The Athena Film Festival (AFF) at Barnard College will open its 2019 edition on Thursday, February 28, with the New York premiere of “Fast Color.” The film, directed by Julia Hart and written by Hart and Jordan Horowitz, stars Gugu Mbatha-Raw as a hero forced to run when her superhuman abilities are discovered. Years after abandoning her family, the only place she has left to hide is home. Lorraine Toussaint and David Strathairn co-star.
The Academy of Motion Picture Arts and Sciences today announced shortlists in consideration for the 91st Oscars® in nine categories: Documentary Feature, Documentary Short Subject, Foreign Language Film, Makeup and Hairstyling, Music (Original Score), Music (Original Song), Animated Short Film, Live Action Short Film and Visual Effects.
“Green Book” directed by Peter Farrelly[/caption]
The National Board of Review named Green Book as Best Film of the Year, Bradley Cooper as Best Director of the Year for A Star is Born, Viggo Mortensen as Best Actor of the Year for his performance in Green Book, and Lady Gaga as Best Actress of the Year for her performance in A Star is Born.
NBR President Annie Schulhof said, “We are proud to honor Green Book as our best film – it is a warm and heartfelt look at a remarkable friendship, brought to the screen at a moment where its story of love, compassion, and shared humanity deeply resonates. We are also thrilled to award Bradley Cooper as our best director – he is an extraordinary talent behind the camera, bringing a fresh and modern perspective, as well as superb craftsmanship and tremendous heart, to the classic story of A Star is Born.”
The 2018 awards continue the NBR’s tradition of recognizing excellence in filmmaking, going back 109 years. This year 261 films were viewed by this select group of film enthusiasts, filmmakers, professionals, academics, and students, many of which were followed by in-depth discussions with directors, actors, producers, and screenwriters.
The National Board of Review’s awards celebrate the art of cinema, with categories that include Best Picture, Best Director, Best Actor and Actress, Best Original and Adapted Screenplay, Breakthrough Performance, and Directorial Debut, as well as signature honors such as Freedom of Expression and the William K. Everson Film History Award.
The honorees will be feted at the NBR Awards Gala, hosted by Willie Geist, on Tuesday, January 8, 2019 at Cipriani 42nd Street.
We the Animals[/caption]
We the Animals leads the nominations for the 2019 Film Independent Spirit Awards with 5 nods including Best First Feature, but missed out on a nomination for Best Feature. Nominees for Best Feature are Eighth Grade, First Reformed, If Beale Street Could Talk, Leave No Trace and You Were Never Really Here.
Suspiria was selected to receive the Robert Altman Award, which is bestowed upon one film’s director, casting director and ensemble cast. The Altman Award was created in 2008 in honor of legendary director Robert Altman who was known for creating extraordinary ensemble casts.
Winners of the Spirit Awards Filmmaker Grants will be announced at the Film Independent Spirit Awards Filmmaker Grant and Nominee Brunch on Saturday, January 5, 2019.
Robin Williams: Come Inside My Mind[/caption]
One hundred sixty-six features have been submitted for consideration in the Documentary Feature category for the 91st Academy Awards®. Several of the films have not yet had their required Los Angeles and New York qualifying releases. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules in order to advance in the voting process. This year, for the first time, films that have won a qualifying award at a competitive film festival or have been submitted in the Foreign Language Film category as their country’s official selection, are also eligible in the category. A shortlist of 15 films will be announced on December 17.
Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture.
Nominations for the 91st Academy Awards will be announced on Tuesday, January 22, 2019.
The 91st Oscars® will be held on Sunday, February 24, 2019, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide.
