L-R: Michelle Rodriguez, Viola Davis, and Elizabeth Debicki star in Twentieth Century Fox’s WIDOWS. Photo Credit: Courtesy Twentieth Century Fox.[/caption]
Steve McQueen’s and Gillian Flynn’s modern-day thriller Widows, Peter Farrelly’s drama Green Book starring Mahershala Ali and Viggo Mortensen, Mike Leigh’s period piece Peterloo are among the the full schedule of films announced for the 25th Anniversary edition of the Austin Film Festival taking place this October 25 to November 1. The festival lineup also includes Mickey Rourke-starring boxing drama Tiger, Paul Dano’s Wildlife starring Jake Gyllenhaal and Carey Mulligan, and Julia Roberts and Lucas Hedges family drama Ben is Back bowing as AFF’s Centerpiece selection.
Other World Premieres include The Dancing Dogs of Dombrova (a comedy about estranged siblings traveling to Poland to track down the remains of the their grandmother’s childhood dog), F/11 and Be There (a documentary about famed photographer Burk Uzzle), The Amaranth (a thriller about a mysterious retirement community), A Girl Named C (Emily Kassie’s documentary about a family grappling with the discovery that their 11-year-old daughter was raped), and Waiting for the Miracle to Come (Lian Lunson’s whimsical drama starring Willie Nelson and Charlotte Rampling).
Shoplifters (Manbiki Kazoku)(2018)
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25th Austin Film Festival Announces Full Lineup, BEN IS BACK, WIDOWS, GREEN BOOK
[caption id="attachment_30734" align="aligncenter" width="1200"] L-R: Michelle Rodriguez, Viola Davis, and Elizabeth Debicki star in Twentieth Century Fox’s WIDOWS. Photo Credit: Courtesy Twentieth Century Fox.[/caption]
Steve McQueen’s and Gillian Flynn’s modern-day thriller Widows, Peter Farrelly’s drama Green Book starring Mahershala Ali and Viggo Mortensen, Mike Leigh’s period piece Peterloo are among the the full schedule of films announced for the 25th Anniversary edition of the Austin Film Festival taking place this October 25 to November 1. The festival lineup also includes Mickey Rourke-starring boxing drama Tiger, Paul Dano’s Wildlife starring Jake Gyllenhaal and Carey Mulligan, and Julia Roberts and Lucas Hedges family drama Ben is Back bowing as AFF’s Centerpiece selection.
Other World Premieres include The Dancing Dogs of Dombrova (a comedy about estranged siblings traveling to Poland to track down the remains of the their grandmother’s childhood dog), F/11 and Be There (a documentary about famed photographer Burk Uzzle), The Amaranth (a thriller about a mysterious retirement community), A Girl Named C (Emily Kassie’s documentary about a family grappling with the discovery that their 11-year-old daughter was raped), and Waiting for the Miracle to Come (Lian Lunson’s whimsical drama starring Willie Nelson and Charlotte Rampling).
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2018 Virginia Film Festival Reveals Deep and Diverse Lineup of Films
[caption id="attachment_31988" align="aligncenter" width="1200"]
The Front Runner[/caption]
The Virginia Film Festival returns to Charlottesville from November 1 to 4, with a deep and diverse program of more than 150 films and special guests including legendary actor, writer, and filmmaker Peter Bogdanovich; director and producer Allen Hughes, noted activist Martin Luther King III; and more than 100 filmmakers from around the world.
The 2018 Virginia Film Festival will open with Green Book, the powerfully dramatic feature debut for director Peter Farrelly, inspired by a true friendship that transcended race, class, and the 1962 Mason-Dixon Line. The film is the story of world-class black pianist Don Shirley (Mahershala Ali), who hires New York bouncer Tony Lip (Viggo Mortensen) to drive him on a concert tour from Manhattan to the Deep South. The pair must rely on the “Green Book” to guide them to the few establishments that were safe for African-Americans. Confronted with racism and danger – as well as unexpected humanity – they are forced to set aside differences to survive and thrive on the journey of a lifetime.
The Festival will present Roma as the Centerpiece Film. Perhaps the most acclaimed and discussed film on the 2018 major film festival scene, Roma is director Alfonso Cuarón’s (Gravity) most personal work to date – a loving and lovely tribute to the unsung woman who raised him and to so many domestic workers like her. Both intimate in emotion and epic in scope, Roma follows Cleo, a domestic worker in Mexico City in the 1970s, and the upper-middle class family that she cares for. As her personal life and the political climate of Mexico City grow more and more tumultuous, Cleo remains on the sidelines, observing and absorbing the chaos and pain around her. First time actor, Yalitza Aparicio, plays Cleo with a quiet sensitivity. Vanity Fair has said of Roma, “Cuarón shows us wonders to remind us of the aching wonder of it all, how careless we are to not stop and assess everything, to not madly ask every stranger the detail of their lives, because in each may be a story we might come to bitterly regret not knowing.”
From director Jason Reitman comes the Closing Night Film, The Front Runner, a look back at a story that in so many ways set the stage for the political climate we live in today. Gary Hart (Hugh Jackman) came into the 1988 presidential election season as a can’t-miss prospect, combining boyish good looks and an easy charm with a political set of skills honed by a surprisingly successful 1984 campaign. When accusations of an extramarital affair set off an unprecedented media investigation of Hart’s personal life, a new era was born that changed the parameters of what is personal, what is public, and what it means for the way we choose our leaders. The film boasts a stellar cast including Vera Farmiga as Hart’s wife Lee, J.K. Simmons as his embattled campaign manager, and Alfred Molina as Ben Bradlee in this highly-touted adaptation of campaign veteran Matt Bai’s memoir All the Truth is Out.
Spotlight Films
1968: The Year That Changed America – This documentary from Tom Hanks and Mark Herzog is a riveting deep dive into what is considered to be one of the most dangerous and divisive periods in American history, marked by the assassinations of Martin Luther King, Jr. and Robert F. Kennedy, the personal and political upheaval from the Vietnam War, rioting in major cities, the tragedy of Kent State, and more. The VAFF will present two of the series’ four episodes, “Summer” and “Fall”. Ben is Back – Julia Roberts, Courtney B. Vance, and Academy Award-nominee and rapidly-rising star Lucas Hedges star in this tense and moving look at 24-hours in the life of a family affected by the opioid crisis. Birds of Passage –Colombia’s entry for the Academy Award for Best Foreign Language Film, Birds of Passage, follows an indigenous Wayuu tribe and their involvement in the growing Colombian drug trade over two decades. The Favourite – Director Yorgos Lanthimos (The Lobster, The Killing of a Sacred Deer) takes us inside Queen Anne’s reign in the early 18th Century. Queen Anne (Olivia Colman) is served by close confidante Lady Sarah (Rachel Weisz) amid a seemingly never-ending war between England and France. When fallen aristocrat Abigail (Emma Stone) arrives on the scene, she threatens the relationship and throws a major wrench into the royal works in what Variety recently called “a perfectly cut diamond of a movie.” Shoplifters – The winner of the coveted Palme d’Or at the 2018 Cannes Film Festival, Shoplifters follows a family turning to a life of petty crime to make ends meet in a workshare economy. [caption id="attachment_30734" align="aligncenter" width="1200"] L-R: Michelle Rodriguez, Viola Davis, and Elizabeth Debicki star in Twentieth Century Fox’s WIDOWS. Photo Credit: Courtesy Twentieth Century Fox.[/caption]
Widows – From visionary director Steve McQueen (12 Years a Slave) comes Widows. After their criminal husbands die in an explosion, a group of women, led by Academy Award winner Viola Davis, must pull off their spouses’ next planned heist in order to pay off the crime boss that their recently departed partners owe.
A Tribute to Orson Welles: The Other Side of the Wind with Peter Bogdanovich
The Festival will share a rare insider’s look at one of the most fascinating movie projects in Hollywood history, through the eyes of a legendary Hollywood director, producer, and actor who was in the middle of it all. Peter Bogdanovich returns to the Virginia Film Festival to lead a multi-pronged examination of Orson Welles’ quasi-autobiographical film, The Other Side of the Wind. Bogdanovich not only starred in the film, he was instrumental in its completion, based on a promise he had made to his good friend Welles shortly before the legendary filmmaker’s death in 1985. At that point, the film, which started production in 1971, was still unfinished, and Bogdanovich would go on to play a key role in its difficult-but-fascinating road to completion. It was a road fraught with countless obstacles ranging from rights battles to the complex and painstaking process of recreating the director’s vision from the hundreds of hours of footage he left behind. The film-within-a-film tells the story of filmmaker Jake Hannaford, who, like Welles, was embarking on The Other Side of the Wind, a film that would constitute his own Hollywood comeback. Bogdanovich worked over the course of decades with a team of dedicated filmmakers and film industry technicians to recreate Welles’ vision before Netflix finally came on board to push the project across the finish line. Festival audiences will also be afforded a 360-degree look at the product and the process of making The Other Side of the Wind that will include a screening of the newly-released film itself followed by a conversation with Bogdanovich, in addition to the new Netflix documentary They’ll Love Me When I’m Dead from Academy Award-winning director Morgan Neville (Won’t You Be My Neighbor, 30 Feet from Stardom). The Festival will also present the documentary The Eyes of Orson Welles as well as Welles’ 1973 docudrama F For Fake, known for being the last completed work of his career. Bogdanovich will also present a screening of his critically-acclaimed documentary The Great Buster, about silent film star, Buster Keaton.Race In America – Presented with James Madison’s Montpelier
The Virginia Film Festival is partnering once again with James Madison’s Montpelier for the second annual Race in America series, exploring the complex and changing issues around what continues to be one of the most important and difficult issues of our time. This year’s series will include: 16 Bars – Todd “Speech” Thomas, noted front man of the Grammy winning hip-hop group Arrested Development spent three weeks in a Richmond, Virginia prison to deliver this glimpse into a unique rehabilitation program that provides inmates access to a makeshift recording studio. Another Slave Narrative – Recounting the history of slavery in the United States, a multiracial cast reenacts original transcripts of federal interviews with ex-slaves in the 1930’s. Black in Blue – Academy Award-winning filmmaker and Charlottesville resident Paul Wagner presents the story of Nate Northington, who honors the memory of his friend and fellow civil rights pioneer Greg Page by breaking the Southeastern Conference color barrier in 1967 to play football at the University of Kentucky. Circles – Displaced by Hurricane Katrina, Eric Butler moves to Oakland, California to mentor troubled minority youth, counseling vulnerable Black and Latinx teenagers with intimate and honest mentorship. Charlottesville – A Center for Politics film about the events of August 11 and 12 produced in collaboration with the Community Idea Stations. The Defiant Ones – The Defiant Ones examines the partnership between Jimmy Iovine and Dr.Dre – one the son of a Brooklyn longshoreman, the other straight out of Compton – and their leading roles in a chain of transformative events in contemporary culture.UVA Center for Politics
The Festival will continue its partnership with the UVA Center for Politics this year with a screening of the new documentary Charlottesville. Produced in conjunction with the Community Idea Stations, Charlottesville is a gripping two-hour documentary that traces the tragedies of August 11 and 12, 2017, all while asking “How could this happen in modern America?”. Firsthand accounts by victims and witnesses who woke to find riots in their backyards and murder in their streets present a compelling account of Charlottesville in the wake of shocking racial strife, religious bigotry, government blunders, and political equivocation.The Miller Center
This year the Virginia Film Festival is again partnering with The Miller Center, a nonpartisan affiliate of the University of Virginia that specializes in presidential scholarship, public policy, and political history, and strives to apply the lessons of history and civil discourse to the nation’s most pressing contemporary governance challenges. The series will include 1968: The Year That Changed America, the fascinating documentary from executive producers Tom Hanks and Mark Herzog about one of the most tumultuous years in American history. The VAFF is proud to present two of the four episodes in the series, “Summer” and “Fall.” The series will also feature An Acceptable Loss from director Joe Chappelle that follows a former top U.S. security advisor (Tika Sumpter), who is threatened by associates from her dark past, including a steely politician (Jamie Lee Curtis). It’s a female-fronted story of obsession, collusion, and hopeful redemption.Virginia Film Festival and National Geographic
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Science Fair directed by Cristina Costantini and Darren Foster[/caption]
The Festival will present a trio of heralded documentaries from National Geographic. They include: Science Fair, which follows nine high school students from disparate corners of the globe as they navigate rivalries, setbacks, and hormones on their quest to win the international science fair; Free Solo, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold, as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock, Yosemite’s 3,000-foot El Capitan, without a rope; and Into the Okavango, the directorial debut of National Geographic photographer Neil Gelinas, who accompanied researchers on this stunning expedition down the Okavango River to discover how or why the river — which is the source of Africa’s wildlife lifeline — is drying up.
The VAFF and the Library of Congress Celebrate the National Film Registry
The Virginia Film Festival continues its unique partnership with the Library of Congress Packard Campus for Audio Visual Conservation in Culpeper, Virginia in 2018 to present a series of films that celebrate the National Film Registry and the Campus’ dedication to film preservation. This year’s lineup will include a 50th anniversary screening of the George A. Romero directed zombie horror, Night of the Living Dead in a new 4K restoration; the groundbreaking, experimental 1968 documentary, Symbiopsychotaxiplasm: Take One; a new 4K restoration of The Bride of Frankenstein, in celebration of the 200th anniversary of the novel Frankenstein by Mary Shelley, and a 90th anniversary screening of the Walt Disney animated short Steamboat Willie. The Festival is delighted to welcome back longtime Turner Classic Movies host and film expert Ben Mankiewicz to support this joint program. He will lead discussions on Night of the Living Dead and The Bride of Frankenstein, in addition to joining Peter Bogdanovich for The Other Side of the Wind and The Great Buster.Documentaries
Afghan Cycles – Following a new generation of young Afghan women cyclists, Afghan Cycles uses the bicycle to tell a story of women’s rights – human rights – and the struggles faced by Afghan women on a daily basis. The Biggest Little Farm – The successes and failures of a couple determined to live in harmony with nature on a farm outside of Los Angeles are lovingly chronicled by filmmaking farmer John Chester, in this inspiring documentary. Chef Flynn – Culinary prodigy, Flynn McGarry made it into the New York Times by the time he was sixteen. Director Cameron Yates follows McGarry as he launches his first high profile pop up restaurant and begins to outgrow the constant surveillance from his mother. [caption id="attachment_31523" align="aligncenter" width="1200"]
Divide and Conquer: The Story of Roger Ailes[/caption]
Divide and Conquer – Alexis Bloom delivers this tale of the long rise and sudden fall of the late, disgraced media industry giant Roger Ailes, from his days in the Nixon and Bush White Houses to his time at the helm of Fox News, and his ignominious ouster at the dawn of the Me Too movement.
Karenina and I -Norwegian actress Gørild Mauseth is challenged by the almost impossible task of playing Anna Karenina in a language she never spoke and in the author’s home country. She embarks on a journey throughout Russia to discover the real reasons why Tolstoy (Liam Neeson) wrote the novel. What Gørild does not know is that Anna Karenina will become the role of her life and change her forever.
The Last Race – The last surviving stock car track on Long Island, once home to over thirty, is the weekend retreat to many working-class stock car racers and enthusiasts. Director Michael Dweck documents the local enthusiasts as outside land developers begin to encroach.
Revolutionizing Dementia Care – Directed by Mason Williams and produced by the Community Idea Stations, this film reveals innovative approaches in memory care communities that are improving the well-being of patients and allowing them to live full and meaningful lives based on their abilities rather than their disabilities.
Run While You Can – Sam Fox attempts to run the Pacific Crest Trail, spanning from the Canadian to the Mexican border, in sixty days, beating the previous record. As the trail begins to take its toll on his mind and body, Fox begins to understand what his mother, who has Parkinson’s disease, goes through on a daily basis.
[caption id="attachment_28858" align="aligncenter" width="1200"]
Studio 54[/caption]
Studio 54 – Using footage from its heyday and interviews with two of the original owners, Studio 54 takes a look at the quick rise and fall of the most famous night club in the world. The club would usher in a new era of celebrity culture and glamour, while highlighting the legendary excesses of the era.
Spotlight on Virginia Filmmaking
Afrikana Film Festival – The VAFF is proud to partner with the Richmond-based Afrikana Film Festival for a special program of films dedicated to showcasing cinematic works by people of color from around the world, with a special focus on the global Black narrative. American Dreamer – Directed by Virginia native Derrick Borte and starring comedian Jim Gaffigan, the film is a disturbing portrait of a down on his luck chauffeur who enters into a world of crime in a desperate effort to provide for his family. Best of Film at Mason and Best of VCUarts – As the official film festival of the Commonwealth of Virginia, the VAFF will salute some of Virginia’s finest young filmmakers from both George Mason University and Virginia Commonwealth University in a special program that captures and celebrates the diversity of cinematic storytelling found at these institutions. Seats at the Table – A documentary following a Russian literature class for college students and inmates at a juvenile correctional center. The University of Virginia Bicentennial Celebration: An Evening of Performing Arts – A look at the gala, star studded celebration of the University’s 200 year anniversary. West Main Street – An award-winning feature documentary focusing on the everyday lives and oral histories of Charlottesville residents whose lives and work revolved around the West Main Street community. Other Virginia films include 16 Bars, Black in Blue, Charlottesville, Spider Mites of Jesus: The Dirtwoman Documentary, and short film showcases of work by UVA professors Kevin Everson and Lydia Moyer.International Films
Border (Sweden) – From the writer of Let the Right One In, comes another film mixing realism with elements of folklore. A woman with troll-like features meets a man like herself and they begin a romance that will change her life. Capernaum (Lebanon) – After witnessing the sale of his younger sister, a 12-year old runs away from home to live on the streets. Lacking the proper identification papers, he continues to run into the same cruelty that he faced at home. After a run in with the law, he decides to sue his parents for giving him life. Crystal Swan (Belarus) – A young woman yearning to leave her home in Minsk to DJ in Chicago, fakes a resume in order to get her visa approved. After realizing she put the wrong phone number down for one of her fake jobs, she must track down the family the number belongs to and convince them to help her. Dogman (Italy) – A meek dog groomer and part-time cocaine dealer seeks revenge against his sometime customer and town tyrant who has shaken him down one too many times. The Heiresses (Paraguay) – Friends are tested by financial difficulties despite both coming from wealthy families. One takes an offer from her older, wealthy neighbor to drive her to her weekly card games. Soon, her business expands. Forced out of her comfort zone she embarks on a journey of independence. [caption id="attachment_25151" align="aligncenter" width="1200"]
I AM NOT A WITCH[/caption]
I Am Not a Witch (United Kingdom) – In Rungano Nyoni’s directorial debut, a young girl in Zambia is sent to witch camp. Threatened that she will turn into a goat if she attempts escape, she must decide if freedom is worth the risk.
