Green Book[/caption]
The Napa Valley Film Festival returns this fall with its five-day festival showcasing the year’s best new independent films from November 7 to 11 in Napa, California. The eighth edition of the Festival will kick off with the Sneak Preview Night on Tuesday, November 6 with a special presentation of The Front Runner, directed by Jason Reitman and starring Hugh Jackman, Vera Farmiga, J.K. Simmons and Alfred Molina. The film is the story of American Senator Gary Hart’s presidential campaign in 1988 as it is derailed when he is caught in a scandalous love affair.
https://www.youtube.com/watch?v=BAOYDcnVx6E
The festival’s official Opening Night film on Wednesday, November 7 is Green Book, directed by Peter Farrelly and starring Viggo Mortensen, Mahershala Ali and Linda Cardellini. In the film, Tony Lip (Mortensen), a bouncer from an Italian-American neighborhood in the Bronx, is hired to drive Dr. Don Shirley (Ali), a world-class Black pianist, on a concert tour from Manhattan to the Deep South, they must rely on “The Green Book” to guide them to the few establishments that were then safe for African-Americans.
https://www.youtube.com/watch?v=QkZxoko_HC0&t=3s
Closing the festival on Sunday, November 11 is HBO Films’ Robin Williams: Come Inside My Mind. Directed by Marina Zenovich, the documentary gives an intimate look into the life and work of the revered master comedian and actor, Robin Williams.
https://www.youtube.com/watch?v=caIFNg_JRL4
Ordinary Days
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Napa Valley Film Festival Announces 2018 Film Line-Up
[caption id="attachment_31408" align="aligncenter" width="1200"] Green Book[/caption]
The Napa Valley Film Festival returns this fall with its five-day festival showcasing the year’s best new independent films from November 7 to 11 in Napa, California. The eighth edition of the Festival will kick off with the Sneak Preview Night on Tuesday, November 6 with a special presentation of The Front Runner, directed by Jason Reitman and starring Hugh Jackman, Vera Farmiga, J.K. Simmons and Alfred Molina. The film is the story of American Senator Gary Hart’s presidential campaign in 1988 as it is derailed when he is caught in a scandalous love affair.
https://www.youtube.com/watch?v=BAOYDcnVx6E
The festival’s official Opening Night film on Wednesday, November 7 is Green Book, directed by Peter Farrelly and starring Viggo Mortensen, Mahershala Ali and Linda Cardellini. In the film, Tony Lip (Mortensen), a bouncer from an Italian-American neighborhood in the Bronx, is hired to drive Dr. Don Shirley (Ali), a world-class Black pianist, on a concert tour from Manhattan to the Deep South, they must rely on “The Green Book” to guide them to the few establishments that were then safe for African-Americans.
https://www.youtube.com/watch?v=QkZxoko_HC0&t=3s
Closing the festival on Sunday, November 11 is HBO Films’ Robin Williams: Come Inside My Mind. Directed by Marina Zenovich, the documentary gives an intimate look into the life and work of the revered master comedian and actor, Robin Williams.
https://www.youtube.com/watch?v=caIFNg_JRL4
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Women Filmmakers to Shine at 2017 Whistler Film Festival
[caption id="attachment_25657" align="aligncenter" width="1200"]
BECOMING BURLESQUE[/caption]
The Whistler Film Festival will present an unprecedented number of female focused films, talent, events, and awards throughout its 2017 programs. Female filmmakers and industry leaders will ascend to the top of Whistler Mountain for WFF’s second annual Women on Top Keynote and Breakfast on December 2 sponsored by Whistler Blackcomb.
The Whistler Film Festival will screen 14 feature films and 16 short films directed by women, which makes up 30% of this year’s film programming, the highest percentage for the festival to date. WFF will also have 40 Canadian females out of 82 (49%) participating in 11 different talent programs, including 14 directors, 5 producers, 4 screenwriters, 9 filmmakers, 3 actors, and 5 musicians in bands in the Music Showcase.