The submitted features, listed in alphabetical order, are:
“Above and Beyond: NASA’S Journey to Tomorrow”
“Active Measures”
“Amazing Grace”
“American Chaos”
“Andy Irons: Kissed by God”
[caption id="attachment_25696" align="aligncenter" width="1200"]
Antonio Lopez 1970: Sex Fashion & Disco[/caption]
“Antonio Lopez 1970: Sex Fashion & Disco”
“Avicii: True Stories”
“Bali: Beats of Paradise”
“Bathtubs over Broadway”
“Be Natural: The Untold Story of Alice Guy-Blaché”
“Believer”
“Better Angels”
“Bill Coors: The Will to Live”
“Bisbee ’17”
“The Bleeding Edge”
“Boom for Real: The Late Teenage Years of Jean-Michel Basquiat”
“Breaking Point: The War for Democracy in Ukraine”
“Call Her Ganda”
“Charm City”
“Chef Flynn”
“The China Hustle”
“Christian Audigier The Vif”
“The Cleaners”
“Communion”
“Crime + Punishment”
“Dark Money”
“Daughters of the Sexual Revolution: The Untold Story of the Dallas Cowboys Cheerleaders”
“The Dawn Wall”
“The Distant Barking of Dogs”
“Divide and Conquer: The Story of Roger Ailes”
“Drug$”
“Eating Animals”
“Eldorado”
“Fahrenheit 11/9”
“Fail State”
“Family in Transition”
“Far from the Tree”
“Filmworker”
“The First Patient”
“Foreign Land”
“40 Years in the Making: The Magic Music Movie”
“Free Solo”
“Garry Winogrand: All Things Are Photographable”
“Generation Wealth”
“Ghost Hunting”
“Ghosthunter”
“The Gilligan Manifesto”
“The Gospel According to André”
“Grace Jones: Bloodlight and Bami”
“Graves without a Name”
“The Great Buster: A Celebration”
“Hal”
“Hale County This Morning, This Evening”
“Half the Picture”
“The Heart of Nuba”
“Hillbilly”
“The Homeless Chorus Speaks”
“Hondros”
“Howard”
“In Search of Greatness”
“In the Land of Pomegranates”
“Inventing Tomorrow”
“Invisible Hands”
“Itzhak”
“Jane Fonda in Five Acts”
“John McEnroe: In the Realm of Perfection”
“The Judge”
“Kangaroo: A Love Hate Story”
“Killer Bees”
“The King”
“King in the Wilderness”
“Kusama – Infinity”
“The Last Race”
“Leaning into the Wind: Andy Goldsworthy”
“Letter from Masanjia”
“Licu, a Romanian Story”
“Living in the Future’s Past”
“Liyana”
“Lots of Kids, a Monkey and a Castle”
“Love & Bananas: An Elephant Story”
“Love, Cecil”
“Love, Gilda”
“Love Is Tolerance – Tolerance Is Love – Make Tolerance Great Again!”
“Making The Five Heartbeats”
“Maria by Callas”
“Matangi / Maya / M.I.A.”
“McQueen”
“Minding the Gap”
“Monrovia, Indiana”
“The Most Unknown”
“New Moon”
“93Queen”
“Nossa Chape”
“Of Fathers and Sons”
“Of Love & Law”
“On Her Shoulders”
“Opera about Poland”
“The Opera House”
“The Oslo Diaries”
“The Other Side of Everything”
“The Panama Papers”
“Path of Blood”
“People’s Republic of Desire”
“Philosopher King – Lee Teng-hui’s Dialogue”
“Pick of the Litter”
“Piripkura”
“Police Killing”
“Pope Francis – A Man of His Word”
“The Price of Everything”
“The Price of Free”
“Qiu (Inmates)”
“Quincy”
“RBG”
“The Rachel Divide”
“The Raft”
“Recovery Boys”
“Restoring Tomorrow”
“Reversing Roe”
“The Road Movie”
“Robin Williams: Come inside My Mind”
“Ruben Blades Is Not My Name”
“Samouni Road”
“Saving Brinton”
“Say Her Name: The Life and Death of Sandra Bland”
“Science Fair”
“Scotty and the Secret History of Hollywood”
“Searching for Ingmar Bergman”
“Seeing Allred”
“The Sentence”
“Shirkers”
“Shot in the Dark”
“The Silence of Others”
“Sisters of the Wilderness”
“A Son of Man”
“Songwriter”
“Stan”
“Studio 54”
“Summer in the Forest”
“Tea with the Dames”
“That Summer”
“That Way Madness Lies…”
“They Fight”
“They’ll Love Me When I’m Dead”
“This Is Congo”
“This Is Home: A Refugee Story”
“Three Identical Strangers”
“To Be Continued”
“Transformer”
“Travel Ban”
“The Trial”
“Triumph: The Untold Story of Perry Wallace”
“Trust Machine”
“Under the Wire”
“United Skates”
“Unknown Distance”
“Up Down and Sideways”
“The Waldheim Waltz”
“We Could Be Heroes”
“Weed the People”
“What Haunts Us”
“What Lies Upstream”
“Whitney”
“Wonderful Losers: A Different World”
“Won’t You Be My Neighbor?”