Never Look Away (Germany) – Directed by Academy Award winner, Florian Henckel von Donnersmarck, Never Look Away tracks an artist’s career and relationships during the rise and fall of Nazi occupied Germany.
No Date, No Signature (Iran) – A forensic pathologist, Dr. Nariman, hits a motorcycle carrying a family in an accident. He urges them to take their son to a hospital, but they refuse and disappear into the night. When Dr. Nariman sees the boy has arrived deceased at his hospital and the cause of death ruled as food poisoning, he goes on a hunt for the truth.
Sunset (Hungary) – From László Nemes, the director of Son of Saul, comes this story of a woman searches for a connection to her family in 1913 Budapest and finds little help along the way.
Woman at War (Iceland) – An environmental activist plans her final demonstration after learning that she will soon become a mother.
Other films include our Centerpiece Film Roma (Mexico), and Spotlight Films,Birds of Passage (Colombia), El Angel (Argentina).
Letters of Love
Curated by Samhita Sunya, Assistant Professor of Cinema at UVA, the Letters of Love series showcases witty films from a region that is all-too-often conflated with footage of war, authoritarianism, crises, and patriarchal/sexual violence. Each film’s action takes place across the Middle East and South Asia, as they self-reflexively – and lovingly – pay homage to global genres, as well as the longstanding presence and popularity of Bollywood films in the Middle East. Road to Kabul – A group of friends must go on a search for one of their own after a trip to Amsterdam doesn’t go as planned. An Indian Father – A gangster begins practicing yoga to relieve stress, falling in love with his instructor along the way. When she is taken back to her home in Bombay, he goes after her only to find that her father is a gangster himself. Hell in India – An Egyptian ambassador is kidnapped. In a mix up, the Egyptian military band is sent to negotiate his release, in this musical. Day Shall Dawn – A 1958 documentary showing the everyday life of the Bengali people and their isolated village. In The Last Days of the City – A man grappling with his personal life and making his next film is sent footage from friends around the world that gives him inspiration.LGBTQIA+ Focus
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Antonio Lopez 1970: Sex Fashion & Disco[/caption]
Antonio Lopez 1970: Sex, Fashion and Disco – A native of Puerto Rico and raised in the Bronx, Antonio Lopez gained international recognition as one of the most influential fashion illustrators of his time. His artistic vision and commitment to diversity revolutionized the fashion world, and his natural charisma allowed him to help launch the careers of icons like Grace Jones, Jessica Lange, and Jerry Hall.
Coby – When a 23-year-old transgender Ohio woman transitions, his physical and spiritual transformation affects the lives of all who love him, and inspires them to change their perspectives.
El Angel (Argentina) – Based on the true story of Argentina’s most infamous serial killer, Carlos Rubedo Puch, who began his life of crime at seventeen. The extremity of his crimes is a stark contrast with his handsome, charming demeanor.
Jason and Shirley – A fictional retelling of the making of the influential documentary, Portrait of Jason, from the perspective of the film’s subject, hustler and cabaret performer, Jason Holliday.
Good Manners – A Brazilian fairytale that finds two women from different classes coming together over the impending birth of a supernatural child under a full moon.
Narcissister Organ Player – Through her unabashedly erotic and often humorous performances, Narcissister showcases her approach to explorations of race, gender, and sexuality. From growing up as a mixed-race child, to her complex relationship with her mother, she addresses how these circumstances compelled her to create her performance character.
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Rafiki[/caption]
Rafiki – Two women fall in love in Kenya, despite their father’s political rivalry, and Kenya’s laws against homosexuality.
Sauvage – 22-year-old Leo works in Strasbourg as a prostitute. Working mostly on a quiet road in a wooded area, he belongs to a group of men that service the motorist clientele. Leo seems to not know or desire any other kind of life, despite friends and doctors questioning his lifestyle. Leo prizes his freedom and never lets go of his ability to love and be loved.
Spider Mites of Jesus: The Dirtwoman Documentary – Richmond, Virginia natives recount their experiences with Donnie “Dirtwoman” Corker, a drag queen and pillar of the counterculture, and their influence on the community.
Sorry Angel – Arthur, an eager 22-year-old student, meets 35-year-old Jacques, a writer living in Paris with his young son. Embracing his sexual awakening, Arthur wishes to throw himself into their relationship without reservations. Jacques is hesitant to invest himself, as he struggles to come to terms with an AIDS diagnosis. The physical reality of Jacques’ illness complicates the fate of their romance, as both men realize that Arthur’s journey is just beginning as Jacques’ starts to close.
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Hamptons International Film Festival Announces Full 2018 Slate + Jury
The 26th Hamptons International Film Festival which will take place over the upcoming Columbus Day Weekend, October 4 to 8, 2018, unveiled the full slate of films. The festival also revealed the anticipated films, Yorgos Lanthimos’ THE FAVOURITE, starring Academy Award®- winning actresses Emma Stone and Rachel Weisz and Golden Globe®-winning actress Olivia Colman, about two cousins fighting to be the court favorite of Queen Anne, which will serve as the Friday Centerpiece; and Marielle Heller’s CAN YOU EVER FORGIVE ME?, which wll screen as the Sunday Centerpiece, a biopic based on the life of writer Lee Israel and starring Academy Award®-nominated actress Melissa McCarthy.
The festival added two films to the Spotlight section: Academy Award®-winning director Steve Mc Queen’s WIDOWS, starring Academy Award®-winning actress Viola Davis, Michelle Rodriguez, Elizabeth Debicki and Cynthia Erivo, the story of four women with nothing in common except a debt left behind by their dead husbands’ criminal activities; and the East Coast Premiere of Felix Van Groeningen’s (HIFF 2009 & 2013 alum) BEAUTIFUL BOY, starring Academy Award®-nominated actor Timothée Chalamet and Golden Globe®-nominated actor Steve Carell, adapted from father and son David and Nic Sheff’s best-selling memoirs about a son’s struggle with drug addiction that threatens to tear a family apart.
This year’s Narrative and Documentary Competition slate offers a wide variety of stories to audiences and represents the best of the industry with the Competition slate consisting of 50% female directors and 50% male directors. Overall, the festival’s full slate is 47% female directors. Narrative Competition films include the New York Premiere of Yen Tan’s 1985, the U.S. Premiere of Eva Trobisch’s ALL GOOD, Ali Abbasi’s BORDER, the U.S. Premiere of Zsófia Szilágyi’s ONE DAY, and Dominga Sotomayor’s TOO LATE TO DIE YOUNG.
Documentary Competition Films include the World Premiere of Jesse Sweet’s CITY OF JOEL, Alexis Bloom’s DIVIDE AND CONQUER: THE STORY OF ROGER AILES, the East Coast Premiere of Shannon Service and Jeffrey Waldon’s GHOST FLEET, and the New York Premiere of Daniel Zimmerman’s WALDEN, as well as the East Coast Premiere of the previously announced THE LAST RACE from Michael Dweck, also screening in the Views From Long Island Section.
As part of their Signature Programs, the Views From Long Island section will also include BLACK MOTHER, directed by Khalik Allah, about two different worlds on the island of Jamaica, through the lens of an intimate documentary portrait; as well as the World Premieres of Emily Anderson’s short film ONLY THE WIND IS LISTENING, set against the backdrop of an unforgiving Montauk winter and Ross Kauffman’s STILL PLAY WITH TRAINS, where John Scully reconstructs his idyllic 1950s childhood in the form of one of the world’s largest model train sets in his East Hampton basement.
The Air, Land & Sea program will present Academy Award®-nominated director Rory Kennedy’s ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW, a Discovery Channel documentary chronicling the history and exploration of America’s space force, as well as Nicolas Brown’s THE SERENGETI RULES, about five international scientists during the 1960s and their attempt to learn more about the planet. The section will also include the previously announced U.S. Premiere of GRIT, directed by Sasha Friedlander and Cynthia Wade.
The Compassion, Justice, & Animal Rights program will include a World Premiere presentation of Rob Fruchtman and Steven Lawrence’s THE CAT RESCUERS, about four activists in Brooklyn setting out to provide housing for the over one million cats abandoned in New York City alone. The section will also include the previously announced East Coast Premiere of Richard Miron’s FOR THE BIRDS.
The Conflict & Resolution program will include five films: the New York Premiere of Talal Derki’s OF FATHERS AND SONS, which provides a look at war-torn Syria through the eyes of a photojournalist posing as pro-jihadist; the New York Premiere of Chris Martin’s UNDER THE WIRE, about the final mission of war correspondent Marie Colvin and photographer Paul Conroy; Charles Ferguson’s WATERGATE, examining the Watergate scandal from new interviews and subjects from all sides of the investigation; and Almudena Carracedo and Robert Bahar’s THE SILENCE OF OTHERS, about six individuals looking to bring those responsible for Spain’s 40-year dictatorship to justice. The section will also include the previously announced New York Premiere of Ísold Uggadóttir’s AND BREATHE NORMALLY.
In the World Cinema Narrative section the slate includes the addition of the U.S. Premiere of “I DO NOT CARE IF WE GO DOWN IN HISTORY AS BARBARIANS” directed by Radu Jude, as well as NON-FICTION, directed by Olivier Assayas, and PRIVATE LIFE, directed by Tamara Jenkins; in addition to the previously announced World Premiere of ASK FOR JANE directed by Rachel Carey; the U.S. Premieres of LETO directed by Kirill Serebrennikov, STYX directed by Wolfgang Fischer, and WOMEN AT WAR directed by Benedikt Erlingsson; the New York Premiere of BIRDS OF PASSAGE directed by Christina Gallego and Ciro Guerra (Colombia’s official entry for the Best Foreign Language Film Oscar®); and BURNING directed by Lee Changdong, COLD WAR directed by Pawel Pawlikowski, DEAD PIGS directed by Cathy Yan, THE GUILTY directed by Gustav Möller, HAPPY AS LAZZARO, directed by Alice Rohrwacher, SHOPLIFTERS directed by Hirokazu Kore-eda (Japan’s official entry for the Best Foreign Language Film Oscar), and WILD NIGHTS WITH EMILY directed by Madeleine Olnek.
In the World Cinema Documentary section, the full slate includes the addition of Academy Award®-winning director Morgan Neville’s THEY’LL LOVE ME WHEN I’M DEAD; the U.S. Premiere of THIS CHANGES EVERYTHING, directed by Tom Donahue; MARIA BY CALLAS, directed by Tom Volf, MONROVIA, INDIANA, directed by Frederick Wiseman, and TIME FOR ILHAN, directed by Norah Shapiro; as well as the previously announced World Premieres of HENRI DAUMAN: LOOKING UP, directed by Peter Jones, and THE PANAMA PAPERS directed by Alex Winter; the East Coast Premiere of MAKING THE GRADE, directed by Ken Wardrop; the New York Premiere of THE TRUTH ABOUT KILLER ROBOTS, directed by Maxim Pozdorovkin; A MURDER IN MANSFIELD, directed by Barbara Kopple, THE PROPOSAL, directed by Jill Magid, ROLL RED ROLL, directed by Nancy Schwartzman, SHIRKERS, directed by Sandi Tan. World Cinema Documentary is sponsored by Investigation Discovery.
HIFF also announced eight programs of short films this year, including Narrative and Documentary Short Film Competitions; New York Women In Film and Television: Women Calling the Shots; Zoom! Shorts For All Ages; University Short Films Showcase; Let’s Go Crazy; Never Going Back Again; Please Don’t Tell; and five short films that will play before features.
Academy Award®-winning director Damien Chazelle, whose film FIRST MAN will screen in the Spotlight section; Emilio Estevez, whose film THE PUBLIC will screen in the Spotlight section; and Academy Award®- and Golden Globe®-nominated actress Maggie Gyllenhaal, who stars in the festival’s Opening Night film THE KINDERGARTEN TEACHER, will all participate in the festival’s signature program “A Conversation With…” series. All events will take place at Bay Street with Gyllenhaal on Friday, October 5th at 3:00PM, Estevez on Saturday, October 6th at 3:30PM, and Chazelle on Sunday, October 7th at 12:30PM.
The festival will present a special screening of Dava Whisenant’s BATHTUBS OVER BROADWAY, winner of the 2018 SummerDocs Audience Award, sponsored by Candescent Films.
HIFF will feature an immersive storytelling and VR experience THE HIDDEN, a political thriller that literally drops you in the middle of a high-stakes game of cat and mouse without telling you who is hunting whom, which will be available for audiences at Mulford Farm in the afternoons on October 5-8. This program is presented with the support of the Organización Latinoamericana de Alcaldes (OLA).
HIFF also announced the jury members for the 2018 festival. The Narrative Jury will include Geralyn Dreyfous, Academy Award®-winning producer of BORN INTO BROTHELS, THE SQUARE and THE INVISIBLE WAR and founder of the Utah Film Center and co-founder of Impact Partners Film Fund, Jamie Patricof, producer of THE AFTER PARTY, THE ZOOKEEPER’S WIFE, CAPTAIN FANTASTIC and BLUE VALENTINE, and Linus Sandgren, FSF, Academy Award®-winning Cinematographer who collaborated on films including FIRST LAND, LA LA LAND, JOY and AMERICAN HUSTLE. The Documentary Jury will currently include Rory Kennedy, Academy Award®-nominated director of films including ETHEL, LAST DAYS IN VIETNAM and the upcoming ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW, screening at the festival. Additional jurors will be announced in the coming weeks.
2018 Hamptons International Film Festival Lineup
OPENING NIGHT FILM
[caption id="attachment_25705" align="aligncenter" width="1200"]
The Kindergarten Teacher[/caption]
THE KINDERGARTEN TEACHER (USA)
East Coast Premiere
Director: Sara Colangelo
Writer/director Sarah Colangelo (LITTLE ACCIDENTS, HIFF 2014 and Screenwriters Lab 2013) returns to the festival with her prize-winning sophomore feature. Based on Nadav Lapid’s 2014 Israeli drama, THE KINDERGARTEN TEACHER follows Lisa Spinelli (Maggie Gyllenhaal), a Staten Island teacher who accidentally discovers her young student’s prodigious gift for poetry. Desperately seeking her own creative recognition, Lisa’s fascination with the boy quickly unravels into an all-encompassing fixation. Anchored by Gyllenhaal’s fearless performance, THE KINDERGARTEN TEACHER is a electrifyingly unpredictable morality tale about the precarious line between protection and obsession.
CLOSING NIGHT FILM
BOY ERASED East Coast Premiere Director: Joel Edgerton As the son of a Baptist pastor growing up middle-class in the Arkansas suburbs, Jared (Academy Award® nominee Lucas Hedges) seems to be the model son of a loving family. Excelling in school and in a committed relationship, Jared’s heavily conditioned image is shattered when a friend outs him to his community, leading his parents (Academy Award® winners Nicole Kidman and Russell Crowe) to send him to Refuge, a church program that aims to reinforce gender roles and heal those with the “disease” of homosexuality. Based on Garrard Conley’s memoir of the same name, director and costar Joel Edgerton delivers a refreshingly empathetic take on the difficulty of retaining a sense of one’s self in a circumstance that aims to erase it.FRIDAY CENTERPIECE
THE FAVOURITE (Ireland/UK/USA) Director: Yorgos Lanthimos As England wages war with the French in the early 18th century, a frail and increasingly unstable Queen Anne (Olivia Colman) sits on the throne while Lady Sarah (Rachel Weisz)—her advisor, confidant, and trusted friend—leads the country in her stead. Their mutually beneficial arrangement is threatened by the arrival of Sarah’s cousin Abigail (Emma Stone), who sees becoming the Queen’s preferred companion as her best chance of returning to her aristocratic roots. As Sarah and Abigail’s battle of wills intensifies within the labyrinthian confines of the royal palace, director Yorgos Lanthimos and his three brilliant leads dial up the savage humor in this delightfully unhinged tale of lies and deceit within Queen Anne’s kingdom.SATURDAY CENTERPIECE
FIRST MAN (USA) East Coast Premiere Director: Damien Chazelle Academy Award®-winning director Damien Chazelle reteams with his LA LA LAND leading man Ryan Gosling for a riveting look at the eight years that defined the life of Neil Armstrong, from his entrance in NASA’s astronaut program to his era-defining moon landing in 1969. Adapted from James R. Hansen’s biography by Academy Award®-winning screenwriter Josh Singer (SPOTLIGHT, HIFF 2015), Chazelle portrays the period with the same visceral intensity that drove the program to push humankind to previously unknown heights. Rounded out by an ensemble cast including Claire Foy, Corey Stoll, Jason Clarke, and Kyle Chandler, FIRST MAN is an awe-inspiring look at the defining moment of the last century.SUNDAY CENTERPIECE
CAN YOU EVER FORGIVE ME? (USA) East Coast Premiere Director: Marielle Heller After spending decades as a successful biographer of female celebrities and public figures, real-life author Lee Israel (Academy Award® nominee Melissa McCarthy) finds herself out of work in the 1980s, as the industry moves away from respectability and into the depths of tabloid culture. Realizing she has an uncanny ability to replicate the voices of her literary idols, Israel sets out on a new venture: forging historical letters and selling them on the black market, with the help of an ex-con old friend (Richard E. Grant). Following up her 2015 debut THE DIARY OF A TEENAGE GIRL, director Marielle Heller has created a charmingly mischievous comedic drama about the lengths one woman must go to to stay afloat.SPOTLIGHT SECTION
[caption id="attachment_31587" align="aligncenter" width="1000"]
A PRIVATE WAR[/caption]
A PRIVATE WAR (USA)
East Coast Premiere
Director: Matthew Heineman In an industry defined by those willing to place themselves in the midst of tremendous danger, photojournalist Marie Colvin (Academy-Award® nominee Rosamund Pike) distinguished herself as one of the world’s most celebrated war correspondents. In his feature narrative debut, acclaimed documentary filmmaker Matthew Heineman (CARTEL LAND, CITY OF GHOSTS) pays tribute to Colvin’s extraordinary life both on and off the battlefield. Portrayed with rebellious conviction by Pike, and aided by a supporting cast including Jamie Dornan and Stanley Tucci, A PRIVATE WAR is a thrilling look at one individual’s devotion to bringing a voice to the voiceless.
