the suicide rate in the community, which has skyrocketed in the last decade. Reynolds hopes Believer will continue to force discussion of gay rights within Mormonism on a larger scale. “LoveLoud reached 20,000 people in Utah, which is really small compared to the number of people who need to be reached,” he notes. “I think the reason the film needs to happen is because I feel like this is a way that nobody can turn their heads away.” Believer centers on Reynolds, Aja Volkman, his wife and fellow musician, and Tyler Glenn, frontman for Neon Trees, among others. Hans Zimmer composed the score for Believer and contributed to one of the two original songs Reynolds wrote for the film, giving music an integral role in the documentary. Image: Dan Reynolds appears in Believer by Don Argott, an official selection of the Documentary Premieres program at the 2018 Sundance Film Festival. Courtesy of Sundance Institute | photo by Don Argott.

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  • VIDEO: Watch Trudie Styler’s FREAK SHOW Trailer Starring Bette Midler, Laverne Cox

    Freak Show Here is the trailer for Trudie Styler’s debut film Freak Show featuring an electric ensemble cast. The film opens January 12th, 2018 in New York City, and January 19th, 2018 in Los Angeles from IFC FILMS. Freak Show stars Alex Lawther (Billy Bloom), Abigail Breslin (Lynette), AnnaSophia Robb (Blah Blah Blah), Ian Nelson (Flip), Celia Weston (Florence), Willa Fitzgerald (Tiffany), Laverne Cox (Felicia Watts), John McEnroe (Coach Carter), Charlotte Ubben (Sesame), Mickey Sumner (Dr. Veronica Vickers), Michael Park (Principal Onnigan), Daniel Bellomy (Bo-Bo), Christopher Dylan White (Bernard), Walden Bryan Hudson (Bib), Larry Pine (William), and Bette Midler (Muv). Billy Bloom (Alex Lawther, The Imitation Game) is one-of-a-kind: a fabulous, glitter-bedecked, gender-bending teenager whose razor-sharp wit is matched only his by his outrageous, anything-goes fashion sense. When his glamorous mother (Bette Midler) is forced to send him to live with his straight-laced father (Larry Pine), Billy finds himself a diva-out-of-water at his new ultra-conservative high school. Undaunted by the bullies who don’t understand him, the fearless Billy sets out to make a big statement in his own inimitable way: challenging the school’s reigning mean girl (Abigail Breslin) for the title of homecoming queen. This proudly offbeat comedy is an irresistible ode to outsiders and nonconformists of all stripes. With Laverne Cox. https://www.youtube.com/watch?v=drg74wOy8z8

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  • VIDEO: Watch LGBTQ Musical Drama SATURDAY CHURCH Trailer, Opens in Theaters on Jan. 12

    Saturday Church Here is the new trailer for LGBTQ musical drama Saturday Church, about a 14-year-old shy and effeminate boy, who finds himself becoming  the“man of the house” after the death of his father. The film starring Luka Kain, winner-Best Actor at OUTFEST 2017 will open in theaters, on demand and on all digital platforms on January 12th, 2018. Saturday Church, written and directed by Damon Cardasis, tells the story of 14-year-old Ulysses, a shy and effeminate boy, who finds himself coping with new responsibilities as “man of the house” after the death of his father. Living alongside his mother, younger brother, and conservative aunt, Ulysses is also struggling with questions about his gender identity. He finds an escape by creating a world of fantasy filled with dance and music. Ulysses’ journey takes a turn for the better when he encounters a vibrant transgender community, who take him to “Saturday Church,” a program for LGBTQ youth. Ulysses manages to keep his two worlds apart; appeasing his aunt and discovering his passion for the NYC ball scene, and voguing, until his double life is revealed. Ulysses must find the courage to be who he truly is, all while risking losing those he cares about most. The film stars Luka Kain, Margot Bingham, Regina Taylor, Marquis Rodriguez, MJ Rodriguez, Indya Moore, Alexia Garcia, Kate Bornstein, and Jaylin Fletcher. https://www.youtube.com/watch?v=IAra4mxDRYs

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  • 2017 NewFest Awards – THE FEELS and THE CITY OF THE FUTURE Win First Ever Jury Awards

    [caption id="attachment_25319" align="aligncenter" width="1200"]The Feels The Feels[/caption] The 2017 NewFest, New York LGBT Film Festival wrapped earlier this week, and for the first time ever, the festival awarded prizes adjudicated by a jury. The Feels, directed by Jenée LaMarque won the Jury Award for Best US Narrative, and The City of the Future by directors Cláudio Marques and Marília Hughes Guerreiro, won the Jury Award for Best International Narrative.  The Jury Award for Best Documentary was given to Alabama Bound, directed by Lara Embry and Carolyn Sherer. “This is first time in over 5 years that NewFest has had a jury,” says Programming and Operations Manager Nick McCarthy. “We were delighted to host a collection of esteemed and exciting colleagues that encompass the fields of filmmaking, criticism, marketing/distribution, activism, and programming to experience the varied voices of our 2017 filmmakers.” The audience voted Hot To Trot, winner of Audience Award for Best Documentary Feature, and the Audience Award for Best Narrative Feature went to A Date For Mad Mary.