“Yellow Is Forbidden”
“Yellowing”
Won’t You Be My Neighbor?[/caption]
The Cinema Eye Honors unveiled the first awards announcements for their 12th Annual awards, including The Unforgettables, their annual list of notable and significant nonfiction film subjects; The Shorts List, an annual list of the year’s ten top Nonfiction Short Films; and nominees in four categories: Broadcast Film; Broadcast Series; the Heterodox Award, which recognizes fiction films that actively blur the line between fiction and documentary; and the annual Audience Choice Prize. The full list of nonfiction film and craft nominees, including the five nominees for Outstanding Nonfiction Short Film, will be revealed on Thursday, November 8.
Eight films – Elizabeth Chai Vasarhelyi and Jimmy Chin’s Free Solo, Stephen Loveridge’s Mantangi/Maya/M.I.A., Bing Liu’s Minding the Gap, Alexandria Bombach’s On Her Shoulders, Julie Cohen and Betsy West’s RBG, Sandi Tan’s Shirkers, Tim Wardle’s Three Identical Strangers and Morgan Neville’s Won’t You Be My Neighbor? – were nominated for the Audience Choice Prize and also saw their subjects recognized amongst this year’s Unforgettables. Rashida Jones and Alan Hicks’ Quincy and Dava Whisenant’s Bathtubs Over Broadway round out this year’s Audience Choice nominees.
This is the first year that Cinema Eye will have an award to recognize Outstanding Nonfiction Series for Broadcast. Inaugural nominees in the Series category are Steve James’ America to Me (STARZ), Trey Borzilleri & Barbara Schroeder’s Evil Genius (Netflix), Zackary Canepari, Drea Cooper & Jessica Dimmock’s Flint Town (Netflix) Liz Garbus’ The Fourth Estate (Showtime) Matthew Heineman’s The Trade (Showtime) and Chapman Way & Maclain Way’s Wild Wild Country (Netflix).
The 12th Annual Cinema Eye Honors will be presented on Thursday, January 10, 2019 at the Museum of the Moving Image in New York City.
Breslin and Hamill: Deadline Artists[/caption]
DOC NYC, America’s largest documentary festival, returns for its ninth edition with 135 feature-length documentaries among over 300 films and events overall. The festival takes place November 8 to 15 at in New York at the IFC Center in Greenwich Village and Chelsea’s SVA Theatre and Cinepolis Chelsea.
Special Events include Closing Night Film, the world premiere of HBO’s Breslin and Hamill: Deadline Artists, about the beloved New York City journalists Jimmy Breslin and Pete Hamill, directed by Jonathan Alter, John Block and Steve McCarthy; and the festival’s Centerpiece presentation, the world premiere of Original Cast Album: Co-op, an episode in the upcoming season of IFC’s Documentary Now! series inspired by D.A. Pennebaker’s Original Cast Album: Company, followed by a conversation with creators Seth Meyers and Rhys Thomas, director Alex Buono, writer and star John Mulaney, and star Renee Elise Goldsberry (Hamilton). The NYC premiere of John Chester’s Telluride and Toronto hit The Biggest Little Farm will open the festival.
World premieres at the festival include Lady Parts Justice in the New World Order, following The Daily Show co-creator Lizz Winstead on a “Vagical Mystery Tour” to fight for reproductive rights; New Homeland, the newest film from two-time Academy Award winner Barbara Kopple, following refugee boys to a summer camp; Cracked Up, a revealing portrait of Saturday Night Live alumnus Darrell Hammond; Olympia, on Academy Award winning actress Olympia Dukakis; Buzz, about Friday Night Lights author Buzz Bissinger; Afterward, a candid exploration of complex tensions between Germans, Jews and Palestinians; Creating a Character: The Moni Yakim Legacy, on the legendary Juilliard drama teacher who trained Meryl Streep and Viola Davis among countless other talents; Beyond the Bolex, a personal history of the iconic camera; and The Show’s the Thing: The Legendary Promoters of Rock, which reveals an untold chapter of rock history.
