Everybody Knows (Todos Lo Saben) by Asghar Farhadi[/caption]
Some of the most highly anticipated films and episodic series will play in the Special Screenings, Cinema’s Legacy and Midnight sections at AFI FEST 2018 presented by Audi.
Narrative features screening in the Special Screenings section are COLD WAR (DIR Paweł Pawlikowski), EVERYBODY KNOWS (DIR Asghar Farhadi), THE FAVOURITE (DIR Yorgos Lanthimos), ROMA (DIR Alfonso Cuarón), the North American Premiere of STAN & OLLIE (DIR Jon S. Baird), UNDER THE SILVER LAKE (DIR David Robert Mitchell) and VOX LUX (DIR Brady Corbet). Documentaries screening are THE COLD BLUE (DIR Erik Nelson) and DIVIDE AND CONQUER: THE STORY OF ROGER AILES (DIR Alexis Bloom). Also screening are are an episode of the docuseries ENEMIES: THE PRESIDENT, JUSTICE & THE FBI (DIR Jed Rothstein), and the World Premiere of the first episode of the limited series I AM THE NIGHT (DIR Patty Jenkins, AFI Class of 2000).
In this year’s Cinema’s Legacy program, AFI FEST highlights films directed by women. This section is a celebration of motion picture history and a special opportunity to screen recent restorations of classic and lesser-known films. The festival spotlights six independent filmmakers across subjects and genres, including two world-premiere restorations, and newly struck 16mm presentations: THE CRUZ BROTHERS AND MISS MALLOY (DIR Kathleen Collins, 1980), DRYLONGSO (DIR Cauleen Smith, 1998), THE JUNIPER TREE (DIR Nietzchka Keene, 1990), MEETINGS OF ANNA (DIR Chantal Akerman, 1978), NITRATE KISSES (DIR Barbara Hammer, 1992) and QUEEN OF DIAMONDS (DIR Nina Menkes, 1991).
The Midnight section features an international selection of macabre and provocative genre films: CAM (DIR Daniel Goldhaber), IN FABRIC (DIR Peter Strickland), KNIFE+HEART (DIR Yann Gonzalez) and PIERCING (DIR Nicolas Pesce).
-
AFI FEST 2018 Announces Special Screenings, Cinema’s Legacy and Midnight Lineup
[caption id="attachment_27928" align="aligncenter" width="923"]
Everybody Knows (Todos Lo Saben) by Asghar Farhadi[/caption]
Some of the most highly anticipated films and episodic series will play in the Special Screenings, Cinema’s Legacy and Midnight sections at AFI FEST 2018 presented by Audi.
Narrative features screening in the Special Screenings section are COLD WAR (DIR Paweł Pawlikowski), EVERYBODY KNOWS (DIR Asghar Farhadi), THE FAVOURITE (DIR Yorgos Lanthimos), ROMA (DIR Alfonso Cuarón), the North American Premiere of STAN & OLLIE (DIR Jon S. Baird), UNDER THE SILVER LAKE (DIR David Robert Mitchell) and VOX LUX (DIR Brady Corbet). Documentaries screening are THE COLD BLUE (DIR Erik Nelson) and DIVIDE AND CONQUER: THE STORY OF ROGER AILES (DIR Alexis Bloom). Also screening are are an episode of the docuseries ENEMIES: THE PRESIDENT, JUSTICE & THE FBI (DIR Jed Rothstein), and the World Premiere of the first episode of the limited series I AM THE NIGHT (DIR Patty Jenkins, AFI Class of 2000).
In this year’s Cinema’s Legacy program, AFI FEST highlights films directed by women. This section is a celebration of motion picture history and a special opportunity to screen recent restorations of classic and lesser-known films. The festival spotlights six independent filmmakers across subjects and genres, including two world-premiere restorations, and newly struck 16mm presentations: THE CRUZ BROTHERS AND MISS MALLOY (DIR Kathleen Collins, 1980), DRYLONGSO (DIR Cauleen Smith, 1998), THE JUNIPER TREE (DIR Nietzchka Keene, 1990), MEETINGS OF ANNA (DIR Chantal Akerman, 1978), NITRATE KISSES (DIR Barbara Hammer, 1992) and QUEEN OF DIAMONDS (DIR Nina Menkes, 1991).