BEAUTIFUL BOY (USA)
East Coast Premiere
Director: Felix van Groeningen
Adapted from father and son David and Nic Sheff’s best-selling memoirs, HIFF alum Felix van Groeningen (THE MISFORTUNATES, HIFF 2009 and THE BROKEN CIRCLE BREAKDOWN, HIFF 2013) chronicles the struggle with drug addiction that threatened to tear their family apart in this emotionally charged drama. Passionately led by Academy Award®-nominees Steve Carell and Timothée Chalamet (following up his breakthrough role in last year’s CALL ME BY YOUR NAME), BEAUTIFUL BOY portrays their story as a heartbreaking—and ultimately inspiring—story of a family struggling to stay on top of the waves of recovery and relapse as Nic moves in and out of his father’s life.
BEN IS BACK (USA)
U.S. Premiere
Director: Peter Hedges
On Christmas Eve, the Burns family is stunned by the unexpected arrival of their son Ben (Academy Award® nominee Lucas Hedges), returning home for the first time after entering rehab for opioid addiction. His mother, Holly (Academy Award® winner Julia Roberts), is quick to eagerly welcome her son in, while the rest of the family are more skeptical of the reasons for his surprise return. As Ben is torn between proving his sobriety and falling into his old ways, Roberts perfectly portrays a mother struggling with her own warring instincts in this affecting look at one family’s struggle with a national epidemic.
CAPERNAUM (Lebanon)
U.S. Premiere
Director: Nadine Labaki
Scraping by on the chaotic streets of Beirut, 12-year-old Zain (Zain al Rafeea) is one of many children born into an uncertain future in the city’s slum. Living a deeply troubled life on the streets and branded the sole caretaker of an abandoned toddler, Zain makes the desperate move of suing his negligent parents for giving him life and trapping him in a hostile world. Utilizing a cast of non-professional actors (including two revelatory performances from its child leads), Lebanese director Nadine Labaki’s Cannes Jury Prize-winner is a stirring slice of social-realist protest cinema, driven equally by righteous anger and enduring empathy, and sure to be one of the most talked about films of the year.
EVERYBODY KNOWS (France/Spain/Italy)
East Coast Premiere
Director: Asghar Farhadi
Transplanting his trademark psychological drama from his native Iran to the foothills of Spain, two-time Academy Award®-winning director Asghar Farhadi (THE PAST [HIFF 2014], THE SALESMAN [HIFF 2017]) returns with a story of secrets and intrigue in Spanish wine country. Returning to her childhood home to celebrate a family wedding, Laura (Penélope Cruz) finds long-simmering tensions coming to the surface when her daughter suddenly disappears amidst a power outage, with her distanced family and ex (Javier Bardem) the most likely suspects. Beautifully realized and constantly engrossing, Farhadi has crafted another masterful thriller with a deep ensemble cast of Spanish legends, led by Bardem, Cruz, and Bárbara Lennie.
GREEN BOOK (USA)
East Coast Premiere
Director: Peter Farrelly
It’s 1962 America, and impeccably stylish jazz musician Don Shirley (Academy Award® winner Mahershala Ali) needs to hire a bodyguard to get him safely from venue to venue on his upcoming Southern tour. Enter Tony “Lip” Valelonga (Viggo Mortensen): a loud-mouthed Italian-American bouncer who’s quicker to enter a situation fists first if it means coming out on top. Together, the unlikely pair set out on a road trip through the American South, using the Negro Motorist Green Book as a guide to find welcoming lodging; along the way, they forge a surprising camaraderie in this heartwarming and comedic true story.
ROMA (Mexico)
Director: Alfonso Cuarón
Inspired by the early 1970’s Mexico City of his childhood, celebrated auteur Alfonso Cuarón (GRAVITY, CHILDREN OF MEN, Y TU MAMA TAMBIEN) returns with this semi-autobiographical look at a middle-class family making a life for itself within a time of political turbulence and patriarchal rule. Filmed on a giant canvas in 65mm and utilizing stunningly detailed black and white photography, ROMA recreates the world of his past with a cinematic grandeur and vibrancy. Acting as his own cinematographer and working with a remarkable cast of largely unknown actors, Cuarón places the viewer in the middle a world alive with the anxious energy of the period, while paying respect to the individuals that would help to shape his life.
THE HAPPY PRINCE (Germany/Belgium/Italy)
Director: Rupert Everett
In the final three years of his life (1897-1900), Oscar Wilde finds himself adrift. Coming off the heels of his trial for indecency and subsequent imprisonment, Wilde lives out his last days in exile, moving between a small group of enduring friends (Colin Firth, Edwin Thomas) under assumed names and torn between whether to go back to his ex-lover (Colin Morgan) or estranged wife (Emily Watson). Written, directed by, and starring Rupert Everett as the ailing Wilde, THE HAPPY PRINCE is at once a moving evocation of the literary genius’ final act and a stirring paean to the brilliant wit that endured to his last moments.
THE HATE U GIVE (USA)
Director: George Tillman Jr.
As a way to escape the limited options of the streets she grew up on, sixteen-year-old black teenager Starr Carter (Amandla Stenberg) is torn between two lives: one at school amidst her predominantly rich, upper-class white classmates, and another within her working-class neighborhood. But Starr’s dual life is torn apart when a reunion with a childhood sweetheart ends in tragedy at the hands of a local police officer, forcing her to take a side amidst a swelling of protests in the local community. Adapting Angie Thomas’s award-winning novel to the big screen with the same sense of urgency that shot it to the top of the bestsellers list, THE HATE U GIVE is a stirring look at one teenager’s personal awakening.
THE PUBLIC (USA)
East Coast Premiere
Director: Emilio Estevez
As the day’s activities wind down and library workers Stuart (Emilio Estevez) and Myra (Jena Malone) prepare to close for the day, a group of homeless patrons decide to stage an act of rebellion when they refuse to leave the building to find somewhere to sleep in the wintry night. Soon the scene outside becomes a carnival of riot gearwearing officers and local news reporters, leading to a standoff between the city’s have’s and have-not’s. Aided by a deep supporting cast, including Jeffrey Wright, Michael K. Williams, and Alec Baldwin, writer, director, and star Emilio Estevez continues to showcase his skills as a gifted multi-hyphenate force with his latest ode to the struggles of the disenfranchised.
TO DUST (USA)
Director: Shawn Snyder
Shmuel (Geza Rohrig, last seen at HIFF with 2015’s SON OF SAUL), a Hasidic cantor living in upstate New York, is unable to cope with the untimely death of his wife. Struggling to find religious solace in the face of tremendous grief and plagued by nightmares about his wife’s decaying body, Shmuel looks to Albert (Matthew Broderick), a community college biology professor, to teach him more about the decomposition process facing her. In director Shawn Snyder’s darkly comic first feature, the two form an unlikely bond via clandestine biological experiments, despite the blasphemous consequences.
WIDOWS (UK/USA)
Director: Steve Mc Queen
From Academy Award®-winning director Steve Mc Queen (12 YEARS A SLAVE) and co-writer and bestselling author Gillian Flynn (GONE GIRL) comes a blistering, modernday thriller set against the backdrop of crime, passion and corruption. WIDOWS is the story of four women with nothing in common except a debt left behind by their dead husbands’ criminal activities. Set in contemporary Chicago, amid a time of turmoil, tensions build when Veronica (Oscar® winner Viola Davis), Linda (Michelle Rodriguez), Alice (Elizabeth Debicki) and Belle (Cynthia Erivo) take their fate into their own hands and conspire to forge a future on their own terms. WIDOWS also stars Liam Neeson, Colin Farrell, Robert Duvall, Daniel Kaluuya, Lukas Haas and Brian Tyree Henry.
WILDLIFE (USA)
Director: Paul Dano
In 1960s Montana, Jerry Brinson (Jake Gyllenhaal) finds his family at yet another crossroads when he loses his job at the local golf course. With a wildfire raging in the surrounding mountains, Jerry decides to join a group of firefighters and leaves his wife Jeanette (Carey Mulligan) and teenage son (Ed Oxenbould) on their own in their small town, where both begin to question the stability of the life they’ve known for so long. With this astonishingly well-realized directorial debut, Paul Dano reveals himself to be a director of considerable emotional depth in this melancholic look at the steady decline of the nuclear family, anchored by Mulligan’s towering central performance.
DOCUMENTARY COMPETITION
CITY OF JOEL (USA) World Premiere Director: Jesse Sweet 50 miles north of New York City lies the town of Monroe, where one of the fastestgrowing Hasidic communities in the country thrives deep within the Hudson Valley. As the 25,000+ population within the village of Kiryas Joel looks to expand their city, the neighboring villages of non-Hasids see the encroaching community as a burgeoning power grab, leading to an increasingly tense standoff between locals. Shot over several years with seemingly boundless access, Emmy®-winning director Jesse Sweet’s documentary observes the simmering tensions that have come to define the community of Monroe, and the myriad ways in which the town’s divide echoes the country’s as well. [caption id="attachment_31523" align="aligncenter" width="1200"] Divide and Conquer: The Story of Roger Ailes[/caption]
DIVIDE AND CONQUER: THE STORY OF ROGER AILES (USA)
Director: Alexis Bloom
At the time of his death in May 2017, a mere four months after the inauguration of Donald Trump, Former Fox News head Roger Ailes left behind undoubtedly one of the largest legacies of any individual on the American political landscape. Looking at the legacy of the man who was both the leading strategist behind the election of numerous Republican presidents and one of the first larger-than-life figures to be taken out of power by accusations of sexual misconduct, filmmaker Alexis Bloom sheds light on the multitude of ways in which the story of Ailes’s rise to power reflects the story of the modern Republican party, as well as the disquieting history of abuse that followed it.
GHOST FLEET (USA)
East Coast Premiere
Director: Shannon Service, Jeffrey Waldron
Amidst the unsustainable expansion of Thailand’s fishing market, the global fishing industry has engaged in the illegal practice of holding workers against their will for years at sea, with little hope of returning to their families. Defying threats of torture and imprisonment to those who attempt to escape, many workers have jumped ship and found themselves taking refuge in local jungles. Following Thai human-rights activist Patima Tungpuchayakul and her team as they set off on a mission to rescue the prisoners who have successfully escaped to the southern islands of Indonesia, GHOST FLEET is an eye-opening expose of the ways in which slavery continues to exist in the modern world, and an inspiring look at those devoting their lives to ending it.
THE LAST RACE (USA)
East Coast Premiere
Director: Michael Dweck
Long Island is the birthplace of American stock car racing, but today, only one racetrack remains: Riverhead Raceway. Established in 1949 on an initially rural part of Long Island, the land has seen its value skyrocket in the subsequent years. With the track now worth over $10 million, the octogenarian owners Barbara and Jim Cromarty struggle to keep the bulldozers at bay. In his debut feature, acclaimed visual artist Michael Dweck explores the issues of class divide and corporate interest that have impacted both the racing industry and region as a whole in this beautiful, visceral, mesmerizing ode to a dying American tradition. *Also screening as part of View From Long Island section.
WALDEN (Switzerland/Austria)
New York Premiere
Director: Daniel Zimmermann
On a gentle day, deep in an Austrian forest, we hear the sudden sound of a chainsaw sending a fir tree to the ground, and thus begins Daniel Zimmerman’s formally fascinating and uncompromising experimental documentary. Entirely comprised of thirteen 360° panning shots, WALDEN follows the tree’s lumber from its harvest in the Austrian wilderness around the globe, as it slowly makes its way across towns, ports, and continents. Equal parts challenging and hypnotizing, Zimmerman’s film is a rhythmic rumination on the role nature plays in all of our lives, both as individuals and as those living in a world defined by globalization.
NARRATIVE COMPETITION
1985 (USA) New York Premiere Director: Yen Tan In the years since his departure, twenty-something Adrian (Cory Michael Smith) has long since left behind the speed and politics of his small Texas hometown. Returning to his family for his first Christmas in years, he finds himself torn between the desire to make the most of their time together and the need to tell them the real reason for his visit. Inspired by his award-winning short film of the same name, director Yen Tan’s 1985 is a nostalgia-tinged look at the lingering feelings left in the wake of leaving one’s hometown, and the awkward tension that comes with determining how much of yourself you can still reveal to those you’ve left behind. ALL GOOD (Germany) U.S. Premiere Director: Eva Trobisch When an encounter at her school reunion ends in an non-consensual sexual encounter, Janne’s immediate response is to use the same rationale that has driven much of her adult life: “If you don’t see any problems, you don’t have any.” But Janne’s silence soon creates deafening rifts with her partner, family, and co-workers that threaten to destroy the personal and professional relationships she’s worked so hard to maintain. Mesmerizingly led by Aenne Schwarz’s lead performance, debut filmmaker Eva Trobisch has crafted a nuanced and powerful look at the destructive instinct to refuse to define yourself as the victim. BORDER (Sweden/Denmark) Director: Ali Abbasi Tina (Eva Melander), a reclusive customs officer whose enlarged face and pronounced overbite make her immediately stand out, has a unique skill: her sense of smell allows her to identify contraband coming through the border. One day, a mysterious man sets off her senses and places her on a strange path that will lead her to discover the origin of her gifts. Based on Let the Right One In author John Ajvide Lindqvist’s novella, director Ali Abbasi has crafted a consistently surprising genre hybrid. Winner of the Un Certain Regard prize at Cannes, BORDER straddles the line between romance, fantasy, and horror in its examination of one person’s struggle to realize her place in the world. Selected as Sweden’s official entry for the Best Foreign Language Film Oscar®. ONE DAY (Hungary) U.S. Premiere Director: Zsófia Szilágyi 40-year-old Anna (Zsofia Szamosi) has defined her life by being dependable. While working diligently to take care of her three children, she increasingly pushes the growing distance between her and her husband to the back of her mind, until she receives a piece of news that will threaten the steady world she’s worked so hard to maintain. Taking place over the course of a single 36-hour period, director Zsófia Szilágyi’s fearless debut feature is a remarkable piece of social realist cinema. Winner of the FIPRESCI prize in the Critics Week section at this year’s Cannes Film Festival and aided by Szamosi’s intensely committed lead performance, ONE DAY announces Szilágyi as a major talent. TOO LATE TO DIE YOUNG (Chile, Brazil, Argentina, Netherlands, Qatar) Director: Dominga Sotomayor Taking place in the days between Christmas and New Year’s Day in the 1990 summer that would bring democracy to Chile, a group of families have recently moved to start a new life for themselves in the rural country. Within the course of this single sun-soaked week, 16-year-old Sofia finds herself in her own period of enormous transition, as she begins to take the first tentative steps into adulthood within the mountain enclave she now calls home. Taking viewers far beyond the city scenes that defined the period and into the foothills below the Andes, director Dominga Sotomayor crafts a beautifully naturalistic coming-of-age film, propelled by the wistful energy of a time defined by optimistic transition.WORLD CINEMA DOCUMENTARY
HENRI DAUMAN: LOOKING UP (USA) World Premiere Director: Peter Jones As one of the preeminent photographers of the 20th century, self-taught Henri Dauman took the international photojournalism scene by storm with his cinematic images that redefined the methods of capturing historical icons. Leaving behind his past as an orphaned Holocaust survivor, Dauman created a new life for himself in New York City, where his timeless style quickly gained momentum amidst high society and celebrity culture. Exploring both the photographer’s traumatic past and the contrasting vibrancy of the city that would define his work, director Peter Jones’s film is a testament to the resilience and perseverance of the man behind the camera. MAKING THE GRADE (Ireland) East Coast Premiere Director: Ken Wardrop Across Ireland every year, 30,000 students prepare for the piano exams that will determine whether they proceed in their studies towards the coveted Grade Eight— considered the pinnacle of musical education. Spanning generations, proficiency levels, and a multitude of perspectives, documentarian Ken Wardrop provides a panoramic look at students working to define their relationship with both the piano and the teachers guiding them forward. MAKING THE GRADE is simultaneously a charming study of teacher-student relationships, an enduring tribute to the importance of perseverance, and a nostalgic look at the different ways people find fulfillment through the arts. MARIA BY CALLAS (France) Director: Tom Volf Upon her untimely death in 1977, the name Maria Callas was inseparable from the art form that she helped to define in the 20th century. One of the most celebrated opera singers of the modern era, Callas rose to prominence in the years following World War II, as her unrivaled voice—and much discussed private life—captivated audiences worldwide. Culled from a treasure trove of archival footage, interviews, rare live footage, and personal Super 8 recordings, director Tom Volf creates a loving portrait of Maria through her own words, never losing sight of the woman behind the voice. [caption id="attachment_31400" align="aligncenter" width="1200"]
Monrovia, Indiana[/caption]
MONROVIA, INDIANA (USA)
Director: Frederick Wiseman
Turning his attention away from the large-scale city institutions that have defined his work for much of the past decade, legendary documentarian Frederick Wiseman aims his camera towards the residents of Monrovia, Indiana: a small midwest town with a population of just over 1,000. Observing life in this middle-American community, Wiseman moves between a variety of locales, ranging from the churches and farms that have defined the region for centuries to the gun shop visits, school performances, and Freemason society meetings that showcase the town’s daily rituals. Through it all, Wiseman creates a remarkable space for contemplation of a type of community rarely depicted on screen, despite the undeniable role these towns play in contemporary American politics.