    2017 NewFest Award Winners

    Jury Awards

    Jury Award for Best US Narrative The Feels, directed by Jenée LaMarque. Two brides-to-be throw a joint bachelorette party that ends up calling their whole relationship into question. Special Mention Zachary Booth and David Rysdahl for their outstanding performances in The Revival. Jury Award for Best New York Short Ace, directed by Morgan Kahn Nichols An unlikely pair of teenagers perform an awkward social dance in a house with no parents. Special Mention The Mess He Made, directed by Matthew Puccini, which takes place in the 15 anxiety-inducing minutes a gay man has to wait for the results of his Rapid HIV Test. Jury Award for Best International Narrative The City of the Future directed by Cláudio Marques and Marília Hughes Guerreiro A naturalistic film about the nontraditional relationship of lovers Mila, Igor, and Gilmar that shuns convention, instead embracing love in all its dazzling iterations. Special Mention Manuela Guevara for her performance in The Devil’s Magnificent. Guevara co-wrote the film, in which she plays Manu, a trans immigrant who must return to her native Chile after 10 years in France. In the days leading up to her departure, Manu’s platonic friend Daniel proposes marriage with the intention of solving her visa issues. Manu strongly considers the offer, but she’s wholly disheartened at the prospect of a life without love, romance, and sex—that is, until she meets a fellow foreigner who instills in her the hope for a romantic future. Jury Award for Best Documentary Alabama Bound, directed by Lara Embry and Carolyn Sherer. Exploring the legal roller-coaster ride of LGBTQ family rights in the American South, the film offers an intimate view into the lives of three lesbian families in Alabama, including the only openly-gay Alabama State Legislator Patricia Todd, as they make waves in the legal system fighting for the rights of their children. Filmed during the turning-point years when federal marriage equality was coming to a head in the courts, this riveting and powerful documentary tactfully imbues the viewer with hope and frustration as Patricia Todd leads the charge in next wave of the LGBTQ fight for equality: legal non-discrimination. Special Mention Abu directed byArshad Khan – a dazzling visual memoir about the complex dynamic the filmmaker has with his father, who was at once extremely modern and also rigidly traditional and unaccepting of his son’s true self.

    Audience Awards

    Audience Award for Best Documentary Feature Hot To Trot directed by Gail Freedman Set in the swinging setting of same-sex competitive ballroom dancing, this tremendously entertaining documentary highlights the culture and art of dance as it humanistically profiles the compelling stories of four international dancers. Filmed over four years, director Gail Freedman closely follows the tight ensemble as they face global and health issues, yet they find comfort and hope as they twirl past life’s obstacles with the utmost poise and confidence. Who will take home the top prize and move closest to the rhythm? The heat is on in more ways than one. Audience Award for Best Narrative Feature A Date For Mad Mary directed by Darren Thornton In the first feature film by director Darren Thornton, Mary has just been released from a six-month prison stint for a drunken bar fight. Her best friend Charlene is now getting married and wants to keep Mary at a distance, alienating her from their circle of friends. An encounter with a queer musician changes Mary’s perspective and awakens her romantic spirit. The film also won the Breakthrough Award at the Dublin Film Critics Circle Awards. Audience Award for Best Documentary Short Love Letter Rescue Squad directed by Megan Rossman The film reflects on the Lesbian Herstory Archives, home to the world’s largest collection of materials by and about lesbians and their communities. Audience Award for Best Narrative Short Pria, directed by Yudho Aditya A young boy in Indonesia experiences the tensions between his Gay and Muslim identities all while dreaming about romance and romanticizing the freedoms of the western world.

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  • NewFest Announces Lineup + Spotlight Screening of PROFESSOR MARSTON & THE WONDER WOMEN