The Midnight section features an international selection of macabre and provocative genre films: CAM (DIR Daniel Goldhaber), IN FABRIC (DIR Peter Strickland), KNIFE+HEART (DIR Yann Gonzalez) and PIERCING (DIR Nicolas Pesce).
-
THE FAVOURITE and FIRST REFORMED Lead 2018 IFP Gotham Awards Nominations
[caption id="attachment_28919" align="aligncenter" width="1200"]
First Reformed[/caption]
The nominations for the 2018 IFP Gotham Awards were announced this morning, with The Favourite, and First Reformed leading with three nominations each, including for Best Feature and Best Screenplay. Other nominees for Best Feature include If Beale Street Could Talk directed by Barry Jenkins, Madeline’s Madeline directed by Josephine Decker, and The Rider directed by Chloe Zhao. The nominees for Best Documentary include Bisbee ’17 directed by Robert Greene, Hale County, This Morning, This Evening directed by RaMell Ross, Minding the Gap directed by Bing Liu, Shirkers directed by Sandi Tan, and Won’t You Be My Neighbor? directed by Morgan Neville. Gotham Tributes will be given to actors Rachel Weisz and Willem Dafoe, director Paul Greengrass, and the Gotham Industry Tribute to Jon Kamen.
The Gotham Awards ceremony will be held on Monday, November 26th at Cipriani Wall Street in New York City.
2018 IFP Gotham Award nominations
Best Feature
The Favourite Yorgos Lanthimos, director; Ceci Dempsey, Ed Guiney, Lee Magiday, Yorgos Lanthimos, producers (Fox Searchlight Pictures) First Reformed Paul Schrader, director; Jack Binder, Greg Clark, Victoria Hill, Gary Hamilton, Deepak Sikka, Christine Vachon, David Hinojosa, Frank Murray, producers (A24) If Beale Street Could Talk Barry Jenkins, director; Adele Romanski, Sara Murphy, Barry Jenkins, Dede Gardner, Jeremy Kleiner, Megan Ellison, producers (Annapurna Pictures) Madeline’s Madeline Josephine Decker, director; Krista Parris, Elizabeth Rao, producers (Oscilloscope Laboratories) The Rider Chloé Zhao, director; Bert Hamelinck, Sacha Ben Harroche, Mollye Asher, Chloé Zhao, producers (Sony Pictures Classics)Best Documentary
Bisbee ‘17 Robert Greene, producer; Douglas Tirola, Susan Bedusa, Bennett Elliott, producers (4th Row Films) Hale County This Morning, This Evening RaMell Ross, director; RaMell Ross, Joslyn Barnes, Su Kim, producers (The Cinema Guild) Minding the Gap Bing Liu, director; Diane Quon, Bing Liu, producers (Hulu & Magnolia Pictures) Shirkers Sandi Tan, director; Sandi Tan, Jessica Levin, Maya Rudolph, producers (Netflix) Won’t You Be My Neighbor? Morgan Neville, director; Morgan Neville, Caryn Capotosto, Nicholas Ma, producers (Focus Features)Bingham Ray Breakthrough Director Award
Ari Aster for Hereditary (A24) Bo Burnham for Eighth Grade (A24) Jennifer Fox for The Tale (HBO) Crystal Moselle for Skate Kitchen (Magnolia Pictures) Boots Riley for Sorry to Bother You (Annapurna Pictures)Best Screenplay
The Favourite, Deborah Davis and Tony McNamara (Fox Searchlight Pictures) First Reformed, Paul Schrader (A24) Private Life, Tamara Jenkins (Netflix) Support the Girls, Andrew Bujalski (Magnolia Pictures) Thoroughbreds, Cory Finley (Focus Features)Best Actor
Adam Driver in BlacKkKlansman (Focus Features) Ben Foster in Leave No Trace (Bleecker Street) Richard E. Grant in Can You Ever Forgive Me? (Fox Searchlight Pictures) Ethan Hawke in First Reformed (A24) Lakeith Stanfield in Sorry to Bother You (Annapurna Pictures)Best Actress*