A MURDER IN MANSFIELD (USA)
Director: Barbara Kopple
Academy Award® winner Barbara Kopple’s latest documentary explores the ramifications of a horrific crime that shook the small town of Mansfield, Ohio. In 1990, 12-year-old Collier stepped onto the witness stand during the most explosive murder trial in the history of his hometown. Many locals still remember the boy’s dramatic testimony—blaming his father, a prominent doctor, for the murder of his mother Noreen. Twenty-six years later, Collier returns, seeking to heal the lingering trauma associated with the crime and confront his imprisoned father, who continues to withhold his admission of guilt in the events that changed so many lives.
THE PANAMA PAPERS (USA)
World Premiere
Director: Alex Winter
Leaked by an anonymous source to journalists in 2015, The Panama Papers were an explosive collection of 11.5 million documents, exposing the use of secretive offshore companies to enable widespread tax evasion and money laundering. Largely viewed as the largest data leak in history, the release of the Papers had wide-reaching implications, incriminating 12 current or former world leaders, 128 politicians or public officials, and various celebrities and public figures (among others). In his expansive documentary, director Alex Winter speaks to the journalists who worked to ensure the release, and examines how it reshaped our understanding of corruption amidst the highest forms of government, along with the ongoing effects on global inequality.
THE PROPOSAL (USA)
Director: Jill Magid
Hidden away in a vault in Switzerland lies the professional archive of Mexico’s most renowned architect Luis Barragán, now fiercely protected by its sole owner, who has almost completely restricted access to the public over the last 20 years. Determined to relocate the archive back to Mexico City, American conceptual artist, writer, and filmmaker Jill Magid initiates a dialogue with the owner, and in the process, begins to construct her own piece ruminating on the dangers of cutting off accessibility to an artist’s work from the outside world. With this provocative and haunting film, Magid challenges the perception of who truly controls an artist’s legacy and how the world should engage with their work.
ROLL RED ROLL (USA)
Director: Nancy Schwartzman
In 2012, the sleepy town of Steubenville, Ohio made international news when a whistleblowing blogger discovered a set of disturbing online evidence documenting the sexual assault of a teenage girl by star members of the high school football team. Examining the complicated motivations of the perpetrators, bystanders, and community leaders who actively denied and dismissed the event, documentarian Nancy Schwartzman attempts to unpack the harmful attitudes at the core of their unconscionably complicit behavior. Timely and undeniably affecting, ROLL RED ROLL goes behind the headlines to uncover the deeply entrenched, social media-fueled “boys will be boys” culture at the root of sexual assault in America.
SHIRKERS (USA)
Director: Sandi Tan
Spending her days seeking refuge in zines, bootlegs, and American independent cinema, teenager Sandi Tan found herself among the first generation of Singapore’s burgeoning counterculture movement when she began working on her DIY-labor of love film SHIRKERS in the early 90s. But Sandi and her co-conspirators’ dreams of beginning a new film movement were crushed when Georges, her mysterious American mentor, disappeared with the entirety of the footage without warning. Two decades later, Tan and her collaborators return to the footage they lost in order to grapple with the movement their optimism inspired—and the man who tore it away from them—in this singular look at one artist’s attempt to reckon with the past.
THEY’LL LOVE ME WHEN I’M DEAD (USA)
Director: Morgan Neville
THE OTHER SIDE OF THE WIND was to be Orson Welles’s grand comeback, until years of financial, legal, and creative issues halted the completion of the CITIZEN KANE director’s final work. Now nearly 50 years later, Oscar®-winning documentary director Morgan Neville (20 FEET FROM STARDOM, WON’T YOU BE MY NEIGHBOR) looks back at the winding and nearly unbelievable story of the making of the film, created guerrilla-style by a director living in exile, and the decades of failure that came to define the project’s legacy. Aided by Peter Bogdanovich, Frank Marshall, Beatrice Welles, and other living collaborators, THEY’LL LOVE ME WHEN I’M DEAD is a lively tribute to one of cinema’s true giants.
THIS CHANGES EVERYTHING (USA)
U.S. Premiere
Director: Tom Donahue
One year after the Harvey Weinstein allegations ignited the #MeToo movement, THIS CHANGES EVERYTHING offers a comprehensive look at the film industry’s role in reinforcing gender dynamics over the last century, and the resounding call for action pushing back. Speaking with a tremendous group of Hollywood’s biggest names, including Meryl Streep, Jessica Chastain, Natalie Portman, Cate Blanchett, Reese Witherspoon, and countless others, the film stands as a timely testament to the urgent need for change facing both the entertainment industry and society as a whole.
TIME FOR ILHAN (USA)
Director: Norah Shapiro
On November 8, 2016, Ilhan Omar—a young, hijab-wearing mother-of-three—made history as the first Somali Muslim woman to be elected to legislative office in the United States. With incredible access to Omar’s campaign, documentarian Norah Shapiro follows the candidate and her team on the trail as they attempt to unseat the 43-year incumbent in a hard-fought race to represent the country’s largest Somali community. At a time of tremendous political turmoil, TIME FOR ILHAN intimately chronicles the inspiring journey of one of the nation’s brightest rising political stars and offers a fresh perspective on the American Dream.
THE TRUTH ABOUT KILLER ROBOTS
New York Premiere
Director: Maxim Pozdorovkin
As defined by science fiction giant Isaac Asimov, the first law of robotics states, “A robot may not injure a human being, or through inaction, allow a human being to come to harm.” So what happens once we live in an era where the law has already been broken? Using three recent case studies of moments in which robots have caused the death of a human as a starting point, director Maxim Pozdorovkin creates an equally thought-provoking and wryly provocative survey of just how much we’ve allowed robots into our lives, and the extent to which our often unnoticed reliance on machines may have already defined our fate.
WORLD CINEMA NARRATIVE
ASK FOR JANE (USA) World Premiere Director: Rachel Carey Between 1969 and 1973, The Jane Collective operated underground in Chicago, helping over 11,000 women receive safe, illegal abortions throughout the metropolitan area, learning and performing the procedure on their own in an era that refused to make them legally available. Before disbanding in the wake of Roe v. Wade in 1973, the group operated like a spy network throughout the city and provided a necessary public service to the women of Chicago. Exploring the story of Jane’s founding with a ensemble cast including Emmy® nominee Alison Wright, Tony® nominee Saycon Sengbloh, and Ben Rappaport, ASK FOR JANE is a timely reminder of the necessity of reproductive healthcare in the modern day. [caption id="attachment_11157" align="aligncenter" width="1100"]
Birds of Passage[/caption]
BIRDS OF PASSAGE (Mexico, Colombia, Denmark)
New York Premiere
Director: Christina Gallego, Ciro Guerra
In the follow-up to his visually stunning foreign language Oscar®-nominated EMBRACE OF THE SERPENT (HIFF 2015), director Ciro Guerra depicts a single Colombian family who find themselves increasingly forced into the violence and capitalist pull of the country’s burgeoning drug trade. Co-directed alongside his longtime collaborator Cristina Gallego, BIRDS OF PASSAGE provides a visceral and multi-faceted look at the two-decade rise of the Colombian drug trade through the eyes of the indigenous communities who both helped to shape it and were subsequently devastated by it. Sprawling in scope and filled with a sense of surreal beauty, Guerra and Gallego deliver an unparalleled crime saga. Selected as Colombia’s official entry for the Best Foreign Language Film Oscar®.
BURNING (South Korea)
Director: Lee Chang-dong
Years after leaving his small northern hometown for Seoul, an aspiring writer (Yoo Ahin) unexpectedly runs into a childhood acquaintance (Jeon Jong-seo). Their chance encounter soon blossoms into a tentative relationship, until her return from an impromptu trip with a mysterious new companion (Steven Yeun, The Walking Dead) sets in motion an accidental love triangle that soon morphs into something much more sinister. Based on Haruki Murakami’s short story Barn Burning, director Lee Changdong’s masterful film became one of the most celebrated titles of the last decade upon its premiere at the Cannes Film Festival—an exhilarating thriller that is as precise as it is undefinable.
COLD WAR (Poland)
Director: Pawel Pawlikowski
In the midst of tremendous political upheaval, two folk musicians meet in post-war Poland, where one attempts to escape a troubled past while the other increasingly questions the pair’s role in the country’s propaganda machine. Soon they fall in love and find fame in the smoke-lit bars of Eastern Europe, setting in motion a relationship that will span decades and cross borders. Sumptuously shot in beautiful black and white, Polish filmmaker Pawel Pawlikowski (in the follow-up to his Foreign Language Academy Award® winner IDA) returns to his home country with an achingly seductive tale of love and loss.
DEAD PIGS (USA/China)
Director: Cathy Yan
Against the backdrop of urban development, gentrification, and thousands of discarded pigs mysteriously floating down the Yangtze River, a brassy salon owner, lonely busboy, trust-fund princess, expat architect, and bumbling farmer find their lives unexpectedly converging in Cathy Yan’s sprawling directorial debut. Yan, a participant in the 2016 HIFF Screenwriters Lab and the recipient of support from the inaugural Melissa Mathison Fund, effortlessly weaves together the individual narratives of five Shanghai residents in her biting satire. Based on true events, DEAD PIGS is a wicked and whimsical examination of contemporary China’s ongoing clash between traditionalism and modernization.
THE GUILTY (Denmark)
Director: Gustav Möller
Following a suspension, police officer Asger Holm (a hypnotic Jakob Cedergren) is reassigned as an emergency dispatcher. During one seemingly typical night he receives a unusually distressing call, and slowly realizes that the woman on the other end of the line has been kidnapped. Confined to his desk with only his direct line of communication to aid him, Holm must act without delay in order to save her. Winner of audience awards at Sundance, Rotterdam, Montclair and more, first-time director Gustav Möller experiments with the boundaries of traditional narrative to create one of the year’s most suspenseful thrillers.
HAPPY AS LAZZARO (Italy)
Director: Alice Rohrwacher
Within an impoverished Italian countryside estate, a group of sharecroppers spend their days harvesting tobacco for their overbearing Marchesa, while the wide-eyed, innocent local Lazzaro (first-time actor Adriano Tradiolo) is at once beloved and taken advantage of by his fellow workers. This life continues on in the town, until Lazzaro’s involvement in a kidnapping scheme at the hands of the Marchesa’s entitled son sets in motion a string of events that will push him towards a place and time far from his rustic home. Blending the lines between Italy’s history of neo-realism and bucolic fables into a transfixing parable of the country’s modern day society, director Alice Rohrwacher’s (CORPO CELESTE, HIFF 2011) third feature is a stunning achievement of contemporary European cinema.
I DO NOT CARE IF WE GO DOWN IN HISTORY AS BARBARIANS (Romania/Czech Republic/France/Bulgaria/Germany)
U.S. Premiere
Director: Radu Jude In the latest provocation from Romanian director Radu Jude, local theater director Mariana Marin (Ioana Iacob) prepares to stage a public recreation of the 1941 Odessa Massacre, an often-ignored ethnic cleansing in which tens of thousands of Ukrainian Jews were murdered at the hands of Romanian soldiers. As Mariana attempts to push back on both calls for censorship from a city representative looking for a more traditional display of nationalist pride and a burgeoning mutiny amongst her cast of local volunteers, Jude crafts a timely and constantly engaging examination of the ways in which barbarism is not only defined by its perpetrators, but by those insistent on pushing it to the sidelines of history as well.
LETO (Russia)
U.S. Premiere
Director: Kirill Serebrennikov
As the political repression of the USSR enters its final decade, Mike Naumenko (Roman Bilyk), frontman of the early 1980s Leningrad band Zoopark, welcomes a new singer that will soon break out far past the reach of their comparatively underground rock scene. Looking back at the music landscape of his youth, director Kirill Serebrennikov has crafted a sprawling portrait of a vibrant scene alive with the riotous, uncontrollable energy of the era. Filled with an electrifying soundtrack, LETO provides a nostalgic, yet un-romanticized look at a period that seemed to exist almost entirely outside of both what had come before and was yet to come in its native country.
NON-FICTION (France)
Director: Olivier Assayas
Internationally acclaimed French auteur Olivier Assayas (CLOUDS OF SILS MARIA, HIFF 2014) returns to the festival with this charmingly playful comedy. Facing both a rapidly changing industry and the lingering feeling that his relationship with his wife (Juliette Binoche), a professional actress, is growing stale, publishing executive Alain (Guillaume Canet) struggles to find his place while dealing with an oafish author (Vincent Macaigne) and significantly younger new recruit (Nora Hamzawi). As his perfectly cast ensemble move between dinner parties and bedrooms, Assayas crafts a deliciously mischievous look at the difficulty of adapting to today’s new-media world.
PRIVATE LIFE (USA)
Director: Tamara Jenkins
Feeling the pressure of repeated failed attempts to have a child, middle-aged New York couple Rachel (Kathryn Hahn) and Richard (Paul Giamatti) seem to have run out of options when their step-niece Sadie (HIFF 2018 Breakthrough Artist Kayli Carter) arrives at their doorstep looking for a place to crash. When Sadie agrees to donate her eggs and become the last piece of their fertility puzzle, the three form an unconventional bond as they set about creating a family. With her first film in 10 years, director Tamara Jenkins (THE SAVAGES) and her wonderful cast craft a knowingly tender portrait of the pressures facing one middle-class family.
[caption id="attachment_29298" align="aligncenter" width="926"]
MANBIKI KAZOKU(Shoplifters) by KORE-EDA Hirokazu[/caption]
SHOPLIFTERS (Japan)
Director: Hirokazu Kore-eda
The winner of the Palme d’Or at this year’s Cannes Film Festival, prolific Japanese auteur Hirokazu Kore-eda (LIKE FATHER LIKE SON, HIFF 2013) returns to the festival with a nuanced, heartbreaking look at a family of misfits living in the margins of contemporary Tokyo. Making a life for themselves by shoplifting from local grocery stores and finding food where they can, the film’s central family find their impoverished but tranquil life threatened when they take a young girl under their wing, and her abusive parents fight back for custody. An impassioned plea for those struggling to stay afloat, this is another must-see from one of international cinema’s greatest filmmakers. Selected as Japan’s official entry for the Best Foreign Language Film Oscar®.
STYX (Germany/Austria)
U.S. Premiere
Director: Wolfgang Fischer
Rike (Susanne Wolff), a forty-year-old woman working contentedly as a successful doctor in the city, finally fulfills a lifelong dream when she uses an annual holiday to set sail on a solo voyage from Gibraltar to Ascension, an island in the middle of the Atlantic Ocean. Following an intense storm, Rike’s holiday is interrupted by the discovery of a badly damaged and overloaded refugee boat, with over one hundred passengers’ lives threatened and her calls for help unanswered. Director Wolfgang Fischer crafts a stunning story of survival, as well as a striking allegory for the sometimes impossible task of acting to save those imperiled by an impassive system.
WILD NIGHTS WITH EMILY (USA)
Director: Madeleine Olnek
Literary icon Emily Dickinson (Molly Shannon) breaks free from her public persona as a famously prudish spinster and claims her status as a vibrant lesbian hero. Balancing raucous humor with tender romance, Shannon establishes Dickinson as a spirited artist who drew inspiration from her passionate, lifelong affair with her secret lover, Susan Dickinson (Susan Ziegler). In the delightfully irreverent WILD NIGHTS WITH EMILY, writer/director Madeleine Olnek refreshingly upends the false narratives that have historically dominated the poet’s life and work, and examines the way we as a society choose to write and remember our powerful women.
WOMAN AT WAR (France/Iceland/Ukraine)
U.S. Premiere
Director: Benedikt Erlingsson
Fifty-year-old choir teacher Halla (Halldóra Geirharðsdóttir) has, on the surface, an uneventful life in her Icelandic countryside home. By day a pillar of the local community, Halla leads a secret life as an eco-terrorist, devoting herself to a campaign against the aluminum industry by sabotaging local electric pylons and spearheading factory sieges. When the balance of her dual life is threatened by the approval of a longstanding adoption request, she is forced to decide whether to sacrifice the cause for the desire to settle down. Examining the nuanced relationship between the personal and the political with an unexpectedly offbeat, comic tone, WOMEN AT WAR is a stirring tale from emerging Icelandic director Benedikt Erlingsson.
VIEWS FROM LONG ISLAND
BLACK MOTHER (USA)
Director: Khalik Allah
Filmmaker, photographer, and Long Island resident Khalik Allah’s second feature is, much like his debut film FIELD N*****, a mesmerizing documentary portrait. Allah casts his lens on two dissonant worlds on the island of Jamaica, showcasing the sacred and profane alike. Switching among multiple formats, from the raw texture of super 8mm film, to videotape, to HD video, Allah skillfully creates another intimate and daring portrait of kaleidoscopic beauty, revealing Jamaica—the birthplace of his mother—as a blessed place, dreamlike, full of rhythm and seduction.
THE LAST RACE (USA)
East Coast Premiere
Director: Michael Dweck
Long Island is the birthplace of American stock car racing, but today, only one racetrack remains: Riverhead Raceway. Established in 1949 on an initially rural part of Long Island, the land has seen its value skyrocket in the subsequent years. Now worth over $10 million, the octogenarian track owners Barbara and Jim Cromarty struggle to keep the bulldozers at bay. In his debut feature, acclaimed visual artist Michael Dweck explores the issues of class divide and corporate interest that have impacted both the racing industry and region as a whole in this beautiful, visceral, mesmerizing ode to a dying American tradition. *Also screening as part of Documentary Competition Section.
ONLY THE WIND IS LISTENING (USA)
World Premiere
Director: Emily Anderson
Set against the backdrop of an unforgiving Montauk winter, the lives of a fisherman and a writer intertwine as they attempt to navigate off-season loneliness. *Also screening as part of the Shorts Playing Before Features.
STILL PLAYS WITH TRAINS (USA)
World Premiere
Director: Ross Kauffman
In the basement of his East Hampton home, John Scully reconstructs his idyllic 1950s childhood in the form of one of the world’s largest model train sets. *Also screening as part of the Shorts Playing Before Features.