    [caption id="attachment_24714" align="aligncenter" width="1200"]Professor Marston and the Wonder Women Professor Marston and the Wonder Women[/caption] NewFest, announced the full 2017 lineup featuring more than 140 LGBT narrative features, documentaries, episodic series and shorts. This year’s festival will feature a Spotlight Screening & Conversation presentation of Angela Robinson’s PROFESSOR MARSTON & THE WONDER WOMEN, the story of how the superhero Wonder Woman came to be and the secret life of her creator, Dr. William Moulton Marston (Luke Evans), his wife Elizabeth (Rebecca Hall) and their lover Olive (Bella Heathcote). The screening will be followed by a conversation on bisexuality and polyamory with director Angela Robinson and guests to be announced. New feature-length work includes narratives DISCREET from Travis Mathews (INTERIOR. LEATHER BAR), Canadian entry PORCUPINE LAKE from Ingrid Veninger (THE ANIMAL PROJECT) and the BBC-produced AGAINST THE LAW from Fergus O’Brien, documentaries MY WONDERFUL WEST BERLIN from German filmmaker Jochen Hick (THE GOOD AMERICAN), OUT OF ORDER from Amanda Bluglass (VIVA) and BONES OF CONTENTION from Emmy-winner Andrea Weiss (U.N. Fever). The festival also includes exciting premieres of debut features such as FREAK SHOW from Trudie Styler, starring Bette Midler, Abigail Breslin, AnnaSophia Robb, Laverne Cox, John McEnroe and Larry Pine, ONE LAST THING from Tim Rouhana, starring Wendall Pierce (THE WIRE) and Jurnee Smollet, as well as Jennifer Gerber’s THE REVIVAL, Mike Roma’s DATING MY MOTHER, Samantha Lee’s MAYBE TOMORROW, Gail Freedman’s HOT TO TROT, and Lara Embry and Carolyn Sherer’s ALABAMA BOUND, among others. Rounding out the US Narrative offerings are Christopher Schaap’s PROM KING, 2010, David Berry’s SOMETHING LIKE SUMMER, William Sullivan’s THE RING THING, Jenée LaMarque‘s THE FEELS, Albert Alarr’s A MILLION HAPPY NOWS and Anahita Ghazvinizadeh’s THEY, while Itako’s BOYS FOR SALE, Paul Oremland’s 100 MEN, Jeffrey Schwarz’s THE FABULOUS ALLAN CARR, Tristan Milewski’s DREAM BOAT and Arshad Khan’s ABU complete the feature length documentary entries. The remaining International narratives include Marília Hughes and Guerreiro Cláudio Marques’ THE CITY OF THE FUTURE (Brazil), Carlos Lechuga’s SANTA & ANDRES (Cuba), Darren Thornton’s A DATE FOR MAD MARY (Ireland), Victor Villanueva’s JESUS IS DEAD (the Philippines, East Coast Premiere), Joselito Altarejos’ TALE OF THE LOST BOYS (Taiwan, the Philippines, North American Premiere), Lokesh Kumar’s MY SON IS GAY (India, North American Premiere), Nicolas Videla’s THE DEVIL’S MAGNIFICENT (Chile, International Premiere) and Nils-Erik Ekblom’s SCREWED (Finland). Through the film selection process this year’s event, the festival’s programming team chose to highlight several themes, including the history of LGBT activism in New York City, the global condition of LGBT communities and the ways in which different generations of LGBT artists, activists and storytellers influence each other by looking both backwards and forward in time. To that end, they chose to program a Legacy section of shorts entitled Out of the Archive: Queer New York, containing 7 short films spanning the past 50 years of LGBT filmmaking, including a 2010 short documentary from Ira Sachs comprised of footage of the exteriors of houses where New York artists were living when they died of AIDS; QUEENS AT HEART, a short doc about two pre-Stonewall transgender women; and I NEVER DANCED THE WAY GIRLS WERE SUPPOSED TO, Dawn Suggs’ mediation on black lesbian subjectivity. The Legacy feature is Hettie Macdonald’s 1996 narrative feature BEAUTIFUL THING. Two decades after its initial release, the film still stands as one of the most poignant and honest depictions of the coming-out process ever presented on screen, and represents this year’s festival’s theme of self-expression. This year’s lineup of 97 new LGBT shorts have been divided into thematic programs, as follows: DRAWN THIS WAY: QUEER ANIMATION; YOUNG, QUEER & WOKE; THE QUEER RESISTANCE; MILITARY SHORTS; BEYOND THE BINARY; FAITH AND FURY; GIRLS SHORTS; BOYS SHORTS; QUEER + POSITIVE; and EXPERIMENTS IN SEX, LOVE & GENDER The 2017 NewFest runs from October 19 to 24 at the SVA Theatre, Cinépolis Chelsea, and The LGBT Community Center in New York City.

    2017 NewFest Feature Film Lineup:

    Opening Night Film & Party Susanne Bartsch: On Top New York Premiere Dir. Anthony & Alex, USA, 2017, 84 mins A mesmerizingly expressive portrait of a fiercely individual New York counterculture icon, SUSANNE BARTSCH: ON TOP candidly captures the titular “Queen of the Night” and patron saint of LGBTQ inclusion and advocacy with a commanding voice and sharp wit, much like its subject. More than just a tribute to the “Queen of the Night” and staunch LGBTQ advocate, this dynamic debut from directing duo Anthony&Alex captures the essence of Bartsch’s everyday balance between compassion and control. As Bartsch prepares for an FIT exhibit of her nightlife fashions, she faces the challenges of a changing New York City landscape (as well as the construction within her homestead of many decades, the iconic Chelsea Hotel) while reconciling how her legacy lives on today. Her ability to bring communities together while promoting LGBT rights and self-expression reached its apex with the star-studded Love Ball in 1989, which she hosted to raise money to fight AIDS and celebrated the Harlem Vogue scene before “Paris is Burning” was released. And she continues to gather and inspire multi-generational crowds at her parties to this day. Featuring superstars and LGBTQ nightlife luminaries RuPaul, Simon Doonan, Michael Musto, and Amanda Lepore, this dazzling documentary homecoming for a living icon who has unapologetically been a champion for all things New York and queer. The screening will be followed by a talkback with Anthony&Alex and Susanne Bartsch, and moderated by Michael Musto. New York Centerpiece Film After Louie New York City Premiere Dir. Vincent Gagliostro, USA, 2017, 100mins Sam (Alan Cumming) is an artist and activist from ACT UP who lived through the early years of HIV/AIDS, struggling with survivor’s guilt. He’s bewildered by the younger generation of gay men, until he meets the seductive Braeden (Zachary Booth, KEEP THE LIGHTS ON) at a bar late one night. Their pants quickly come down and, eventually, so does Sam’s guard. An intergenerational relationship blossoms between them—reawakening Sam’s artistic soul and reviving his wilted heart. Beyond the beautifully evocative performances and setting, Vincent Gagliostro’s AFTER LOUIE is a love letter to New York City: engaging its rich backdrop while honoring the history of the gay rights movement and the progress that’s been made–reconciling the past so we as a community can look forward to the future. International Centerpiece Film God’s Own Country New York Premiere Dir. Francis Lee, United Kingdom, 2017, 104 mins Gritty yet tender, austere yet beautiful, carnal yet romantic–GOD’S OWN COUNTRY is masterfully directed with powerful focus and authenticity by first-time feature filmmaker Francis Lee. Johnny Saxby (Josh O’Connor) is an overworked 25-year-old sheep farmer who feels as though life has already passed him by. He whiles away the time with drunken hookups in his small community in Northern England. When his ailing father takes a turn for the worse, handsome Romanian migrant Gheorghe (Alec Secareanu) is brought in to assist Johnny. Although Johnny resents Gheorghe at first, the two are quickly drawn to each other, and during an excursion to the highlands, they forge an even deeper connection. Winner of Sundance’s World Cinema Directing Award for its beautiful depiction of the English countryside—this assured new milestone marks a bold new epoch in textured, LGBTQ storytelling. Closing Night Film & Party Becks Following a NYC to LA cross country move that ends in a breakup, singer-songwriter Becks (Lena Hall, a Tony Winner for Hedwig and the Angry Inch) returns to her Midwestern hometown, reluctantly moving back in with her mom. The time-warp sensation of being back in her childhood home is interrupted by an unexpected whirlwind affair with self-proclaimed “lonely housewife” Elyse (tenderly played with exceeding warmth by Mena Suvari) whom finds inspired new life through the guitar lessons and generous spirit Becks provides. This electrifyingly effusive film from co-directors Daniel Powell and Elizabeth Rohrbaugh features strong supporting turns by Dan Fogler as her old classmate-turned-drinking-buddy and Christine Lahti as Becks’ former nun mother who is still coming to terms with her daughter’s homosexuality. But it’s Lena Hall, who contributed original songs to the film and delivers a beautifully assured, live-in performance that makes BECKS really sing. Special live acoustic performance by Tony Award winner and Grammy Award nominee Lena Hall, the star of BECKS.