Glenn Close in The Wife (Sony Pictures Classics) Toni Collette in Hereditary (A24) Kathryn Hahn in Private Life (Netflix) Regina Hall in Support the Girls (Magnolia Pictures) Michelle Pfeiffer in Where is Kyra? (Paladin and Great Point Media) *The 2018 Best Actress nominating committee also voted to award a special Gotham Jury Award to Olivia Colman, Emma Stone, and Rachel Weisz for their ensemble performance in The Favourite. (Fox Searchlight Pictures)Breakthrough Actor
Yalitza Aparicio in Roma (Netflix) Elsie Fisher in Eighth Grade (A24) Helena Howard in Madeline’s Madeline (Oscilloscope Laboratories) KiKi Layne in If Beale Street Could Talk (Annapurna Pictures) Thomasin Harcourt McKenzie in Leave No Trace (Bleecker Street)Breakthrough Series – Long Form
Alias Grace, Sarah Polley, Mary Harron, Noreen Halpern, executive producers (Netflix) Big Mouth, Nick Kroll, Andrew Goldberg, Jennifer Flackett, Mark Levin, creators; Nick Kroll, Andrew Goldberg, Mark Levin & Jennifer Flackett, executive producers (Netflix) The End of the F***ing World, Andy Baker, Murray Ferguson, Petra Fried, Ed MacDonald, Dominic Buchanan, Jonathan Entwistle, executive producers (Netflix) Killing Eve, Sally Woodward Gentle, Lee Morris, Phoebe Waller-Bridge, executive producers (BBC America) Pose, Ryan Murphy, Brad Falchuk, Steven Canals, creators; Ryan Murphy, Brad Falchuk, Nina Jacobson, Brad Simpson, Alexis Martin Woodall, Sherry Marsh, executive producers (FX Networks) Sharp Objects, Marti Noxon, creator; Marti Noxon, Jason Blum, Gillian Flynn, Amy Adams, Jean-Marc Vallée, Nathan Ross, Gregg Fienberg, Charles Layton, Marci Wiseman, Jessica Rhoades, executive producers (HBO)Breakthrough Series – Short Form
195 Lewis, Chanelle Aponte Pearson and Rae Leone Allen, creators Cleaner Daze, Tess Sweet and Daniel Gambelin, creators Distance, Alex Dobrenko, creator The F Word, Nicole Opper, creator She’s the Ticket, Nadia Hallgren, creator
-
AT&T Presents: Untold Stories Releases First Film NIGERIAN PRINCE on October 19 [Trailer]
[caption id="attachment_21867" align="aligncenter" width="1200"]
Nigerian Prince[/caption]
AT&T Presents: Untold Stories, a film initiative created by AT&T and Tribeca, will release the program’s first-ever film – Nigerian Prince – to audiences nationwide on Friday, October, 19. Written and directed by newcomer Faraday Okoro, and filmed in Lagos, Nigeria, the film is a heist thriller about a Nigerian-American teenager sent to visit relatives in Nigeria against his will, later to join forces with his internet scammer cousin in an attempt to return to the United States on his own.
Nigerian Prince follows two characters: Eze, a stubborn, first generation Nigerian-American teenager and his cousin, Pius, who is a desperate Nigerian Prince scammer. After Eze’s mother sends him to Nigeria against his will, Eze retaliates by teaming up with Pius to scam unsuspecting foreigners in order to earn money for a return ticket back to America. Executive produced by Spike Lee, the film stars Chinaza Uche and Antonio Bell.
https://www.youtube.com/watch?v=n7_jlp1_MLg
Kicking off the 2017 Tribeca Film Festival, Okoro was one of five aspiring directors who participated in a live pitch to a panel of celebrity and industry judges that included AT&T’s chief brand officer Fiona Carter to win $1 million to make their film utilizing the Untold Stories program grant, mentorship and distribution commitments. Okoro’s film, Nigerian Prince, had its world premiere at the 2018 Tribeca Film Festival to rave reviews and packed theaters in New York City. Now, delivering on the program’s promise to ensure that underserved artists’ work is not only created but seen, Nigerian Prince will be available to millions of movie enthusiasts in select theaters across the country as well as on DIRECTV, U-Verse and a range of on-demand platforms.