Among this year’s U.S. premieres are Screwball, a hilarious exposé of Alex Rodriguez’s doping scandal; The Insufferable Groo, on a prolific low-budget filmmaker who recruits Jack Black for his latest opus; Evelyn, Oscar-winner Orlando von Einsiedel’s reckoning with a family tragedy; Rudeboy: The Story of Trojan Records, the fascinating tale about the popularization of Jamaican music worldwide; Barbara Rubin & the Exploding NY Underground, on an influential but little-recognized member of the 1960s film and art world; and The Artist & the Pervert, on the controversial relationship between a world renowned composer and a sex educator.
The festival is curated in 21 sections that include five new strands:
Series Showcase, offering world premieres of new episodic programs, including Showtime’s Enemies: The President, Justice & the FBI, exploring the contentious relationship between U.S. presidents and the FBI; and SundanceTV’s Jonestown: Terror in the Jungle, commemorating the 40th anniversary of the Jonestown Massacre.
Photography on Film, which includes the world premiere of Last Stop Coney Island: The Life and Photography of Harold Feinstein, on the seven-decade career of the NYC photographer.
Portraits, which presents the world premieres of The Great Mother, a profile of a woman serving as the legal guardian for 2,000 children of undocumented immigrants; and Welcome to the Beyond, the surprising story of a fashion model and a cult.
In the System, offering an inside look at institutions, including sexism in the restaurant world in The Heat: A Kitchen (R)evolution; and the financial industry on the cusp of the economic recession in Inside Lehman Brothers.
True Love, which presents the world premiere of Dennis and Lois, about a punk rock-loving older couple; and the U.S. premiere of China Love, which explores China’s $80 billion pre-wedding photo industry.
In the festival’s two feature competition sections, nine films appear under the Viewfinders section for distinct directorial visions. They include the world premieres of Cooked: Survival by Zip Code, a radical reframing of natural disasters and their link to poverty; Out of Omaha, a coming-of-age story executive produced by musician J. Cole; The Smartest Kids in the World, an exploration of the shortcomings of the U.S. education system; and The Kleptocrats, an investigation of the Malaysian financial scandal that helped finance The Wolf of Wall Street.
In the Metropolis competition section, seven films are dedicated to stories set in New York City. They include the world premieres of Jay Myself, about acclaimed photographer Jay Maisel; Decade of Fire, on the notorious series of fires that devastated the Bronx in the 1970s; See Know Evil, about a young photographer who left an indelible mark on fashion in the 1990s; and The Candidates, which follows an elaborate mock U.S. presidential election at a Queens high school.
Other returning sections include high-profile Special Events; national and global takes inAmerican Perspectives and International Perspectives; and thematic sections Centerstage (on performance), Jock Docs (on sports), Science Nonfiction (on science and technology), Wild Life (on animals), Modern Family (on unconventional families), Behind the Scenes (on filmmaking), Fight the Power (on activism), Sonic Cinema (on music) and Docs Redux (revisiting classic nonfiction). Short-form content (92 films in total) is represented by the festival’s Shorts Competition and DOC NYC U (showcasing student work), selected by Programmer Opal H. Bennett.
These sections join the Short List: Features titles, highlighting 15 of the year’s award contender documentary features; Short List: Shorts, an inaugural list of 12 of the year’s leading nonfiction shorts; and the eight-day DOC NYC PRO conference, doubled in size from 2017, focusing on panels and masterclasses.
DOC NYC will welcome over 500 filmmakers and special guests in attendance for Q&As after most screenings and for DOC NYC PRO panels. Among the notable guests expected to appear in person are Jakob Dylan for Echo in the Canyon, Darrell Hammond for Cracked Up, Jeffrey Wright for We Are Not Done Yet, Sandra Lee for RX: Early Detection, J.Cole for Out of Omaha, Christo for Walking on Water, Alex Sharp for Creating a Character, Lizz Winstead for Lady Parts Justice in the New World Order and more to be announced in the coming weeks.
