Matangi/Maya/M.I.A (2018)

  • 34th IDA Documentary Awards, MINDING THE GAP Wins Best Feature Documentary

    Minding the Gap
    Minding the Gap

    Minding the Gap directed by Bing Liu won the award for Best Feature documentary at the 34th International Documentary Asociation IDA Documentary Awards on Saturday night in Los Angeles. The documentary also won the award for Best Editing.

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  • 165 Films Documentary Feature Films Submitted for 2018 Oscar Race

    [caption id="attachment_28784" align="aligncenter" width="1200"]Robin Williams: Come Inside My Mind Robin Williams: Come Inside My Mind[/caption] One hundred sixty-six features have been submitted for consideration in the Documentary Feature category for the 91st Academy Awards®.  Several of the films have not yet had their required Los Angeles and New York qualifying releases. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules in order to advance in the voting process. This year, for the first time, films that have won a qualifying award at a competitive film festival or have been submitted in the Foreign Language Film category as their country’s official selection, are also eligible in the category. A shortlist of 15 films will be announced on December 17. Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture. Nominations for the 91st Academy Awards will be announced on Tuesday, January 22, 2019. The 91st Oscars® will be held on Sunday, February 24, 2019, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide. The submitted features, listed in alphabetical order, are: “Above and Beyond: NASA’S Journey to Tomorrow” “Active Measures” “Amazing Grace” “American Chaos” “Andy Irons: Kissed by God” [caption id="attachment_25696" align="aligncenter" width="1200"]Antonio Lopez 1970: Sex Fashion & Disco Antonio Lopez 1970: Sex Fashion & Disco[/caption] “Antonio Lopez 1970: Sex Fashion & Disco” “Avicii: True Stories” “Bali: Beats of Paradise” “Bathtubs over Broadway” “Be Natural: The Untold Story of Alice Guy-Blaché” “Believer” “Better Angels” “Bill Coors: The Will to Live” “Bisbee ’17” “The Bleeding Edge” “Boom for Real: The Late Teenage Years of Jean-Michel Basquiat” “Breaking Point: The War for Democracy in Ukraine” “Call Her Ganda” “Charm City” “Chef Flynn” “The China Hustle” “Christian Audigier The Vif” “The Cleaners” “Communion” “Crime + Punishment” “Dark Money” “Daughters of the Sexual Revolution: The Untold Story of the Dallas Cowboys Cheerleaders” “The Dawn Wall” “The Distant Barking of Dogs” “Divide and Conquer: The Story of Roger Ailes” “Drug$” “Eating Animals” “Eldorado” “Fahrenheit 11/9” “Fail State” “Family in Transition” “Far from the Tree” “Filmworker” “The First Patient” “Foreign Land” “40 Years in the Making: The Magic Music Movie” “Free Solo” “Garry Winogrand: All Things Are Photographable” “Generation Wealth” “Ghost Hunting” “Ghosthunter” “The Gilligan Manifesto” “The Gospel According to André” “Grace Jones: Bloodlight and Bami” “Graves without a Name” “The Great Buster: A Celebration” “Hal” “Hale County This Morning, This Evening” “Half the Picture” “The Heart of Nuba” “Hillbilly” “The Homeless Chorus Speaks” “Hondros” “Howard” “In Search of Greatness” “In the Land of Pomegranates” “Inventing Tomorrow” “Invisible Hands” “Itzhak” “Jane Fonda in Five Acts” “John McEnroe: In the Realm of Perfection” “The Judge” “Kangaroo: A Love Hate Story” “Killer Bees” “The King” “King in the Wilderness” “Kusama – Infinity” “The Last Race” “Leaning into the Wind: Andy Goldsworthy” “Letter from Masanjia” “Licu, a Romanian Story” “Living in the Future’s Past” “Liyana” “Lots of Kids, a Monkey and a Castle” “Love & Bananas: An Elephant Story” “Love, Cecil” “Love, Gilda” “Love Is Tolerance – Tolerance Is Love – Make Tolerance Great Again!” “Making The Five Heartbeats” “Maria by Callas” “Matangi / Maya / M.I.A.” “McQueen” “Minding the Gap” “Monrovia, Indiana” “The Most Unknown” “New Moon” “93Queen” “Nossa Chape” “Of Fathers and Sons” “Of Love & Law” “On Her Shoulders” “Opera about Poland” “The Opera House” “The Oslo Diaries” “The Other Side of Everything” “The Panama Papers” “Path of Blood” “People’s Republic of Desire” “Philosopher King – Lee Teng-hui’s Dialogue” “Pick of the Litter” “Piripkura” “Police Killing” “Pope Francis – A Man of His Word” “The Price of Everything” “The Price of Free” “Qiu (Inmates)” “Quincy” “RBG” “The Rachel Divide” “The Raft” “Recovery Boys” “Restoring Tomorrow” “Reversing Roe” “The Road Movie” “Robin Williams: Come inside My Mind” “Ruben Blades Is Not My Name” “Samouni Road” “Saving Brinton” “Say Her Name: The Life and Death of Sandra Bland” “Science Fair” “Scotty and the Secret History of Hollywood” “Searching for Ingmar Bergman” “Seeing Allred” “The Sentence” “Shirkers” “Shot in the Dark” “The Silence of Others” “Sisters of the Wilderness” “A Son of Man” “Songwriter” “Stan” “Studio 54” “Summer in the Forest” “Tea with the Dames” “That Summer” “That Way Madness Lies…” “They Fight” “They’ll Love Me When I’m Dead” “This Is Congo” “This Is Home: A Refugee Story” “Three Identical Strangers” “To Be Continued” “Transformer” “Travel Ban” “The Trial” “Triumph: The Untold Story of Perry Wallace” “Trust Machine” “Under the Wire” “United Skates” “Unknown Distance” “Up Down and Sideways” “The Waldheim Waltz” “We Could Be Heroes” “Weed the People” “What Haunts Us” “What Lies Upstream” “Whitney” “Wonderful Losers: A Different World” “Won’t You Be My Neighbor?” “Yellow Is Forbidden” “Yellowing”

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  • CUFF.Docs to Showcase 13 Groundbreaking Documentaries – MR FISH, WOLVES UNLEASHED

    [caption id="attachment_32501" align="aligncenter" width="1200"]Mr. Fish: Cartooning from the Deep End Mr. Fish: Cartooning from the Deep End[/caption] CUFF.Docs, Calgary’s Documentary Film Festival presented by the Calgary Underground Film Festival has released its lineup of 13 groundbreaking feature documentaries, covering everything from medical cannabis to slam poetry and swamp rats. The five-day festival, running November 28 to December 2 at Globe Cinema, will open on Wednesday, November 28 with MR FISH: CARTOONING FROM THE DEEP END, about the political cartoonist known for his subversive and often controversial art. Director Pablo Bryant and documentary subject Dwayne Booth (Mr Fish himself) will be in attendance and are available for media interviews prior to the screening. On the final day of the festival, the local film WOLVES UNLEASHED: AGAINST ALL ODDS from director and world-renowned wolf trainer Andrew Simpson will play with Simpson in attendance. Simpson has worked with wolves on Alberta productions including THE REVENANT, GAME OF THRONES, WYNONNA EARP, and this film documents his time in China raising and training wild Mongolian wolves for a Chinese blockbuster. Andrew Simpson is available for media interviews prior to the screening. “At CUFF.Docs we always we look for a mix of festival favorites and award-winning films,” said Festival Director and Lead Programmer Brenda Lieberman. “This is a collection of documentaries that will entertain or educate regardless of whether you’ve heard of the story or subject before.” Other guests coming to CUFF.Docs are: Nikhil Melnechuk, slam poet and producer of DON’T BE NICE about a team of young New York City slam poets competing for the National Championship, and Scott Christopherson, director of THE INSUFFERABLE GROO, which tells the story of prolific and eccentric filmmaker Stephen Groo as he tries to recruit Jack Black for his latest project. Documentary highlights include a new film about the Sri Lanka pop star and political activist M.I.A (MATANGI / MAYA / M.I.A.), the Sundance award-winning skateboarding film MINDING THE GAP, RODENTS OF UNUSUAL SIZE: an environmental study of nutria – giant swamp rats in Louisiana – from CUFF alumni Chris Metzler, Jeff Springer and Quinn Costello, and WEED THE PEOPLE, a timely look at the medical benefits of cannabis. CARMINE STREET GUITARS (a day-in-the-life story of the acclaimed guitar shop), HAL (a bio about the acclaimed 1970s Hollywood director Hal Ashby), PEOPLE’S REPUBLIC OF DESIRE (a look at the Chinese online streaming platform YY) THE CLEANERS (an expose about the hidden shadow industry of digital cleaning) and THIS CHANGES EVERYTHING (an exploration of the systemic sexism in Hollywood) round out the 13 film lineup.

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  • Cinema Eye Honors Announces 2018 Audience Choice, Heterodox, Broadcast, Unforgettables and Nonfiction “Shorts List”

    [caption id="attachment_32398" align="aligncenter" width="1200"]Won’t You Be My Neighbor? Won’t You Be My Neighbor?[/caption] The Cinema Eye Honors unveiled the first awards announcements for their 12th Annual awards, including The Unforgettables, their annual list of notable and significant nonfiction film subjects;  The Shorts List, an annual list of the year’s ten top Nonfiction Short Films; and nominees in four categories: Broadcast Film; Broadcast Series; the Heterodox Award, which recognizes fiction films that actively blur the line between fiction and documentary; and the annual Audience Choice Prize. The full list of nonfiction film and craft nominees, including the five nominees for Outstanding Nonfiction Short Film, will be revealed on Thursday, November 8. Eight films – Elizabeth Chai Vasarhelyi and Jimmy Chin’s Free Solo, Stephen Loveridge’s Mantangi/Maya/M.I.A., Bing Liu’s Minding the Gap, Alexandria Bombach’s On Her Shoulders, Julie Cohen and Betsy West’s RBG, Sandi Tan’s Shirkers, Tim Wardle’s Three Identical Strangers and Morgan Neville’s Won’t You Be My Neighbor? – were nominated for the Audience Choice Prize and also saw their subjects recognized amongst this year’s Unforgettables. Rashida Jones and Alan Hicks’ Quincy and Dava Whisenant’s Bathtubs Over Broadway round out this year’s Audience Choice nominees. This is the first year that Cinema Eye will have an award to recognize Outstanding Nonfiction Series for Broadcast. Inaugural nominees in the Series category are Steve James’ America to Me (STARZ), Trey Borzilleri & Barbara Schroeder’s Evil Genius (Netflix), Zackary Canepari, Drea Cooper & Jessica Dimmock’s Flint Town (Netflix) Liz Garbus’ The Fourth Estate (Showtime) Matthew Heineman’s The Trade (Showtime) and Chapman Way & Maclain Way’s Wild Wild Country (Netflix). The 12th Annual Cinema Eye Honors will be presented on Thursday, January 10, 2019 at the Museum of the Moving Image in New York City.

    AUDIENCE CHOICE PRIZE NOMINEES

    Bathtubs Over Broadway Directed by Dava Whisenant Free Solo Directed by Elizabeth Chai Vasarhelyi and Jimmy Chin Matangi/Maya/M.I.A. Directed by Stephen Loveridge Minding the Gap Directed by Bing Liu On Her Shoulders Directed by Alexandria Bombach Quincy Directed by Rashida Jones and Al Hicks RBG Directed by Julie Cohen and Betsy West Shirkers Directed by Sandi Tan Three Identical Strangers Directed by Tim Wardle Won’t You Be My Neighbor? Directed by Morgan Neville

    NONFICTION SHORTS LIST

    (Five nominees in this category will be announced on Thursday, November 8) Baby Brother Directed by Kamau Bilal Concussion Protocol Directed by Josh Begley The Earth is Humming Directed by Garrett Bradley My Dead Dad’s Porno Tapes Directed by Charlie Tyrell A Night at the Garden Directed by Marshall Curry Las Nubes Directed by Juan Pablo González Sister Hearts Directed by Mohammad Gorjestani Skip Day Directed by Patrick Bresnan and Ivete Lucas Volte Directed by Monika Kotecka and Karolina Poryzala Zhalanash – Empty Shore Directed by Marcin Sauter

    HETERODOX AWARD NOMINEES

    American Animals Directed by Bart Layton Obscuro Barrocco Directed by Evangelia Kranioti Skate Kitchen Directed by Crystal Moselle The Tale Directed by Jennifer Fox We the Animals Directed by Jeremiah Zagar

    BROADCAST FILM NOMINEES

    Baltimore Rising Directed by Sonja Sohn HBO Believer Directed by Don Argott HBO The Final Year Directed by Greg Barker HBO I Am Evidence Directed by Trish Adlesic and Geeta Gandbhir HBO Nobody Speak: Trials of the Free Press Directed by Brian Knappenberger Netflix This is Home: A Refugee Story Directed by Alexandra Shiva Epix

    BROADCAST SERIES NOMINEES

    America to Me Directed by Steve James Starz Evil Genius Directed by Trey Borzilleri and Barbara Schroeder Netflix Flint Town Directed by Zackary Canepari, Drea Cooper and Jessica Dimmock Netflix The Fourth Estate Directed by Liz Garbus Showtime The Trade Directed by Matthew Heineman Showtime Wild Wild Country Directed by Chapman Way and Maclain Way Netflix

    UNFORGETTABLES NONFICTION SUBJECTS OF 2018

    Annette Ontell 306 Hollywood América América Issei Sagawa Caniba Alex Honnold Free Solo Julita Salmerón Lots of Kids, a Monkey and a Castle Nick Bollettieri Love Means Zero M.I.A. Matangi/Maya/M.I.A. Kiere Johnson, Bing Liu and Zack Mulligan Minding the Gap Abu Osama Of Fathers and Sons Nadia Murad On Her Shoulders Ruth Bader Ginsburg RBG Scotty Bowers Scotty and the Secret History of Hollywood Georges Cardona, Jasmine Ng, Sophie Siddique and Sandi Tan Shirkers Edward Galland, David Kellman and Robert Shafran Three Identical Strangers Fred Rogers Won’t You Be My Neighbor?