“Untold Stories is the rare project that unites AT&T’s commitment to equality with our passion for delivering exhilarating new experiences for our customers. Like our friends at Tribeca, we appreciate quality storytelling that entertains, challenges and transports us to places we’ve never been with a creative vision we’ve never seen – that is Nigerian Prince,” said Fiona Carter, chief brand officer, AT&T Communications. “We are thrilled to help Faraday and his incredible team live their dream with the debut of this film, but we’re equally excited to bring a wonderful and completely unique film to a national audience.”
“Programs like Untold Stories have the incredible power to introduce audiences to new storytellers and new ways of seeing the world,” said Jane Rosenthal, ceo and co-founder of Tribeca Enterprises/Tribeca Film Festival. “We’re proud to support Faraday Okoro’s globe-trotting, culture-crossing film Nigerian Prince as the first recipient of the Untold Stories grant, and we are eager to champion other emerging filmmakers as we continue to get untold stories heard with our friends at AT&T.”
AT&T Presents: Untold Stories. An Inclusive Film Program in Collaboration with Tribeca was launched in 2017 to ensure that diverse storytellers always have a screen on which to shine. AT&T will provide funding up to $1 million for one talented filmmaker to create his or her film each year, and Tribeca will provide mentorship from seasoned industry professionals. AT&T will distribute the winning film across its video platforms. This film initiative is an alliance between AT&T and Tribeca along with Tribeca Film Institute and debuted at the 2017 Tribeca Film Festival.
Nigerian Prince is the first film produced under the program. In April of 2018, AT&T awarded its second $1 million to Untold Stories winners Sasie Sealy and Angela Cheng for their film, LUCKY GRANDMA. Like Nigerian Prince, it will also have its world premiere screening during the 2019 Tribeca Film Festival next April. Submissions are now open for Year 3 – and aspiring filmmakers are encouraged to submit scripts between now and Nov. 24, 2018, for their chance to compete for a $1 million grant to make their film as part of AT&T Presents: Untold Stories.
-
OLYMPIA, Documentary on Academy Award-Winning Actress Olympia Dukakis to World Premiere at 2018 DOC NYC
Olympia, a documentary feature film on Academy Award®-winning actress Olympia Dukakis from director Harry Mavromichalis will world premiere at 2018 DOC NYC.
Olympia the film takes us on a poetic journey in search of one’s place in the world. We follow Academy Award® winning actress Olympia Dukakis as she takes on the roles of actor, teacher, wife, mother, and social activist. Determined not to be defined solely as a woman in a male dominated society she struggles to find a sense of belonging due to her ethnic roots and the dichotomy she has always felt between her American values and the values of her immigrant parents. After making the decision that she would never take no for an answer and would never let anyone define her, her mantra became: “Always move forward, no matter what.”
This revealing and unfiltered documentary follows the life and career of Academy Award® winning actress, Olympia Dukakis. Starting on the day she turns eighty and continuing for three years, this film deals with the struggles and pains surrounding identity and the roles placed on us by society. Its cinema-verité style allows the audience to constantly move alongside Olympia as she navigates between rehearsals, workshops, family life, and finally the journey to her ancestral home in Greece. Exhibiting both candor and vulnerability, we see her deal with age, grief, and sexuality while opening up about her past struggles with depression, suicide, and drug addiction.
Intricately weaving between visceral impromptu personal moments with Olympia, together with footage of her performances both on and off screen, we experience the presence of an unrelenting female energy. Not only does her story add to the perpetual ‘herstory’ of women withstanding and overcoming their obstacles and oppressors through the passage of time, it also gives us insight into how she overcame the impediments that affected her life as the daughter of immigrants and as a woman in a male-dominated society. We are granted the raw, unfiltered attitude of Olympia without a script to guide her. Her fierceness is seen to persist throughout her daily life beyond the stage or film. Years of oppression, subordination and self-doubt have thickened her skin and sharpened her mind, and her energy is contagious. Despite her age and the innumerable experiences in her life, her determination to continue, to move forward and overcome the hurdles that life places before us all, is an inspiration.