For this year’s Short List section of awards season frontrunners, filmmakers presenting their work in person at the festival include Rashida Jones and Alan Hicks (Quincy), Wim Wenders (Pope Francis: A Man of His Word), Michael Moore (Fahrenheit 11/9), Morgan Neville (Won’t You Be My Neighbor?), Elizabeth Chai Vasarhelyi and Jimmy Chin (Free Solo), Betsy West and Julie Cohen (RBG), Rudy Valdez (The Sentence), Ricki Stern and Annie Sundberg (Reversing Roe), Susan Lacy (Jane Fonda in Five Acts), Bing Liu (Minding the Gap), Tim Wardle (Three Identical Strangers), Sandi Tan (Shirkers), Alexandria Bombach (On Her Shoulders), RaMell Ross (Hale County This Morning, This Evening) and Stephen Maing (Crime + Punishment). Filmmakers will also take part in the Short List Day of panel conversations on Nov. 9 at DOC NYC PRO.
Notable documentarians will also be honored at the Visionaries Tribute Awards event on Nov. 8: Wim Wenders and Orlando Bagwell will receiveLifetime Achievement Awards while Elizabeth Chai Vasarhelyi and Jimmy Chin will receive the Robert and Anne Drew Award for observational filmmaking. Tabitha Jackson, director of the Documentary Film Program at Sundance Institute, will receive theLeading Light Award for distinguished service to documentary in a role outside filmmaking.
The following is a breakdown of programming by section:
Yazidi genocide survivor-turned-global advocate Nadia Murad, the subject of Alexandria Bombach’s documentary ON HER SHOULDERS, was announced today as the recipient of the 2018 Nobel Peace Prize for her efforts to end the use of sexual violence as a weapon of war and armed conflict.
A deeply moving documentary portrait, ON HER SHOULDERS was the winner of the Sundance Film Festival’s U.S. Documentary Directing Award and has won awards at some of the world’s top film festivals. It will open on Friday, October 19 at New York’s Village East Cinemas, followed by Los Angeles on October 24, with a national rollout to follow.
Twenty-three-year-old Nadia Murad’s life is a dizzying array of important undertakings—from giving testimony before the U.N. to visiting refugee camps to soul-bearing media interviews and one-on-one meetings with top government officials. With deep compassion and a formal precision and elegance that matches Nadia’s calm and steely demeanor, director Alexandria Bombach (who also shot and edited the film) follows this strong-willed young woman, who survived the 2014 genocide of the Yazidis in Northern Iraq and escaped sexual slavery at the hands of ISIS to become a relentless beacon of hope for her people, even when at times she longs to lay aside this monumental burden and simply have an ordinary life.
The Feeling of Being Watched[/caption]
The Camden International Film Festival (CIFF) handed out the awards to the winners of the 2018 Festival, with the Audience Award going out to Assia Boundaoui’s The Feeling of Being Watched.
CIFF hosted their annual Awards Ceremony, presenting four awards for documentary features and one for a documentary short, in addition to its Points North Pitch Award.
In the Pitch, the six teams of Points North Fellows who worked with industry members in a year-long mentorship, presented their feature documentary works-in-progress to a top-level panel of funders, producers and broadcasters — all before a live audience at the Camden Opera House. For the 2nd year, Showtime Documentary Films was the Presenting Sponsor of the Fellowship.
This year’s Points North Pitch Award, which included in-kind post-production services from Boston-based Modulus Studios, went to director Sierra Urich’s work-in-progress feature documentary, Joonam.
An Academy-qualifying festival for short films, the winner of the Camden Cartel Award for Best Short is eligible to enter the Documentary Short Subject competition for the Academy.This year’s winner is Circle by Jayisha Patel. The runner-up was David Freid’s Guns Found Here.
For the fourth year, CIFF collaborated with long-time partner, Documentary Educational Resources, to present the John Marshall Award for Contemporary Ethnographic Media. The Jury of Alice Apley (Documentary Educational Resources), Alijah Case (Documentary Educational Resources), Ilisa Barbash (Producer/Director), Ernst Karel (Sound Artist), Irina Leimbacher (Critic, Educator), and Maple Razsa (Anthropologist, Filmmaker) awarded this year’s John Marshall Award to Ramell Ross’s Hale County This Morning.
Jurors Enat Sidi (editor), Meghan Monsour (Creative Director, Ambulante Film Festival) and Sean Farnel (producer) awarded the 2018 Cinematic Vision Award to Vadym Ilkov’s My Father Is My Mother’s Brother, with Special Jury Mention going to Exit Music, directed Cameron Mullenneaux. The Jury noted: “Surprising, tender and quietly profound, My Father Is My Mother’s Brother is non-fiction filmmaking at its finest. A raw, creative, and unconventional family portrait.”