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  • Indie Memphis Film Festival Announces 2018 Lineup

    [caption id="attachment_31953" align="aligncenter" width="1170"] MR. SOUL![/caption] This year’s 2018 Indie Memphis Film Festival is promising to be a very exciting and wildly varied one, with a lineup featuring five World Premiere screenings and one U.S. Premiere screening, as well as Special Presentations such as CABIN BOY with Chris Elliott in attendance and Barbara Loden’s feminist masterpiece WANDA presented by Amy Seimetz (Showtime’s “The Girlfriend Experience”), as well as a retrospective of the recent films of filmmaker Hong Sangsoo. The Opening Night film is Melissa Haizlip and Samuel D. Pollard’s MR. SOUL!, a documentary chronicling Ellis Haizlip, the host of a groundbreaking weekly TV show called SOUL! that aired from 1968-1973, Barry Jenkins’ IF BEALE STREET COULD TALK as the Centerpiece Presentation, and Andrew Bujaski’s SUPPORT THE GIRLS as the Closing Night selection, followed by Bujalski presenting the “Indie Memphis Actor of the Year” award for an unforgettable role by a promising new performer to one of the film’s stars, Shayna McHayle (aka Junglepussy). As previously announced, SORRY TO BOTHER YOU filmmaker Boots Riley will be the festival’s keynote speaker for the Black Creatives Forum as well as presenting BRAZIL (1985, Terry Gilliam). The festival also includes 165 short films and over 50 music videos. This year’s festival should prove to be a very diverse one, as fifty percent of the films in the Narrative Competition are directed by female-identifying filmmakers and fifty percent are directed by people of color; in the Documentary Competition, forty-three percent are directed by women and seventy-one percent by people of color. In addition to films from the United States, the festival also boasts titles from Spain, France, South Korea, Israel, Germany, Australia, Zambia, United Kingdom, Portugal, Canada, and Democratic Republic of the Congo.

    2018 Indie Memphis Film Festival Slate

    OPENING NIGHT

    MR. SOUL! (Dirs. Melissa Haizlip, Samuel D. Pollard) Before Oprah – Before Arsenio – there was Mr. SOUL! Ellis Haizlip makes television broadcast history with SOUL!, America’s first “black Tonight Show.” Featuring archive footage of Sidney Poitier, Patti LaBelle, Stevie Wonder, Gladys Knight, Harry Belafonte, among others. Filmmaker Melissa Haizlip in attendance. 2018, 90 min, Documentary

    CENTERPIECE

    IF BEALE STREET COULD TALK (Dir. Barry Jenkins) After her fiancé is falsely imprisoned, a pregnant young woman in Harlem sets out to clear his name and prove his innocence. 2018, 117 min, Drama

    CLOSING NIGHT

    SUPPORT THE GIRLS (Dir. Andrew Bujalski) The general manager at a highway-side ”sports bar with curves” has her incurable optimism and faith, in her girls, her customers, and herself, tested over the course of a long, strange day. Filmmaker Andrew Bujalski will present “Indie Memphis Actor of the Year” award to Shayna McHayle (aka Junglepussy). 2018, 94 min, Comedy

    NARRATIVE COMPETITION

    CLARA’S GHOST (Dir. Bridey Elliott) Set over the course of a single evening in the Reynolds family home in suburban Connecticut, Clara’s Ghost tells the story of Clara Reynolds who, fed up with constant ribbing from her self-absorbed showbiz family, finds solace in and guidance from the supernatural force she believes is haunting her. Filmmaker Bridey Elliott in attendance. Actors Abby Elliott, Chris Elliott, and Paula Niedert Elliott in attendance. 2018, 98 min, Comedy/Drama JINN (Dir. Nijla Mumin) A shape-shifting, pepperoni-loving, black teenage Instagram celebrity explores her identity and sexuality in the midst of her mother’s conversion to Islam. Filmmaker Nijla Mumin in attendance. 2018, 92 min, Drama JOBE’Z WORLD (Dir. Michael Bilandic) – World Premiere Jobe is a roller-blading delivery dude in NYC who, one endless night, delivers drugs to his favorite actor, Royce David Leslie. Filmmaker Michael Bilandic in attendance. 2018, 67 min, Comedy NEW MONEY (Dir. Jason B. Kohl) A struggling woman abducts her estranged father after he cuts her out of his will. 2018, 85 min, Drama/Thriller SEPULVEDA (Dirs. Jena English, Brandon Wilson) An existential urban road movie about three best friends who decide to drive L.A.’ s longest street. Filmmaker Brandon Wilson in attendance. 2016, 82 min, Comedy/Drama SHOOT THE MOON BETWEEN THE EYES (Dir. Graham Carter) – World Premiere Jerry and Carl have conned their way from one small Texas town to another. The plan for their final con goes haywire when one of them falls in love with Maureen, all while there’s a bumbling P.I. out for vengeance and hot on their trail. Filmmaker Graham Carter in attendance. 2018, 73 min, Comedy/ Drama /Musical/Romance SOLACE (Dir. Tchaiko Omawale) A 17-year-old orphan named Sole is shipped off to her estranged grandmother (Lynn Whitfield from EVE’S BAYOU) in Ladera Heights, Los Angeles. Sole plots her escape to New York while navigating a foreign environment, new friendships and a hidden eating disorder. Filmmaker Tchaiko Omawale in attendance. 2018, 127 min, Drama

    DOCUMENTARY COMPETITION

    ENTRIALGO (Dir. Diego Llorente) – World Premiere A beautiful and meditative study of rural Asturias, Spain. Life goes on with a different pace in Entrialgo. Rubén and Aitor grow with this rhythm. Their life swifts between the solitude of the courtyards of their house, the games mixed with the work of the adults and the school where they interact with their equals. Game, solitude and animals are witnesses and companions of a year in the life of these children. Filmmaker Diego Llorente in attendance. 2018, 65 min, Documentary HALE COUNTY: THIS MORNING, THIS EVENING (Dir. Ramell Ross) Composed of intimate and unencumbered moments of people in a community, HALE COUNTY: THIS MORNING, THIS EVENING allows the viewer an emotive impression of the Historic South — trumpeting the beauty of life and consequences of the social construction of race, while simultaneously a testament to dreaming — despite the odds. Filmmaker RaMell Ross in attendance. 2018, 76 min, Documentary KINSHASA MAKAMBO (Dir. Dieudo Hamadi) Christian, Ben and Jean-Marie are fighting for political change of power and free elections in their country, the Democratic Republic of the Congo. But the incumbent President refuses to relinquish power. Kinshasa Makambo immerses us in the combat these three activists are engaged in, a combat that neither bullets, nor prison, nor exile seem able to stop. 2018, 74 min, Documentary SHAKEDOWN (Dir. Leilah Weinraub) From 2002 to 2015, filmmaker Leilah Weinraub documents explicit performances in an underground black-lesbian club in Los Angeles. Filmmaker Leilah Weinraub in attendance. 2018, 82 min, Documentary/LGBTQ SPEAK UP! (Dir. Amandine Gay) – US Premiere An exploration of the intersections of discrimination, art and blackness, featuring interviews with black women in France and Belgium. Filmmaker Amandine Gay in attendance; this screening in collaboration with “Blackness in French and Francophone Film” at Columbia University. 2018, 122 min, Documentary THIS ONE’S FOR THE LADIES (Dir. Gene Graham) The Dojo, which is a children’s karate school by day, becomes a male strip joint on Thursday nights where hundreds of women convene for a potluck fundraiser, a sense of community, and the opportunity to throw singles at the New Jersey Nasty Boyz. Filmmaker Gene Graham in attendance. 2018, 82 min, Documentary WRESTLE (Dir. Suzannah Herbert) An intimate and nuanced documentary that follows the wrestling team at J.O. Johnson High School in Huntsville, which has been on Alabama’s failing schools list for decades. Filmmaker Suzannah Herbert in attendance. 2018, 99 min, Documentary

    SPOTLIGHT

    Narrative: DIAMANTINO (Dirs. Gabriel Abrantes, Daniel Schmidt) Diamantino, the world’s premiere soccer star loses his special touch and ends his career in disgrace. Searching for a new purpose, the international icon sets on a delirious odyssey where he confronts neo-fascism, the refugee crisis, genetic modification, and the hunt for the source of genius. 2018, 92 min, Comedy/Drama/Fantasy I AM NOT A WITCH (Dir. Rungano Nyoni) Shula is the first child taken to a traveling witch camp, where she is told that should she cut the ribbon and attempt to escape, she will be cursed and transformed into a goat. 2017, 93 min, Drama MADELINE’S MADELINE (Dir. Josephine Decker) A theater director’s latest project takes on a life of its own when her young star takes her performance too seriously. 2018, 93 min, Drama/Thriller NOTES ON AN APPEARANCE (Dir. Ricky D’ambrose) A young man leaves behind an obscure cache of letters, postcards, and notebooks when he disappears. Actor Keith Poulson in attendance. 2018, 60 min, Drama SORRY ANGEL (Dir. Christophe Honoré) Jacques is an older writer from Paris. Arthur is a young student in Rennes. They instantly fall in love. But they’ll have to face rejection and sickness to keep it that way. 2018, 133 min, Drama/LGBTQ TYREL (Dir. Sebastián Silva) Tyler goes to an isolated cabin in the Catskills for a raucous all-dude weekend birthday party for a friend. He finds he is the sole black person there and grows increasingly uncomfortable. 2018, 86 min, Comedy/Thriller WILD NIGHTS WITH EMILY (Dir. Madeleine Olnek) Dramatization of the little known side of the writer Emily Dickinson’s life, in particular her relationship with another woman. Actor Amy Seimetz in attendance. 2018, 84 min, Comedy Documentary: A BETTER MAN (Dirs. Attiya Khan, Lawrence Jackman) Filmmaker Attiya Khan documents her meetings with an abusive ex-boyfriend to show the healing and revelation that can happen for everyone involved when men take responsibility for their abuse. A fascinating and necessary exploration into restorative justice. 2017, 79 min, Documentary DIVIDE AND CONQUER: THE STORY OF ROGER AILES (Dir. Alexis Bloom) Director Alexis Bloom charts the rise and fall of the late Republican Party booster and controversial Fox News mogul who went down in flames amid multiple sexual harassment allegations. 2018, 107 min, Documentary THE GOSPEL OF EUREKA (Dirs. Michael Palmieri, Donal Mosher) Love, faith, and civil rights collide in the south as evangelical Christians and drag queens step into the spotlight to explore the meaning of belief. Gospel drag shows and passion plays intermix in Eureka Springs, Arkansas. 2018, 75 min, Documentary MATANGI / MAYA /M.I.A (Dir. Stephen Loveridge) Drawn from a never before seen cache of personal footage spanning decades, Stephen Loveridge creates an intimate portrait of the Sri Lankan artist and musician known as M.I.A. 2018, 96 min, Documentary MINDING THE GAP (Dir. Bing Liu) Three young men bond together to escape volatile families in their Rust Belt hometown. As they face adult responsibilities, unexpected revelations threaten their decade-long friendship. 2018, 93 min, Documentary

    DEPARTURES

    AUGUST AT AKIKO’S (Dir. Christopher Makoto Yogi) Armed with just his suitcase and a sax, cosmopolitan musician Alex Zhang Hungtai (DIRTY BEACHES) returns home to the Big Island of Hawai‘i having been away for nearly a decade. 2018, 75 min, Experimental Drama BLACK MOTHER (Dir. Khalik Allah) Filmmaker Khalik Allah offers a portrait of Jamaica, the home of his maternal grandparents. He interviews people and edits the audio as if it were music (as much for rhythm as content), exploring various themes while accompanied by his unique visual style. Filmmaker Khalik Allah in attendance. 2018, 77 min, Experimental Documentary LIFE IS FARE (Dir. Sephora Woldu) An experimental musical film exploring wildly different perspectives on the East African nation of Eritrea. Filmmaker Sephora Woldu in attendance. 2018, 62 min, Experimental/Musical THE WASHING SOCIETY (Dir. Lynne Sachs) Filmmaker Lynne Sachs and playwright Lizzie Olesker document the disappearing neighborhood laundromats and the labor that is associated with them. Filmmaker Lynne Sachs in attendance. 2018, 44 min, 2018, Documentary Screening with: “I Am Somebody” (Dir. Madeline Anderson) A short political documentary by Madeline Anderson about black hospital workers on strike in Charleston South Carolina. 1970, 30 min, Documentary

    SOUNDS

    BETTY: THEY SAY I’M DIFFERENT (Dir. Philip Cox) A creative documentary exploring the extraordinary story of Betty Davis (former wife of Miles Davis) as legendary funk pioneer and a woman who championed the road for all independent female artists who followed. 2017, 54 min, Documentary THE DREAMER’S FIELD (Dir. Noam Stolerman) The heartfelt journey of three childhood friends who wish to escape their boring life in the kibbutz and become London’s hottest rock band. THE DREAMER’S FIELD is a bitter-sweet journey of three misplaced and misguided individuals coming to terms with the real world. 2017, 65 min, Documentary MILFORD GRAVES FULL MANTHIS (Dir. Jake Meginsky) The first ever feature-length portrait of renowned percussionist Milford Graves, exploring his kaleidoscopic creativity and relentless curiosity. 2018, 95 min, Documentary MR. SOUL! (Dirs. Melissa Haizlip, Samuel D. Pollard) Before Oprah, Before Arsenio, there was Mr. SOUL! Ellis Haizlip makes television broadcast history with SOUL!, America’s first “black Tonight Show.” Featuring archival footage of James Baldwin, Nikki Giovanni, Sidney Poitier, Patti LaBelle, Stevie Wonder, Gladys Knight, Harry Belafonte, among others. Filmmaker Melissa Haizlip in attendance. 2018, 90 min, Documentary

    HOMETOWNER

    MEMPHIS MAJIC (Dir. Eddie Bailey) A riveting in-depth look at the city of Memphis through the lens of a 30 year old Memphis-born street dance called “Jookin’.” Filmmaker Eddie Bailey in attendance. 2018, 72 min, Documentary NEGRO TERROR: THE VOICE OF MEMPHIS (Dir. John Rash) – World Premiere A cinematic and musical portrait of a punk band’s role in the vibrant and eclectic underground music community of Memphis, TN. Filmmaker John Rash in attendance; Negro Terror to play live score during the film. 2018, 54 min, Documentary WAITING: THE VAN DUREN STORY (Dir. Greg Carey, Wade Jackson) – World Premiere In the 1970’s, out of the Memphis-Big Star scene came Van Duren, who was tipped to be the next Paul McCartney but instead faded into obscurity. Forty years later, two Australian friends come across his record and set out to discover what went wrong. Filmmakers Greg Carey and Wade Jackson and subject Van Duren in attendance. 2018, 80 min, Documentary RUKUS (Dir. Brett Hanover) A hybrid of documentary and fiction, RUKUS is a queer coming-of-age story set in the liminal spaces of furry conventions, southern punk houses, and virtual worlds. Filmmaker Brett Hanover in attendance. 2018, 87 min, Drama/LGBTQ

    SPECIAL EVENTS

    CABIN BOY with Chris Elliott (Dir. Adam Resnick) A fancy lad (Chris Elliott) en route to Hawaii meets unfriendly fishermen when he mistakenly boards their boat The Filthy Whore instead of a cruise ship to Hawaii. Star Chris Elliott in attendance. 1994, 81 min, Comedy Classic Picks with Boots Riley: BRAZIL (Dir. Terry Gilliam) Low-level bureaucrat Sam Lowry (Jonathan Pryce) investigates a case that led to the wrongful arrest and eventual death of an innocent man instead of wanted terrorist Harry Tuttle (Robert De Niro), and gets caught in a web of mistaken identities, mindless bureaucracy and lies. Introduced by filmmaker Boots Riley (“Sorry to Bother You”). 1985, 143 min, Science Fiction