WFF’s Women on Top keynote address will be delivered by American film producer and co-founder of Resonate Entertainment Susan Cartsonis, who was named “one of the top five grossing producers of the year” by The Hollywood Reporter, in the year her film WHAT WOMEN WANT became the highest grossing romantic comedy of all time at the time of its release and remains number two to this day. Cartsonis has also produced THE DUFF, BEASTLY, WHERE THE HEART IS, and AQUAMARINE, as well as executive produced MIDDLE SCHOOL, INVISIBLE SISTER, and NO RESERVATIONS. Her most recent films produced include CARRIE PILBY, which premiered at the Toronto Film Festival in 2016, and DEIDRA & LANEY ROB A TRAIN, a Netflix Original Film which premiered at Sundance 2017. She is currently executive producing The Disney Channel musical FREAKY FRIDAY THE MUSICAL.
“It’s not unreasonable to expect that women should be 50 percent of those creating content, considering more than 50 percent of us are consuming the content,” says Cartsonis. “I think it’s really important that women mentor both men and women. I’m well aware that some encouragement, direction and advice can change the course of your life. And when women mentor men, we change the way they view the abilities of women.”
Cartsonis was an executive at 20th Century Fox for nearly a decade and rose from script reader to Senior VP of Production. She is a member of the Academy of Motion Picture Arts and Sciences and serves on the Independent Committee of the Producer’s Guild. She teaches Advanced Producing at USC’s School of Cinematic Arts and is strong advocate for female representation in front and behind the camera. She is a frequent speaker on the economic argument for female inclusion in media.
Greetings and updates at the Women on Top event will be delivered from public agencies that have initiated new policies for gender equality. The roster includes Creative BC CEO Prem Gil, Canada Media Fund President and CEO Valerie Creighton, National Film Board of Canada’s Executive Producer of Pacific and Yukon Centre Shirley Vercruysse and Telefilm Canada Feature Film Executive – English-language Market Stephanie Azam as well as current Women in Film and Televisions Chair of Advocacy Committee and Vancouver Honorary Lifetime Member, filmmaker and UBC professor, Sharon McGowan.
The Whistler Film Festival is poised to help elevate efforts to increase women working together across the entertainment industry. In addition to the talented content creators attending the festival in support of their films and projects, WFF will also host industry elite including actress and Borsos Jury member Camille Sullivan, award winning director and WFF alumni Ingrid Veninger with PORCUPINE LAKE, first time feature director Jackie English with BECOMING BURLESQUE, Darcy Hennessey Turenne, director of WFF’s closing gala film THE MOMENT, Sarah Rotella director NOBODY FAMOUS, Michelle Ouellet director PRODIGALS, acclaimed director Éva Gardos with BUDAPEST NOIR, first time feature directors and WFF alumni Hannah Cheesman and Mackenzie Donaldson with THE DEFINITES, acclaimed director Camille Thoman with the American Indie selection NEVER HERE, Kyra Sedgwick director of STORY OF A GIRL, award winning director Eisha Marjara with VENUS, American director Lori Stoll with HEAVEN’S FLOOR, Gail Harvey director of NEVER SAW IT COMING, and Jordan Canning and Renuka Jeyapalan co-directors of ORDINARY DAYS.
WFF will host the Variety 10 Screenwriters to Watch class of 2017 which is primarily comprised of women screenwriters. The seven female screenwriters being honored include Liz Hannah, THE POST; Hallie Meyers-Shyer, HOME AGAIN; Maggie Betts, NOVITIATE; Tracy Oliver – co-wrote GIRLS TRIP, Dorothy Blyskal – “THE 15:17 TO PARIS”, and Sarah Ruhl, MY LIFE ON THE ROAD. Maggie Betts, Tracy Oliver and Dorothy Blyskal will be attending the festival.