AIR, LAND, AND SEA
ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW (USA) Director: Rory Kennedy On the eve of its 60th Anniversary, Academy Award®-nominated director Rory Kennedy charts the history of The National Aeronautics and Space Administration with a look at its myriad contributions to space exploration and its continued work investigating the effects of climate change throughout the world. Touching on both the many epoch defining moments created throughout NASA’s history and the intensely personal commitment required by the men and women who made them possible, Kennedy has crafted a consistently inspiring tribute to an organization that reminds us of the infinite reach of the human spirit. GRIT (USA) U.S. Premiere Directors: Sasha Friedlander, Cynthia Wade In 2006, international drilling company Lapindo carelessly unleashed an unstoppable toxic mudflow into East Java—burying dozens of nearby villages and displacing tens of thousands of Indonesians in the process. Documentarians Sasha Friedlander and Cynthia Wade (Academy Award® winner for FREEHELD) focus the tragedy around 16- year-old survivor Dian, a survivor who is routinely ignored by her government, despite the unforgiving sludge continuing to engulf her home for over a decade. Chronicling the teenager’s transformation from a young girl into an outspoken advocate for her community, GRIT is a timely showcase of the urgent need for political activism, the duty to hold those in power accountable, and the perseverance of the human spirit amidst social and environmental strife. THE SERENGETI RULES (UK/USA) Director: Nicolas Brown In the 1960s, five international scientists set out into the wilderness with an insatiable desire to learn more about the balance of life on earth— and, in the process, redefined our understanding of ecosystems around the world. Now in the twilight of their celebrated careers, these five unsung heroes of modern ecology share how their pioneering work forever altered our view of nature, and how their findings may help combat the effects of climate change. Featuring gorgeous photography from some of the most exotic and remote places around the world, Nicolas Brown’s THE SERENGETI RULES is a beautiful ode to the Earth and those endeavoring to protect it.COMPASSION, JUSTICE, AND ANIMAL RIGHTS
THE CAT RESCUERS (USA) World Premiere Director: Rob Fruchtman, Steven Lawrence Throughout the United States, an estimated 70 million cats live abandoned without a home, with over one million stray or feral cats roaming the streets of New York City alone. In an effort to counter the increasingly uncontrollable issue of the city’s abandoned cat population, hundreds of animal welfare activists have taken to the streets to attempt to humanely help the animals through new techniques and adoption pushes, often at great expense to their personal lives. Following four of these volunteer activists working in Brooklyn, THE CAT RESCUERS is an eye-opening look at a too often undiscussed issue facing the city, and the courageous few doing what they can to help. FOR THE BIRDS (USA) East Coast Premiere Director: Richard Miron One day on her property in upstate New York, Kathy Murphy finds a duckling in her yard and decides to take it in. A decade later, her (and her husband’s) home is overrun with over 200 fostered birds, including chickens, geese, ducks, and turkeys. Shot vérité-style both at the couple’s farm and throughout the ensuing court battles with local activists and animal welfare officers, director Richard Miron empathetically documents the resulting strains on Kathy’s marriage and mental health as she fights to keep her birds, while shining a necessary light on the rarely-discussed issue of animal hoarding. Demonstrating that significant life changes are achievable, Kathy’s journey highlights the importance of community in the road to recovery, giving hope to all that struggle to face life’s challenges.CONFLICT & RESOLUTION
AND BREATHE NORMALLY (Iceland/Sweden/Belgium) New York Premiere Director: Ísold Uggadóttir The disparate paths of a struggling Icelandic single mother and an asylum-seeking Guinea-Bissauan woman interweave in Ísold Uggadóttir’s (Screenwriters Lab 2015) award-winning first feature. Though they are initially divided by political and cultural discord, the two women gradually form an unlikely bond outside of the pre-ordained paths expected from their socio-political realities. Akin to the social-realist work of Ken Loach and the Dardennes Brothers, AND BREATHE NORMALLY is a sharply observed and unsentimental exploration of the migration crisis, and confirms Uggadóttir’s status as a rising star of Icelandic cinema. OF FATHERS AND SONS (Germany/Syria/Lebanon) New York Premiere Director: Talal Derki Posing as a pro-jihadist photojournalist making a documentary on the Islamic Caliphate, Syrian filmmaker Talal Derki returns to his homeland, where he gains the trust of a radical Islamist family led by al-Nusra general Abu Osama. Filming their lives over the course of two years, with a particular attention paid to the general’s son Osama, Derki intimately examines the daily jihadist teaching and tutelage given in a town ravaged by conflict and destruction. Winner of the World Cinema Grand Jury Prize at this year’s Sundance Film Festival, OF FATHERS AND SONS is a revelatory and disquieting examination of the conditions that lead to radicalization. THE SILENCE OF OTHERS (Spain/USA) Director: Almudena Carracedo, Robert Bahar At the risk of being forgotten by an apathetic system, the survivors of Spain’s 40-year dictatorship set out on a quest for justice in Almudena Carracedo and Robert Bahar’s Berlinale Peace Prize-winning documentary. The filmmakers follow the group over the course of six years as they come together and bravely confront the remaining perpetrators of Franco’s regime with an unprecedented international lawsuit. Executive produced by Pedro Almodovar, THE SILENCE OF OTHERS is a powerful and provoking tribute to the courageous individuals determined to hold those responsible accountable, and a reminder that those who cannot remember the past are doomed to repeat it. UNDER THE WIRE (U.K.) New York Premiere Director: Chris Martin In February of 2012, war correspondent Marie Colvin (also the subject of HIFF 2018 Spotlight selection A PRIVATE WAR) illegally crossed the border into Syria with her photographer, Paul Conroy. Ignoring the government’s refusal to allow foreign journalists into the country, the two were among the first to attempt to cover the story of civilians trapped in the besieged city of Homs, where they found a ravaged war zone that only one of them would ultimately survive. Grippingly recounting their moment-by moment journey into Homs, UNDER THE WIRE is a chilling tribute to the courageous bravery that led Colvin and Conroy to their final mission together. [caption id="attachment_31860" align="aligncenter" width="1200"]
Watergate[/caption]
WATERGATE (USA)
Director: Charles Ferguson
Few moments loom larger on the collective conscious of contemporary American history than the Watergate investigation, and the subsequent resignation of Richard Nixon in 1974. Now over 40 years later, filmmaker Charles Ferguson utilizes new interviews with surviving subjects from all sides of the investigation—including reporters, prosecutors, senators, congressmen, and former members of the Nixon administration—to shine a new light on the landmark case. Following up his 2008 expose on the financial crisis INSIDE JOB, which landed him an Academy Award® for Best Documentary Feature, Ferguson’s WATERGATE is a stunning, all-encompassing look at a scandal that, until recently, stood without parallel in US politics
SPECIAL SCREENING
BATHTUBS OVER BROADWAY (USA) Director: Dava Whisenant As a writer for The Late Show with David Letterman, Steve Young waded through thousands of record bins in search of quirky albums to showcase on the recurring segment “Dave’s Record Collection.” Steve’s quest for offbeat records eventually brought him to the largely unknown world of “industrial musicals”: full productions put on by major companies to dazzle their employees during annual sales meetings. As Steve’s initial interest quickly morphs into a full-blown obsession, director Dava Whisenant follows him on his odyssey to speak to those who helped create these outrageous Broadway-style shows, while shedding hilarious light on the industry of corporate-sanctioned musicals. Winner of HIFF SummerDocs Audience Award, sponsored by Candescent Films. IMMERSIVE STORYTELLING & VR THE HIDDEN From Annie Lukowski and BJ Schwartz – the creators at Vanishing Point Media, and with the support of the ACLU and Samsung, THE HIDDEN is a political thriller that literally drops you in the middle of a high stakes game of cat and mouse without telling you who is hunt- ing whom. In a manner only possible in VR, The Hidden will have you experience the pulse-pounding fear and turmoil of an ICE Raid from every perspective. In the end the viewer is left with larger questions about the state of social justice in modern America.
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Boy Erased, Shoplifters, Can You Ever Forgive Me? Among First Wave of Films for 2018 Austin Film Festival
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Melissa McCarthy in the film CAN YOU EVER FORGIVE ME? Photo by Mary Cybulski. © 2018 Twentieth Century Fox Film Corporation All Rights Reserved[/caption]
Austin Film Festival revealed the first wave of films in their 25th-anniversary program, taking place October 25 to November 1. Included in this first announcement is Boy Erased, written and directed by Joel Edgerton and based on Garrard Conley’s memoir about a gay teenager forced to participate in a church-supported gay conversion program. The film stars Lucas Hedges, Russell Crowe, and Nicole Kidman. AFF will also host the regional premiere of Can You Ever Forgive Me?, directed by Marielle Heller (The Diary of a Teenage Girl) and starring Melissa McCarthy as real-life controversial celebrity biographer Lee Israel.
Also playing AFF this year is Little Woods, Nia DaCosta’s directorial debut starring Tessa Thompson and Lily James as estranged sisters in a North Dakota fracking boomtown and The Long Dumb Road, Hannah Fidell’s new road trip comedy starring Tony Revolori and Jason Mantzoukas. This year’s Cannes Palme D’or winner Shoplifters, directed by Hirokazu Koreeda, will also join the fest’s slate.
AFF will host a variety of World Premieres, including horror/thriller The Black String, which stars Frankie Muniz as a lonely store clerk who is plagued by illness and nightmarish visions and believes he is the target of a sinister plot. Other world premieres so far announced include family cult drama Fishbowl, faith-grappling drama Speaking in Tongues, and high school football documentary Fathers of Football, directed by Austin local Bradley Beesley.
As part of its continuing retrospective series, AFF will host a screening of Roger Corman’s 1957 cult classic Rock All Night, presented by Robert Rodriguez and Corman himself, already announced as AFF’s Extraordinary Contribution to Filmmaking honoree this year.
2018 Austin Film Festival FIRST WAVE
The Black String World Premiere Writers: Brian Hanson, Richard Handley Director: Brian Hanson Starring: Frankie Muniz, Cullen Douglas, Chelsea Edmundson After a lonely convenience store clerk goes on a blind date with a mysterious woman, his world begins to unravel in horrifying fashion. Plagued by illness and nightmarish visions, the clerk desperately searches the suburbs for this mysterious woman. His friends and family believe he’s losing his mind, but he believes he’s the target of a sinister occult plot. Boy Erased Writer/Director: Joel Edgerton Starring: Lucas Hedges, Russell Crowe, Nicole Kidman, Joel Edgerton Jared (Hedges), the son of a Baptist pastor in a small American town, is outed to his parents (Kidman and Crowe) at age 19. Jared is faced with an ultimatum: attend a conversion therapy program – or be permanently exiled and shunned by his family, friends, and faith. Can You Ever Forgive Me? Writers: Nicole Holofcener, Jeff Whitty Director: Marielle Heller Starring: Melissa McCarthy, Richard E. Grant, Julie Ann Emery In CAN YOU EVER FORGIVE ME?, Melissa McCarthy stars as Lee Israel, the best-selling celebrity biographer (and cat lover) who made her living in the 1970’s and 80’s profiling the likes of Katherine Hepburn, Tallulah Bankhead, Estee Lauder and journalist Dorothy Kilgallen. When Lee found herself unable to get published because she had fallen out of step with the marketplace, she turned her art form to deception, abetted by her loyal friend Jack (Richard E. Grant). Fathers of Football World Premiere Director: Bradley Beesley Fathers of Football follows the triumphs and struggles of life in a small Oklahoma town, where high school football is not only the brightest stage, but also the best ticket out. Fishbowl World Premiere Writers: Stephen Kinigopoulos, Piero Iberti Directors: Stephen Kinigopoulos, Alexa Kinigopoulos Starring: Rick Kain, Belle Shickle, Emily Peachey, Caroline Coleman In a small town filled with secrets, a struggling family prepares for the Rapture. Little Woods Writer/Director: Nia DaCosta Starring: Tessa Thompson, Lily James, Lance Reddick A modern Western that tells the story of two sisters, Ollie and Deb, who are driven to work outside the law to better their lives. The Long Dumb Road Writers: Hannah Fidell, Carson Mell Director: Hannah Fidell Starring: Tony Revolori, Jason Mantzoukas, Taissa Farmiga, Ron Livingston, College-bound teenager Nat offers itinerant 30-something mechanic Richard a ride during a stop-over in small-town Texas Rock All Night (1957) presented by Roger Corman and Robert Rodriguez Writer: Charles B. Griffith Director: Roger Corman Cloud Nine, the local teen hangout, has been taken over by a pair of escaped killers, who hold the local teens hostage. The bartender realizes it’s up to him to save the kids. Shoplifters Writer/Director: Hirokazu Koreeda Starring: Lily Franky, Ando Sakura, Matsuoka Mayu After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, barely making enough money to survive through petty crime, they seem to live happily together until an unforeseen incident reveals hidden secrets, testing the bonds that unite them Speaking in Tongues World Premiere Writers: Nathan Deming, Lawrie Doran Director: Nathan Deming A lonely college student grieving the loss of his mother finds purpose at a local mega church’s summer internship evangelizing the ‘lost.’ As the summer continues, his new faith is put to the test.
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2018 Chicago International Film Festival Announces First Films – Boy Erased, Mr. Soul!, Shoplifters
[caption id="attachment_31533" align="aligncenter" width="1200"]
Boy Erased[/caption]
The Chicago International Film Festival announced the first 25 films that will be shown at the 54th edition running October 10 to 21, 2018. The Festival will feature more than 150 films from across the globe and bring legendary actors, master filmmakers, and exciting, emerging talents from around the world to Chicago.
Initial lineup includes highly anticipated titles including Joel Edgerton’s Boy Erased starring Nicole Kidman and Russell Crowe; Elizabeth Chomko’s Chicago set feature debut What They Had starring Michael Shannon and Hilary Swank; Mike Leigh’s epic drama Peterloo and Hirokazu Kore-eda’s Cannes Palme d’Or winner Shoplifters.
“We are very excited to be showcasing new films from some of the most impressive directors in the world, whether returning veterans, such as past Gold Hugo-winners Mike Leigh and Hirokazu Kore-eda, or up-and-coming filmmakers with distinctive visions,” said Plauché. “For the last several years, the Festival has been proud to present Best Picture winners The Shape of Water (2017), Moonlight (2016), and Spotlight (2015), and we look forward to sharing this year’s incredible slate of movies with our audiences.”
Birds of Passage
Pájaros de verano
Directors: Cristina Gallego and Ciro Guerra
Colombia, Mexico, Denmark
A Colombian Mean Streets, this gripping drama chronicles the rise of the drug trade and its cataclysmic impact on the local indigenous community. The Wayuu people had long held tight onto their traditions, living in close-knit tribes. When two friends begin selling marijuana to visiting Americans, however, their actions set in motion a series of events that pit factions against each other, inciting a cycle of avarice-inspired vengeance. Wayuunaiki, Spanish, and English with subtitles.
Border
Gräns
Director: Ali Abbasi
Sweden
Fantastic in every sense of the word, this idiosyncratic thriller centers on a Swedish customs officer with a special talent for detecting contraband who must ultimately choose between good and evil. This exciting, intelligent mix of romance, Nordic noir, social realism, and supernatural horror defies and subverts genre conventions and is destined to be a cult classic. Winner, Un Certain Regard, Cannes Film Festival. Swedish with subtitles.
Boy Erased
Director: Joel Edgerton
U.S.
Boy Erased tells the story of Jared (Lucas Hedges), the son of a Baptist pastor in a small American town, who is outed to his parents (Nicole Kidman and Russell Crowe) at age 19. Jared is faced with an ultimatum: attend a conversion therapy program—or be permanently exiled and shunned by his family, friends, and faith. Boy Erased is the true story of one young man’s struggle to find himself while being forced to question every aspect of his identity.
Cold War
Zimna wojna
Director: Pawel Pawlikowski
Poland
A passionate love story between two people of different backgrounds and temperaments, who are fatefully mismatched and yet condemned to each other. Set against the background of the Cold War in the 1950s in Poland, Berlin, Yugoslavia and Paris, the film depicts an impossible love story in impossible times. Polish with subtitles.
Dogman
Director: Matteo Garrone
Italy
In a run-down Italian coastal town, Marcello, a gentle dog groomer, sees his life turned upside down when Simone, a brutish former boxer and ex-con, bullies him into becoming his criminal accomplice. But for how long can the “dogman” be subservient to his master before he bites back? From the acclaimed director of Gomorrah comes another unflinching urban western treading the fine line between civility and savagery. Italian with subtitles.
Friedkin Uncut
Director: Francesco Zippel
Italy
Oscar®-winning, Chicago-born director William Friedkin achieved fame with his 1973 horror blockbuster The Exorcist. But this illuminating documentary shows the director’s unwavering commitment to rawness and realism across his entire career, from The French Connection (1972) to Killer Joe (2011). Featuring interviews with Ellen Burstyn, Willem Dafoe, and Quentin Tarantino, among others, Friedkin Uncut reveals a savvy craftsman who is unapologetic about his no-nonsense approach to moviemaking.
Jumpman
Podbrosy
Director: Ivan I. Tverdovskiy
Russia, Ireland, Lithuania, France
An abandoned infant grows into a likeable lad with a rare disorder—he can feel no physical pain. When he becomes a teen, his feckless mother returns to his life to exploit his condition by enlisting him in an insurance fraud scam. A taut thriller, Jumpman puts an outsider at the center of a harsh indictment of corruption and hypocrisy in contemporary Russia. Russian with subtitles.
Mr. Soul!
Director: Melissa Haizlip
U.S.
The brainchild of pioneering producer Ellis Haizlip, SOUL! was the first ever national TV series made by and for African-Americans. The groundbreaking program aired from 1968 to 1973 and featured a dazzling array of guests from Stevie Wonder to Maya Angelou. Mr. Soul! takes viewers behind the scenes of the show, chronicling its inception and its struggles to stay on the air. It turns out the revolution really was televised.
Olympia
Director: Gregory Dixon
U.S.