Through her brutal honesty and sincerity, Olympia compels us to confront our own shortcomings and differences by letting go, and moving forward with defiant conviction, which leaves us with a cathartic feeling that we too can be an “octogenarian motherfucker.”
WORLD PREMIERE SCREENING AT DOC NYC
Sunday, November 11 at 6:30 pm
SVA Theatre (School of Visual Arts)
333 West 23rd Street, New York, NY 10011 (Between 8 and 9 Avenues)
-
Award Winning Japanese Family Drama SHOPLIFTERS Sets US Release Date [Trailer]
Hirokazu Kore-eda’s touching new family drama Shoplifters is one of the most buzzed about foreign films of 2018, having won the Palme d’Or at 2018 Cannes Film Festival, and recently selected as Japan’s Official Submission for Foreign Language Film Competition for the 91st Academy Awards. Shoplifters will open on Friday, November 23 in New York at the Film Society of Lincoln Center and the IFC Center (and in Los Angeles). A national expansion will follow.
After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, barely making enough money to survive through petty crime, they seem to live happily together until an unforeseen incident reveals hidden secrets, testing the bonds that unite them.
In an recent interview, director Hirokazu Kore-eda was asked, Was your intention to depict a family from a different angle compared to your previous films? The first thing that came to my mind was the tagline: “Only the crimes tied us together”. In Japan, crimes like pension frauds and parents making their children shoplift are criticized severely. Of course, these criminals should be criticized but I am wondering why people get so angry over such minor infractions even though there are many lawbreakers out there committing far more serious crimes without condemnation. Especially after the 2011 earthquakes, I didn’t feel comfortable with people saying repeatedly that a family bond is important. So I wanted to explore it by depicting a family linked by crime.
https://www.youtube.com/watch?v=VG-mXdOzC4c
-
THE FIRST PATIENT, Documentary on First Year Med Students, Sets November Release Date [Trailer]
THE FIRST PATIENT is a new film that documents the extraordinary transformation of first-year medical students in the class many consider the toughest in medical school – gross anatomy. With extraordinary access and assistance provided by The Mayo Clinic, Director Chip Duncan brings his cameras into a world the public rarely sees.
THE FIRST PATIENT will open in New York on October 16 at the Cinema Village and in Los Angeles on November 19 at the Laemmle Monica Film Center. A national rollout will follow throughout the fall.
First year medical students embark on the ultimate expedition to explore the inside of the human body.
A dramatic journey into an unknown world, THE FIRST PATIENT challenges audiences to embrace their curiosity and courage as they follow first year medical students through gross anatomy – the dissection of the human body. The Mayo Clinic School of Medicine granted unprecedented access to veteran filmmaker Chip Duncan and The Duncan Entertainment Group team to explore a world long considered taboo. The documentary proves both entertaining and emotional as the camera follows a diverse group of students, faculty and body donors on this life affirming journey inside the human body.
THE FIRST PATIENT provides dynamic insights into medical science, teamwork, death, and spirituality as students discover what it means to be a doctor … and what it means to be a human being.
-
Documentary TRUST MACHINE: THE STORY OF BLOCKCHAIN to International Premiere at Tallinn Black Nights Film Festival [Trailer]
Blockchain entertainment studio SingularDTV’s first feature-length documentary Trust Machine: The Story of Blockchain is set for an international premiere at Tallinn Black Nights Film Festival (PÖFF) 2018. The film premieres in the JF Science360 Programme on November 21 with additional screenings to follow on Nov 26 and Nov 27.
Always one step ahead in signaling technology’s seismic shifts, award-winning documentarian Alex Winter (DOWNLOADED, DEEP WEB) has built up a body of work that documents how innovation changes the way people live their daily lives. In Trust Machine: The Story of Blockchain, he drills down on blockchain, the decentralized technology that supports cryptocurrencies. Why are banks terrified while UNICEF embraces it to help refugee children?
