Free Solo (2018)

  • 7 Documentaries Nominated for 2019 Producers Guild of America Award

    [caption id="attachment_32398" align="aligncenter" width="1200"]Won’t You Be My Neighbor? Won’t You Be My Neighbor?[/caption] The Producers Guild of America (PGA) revealed today the 7 documentary films selected as 2019 Documentary Motion Pictures nominees that will advance in the final voting process for the 30th Annual Producers Guild Awards.  The Producers Guild Awards honor excellence in motion picture and television productions, as well as some of the living legends who shape the profession. The ceremony for the 2019 Producers Guild Awards presented by General Motors takes place on January 19, 2019 at The Beverly Hilton hotel in Los Angeles where the final winners will be announced. The films nominated for the Award for Outstanding Producer of Documentary Motion Pictures are listed below in alphabetical order: The Dawn Wall https://www.youtube.com/watch?v=edfw9ip9sCQ Free Solo https://www.youtube.com/watch?v=urRVZ4SW7WU Hal https://www.youtube.com/watch?v=GBGfKan2qAg Into the Okavango https://www.youtube.com/watch?v=SXVohy5eAP8 RBG https://www.youtube.com/watch?v=biIRlcQqmOc&t=2s Three Identical Strangers https://www.youtube.com/watch?v=uM5TQ4f7ycw Won’t You Be My Neighbor? https://www.youtube.com/watch?v=FhwktRDG_aQ&t=4s During the awards show, the Producers Guild also will present special honors to individual producers, including recognizing President of Marvel Studios Kevin Feige with its David O. Selznick Achievement Award. The 2019 Producers Guild Awards Event Chairs are Donald De Line and Amy Pascal. In 1990, the Producers Guild held the first-ever Golden Laurel Awards, which were renamed the Producers Guild Awards in 2002. Richard Zanuck and Lili Fini Zanuck took home the award for Best Produced Motion Picture for “Driving Miss Daisy,” establishing the Guild’s awards as a bellwether for the Oscars.

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  • GREEN BOOK, FREE SOLO, RELAXER, AMÉRICA Win at 2018 Virginia Film Festival

    [caption id="attachment_32594" align="aligncenter" width="1200"]GREEN BOOK L to R: Viggo Mortensen and Mahershala Ali in GREEN BOOK[/caption] After showcasing an impressive lineup of nearly 200 films, the audience attending the 31st Annual Virginia Film Festival voted Peter Farrelly’s Green Book winner of the Audience Award for Best Narrative Feature, and National Geographic’s Free Solo won for Best Documentary Feature. Relaxer won the 2018 Programmer’s Awards for Best Narrative Feature, and América won for Best Documentary Feature. The Virginia Film Festival also presented its first-ever Commonwealth Awards to honor their achievements of Virginia filmmakers. The inaugural Commonwealth Award winners were Fiddlin’, for Best Virginia Feature Film, and Werowocomoco, for Best Virginia Short Film.

    2018 Virginia Film Festival Audience Awards

    Narrative Feature: Green Book Documentary Feature: Free Solo Narrative Short: Are You Volleyball?! Documentary Short: Unstuck: An OCD Kids Movie

    2018 Virginia Film Festival Programmer’s Awards

    Narrative Feature: Relaxer Documentary Feature: América Narrative Short: Lamb Documentary Short: Like Dolls, I’ll Rise

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  • MARY QUEEN OF SCOTS to Open, MOMENTUM GENERATION to Close 2018 Whistler Film Festival