    US NARRATIVE

    A Million Happy Nows New York Premiere Dir. Albert Alarr, USA, 2016, 80mins FilmOut Festival Award, FilmOut San Diego Concerned by her difficulty memorizing lines, veteran actress Lainey (Crystal Chappell), decides not to renew her soap opera contract. After a visit to the doctor, she is diagnosed with early-onset Alzheimer’s, and Lainey and her longtime partner Eva (Jessica Leccia) must now learn how to navigate this unexpected terrain and make the most of their time together. Chronicling Lainey’s illness and their unconditional love, the film provides a million reasons why we all need to appreciate love to the fullest. Dating My Mother New York Premiere Dir. Mike Roma, US, 2016, 84 min Freshly out of college with a liberal arts degree and without employment and romance, Danny spends his days in suburban New Jersey aimlessly browsing dating apps or knocking back red wine. His mother, Joan (Kathryn Erbe, Law & Order: Criminal Intent ), is also looking to strike up romance for the first time since Danny’s father passed away. Drawing insightful and hilarious parallels between the two generations’ dating routines and varying levels of confidence, this sweet and spiky comedy also features delightful supporting turns by G.B.F.’s Paul Iacono and the always reliably funny Kathy Najimy. Discreet New York Premiere Dir. Travis Mathews, US, 2017, 80 mins The director of I WANT YOUR LOVE and INTERIOR. LEATHER BAR. returns with another provocative feature pushing buttons and envelopes. Filmmaker Alex wanders the rural countryside, listening to hate-filled talk radio and indulging in anonymous sex in video booths. After an uncomfortable visit with his mother, Alex seeks a figure from his past, slowly dying in a mysterious compound far from society. This blistering exploration of trauma reverberates from childhood to adulthood, offering neither easy answers nor simple explanations. Freak Show New York Premiere Dir. Trudie Styler, US, 2017, 95 mins, Teenager Billy Bloom (Alex Lawther, THE IMITATION GAME) learned fabulousness at the feet of his larger-than-life Muvv (Bette Midler). But when he’s shipped off to live with his conservative father (Larry Pine), Billy’s classmates at Ulysses S. Grant Academy don’t know what to make of this flamboyant newcomer and his seemingly endless array of colorful ensembles (with matching makeup). After being severely bullied, Billy bounces back with the help of his new friends, sensitive jock Flip (Ian Nelson, THE HUNGER GAMES) and the loquacious BlahBlahBlah (AnnaSophia Robb). Eventually, our glamorous hero decides to wave his freak flag as high as he can by running for homecoming queen, even if that means facing off against Bible-thumping mean girl Lynette (Abigail Breslin). Based on the novel by James St. James, the film features a superb ensemble cast, including Laverne Cox, Celia Weston, and Willa Fitzgerald (MTV’s SCREAM). It’s a charming coming-of-age tale—as witty and as fearless as its protagonist—that celebrates the outsider within us all. One Last Thing World Premiere Dir. Tim Rouhana, US, 2016, 92 mins A middle-aged dentist in Florida receives some unexpected news that upends his peaceful routine and sends him on a life-altering journey of discovery. Doctor Dylan Derringer (Wendell Pierce, THE WIRE) is content with his solitary life, but when a figure from his past re-emerges with information, Dylan drops everything to find Lucy (Jurnee Smollett), the twenty-five year old daughter he didn’t know he had. This African American family drama dares to crush cultural taboos with a heart-warming story of LGBTQ acceptance. Prom King 2010 New York Premiere Dir. Christopher Schaap, United States, 2017, 102 mins New Vision Award, Feature Film, 2017 Cinequest San Jose Film Festival Charlie, a 20-year-old movie-crazy college student, is looking for love in New York City, and having trouble reconciling the harsh realities of modern dating with the romantic ideals of the classic romantic films he idolizes. First-time director and star Christopher Schaap imbues Charlie with a recognizable honesty and vulnerability. Featuring strong widescreen location photography and an engaging cast, this feel-good romance is a genuine charmer. Something Like Summer New York Premiere Dir. David Berry, US, 2017, 115 mins Audience Award, Best First Narrative Feature, FilmOut San Diego Benjamin is an out-of-the-closet theater kid, while Tim is the hunky town jock. When Benjamin discovers his attraction to Tim is reciprocated, this delightfully musical tale takes off. The boys’ relationship spans years, encapsulating all of the delirious highs and painful lows of young love. This crowd-pleaser brings a beloved series of YA novels to life as these two young men explore the complex lines between being friends, lovers, and strangers. The Feels East Coast Premiere Dir. Jenée LaMarque , US, 2017, 90 mins Outstanding Actress in a Feature Film, Outfest LA Two brides-to-be (Angela Trimbur and FRESH OFF THE BOAT’S Constance Wu) throw a joint bachelorette party that ends up calling their whole relationship into question. Equal parts laughs, tears, and introspection, this modern take on a romantic comedy unravels the secrets that can plague even the strongest relationship. Outstanding performances and an earnest script make up the heart of this crazy-enjoyable film. The Revival East Coast Premiere Jennifer Gerber, US, 2017, 84 mins, When Eli begins preaching at his father’s old church, he is desperate to open the minds of the fire-and-brimstone congregation. His plans are quickly derailed when he strikes up a relationship with a fascinating drifter (played by Zachary Booth, KEEP THE LIGHTS ON). Tensions soon come to a head, with simmering resentments and repressed emotions all leading to a revival that will shake this sleepy Arkansas town to its core. The Ring Thing New York Premiere Dir. William C. Sullivan, US, 2017, 106 mins Real-life chemistry plays a huge role in this romantic drama about what happens in a relationship when a woman proposes to her girlfriend by accident. Peppered with real-life interviews from couples in the LGBTQ community, this story explores what it means to be in a partnership and how those connections change (or not!) when marriage is added to the mix. You’ll leave the theater reexamining what it means to be committed to your partner and committed to yourself. They New York City Premiere Dir. Anahita Ghazvinizadeh, US/Qatar, 2017, 80 min Fourteen-year-old J lingers somewhere between a state of suspended animation and arrested development. Asked to be referred to as “they,” J has quietly been taking hormone blockers for some time in order to delay the onset of puberty, while they contemplate whether to live an adult life as a female or a male. With a visit to the doctor imminent, J is joined in their Chicago suburb by their sister Lauren and her Iranian Boyfriend Araz, who bring in their own set of identity problems, as Araz struggles with his life as an immigrant living so far away from his homeland. Executive Produced by Jane Campion, Anahita Ghazvinizadeh’s THEY is a delicate and intimate look at the struggles of living a life in limbo.