    Hong Sang-soo Recent Retro:

    Grass (2018, 66 min) In a small Café, Min-hee Kim plays a guest who prefers to observe but not interact with the other guests herself. The Day After (2017, 92 min) When a woman discovers a love poem that was written for her husband, she mistakenly believes that the author is her husband’s new secretary. On the Beach at Night Alone (2017, 101 min) After a publicized affair with her director, an actress leaves South Korea and goes to Hamburg, where she gains insight into the meanings of love and identity. My First Film: Live Cinema w/ Zia Anger Anger will offer live-commentary on previously unseen work, by way of a split screen and text edit, as she attempts to recount the stories behind her lost and abandoned work–including her first feature–and her struggles in an industry often hostile to women filmmakers. Southern Documentary Fund Presents Fresh Docs: Black Genius A free, work-in-progress screening of film by Memphis native Kalimah Abioto, who explores the brilliance of Memphis’ people while also confronting gentrification. This portrait of various Memphis black leaders will be presented by the director, and will be followed by a discussion. Southern Food & Music (Dir. Les Blank + Southern Foodways Shorts) From a Labor Day barbeque in Northern Mississippi with drummer Otha Turner to farm cooking with Texas musician Mance Lipscomb, from Louisiana Cajun cuisine to an award winning pastry chef in Alabama, and even a factory farm in the Blue Ridge Mountains of North Carolina, this collection of short films by legendary documentarian Les Blank and Ava Lowrey (Southern Foodways) explores the intersection of music and food in the South. Blues Legend Otha Turner’s Truly Southern Barbecue (Ava Lowrey, 2016, 6 min) A Well Spent Life (Les Blank, 1971, 44 min) Yum! Yum! Yum! A Taste of Cajun and Creole Cooking of Louisiana (Les Blank, 1990, 31 min) Dol (Ava Lowrey, 2018, 6 min) Chicken Real (Les Blank, 1970, 23 min) WANDA (Dir. Barbara Loden) This 1970 independent film was written and directed by actress Barbara Loden, who also plays the title role. Wanda is an abused woman who turns to a life of crime, where she finds more abuse from men. Loden stated she was inspired to write it after reading a newspaper report that a woman had thanked a judge after he sentenced her to prison. Introduced by filmmaker and actress Amy Seimetz (Showtime’s “The Girlfriend Experience”). 1970, 102 min, Drama

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  • Melbourne International Film Festival Unveils 2018 Program Lineup of 374 Films

    [caption id="attachment_30671" align="aligncenter" width="1200"]The Merger The Merger[/caption] The Melbourne International Film Festival (MIFF) today unveiled its 2018 program featuring 254 feature films, 120 shorts and 19 virtual reality experiences over 18 action-packed days of cinema. In addition to Paul Dano’s highly anticipated Wildlife, as the Opening Night Gala film, for its middle weekend Centrepiece Gala, the festival revealed that uproarious Australian comedy The Merger would have its world premiere. Based on comedian Damian Callinan’s acclaimed stage show of the same name, The Merger is the tale of a struggling small town footy team that recruits refugees to survive. Starring John Howard, Josh McConville, Fayzaal Bazzi, Kate Mulvany and Callinan himself, The Merger is a film with big laughs, a big heart and lashings of sweet and sour chicken kiev. MIFF will screen The Coming Back Out Ball Movie to bring the festival to a close. Directed by Sue Thomson and supported through the MIFF Premiere Fund, The Coming Back Out Ball Movie is a triumphant and life-affirming love letter to Australia’s original fighters for queer equality – a film that will have audiences laughing, crying and ready to dance, darling. Reflecting an extraordinary year of filmmaking, this year’s 15 Headliners represent the most buzzed about international cinema: After receiving a 15-minute standing ovation, Nadine Labaki – one of 90 female directors in this year’s program – offers Capharnaüm, winner of this year’s Jury Prize at Cannes. Centred on a 12-year-old child attempting to divorce himself from his parents, Labaki’s neorealist fable is notable for the astonishing performances she draws out from her cast of non-professional actors. In Burning, South Korean auteur Lee Chang-dong adapts author Haruki Murakami’s short story of romantic longing into a riveting and dramatic thriller. Wildly praised at Cannes, Burning set a new record for the highest-ever score in Screen International’s poll of critics at the festival. Doubling down on the sensory experience of their past works, Colombian-born filmmakers Ciro Guerra and Cristina Gallego bring a distinct perspective to the time-honoured rags-to-riches drug saga. Mythical in its storytelling, Birds of Passage combines eye-popping traditional costumes and culture, an immersive atmosphere of surreal imagery and glorious widescreen cinematography. Equally intense in its visceral qualities, Climax is an ecstatic and nightmarish orgy of sex, drugs and 90s club music from legendary provocateur Gaspar Noé. Winner of the Art Cinema Award at Cannes, Climax reaffirms Noé as modern cinema’s most incisive and inventive observer of humanity’s animal darkness. Oscar nominated Debra Granik – a guest of this year’s festival – returns to feature filmmaking with Leave No Trace, a humane depiction of the bond between father and daughter and the universal desire to live by your own rules. Recipient of the Cannes Best Director prize, Pawel Pawlikowski’s Cold War is a love story that wends its way through a partitioned Europe. Inspired by Pawlikowski’s own parents’ story, Cold War offers audiences a lyrical and emotional work replete with virtuosic black-and-white visuals and a keen sense of music. Decades in the making, director Terry Gilliam’s near-mythical riff on Cervantes’ fantastic tale, The Man Who Killed Don Quixote, finally makes its way to Melbourne. Starring Adam Driver alongside Gilliam stalwart Jonathan Pryce, it’s the story of a cynical ad man trapped in the delusions of an old shoemaker who believes himself to be Don Quixote. The 2018 festival program highlights the rise of Australia’s next generation of filmmakers.  Alena Lodkina’s visually stunning feature debut Strange Colours is a story of family and estrangement set amid the alien landscape of Australia’s opal miners. With most of the characters played by actual opal miners, it’s a hypnotic dusky reverie, filled with quiet grace and power. Fellow Lab alumnus Ted Wilson however, delivers a feel-good film of family, cricket and one man’s hunt for David Boon, in his delicately poised Under the Cover of Cloud. The MIFF Premiere Fund-supported Acute Misfortune is the debut feature from renowned independent theatre director, Thomas M. Wright. A lyrical adaptation of journalist Erik Jensen’s acclaimed biography of infamous Archibald Prize-winning artist Adam Cullen played by Daniel Henshall, who will return from New York for the film’s world premiere. Also supported through the Fund, director Miranda Nation’s Undertow is a psychological thriller of grief, abuse and obsession set against the backdrop of local footy culture. From rising filmmaker Ben Hackworth comes Celeste, a literally operatic character study of loss and power and the things that tear us apart. A sumptuously shot psychological thriller starring Radha Mitchell and Nadine Garner, Celeste is a riveting statement of intent from one of Australia’s boldest cinematic voices. The stories of Australia’s Indigenous population will be brought to life in one of the most dynamic showcases of Indigenous content in the festival’s history. An exhilarating and immersive film that will be shown at Melbourne’s Planetarium, Carriberrie tells the expansive story of Indigenous Australian song and dance. Featuring Aboriginal dance theatre group Bangarra and actors Jack Charles and David Gulpilil, Carriberrie is an intimate and breathtaking showcase of Aboriginal performance and Australian landscape. A starkly different documentary and a powerful call to action, the MIFF Premiere Fund-supported Undermined: Tales from the Kimberley, from award-winning director Nicholas Wrathall (Gore Vidal: The United States of Amnesia), unearths the true cost of doing business in Australia’s world-famous Kimberley region; a place where mega-mining and pastoral developments threaten not just the environment but more than 200 Indigenous communities and their peoples’ sacred links to Country. In a ground-breaking work of interactive filmmaking, Thalu: Dreamtime is Now takes audiences on a journey into the modern Dreamtime stories of the western Pilbara-based Ngarluma. Directed by award-winning Ngarluma man Tyson Morwarin, this is a rare opportunity for audiences to hear these stories and to experience them through the medium of virtual reality. A tribute to an outcast musical genius; the astonishing story of three identical triplets separated at birth; the tale of a motorcycling legend; an unrestrained insight into one of music’s most provocative stars; and the story of Australia’s original working class man, all mark out this year’s documentary selection. In a coup for Melbourne audiences, MIFF will screen the world premiere of Jimmy Barnes: Working Class Boy – Mark Joffe’s captivating and compassionate portrait of one of Australia’s most well-known musical figures. Based on the best-selling memoir of the same name, the film joins Jimmy as he retraces his earliest steps through the hard streets of Glasgow and revisits childhood ghosts in South Australia. It’s a raw, yet darkly funny story set against a backdrop of never-seen-before archival footage and interviews along with captivating musical moments. Equally unflinching and honest, MATANGI/MAYA/M.I.A. presents outspoken musician M.I.A at her most candid. Winner of the Special Jury Award (World Cinema Documentary) at Sundance, this film is as dynamic, eclectic and electrifying as the artist herself. In his feature documentary debut, director Jeremy Sims turns his lens on Australia’s greatest ever professional motorcyclist – Wayne “The Wollongong Whiz” Gardner. In a film that’s as free-spirited, introspective, honest and cheeky as the man himself, Wayne offers a revealing portrait of a man who, during his career, was certainly hard to miss. Like something out of The Twilight Zone, Three Identical Strangers tells the incredible true story of triplets separated at birth…but that’s just the beginning of an even more astonishing saga. Having taken Sundance by storm, Three Identical Strangers is both a remarkable real-life tale and bona fide thriller, which will leave audiences gobsmacked. Inspired by former Prime Minister Paul Keating’s searing eulogy for Geoffrey Tozer, the Premiere Fund-supported The Eulogy explores the remarkable and tragic story of Australia’s greatest-ever, and perhaps most overlooked, pianist. Directed by Janine Hosking, the film includes Keating re-staging his famous funeral oration, as celebrated conductor Richard Gill AO embarks on a journey to restore Tozer’s legacy. From Givenchy to Gaultier, Armani to Alpha60, fashion design and style have long been influenced by cinema. In 2018, MIFF brings some of the most iconic style films to the big screen; films that launched style icons and influenced style for decades to come. In a program specially curated by Artistic Director Michelle Carey, Fashion x Cinema covers multiple genres, with each film unified by a sense of timelessness and jaw-dropping beauty. [caption id="attachment_28266" align="aligncenter" width="1200"]Alexander McQueen in MCQUEEN. McQueen[/caption] This programming strand features: McQueen, director Ian Bonhôte’s ode to one of fashion’s most storied designers; Yellow is Forbidden, where veteran documentarian Pietra Brettkelly tells the haute couture Cinderella story of China’s Guo Pei – the designer behind the famed yellow dress worn by Rihanna at the 2015 Met Gala; and Westwood: Punk, Icon, Activist – an observational look at the orange-haired punk icon who rewrote the rules for the generation of designers who followed in her footsteps. Retrospective titles include: Funny Face, the film that saw Audrey Hepburn join forces with Givenchy; Berry Gordy’s rarely screened Mahogany, where Diana Ross plays an aspiring fashion designer torn between activism and a career of luxury; and Peter Weir’s inimitable Australian classic, Picnic at Hanging Rock. African Film Rediscovered is a retrospective program of recently restored and newly recovered classic African films, showcasing films from three decades and ten countries to celebrate the diversity and unique perspective of African cinema. Featuring Chronicle of the Years of Embers, the stirring, 1975 Palme d’Or winner by Mohammed Lakhdar-Hamina (Algeria); Selma Baccar’s pioneering feminist essay-film, Fatma 75 (Tunisia); and Shadi Abdel Salam’s haunting classic The Night of Counting the Years (Egypt). African Film Rediscovered is an in-depth look at the continent’s most seminal filmmaking. The Italo-Crime retrospective takes a focused look at Eurocrime and poliziotteschi – a genre of Italian crime thrillers from the 60s and 70s. Considered a defining moment in the poliziotteschi genre, the retrospective kicks off with The Violent Four, a down and dirty cinema vérité-inspired thriller set in the seedy Milan underworld. Other films include: Confessions of a Police Captain, an anti-buddy cop classic that quite literally cuts the red tape and leaves it full of bullet holes; Milan Caliber 9, one of Quentin Tarantino’s greatest inspirations; and the Oscar-winning Investigation of a Citizen Above Suspicion – a Kafkaesque collision of fascist noir and absurdist satire that trails the powerful police chief hunting down a vicious killer: himself. Spearheaded by this year’s Palme d’Or winning Australian film, All These Creatures, MIFF Shorts will feature 90 films, as well as a specially curated (by the Harvard Film Archive) program of the intimate diary films of Bostonian artist, Anne Charlotte Robertson. Winner of the Grand Jury Prize at this year’s Sundance, director Álvaro Gago delivers Matria; Israel’s Miki Polonski offers Shmama, the story of a mother and her daughter trapped in their own relationship; Australian Kerinne Jenkins brings the festival Cattle, a narrative of unspoken fears and inexplicable occurrences; and Iranian director Mojtaba Mousavi presents Mr. Deer – the tale of a deer attempting to rekindle the humanity of his fellow train passengers. In its largest iteration to date, the 2018 program has left no stone unturned. Presenting its core international and local selections alongside their regular programming strands – Experimentations, Music on Film, Night Shift, Retrospectives, Special Events and Talks – MIFF 2018 will beckon audiences everywhere to come and see another side of film.

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  • ‘Eighth Grade’ ‘Won’t You Be My Neighbor?’ Among Winners at 2018 Seattle International Film Festival

    [caption id="attachment_27753" align="aligncenter" width="1200"]EIGHTH GRADE EIGHTH GRADE[/caption] The Seattle International Film Festival (SIFF) today announced the winners of the 2018 Golden Space Needle Audience and Competition Awards. Eighth Grade received the Golden Space Needle Audience Award for Best Film and a Best Actress Award for Elise Fisher. Won’t You Be My Neighbor won Best Documentary and Grand Jury prizes went to The Reports on Sarah and Saleem, Dead Pigs, Rust, Inventing Tomorrow, and Thunder Road. Artistic Director Beth Barrett said, “Executive Director Sarah Wilke and I were thrilled to present Ethan Hawke with the Festival’s Outstanding Achievement Award in Cinema before a screening of Blaze, his latest directing effort, as well as welcoming Melanie Lynskey back to the Festival for a special screening of Seattle based local film, Sadie. We also had an incredible lineup of local films, and our documentary film selection continues to be among the best in the country. Back for the second year was SIFF’s New Works-in-Progress Forum, where we screened two narrative and two documentary features in the midst of their creative process to the Seattle audience of industry and festival attendees, as well as continuing our exploration of the intersections between cinema and Virtual Reality at our first Pop-up event, SIFF VR Zone at Pacific Place.”