Chicago writer-actor McKenzie Chinn stars as a struggling artist, navigating work and romance in the Windy City. When her boyfriend asks her to drop everything and move cross-country, she soon discovers that she might be the biggest obstacle to her own happiness. Featuring quirky animation and a revelatory central performance, Olympia is a sensitive and humorous look at the challenges of embracing adulthood.
The Other Story
Director: Avi Nesher
Israel
Family disputes and conspiracies take center stage in this lively drama, which even-handedly explores the divide between Israel’s secular Jews and the ultra-Orthodox from director Avi Nesher (The Matchmaker). Sasson Gabai (The Band’s Visit) plays a renowned psychologist and rationalist who falls out with his strong-willed granddaughter when she enters a Haredi community and plans to marry a musician previously known for his wild ways. Hebrew with subtitles.
Peterloo
Director: Mike Leigh
U.K.
An epic portrayal of the events surrounding the infamous 1819 Peterloo Massacre, which saw British forces charge into a crowd of over 60,000 that had gathered to protest rising levels of poverty and demand reform. Many were killed and hundreds more injured, sparking a nationwide outcry but also further government suppression. A defining moment in British democracy, the massacre also played a significant role in the founding of The Guardian newspaper.
Piercing
Director: Nicolas Pesce
U.S.
Pesce’s gleefully wicked S&M black comedy centers on Reed (Christopher Abbot), a new fatherlooking to channel his homicidal impulses away from his infant daughter. He heads to a hotel, hires an escort (Mia Wasikowska), then begins to rehearse her murder. But once she arrives, the balance of power shifts. Based on the novel by Ryu Murukami, Piercing’s incredibly dark premise constantly surprises—it might just be taken for a wildly subversive love story.
A Private War
Director: Matthew Heineman
U.S.
In a world where journalism is under attack, Marie Colvin (Academy Award®-nominee Rosamund Pike) is one of the most celebrated war correspondents of our time. Her mission to show the true cost of conflict leads her—along with renowned photographer Paul Conroy (Jamie Dornan)—to embark on the most dangerous assignment of their lives in the besieged Syrian city of Homs.
Rafiki
Director: Wanuri Kahiu
Kenya
A tender tale of forbidden first love told in an electric, colorful Afropop style, Rafiki tells the story of the tender but illegal and taboo romance between Kena, a skateboarding tomboy blessed with great grades and soccer skills, and Ziki, the charismatic daughter of a conservative local politician. When rumors begin to swirl about the nature of their relationship, the young lovers find themselves in great jeopardy. Swahili, English with subtitles.
Ruben Brandt, Collector
Ruben Brandt, a gyüjtö
Director: Milorad Krstic
Hungary
“Possess your problems to conquer them,” is the credo that psychotherapist Ruben Brandt preaches to his criminally-inclined clients in this stylish, animated thriller for adults. But when Brandt’s patients help him to apply his own advice, he becomes “Ruben Brandt, Collector,” ringleader of a gang responsible for the theft of 13 of the world’s most famous paintings. This entertaining romp literally puts the “art” into “arthouse.”
Shoplifters
Manbiki kazoku
Director: Hirokazu Kore-eda
Japan
The winner of Cannes’ top prize, the Palme d’Or, centers on an eccentric troupe of miscreants who take in a neglected five-year-old. Despite their strained circumstances, the tight-knit unit of petty thieves and social outcasts comes together to raise the girl. But how long can this unconventional family survive against the normalizing forces around them? From the Japanese master of humanism comes another affecting and astute film about people living on the margins. Japanese with subtitles.
Sorry Angel
Plaire, aimer et courir vite
Director: Christophe Honoré
France
It’s 1993. Jacques is a successful, novelist from Paris living with what was still a terminal diagnosis of HIV positive. Arthur is an open-minded student ready to embrace life. They meet in Rennes and fall in love, but navigating an intergenerational romance has its challenges. Honoré (Love Songs) chronicles their lives, together and apart, with nuance and subtlety, allowing their love story to unfold in patient, novelistic fashion. French with subtitles.
Transit
Director: Christian Petzold
Germany
In this Kafkaesque cinematic puzzle, a man is trapped in limbo as he tries to flee fascistoccupied France. Hoping to escape to Mexico, Georg poses as a dead author but becomes stuck in Marseilles. There, he encounters a woman searching for her missing husband—the
man whose identity he has assumed. Petzold’s surreal film merges past, present and future in its trenchant exploration of the plight of refugees. German with subtitles.
United Skates
Directors: Dyana Winkler and Tina Brown
U.S.
A rousing chronicle of roller-skating’s pivotal role in African-American communities, United Skates careens around the country, offering an intimate look at a lively subculture that’s under threat. Facing discriminatory policies and building closures, committed skaters from around the country—including Chicago’s own Buddy Love—fight to preserve a space for people to come together and express themselves in sliding, bouncing, snapping glory.
What They Had
Director: Elizabeth Chomko
U.S.
From first-time writer/director Elizabeth Chomko, What They Had centers on a family in crisis. Bridget (Hilary Swank) returns home to Chicago at her brother’s (Michael Shannon) urging to deal with her ailing mother (Blythe Danner) and her father’s (Robert Forster) reluctance to let go of their life together.
SHORTS
Accidence Directors: Guy Maddin, Evan Johnson, Galen Johnson Canada A grisly murder on an apartment balcony becomes a small piece in a frenzied puzzle of strange occurrences. Accident, MD Director: Dan Rybicky U.S. A survey of attitudes about America’s healthcare crisis filmed in the small town of Accident, Maryland. Optimism Director: Deborah Stratman U.S. A portrait of Dawson City Canada’s far North that reveals a rich history of a town looking for gold while enveloped in shadow. Solar Walk Director: Réka Bucsi Denmark A sumptuously animated cosmic journey through space, time, and creation. Tourneur Director: Yalda Afsah Germany A foam-filled ring in the south of France becomes the site of an absurd spectacle as young men face off against a bull.
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Keira Knightley’s COLLETTE, Hilary Swank’s WHAT THEY HAD Added to Calgary International Film Festival
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Colette[/caption]
Fourteen more films, including Keira Knightley in COLETTE, Salma Hayek in THE HUMMINGBIRD PROJECT, and Hilary Swank in WHAT THEY HAD, have added to this year’s Calgary International Film Festival.
The Festival also announced Alberta Music Seen for this year’s Showcase Alberta, a celebration of the power of the music video as an art form featuring 10 music videos produced in Alberta, screening at Studio Bell, Home of the National Music Centre on September 26, followed by more music at the King Eddy. Showcase Alberta is a three-year tradition at the festival. Past screening events have included HEARTLAND and WYNONNA EARP.
3 FACES directed by Jafar Panahi
A popular Iranian actress Behnaz Jafari (playing herself) is upset when she sees a video made by a provincial girl asking for her help. In the video, the young girl claims her family is not letting her pursue an acting dream. She’s distraught that Jafari has ignored her previous pleas. Jafari asks director Jafar Panahi (playing himself as well) to accompany her to the girl’s village. The two take a road journey to a northwestern part of Iran and encounter some surprises along the way.
ALL THESE CREATURES directed by Charles Williams
An adolescent boy attempts to untangle his memories of a mysterious infestation, the unravelling of his father, and the little creatures inside us all. A short from Australia.
ASH IS THE PUREST WHITE directed by Jia Zhang-Ke
Qiao (an outstanding Zhao Tao) and her gangster boyfriend Bin (Liao Fan) are a formidable duo who oversee the local criminal network in Datong. When a fight with a rival gang places Bin in danger, Qiao fires a gun to protect him resulting in five years of prison time. After she is released, Qiao goes to look for Bin hoping to continue their relationship. A perceptive depiction of the Chinese landscape, both social and economical, over the course of two decades.
CLIMAX directed by Gaspar Noé
A troupe of young dancers gathers in a remote and empty school building to rehearse. Shot by Noé himself, the troupe begins an all-night celebration that turns nightmarish as the dancers discover they’ve been pounding cups of sangria laced with potent LSD. Tracking their journey from jubilation to chaos and full-fledged anarchy, Noé observes crushes, rivalries, and violence amid a collective psychedelic meltdown. Starring Sofia Boutella (ATOMIC BLONDE) and a cast of professional dancers, CLIMAX is Noé’s most brazen and visionary statement yet.
COLLETTE directed by Wash Westmoreland
Based on the real life story about the famous French writer Sidonie-Gabrielle Colette, the film depicts her bold attempt to get her voice heard. Colette (Keira Knightley) is transported from the French countryside to Paris after she marries Willy (Dominic West), a successful Parisian writer. Colette quickly finds her footing while Willy is losing his. When Willy is struggling to pay his bills, he convinces Colette to ghostwrite a novel for him. Her novel about a country girl named Claudine becomes an instant hit, resulting in multiple subsequent Claudine novels. Willy gets all the acclaim yet the real author Colette remains in the shadows, forcing her to fight for creative ownership of her works.
THE DRIVER IS RED directed by Randall Christopher
Set in Argentina 1960, this true crime documentary follows the story of secret agent Zvi Aharoni as he hunted down one of the highest-ranking Nazi war criminals on the run. This will be the Canadian Premiere for this American short film.
THE HUMMINGBIRD PROJECT directed by Kim Nguyen
In this epic tale of humanity versus corporate greed, director of Academy Award nominated WAR WITCH, Kim Nguyen exposes the ruthless edge of our increasingly digital world. Cousins from New York, Vincent (Jesse Eisenberg) and Anton (Alexander Skarsgård) are players in the high- stakes game of High Frequency Trading, where winning is measured in milliseconds. Their dream? To build a bre-optic cable in a straight line between Kansas and New Jersey, making them millions. But nothing is straightforward for this awed pair, and together they push each other and everyone around them to the breaking point on their quixotic adventure.
SHARKWATER: EXTINCTION directed by Rob Stewart
Director Rob Stewart was dedicated to sharing his love and admiration for a misunderstood animal, and died in a scuba incident while filming. Criss-crossing the oceans, his third and final film is a thrilling expose of a multi-billion dollar industry tied to black markets and criminal activity. This inspiring posthumous follow-up to the award-winning SHARKWATER is a passionate plea about the dire need to address our relationship with nature and change our consumer habits before it’s too late.
SHOPLIFTERS directed by Hirokazu Kore-Eda
Winner of this year’s prestigious Palme d’Or at Cannes. During one of their shoplifting sessions, Osamu and his son come across a young girl Yuri freezing in the cold. Although Osamu’s wife Nobuyo is reluctant to add another member to a struggling household, she agrees after learning of Yuri’s hardships. When Yuri’s family report her as missing, Osamu and his family’s bonds are tested.
THROUGH BLACK SPRUCE directed by Don McKellar
The disappearance of a young Cree woman named Suzanne Bird triggers events in two worlds: the remote Northern Ontario town she fled years ago, and the big city where she became a successful model. Up north, her uncle Will clashes with a local drug dealer who’s looking for Suzanne, and believes Will knows her whereabouts. Meanwhile, her fiercely independent twin sister Annie travels to Toronto to retrace her sibling’s footsteps… and finds herself drawn into the seductively glamorous life Suzanne left behind. Starring Tantoo Cardinal, Brandon Oakes, Graham Greene and Tanaya Beatty, THROUGH BLACK SPRUCE is the story of a family fractured by tragedy, and held together by love.
TRANSIT directed by Christian Petzold
Georg, a German refugee, evades the German troops in Paris and escapes to Marseille. At the port city, he awaits to secure a life saving spot on a ship to North America. Georg doesn’t have a visa, but through a case of mistaken identity he can leave for Mexico by using papers belonging to a writer named Weidel. Things get complicated when Weidel’s mysterious wife Marie shows up. Georg falls for Marie and is forced to make a tough decision.
UNDER THE SILVER LAKE directed by David Robert Mitchell
Sam (Andrew Garfield) finds a mysterious woman swimming in his apartment’s pool one night. The next morning, she disappears. Sam sets off across LA to find her, and along the way he uncovers a conspiracy far more bizarre. A dream cast populates this dream-like thriller, including Andrew Garfield (THE AMAZING SPIDER-MAN, THE SOCIAL NETWORK), Topher Grace (BLACKKKLANSMAN, “That 70’s Show”), Sydney Sweeney (“The Handmaid’s Tale,” “Sharp Objects”), Jimmi Simpson (“Westworld,” “Black Mirror”) and Riley Keough (LOGAN LUCKY, IT COMES AT NIGHT).
WHAT THEY HAD directed by Elizabeth Chomko
When her Alzheimer’s-suffering mother, Ruth, wanders into a blizzard on Christmas Eve, Bridget Ertz travels back to her hometown to help her brother convince their father to put Ruth in a nursing home and face the end of their life-long love affair. Starring Hilary Swank, Michael Shannon, Robert Forster, Blythe Danner, Taissa Farmiga and Josh Lucas.
THE WILD PEAR TREE directed by Nuri Bilge Ceylan
After completing university, Sinan needs to write an additional exam to become a teacher like his father Idris, but Sinan’s dream is to publish his novel. It doesn’t take long for him to have some run-ins with locals who want their debts paid, a by-product of his father’s gambling habits that almost sank the family. The irony is that Sinan may have to take on a debt himself in order to get his novel published.
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Films From Barry Jenkins, Alex Ross Perry, Claire Denis among Main Slate of 56th NY Film Festival
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If Beale Street Could Talk[/caption]
The Film Society of Lincoln Center today announced the 30 films for the Main Slate of the 56th New York Film Festival taking place September 28 to October 14, 2018.
This year’s Main Slate showcases films from 22 different countries, including new titles from celebrated auteurs, extraordinary work from directors making their first NYFF bows, and captivating features that wowed audiences at international festivals. Five films in the festival were honored at Cannes, including Hirokazu Kore-eda’s Palme d’Or–winner Shoplifters; Jean-Luc Godard’s The Image Book, awarded a Special Palme d’Or; Cold War, which took home the Best Director prize for Paweł Pawlikowski; and Alice Rohrwacher’s Happy as Lazzaro and Jafar Panahi’s 3 Faces, which shared the Best Screenplay award. Returning to the festival for the third consecutive year is Hong Sangsoo with two new films, joined by his fellow NYFF54 filmmakers Olivier Assayas and Barry Jenkins. Frederick Wiseman makes his 10th appearance at the festival, while other returning filmmakers include Joel & Ethan Coen, Alex Ross Perry, Claire Denis, Ulrich Köhler, Lee Chang-dong, Jia Zhangke, and Christian Petzold. Making both their directorial and NYFF debuts are Paul Dano and Richard Billingham, and Louis Garrel makes his first NYFF showing as a director. Other filmmakers new to the festival include Dominga Sotomayor, Christophe Honoré, Tamara Jenkins, Mariano Llinás, and Ying Liang, as well as Bi Gan and Ryûsuke Hamaguchi, both alumni of New Directors/New Films 2016.
The NYFF56 Opening Night is Yorgos Lanthimos’s The Favourite, Alfonso Cuarón’s ROMA is Centerpiece, and Julian Schnabel’s At Eternity’s Gate will close the festival.
NYFF Director and Selection Committee Chair Kent Jones said, “Francis Ford Coppola said that the cinema would become a real art form only when the tools of moviemaking became as inexpensive as paints, brushes, and canvases. That has come to pass, but at the same time it’s become increasingly tough to do serious work that is beholden to nothing but the filmmaker’s need to express these emotions in this form in moving images and sound. So if I were pressed to choose one word to describe the films in this year’s Main Slate, it would be: bravery. These films were made all over the globe, by young filmmakers like Dominga Sotomayor and masters like Fred Wiseman, by artists of vastly different sensibilities from Claire Denis to the Coen Brothers, Jafar Panahi to Jean-Luc Godard. And the unifying thread is their bravery, the bravery needed to fight past the urge to commercialized smoothness and mediocrity that is always assuming new forms. That’s what makes every single title in this year’s Main Slate so precious, and so vital.”
The 56th New York Film Festival Main Slate
Opening Night
The Favourite
Dir. Yorgos Lanthimos, Ireland/UK/USA, 2018, 121m
In Yorgos Lanthimos’s wildly intricate and very darkly funny new film, Sarah Churchill, the Duchess of Marlborough (Rachel Weisz), and her servant Abigail Hill (Emma Stone) engage in a sexually charged fight to the death for the body and soul of Queen Anne (Olivia Colman) at the height of the War of the Spanish Succession. This trio of truly brilliant performances is the dynamo that powers Lanthimos’s top-to-bottom reimagining of the costume epic, in which the visual pageantry of court life in 18th-century England becomes not just a lushly appointed backdrop but an ironically heightened counterpoint to the primal conflict unreeling behind closed doors. A Fox Searchlight Pictures release.
Centerpiece
ROMA
Dir. Alfonso Cuarón, Mexico/USA, 2018, 135m
In Alfonso Cuarón’s autobiographically inspired film, set in Mexico City in the early ’70s, we are placed within the physical and emotional terrain of a middle-class family whose center is quietly and unassumingly held by its beloved live-in nanny and housekeeper (Yalitza Aparicio). The cast is uniformly magnificent, but the real star of ROMA is the world itself, fully present and vibrantly alive, from sudden life-changing events to the slightest shifts in mood and atmosphere. Cuarón tells us an epic story of everyday life while also gently sweeping us into a vast cinematic experience, in which time and space breathe and majestically unfold. Shot in breathtaking black and white and featuring a sound design that represents something new in the medium, ROMA is a truly visionary work. A Netflix release.
Closing Night
At Eternity’s Gate
Dir. Julian Schnabel, USA/France, 2018, 106m
North American Premiere
Julian Schnabel’s ravishingly tactile and luminous new film takes a fresh look at the last days of Vincent van Gogh, and in the process revivifies our sense of the artist as a living, feeling human being. Schnabel; his co-writers Jean-Claude Carrière and Louise Kugelberg, also the film’s editor; and cinematographer Benoît Delhomme strip everything down to essentials, fusing the sensual, the emotional, and the spiritual. And the pulsing heart of At Eternity’s Gate is Willem Dafoe’s shattering performance: his Vincent is at once lucid, mad, brilliant, helpless, defeated, and, finally, triumphant. With Oscar Isaac as Gauguin, Rupert Friend as Theo, Mathieu Amalric as Dr. Gachet, Emmanuelle Seigner as Madame Ginoux, and Mads Mikkelsen as The Priest. A CBS Films release.