    INTERNATIONAL NARRATIVE

    A Date For Mad Mary New York City Premiere Dir. Darren Thornton, Ireland, 2016, 82 mins Dublin Film Critics Circle Awards – Won Breakthrough Award – Irish Mary’s charms are undeniable in this Irish coming-of-age portrayal of the angsty path from youth to womanhood. Mary has just been released from a six-month prison stint for a drunken bar fight. Her best friend Charlene is now getting married and wants to keep Mary at a distance, alienating her from their circle of friends. An encounter with a queer musician changes Mary’s perspective and awakens her romantic spirit. Filmmaker Darren Thornton’s first feature is warm and instantly relatable. Against The Law New York Premiere Dir. Fergus O’Brien, United Kingdom, 2017, 85 mins Featuring a stunning mixture of biopic and documentary elements, this BBC-produced hybrid drama draws the historical line between 1950s gay repression in the UK and the process through which homosexuality was decriminalized in 1967–and received raves when it World Premiered as the Opening Night Gala of BFI Flare: London’s LGBT Film Festival. This affecting and alarming film cuts between the story of journalist and gay rights activist Peter Wildeblood (Daniel Mays), who was galvanized by the infamous 1954 trial that targeted and outed his friends, and real-life interviews with gay men who lived through this dark but not forgotten period in UK’s history. Jesus Is Dead East Coast Premiere Dir. Victor Villanueva, the Philippines, 2016, 84 mins QCinema International Film Festival 2016 – Won Gender Sensitivity Award Iyay, an exhausted and weary single-mother of three, crams her reluctant children — transman Jude, dancer with Down Syndrome Bert, and non-achiever Jay — into her debilitated multicab, and together they take to the road in order to attend the funeral of their estranged patriarch. Gaining and losing an assortment of misfits and oddballs along the way, the family’s solemn journey quickly turns frenzied and uproarious as each new character adds a new dimension of humor and profound insight to their familial plight. Director Victor Villanueva delivers a heartwarming and utterly distinctive take on the family road trip film, reminiscent of the delightfully melancholic Little Miss Sunshine, while imbuing it with his own idiosyncratic, queer flourishes. Maybe Tomorrow East Coast Premiere Dir. Samantha Lee, Philippines, 2016, 84 mins, Alex is unapologetically out to everyone—the execs who want to remove the queer content from her TV pitch, her overbearing mom, her catty photographer friends—except to her BFF Jess, an up-and-coming TV starlet with whom she also happens to be madly in love. But when Alex’s secret is accidentally revealed, both girls are forced to confront their feelings and navigate the complications of their new relationship in Samantha Lee’s fun and flirtatious debut feature. My Son Is Gay North American Premiere Dir Lokesh Kumar, India, 2017, 105 mins In this moving Bollywood melodrama, Varun comes out to his best friend’s mother. When the news reaches his own mom Lakshmi, she rejects it, in disbelief that the perfect son she so adores could ever be gay. What follows is a portrayal of the entrenched prejudice that the LGBTQ community still face in India today. With Section 377, the law criminalizing same-sex relationships, currently under review by the courts, this is a timely and important take on queer rights and a test of a mother’s love for her son. Porcupine Lake East Coast Premiere Dir. Ingrid Veninger, Canada, 2017, 84 mins Bea (Charlotte Salisbury) has recently moved from Toronto to a quiet cottage in rural Ontario. Lonely and isolated, Bea finds solace when she befriends the elusive and alluring local-girl, Kate (Lucinda Armstrong Hall). The two girls forge an immediate bond as they both struggle to cope with their bewilderment at the volatility and chaos of their home lives and inner-worlds. In her sixth feature film, Ingrid Veninger depicts with candor and grace two girls dangling on the edge of adulthood, enjoy a fleeting summer of adventure and self-discovery. Santa & Andres New York Premiere Dir. Carlos Lechuga, Cuba, Columbia, 2016, 105 mins Guadalajara International Film Festival 2017 – 2nd Place – PREMIO MAGUEY – Best Feature Film Cuba, 1981: For many, the wounds of the revolution have begun to heal, although there are still those who refuse to be compliant with the regime’s silencing of intellectuals and LGBTQ people. Gay writer Andrés spends three days under house arrest, supervised by young revolutionary Santa, who knows nothing of life away from the countryside. During this brief period, the pair form an unpredictable bond. Subtle and moving, yet boldly political and provocative, this is a story of day-to-day lives affected by sweeping change. Screwed New York City Premiere Dir. Nils-Erik Ekblom, Finland, 2017, 100 mins To celebrate the start of summer, 17-year-old Miku throws a wild party at his parent’s house, which turns destructive quickly. As punishment, Miku is forced to spend the rest of his summer with his provincial family at their secluded country cottage. In the rolling, pastoral Finnish countryside, Miku meets the alluring Elias. The two spend their summer inseparable, discovering themselves, their sexuality, and each other. The City Of The Future New York Premiere Dir: Cláudio Marques and Marília Hughes, Brazil, 2016, 75 mins In a remote part of Brazil, the triad of Mila, Igor, and Gilmar are determined to break away and form their own nontraditional family, defying the definitions that society has attempted to impose on them. As they prepare for the birth of their child, the three contemplate their intertwining relationships. Cláudio Marques and Marília Hughes Guerreiro have boldly collaborated on a naturalistic film that shuns convention, instead embracing love in all its dazzling iterations. Tale of the Lost Boys North American Premiere Dir. Joselito Altarejos, Taiwan, the Philippines, 2016, 81 mins Alex, a Filipino mechanic, and Jerry, a Taiwanese aborigine student meet randomly in a Taipei bar and a casual conversation develops into a surprising personal connection. Both realize that they yearn for a deeper relationship with their mothers, since Alex’s abandoned him for a new family, while Jerry is afraid that his will reject him for being gay. An impromptu road trip leads to experiences that will forever redefine their identities… The Devil Is Magnificent (International Premiere) International Premiere Dir. Nicolas Videla, Chile, 2016, 68 mins Exhausted by the difficulties of her life in the often-inhospitable Paris, Manu, a thirty-three year old trans immigrant, resigns to return to his native Chile after 10 years in France. In the days leading up to her departure, Manu’s platonic friend Daniel proposes marriage with the intention of solving her visa issues. Manu strongly considers the offer, but she’s wholly disheartened at the prospect of a life without love, romance, and sex. That is, until she meets a fellow foreigner who instills in her the hope for a romantic future.