This year’s jury of Andrea Meditch (producer), Justine Nagan (POV), Talal Derki (Filmmaker, OF FATHERS AND SONS) awarded the 2018 Harrell Award for Best Documentary Feature to On Her Shoulders, directed by Alexandria Bombach: “For using an intimate but respectful gaze to convey suffering through subtle gestures and the use of silence. The film captures the weight of bearing witness by allowing the protagonist to speak for herself. On Her Shoulders transforms a traumatic personal experience into a realization of horrifying and memorable collective responsibility.”
The Harrell Jury awarded two Special Mentions: one each to Vitaly Mansky’s Putin’s Witnesses and James Longley’s Angels Are Made of Light.
The 2018 Camden International Film Festival Audience Award went to Assia Boundaoui’s The Feeling of Being Watched.
The 15th edition of the Camden International Film Festival will take place September 12 to 15, 2019. Submissions will open in January 2019.
Nadia Murad and Murad Ismael appear in On Her Shoulders by Alexandria Bombach.[/caption]
Two of the year’s top award-winning and critically-acclaimed documentary feature films that premiered at the Sundance Film Festival and Berlin International Film Festival – On Her Shoulders by Alexandria Bombach and The Silence of Others by Almudena Carracedo and Robert Bahar – have been acquired by PBS television series POV.
On Her Shoulders (Tim Hetherington Award Nominee) and The Silence of Others (Grand Jury Award Nominee) will both screen at the Sheffield Doc/Fest in the UK this weekend as well as at the AFI Docs film festival in Washington, DC and the Human Rights Films Festival in New York this month.
https://www.youtube.com/watch?v=lT6EgVIGwDY
On Her Shoulders, following a 23-year-old Yazidi genocide and ISIS sexual slavery survivor, premiered at the 2018 Sundance Film Festival, where it won the Directing Award for a U.S. Documentary. It won a special jury award at SXSW Film Festival and was a Top Ten Audience Favorite at Hot Docs in Toronto.
Synopsis: Nadia Murad, a 23-year-old Yazidi, survived genocide and sexual slavery committed by ISIS. Repeating her story to the world, this ordinary girl finds herself thrust onto the international stage as THE VOICE of her people. Away from the podium, she must navigate bureaucracy, fame and people’s good intentions.
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The Silence of Others[/caption]
The Silence of Others, which captures the first attempt in 77 years to prosecute crimes of Spain’s 40-year dictatorship under General Franco, took the Audience Award (Panorama) as well as the Peace Prize at its world premiere at the 2018 Berlin International Film Festival (Berlinale), was a Top Ten Audience Favorite at Hot Docs in Toronto.
Synopsis: The Silence of Others reveals the epic struggle of victims of Spain’s 40-year dictatorship under General Franco, who continue to seek justice to this day. Filmed over six years, the film follows victims and survivors as they organize the groundbreaking “Argentine Lawsuit” and fight a state-imposed amnesia of crimes against humanity, in a country still DIVIDED four decades into democracy.
UNITED SKATES[/caption]
AFI DOCS has finally revealed its full slate of 92 films representing 22 countries for the 16th edition of the American Film Institute’s five-day documentary film festival in the nation’s capital. AFI DOCS 2018 runs June 13 to 17 in Washington, DC, and Silver Spring, MD.
As previously announced, the festival will open with the world premiere of PERSONAL STATEMENT and will close with UNITED SKATES. ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW screens as the Centerpiece Screening. Special Screenings include THE COLD BLUE, KINSHASA MAKAMBO, MR. SOUL! and WITKIN & WITKIN.
Before Father Gets Back[/caption]
The 2018 Sheffield Doc/Fest film program lineup presents bold and innovative non-fiction films made by some of the most authentic international filmmakers working today. 2018 audiences will be treated to 37 World, 18 International, 24 European and 70 UK film premieres.
The works are selected across the main program Doc/Adventure, Doc/Expose, Doc/Think, Doc/Love, Doc/Rhythm, Doc/Visions, and focus Retro/Electric Avenues, New/UK, New/Lebanon program strands and accompanying Special Live events. Doc/Fest 2018 film program includes one special Preview screening, a late-night offering as Docs ‘Til Dawn and a selection of outdoor screenings Free Screen.
The festival opens on Thursday 7 June with the world premiere of Sean McAllister’s A Northern Soul.