WFF Feature Films directed or co-directed by women:
BECOMING BURLESQUE (Canada) Dir. Jackie English
THE MOMENT (Canada) Dir. Darcy Hennessey Turenne
NEVER SAW IT COMING (Canada) Dir. Gail Harvey
NOBODY FAMOUS (Canada) Dir. Sarah Rotella
PRODIGALS (Canada) Dir. Michelle Ouellet
BUDAPEST NOIR (Hungary) Dir Éva Gárdos
THE DEFINITES (Canada) Dir. Hannah Cheesman & Mackenzie Donaldson
NEVER HERE (United States) Dir. Camille Thoman
STORY OF A GIRL (United States) Dir. Kyra Sedgwick
VENUS (Canada) Dir. Eisha Marjara
THE GOSPEL ACCORDING TO ANDRÉ (United States) Dir. Kate Novack
PORCUPINE LAKE (Canada) Dir. Ingrid Veninger
HEAVEN’S FLOOR (Canada, United States) Dir. Lori Stoll
ORDINARY DAYS (Canada) Dir. Jordan Canning, Kris Booth, Renuka Jeyapalan
WFF Short Films directed or co-directed by women:
THE STAKEOUT (Canada) Dir. Jax Smith
NEGATIVE SPACE (France/US) Dir. Ru Kuwuhata and Max Porter
WE FORGOT TO BREAK UP (Canada) Dir. Chandler Levack
BFF (Canada) Dir. Sofia Auza
GOOD GIRLS DON’T (Canada) Dir. Ana de Lara
MONDAY (Canada) Dir. Liz Levine
LOLZITA (Canada) Dir. Katie Boland
THE BURDEN (MIN BÖRDA) (Sweden) Dir. Niki Lindroth von Bahr
DEAR HATETTS (Canada) Dir. Kerry Barber
SHADES OF WINTER: CROSSROADS (Austria) Dir. Sandra Lahnsteiner
THE THINGS YOU THINK I’M THINKING (Canada) Dir. Sherren Lee
UNINTENTIONAL MOTHER (Canada) Dir. Mary Galloway
WAITING FOR LOU (EN ATTENDANT LOU) (Canada) Dir. Katerine Martineau
FLOATING LIGHT (Canada) Dir. Natalie Murao
VIOLET AND JUNE (Canada) Dir. Linnea Ritland
THE BUTTERFLY (Canada) Dir. Andy Alvarez
WFF Talent Programs with female participation announced to date include:
Feature Project Lab (4/6 producers): Lettie Costea (BC) – ALONE; Tricia Lee (ON) PENUMBRA; Amanda Verhagen (BC) PARTY FAVOUR and Carmen Forsberg (BC) – BOUNDARY COUNTRY.
Praxis Screenwriters Lab (4/5 screenwriters): Andeep Singh (BC) – GOODNIGHT MR G; Emily Bridger (NL) – LITTLE ORPHANS; Simone Stock (ON) POLARIS and Kate Bond (BC) – TRAPLINE.
Power Pitch (1/5 producers): Rebeka Herron (BC) – SALTBOX
Aboriginal Filmmaker Fellowship (3/6 directors): Nikita Weiss Day (BC) – SWEETGRASS ROAD; Madison Thomas (MB) – STARBOUND and Sonya Ballantyne (MB) – REVISION
Doc Lab (5/10 filmmakers): Kate Kroll (BC) -, CALAMITY KATE AND THE FIGHTING CHOLITAS; Jessica Dymond (BC) – TO LETHBRIDGE WITH LOVE; Christina Ienna (ON) – COLDWATER; Ali Harris (BC) – XWAAQW’UM: A JOURNEY and Jaime Leigh Gianopoulos (BC) – WE ARE THE BRIDGE.
Digital First Lab (4/7 filmmakers): Rebecca Campbell, THE GIRL WHO TALKS TO THE MOON; Farah Merani, SUPER ZEE; Sonya Ballantyne, REVISION and Nikita Weiss Day, SWEETGRASS ROAD.
Music Showcase finalists (5/31 musicians): The Katherines (3 – all female band); I M U R (fronted by a female) and Rya (female – solo).
Stars to Watch (3/4 actors): Jessica Parker Kennedy attending WFF with the world premiere of SOMEONE ELSE’S WEDDING; Tiera Skovbye attending with the world premiere of PRODIGALS and Julia Sarah Stone attending with the Western Canadian premiere of A WORTHY COMPANION.
MPPIA Short Film Award (2/4 directors): Jessie Anthony (BC) – THE LAST CIGARETTE and Veronika Kurz (BC) – 20 MINUTES TO LIFE
WIDC WFF Industry Immersion (8/8 directors): Sonia Bonspille Boileau (QC) – RUSTIC ORACLE; Jessica Bradford (BC) – FINN MCKAIN AND THE LOST TOAD; Katia Café Fébrissy (ON) – GROUNDED; Leah Cameron (ON) – THE COMMUNIST’S DAUGHTER; Sandi Gisbert (BC) – ALL PRANKS AND NO FUN; Sophie Jarvis (BC) – INVASIONS; Elizabeth Lazebnik (ON) – HANNAH and Shannon Walsh, UNIDENTIFIED MINOR.