    DOCUMENTARY FEATURES

    100 Men East Coast Premiere Dir. Paul Oremland, 2017, New Zealand, 2017, 94 mins Kiwi director Paul Oremland tracks down 100 men he’s slept with in this personal, often humorous look at changing attitudes toward homosexuality over the past 40 years. Interviewed in New Zealand, England, and Poland, his eclectic subjects (including “Toilet Boy,” “Beach Boy,” and “Gary the Optician”) discuss coming out, AIDS, and gay marriage, acknowledging political gains even as some feel a sense of loss. Oremland’s journey brings him closer to these men, helping him realize he’s witnessing a revolution. A Womb Of Their Own East Coast Premiere Dir. Cyn Lubow, USA, 2016, 85 mins Depth of Field International Film Festival Competition – Won – Award of Exceptional Merit Considered the exclusive domain of the female experience, pregnancy is generally viewed as the pinnacle of womanhood. But what happens when the act of being pregnant falls outside of the feminine and into a womb of its own? Exploring the experience of pregnancy among a group of diverse masculine-of-center-identified people, this documentary questions what it means to be pregnant and give birth as a masculine person, broadening our understanding of gender, sexuality, and parenthood. Abu East Coast Premiere Dir. Arshad Khan, Canada, 2017, 80 mins An intimately open and dazzling visual memoir about the complex dynamic the filmmaker has with his father, who was at once extremely modern and also rigidly traditional and unaccepting of his son’s true self. Director Arshad Khan highlights the fascinating intersection between being gay and being an immigrant, as he weaves a dizzying, hypnotic tapestry of personal and familial acceptance by employing home video, animation, and Bollywood films to express his path to self-discovery. Alabama Bound East Coast Premiere Dir. Lara Embry and Carolyn Sherer, USA, 2017, 83 mins Exploring the legal roller-coaster ride of LGBTQ family rights in the American South, ALABAMA BOUND offers an intimate view into the lives of three Lesbian families in Alabama, including The only openly-gay Alabama State Legislator Patricia Todd, as they make waves in the legal system fighting for the rights of their children. Set along side the turning-point years when federal marriage equality was coming to a head in the courts, this riveting and powerful documentary tactfully imbues the viewer with hope and frustration as Patricia Todd leads the charge in next wave of the LGBTQ fight for equality: legal Non-Discrimination. Bones Of Contention East Coast Premiere Andrea Weiss, Spain and USA, 2017, 75 mins The brutal Franco dictatorship continues to haunt Spain—literally, as some 120,000 skeletons of the Fascist leader’s enemies were buried in unmarked graves all over the country. If one man has come to symbolize all of these desaparecidos, it’s legendary poet and playwright Federico Garcia-Lorca, whom this film calls “the first LGBT victim of the Franco regime.” Director Andrea Weiss examines the men and women (including the writer’s niece, Laura) who recall Spain’s homophobic past and seek to exhume it by finding these remains. Boys For Sale East Coast Premiere Dir. Itako, Japan, 2017, 76 mins L.A. Outfest, Fox Inclusion Outfest Feature Award In Tokyo’s Shinjuku district there are bars that specialize in “Urisen”, young guys who have sex with men. Featuring candid interviews and interspersed with animation detailing the awkward, sweet, and sometimes hilarious situations these sex workers experience, the boys for sale boldly tell their stories of life in the Tokyo underground. This doc is an illuminating look into a rarely seen world that tantalizingly shows the humanity of sex work. Dream Boat East Coast Premiere Dir. Tristan Milewski , Germany, 2017, 92 mins Decked from port to starboard in tops and bottoms, this cruise sets sail every year with leagues of gay men hungry to find their own slice of paradise on the open seas. Far from their families and political restrictions, we follow five men from five countries on a quest for connection. International waters provide the perfect platform to explore the ecstasy, agony, hopes, and dreams that bridge this community behind the bacchanalia, revealing a manifest rife with intersections between the diverse identities aboard, a brotherhood across borders. Hot to Trot New York Premiere Dir. Gail Freedman, US, 2017, 88 mins Set in the swinging setting of same-sex competitive ballroom dancing, this tremendously entertaining documentary highlights the culture and art of dance as it humanistically profiles the compelling stories of four international dancers. Filmed over three years, director Gail Freedman closely follows the tight ensemble as they face global and health issues, yet they find comfort and hope as they twirl past life’s obstacles with the utmost poise and confidence. Who will take home the top prize and move closest to the rhythm? The heat is on in more ways than one. This special screening will be followed by a live dance exhibition with subjects from the film My Wonderful West Berlin East Coast Premiere Dir. Jochen Hick, Germany 2017, 94 mins Jochen Hick’s My Wonderful West Berlin reveals, through a precise combination of archival footage and interviews with Berlin’s most notable LGBTQ artists and thinkers, the burgeouning queer community that developed and flourished in post-war West Berlin, despite homophobic laws and public prejudice. Through their collective memories, we see the city transform from having a spirited yet clandestine underground queer community the ‘60s, to the tepid embracing of the gay movements in the ‘70s, to the tragic overlooking of first the horrific AIDS epidemic in the ‘80s. My Wonderful West Berlin chronicles, with profound insight and uncharted access, the immense depths and rich history of the city’s LGBTQ people. Out Of Order New York Premiere Dir: Amanda Blueglass, USA, 2017, 60 mins This groundbreaking documentary reveals the complex and painful struggles faced by lesbian, gay, bisexual, transgender and queer faith leaders as they confront entrenched bigotry, and build loving support within their churches. Due to a growing fear and suspicion toward LGBTQ individuals, many queer parishoners still feel unwelcome in their faith. But a new kind of spiritual leader is pushing for acceptance. Weaving between the personal journeys of queer faith leaders, we witness their tireless work to push for acceptance beyond the wedding chapel, in order to ensure that LGBTQ folks know that they are loved, not only by God but also by their fellow worshippers. The Fabulous Allan Carr East Coast Premiere Dir. Jeffrey Schwarz, USA, 2017, 90 mins Director Jeffrey Schwarz (VITO, I AM DIVINE) returns with this fascinating look at Allan Carr, one of the most extravagant Hollywood figures of the 1970s and 80s. The film charts Carr’s rise from talent manager to megastar producer of GREASE, before he perpetrated the box-office blunders CAN’T STOP THE MUSIC and GREASE 2, as well as the disastrous 1989 Academy Awards ceremony. Featuring new interviews and archival footage of Carr’s legendary parties, this portrait of a showbiz legend is both hilarious and deeply sympathetic.

    SPECIAL EVENTS

    Spotlight Screening & Conversation Professor Marston & The Wonder Women Dir. Angela Robinson , USA, 2017, 104 mins In a superhero origin tale unlike any other, Angela Robinson’s entrancing film is the incredible true story of what inspired Harvard psychologist Dr. William Moulton Marston (Luke Evans) to create the iconic Wonder Woman character in the 1940’s. While Marston’s feminist superhero was criticized by censors for her ‘sexual perversity’, he was keeping a secret that could have destroyed him. Marston’s muses for the Wonder Woman character were his wife Elizabeth Marston (Rebecca Hall) and their lover Olive Byrne (Bella Heathcote), two empowered women who defied convention: working with Marston on human behavior research — while building a hidden life with him that rivaled the greatest of superhero disguises. BiView: Bisexuality Representation in Media Panel Moderated by Eliel Cruz Join leading bisexual activist and journalist Eliel Cruz and a panel of special guests to discuss bisexuality–arguably the most underrepresented identity in the LGBTQ spectrum. Fresh from a nationwide speaking tour for Bisexual Awareness Week, Eliel will lead the panelists through conversations on the fluidity of sexual and romantic attraction, polyamory, as well as the erasure of bi stories in media and the tangible effects of biphobia on screen. Do filmmakers and content creators have a responsibility to tell positive bi stories, and what are the politics you should be aware of in order to ensure impactful bi representation in your work? Meet these ambassadors of sexual fluidity, and join the conversation. Drag Roast: The Roast of Sherry Vine World Premiere Dir: Evan Zampella and Kyle Burt, US, 2017, 65 min Cruel, harsh, tasteless. And that’s just the roasters. Join us for a special screening of the DRAG ROAST of SHERRY VINE, as a panel of legendary New York nightlife performers grill a drag legend with more than 25 years of drag experience and tea to spill. Featuring Bob the Drag Queen, Ruby Roo, Monet Xchange, Anita Buffem, Miz Cracker, Sutton Lee Seymour, Marti Gould Cummings, Tina Burner and Special Guests.