3 Faces
Dir. Jafar Panahi, Iran, 2018, 100m
U.S. Premiere
Iranian director Jafar Panahi’s fourth completed feature since he was officially banned from filmmaking is one of his very best. Panahi begins with a smartphone video shot by a young woman (Marziyeh Rezaei) who announces to the camera that her parents have forbidden her from realizing her dream of acting and then, by all appearances, takes her own life. The recipient of the video, Behnaz Jafari, as herself, asks Panahi, as himself, to drive her to the woman’s tiny home village near the Turkish border to investigate. From there, 3 Faces builds in narrative, thematic, and visual intricacy to put forth a grand expression of community and solidarity under the eye of oppression.
Asako I & II
Dir. Ryûsuke Hamaguchi, Japan/France, 2018, 119m
U.S. Premiere
A truly original Vertigo riff, based on a novel by Tomoka Shibasaki, Asako I & II is an enchanting, unnerving paean to the notion of love as a trance state. Asako (Erika Karata) and Baku (Masahiro Higashide) share an intense, all-consuming romance—but one day the moody Baku ups and vanishes. Two years later, having moved from Osaka to Tokyo, Asako meets Baku’s exact double. Ryûsuke Hamaguchi, who gained plenty of attention for 2015’s five-hour-plus Happy Hour, has returned with a beguiling and mysterious film that traces the trajectory of a love—or, to be accurate, two loves—found, lost, displaced, and regained. A Grasshopper Film release.
Ash Is Purest White
Dir. Jia Zhangke, China, 2018, 142m
U.S. Premiere
Jia Zhangke’s extraordinary body of work has doubled as a record of 21st-century China and its warp-speed transformations. A tragicomedy in the fullest sense, Ash Is Purest White is at once his funniest and saddest film, portraying the passage of time through narrative ellipses and, like his Mountains May Depart (NYFF53), a three-part structure. Despite its jianghu—criminal underworld—setting, Ash is less a gangster movie than a melodrama, beginning by following Qiao and her mobster boyfriend Bin as they stake out their turf against rivals and upstarts in 2001 postindustrial Datong before expanding out into an epic narrative of how abstract forces shape individual lives. As the formidable, quick-witted Qiao, a never better Zhao Tao has fashioned a heroine for the ages. A Cohen Media Group release.
The Ballad of Buster Scruggs
Dir. Joel Coen & Ethan Coen, USA, 2018, 128m
North American Premiere
Here’s something new from the Coen Brothers—an anthology of short films based on a fictional book of “western tales,” featuring Tim Blake Nelson as a murderous, white-hatted singing cowboy; James Franco as a bad luck bank-robber; Liam Neeson as the impresario of a traveling medicine show with increasingly diminishing returns; Tom Waits as a die-hard gold prospector; Zoe Kazan and Bill Heck as two shy people who almost come together on the wagon trail; and Tyne Daly, Saul Rubinek, Brendan Gleeson, Chelcie Ross, and Jonjo O’Neill as a motley crew on a stagecoach to nowhere. Each story is distinct, but unified by the thematic thread of mortality. As a whole movie experience, Buster Scruggs is wildly entertaining, and, like all Coen films, endlessly surprising. An Annapurna Production and Netflix release.
Burning
Dir. Lee Chang-dong, South Korea, 2018, 148m
Expanded from Haruki Murakami’s short story “Barn Burning,” the sixth feature from Korean master Lee Chang-dong, known best in the U.S. for such searing, emotional dramas as Secret Sunshine (NYFF45) and Poetry (NYFF48), begins by tracing a romantic triangle of sorts: Jongsu (Yoo Ah-in), an aspiring writer, becomes involved with a woman he knew from childhood, Haemi (Jun Jong-seo), who is about to embark on a trip to Africa. She returns some weeks later with a fellow Korean, the Gatsby-esque Ben (Steven Yeun), who has a mysterious source of income and a very unusual hobby. A tense, haunting multiple-character study, the film accumulates a series of unanswered questions and unspoken motivations to conjure a totalizing mood of uncertainty and quietly bends the contours of the thriller genre to brilliant effect. A Well Go USA release.
Cold War
Dir. Paweł Pawlikowski, Poland, 2018, 90m
Academy Award–winner Paweł Pawlikowski follows up his box-office sensation Ida with this bittersweet, exquisitely crafted tale of an impossible love. Set between the late 1940s and early 1960s, Cold War is, as the title implies, a Soviet-era drama, but it stringently and inventively avoids the clichés of many a classical-minded World War II art film, tracking the tempestuous love between pianist (Tomasz Kot) and singer (Joanna Kulig) as they navigate the realities of living in both Poland and Paris, in and outside of the Iron Curtain. Shot in crisp black-and-white and set to a bewitching jazzy score, Pawlikowski’s evocative film consummately depicts an uncompromising passion caught up in the gears of history. An Amazon Studios release.
A Faithful Man / L’Homme fidèle
Dir. Louis Garrel, France, 2018, 75m
U.S. Premiere
Nine years after she left him for his best friend, journalist Abel (Louis Garrel) gets back together with his recently widowed old flame Marianne (Laetitia Casta). It seems to be a beautiful new beginning, but soon the hapless Abel finds himself embroiled in all sorts of dramas: the come-ons of a wily jeune femme (Lily-Rose Depp), the machinations of Marianne’s morbid young son, and some unsavory questions about what exactly happened to his girlfriend’s first husband. Shifting points of view as nimbly as its players switch partners, the sophomore feature from actor/director Louis Garrel—co-written with the legendary Jean-Claude Carrière—is at once a beguiling bedroom farce and a slippery inquiry into truth, subjectivity, and the elusive nature of romantic attraction.
A Family Tour
Dir. Ying Liang, Taiwan/Hong Kong/Singapore/Malaysia, 2018, 107m
U.S. Premiere
Since his 2012 feature When Night Falls, a stinging critique of state power that the Chinese authorities attempted to suppress, the director Ying Liang has been forced to live in exile in Hong Kong. His return to feature filmmaking is a characteristically precise and powerful work, and, as inspired by his own precarious situation and based on a reunion with his in-laws, an autobiographical one. The film follows a Hong Kong–exiled director (Gong Zhe) as she travels to a film festival in Taiwan with her husband and toddler, while her ailing mother (Nai An) vacations there separately with a tour group. To avoid attracting attention, the family shadows the tour’s sightseeing itinerary, visiting each other during photo stops and mealtimes. An empathetic snapshot of a mother-daughter relationship, this brave, poised film is also a deeply moving testament to the inseparability of the personal and the political.
La Flor
Dir. Mariano Llinás, Argentina, 2018, 807m
North American Premiere
A decade in the making, Mariano Llinás’s follow-up to his 2008 cult classic Extraordinary Stories is an unrepeatable labor of love and madness that redefines the concept of binge viewing. The director himself appears at the start to preview the six disparate episodes that await, each starring the same four remarkable actresses: Elisa Carricajo, Valeria Correa, Pilar Gamboa, and Laura Paredes. Overflowing with nested subplots and whiplash digressions, La Flor shape-shifts from a B-movie to a musical to a spy thriller to a category-defying metafiction—all of them without endings—to a remake of a very well-known French classic and, finally, to an enigmatic period piece that lacks a beginning (granted, all notions of beginnings and endings become fuzzy after 14 hours). An adventure in scale and duration, La Flor is a marvelously entertaining exploration of the possibilities of fiction that lands somewhere close to its outer limits.
Grass
Dir. Hong Sangsoo, South Korea, 2018, 66m
U.S. Premiere
Sitting in a café, typing on a laptop, Areum (Kim Min-hee) eavesdrops on three dramatic situations unfolding in her general vicinity: a young woman bound for Europe and a male friend who erupt in vitriolic accusations, a washed-up actor trying to sweet-talk his way into staying with an old friend, and a narcissistic actor-director (Jung Jin-young) trying to rope a young writer into his next project. Playing out largely in long-take two-shots, these conversations create a kind of never-ending theatrical performance, with Areum as the anchor. With its raw emotions and seeming formal simplicity masking a complex episodic approach, Grass finds Korean master Hong Sangsoo setting up a fascinating narrative problem for himself and solving it as only he can. A Cinema Guild release.
Happy as Lazzaro / Lazzaro felice
Dir. Alice Rohrwacher, Italy, 2018, 128m
North American Premiere
In the transfiguring and transfixing third feature from Alice Rohrwacher (The Wonders, NYFF52), we find ourselves amid a throng of tobacco farmers living in a state of extreme deprivation on an estate known as Inviolata, with wide-eyed teenager Lazzaro (nonprofessional discovery Adriano Tardiolo) emerging as a focal point. Although this all seems to be taking place in the past (as implied by the warm grain of Hélène Louvart’s 16mm cinematography), a stunning mid-movie leap vaults the narrative squarely into the present day and into the realm of parable. In a fable touching on perennial class struggle with Christian overtones, Rohrwacher summons the spirit of Pasolini, while also nodding to Ermanno Olmi and Visconti. A Netflix release.
Her Smell
Dir. Alex Ross Perry, USA, 2018, 134m
U.S. Premiere
The latest from Alex Ross Perry (Listen Up Philip, NYFF52) traces the psychology of an unforgettable woman under the influence. Becky Something (Elisabeth Moss, in a powerhouse performance), the influential lead singer of a popular ’90s alt-rock outfit, struggles with her demons as friends, family, and bandmates alike behold her unraveling through a prism of horror, empathy, and resentment. Perry tracks Becky’s self-destruction—and potential creative redemption—through snaking long takes (arguably some of DP Sean Price Williams’s finest work) in claustrophobic backstage hallways, garishly lit dressing rooms, and recording studios, and the film’s ensemble cast (including Cara Delevingne, Ashley Benson, Amber Heard, Virginia Madsen, Dan Stevens, and Eric Stoltz) is impeccable in support of Moss’s rattling trip to the brink.
High Life
Dir. Claire Denis, Germany/France/USA/UK/Poland, 2018, 110m
U.S. Premiere
Claire Denis’s latest film is set aboard a spacecraft piloted by death row prisoners on a decades-long suicide mission to enter and harness the power of a black hole. But as is always the case with this filmmaker, the actual structure seems to evolve organically through moods and uncanny spells, and the closest juxtapositions of violence and intimacy. High Life features some of the most unsettling passages Denis has ever filmed, as well as moments of the greatest delicacy and tenderness. With Robert Pattinson, Juliette Binoche, André Benjamin, and Mia Goth.
Hotel by the River
Dir. Hong Sangsoo, South Korea, 2018, 96m
U.S. Premiere
Two tales intersect at a riverside hotel: an elderly poet (Ki Joo-bong), invited to stay there for free by the owner, summons his two estranged sons, sensing his life drawing to a close; and a young woman (Kim Min-hee) nursing a recently broken heart is visited by a friend who tries to console her. At times these threads overlap, at others they run tantalizingly close to each other. Using a stark black-and-white palette and handheld cinematography (with frequent DP Kim Hyung-ku), Hong crafts an affecting examination of family, mortality, and the ways in which we attempt to heal wounds old and fresh.
If Beale Street Could Talk
Dir. Barry Jenkins, USA, 2018
U.S. Premiere
Barry Jenkins’s follow-up to his Oscar-winning Moonlight is a carefully wrought adaptation of James Baldwin’s penultimate novel, set in Harlem in the early 1970s. Fonny (Stephan James) and Tish (KiKi Layne) are childhood friends who fall in love as young adults. Tish becomes pregnant, and Fonny suffers a fate tragically common to young African-American men: he is arrested and convicted for a crime he didn’t commit. Jenkins’s deeply soulful film stays focused on the emotional currents between parents and children, couples and friends, all of whom spend their lives repairing and reinforcing the precious but fraying bonds of family and community in an unforgiving racist world. With Regina King, Colman Domingo, Teyonah Parris, Aunjanue Ellis, and Michael Beach. An Annapurna Pictures release.
The Image Book / Le Livre d’image
Dir. Jean-Luc Godard, Switzerland, 2018, 90m
U.S. Premiere
Jean-Luc Godard’s “late period” probably began with 2001’s In Praise of Love, and since then he has been formulating and enacting a path toward an ending: the ending of individual films, the ending of engagement with cinema, and, now that he’s 87, the possible ending of his own existence. With The Image Book all barriers between the artist, his art, and his audience have dissolved. The film is structured in chapters and predominantly comprised of pre-existing images, many of which will be familiar from Godard’s previous work. The relationship between image and sound is, as always, intensely physical and sometimes jaw-dropping. And…isn’t it enough to say, simply, that this is the work of a master? And that you have to see it? A Kino Lorber release.
In My Room
Dir. Ulrich Köhler, Germany, 2018, 119m
U.S. Premiere
The fourth feature from German director Ulrich Köhler (Sleeping Sickness, NYFF49) takes a disarmingly realistic and restrained approach to a fantastical premise: the eternally popular fantasy of the last man on earth. Sad-sack, 40ish TV cameraman Armin (Hans Löw) has been summoned home by his father to help tend to his terminally ill grandmother, but awakens one morning to find the world around him entirely depopulated. Eventually, the film introduces a fellow survivor, an Eve (Elena Radonicich) to complicate the apparent contentment of its Adam. In My Room is a film of meticulous details and sly, subtle ironies, crafted by the skills, temperament, and philosophical inquiry of an emerging master. A Grasshopper Film release.
Long Day’s Journey Into Night
Dir. Bi Gan, China/France, 2018, 133m
U.S. Premiere
As proven by his knockout debut, Kaili Blues, Bi Gan is preoccupied with film’s potential to both materialize mental space and convey physical sensation. His cinematic ambitions are further crystallized, to say the least, in Long Day’s Journey Into Night, a noir-tinged film about a solitary man (Huang Jue) haunted by loss and regret, told in two parts: the first an achronological mosaic, the second a nocturnal dream. Again centering around his native province of Guizhou in southwest China, the director has created a film like nothing you’ve seen before, especially in the second half’s hour-long, gravity-defying 3D sequence shot, which plunges its protagonist—and us—through a labyrinthine cityscape.
Monrovia, Indiana
Dir. Frederick Wiseman, USA, 2018, 143m
U.S. Premiere
Every new film from Frederick Wiseman, now 88 years old, seems more vigorous and acute than the last. His subject here is Monrovia, Indiana; population 1063, as of 2017; located deep in the American heartland. Wiseman alights on key activities: talk among friends over coffee at the diner, packaging meat at the supermarket, trucks loading with corn, expansion debates at town planning commission meetings, and, most intriguingly, a funeral. Monrovia, Indiana is a tough, piercing look at the rhythm and texture of life as it is lived in a wide swathe of this country. A Zipporah Films release.
Non-Fiction / Doubles vies
Dir. Olivier Assayas, France, 2018, 106m
Set within the world of publishing, Olivier Assayas’s new film finds two hopelessly intertwined couples—Guillaume Canet’s troubled book executive and Juliette Binoche’s weary actress; Vincent Macaigne’s boorish novelist and Nora Hamzawi’s straight-and-balanced political operative—obsessed with the state of things, and how (or when) it will (or might) change. Is print dying? Has blogging replaced writing? Is fiction over? But the divide between what these characters—and their friends, and their enemies, and everyone in between—talk about and what is actually happening between them, moment by moment, is what gives Non-Fiction its very particular charm, humor, and lifelike stabs of emotion. A Sundance Selects release.
Private Life
Dir. Tamara Jenkins, USA, 2017, 123m
In Tamara Jenkins’s first film in ten years, Kathryn Hahn and Paul Giamatti are achingly real as Rachel and Richard, a middle-aged New York couple caught in the desperation, frustration, and exhaustion of trying to have a child, whether by fertility treatments or adoption or surrogate motherhood. They find a willing partner in Sadie (the formidable Kayli Carter), Richard’s niece by marriage, who happily agrees to donate her eggs, and the three of them build their own little outcast family in the process. Private Life is a wonder, by turns hilarious and harrowing (sometimes at once), and a very carefully observed portrait of middle-class Bohemian Manhattanites. With John Carroll Lynch and Molly Shannon. A Netflix release.
RAY & LIZ
Dir. Richard Billingham, UK, 2018, 107m
U.S. Premiere
English photographer and visual artist Richard Billingham’s first feature is grounded in the visual and emotional textures of his family portraits, particularly those of his deeply dysfunctional parents, whose names give the film its title. Billingham builds astonishing and unflinching scenes with his principal actors—Ella Smith as Liz, Justin Salinger as Ray, Patrick Romer as the older Ray, Tony Way and Sam Gittins as neighbors, and Joshua Millard-Lloyd as the youngest child—that play out second by second as if by some new form of direct transmission from the artist’s memory bank. There is not a single second of this electrifying debut that doesn’t feel 100% rooted in personal experience.
Shoplifters
Dir. Hirokazu Kore-eda, Japan, 2018, 121m
Hirokazu Kore-eda’s Cannes Palme d’Or winner is a heartrending glimpse into an often invisible segment of Japanese society: those struggling to stay afloat in the face of crushing poverty. On the the margins of Tokyo, a most unusual “family”—a collection of societal castoffs united by their shared outsiderhood and fierce loyalty to one another—survives by petty stealing and grifting. When they welcome into their fold a young girl who’s been abused by her parents, they risk exposing themselves to the authorities and upending their tenuous, below-the-radar existence. The director’s latest masterful, richly observed human drama makes the quietly radical case that it is love—not blood—that defines a family. A Magnolia Pictures release.
Sorry Angel
Dir. Christophe Honoré, France, 2018, 132m
North American Premiere
The ever-unpredictable Christophe Honoré (Love Songs) returns with perhaps his most personal, emotionally rich work yet. At once an intimate chronicle of a romance and a sprawling portrait of gay life in early 1990s France, Sorry Angel follows the intertwining journeys of Jacques (Pierre Deladonchamps), a worldly, HIV-positive Parisian writer confronting his own mortality, and Arthur (Vincent Lacoste), a curious, carefree university student just beginning to live. Brought together by chance, the men find themselves navigating a casual fling that gradually deepens into a tender, transformative bond. Graced with vivid, complex characters and inspired flights of cinematic imagination, this is a vibrant, life-affirming celebration of love, friendship, and human connection. Released by Strand Releasing.
