
Alice Rohrwacher will be honored with the European Achievement in World Cinema Award at the 38th European Film Awards for “her unusual and inspiring body of work.”

Alice Rohrwacher will be honored with the European Achievement in World Cinema Award at the 38th European Film Awards for “her unusual and inspiring body of work.”

Writer-director Joanna Hogg’s delicate autobiographical drama The Souvenir lead the nominations for the 40th annual London Critics’ Circle Film Awards with 7 nominations, including Film, Screenwriter, Actor (Tom Burke), Supporting Actress (Tilda Swinton) and Young Performer (Honor Swinton Byrne). In addition, the film is nominated for British/Irish Film of the Year.

Present.Perfect. directed by Zhu Shengze, described as a “daring film” by the jury, won the top prize – Tiger Award at the 2019 International Film Festival Rotterdam (IFFR). Dutch filmmaker Ena Sendijarević won the Special Jury Award for Take Me Somewhere Nice. Audience favorite Capharnaüm by Nadine Labaki won the BankGiro Loterij Audience Award. The VPRO Big Screen Award was awarded to Transnistra by Anna Eborn from Sweden.

Lucrecia Martel’s Zama, Lee Chang-dong’s Burning, and Paul Schrader’s First Reformed took the top spots among films released in 2018 on Film Comment’s annual end-of-year survey. Of the films that screened at festivals worldwide but have not announced stateside distribution, Roberto Minervini’s What You Gonna Do When the World’s on Fire?, Mariano Llinás’s La Flor, and Khalik Allah’s Black Mother received the top rankings.