    EPISODIC SHOWCASE

    Queer Women Mixtape Featuring premieres of web-based content from Snugglr (46m) & 195 Lewis (45m) Trans Tales Featuring premieres of web-based content from The T (14m), Darling Shear (15m), America In Transition (20m) For The Boys Featuring premieres of web-based content from London Nights (3m), Eastsiders (30m), LA Nights (3m), Maricas (30m), Tel Aviv Nights (3m), Michaels (7m)

    LEGACY FEATURE

    BEAUTIFUL THING Dir: Hettie Macdonald, United Kingdom, 1996, 90 min Released in 1996, the beloved coming-of-age classic that tells the story of two teenage boys living in the same London housing project, who hold the same secret: they think they might be gay. After a fight with his abusive father, Ste ends up crashing in Jamie’s bed, allowing the two to open up to each other and begin the process of embracing their identities. Two decades after its initial release, the film still stands as one of the most poignant and honest depictions of the coming-out process ever presented on screen.

    LEGACY SHORTS PROGRAM

    Out of the Archive: Queer New York An epicenter of queer culture, New York has long been a focal point of LGBTQ cinema. This program features both rare and restored short films (and sometimes raw footage) shot in New York City between the 1960s and 2000s by influential LGBTQ New York filmmakers, and presents the city’s history through a queer lens and even provides an early look at the trans experience. Run time: 84 minutes Queens at Heart Director unknown 1967 22 min. Restored by the Outfest UCLA Legacy Project This short exploitation documentary offers a glimpse into the lives of four transgender women in pre-Stonewall New York. Epilogue/Siam Tom Chomont 1968 6 min. Restored by the Outfest UCLA Legacy Project Filmmaker and curator Jim Hubbard states, “Chomont’s films offer a lyric depiction of the ordinary world.” Here, Chomont presents two portraits–one warm, and one cold. Christopher Street Gay Liberation Day [excerpt] Kate Millett and Susan Kleckner 1971 5 min. Restored by the Outfest UCLA Legacy Project Shot by the Millett, Kleckner, and an all-female crew, this raw footage documents New York’s second annual Christopher Street pride parade. Alphabit Land: The Backyard Tour Featuring Wigstock 89 John Canalli 1990 28 min. John Canalli takes his cousin on a tour of his Manhattan neighborhood. A search for the coolest party in town leads them to the annual Wigstock drag festival. I Never Danced the Way Girls Were Supposed To Dawn Suggs 1992 7 min. Suggs meditates on Black lesbian subjectivity, exploring the connections between daily rituals and sexuality. I Like Dreaming 1994 Directed by Charles Lofton 6 min. Lofton muses on the pleasures of cruising “straight-acting, straight-appearing” men. Last Address Ira Sachs 2010 9 min. Comprised of footage of the exteriors of houses where New York artists were living when they died of AIDS, this haunting film serves as an elegy to a generation of lost queer voices.

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  • VIDEO: Netflix Debuts THE DEATH AND LIFE OF MARSHA P. JOHNSON Trailer

    THE DEATH AND LIFE OF MARSHA P. JOHNSON Netflix debuted the trailer for The Death and Life of Marsha P. Johnson, documentary on the self-described “street queen” of NY’s gay ghetto found floating in New York’s Hudson River in 1992. The documentary that premiered at the 2017 Tribeca Film Festival, launches on Netflix on Friday, October 6, 2017. Who killed Marsha P Johnson? When the beloved, self-described “street queen” of NY’s gay ghetto was found floating in the Hudson River in 1992, the NYPD chalked it up as a suicide and refused to investigate. However, as shown in Academy Award(R) nominated director and journalist David France’s (How to Survive A Plague) new film, it’s a decision many questioned. Having played a pivotal role in the previous year’s Stonewall Riots, in 1970, Johnson and fellow trans icon Sylvia Rivera formed the world’s first trans-rights organization, STAR (Street Transvestites Action Revolutionaries). And despite their many challenges over the years-homelessness, illness, alcoholism-Marsha and Sylvia ignited a powerful and lasting civil rights movement for gender nonconforming people. Now, a quarter century later, at a time of unprecedented visibility and escalating violence in the transgender community, Marsha’s old friend and fellow activist Victoria Cruz has taken it upon herself to reexamine what happened to Marsha. Dipping deep into jaw-dropping archival footage of another era of New York City life, The Death and Life of Marsha P. Johnson follows as this champion pursues leads, mobilizes officials, and works to tell the story of Marsha’s life and get to the bottom of Marsha’s death. https://www.youtube.com/watch?v=pADsuuPd79E

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