Too Late to Die Young
Dir. Dominga Sotomayor, Chile/Brazil/Argentina/Netherlands/Qatar, 2018, 110m U.S. Premiere The year 1990 was when Chile transitioned to democracy, but all of that seems a world away for 16-year-old Sofia, who lives far off the grid in a mountain enclave of artists and bohemians. Too Late to Die Young takes place during the hot, languorous days between Christmas and New Year’s Day, when the troubling realities of the adult world—and the elemental forces of nature—begin to intrude on her teenage idyll. Shot in dreamily diaphanous, sun-splashed images and set to period-perfect pop, the second feature from one of Latin American cinema’s most artful and distinctive voices is at once nostalgic and piercing, a portrait of a young woman—and a country—on the cusp of exhilarating and terrifying change. Transit Dir. Christian Petzold, Germany/France, 2018, 101m U.S. Premiere In Christian Petzold’s brilliant and haunting adaptation of German novelist Anna Seghers’s 1942 book Transit Visa, a hollowed-out European refugee (Franz Rogowski), who has escaped from two concentration camps, arrives in Marseille assuming the identity of a dead novelist whose papers he is carrying. There he enters the arid, threadbare world of the refugee community, and becomes enmeshed in the lives of a desperate young mother and son, and a mysterious woman named Marie (Paula Beer). Transit is a film told in two tenses: 1940 and right now, historic past and immediate present, like two translucent panes held up to the light and mysteriously contrasting and blending. Wildlife Dir. Paul Dano, USA, 2018, 104m In the impressive directorial debut from actor Paul Dano (There Will Be Blood), a carefully wrought adaptation of Richard Ford’s 1990 novel, a family comes apart one loosely stitched seam at a time. We are in the lonely expanses of the American west in the mid-’60s. An affable man (Jake Gyllenhaal), down on his luck, runs off to fight the wildfires raging in the mountains. His wife (Carey Mulligan) strikes out blindly in search of security and finds herself running amok. It is left to their young adolescent son Joe (Ed Oxenbould) to hold the center. Co-written by Zoe Kazan, Wildlife is made with a sensitivity and at a level of craft that are increasingly rare in movies. An IFC Films release.
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2018 Toronto International Film Festival Reveals First Wave of Films
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Ben is Back[/caption]
The Toronto International Film Festival today unveiled the first round of films premiering in the Gala and Special Presentation programs of the upcoming 43rd edition. Of the 17 Galas and 30 Special Presentations, today’s announcement includes 13 features directed by women.
“We have an exceptional selection of films this year that will excite Festival audiences from all walks of life,” said Handling. “Today’s lineup showcases beloved auteurs alongside fresh voices in filmmaking, including numerous female powerhouses. The sweeping range in cinematic storytelling from around the world is a testament to the uniqueness of the films that are being made.”
“Every September we invite the whole film world to Toronto, one of the most diverse, movie-mad cities in the world. I’m thrilled that we’ve been able to put together a lineup of Galas and Special Presentations that reflects Toronto’s spirit of inclusive, passionate engagement with film. We can’t wait to unveil these films for our audience.”
The 43rd Toronto International Film Festival runs from September 6 to 16, 2018.
GALAS 2018
Beautiful Boy Felix van Groeningen, USA World Premiere Everybody Knows Asghar Farhadi, Spain/France/Italy North American Premiere First Man Damien Chazelle, USA Canadian Premiere Galveston Mélanie Laurent, USA Canadian Premiere The Hate U Give George Tillman, Jr., USA World Premiere Hidden Man Jiang Wen, China International Premiere High Life Claire Denis, Germany/France/Poland/United Kingdom World Premiere Husband Material Anurag Kashyap, India World Premiere The Kindergarten Teacher Sara Colangelo, USA Canadian Premiere The Land of Steady Habits Nicole Holofcener, USA World Premiere Life Itself Dan Fogelman, USA World Premiere The Public Emilio Estevez, USA World Premiere Red Joan Sir Trevor Nunn, United Kingdom World Premiere Shadow Zhang Yimou, China North American Premiere A Star is Born Bradley Cooper, USA North American Premiere What They Had Elizabeth Chomko, USA International Premiere Widows Steve McQueen, United Kingdom/USA World PremiereSPECIAL PRESENTATIONS 2018
Ben is Back Peter Hedges, USA World Premiere Burning Lee Chang-dong, South Korea North American Premiere Can You Ever Forgive Me? Marielle Heller, USA International Premiere Capernaum Nadine Labaki, Lebanon North American Premiere Cold War Paweł Pawlikowski, Poland/United Kingdom/France Canadian Premiere Colette Wash Westmoreland, United Kingdom Canadian Premiere Dogman Matteo Garrone, Italy/France Canadian Premiere The Front Runner Jason Reitman, USA International Premiere Giant Little Ones Keith Behrman, Canada World Premiere Giant Little Ones (Les filles du soleil) Eva Husson, France International Premiere Hotel Mumbai Anthony Maras, Australia World Premiere The Hummingbird Project Kim Nguyen, Canada World Premiere If Beale Street Could Talk Barry Jenkins, USA World Premiere Manto Nandita Das, India North American Premiere Maya Mia Hansen-Løve, France World Premiere Monsters and Men Reinaldo Marcus Green, USA Canadian Premiere Special Presentations Opening Film MOUTHPIECE Patricia Rozema, Canada World Premiere Non-Fiction Olivier Assayas, France Canadian Premiere The Old Man & The Gun David Lowery, USA International Premiere Papi Chulo John Butler, Ireland World Premiere Roma Alfonso Cuarón, Mexico/USA Canadian Premiere Special Presentations Closing Film Shoplifters Hirokazu Kore-eda, Japan Canadian Premiere The Sisters Brothers Jacques Audiard, USA/France/Romania/Spain North American Premiere Sunset László Nemes, Hungary/France North American Premiere Through Black Spruce Don McKellar, Canada World Premiere The Wedding Guest Michael Winterbottom, United Kingdom World Premiere The Weekend Stella Meghie, USA World Premiere Where Hands Touch Amma Asante, United Kingdom World Premiere White Boy Rick Yann Demange, USA International Premiere Wildlife Paul Dano, USA Canadian Premiere
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Canadian Premiere of SHOPLIFTERS to Close 2018 Toronto International Film Festival Special Presentations Program
[caption id="attachment_29298" align="aligncenter" width="926"] MANBIKI KAZOKU(Shoplifters) by KORE-EDA Hirokazu[/caption]
The Canadian Premiere of Hirokazu Kore-eda’s Shoplifters will close the 2018 Special Presentations program of the Toronto International Film Festival. After a remarkably successful run in Japan and abroad, TIFF is excited to bring this thoughtful drama by the Japanese master to Canada for the very first time.
“Shoplifters is about connections, family, and what keeps us together,” said Piers Handling, Director & CEO of TIFF. “We’ve been fortunate to present many films by Kore-eda at TIFF, including After Life (1998), Like Father, Like Son (2013), and Our Little Sister (2015). We’re delighted to share his Palme d’Or–winning film with Toronto audiences.”
Equal parts incisive social critique and nuanced family portrait, the latest from Japanese master Hirokazu Kore-eda — winner of this year’s Palme d’Or at Cannes — follows a small band of marginalized misfits struggling to make ends meet in a merciless urban environment.
https://www.youtube.com/watch?v=2lqgxmq24qE
The 43rd Toronto International Film Festival runs from September 6 to 16, 2018.
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“Shoplifters” by Hirokazu Kore-eda wins Top Award at 36th Munich International FilmFest
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Shoplifters[/caption]
The 36th Munich International Film festival drew to a close today Saturday, July 7, 2018 with the award ceremony and “Shoplifters” by Hirokazu Kore-eda won the ARRI/Osram Award for best international film.The Audience Award went to the film “Wackersdorf – Be Alert, Courageous and Solidaric” by Oliver Haffner.
ARRI/Osram Award
“Shoplifters” by Hirokazu Kore-eda received the ARRI/Osram Award for best international film. “In his film ‘Shoplifters’, Hirokazu Kore-eda breaks up the smallest cell of society, the family, into shards that gain the right to rearrange and reinvent themselves. The protagonists change their names and functions, developing their own ethics and morality, not bound by the biological laws of family or ultimately of society. In doing so, ‘Shoplifters’ opens up new possibilities and ultimately offers… hope,” said the jury. The jury of the ARRI/Osram Award was comprised this year of multitalented actress, composer, singer, and performing artist Meret Becker; cult American actress Amanda Plummer; and Blixa Bargeld, co-founder of the German industrial band Einstürzende Neubauten. The latest films by ten renowned directors were in competition for the ARRI/Osram Award for best international film in the CineMasters section of the festival.CineVision Award
“Border” by Ali Abbasi was honored with the CineVision Award for best new international film. The jury explained its decision thusly: “‘Border’ is not only a very unsettling film; it’s disturbing as well. In the deepest sense of the word, this film disturbs us in the comfort of our certainties and norms and convictions. What is beauty? What is normal? What does monstrosity look like? This film shows us how many wonderful but also horrible things there are all around us that we no longer notice because our senses are dulled. The main character in the wonderful film ‘Border’ has a delicate sense of smell. She is a hounded, anxious outsider whose perspective allows us to take a terrifying look underneath our mask of normality and behold the grotesque face of humanity.” Honorable mention was given to the Taiwanese film “The Great Buddha+” by director Hsin-Yao Huang, who uses “whimsical imagery and fantastical, comic dialogue to illustrate the lives of two naive underdogs who attempt to cope in a completely absurd world while their normality is also full of wonderfully noticed absurdity. It’s an ambiguous view of society that’s given a playful and surprising form,” said the jury.FIPRESCI Prize
“All Good” by Eva Trobisch received the 2018 FIPRESCI Prize. The jury of the International Federation of Film Critics was comprised of Jan Storø from Norway, Peter Krausz from Australia, and Andrzej Fogler from Poland. They explained their decision as follows: “The FIPRESCI Prize goes to “All Good” by Eva Trobisch for its intelligently directed and prescient story of the way a troubling incident experienced by a woman spirals into an increasingly challenging situation.”Audience Awards
The festival’s audience awards were also presented on the final day of the festival. The Bayern 2 and SZ Audience Award went to the film “Wackersdorf – Be Alert, Courageous and Solidaric” by Oliver Haffner. The film depicts the story surrounding the protests against the construction of a nuclear reprocessing plant in Wackersdorf in rural Bavaria in the early 1980s. This year’s Kinderfilmfest Audience Award went to “100% Coco” by Tessa Schram. For the first time, the prize includes the sum of 1,000 euros, sponsored by SZ Familie. The film is about 13-year-old Coco, whose eccentric fashion style appears distasteful until she becomes famous as “Style Tiger”.ONE FUTURE PRIZE
This year’s ONE FUTURE PRIZE, awarded by the Interfilm Academy, went to “A Letter to the President” by Roya Sadat. The jury, comprised of Navina Neverla, Verena Marisa, and Tomasz Rudzik, explained its decision in these words: “‘A Letter to the President’ is a moving, utterly sophisticated film that tells of the contradictions in the Afghan legal system and the inequality of men and women ten years after the official withdrawal of the Taliban. This film tells the story of an unflinchingly strong woman who, in spite of all adversity and deeply rooted patriarchal structures, is prepared to stand up for her own freedom as well as for that of other women. An immediate, convincing story given lots of atmosphere, written dramatically, acted and directed superbly, and told in the sensitive images of classical narrative cinema, ‘A Letter to the President’ tells of one woman’s struggle against deeply rooted prejudice and overpowering patriarchal structures. Her integrity and her courage to resist are an example to us all. All this is told by the equally brave young Afghan director Roya Sadat, the first female practitioner of her craft in the post-Taliban era.” Honorable mention went to the documentary “Welcome to Sodom” by Florian Weigensamer and Christian Krönes. In the jury’s words: “This film tells of a dystopia that has long been part of our globalized reality. ‘Sodom’ is a place that concerns all of us, a global topic that raises the most pertinent questions about environmental politics as well as about social and cultural issues.”
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Cannes Film Festival 2018 Awards – SHOPLIFTER Wins Palme d’or, Spike Lee’s BLACKKKLANSMAN Wins Grand Prix
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BlacKkKlansman[/caption]
The 71st Cannes Film Festival came to a close today, with the announcement of the 2018 winners, decided by the Feature Film Jury presided over by Cate Blanchett. Shoplifters (Manbiki Kazoku directed by Kore-Eda Hirokazu was awarded the Palme d’or and BlacKkKlansman by Spike Lee won the Grand Prix.
FEATURE FILMS
[caption id="attachment_29298" align="aligncenter" width="926"] MANBIKI KAZOKU(Shoplifters) by KORE-EDA Hirokazu[/caption]
PALME D’OR
MANBIKI KAZOKU (Shoplifters) by KORE-EDA Hirokazu After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, barely making enough money to survive through petty crime, they seem to live happily together until an unforeseen incident reveals hidden secrets, testing the bonds that unite them…GRAND PRIX
BLACKKKLANSMAN (BlacKkKlansman) by Spike LEE Ron Stallworth, an African-American police officer from Colorado, successfully managed to infiltrate the local Ku Klux Klan and almost became the head of the local chapter.JURY PRIZE
CAPHARNAÜM (Capernaum) by Nadine LABAKI INT. COURTROOM ZAIN, a 12-year-old boy, faces THE JUDGE. THE JUDGE: Why are you suing your own parents? ZAIN: For giving me life.BEST PERFORMANCE BY AN ACTOR
Marcello FONTE in DOGMAN by Matteo GARRONEBEST DIRECTOR
ZIMNA WOJNA (Cold War) by Pawel PAWLIKOWSKIBEST SCREENPLAY (tie)
Alice ROHRWACHER for LAZZARO FELICE (Happy as Lazzaro) Jafar PANAHI for SE ROKH (3 Faces)BEST PERFORMANCE BY AN ACTRESS
Samal YESLYAMOVA in AYKA by Sergey DVORTSEVOYSPECIAL PALME D’OR
LE LIVRE D’IMAGE (The Image book) by Jean-Luc GODARDSHORT FILMS
PALME D’OR
ALL THESE CREATURES by Charles WILLIAMSMENTION DISTINCTION BY THE JURY
YAN BIAN SHAO NIAN (On the order) by WEI ShujunCAMÉRA D’OR
GIRL by Lukas DHONT presented at UN CERTAIN REGARD The CST Jury decided to award the VULCAIN PRIZE FOR ARTIST-TECHNICIAN to: SHIN Joom-Hee artistic director, of BURNING for his exceptional contribution to the portrayal of his characters.
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Films by Spike Lee, Jean-Luc Godard, Nandita Das Among 2018 Cannes Film Festival Official Selection Lineup | Complete List [ VIDEO ]
The Cannes Film Festival yesterday announced the Official Selections of the 71st edition of the festival. The titles include the feature films in Competition, at Un Certain Regard, Out of Competition, in Midnight Screenings and in Special Screenings.
The 71st Cannes Film Festival will take place May 8 to 19, 2018.
https://www.youtube.com/watch?v=0swRBkl11rI
In Competition
Opening Film Asghar FARHADI TODOS LO SABEN (EVERYBODY KNOWS)
Stéphane BRIZÉ AT WAR Matteo GARRONE DOGMAN Jean-Luc GODARD THE IMAGE BOOK (LE LIVRE D’IMAGE) Ryusuke HAMAGUCHI NETEMO SAMETEMO (ASAKO I & II) (ASAKO I & II) Christophe HONORÉ SORRY ANGEL Eva HUSSON GIRLS OF THE SUN JIA Zhang-Ke ASH IS PUREST WHITE KORE-EDA Hirokazu SHOPLIFTERS Nadine LABAKI CAPERNAUM LEE Chang-Dong BUH-NING (BURNING) Spike LEE BLACKKKLANSMAN David Robert MITCHELL UNDER THE SILVER LAKE Jafar PANAHI THREE FACES Pawel PAWLIKOWSKI ZIMNA WOJNA (COLD WAR) Alice ROHRWACHER LAZZARO FELICE Kirill SEREBRENNIKOV LETO A.B SHAWKY YOMEDDINEUn Certain Regard
Ali ABBASI GRÄNS (BORDER) Meryem BENM’BAREK SOFIA Andréa BESCOND, Eric METAYER LITTLE TICKLES BI Gan LONG DAY’S JOURNEY INTO NIGHT Nandita DAS MANTO Antoine DESROSIÈRES SEXTAPE Lukas DHONT GIRL Vanessa FILHO ANGEL FACE Valeria GOLINO EUPHORIA Gaya JIJI MY FAVORITE FABRIC Wanuri KAHIU RAFIKI (FRIEND) Etienne KALLOS DIE STROPERS (THE HARVESTERS) Ulrich KÖHLER IN MY ROOM Luis ORTEGA EL ANGEL Adilkhan YERZHANOV THE GENTLE INDIFFERENCE OF THE WORLDOut of Competition
Ron HOWARD SOLO A STAR WARS STORY Gilles LELLOUCHE LE GRAND BAINMidnight Screenings
Joe PENNA ARCTIC YOON Jong-Bin GONGJAK (THE SPY GONE NORTH)Special Screenings
Aditya ASSARAT, Wisit SASANATIENG, Chulayarnon SRIPHOL, Apichatpong WEERASETHAKUL 10 YEARS IN THAILAND Nicolas CHAMPEAUX, Gilles PORTE THE STATE AGAINST MANDELA AND THE OTHERS Carlos DIEGUES O GRANDE CIRCO MÍSTICO (THE GREAT MYSTICAL CIRCUS) Romain GOUPIL LA TRAVERSÉE Michel TOESCA TO THE FOUR WINDS WANG Bing DEAD SOULS Wim WENDERS POPE FRANCIS – A MAN OF HIS WORD