    2018 GOLDEN SPACE NEEDLE AWARD WINNERS

    The 2018 Golden Space Needle Awards are created by Seattle Artist, Piper O’Neill. GOLDEN SPACE NEEDLE AWARD – BEST FILM Eighth Grade, directed by Bo Burnham (USA 2018) First runner-up: The Last Suit, directed by Pablo Solarz (Argentina/Poland/Spain/France/Germany 2017) Second runner-up: Champions, directed by Javier Fesser (Spain 2018) Third runner-up: C’est la vie!, directed by Olivier Nakache, Eric Toledano (France/Canada/Belgium 2017) Fourth runner-up: Supa Modo, directed by Likarion Wainaina (Kenya/Germany 2018) GOLDEN SPACE NEEDLE AWARD – BEST DOCUMENTARY Won’t You Be My Neighbor?, directed by Morgan Neville (USA 2018) First runner-up: Pick of the Litter, directed by Don Hardy Jr., Dana Nachman (USA 2017) Second runner-up: Return to Mount Kennedy, directed by Eric Becker (USA 2018) Third runner-up: The Most Dangerous Year, directed by Vlada Knowlton (USA 2018) Fourth runner-up: The Russian Five, directed by Joshua Riehl (USA 2018) GOLDEN SPACE NEEDLE AWARD – BEST DIRECTOR Gustav Möller, The Guilty (Denmark 2018) First runner-up: Pablo Solarz, The Last Suit (Argentina/Poland/Spain/France/Germany 2017) Second runner-up: Megan Griffiths, Sadie (USA 2018) Third runner-up: Debra Granik, Leave No Trace (USA 2018) Fourth runner-up: Albert Dupontel, See You Up There (France 2017) GOLDEN SPACE NEEDLE AWARD – BEST ACTOR Miguel Ángel Solá, The Last Suit (Argentina/Poland/Spain/France/Germany 2017) First runner-up: Jakob Cedergren, The Guilty (Denmark 2018) Second runner-up: Ethan Hawke, First Reformed (USA 2017) Third runner-up: Jim Cummings, Thunder Road (USA 2018) Fourth runner-up: Ben Foster, Leave No Trace (USA 2018) GOLDEN SPACE NEEDLE AWARD – BEST ACTRESS Elsie Fisher, Eighth Grade (USA 2018) First runner-up: Rhaechyl Walker, My Name is Myeisha (USA 2018) Second runner-up: Sophia Mitri Schloss, Sadie (USA 2018) Third runner-up: Thomasin Harcourt McKenzie, Leave No Trace (USA 2018) Fourth runner-up: Ana Brun, The Heiresses (Paraguay/Uruguay/Germany/Brazil/Norway/France 2018) GOLDEN SPACE NEEDLE AWARD – BEST SHORT FILM Emergency, directed by Carey Williams (USA 2017) First runner-up: About the Birds and the Bees, directed by J.J. Vanhanen (Finland 2017) Second runner-up: Wishing Box, directed by Wenli Zhang, Nan Li (USA 2017) Third runner-up: Cats Cradle, directed by Jonathan Napolitano (USA 2018) Fourth runner-up: Wave, directed by Benjamin Cleary, TJ O’Grady Peyton (Ireland 2017) LENA SHARPE AWARD FOR PERSISTENCE OF VISION Presented by Women in Film – Seattle Dana Nachman, Pick of the Litter (USA 2017) This award is given to the female director’s film that receives the most votes in public balloting at the Festival. Lena Sharpe was co-founder and managing director of Seattle’s Festival of Films by Women Directors and a KCTS-TV associate who died in a plane crash while on assignment. As a tribute to her efforts in bringing the work of women filmmakers to prominence, SIFF created this special award and asked Women in Film – Seattle to bestow it.

    SIFF 2018 COMPETITION AWARDS

    SIFF 2018 OFFICIAL COMPETITION WINNER

    GRAND JURY PRIZE The Reports on Sarah and Saleem (d: Muayad Alayan, Palestine/Netherlands/Germany/Mexico 2018) JURY STATEMENT: The Official Competition Jury Award goes to a work that through its complex and multi-dimensional characters tells a familiar story of infidelity in an original and wholly disarming way. We were struck by the unexpected journey taken by the two female leads towards empowerment, particularly given the political and social climate of a modern day divided Jerusalem. The Official Competition Jury Award goes to The Reports on Sarah and Seleem. SPECIAL JURY MENTION The Heiresses (d: Marcelo Martinessi, Paraguay/Uruguay/Germany/Brazil/Norway/France 2018) JURY STATEMENT: We would like acknowledge The Heiresses, a remarkable first feature from Paraguay by Marcelo Martinessi. 2018 Entries: The Devil’s Doorway (d: Aislinn Clarke, United Kingdom 2018, World Premiere) Garbage (d: Qaushiq Mukherjee, India 2018, North American Premiere) The Heiresses (d: Marcelo Martinessi, Paraguay/Uruguay/Germany/Brazil/Norway/France 2018, US Premiere) Leave No Trace (d: Debra Granik, USA 2018) Luna (d: Elsa Diringer, France 2017) Pig (d: Mani Haghighi, Iran 2018, North American Premiere) Team Hurricane (d: Annika Berg, Denmark 2017) The Reports on Sarah and Saleem (d: Muayad Alayan, Palestine/Netherlands/Germany/Mexico 2018, North American Premiere) Something Useful (d: Pelin Esmer, Turkey/France/Netherlands/Germany 2017, North American Premiere)

    SIFF 2018 IBERO-AMERICAN COMPETITION

    GRAND JURY PRIZE Rust (d: Aly Muritiba, Brazil 2018) JURY STATEMENT: For highlighting a very important social issue, through an inventive structure and phenomenal performances, we present the Ibero-American Competition Jury Award to Aly Muritiba’s Rust. SPECIAL JURY MENTION Rush Hour (d: Luciana Kaplan, Mexico 2017) JURY STATEMENT: The Jury wants to also recognize a wonderful discovery, told with a subtle, unique point of view. For her examination of suffering and humanity inside of an increasingly automotive environment, the Ibero-American Competition Jury awards a special mention to Luciana Kaplan’s Rush Hour. 2018 Entries: Champions (d: Javier Fesser, Spain 2018) Giant (d: John Garaño, Aitor Arregi, Spain 2017) Gold Seekers (d: Juan Carlos Maneglia, Tana Schémbori, Paraguay 2017) The Heiresses (d: Marcelo Martinessi, Paraguay/Uruguay/Germany/Brazil/Norway/France 2018, US Premiere) Killing Jesus (d: Laura Mora Ortega, Colombia/Argentina 2017) Lots of Kids, A Monkey and a Castle (d: Gustavo Salmerón, Spain 2017) Marilyn (d: Martin Rodriguez, Argentina/Chile 2018, North American Premiere) Retablo (d: Peru/Germany/Norway 2017, North American Premiere) Rush Hour (d: Luciana Kaplan, Mexico 2017) Rust (d: Aly Muritiba, Brazil 2018) Virus Tropical (d: Santiago Calcedo, Colombia/Ecuador 2017)

    SIFF 2018 NEW DIRECTORS COMPETITION

    GRAND JURY PRIZE Dead Pigs (d: Cathy Yan, China/USA 2018) JURY STATEMENT: For building an epic world, grounded in humanity, purposefully depicting the intricacies of the characters who exemplify the changes of a modernizing China, the New Directors Competition Jury award goes to Cathy Yan for Dead Pigs. SPECIAL JURY MENTION Scary Mother (d: Ana Urushadze, Georgia/Estonia 2017) JURY STATEMENT: Using striking and haunting visuals, this filmmaker confidently creates intimate and empathetic characters while depicting the struggle for artistic expression in a society that does not allow the full breadth of it. The jury would like to recognize Ana Urushadze with a special mention for her filmScary Mother. 2018 Entries: After the War (d: Annarita Zambrano, Italy/Belgium/Switzerland 2017) Amateurs (d: Gabriela Pichler, Sweden 2018) The Blessed (d: Sofia Djama, Algeria/France/Belgium/Qatar 2017) The Charmer (d: Milad Alami, Denmark/Sweden 2017) Dead Pigs (d: Cathy Yan, China/USA 2018) Sashinka (d: Kristina Wagenbauer, Canada (Québec) 2017, US Premiere) Scary Mother (d: Ana Urushadze, Georgia/Estonia 2017) Shuttle Life (d: Tan Seng Klat, Malaysia 2017, US Premiere) Supa Modo (d: Likarion Wainaina, Kenya/Germany 2018) Retablo (d: Alvaro L. Delgado-Aparicio, Peru/Germany/Norway 2017, North American Premiere)

    SIFF 2018 NEW AMERICAN CINEMA COMPETITION

    Thunder Road (d: Jim Cummings, USA 2018) JURY STATEMENT: For the bold and unpredictable lead performance and commitment to telling a hilarious and ultimately heartbreaking story of shifting family relations in the face of personal adversity and tragedy, the New American Cinema Competition Jury award goes to Thunder Road by Jim Cummings. 2018 Entries: Jinn (d: Nijla Mu’min, USA 2018) My Name is Myeisha (d: Gus Krieger, USA 2018) Noble Earth (d: Ursula Grisham, USA 2017, US Premiere) Prospect (d: Zeek Earl, Chris Caldwell, USA 2018) Sadie (d: Megan Griffiths, USA 2018) Thunder Road (d: Jim Cummings, USA 2018) Tyrel (d: Sebastián Silva, USA 2018) Wild Nights with Emily (d: Madeleine Olnek, USA 2018)

    SIFF 2018 DOCUMENTARY COMPETITION

    GRAND JURY PRIZE Inventing Tomorrow (d: Laura Nix, USA 2018) JURY STATEMENT: For it’s compelling cast of young visionaries from around the globe who are engaged and looking for solutions to the world’s environmental problems, Inventing Tomorrow offers us a sense of optimism and the certainty that science matters. SPECIAL JURY MENTION Afghan Cycles (d: Sarah Menzies, USA/France/Afghanistan 2018) JURY STATEMENT: For portraying a side of Afghanistan that we don’t usually see and the self confidence and bravery of the young women, we would like to acknowledge Afghan Cycles with a Documentary Competition Special Jury Mention. 2018 Entries: Afghan Cycles (d: Sarah Menzies, USA/France/Afghanistan 2018, US Premiere Inventing Tomorrow (d: Laura Nix, USA 2018) MATANGI / MAYA / M.I.A. (d: Stephen Loveridge, United Kingdom/USA 2018) People’s Republic of Desire (d: Hao Wu, China 2018) Queerama (d: Daisy Asquith, United Kingdom 2017) The Return (d: Malene Choi, Denmark 2018, US Premiere) Unarmed Verses (d: Charles Officer, Canada 2017, US Premiere) Warrior Women (d: Elizabeth A. Castle, Christina D. King, USA 2018, US Premiere)

    SIFF 2018 YOUTH JURY FEATURES & FUTUREWAVE SHORTS AWARDS

    YOUTH JURY PRIZE FOR BEST FILMS4FAMILIES FEATURE Zoo (d: Colin McIvor, Ireland 2017) JURY STATEMENT: For its well-developed, heartwarming plot, spectacular scenery, and believable acting. YOUTH JURY PRIZE FOR BEST FUTUREWAVE FEATURE My Name is Myeisha (d: Gus Krieger, USA 2018) JURY STATEMENT: For its creative and non-linear storytelling that incorporates multiple art forms, including poetry, rap, beat-boxing, and dance, and its holistic portrayal of victims of police brutality. In addition, SIFF presents FutureWave Shorts during ShortsFest Weekend. These inspiring original short films represent some of the best short filmmaking from around the world. WAVEMAKER AWARD (GRAND PRIZE) iRony (d: Radheya Jegatheva, Australia 2017) JURY STATEMENT: We found that the animation was excellent, smart, and gorgeous. This film was paired with emotional and poignant prose about technology in this new world, sustaining our curiosity and interest throughout. PRODIGY CAMP SCHOLARSHIP The winner will be awarded a $1000 partial scholarship to the Prodigy Camp. Roommate (d: Jinho Rhee, USA 2017) FUTUREWAVE SHORTS AUDIENCE AWARD iRony (d: Radheya Jegatheva, Australia 2017)

    SIFF 2018 SHORT FILM JURY AWARDS

    LIVE ACTION GRAND JURY PRIZE Caroline (d: Celine Held, Logan George, USA 2017) JURY STATEMENT: “Perfect” and “flawless” were two words our team used multiple times to describe this intense drama. A searing portrait of motherhood, it sent our blood pressure through the roof and arrested our attention until the very last second with its clever and powerful ending. The winner of the 2018 Live Action Short Jury Award goes to Caroline by Celine Held and Logan George. SPECIAL JURY MENTION Creme de Menthe (d: Jean-Marc E. Roy & Philippe David Gagné, Canada 2017) JURY STATEMENT: Unlike the liqueur for which it is titled, this film is bittersweet and complex, a poignant reminder of every grown child’s desire for parental validation, even posthumously. What the captivating lead finds instead are small victories amidst her “rush” to judgement and the rubble of her father’s later life. Our special mention award goes to the understated and masterful Creme de Menthe by Jean-Marc E. Roy and Philippe David Gagné. SPECIAL JURY MENTION The Victory of Charity (d: Albert Meisl, Austria 2017) JURY STATEMENT: This Austrian farce manages to create comedic gold with a mismatched pair of music professors: turning an act of charity–however maliciously motivated–into a hilarious treasure hunt around Vienna. For its endlessly humorous crafting of two endearingly ridiculous characters, on an earnest and equally ridiculous quest, we award a Special Mention to the short that left us in stitches, The Victory of Charity by Albert Meisl. DOCUMENTARY GRAND JURY PRIZE Juck [Thrust] (d: Olivia Kastebring, Julia Gumpert, Ulrika Bandeira, Sweden 2018) JURY STATEMENT: An unapologetic, empowering, and affecting call to action that demands attention. SPECIAL JURY MENTION The Driver is Red (d: Randall Christopher, USA 2017) JURY STATEMENT: An invigorating revelation of an important, lesser known part of history, full of inventive visuals and tension-filled storytelling ANIMATION GRAND JURY PRIZE Between the Lines (d: Maria Koneva, Russia 2017) JURY STATEMENT: A delightful and whimsical story from a skilled, emerging new voice in animation. SPECIAL JURY MENTION The Driver is Red (d: Randall Christopher, USA 2017) JURY STATEMENT: An invigorating revelation of an important, lesser known part of history, full of inventive visuals and tension-filled storytelling.