WIFTV Mentorship (1/1 director): Shannon Walsh, UNIDENTIFIED MINOR. Mentor is Robyn Wiener – CEO Owner/Producer, Synergy Cinema Inc.
Other female-focused talent programs that WFF supports includes the Women in Film & Television Vancouver Film Market Preparation Mentorship, which provides the recipient with experience in preparing her feature film project for market by immersing her in the festival, and the Women In the Director’s Chair (WIDC) with eight Canadian women directors recently announced to attend the 20th anniversary session of the highly acclaimed script development and director mentoring program WIDC: Story & Leadership.
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Whistler Film Festival Unveils Lineup, Opens with Winston Churchill Biopic DARKEST HOUR
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DARKEST HOUR[/caption]
The 17th Whistler Film Festival, aka ‘Canada’s Coolest Film Fest’, will take place from November 29 to December 3, 2017, and feature 87 fresh films (46 features and 41 shorts) from over 15 countries.
WFF is set to open with Joe Wright’s DARKEST HOUR, starring Gary Oldman and Lily James. Endorsed by Winston Churchill’s estate, the film tells the story of Churchill’s refusal to engage in peace treaty negotiations with Nazi Germany during WWII, and his determination to fight on against incredible odds. Closing the festival is the World Premiere of THE MOMENT. Darcy Hennessey Turenne’s latest documentary feature uncovers the origin of Freeride Mountain Biking and its provenance in British Columbia by following a dedicated group of adventure seekers who changed the course of the sport forever.
Oscar-contending films screening at WFF include the Western Canadian premieres of I, TONYA, one of the most pleasant surprises of this year’s festival season about disgraced figure skater Tonya Harding, directed by Craig Gillespie and starring Margot Robbie; THE DISASTER ARTIST, directed and starring James Franco along with Dave Franco, tells the true-life story of Tommy Wiseau, Hollywood outsider and director of the cult-hit THE ROOM, which will also debut as the “From the Vault” selection; and Canada’s entry in this year’s Best Foreign-Language film Oscar competition HOCHELAGA, LAND OF SOULS directed by François Girard.
Additional critically acclaimed directors with works premiering in the festival include Richard Linklater, with LAST FLAG FLYING starring Bryan Cranston, Steve Carell and Laurence Fishburne, about three ex-marines who reunite thirty years after the Vietnam War; Émile Gaudreault with FATHER AND GUNS 2 (DE PÉRE EN FLIC 2), Canada’s highest grossing film of the year; Oscar Winner Mike Van Diem with the Netherlands, Italy, Canada co-production TULIPANI: LOVE, HONOUR, AND A BICYCLE; and acclaimed Canadian documentarian Alan Zweig with his latest film THERE IS A HOUSE HERE, about an Inuk rock singer Lucie Idlout.
Director of Programming Paul Gratton stated: ”It is gratifying to see that the Whistler Film Festival’s ever growing reputation as a cool film festival in which to showcase original work is growing well beyond our borders. The quality of our American Indie submissions was way up this year, as was the quality of our hundreds of Canadian entries. The Borsos jury will have a particularly challenging time picking the winners this year.”
Programming strands include American Indies, Canada 150, Contenders, Doc Bloc, Family Feature, First Features, From Overseas, From The Vault, Mountain Culture, ShortWork, Transgressive Tales, and World Premieres.