Winter follows tech innovators striking a raw nerve as banks and network pundits rush to condemn volatile cryptocurrencies and blockchain technology. British hacktivist Lauri Love fights extradition—his computer skills perceived a threat to the US government. Through the film, Winter reveals that the proponents of the blockchain—a verified digital ledger—are already using the technology to change the world; fighting income inequality, the refugee crisis and world hunger.
Forbes’ Lauren DeLisa Coleman describes the film as “a compelling new documentary about blockchain and cryptocurrency that is dramatic, poignant, and engaging no matter whether you are working deep in the tech space, a business executive trying to grasp such disruptive changes or the everyday person intrigued about digital privacy, activism and power.”
Alex Winter on his inspiration for Trust Machine: The Story of Blockchain:
“The idea of a verifiable ledger is a problem that’s been in search of a solution for a really long time. I got into this working on DOWNLOADED (2013). When I was making my film DEEP WEB (2015), funnily enough, I still had very little interest in Bitcoin. Then the world got really confusing with blockchain technology, cryptocurrency, and decentralization.
Bitcoin matters, but blockchain is really where the changes are going to come. There are huge changes happening in human culture right now. Never has something like this happened before, ever. And it is fascinating to me. That’s why I really wanted to make this documentary.”
Trust Machine: The Story of Blockchain opens in New York’s Cinema Village theater on October 26, followed by an LA release on November 16. will become available on SingularDTV’s distribution platform in 2019. Produced by Kim Jackson of SingularDTV, Geoff Clark of Futurism Studios and Alex Winter’s Trouper Productions.
https://www.youtube.com/watch?v=rMlqIoUVnLo
-
Watch an Unrecognizable Nicole Kidman as LAPD Detective in Awards Buzz DESTROYER Trailer
Annapurna Pictures released the official trailer and poster for Destroyer starring an unrecognizable Nicole Kidman as an LAPD detective. Destroyer which is receiving rave reviews and considerable awards buzz, opens in theaters in New York and Los Angeles on December 25 before expanding in January.
Destroyer follows the moral and existential odyssey of LAPD detective Erin Bell who, as a young cop, was placed undercover with a gang in the California desert with tragic results. When the leader of that gang re-emerges many years later, she must work her way back through the remaining members and into her own history with them to finally reckon with the demons that destroyed her past.
The film is directed by Karyn Kusama, and also stars Sebastian Stan, Toby Kebbell, Tatiana Maslany, Bradley Whitford, Jade Pettyjohn, and Scoot McNairy.
-
63rd Cork Film Festival to Showcase Films with a Focus on Current Global Issues
[caption id="attachment_32194" align="aligncenter" width="1200"]
Sissy Spacek and Robert Redford in The Old Man and the Gun.[/caption]
The 63rd Cork Film Festival, running from November 9 to 18, 2018, will showcase Irish and international films with a focus on current global issues.
The 2018 program for Ireland’s first and largest film festival, launched today features films with themes centered on LGBT, mental health, child poverty, gender equality, and human rights. Over 250 Irish and international features and shorts will be screened across the Festival, with 90% being Irish premieres.
Speaking on today’s program launch, Festival Producer and CEO Fiona Clark said: “Our mission is to bring people together through an outstanding program of films and events and to create an unforgettable festival experience over 10 days in Cork.
“As a destination for great storytelling on film, this year’s program includes numerous award-winners from the 2018 international festival circuit, alongside fresh new voices, together showcasing the latest and best independent cinema. For many films presented, this is the only opportunity to see them on the big screen in Cork and Ireland.”
Special presentations include a cine concert of the 1920s silent horror Nosferatu (November 13) at St Fin Barre’s Cathedral, with a new score by Cork composers Irene and Linda Buckley. This year’s collaboration with the National Sculpture Factory is Alan Butler’s On Exactitude in Science (November 12 – 14) a work comprising Godfrey Reggio’s Koyaanisqatsi (1983) in synchronicity with Butler’s 2017 remake.