    SIFF 2018 CHINA STARS AWARDS

    CHINA STARS BEST FILM AWARD The Taste of Betel Nut (d: Jia Hu, p: Wei Sun, China 2017) CHINA STARS BEST FIRST FILM Dead Pigs (d: Cathy Yan, China/USA 2018) CHINA STARS BEST NEW TALENT Girls Always Happy (d: Mingming Yang, China 2018)

    SIFF 2018 DOCUMENTARY FILM GRANT PROGRAM

    The 2018 Clark Family Legacy Film Grant in the amount of $50,000 was awarded to Jordan Schiele for his film The Silk and the Flame and the Áegis Living Film Grant in the amount of $25,000 was awarded to Sarah Menzies for her film Afghan Cycles. These grants are given to documentary filmmakers who are working with excellence and integrity to bring important human stories to life. Both films were screened at this year’s Festival.

    SIFF 2018 SCREENPLAY COMPETITION

    GRAND PRIZE WINNER Youth Decay by Brandon Hall FINALISTS Anh Sang by Barry Brennessel Kibou by Cassie Hayasaka and Keith Hayasaka Plan B by Paige Gresty SEMI-FINALISTS Amelia Was Here! by Millie West Kelley’s Coffin by Jon Hartz Pale Souls by Michael Lavine The Rodeo King of Brooklyn by Paul Longo Seattle ‘94 by Charles Freeman Strange Trails by Jordan Short

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  • WILDLIFE Starring Carey Mulligan, Jake Gyllenhaal to Open 2018 Melbourne International Film Festival

    [caption id="attachment_29567" align="aligncenter" width="1259"]Wildlife, Carey Mulligan, Jake Gyllenhaal Wildlife[/caption] The first films of the 2018 Melbourne International Film Festival (MIFF) were revealed today along with big announcement that the 67th edition will open with the Australian premiere gala screening of Paul Dano’s directorial debut Wildlife – starring Carey Mulligan, Jake Gyllenhaal and Australia’s Ed Oxenbould. The First Glance selection of 32 films demonstrating MIFF’s expansive reach was also uncovered. Based on the 1990 Richard Ford novel of the same name, Dano’s debut directorial outing (co-written by Zoe Kazan, seen alongside Dano at MIFF’s 2012 Ruby Sparks) tells a tender and empathetic story about a teen dealing with his family falling apart in 1960s Montana. A hit at Sundance and Cannes, Wildlife is a bittersweet and elegant debut that represents a major coming-of-age – both off screen and on – for Oxenbould, an actor who broke out in MIFF 2014’s Paper Planes and last year’s MIFF Premiere Fund-supported The Butterfly Tree. Buoyed by exquisite cinematography from Diego Garcia (Neon Bull, MIFF 2016; Cemetery of Splendour, MIFF 2015) the film’s fine-tuned attention to period detail underscores its exceptional performances. https://www.youtube.com/watch?v=4gSi0Qvki3o “We are thrilled to announce Wildlife for this year’s Opening Night Gala. Paul Dano’s debut as a director provides a glimpse into a successful shift in his career from on screen to off, and the cast including Australia’s very own Ed Oxenbould (a special name here at MIFF) is an impressive way to kick off proceedings,” said MIFF’s Artistic Director Michelle Carrey. “This in addition to the sneak peek of the rest of the program is an exciting time. Finally we can start talking about the most important thing…the films!” This year’s MIFF program will feature more than 500+ screenings, including: Ethan Hawke features with both on and off-screen contributions: he portrays a troubled priest experiencing a ‘crisis of faith’ in cinematic legend Paul Schrader’s latest feast of brooding menace, First Reformed; in Blaze, Hawke directs a daringly unconventional biopic of an unsung country music legend, featuring newcomer Benjamin Dickey in the title role (which won him a Sundance acting award) and Alia Shawkat. Chloë Grace Moretz turns in a career-best performance in Desiree Akhavan’s sophomore feature The Miseducation of Cameron Post, winner of the Sundance Grand Jury Prize (US Dramatic); Cannes 2017 best actor winner Joaquin Phoenix features in Lynne Ramsay’s vengeance feature You Were Never Really Here, playing a war vet and ex-FBI agent whose new job includes rescuing children from paedophile rings; meanwhile, Bodied is the result of an unlikely pairing between Grammy-winning director Joseph Kahn and rapper turned producer Eminem who present their satirical story about an accidental battle-rap star. In a variety of filmmaking firsts, acclaimed TV director Michael Pearce makes his feature debut in the sly, unsettling Beast – an impressive British crime drama love story wrapped in an intriguing psychosexual thriller; veteran slow-cinema auteur Tsai Ming-liang makes his debut foray into virtual reality with The Deserted, a 55-minute experience with a wordless, near-feature length tale of ghosts, grief and fish; and a little closer to home, Nash Edgerton’s TV series directorial debut Mr Inbetween brings The Magician’s charismatic killer-for-hire Ray Shoesmith back to our screens. MIFF will screen all six episodes before its television premiere on Foxtel’s Showcase channel. The 2018 program delves deep into three iconic names spanning fashion, sport and Hollywood, starting with McQueen, a flamboyant portrait of one of the world’s most revered designers, Alexander McQueen – a man who once said “My shows are about sex, drugs and rock’n’roll. It’s for the excitement and the goosebumps. I want heart attacks. I want ambulances.” This biographical documentary by Ian Bonhôte and Peter Ettedgui represents nothing less. Julien Faraut’s John McEnroe: In the Realm of Perfection serves up a fascinating combination of instructional clips and exquisite 16mm footage of tennis bad boy John McEnroe at the height of his career at the 1984 French Open; and looking into the life of another legend, Tommy Avallone’s Bill Murray Stories: Life Lessons Learned from a Mythical Man follows the trail of the star’s alleged appearances musing on the interconnection of pop culture and ordinary life. An Elephant Sitting Still takes us on a four-hour journey as Hu Bo paints a compelling, empathetic portrait of contemporary China in this FIPRESCI Prize-winning debut; and winner of SXSW’s Grand Jury Prize for documentary, People’s Republic of Desire is Hao Wu’s unsettling and fascinating look into the online world of live-streaming, social media and virtual relationships. Turning impending loss into a poignant, poetic dreamscape, The Seen and Unseen is the second feature from Indonesia’s Kamila Andini and winner of best youth film at the 2017 Asia Pacific Screen Awards; Tigers Are Not Afraid is a stunning contemporary fairytale that does for Mexico’s drug war what Guillermo del Toro did for the Spanish Civil War. Praised by Stephen King, the film saw Issa López become the first woman to win Fantastic Fest’s Best Horror Director award. Denmark’s Gustav Möller makes his directorial debut with the Sundance and Rotterdam award-winning The Guilty, an edge-of-your-seat psychological thriller told entirely in real time. The UK’s Daniel Kokotajlo makes a devastating debut with Apostasy, a daring study of an all-female Jehovah’s Witness family riven by religious conflict starring Siobhan Finneran (Downton Abbey and Happy Valley); Babis Makridis proves he is coming into his own as a star with a second feature, Pity. A follow up to L (MIFF 2012), the quintessentially bleak and absurdist Greek New Wave comedy from the co-writer of The Lobster and Dogtooth was co-written with Yorgos Lanthimos’ key collaborator Efthymis Filippou (The Killing of a Sacred Deer, MIFF 2017). Irreverent Iranian director Mani Haghighi (A Dragon Arrives! MIFF 2016) presents his latest meta-comedy magic, Pig – a riotous Iranian film industry satire about a serial killer; and Vivian Qu continues to interrogate crime, corruption and control in modern-day China in Angels Wear White, which won her the Best Director award at the Golden Horse Film Festival. Based on Anna Seghers’ WWll novel of the same name, Transit is the slow-burn thriller from revered auteur Christian Petzold – a discomfiting fable of trans-European displacement that channels both Hitchcock and Casablanca; and one of contemporary cinema’s most esteemed directors Lucrecia Martel makes her long-awaited return with the historical fiction Zama, centred on an 18th-century Spanish magistrate marooned in a far-flung South American outpost where he’s losing touch with civilization and sanity. Spaghetti Western, ’70s Euro-pulp and delirious psychedelia collide in Let the Corpses Tan – a glorious homage to cinema’s seedier retro fringes from genre connoisseurs Hélène Cattet and Bruno Forzani; audiences will step back in time to the French fashion scene with legendary fashion photographer William Klein’s award-winning black and white mockumentary that is now a groovy cult classic, Who are you, Polly Maggoo? and nominated for Best Foreign Film at the 2018 Academy Awards, The Insult is the multi-award winning new work from Lebanese visionary Ziad Doueiri (The Attack, MIFF 2012). Delving into the complex emotions of passionate pop-music appreciation, emerging local director Jessica Leski presents I Used to be Normal: A Boyband Fangirl Story – an empathetic documentary exploring why we hold pop music so dear to our hearts. The NSFA-restored The Cheaters offers viewers a rare big-screen treat of a pioneering silent-era classic. A major landmark of Australian cinema, this is not just one of our earliest feature films – it’s one of the first by women filmmakers, the McDonagh sisters. The remaining fragments of the sisters’ popular first feature Those Who Love will screen alongside. An exhilarating debut feature from Australian director Jason Raftopoulos, the Venice-premiering West of Sunshine stars Pawno’s Damian Hill alongside his real-life step-son Ty Perham and Offspring’s Kat Stewart (Sucker, MIFF 2015). Shot in Melbourne, it explores fatherhood, trauma and second chances. Director Jeremy Sim’s (Last Cab to Darwin, Beneath Hill 60) Wayne is a must-see for moto-GP fans. Here, Sims explores a defining piece of Australian sporting history that saw Wayne Gardner conquer the world of motorcycle racing and return home a hero; while Island of the Hungry Ghosts takes audiences on a unique and moving cinematic journey through the intersection of Christmas Island’s migrating land crabs, lost souls caught in limbo and political detainees. Sundance award-winner, Stephen Loveridge digs deep into the life of his good friend Mathangi ‘Maya’ Arulpragasm in MATANGI / MAYA / M.I.A, demonstrating her pull-no-punches personality and focus on political activism, and how this caused her career to suffer; and rounding up the First Glance lineup, directors Dyana Winkler and Tina Brown dive wholeheartedly into the African-American roller rink scene, circling around racial profiling, the roots of rap and communities in crisis with Tribeca Film Festival Audience Award winner, United Skates.

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  • AFI DOCS 2018 Unveils Full Slate of 92 Films

    [caption id="attachment_29156" align="aligncenter" width="1200"]UNITED SKATES UNITED SKATES[/caption] AFI DOCS has finally revealed its full slate of 92 films representing 22 countries for the 16th edition of the American Film Institute’s five-day documentary film festival in the nation’s capital.  AFI DOCS 2018 runs June 13 to 17 in Washington, DC, and Silver Spring, MD. As previously announced, the festival will open with the world premiere of PERSONAL STATEMENT and will close with UNITED SKATES. ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW screens as the Centerpiece Screening. Special Screenings include THE COLD BLUE, KINSHASA MAKAMBO, MR. SOUL! and WITKIN & WITKIN.

    AFI DOCS 2018 PROGRAM

    OPENING NIGHT SCREENING

    PERSONAL STATEMENT: DIRS Juliane Dressner and Edwin Martinez. USA. Karoline, Enoch and Christine are Brooklyn high school seniors who just want to go to college, but like so many public-school students throughout the country, their schools don’t have enough college guidance support. Refusing to give up, they decide to work as college counselors in their schools, becoming the very resource they don’t have themselves. World Premiere.

    CLOSING NIGHT SCREENING

    UNITED SKATES: DIRS Dyana Winkler and Tina Brown. USA. Roller-skating has played a critical role in modern African-American culture, with rinks serving as both a haven of community and of artistic expression, and a flashpoint in the civil rights movement. UNITED SKATES chronicles the fight to save these rinks, and the souls of communities nationwide.

    CENTERPIECE SCREENING

    ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW: DIR Rory Kennedy. USA. Rory Kennedy tells the stories of the women and men behind the National Aeronautics and Space Administration’s decades-long exploration of our solar system, our universe and our planet, in this enlightening film that celebrates NASA’s triumphs, mourns its tragedies and affirms the importance of its mission both in space and on Earth.

    SPECIAL SCREENINGS

    THE COLD BLUE: DIR Erik Nelson. USA. In 1943, legendary Hollywood director William Wyler crafted MEMPHIS BELLE, a celebrated tribute to the titular WWII bomber. Using footage shot by Wyler from the National Archives, director Erik Nelson has made a new film, featuring gripping narration from some of the last surviving B-17 pilots. A meditation on youth, war and stunning bravery. World Premiere. KINSHASA MAKAMBO: DIR Dieudo Hamadi. DRC, France, Germany. Amid the backdrop of seemingly the neverending political and social unrest that hangs over the Democratic Republic of Congo, three young activists take to the streets with their fellow countrymen to overthrow their country’s President and help enact much needed change in their politically beleaguered country. East Coast Premiere. MR. SOUL!: DIRS Sam Pollard and Melissa Haizlip. USA. An in-depth look at the late 1960s WNET public television series SOUL! and its producer Ellis Haizlip. The series was among the first to provide expanded images of African Americans on television, shifting the gaze from inner-city poverty and violence to the vibrancy of the Black Arts Movement. WITKIN + WITKIN: DIR Trisha Ziff. Mexico. The artwork of septuagenarian twins Joel-Peter and Jerome Witkin transcends genres and traditional form. WITKIN & WITKIN explores the brothers’ complicated relationship with one another, and examines depths and divisions in their work. Joel-Peter’s stunning photography and Jerome’s powerful figurative paintings distinctly capture the human condition, reflecting differing emotional and intellectual approaches. U.S. Premiere.