This year WFF is proud to boast that all five films in its “American Indies” strand will grace Canadian screens for the first time in Whistler. American Indies include STORY OF A GIRL, the directorial debut from Kyra Sedgwick starring Kevin and Sosie Bacon; THE BALLAD OF LEFTY BROWN starring Bill Pullman directed by Jared Moshe; THE LEARS directed by longtime Whistler Alumnus and Canadian filmmaker Carl Bessai starring Bruce Dern, Sean Astin and Anthony Michael Hall; NEVER HERE directed by Camille Thoman starring the late Sam Shepard in his last performance on screen; and PAINLESS directed by Jordan Horowitz starring Canadian actor Joey Klein. Other American films include PERMISSION directed by Brian Crano starring Rebecca Hall, Dan Stevens and Jason Sudeikis; BERNARD AND HUEY directed by Slamdance Founder Dan Mirvish with the original script written by the legendary Jules Feiffer; and HEAVEN’S FLOOR directed by Lori Stoll based on the true story of a LA photographer who heads to Iqualuit for a shoot. And it’s not just Americans are entrusting WFF with their Canadian premieres. From Hungary, WFF will present Eva Gardos’ Chinatown style film noir set in Budapest during the early years of World War II. BUDAPEST NOIR is the story of an investigator trying to uncover the truth about a prostitute’s murder, though no one around him seems to care.
This year, 20 Canadian films will compete for Canada’s second largest festival prize -Borsos Competition for Best Canadian Feature. Borsos titles include eight World Premieres featuring work from WFF Alumni including Pat Kiely with SOMEONE ELSE’S WEDDING starring Jacob Tierney, Jessica Paré, Jessica Parker Kennedy, Kevin Zegers, Kathleen Turner and Wallace Shawn; PRODIGALS directed by Michelle Ouellet starring Sara Canning and David Alpay; Jackie English’s first feature BECOMING BURLESQUE about a Muslim woman who turns to burlesque dancing starring Shiva Negar; Gail Harvey’s crime thriller NEVER SAW IT COMING based on the novel by Linwood Barclay; NOBODY FAMOUS directed by Sarah Rotella; plus three features from Vancouver based directors including 8 MINUTES AHEAD by Ben Hoskyn shot over the course of four years in Vancouver and China; THE PRODIGAL DAD, a home-grown sort of Toni Erdmann directed by Robert Wenzek; and THE CANNON directed by WFF Alumni Marshall Axani, who won the inaugural MPPIA Short Film Award.
Canadian premieres in the Borsos competition include Hannah Cheesman and Mackenzie Donaldson’s coming of age story, THE DEFINITES, Daniel DiMarco’s atmospheric character study JUGGERNAUT starring Jack Kesy and Amanda Crew, and the family friendly Christmas story SANTA STOLE OUR DOG: A MERRY DOGGONE CHRISTMAS starring Ed Asner from DIY master Bryan Michael Stoller. Western Canadian premieres in the Borsos Competition include Carlos and Jason Sanchez’s first time feature A WORTHY COMPANION starring Evan Rachel Wood and Vancouver’s Julia Sarah Stone produced by the TIFF Canadian producers of the year, Luc Déry and Kim McCraw, ALL YOU CAN EAT BUDDHA the original and rhythmic visual buffet from first time director Ian Lagarde, Grayson Moore and Aidan Shipley’s drama CARDINALS featuring an unforgettable performance from Sheila McCarthy, Vladimir de Fontenay’s Canada/France co-production MOBILE HOMES starring Imogen Poots, Callum Keith Rennie and Callum Turner, TRENCH 11 an unusual WWI dark thriller starring Rossif Sutherland, the comedic drama VENUS about a man transitioning to a woman, and PORCUPINE LAKE, a beloved coming of age story about two best friends directed by DIY queen Ingrid Veninger. Also screening alongside PORCUPINE LAKE is the making of documentary feature THE OTHER SIDE OF PORCUPINE LAKE directed by Julian Papas. Other Canadian films screening at the festival out of competition include ANOTHER WOLFCOP directed by Lowell Dean, the hilarious sex comedy A SWINGERS WEEKEND