Speaking on the representation of Irish film in the Festival, program Director Michael Hayden stated: “It is fantastic that we can open the Festival with a film with such distinct Cork connections. Carmel Winters’ highly anticipated and award-winning second feature Float like a Butterfly is a special film that fiercely challenges patriarchy and stereotypes. Carmel, and many of the cast and crew, will be in attendance for this European premiere on 9 November.
“Selecting Float like a Butterfly as the Opening Gala is indicative of the Festival’s commitment to celebrating Irish film, and we have secured some of the most celebrated films of the year. These include the Irish premiere of Yorgos Lanthimos’ feminist comedy The Favourite on 10 November, produced by Element Pictures and starring Olivia Colman, Emma Stone and Rachel Weisz; and The Dig, directed by Ryan and Andrew Tohill, starring Moe Dunford, which was awarded Best Irish Feature at Galway Film Fleadh earlier this year.”
The Closing Night Gala will also feature the work of an outstanding female director, with the Irish premiere of Nadine Labaki’s multi-award-winning Capernaum (November 18). This urgent and important film is on child poverty and the denial of an individual’s human rights. Other Irish premieres of international features include The Old Man and the Gun, starring Robert Redford as a septuagenarian bank robber; Peter Strickland’s sumptuous and spooky tale, In Fabric; and Wash Westmoreland’s period biopic, Colette, starring Keira Knightley.
The program features 40 documentaries, with highlights to include veteran auteur Frederick Wiseman’s Monrovia, Indiana, and Werner Herzog’s Meeting Gorbachev, cementing Cork Film Festival as the destination festival for documentary in Ireland.
Illuminate, the Festival’s unique series of film and discussion events exploring mental health and wellbeing, is presented in association with Arts+Minds, the HSE Cork Mental Health Service and Irish Rail Iarnród Éireann. Screenings include Trauma is a Time Machine, For the Birds, and Ordinary People.
The fun-packed family strand will be screened throughout the Festival at The Gate Cinema. The program includes the highly-anticipated family friendly animations, The Grinch (November 10) and The Overcoat (November 17), which features the voice of Cork actor Cillian Murphy.
In total, 117 world-class shorts will be presented across the 10 days and will be considered for either the Grand Prix Irish Short or the Grand Prix International Short Awards. The winners of both, announced at the Awards Ceremony on November 18 at the Triskel, will be automatically longlisted for the Oscars®.
-
MY PERFECT WORLD: THE AARON HERNANDEZ STORY to World Premiere at DOC NYC
Dan Wetzel and Kevin Armstrong undertake an exhaustive journey into the mind and motives behind the murderous fall, and tragic suicide, of Aaron Hernandez, in the new documentary in My Perfect World: The Aaron Hernandez Story. My Perfect World: The Aaron Hernandez Story will World Premiere at 2018 DOC NYC on Wednesday, November 14, 2018 at 9:15 PM – IFC Center.
IT WAS A MOMENT THAT BLINDSIDED A NATION – just five days after being found not guilty of a double murder, Aaron Hernandez was discovered dead in his prison cell. Americans were shocked… confused… thrown off-kilter. Officials reported that Hernandez was not on suicide watch and that no note was found. “John 3:16” was, however, written on his forehead. The following day the story changed. The prison was mistaken, there were actually three suicide notes found in his cell. But why would he take his own life?
Together with award winning journalists Kevin Armstrong and Dan Wetzel, director Geno McDermott and Blackfin uncover the full, never before seen story of one of the most tragic figures in sports. Featuring exclusive interviews with those closest to Hernandez, as well as hundreds of hours of never before seen archival footage (including from 100 hours of Hernandez’s multiple court cases and surveillance camera from the night of his murders), My Perfect World: The Aaron Hernandez Story recounts the step by step process that took Hernandez from a young football star in Bristol, Connecticut to an early grave at age 27.