    FEATURE FILM SELECTIONS

    209 RUE SAINT-MAUR, PARIS 10ÈME – THE NEIGHBOURS: DIR Ruth Zylberman. France. After selecting a building at random in a Jewish neighborhood in Paris, French director Ruth Zylberman meticulously reconstructed its community of inhabitants during the German occupation. What results is the spellbinding 209 RUE SAINT-MAUR, an experimental historiography that tells the emotional story of lives uprooted and destroyed under the Nazis. U.S. Premiere. ALONE IN THE GAME: DIRS Natalie Metzger and Michael Rohrbaugh. USA. Outdated ideas and outright prejudice have made competitive sports one of the gay rights movement’s final frontiers. ALONE IN THE GAME reveals how a new generation of queer and transgender athletes are scoring victories on and off the field by standing up for their rights — including the right to compete. World Premiere. AMÉRICA: DIRS Erick Stoll and Chase Whiteside. USA. At the heart of this film is 93-year-old matriarch América. When an accidental fall lands her son in jail for neglect, her three freewheeling grandsons must reunite to get their father out of prison and their grandmother out of bed. What emerges is an unforgettable and tender tale of familial love. AMERICA TO ME: DIR Steve James. USA. In this first episode of his excellent miniseries, Steve James returns to the subjects that have marked his career — class, race, and how the two affect social and economic mobility. James follows students at a public high school in suburban Chicago that is considered the gold standard of diversity, yet on the ground, he discovers a different story. BATHTUBS OVER BROADWAY: DIR Dava Whisenant. USA. Steve Young is obsessed with industrial musicals, the often bizarre and hilarious productions commissioned by companies to celebrate their products at corporate conventions. Follow him as he investigates this odd aspect of midcentury corporate culture, while continuing his search for gems like “Diesel Dazzle” and “The Bathrooms Are Coming!” BISBEE ’17: DIR Robert Greene. USA. Bisbee, Arizona, an old copper-mining town on the Mexican border, finally reckons with its darkest day: the deportation of 1,200 immigrant miners left to die in the middle of the desert in 1917. Filmmaker Robert Greene captures the city’s residents as they commemorate this tragic event by staging a reenactment on its 100th anniversary. BLOWIN’ UP: DIR Stephanie Wang-Breal. USA. A New York City courtroom recommends a unique and compassionate intervention option to young women charged with prostitution: submit to free counseling sessions designed by a mentoring program to get you off the street, and your record will be expunged. Are they ready to make that change? CENTRAL AIRPORT THF: DIR Karim Aïnouz. Germany, France, Brazil. A decade after ceasing operations, Berlin’s historic Tempelhof Airport has found a second life serving a new group of arrivals and departures: refugees now seeking asylum in Germany. CENTRAL AIRPORT THF looks at the absurdity of life for migrants making the most of the long layover. CHARM CITY: DIR Marilyn Ness. USA. On the streets of Baltimore, the murder rate is approaching an all-time high, and distrust of the police reaches a fever pitch. With neighborhoods in peril, residents attempt to diffuse the violence through cooperative efforts helmed by community leaders, compassionate law-enforcement officers and a progressive young city councilman. COMBAT OBSCURA: DIR Miles Lagoze. USA. Miles Lagoze was deployed as a combat photographer in Afghanistan, making videos for official Marine Corps recruitment purposes. Compiled of outtakes from those videos, this disturbingly raw portrait of the conflict in Afghanistan exposes the gulf between the war we’re meant to see and the war as it really is. East Coast Premiere. CRIME + PUNISHMENT: DIR Stephen Maing. USA. In 2015, a group of 12 whistleblower cops sued the NYPD for using illegal quotas despite a 2010 statewide ban on the practice. A blood-boiling investigation into a corrupt organization, CRIME + PUNISHMENT follows these officers as they face retaliation for attempting to resist against racist practices. DARK MONEY: DIR Kimberly Reed. USA. A portrait of democracy under fire, DARK MONEY pulls back the curtain on big money in national politics. Revealing how right-wing giants like the Koch brothers hide behind super PACs to do their bidding — in the forms of corporate-funded smear campaigns and dangerous legislation — this film is as timely as it is eye-opening. THE DISTANT BARKING OF DOGS: DIR Simon Lereng Wilmont. Denmark, Finland, Sweden. Taking an observational approach, this masterful film follows 10-year-old Oleg and his grandmother as they cope with life mere miles from the frontline of the war in Ukraine, showing how children navigate the trauma of conflict, while still seeing the world with naiveté and wonder. DON’T BE NICE: DIR Max Powers. USA. Following a diverse team of slam poets as they mine their feelings and personal experiences about race, sexuality, gender and popular culture to craft poems for national competition, DON’T BE NICE demonstrates how collaboration and communication between artists can allow them to better understand who they are and what they want to say. U.S. Premiere. FOR THE BIRDS: DIR Richard Miron. USA. In Richard Miron’s surprising and empathetic film, we follow a woman named Kathy who lives with 200 pet birds. What starts as a story about Kathy’s battle with local animal advocacy groups slowly transforms into an intimate drama about the toll of Kathy’s bird-hoarding — on her marriage and mental health. North American Premiere. FOSTER: DIR Mark Jonathan Harris. USA. Oscar® winners Mark Jonathan Harris and Deborah Oppenheimer (INTO THE ARMS OF STRANGERS: STORIES OF THE KINDERTRANSPORT) roam courtrooms, foster homes, juvenile halls and the streets of Los Angeles to tell the moving human stories behind the largest county child protection agency in the United States. World Premiere. THE GOSPEL OF EUREKA: DIRS Michael Palmieri and Donal Mosher. USA. A tiny Arkansas town is home to a popular live-action Passion Play — and a tightknit gay community centered around a lively drag bar. A touching, upbeat look at an enlightened town that maintains a peaceful coexistence of two seemingly divergent groups through tolerance, love and inclusion. GURRUMUL: DIR Paul Williams. Australia. With the release of his debut album, blind indigenous Australian musician Geoffrey Gurrumul Yunupingu became an unlikely star in both his homeland and in the larger world music scene. But as Gurrumul’s fame grew, the balance between his culture’s way of life and a career in music proved tricky to maintain. U.S. Premiere. HAL: DIR Amy Scott. USA. Surveying the works of iconoclastic filmmaker Hal Ashby (HAROLD AND MAUDE, THE LAST DETAIL, COMING HOME), director Amy Scott identifies how Ashby’s brilliant and seminal works helped define both the New Hollywood of the 1970s and the American experience for a decade. HALE COUNTY THIS MORNING, THIS EVENING: DIR RaMell Ross. USA. Winner of a Special Jury Prize at this year’s Sundance Film Festival, RaMell Ross’ assured feature debut is a lyrical look at the lives of two young African-American men born and raised in Alabama’s Hale County, the community that surrounds them and the paths they follow throughout the years. HAPPY WINTER: DIR Giovanni Totaro. Italy. The escapism of being on holiday gets a fascinating twist in Giovanni Totaro’s shrewdly observant HAPPY WINTER. Mondello beach in Palermo, Italy, is a seemingly pleasant circus of bronzed vacationers milling about. But behind the happy goings-on is a different story of collective denial about the looming economic crisis. U.S. Premiere. HESBURGH: DIR Patrick Creadon. USA. He counseled presidents and popes, served on corporate boards and infuriated Richard Nixon. He was one of the only friends to whom Ann Landers turned for advice. During his 35 years as president of the University of Notre Dame, Theodore Hesburgh became one of the most influential and inspiring people of the 20th century. World Premiere. INTO THE OKAVANGO: DIR Neil Gelinas. USA. National Geographic photographer Neil Gelinas makes his directorial debut with INTO THE OKAVANGO. This visually stunning film follows three passionate individuals as they embark on a four-month journey along the titular river — witnessing Africa’s animal and bird population in visceral, jaw-dropping close-up — to discover why the Okavango Delta is rapidly drying up. INVENTING TOMORROW: DIR Laura Nix. USA. Laura Nix’s inspiring film follows high school students from around the world, many of whom hail from dangerously polluted countries, as they tackle daunting environmental issues affecting their communities. Watch as the teens then bring their ingeniously proposed solutions to “the science fair of science fairs” — the Intel International Science and Engineering Fair. IT WILL BE CHAOS: DIRS Lorena Luciano and Filippo Piscopo. USA. Follow an Eritrean man and a Syrian family on dual quests for freedom amid the refugee crisis in the eastern Mediterranean. Tension mounts as they battle the rough seas, harsh conditions and red tape standing in their way. Will they make it to a new life in Europe? THE LIBERATION: DIRS Christoph Green and Brendan Canty. USA. Therapy sessions, cooking lessons and raw personal stories provide the drama in THE LIBERATION, DC-based filmmakers Christoph Green and Brendan Canty’s story of the formerly incarcerated men and women struggling to get through DC Central Kitchen’s 14-week culinary training program. Can they make it and turn their lives around? East Coast Premiere. LOVE, GILDA: DIR Lisa D’Apolito. USA. Lisa D’Apolito’s moving documentary LOVE, GILDA looks back at the exuberant life and courageous death of Gilda Radner, the first female superstar of SATURDAY NIGHT LIVE. Using an abundance of archival photos and clips, along with confessional narration by Radner, the film paints a loving portrait of her short but spectacularly eventful life. MATANGI / MAYA / M.I.A.: DIR Stephen Loveridge. UK. Drawn from 22 years’ worth of personal video footage, MATANGI / MAYA / M.I.A. is an intimate look at the life of rapper, songwriter and activist M.I.A., from her childhood in war-torn Sri Lanka, to her eventual rise to international stardom as one of the most thought-provoking artists working in music today. MCQUEEN: DIRS Ian Bonhôte and Peter Ettedgui. UK. This intimate profile offers unparalleled access to one of the fashion industry’s brightest stars, Alexander McQueen. Brilliant, bold and informed by a British punk aesthetic, the designer was known for his exquisite and strikingly original clothes and his legendary runway shows — theatrical spectacles influenced by contemporary art, theater and photography. MINDING THE GAP: DIR Bing Liu. USA. First-time filmmaker Bing Liu turns the camera on himself, his family members and his skateboarder friends in this deeply moving depiction of three young men in a small Midwestern town grappling with issues of class, race and learning to overcome the cycles of family violence. A MURDER IN MANSFIELD: DIR Barbara Kopple. USA. Two-time Oscar® winner Barbara Kopple takes on true crime, revisiting a horrific 1989 domestic murder in Ohio. Collier Boyle was 12 when his father killed and buried his wife under the flooring of a remote countryside home. Now an adult, Collier returns to Mansfield to face the lingering impact of his mother’s murder. ON HER SHOULDERS: DIR Alexandria Bombach. USA. Filmmaker Alexandria Bombach follows Nadia Murad, a young Yazidi woman who gained international attention after escaping captivity by the Islamic State. Forgoing sensationalism, Bombach’s award-winning film offers a fresh perspective on Nadia’s new life as a human rights activist raising awareness for her people and their plight. OVER THE LIMIT: DIR Marta Prus. Poland, Germany, Finland. As the 2016 Summer Olympics loom, Russian gymnast Margarita Mamun prepares to represent her country at this historic event. But the path to the Olympics is not an easy one in this unflinching portrait of an athlete straining to retain her humanity while going for gold. U.S. Premiere. PICK OF THE LITTER: DIRS Dana Nachman and Don Hardy. USA. Shortly after birth, five Labrador puppies enter the intensive two-year training program at California’s Guide Dogs for the Blind. Here, only the best pups will make the cut to protect and serve blind partners, while others will have to change careers for good. THE PRICE OF EVERYTHING: DIR Nathaniel Kahn. USA. An examination of the contemporary art market through the eyes of artists, dealers and collectors, THE PRICE OF EVERYTHING is the latest work from Oscar® nominee Nathaniel Kahn. Illuminating complex dynamics between artistic intention and consumer behavior, the film begs the question: What value do we place on the priceless? THE PROVIDERS: DIRS Anna Moot-Levin and Laura Green. USA. THE PROVIDERS follows three “country doctors” — health care providers working for a small network of clinics in northern New Mexico — as they confront the challenges of keeping those in their poor and opioid-plagued communities safe. As the film movingly shows each doctor’s day-to-day responsibilities, a complex portrait emerges of small-town America. SHIRKERS: DIR Sandi Tan. USA. In 1992, Sandi Tan shot a film in Singapore with her friends and her American mentor, Georges. As the film neared completion, Georges disappeared with the footage, leaving Sandi heartbroken. Twenty years later, the footage is discovered, and the strange mystery of Georges begins to unravel. THE SILENCE OF OTHERS: DIRS Almudena Carracedo and Robert Bahar. USA, Spain. A quest for justice by those who suffered under the repressive regime of General Francisco Franco is at the heart of this powerful and provocative film. Those who were tortured or had family members murdered are demanding the truth be told to the Spanish people, and the remaining perpetrators put on trial. U.S. Premiere. STUDIO 54: DIR Matt Tyrnauer. USA. An Icarus tale unfolds to a disco beat in STUDIO 54, an intimate peek behind the velvet ropes, where mirror balls twinkled over Liza Minelli, Diana Ross, Mick Jagger and Andy Warhol in Matt Tyrnauer’s illuminating history of the rise and fall of the legendary New York nightclub. THIS ONE’S FOR THE LADIES: DIR Gene Graham. USA. Diving inside an unexpected subculture of Newark, THIS ONE’S FOR THE LADIES follows a group of women who throw weekly underground male exotic dance parties. Exploring sexual identity and the meaning of community, the film is a unique portrait of the black experience in 21st-century America. TRANSMILITARY: DIRS Gabriel Silverman and Fiona Dawson. USA. Gabriel Silverman and Fiona Dawson make their stirring feature debut with TRANSMILITARY, following four individuals who come out as transgender to top officials at the Pentagon — a brave move that puts their military careers in jeopardy, and shows a struggle for equality that is more relevant than ever. TRE MAISON DASAN: DIR Denali Tiller. USA. With a parent in prison, three Rhode Island boys tackle adult realities few of their peers can even imagine. Unfettered access to three troubled but promising young lives produces an unforgettable perspective on the multigenerational consequences of U.S. incarceration, where one out of 14 kids has a parent with a prison history. UNDER THE WIRE: DIR Chris Martin. UK. In 2012, acclaimed journalist Marie Colvin illegally crossed the Syrian border to cover the country’s civil war. She became one of the only voices reporting on the atrocities being committed against the Syrian people. With breathtaking footage, UNDER THE WIRE profiles one woman’s drive to uncover the truth, no matter the cost. International Premiere. UNITED WE FAN: DIR Michael Sparaga. Canada. UNITED WE FAN follows the ingenious save-our-show campaigns that have been spurred by passionate television uber-fans throughout the decades. From STAR TREK to CAGNEY AND LACEY and CHUCK — plus many more — this delightful doc highlights the grassroots efforts needed to save beloved TV shows. U.S. Premiere. YOURS IN SISTERHOOD: DIR Irene Lusztig. USA. More than four decades after the birth of Ms. Magazine, director Irene Lusztig combs the publication’s archives and pairs some of the most memorable letters, many never published, with contemporary readers to comment on just how far we’ve come — and what we still have to accomplish.