Sight & Sound, the BFI’s international film magazine, today named Alfonso Cuarón’s Roma as the Best Film of 2018 in one of the most anticipated and respected critics’ opinion poll: Sight & Sound’s Films of the Year. Paul Thomas Anderson’s Oscar®-winning Phantom Thread is in second place, followed by Lee Chang-dong’s Burning in third.
Beats, a film by Brian Welsh[/caption]
Beats, a film by Brian Welsh about an unlikely friendship set against a backdrop of illegal raves in the 90s will world premiere at the 2019 International Film Festival Rotterdam (IFFR). Beats is part of IFFR’s Limelight program, which features the cinematic highlights of the year. Emmy Award-winning fimmaker Clara van Gool’s The Beast in the Jungle and Martin de Vries’s Camino, A Feature-length Selfie also world premiere within Limelight.
Beats is a raw, black-and-white portrait of a bankrupt United Kingdom in which music and drugs are the only things of interest. In summer 1994, with rave culture on the rise in a Scottish village, teens Johnno and Spanner have a final night out together before each going their own way in life.
In addition to Beats, IFFR’s Limelight program boasts two other world premieres, both by Dutch filmmakers: The Beast in the Jungle by Clara van Gool is a poetic adaptation of Henry James’s 1903 novella with a major role for dance and movement; and Camino, a Feature-length Selfie is Martin de Vries’s account of his hike to Santiago de Compostela.
Four Limelight titles were previously supported by IFFR: A Land Imagined by Yeo Siew Hua, Rojo by Benjamín Naishtat and Rafiki by Wanuri Kahiu were supported by IFFR’s Hubert Bals Fund and Birds of Passage by Cristina Gallego and Ciro Guerra was presented at IFFR’s CineMart.
Other confirmed Limelight titles include Gaspar Noé’s Climax, Brady Corbet’s Vox Lux, Alice Rohrwacher’s Happy as Lazzaro and Hamaguchi Ryūsuke’s Asako I & II.
All confirmed 2019 International Film Festival RotterdamLimelight titles to date
Un amour impossible/An Impossible Love, Catherine Corsini, 2018, France
Asako I & II, Hamaguchi Ryūsuke, 2018, Japan/France
Ash Is Purest White, Jia Zhangke, 2018, China/France
The Beast in the Jungle, Clara van Gool, 2019, Netherlands/Luxembourg, world premiere
Beats, Brian Welsh, 2019, UK, world premiere
Birds of Passage, Cristina Gallego/Ciro Guerra, 2018, Colombia/Denmark/Mexico
Camino, een feature-length selfie/Camino, A Feature-length Selfie, Martin de Vries, 2019, Netherlands, world premiere
Capharnaüm/Capernaum, Nadine Labaki, 2018, LebanonClimax, Gaspar Noé, 2018, France
Donbass, Sergei Loznitsa, 2018, Germany/Ukraine/France/Netherlands/Romania
A Land Imagined, Yeo Siew Hua, 2018, Singapore/France/Netherlands
Lazzaro felice/Happy as Lazzaro, Alice Rohrwacher, 2018, Italy/Switzerland/France/Germany
Leto/Summer, Kirill Serebrennikov, 2018, Russia/France
Rafiki, Wanuri Kahiu, 2018, Kenya/South AfricaRojo, Benjamín Naishtat, 2018, Argentina/Brazil/France/Netherlands/Germany
Vox Lux, Brady Corbet, 2018, USA
“Green Book” directed by Peter Farrelly[/caption]
The National Board of Review named Green Book as Best Film of the Year, Bradley Cooper as Best Director of the Year for A Star is Born, Viggo Mortensen as Best Actor of the Year for his performance in Green Book, and Lady Gaga as Best Actress of the Year for her performance in A Star is Born.
NBR President Annie Schulhof said, “We are proud to honor Green Book as our best film – it is a warm and heartfelt look at a remarkable friendship, brought to the screen at a moment where its story of love, compassion, and shared humanity deeply resonates. We are also thrilled to award Bradley Cooper as our best director – he is an extraordinary talent behind the camera, bringing a fresh and modern perspective, as well as superb craftsmanship and tremendous heart, to the classic story of A Star is Born.”
The 2018 awards continue the NBR’s tradition of recognizing excellence in filmmaking, going back 109 years. This year 261 films were viewed by this select group of film enthusiasts, filmmakers, professionals, academics, and students, many of which were followed by in-depth discussions with directors, actors, producers, and screenwriters.
The National Board of Review’s awards celebrate the art of cinema, with categories that include Best Picture, Best Director, Best Actor and Actress, Best Original and Adapted Screenplay, Breakthrough Performance, and Directorial Debut, as well as signature honors such as Freedom of Expression and the William K. Everson Film History Award.
The honorees will be feted at the NBR Awards Gala, hosted by Willie Geist, on Tuesday, January 8, 2019 at Cipriani 42nd Street.
We the Animals[/caption]
We the Animals leads the nominations for the 2019 Film Independent Spirit Awards with 5 nods including Best First Feature, but missed out on a nomination for Best Feature. Nominees for Best Feature are Eighth Grade, First Reformed, If Beale Street Could Talk, Leave No Trace and You Were Never Really Here.
Suspiria was selected to receive the Robert Altman Award, which is bestowed upon one film’s director, casting director and ensemble cast. The Altman Award was created in 2008 in honor of legendary director Robert Altman who was known for creating extraordinary ensemble casts.
Winners of the Spirit Awards Filmmaker Grants will be announced at the Film Independent Spirit Awards Filmmaker Grant and Nominee Brunch on Saturday, January 5, 2019.
HAPPY AS LAZARRO[/caption]
The 54th Chicago International Film Festival hosted its Awards Ceremony and taking home the top prize, the Gold Hugo for Best Film, in the International Feature Film Competition, is director Alice Rohrwacher’s Happy as Lazzaro, a film the jury recognized for its poetic cinematic language and formal rigor. The Silver Hugo for Best Director was awarded to Jia Zhangke for Ash Is Purest White and the Silver Hugo Special Jury Prize was awarded to Joy, directed by Sudabeh Mortezai.
Director Ash Mayfair took home top honors in the New Directors Competition with a Gold Hugo for The Third Wife and the Silver Hugo was awarded to Joël Karekezi for The Mercy of the Jungle. The Roger Ebert Award, presented to an emerging filmmaker with a fresh and uncompromising vision, was awarded to directors Andréa Bescond and Eric Métayer for Little Tickles, and the Chicago Award was presented to Michael Paulucci for Hashtag Perfect Life. The Founder’s Award, given to one film across all categories that captures the spirit of the Chicago International Film Festival for its unique and innovative approach to the art of the moving image, was presented to Felix van Groeningen’s Beautiful Boy.
“Each year, the films presented in our competitions represent the excellence and diversity of filmmaking from around the world, and this year was no exception,” said Festival Artistic Director Mimi Plauché. “We are proud to honor these extraordinary films from around the world and here at home, saluting a diverse lineup of singular filmmakers and their work.”
L-R: Michelle Rodriguez, Viola Davis, and Elizabeth Debicki star in Twentieth Century Fox’s WIDOWS. Photo Credit: Courtesy Twentieth Century Fox.[/caption]
Steve McQueen’s and Gillian Flynn’s modern-day thriller Widows, Peter Farrelly’s drama Green Book starring Mahershala Ali and Viggo Mortensen, Mike Leigh’s period piece Peterloo are among the the full schedule of films announced for the 25th Anniversary edition of the Austin Film Festival taking place this October 25 to November 1. The festival lineup also includes Mickey Rourke-starring boxing drama Tiger, Paul Dano’s Wildlife starring Jake Gyllenhaal and Carey Mulligan, and Julia Roberts and Lucas Hedges family drama Ben is Back bowing as AFF’s Centerpiece selection.
Other World Premieres include The Dancing Dogs of Dombrova (a comedy about estranged siblings traveling to Poland to track down the remains of the their grandmother’s childhood dog), F/11 and Be There (a documentary about famed photographer Burk Uzzle), The Amaranth (a thriller about a mysterious retirement community), A Girl Named C (Emily Kassie’s documentary about a family grappling with the discovery that their 11-year-old daughter was raped), and Waiting for the Miracle to Come (Lian Lunson’s whimsical drama starring Willie Nelson and Charlotte Rampling).