ABOUT DIRECTOR GENO MCDERMOTT
Geno McDermott is a New York-based director and executive producer, wielding a rare and versatile ability to film, edit and produce thus bringing a holistic approach to filmmaking. After spending several years roaming America’s heartland in search of unique characters and compelling stories for documentary series, Geno launched Blackfin in 2014 from a small WeWork office at 28 years of age. Now, just five years later Blackfin is one of Manhattan’s thriving independent production companies with clients such as Netflix, National Geographic, Discovery, History, CNN, Paramount, AMC and Investigation Discovery. Early 2017 marked Geno and Blackfin’s entrance into the feature documentary world by self-financing development and production of My Perfect World: The Aaron Hernandez Story for the festival circuit, all while producing the film BAD HENRY which aired on Investigation Discovery in July 2018.
-
Gravitas Ventures to Release Adam Christian Clark’s Relationship Drama NEWLY SINGLE [Trailer]
Adam Christian Clark’s darkly comedic relationship drama Newly Single starring Adam Christian Clark (“Caroline and Jackie”), Jennifer Kim (“Mozart in the Jungle”), Molly C. Quinn (“Castle”), and Anna Jacoby-Heron (“Stranger Things”) was today acquired by Gravitas Ventures for release in the US. Newly Single had its festival World Premiere at Tallinn Black Nights Festival in late 2017 and it also just played at CPH-PIX Film Festival in September. Gravitas Ventures will release the film this December 7, 2018.
American filmmaker Adam Christian Clark directs and stars in this jet black comedy centered around the Los Angeles dating scene, as a self-obsessed filmmaker finds himself on the market once again. The film is a darkly funny and sometimes brutal exercise. While the film is reminiscent of great American cinema of the 1970’s with a somewhat staccato structure made up of disparate moments, this is still a thoroughly modern affair replete with some graphic sexuality and an often harsh takedown on modern views of dating.
“We are immensely proud that Gravitas will be releasing Adam Christian Clark’s sophomore effort out into the marketplace. Adam is a powerful storyteller with a unique vision, and the type of filmmaker we try to empower here at Divide/Conquer,” said Adam Hendricks on behalf of the producers.
https://www.youtube.com/watch?v=W_uUhnjg0oQ
-
Ralph Fiennes to Receive European Achievement in World Cinema Award
Ralph Fiennes will receive the honorary award European Achievement in World Cinema Award at the 31st European Film Awards Ceremony on December 15, in Seville, in recognition of a rich and extensive career in front of and behind the camera.
Ralph Fiennes has been creating film experiences that continue to move and inspire us. Most recently he directed THE WHITE CROW about Rudolf Nureyev’s defection to the West, in which he also plays Pushkin. He was Charles Dickens in THE INVISIBLE WOMAN (2013) which he also directed. His directorial debut was the 2011 film adaptation of Shakespeare’s CORIOLANUS in which he also acted as the protagonist, earning him a BAFTA nomination. So did his role as the legendary concierge in Wes Anderson’s THE GRAND BUDAPEST HOTEL (2014). Ralph Fiennes was Harry Hawkes in Luca Guadagnino’s A BIGGER SPLASH (2015) and Nazi officer Amon Goeth in Steven Spielberg’s SCHINDLER’S LIST (1993) for which he won a BAFTA and an Oscar nomination.
He was the protagonist in Anthony Minghella’s THE ENGLISH PATIENT (1996) for which he was again nominated for an Oscar and a BAFTA. Further BAFTA nominations came for his role as Justin Quayle in Fernando Meirelles’ THE CONSTANT GARDENER (2005) and as novelist Maurice Bendrix in THE END OF THE AFFAIR by Neil Jordan (1999).
Ralph Fiennes worked with Stephen Daldry in THE READER (2008), with Robert Redford in QUIZ SHOW (1994) and with Gillian Armstrong in OSCAR AND LUCINDA (1997). He played the leading roles in his sister’s ONEGIN (1999), in SPIDER by David Cronenberg (2002) for which he was nominated for an EFA Audience Award, and in SUNSHINE by István Szabó for which he received an EFA as European Actor 1999. He also worked with Kathryn Bigelow in STRANGE DAYS (1995) and again in THE HURT LOCKER (2008).
And, of course, he is forever Lord Voldemort in the Harry Potter series and ‘M’ in the James Bond films SKYFALL and SPECTRE.