directed by Jonathan Cohen, and the original crime drama ORDINARY DAYS shot in three segments by three directors Jordan Canning, Kris Booth and Renuka Jeyapalan. In addition to the World Premiere of THE MOMENT which closes the fest, Mountain Culture films include A TO B ROLLERSKI directed by Arnis Aspers about an athlete who “rollerskis” from the Arctic to Baja, DEPTH PERCEPTION the latest brainchild of Travis Rice directed by Chip Taylor and Chris Murphy accompanied by the short series SOMETHING from The Manboys as well as compilation of short mountain based films from some of the industry’s finest athletes and storytellers. This year’s Doc Bloc competition features a very diverse film line-up. In keeping with the theme of emerging talent, WFF is pleased to present the World Premiere of BECOMING ICONIC, Neal Thibedeau’s incisive look at aspiring New York based director Jonathan Barker’s first feature with Nicolas Cage, Gina Gershon and Faye Dunaway, and interviews with such directing legends as Adrian Lyne, John Badham, Jodie Foster and Taylor Hackford about their first time on set as directors. Additional films in this section include WORLD OF DARKNESS, a detailed look at the history and evolution of one the most popular goth lifestyle games of all time, will receive its Canadian Premiere at our fest; and THE GOSPEL ACCORDING TO ANDRÉ, a probing biodoc of André Leon Talley, former editor of Vogue Magazine, featuring interviews with everyone from Anna Wintour to Tom Ford.WFF 2017 COMPLETE FEATURE FILM LISTING BY STRAND:
American Indies:
THE BALLAD OF LEFTY BROWN (United States) Dir. Jared Moshe THE LEARS (Canada, United States) Dir. Carl Bessai NEVER HERE (United States) Dir. Camille Thoman PAINLESS (United States) Dir. Jordan Horowitz STORY OF A GIRL (United States) Dir. Kyra SedgwickCanada 150:
ANOTHER WOLFCOP (Canada) Dir. Lowell Dean FATHER AND GUNS 2 (DE PÉRE EN FLIC 2) (Canada) Dir. Émile Gaudreault HEAVEN’S FLOOR (Canada, United States) Dir. Lori Stoll JUGGERNAUT (Canada) Dir. Daniel DiMarco MOBILE HOMES (Canada, France) Dir. Vladimir de Fontenay ORDINARY DAYS (Canada) Dir. Jordan Canning, Kris Booth, Renuka Jeyapalan PORCUPINE LAKE (Canada) Dir. Ingrid Veninger TRENCH 11 (Canada) Dir. Leo SchermanContenders:
THE DARKEST HOUR (United Kingdom) Dir. Joe Wright THE DISASTER ARTIST (United States) Dir. James Franco HOCHELAGA, LAND OF SOULS (HOCHELAGA, TERRE DES ÂMES) (Canada) Dir. François Girard I, TONYA (United States) Dir. Craig GillespieThe Doc Bloc:
BECOMING ICONIC (United States) Dir. Neal Thibedeau THE GOSPEL ACCORDING TO ANDRE (United States) Dir. Kate Novack THE OTHER SIDE OF PORCUPINE LAKE (Canada) Dir. Julian Papas THERE IS A HOUSE HERE (Canada) Dir. Alan Zweig WORLD OF DARKNESS (Sweden) Dir. Giles AldersonFamily Feature:
SANTA STOLE OUR DOG: A MERRY DOGGONE CHRISTMAS! (Canada) Dir. Bryan Michael StollerFirst Features:
ALL YOU CAN EAT BUDDHA (Canada) Dir. Ian Lagarde BECOMING BURLESQUE (Canada) Dir. Jackie English CARDINALS (Canada) Dir. Aidan Shipley & Grayson Moore THE DEFINITES (Canada) Dir. Hannah Cheesman & Mackenzie DonaldsonFrom Overseas:
BUDAPEST NOIR (Hungary) Dir Éva Gárdos TULIPANI: LOVE, HONOUR, AND A BICYCLE (Canada, Netherlands, Italy) Dir. Mike Van DiemFrom The Vault:
THE ROOM (United States) Dir. Tommy WiseauMountain Culture:
A TO B ROLLERSKI (Latvia, United States, Canada, Mexico) Dir. Arnis Aspers DEPTH PERCEPTION Dir. Chip Taylor & Chris MurphyTransgressive Tales:
A SWINGER’S WEEKEND (Canada) Dir. Jonathan Cohen A WORTHY COMPANION (Canada) Dir. Carlos Sanchez & Jason Sanchez BERNARD AND HUEY (United States) Dir. Dan Mirvish THE CANNON (Canada) Dir. Marshall Axani PERMISSION (United States) Dir. Brian Crano VENUS (Canada) Dir. Eisha MarjaraWorld Premieres:
8 MINUTES AHEAD (Canada, China) Dir. Ben Hoskyn NEVER SAW IT COMING (Canada) Dir. Gail Harvey NOBODY FAMOUS (Canada) Dir. Sarah Rotella PRODIGALS (Canada) Dir. Michelle Ouellet THE PRODIGAL DAD (Canada) Dir. Robert Wenzek SOMEONE ELSE’S WEDDING (Canada) Dir. Pat KielyWFF 2017 Feature Films Eligible for the Borsos Competition for Best Canadian Feature:
A WORTHY COMPANION ALL YOU CAN EAT BUDDHA BECOMING BURLESQUE THE CANNON CARDINALS THE DEFINITES HOCHELAGA, LAND OF SOULS JUGGERNAUT MOBILE HOMES NEVER SAW IT COMING NOBODY FAMOUS PORCUPINE LAKE PRODIGALS THE PRODIGAL DAD SANTA STOLE OUR DOG: A MERRY DOGGONE CHRISTMAS SOMEONE ELSE’S WEDDING TRENCH 11 TULIPANI: LOVE, HONOUR AND A BICYCLE VENUS 8 MINUTES AHEAD
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Onur Tukel’s THE MISOGYNISTS Among Headliners for 23rd Cucalorus Film Festival
[caption id="attachment_24822" align="aligncenter" width="1200"]
The Misogynists[/caption]
The 23 year-old Cucalorus Film Festival is transforming to broaden its exploration of innovation and creativity by showcasing performers and entrepreneurs along with filmmakers. This year’s Cucalorus Festival taking place November 8 to 12, in downtown Wilmington, NC, is organized into three broad programs: Film, Stage and Connect.
The catalyst for this transformation is the Cucalorus Connect Conference, an exploration of the digital transformation that is changing the way we live, work and play. Michele Holbrook from Corning will deliver the opening keynote and will be joined by executives from GE Hitachi Nuclear, ESPN, CBS Sports, SAS, Microsoft, K4Connect and more. Entrepreneur George Taylor, who has been instrumental in building the ecosystem for startups in North Carolina, will make a special announcement about his work to launch a brewery run by active gang members during the closing keynote.
Headlining Thursday’s schedule, Onur Tukel returns to Wilmington for the Southern US Premiere of his latest film “The Misogynists” – a devastatingly satirical comedy about two Trump supporters celebrating in a hotel room on election night.
Cucalorus will host the World Premiere of Canadian filmmakers Hannah Cheesman and Mackenzie Donaldson’s “The Definites” – a tightly crafted drama about a woman who leaves her husband-to-be and dives into her own wild desires during a libidinous, party-filled weekend at Art Basel in Miami. Rounding out the premieres at the festival are Dan Mirvish’s “Bernard and Huey,” Jordan Canning’s “Ordinary Days,” Jennifer Morrison’s “Sun Dogs,” and Bob Byington’s “Infinity Baby.” The full lineup of over 200 features and shorts will be announced next week and will include special curated programs from Toronto International Film Festival‘s Lisa Haller and Lisa Vandever from Cinekink.
The festival’s Works-in-Progress program, a workshop-style review of top social documentaries in-the-making from African American filmmakers, includes Unapologetic by Ashley Mills, Seeds of Struggle by Dennis Terry, Woody Shaw: Beyond All Limits by Woody Shaw III, Time of the Phoenix: The First Rainbow Coalition by Ray Santisteban, You Only Live Once by Terrance Pitts, and While I Breathe, I Hope by Emily Harrold.
The newest branch of the festival family is the Cucalorus Stage program, built on the success of performance-focused events like Dance-a-lorus, the Bus to Lumberton, and Visual/Sound/Walls. The Cucalorus Stage Experience includes more than 40 performers working in dance, music, theatre, comedy and performance. Alexandra Tatarsky returns to the festival with “Americana Psychobabble” – a delirious anti-narrative of American emptiness, violence and nonsense — part exorcism and part enema! Returning to the fest after her buzz-worthy debut, Shirley Gnome will share her new show “Taking it up the Notch.” Dram Tree Shakespeare, Pineapple-Shaped Lamps and a host of other cutting edge performers round out the lineup while the David Lynch-inspired Bus to Lumberton installation is being created by award-winning alum Josephine Decker.