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  • 2018 New Zealand International Film Festival Reveals First 9 Films + Artwork

    [caption id="attachment_29088" align="aligncenter" width="1200"]2018 New Zealand International Film Festival Artwork 2018 New Zealand International Film Festival Artwork[/caption] The New Zealand International Film Festival (NZIFF) revealed the first nine films selected for 2018 program plus the official artwork. The films include Disobedience starring Rachel Weisz and Rachel McAdams, Harry Dean Stanton’s final film Lucky, Lynne Ramsay’s You Were Never Really Here starring Joaquin Phoenix, period piece Zama from Argentinian auteur Lucrecia Martel, and a documentary feature on the pioneering women’s rights activist and US Supreme Court Justice Ruth Bader Ginsburg (RBG). “When we receive multiple requests we take notice and if we can’t deliver, that’s usually because somebody else will. We’ve been hearing requests for Lynne Ramsey’s film since its debut in Cannes a year ago – and the requests for RBG have been thick and fast since the US reviews came out only last week,” says NZIFF director Bill Gosden. Buckets of splendor, exotic and native, and a typically discriminating NZIFF patron are celebrated in the artwork for 2018. Illustrator Ken Samonte, inspired by New Yorker covers and the work of Hayao Miyazaki, also references the previous NZIFF illustration style of artist Tom Simpson. Disobedience Rachel Weisz stars as a black sheep drawn back to her London Orthodox Jewish home, rekindling sparks with a childhood friend (Rachel McAdams) in the English-language debut of the director of Gloria and A Fantastic Woman. Lucky After an idiosyncratic career of iconic roles for everyone from Wim Wenders to David Lynch, the late Harry Dean Stanton hangs up his hat with this wryly funny, affecting character study. RBG US Supreme Court Justice Ruth Bader Ginsburg has developed a breathtaking legal legacy while becoming an unexpected pop culture icon. RBG is a revelatory documentary exploring her exceptional life and career. You Were Never Really Here Lynne Ramsay, director of Ratcatcher and We Need to Talk About Kevin, teams with Joaquin Phoenix for a startling, nerve-shredding thriller about a brutal hitman contracted to save an abducted teen. Zama The brilliant Argentinian auteur Lucrecia Martel returns with a feverish, formally sophisticated period piece about a Spanish officer’s personal hell in colonial South America. Bombshell: The Hedy Lamarr Story Alexandra Dean’s debut documentary is a revelatory and entertaining portrait of an adventurous woman and talented inventor better known to the world as the embodiment of Hollywood sex and glamour. Leave No Trace New Zealand actress Thomasin Harcourt McKenzie is mesmerising as 13-year-old Tom living off the grid with her war vet father (Ben Foster) in this haunting new film from the director of Winter’s Bone. Matangi/Maya/M.I.A. From refugee daughter of a Tamil revolutionary and aspiring filmmaker to pop stardom and controversy magnet: this stimulating documentary about Sri Lankan musician M.I.A. dances to its own idiosyncratic beat. Yellow Is Forbidden Kiwi director Pietra Brettkelly takes us into the opulent world of show-stopping Chinese designer Guo Pei as she prepares to make her Paris debut and seeks admission into the exclusive club of haute couture.

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  • Seattle International Film Festival Announces 2018 Lineup of Over 400 Films

    [caption id="attachment_28016" align="aligncenter" width="1200"]Don’t Worry, He Won’t Get Far on Foot Don’t Worry, He Won’t Get Far on Foot[/caption] This year’s 44th edition of the Seattle International Film Festival revealed today the complete lineup of 433 films, plus guests and events for the 25-day Festival that runs May 17 to June 10, 2018.   Opening night kicks off Thursday, May 17 with The Bookshop from acclaimed Spanish filmmaker Isabel Coixet (Learning to Drive, Elegy), distributed by Greenwich Entertainment. The film is set in a seaside village in England where a grieving widow (Emily Mortimer) pursues her lifelong dream of opening a bookshop. She introduces the townsfolk to the world’s best literature and stirs a cultural awakening, but her efforts are ruthlessly opposed by a powerful local (Patricia Clarkson) causing a reclusive resident (Bill Nighy) to join the fight to keep the bookshop open. The film is based on the bestselling novel by Penelope Fitzgerald. The annual Centerpiece Gala, Sorry to Bother You, pulls no punches in its portrayal of racial dynamics in the workplace. This new film ushers in an utterly original and wildly creative new voice on the film scene from debut director and musician Boots Riley. Director Boots Riley is scheduled to attend the Seattle premiere to take place Saturday, June 2, at 5:30 PM, at the SIFF Cinema Egyptian. The Seattle premiere of Ethan Hawke’s Blaze will also screen at the historic SIFF Cinema Egyptian as SIFF honors Mr. Hawke’s work with the Award for Outstanding Achievement in Cinema. In addition to the award presentation and screening, the acclaimed actor is slated for an on-stage interview at the Friday, June 8 event. Also scheduled is An Afternoon with Melanie Lynskey, where the Festival pays tribute to this celebrated actress. The iconic scene-stealing actress makes her way to SIFF on Sunday, May 27 for the Seattle premiere of Northwest Filmmaker Megan Griffiths’ film Sadie with an onstage discussion following the film. Seattle favorite, Gus Van Sant’s Don’t Worry, He Won’t Get Far on Foot, closes SIFF 2018 with a bang! Starring Joaquin Phoenix in a transformative performance as Portland cartoonist John Callahan who, after a car accident leaves him disabled, uses his sardonic humor and brutal honesty to battle with a lifetime of addiction. “Sifting through over 4,000 film submissions each year, finding just 240 features is somewhat of a treasure hunt,” said SIFF Artistic Director Beth Barrett. “We’re looking for dynamic, diverse stories. This year, we’re overjoyed to share that over 43-percent of the feature films are female directed. We’re thrilled to jump into the 44th Festival and share these voices from around the globe with over 150,000 film enthusiasts in Seattle over the course of 25 days.”

    GALAS

    Opening Night Gala The Bookshop Spanish director Isabel Coixet heads to the English coast circa 1959, where a headstrong widow (Emily Mortimer) opens a bookstore in a sleepy village and encounters both pride and prejudice from the provincial locals. Winner of Best Film, Director, and Screenplay at Spain’s Goya Awards. (d: Isabel Coixet c: Emily Mortimer, Bill Nighy, Patricia Clarkson, Julie Christie, Hunter Tremayne, United Kingdom 2017, 110 min) Centerpiece Gala Sorry to Bother You Lakeith Stanfield, Tessa Thompson, and Armie Hammer star in the exhilarating directorial debut of musician Boots Riley, a biting and bonkers satire that follows a black telemarketer who discovers an unknown skill which gives him magical selling powers that shoot him up the corporate ladder. (d: Boots Riley c: Lakeith Stanfield, Tessa Thompson, Steven Yeun, Jermaine Fowler, Armie Hammer, Omari Hardwick, David Cross, Danny Glover, USA 2018, 112 min) Closing Night Gala Don’t Worry, He Won’t Get Far On Foot Joaquin Phoenix gives a transformative performance in Gus Van Sant’s sensitive and caustically funny portrait of Portland cartoonist John Callahan who, after a car accident leaves him disabled, uses his sardonic humor and brutal honesty to battle with a lifetime of addiction. The outstanding supporting cast includes Jonah Hill, Rooney Mara, Jack Black, and musician Beth Ditto in her impressive film debut. (d: Gus Van Sant c: Joaquin Phoenix, Jonah Hill, Rooney Mara, Jack Black, Beth Ditto, USA 2018, 113 min)

    SPECIAL GUESTS

    AN AFTERNOON WITH Melanie Lynskey FILM: Sadie Since making her debut at age 16 opposite a young Kate Winslet in Peter Jackson’s Heavenly Creatures, the New Zealand-born Melanie Lynskey has become one of American cinema’s most reliable character actors. From Ever After: A Cinderella Story to Shattered Glass, The Informant! to The Perks of Being a Wallflower, Hello I Must Be Going to I Don’t Feel at Home in This World Anymore, and TV work ranging from HBO’s “Togetherness” and “Animals” and Cartoon Network’s “Over the Garden Wall” to 12 years on CBS’ “Two and a Half Men,” her passionate dedication to her craft has created a class of charismatic characters defined by their grace, sensitivity, quirkiness, and kindness. This afternoon, SIFF will welcome her to the stage for an interview featuring film clips from her career, followed by a screening of one of Lynskey’s latest films, Sadie, directed by Seattle-based Megan Griffiths (The Night Stalker, Lucky Them, Eden), with music by Pearl Jam’s Mike McCready. There will also be an opportunity for audience questions following the screening.

    OUTSTANDING ACHIEVEMENT IN CINEMA

    A Tribute to Ethan Hawke FILM: Blaze A modern day renaissance artist, Ethan Hawke’s creative talent continues to flourish in several realms of expression. An actor, screenwriter, novelist, and filmmaker, his body of work is broad as it is deep in a career that now spans three decades. From portraying a rock-steady police sergeant and cowboy, to a sensitive teenage poet and young heartthrob, his versatility as an actor is renowned, cementing him as one of the great performers of this generation. SIFF will present Ethan Hawke with the Seattle International Film Festival Award for Outstanding Achievement in Cinema. A Q&A with Hawke will follow the screening of his new film, Blaze. Past honorees of the SIFF Outstanding Achievement Awards include Anjelica Huston, Laura Dern, Chiwetel Ejiofor, Viggo Mortensen, Kyle MacLachlan, Sir Ben Kingsley, Kevin Bacon, Edward Norton, Sissy Spacek, Joan Allen, Spike Lee, among others.

    FILMS WITH PARTIES

    Saturday Film and Party The Cake General, North American Premiere SATURDAY, MAY 19, 5:30 PM – Party to follow screening FILM: MAJESTIC BAY PARTY: NORDIC MUSEUM Based on a true story, the directorial debut of popular Swedish personalities Filip and Fredrik is an outrageous, unconventional comedy set in the 1980s about an eccentric resident of “the most boring town in Sweden” who decides to put his sleepy hamlet on the map by assembling the world’s longest layer cake. (d: Filip Hammar, Fredrik Wikingsson c: Mikael Perssbrandt, Helena Bergström, Agnes Lindström Bolmgren, Tomas von Brömssen, Sweden 2018, 101 min) Saturday Film and Party Won’t You Be My Neighbor? SATURDAY, MAY 26, 6:00 PM – Party to follow screening FILM: SIFF CINEMA UPTOWN PARTY: THE HOUSE STUDIOS Oscar®-winning director Morgan Neville (20 Feet From Stardom) presents the heartwarming life of Fred Rogers, whose cherished PBS series, “Mister Rogers’ Neighborhood,” used cardigans, puppets, and the Land of Make-Believe to imaginatively and compassionately inspire children, while not shying away from complicated issues. (d: Morgan Neville f: Fred Rogers, USA 2018, 93 min) Kirkland Opening Night The Drummer and the Keeper THURSDAY, MAY 31, 8:00 PM – Party to precede screening PARTY AND FILM: KIRKLAND PERFORMANCE CENTER When a drummer for an up-and-coming Dublin rock band is diagnosed with bipolar disorder, he is forced to join a weekend mixed-ability soccer team and makes fast friends with a 17-year-old with Asperger’s Syndrome in this poignant and charming bro-com between two odd and lonely souls. (d: Nick Kelly c: Dermot Murphy, Jacob McCarthy, Peter Coonan, Ireland/USA 2017, 93 min)

    SPECIAL PRESENTATION

    L’INFERNO WITH LIVE SCORE BY MY GOODNESS Thursday, May 31 | 7:00 PM | The Triple Door Seattle rock band My Goodness bring their expansive blues-inspired sound to The Triple Door for a live accompaniment to the 1911 Italian silent film, a macabre tour de force inspired by Dante’s “Divine Comedy,” featuring ground-breaking special effects and a cast of thousands.

    SPOTLIGHT PRESENTATIONS

    HIGHLANDER WITH LIVE SOUNDTRACK BY DJ NICFIT Wednesday, May 23 | 6:30 PM | SIFF Cinema Egyptian When originally released in 1986, this franchise-inspiring fantasy adventure about an immortal Scottish swordsman featured a handful of new songs from rock icons Queen. Now, Seattle’s own DJ NicFit reimagines the cult classic with a decades-spanning all-Queen playlist performed live on two turntables. FOUND FOOTAGE FESTIVAL: CHERISHED GEMS Wednesday, June 6 | 9:15 PM | SIFF Cinema Egyptian Ranging from industrial training videos to forsaken home movies, comedians Joe Pickett and Nick Prueher’s vast VHS library features the world’s largest collection of strange, outrageous, and profoundly stupid videos, the best (and worst) of which they have carefully curated and present along with live comedy commentary. EIGHTH GRADE Saturday June, 9, 6:30 PM | SIFF Cinema Egyptian Sunday, June 10, 12:30 PM | SIFF Cinema Uptown Newcomer Elsie Fisher, in a star-making performance, perfectly captures the everyday humiliations and triumphs of a modern-day thirteen-year-old making her way through the last week of her thus far disastrous eighth grade year in the auspicious filmmaking debut of comedian Bo Burnham.

    COMPETITIONS

    Official Competition

    The Devil’s Doorway (d: Aislinn Clarke, United Kingdom 2018, World Premiere) Garbage (d: Q (Qaushiq Mukherjee), India 2018, North American Premiere) The Heiresses (d: Marcelo Martinessi, Paraguay/Uruguay/Germany/Brazil/Norway/France 2018, US Premiere) Leave No Trace (d: Debra Granik, USA 2018) Luna (d: Elsa Diringer, France 2017) Pig (d: Mani Haghighi, Iran 2018, North American Premiere) The Reports on Sarah and Saleem (d: Muayad Alayan, Palestine/Netherlands/Germany/Mexico 2018, North American Premiere) Something Useful (d: Pelin Esmer, Turkey/France/Netherlands/Germany 2017, North American Premiere) Team Hurricane (d. Annika Berg, Denmark 2017)

    New Directors Competition

    After the War (d: Annarita Zambrano, France/Italy/Belgium/Switzerland 2017) Amateurs (d: Gabriela Pichler, Sweden 2018) The Blessed (d: Sofia Djama, France/Belgium 2017) The Charmer (d: Milad Alami, Denmark/Sweden 2017) Dead Pigs (d: Cathy Yan, China/USA 2018) Retablo (d: Alvaro Delgado-Aparicio L., Peru/Germany/Norway 2018, North American Premiere) Sashinka (d: Kristina Wagenbauer, Canada (Québec) 2017, US Premiere) Scary Mother (d: Ana Urushadze, Georgia/Estonia 2017) Shuttle Life (d: Tan Seng Kiat, Malaysia 2017, US Premiere) Supa Modo (d: Likarion Wainaina, Kenya/Germany 2018)

    Ibero-American Competition

    Champions (d: Javier Fesser, Spain 2018, North American Premiere) Giant (d: Jon GaranÞo, Aitor Arregi, Spain 2017) Gold Seekers (d: Juan Carlos Maneglia, Tana Schémbori, Paraguay 2017) Killing Jesus (d: Laura Mora Ortega, Colombia/Argentina 2017) Lots of Kids, A Monkey and a Castle (d: Gustavo Salmerón, Spain 2017) Marilyn (d: Martiìn Rodriguez, Argentina/Chile 2018, North American Premiere) Rush Hour (d: Luciana Kaplan, Mexico 2017) Rust (d: Aly Muritiba, Brazil 2018) Virus Tropical (d: Santiago Caicedo, Colombia/Ecuador 2017)