    [caption id="attachment_31897" align="aligncenter" width="1000"]MARY QUEEN OF SCOTS (l-r) Grace Molony stars as Dorothy Stafford, Margot Robbie stars as Queen Elizabeth I and Georgia Burnell as Kate Carey in MARY QUEEN OF SCOTS, a Focus Features release.[/caption] Festival goers attending the 18th annual Whistler Film Festival (WFF), taking place from November 28 to December 2,  can look forward to 85 fresh films including 50 features and 35 shorts representing 12 countries.  WFF is set to open this year with Josie Rourke’s MARY QUEEN OF SCOTS, starring two of last year’s Oscar nominated best actresses, Saoirse Ronan and Margot Robbie. Rourke’s breathtakingly beautiful directorial debut explores the turbulent life of the charismatic Mary Stuart (Ronan), and her struggle to reclaim her rightful throne as Queen of Scotland, then under the rule of the compelling Elizabeth I (Robbie). Closing the festival is the Canadian Premiere of groundbreaking surf documentary MOMENTUM GENERATION. Directed by Academy Award-shortlisted and Emmy and Peabody Award-winning filmmakers Jeff and Michael Zimbalist, the documentary follows the biggest names in surfing, including Kelly Slater, Rob Machado, Shane Dorian, Kalani Robb and the late Todd Chesser. Executive produced by Sundance founder Robert Redford with stunning archival footage from the godfather of surf films Taylor Steele, MOMENTUM GENERATION gives audiences an inside look at the lives of these teenagers as they rose to super stardom as the first competitive surfers. WFF will screen six award season contenders including hosting the Canadian premieres of ON THE BASIS OF SEX, Mimi Leder’s topical biography of Supreme Court Justice Ruth Bader Ginsburg played by Felicity Jones, and Robert Budreau’s STOCKHOLM with Ethan Hawke and Noomi Rapace. The festival will also feature Western Canadian Premieres of AT ETERNITY’S GATE, director Julian Schnabel’s take on the life on Vincent Van Gogh played by Willem Dafoe; IF BEALE STREET COULD TALK, the first film from director Barry Jenkins since winning the Academy Award for Best Picture with MOONLIGHT; Alfonso Cuarón’s masterful ROMA, which – for the first time ever at WFF – will be shown in 4k projection and 7.2 sound; and FAMILY FIRST (CHIEN DE GARDE) directed by Sophie Dupuis, Canada’s entry in this year’s Best Foreign Language Oscar category. Other highlights include the World Premiere of Borsos Jury member Bruce McDonald’s CLAIRE’S HAT, an unprecedented filmic mea culpa about the making of the 2001 fiasco PICTURE CLAIRE. This funny, insightful and brilliantly reconstructed exploration documents what went wrong during the shooting of McDonald’s biggest budget movie to date. Direct from its premiere at Telluride, Brigitte Berman’s HUGH HEFNER’S AFTER DARK: SPEAKING OUT IN AMERICA, features a treasure trove of archival footage with everyone from Lenny Bruce to Moms Mabley. Programming strands include American Indies, Canadian Vanguard, Contenders, Doc Bloc, First Features, From Overseas, From The Vault, Mountain Culture, ShortWork, and World Premieres. WFF boasts that four of its five films in its American Indies strand will grace Canadian screens for the first time in Whistler. Titles include Wendy McColm’s funny and bittersweet BIRDS WITHOUT FEATHERS; Adisa’s horrifying look at sex trafficking in SKIN IN THE GAME; Alex Harvey’s brilliant WALDEN: LIFE IN THE WOODS with Oscar nominee Demián Bichir; and Emma Forrest’s moving UNTOGETHER, with Jamie Dornan (50 SHADES OF GREY), Jemima Kirke, Lola Kirke, Ben Mendelsohn and Jennifer Grey. Finally, Sebastián Silva’s TYREL features Michael Cera in a story about a lone black man on otherwise all-white weekend of drunken bro debauchery on a birthday trip to a cabin in the Catskills. This year, 18 Canadian films will compete for Canada’s second largest festival prize in the 15th annual Borsos Competition for Best Canadian Feature. Borsos titles feature seven World Premieres including Jon Silverberg’s haunting WOODLAND (shot in BC); Métis director Shane Belcourt’s mission to Mars comedy RED ROVER starring Cara Gee; Jesse Zigelstein’s restaurant owner drama for foodies NOSE TO TAIL, Carolyn Combs’ ode to multiculturalism in Vancouver BELLA CIAO!; Natty Zavitz’s moving forbidden romance