    New American Cinema Competition

    Jinn (d: Nijla Mu’min, USA 2018) My Name Is Myeisha (d: Gus Krieger, USA 2018) Noble Earth (d: Ursula Grisham, USA 2017, US Premiere) Prospect (d: Zeek Earl, Chris Caldwell, USA/Canada 2018) Sadie (d: Megan Griffiths, USA 2018) Thunder Road (d: Jim Cummings, USA 2018) Tyrel (d: Sebastián Silva, USA 2018) Wild Nights With Emily (d: Madeleine Olnek, USA 2018)

    Documentary Competition

    Afghan Cycles (d: Sarah Menzies, USA/France/Afghanistan 2018, US Premiere) Inventing Tomorrow (d: Laura Nix, USA 2018) MATANGI / MAYA / M.I.A. (d: Stephen Loveridge, Sri Lanka/United Kingdom/USA 2018) People’s Republic of Desire (d: Hao Wu, China 2018) Queerama (d: Daisy Asquith, United Kingdom 2017) The Return (d: Malene Choi, Denmark 2018) Unarmed Verses (d: Charles Officer, Canada 2017, US Premiere) Warrior Women (d: Elizabeth A. Castle, Christina D. King, USA 2018, US Premiere)

    AFRICAN PICTURES

    The African Storm (d: Sylvestre Amoussou, Benin/France 2017) The Blessed (d: Sofia Djama, France/Belgium 2017) Cook Off (d: Tomas L. Brickhill, Zimbabwe 2017, North American Premiere) Ellen (d: Daryne Joshua, South Africa 2017, North American Premiere) I Am Not a Witch (d: Rungano Nyoni, Zambia/France/United Kingdom 2017) Looking for Oum Kulthum (d: Shirin Neshat, Germany/Austria/Italy/Lebanon/Qatar 2017) Maki’la (d: Machérie Ekwa Bahango, Democratic Republic of Congo/France 2018, North American Premiere) Razzia (d: Nabil Ayouch, France/Morocco/Belgium 2017) Silas (d: Hawa Essuman, Anjali Nayar, Canada/South Africa/Kenya 2017) Supa Modo (d: Likarion Wainaina, Kenya/Germany 2018)

    CHINA STARS

    Awards will be presented to: Best New Talent Award: Mingming Yang for Girls Always Happy Best First Film Award: Dead Pigs by Cathy Yan Best Film Award: The Taste of Betel NutAngels Wear White (d: Vivian Qu, China/France 2017) Dead Pigs (d: Cathy Yan, China/USA 2018) Girls Always Happy (d: Mingming Yang, China 2018, North American Premiere) Love Education (d: Sylvia Chang, Mainland China/Taiwan 2017) People’s Republic of Desire (d: Hao Wu, China 2018) The Silk and the Flame (d: Jordan Schiele, USA/China 2018, US Premiere) Susu (d: Yixi Sun, China/United Kingdom 2017, US Premiere) The Taste of Betel Nut (d: Jia Hu, Mainland China/Hong Kong 2017, North American Premiere) The Widowed Witch (d: Chenglie Cai, China 2018, North American Premiere) Wrath of Silence (d: Yukun Xin, China 2017, North American Premiere)

    CULINARY CINEMA

    Brewmaster (d: Douglas Tirola, USA/Czech Republic 2018) Constructing Albert (d: Laura Collado, Jim Loomis, Spain 2017) Cuban Food Stories (d: Asori Soto, Cuba/USA 2018) Michelin Stars: Tales from the Kitchen (d: Rasmus Dinesen, Denmark 2017) Schumann’s Bar Talks (d: Marieke Schroeder, Germany 2017) Scotch – A Golden Dream (d: Andrew Peat, Taiwan 2017) Soufra (d: Thomas Morgan, USA 2017)

    FACE THE MUSIC

    Being Frank: The Chris Sievey Story (d: Steve Sullivan, United Kingdom 2018) Blaze (d: Ethan Hawke, USA 2018) Industrial Accident – The Story of Wax Trax! Records (d: Julia Nash, USA/Belgium/Canada/Germany 2018) Looking for Oum Kulthum (d: Shirin Neshat, Germany/Austria/Italy/Lebanon/Qatar 2017) Making the Grade (d: Ken Wardrop, Ireland 2017) MATANGI / Maya / M.I.A (d: Stephen Loveridge, Sri Lanka/United Kingdom/USA 2018) Nico, 1988 (d: Susanna Nicchiarelli, Italy/USA 2017) Rubén Blades Is Not My Name ( d: Abner Benaim, Panama/Argentina/Colombia 2018) Ryuichi Sakamoto:Coda (d: Stephen Nomura, Japan/USA 2017)

    NORTHWEST CONNECTIONS

    Afghan Cycles (d: Sarah Menzies, USA/France/Afghanistan 2018, US Premiere) Automata (d: Van Alan, USA 2017) The Faces of Zandra Rhodes (d: David Wiesehan, USA 2018, World Premiere) The Most Dangerous Year (d: Vlada Knowlton, USA 2018, World Premiere) Prospect (d: Zeek Earl, Chris Caldwell, USA/Canada 2018) Return to Mount Kennedy (d: Eric Becker, USA 2018) Sadie (d: Megan Griffiths, USA 2018)

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  • 2018 Sarasota Film Festival Announces Lineup, ‘1985’ EIGHTH GRADE’ ‘THE RIDER’ and More…

    [caption id="attachment_27753" align="aligncenter" width="1200"]EIGHTH GRADE EIGHTH GRADE[/caption] The 2018 Sarasota Film Festival (SFF) announced its full line-up, including its Centerpiece, Spotlight, Narrative Feature Competition, Independent Visions Competition, Documentary Feature Competition, Narrative, Documentary, and Short Films. The Festival also announced its five SFF Focus Panels – Sports in Cinema, Environment, Science, and Sustainability, Women’s Comedic Voices, Redefining Manhood, and Musings on Musicians. “In honor of our 20th anniversary, we have programmed a lineup that celebrates the past, present, and future of the Sarasota Film Festival that is sure to delight our dedicated and passionate audiences,” said Mark Famiglio, Chairman and President of the Sarasota Film Festival. “The selection includes a diverse group of narratives and voices that will create engaging conversations about today’s most important topics.” In the Festival’s Centerpiece section is 1985, about a closeted gay man, unable to come out to his friends and family during the beginning of the AIDS crisis, staring Academy Award®-nominated actress Virginia Madsen, who will be attendance at the Festival. Also a Centerpiece selection is Bo Burnham’s feature film directorial debut, EIGHTH GRADE, a portrait of young teenagers discovering their identities online and in reality. Bo will be in attendance for a Q&A following the film’s screening during the Festival. The Spotlight section will include narrative films Brett Haley’s HEARTS BEAT LOUD, Silas Howard’s A KID LIKE JAKE, Andrew Haigh’s LEAN ON PETE, Hannah Fidell’s THE LONG DUMB ROAD, Dominic Cooke’s ON CHESIL BEACH, Chloé Zhao’s THE RIDER, and Madeline Olnek’s WILD NIGHTS WITH EMILY, and documentary films Eugene Jarecki’s THE KING, Ali Weinstein’s MERMAIDS, Barbara Kopple’s A MURDER IN MANSFIELD, and Morgan Neville’s WON’T YOU BE MY NEIGHBOR? Each year the Sarasota Film Festival focuses on social issues to highlight throughout its program. The Sports in Cinema Focus returns this year, welcoming Ben and Orson Cummings and their film KILLER BEES, produced by Shaquille O’Neill. Other films in this focus include the Closing Day Film, Jason Kohn’s LOVE MEANS ZERO and Dana Adam Shapiro’s DAUGHTERS OF THE SEXUAL REVOLUTION: THE UNTOLD STORY OF THE DALLAS COWBOY CHEERLEADERS. In consideration of sustainability of communities and the planet, films in the SFF Environment, Science, and Sustainability Focus include Susan Kucera’s LIVING IN THE FUTURE’S PAST, Chad Freidrichs’ EXPERIMENTAL CITY, Quinn Costello, Chris Metzler, and Jeff Springer’s RODENTS OF UNUSUAL SIZE, and Rory Kennedy’s ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW. In a groundbreaking year for women, the festival presents SFF Focus: Women’s Comedic Voices, a lineup featuring all female directors. Films in the category include Wendy McColm’s BIRDS WITHOUT FEATHERS, Bridey Elliott’s CLARA’S GHOST, Caroline Golum’s A FEAST OF MAN as well as LONG DUMB ROAD and WILD NIGHTS WITH EMILY. The films in the SFF Focus: Redefining Manhood, provide a glimpse at the questions regarding masculine identities, include Bing Liu’s MINDING THE GAP, as well as 1985, THE RIDER, and WON’T YOU BE MY NEIGHBOR? The final SFF Focus: Musings on Musicians, presents an array of films exploring the relationships between music and film. Films in the category include Laura Parnes’ TOUR WITHOUT END, T.G. Herrington and Danny Clinch’s A TUBA TO CUBA, Derek Ahonen’s THE TRANSCENDENTS, Sophie Fiennes’ GRACE JONES: BLOODLIGHT AND BAMI, Jake Meginsky and Neil Young’s MILFORD GRAVES FULL MANTIS, Scott Smith’s CHASING THE BLUES, Stephen Loveridge’s MATANGI / MAYA / M.I.A, as well as THE KING and HEARTS BEAT LOUD. The Narrative Feature Competition will showcase DON’T LEAVE HOME directed by Michael Tully, I AM NOT A WITCH, directed by Rungano Nyoni, MADELINE’S MADELINE, directed by Josephine Decker, THE QUEEN OF FEAR directed by Valeria Bertuccelli and Fabiana Tiscornia, THE SEEN AND THE UNSEEN directed by Kamila Andini, SUPPORT THE GIRLS directed by Andrew Bujalski as well as CLARA’S GHOST. The Documentary Feature Competition will include GENERATION WEALTH directed by Lauren Greenfield, GENESIS 2.0 directed by Christian Frei and Maxim Arbugaev, HALE COUNTY THIS MORNING, THIS EVENING directed by RaMell Ross, OF FATHERS AND SONS directed by Talal Derki, THE SENTENCE directed by Rudy Valdez, as well as DAUGHTERS OF THE SEXUAL REVOLUTION: THE UNTOLD STORY OF THE DALLAS COWBOY CHEERLEADERS and MINDING THE GAP. The Independent Visions Competition will feature BLACK MOTHER directed by Khalik Allah, LIFE AND NOTHING MORE directed by Antonio Méndez Esparza, MAISON DU BONHEUR directed by Sofia Bohdanowicz, NOTES ON APPEARANCE directed by Ricky D’Ambrose, as well as BIRDS WITHOUT FEATHERS, A FEAST OF MAN, MILFORD GRAVES FULL MANTIS, and TOUR WITHOUT END. The jury for the competition films will consist of the following individuals: producer Autumn Bailey-Ford, Emmy®-nominated writer and producer Mark Bailey, documentary filmmaker Orson Cummings, New York Magazine film critic David Edelstein, Factory 25 film distributor Matt Grady, Academy of Motion Picture Arts and Sciences Director – New York Programs and Membership Patrick Harrison, film professor Del Jacobs, Academy Award®-nominated filmmaker Penny Lane, actress Penelope Ann Miller, The Hollywood Reporter film writer Tatiana Siegel, founder and publisher of Women and Hollywood Melissa Silverstein, and Sarasota County Circuit court judge and filmmaker Charles Williams. Narrative films include: ALL YOU CAN EAT BUDDHA directed by Ian Lagarde, AMERICAN ANIMALS directed by Bart Layton, AUGUST IN BERLIN directed by Becky Smith, BIKINI MOON directed by Milcho Manchevski, BLACK KITE directed by Tarique Qayumi, CAN HITLER HAPPEN HERE? directed by Saskia Rifkin, COLD SKIN directed by Xavier Gens, COME SUNDAY directed by Joshua Marston, DELENDA directed by Ralph Moffettone, DIMINUENDO directed by Adrian Stewart, EN EL SÉPTIMO DÍA directed by Jim McKay, FIRST REFORMED directed by Paul Schrader, A FRENCHMAN IN FLORIDA directed by Dante Rhev, HOLIDAY directed by Isabella Eklof, LET THE SUNSHINE IN directed by Claire Denis, MAKTUB directed by Oded Raz, SANTA INOCENCIA directed by Maritxell Campos Olivé, SHELTER directed by Eran Riklis, TATTERDEMALION directed by Ramaa Mosley, TINKER directed by Sonny Mahrler, VIRGINIA, MINNESOTA directed by Daniel Stine, VIRUS TROPICAL directed by Santiago Caicedo, WE THE ANIMALS directed by Jeremiah Zagar, WHITE RABBIT directed by Daryl Wein, ZAMA directed by Lucrecia Martel, as well as CHASING THE BLUES and THE TRANSCENDENTS. Documentary films include: 306 HOLLYWOOD directed by Elan Bogarin and Jonathan Bogarin, ANTONIO LOPEZ 1970: SEX FASHION & DISCO directed by James Crump, ASK THE SEXPERT directed by Vaishali Sinha, BISBEE ’17 directed by Robert Greene, CHEF FLYNN directed by Cameron Yates, CRACKING ACES: A WOMAN’S PLACE AT THE TABLE directed by H. James Gilmore, CRIME + PUNISHMENT directed by Stephen Maing, DISTANT CONSTELLATION directed by Shevaun Mizrahi, FATHER’S KINGDOM directed by Lenny Feinberg, FREEDOM FOR THE WOLF directed by Rupert Russell, THE GREAT FLIP-OFF directed by Dafna Yachin, HALF THE PICTURE directed by Amy Adrion, LA FLOR DE LA VIDA directed by Adriana Leoff and Claudia Abend, LOTS OF KIDS, A MONKEY AND A CASTLE directed by Gustavo Salmerón, MAYNARD directed by Sam Pollard, OLD DOG directed by Sally Rowe, ON HER SHOULDERS directed by Alexandria Bombach, THE PAIN OF OTHERS directed by Penny Lane, RBG directed by Betsy West and Julie Cohen, SISTERS directed by Justyna Tafel, THAT SUMMER directed by Göran Hugo Olsson, THREE IDENTICAL STRANGERS directed by Tim Wardle as well as THE EXPERIMENTAL CITY, GRACE JONES: BLOODLIGHT AND BAMI, KILLER BEES, LIVING IN THE FUTURE’S PAST, MATANGI / MAYA / M.I.A., RODENTS OF UNUSUAL SIZE, and A TUBA TO CUBA. As previously announced Golden Globe®-nominated and Independent Spirit Award®-nominated Eric Stoltz’s coming-of-age comedy CLASS RANK will be the Festival’s Opening Night film and Academy Award®-nominated and Emmy®-winning Rory Kennedy’s ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW will serve as Closing Night film. The Festival will also be honoring renowned actor Steve Guttenberg and Academy Award®-nominated actress Virginia Madsen with Career Achievement Awards during the closing weekend.

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