drama ACQUAINTED; Maja Zdanowski’s ambitious multi-character drama IN GOD I TRUST; Zack Bernbaum’s hilariously deadpan road movie about two Toronto Jews on a trek into Poland THE DANCING DOGS OF DOMBROVA; and Rama Rau’s HONEY BEE, which features another unforgettable performance by Julia Sarah Stone (WFF 2017 Star to Watch Alumni) as an underage truckstop hooker. Western Canadian premieres in the Borsos Competition include Deanne Foley’s poignant exploration of mental illness and maternal yearnings, AN AUDIENCE OF CHAIRS; Kristina Wagenbauer’s moving story of mother/daughter conflict SASHINKA; Geneviève Dulude-De Celles’  A COLONY (UNE COLONIE), a memorable small-town coming of age story; Roz Owen’s study of a disenfranchised First Nations woman TROUBLE IN THE GARDEN featuring Cara Gee; Renée Beaulieu’s shockingly honest THE NATURALLY WANTON PLEASURE OF SKIN (LES SALOPES); Darlene Naponse’s FALLS AROUND HER featuring a career-best performance by Tantoo Cardinal; Lenin M. Sivam’s ROOBHA, a moving and empathetic look at transgender romance within the Canadian Tamil community; Sébastien Pilote’s award-winning coming of age story THE FIREFLIES ARE GONE; Sophie Dupuis’ first feature FAMILY FIRST (CHIEN DE GARDE), Canada’s entry in this year’s Foreign language Oscar category; and the Canadian Premiere of Robert Budreau’s STOCKHOLM with Ethan Hawke and Noomi Rapace. In addition to the Canadian Premiere of the definitive surfing documentary MOMENTUM GENERATION which will close the festival, this year’s Mountain Culture films include premieres of Whistler-based directors Brian Hockenstein and Tamo Campos’ THE RADICALS which follows a group of snowboarders and surfers who drift from the mountains and oceans into the world of activism; Patagonia’s stunning winter film TREELINE which explores the diverse forests of British Columbia, Nevada, and Japan, directed by Vancouver-based Jordan Manley; and winner of the Best Documentary award at this year’s Toronto International Film Festival, FREE SOLO, directed by E. Chai Vasarhelyi and Jimmy Chin, a stunning, intimate and unflinching portrait of the free soloist climber Alex Honnold’s preparations to achieve his lifelong dream: climbing the face of the world’s most famous rock – the 3,000ft El Capitan in Yosemite National Park – without a rope. This year’s Doc Bloc competition features a refreshingly diverse line-up. Two BC-based productions will grace our screens, including NEVER BE DONE: THE RICHARD GLEN LETT STORY directed by Roy Tighe about a self-sabotaging Vancouver based stand-up comic, and the World Premiere of FUCK YOU ALL: THE UWE BOLL STORY directed by Sean Patrick Shaul. Canadian premieres include Brian Bellinkoff’s PSYCHONAUTICS: A COMIC’S EXPLORATION OF PSYCHEDELICS with comedian Shane Mauss, and Brigitte Berman’s HUGH HEFNER’S AFTER DARK: SPEAKING OUT IN AMERICA. In addition, WFF will screen the World Premiere of Jaren Hayman’s eye-opening exploration of Canada’s largest black community in THIS IS NORTH PRESTON. Western Canadian premieres include THIS CHANGES EVERYTHING, Tom Donahue’s timely reminder of gender inequality in the film and television industries being shown as part of WFF’s Women on Top Series, and our British Columbia premiere selection includes Laura Marie Wayne’s LOVE, SCOTT, about the lasting impact of a horrific incident of homophobic violence, produced by the National Film Board of Canada. Other films of note in this year’s lineup include the family-friendly first feature from the Northwest Territories’ Jennifer Walden, ELIJAH AND THE ROCK CREATURE; musical Christmas zombie movie ANNA AND THE APOCALYPSE that simply must be seen to be believed; Gillian McKercher’s realistic look at working in the Alberta oil sands CIRCLE OF STEEL; Collin Friesen’s hilarious comedy about burying a deceased father’s ashes featuring a stand-out performance from Bruce Greenwood, SORRY FOR YOUR LOSS; and Eva Husson’s rousing film detailing a Kurdish all-female battalion, GIRLS OF THE SUN. Borsos award winner Maxime Giroux (FELIX AND MEIRA 2014) returns with his newest THE GREAT DARKENED DAYS, and Gary Burns honors the festival with his Mountain Culture entry MAN RUNNING, about a doctor running a marathon in the Rockies.

    WFF 2018 COMPLETE FEATURE FILM LISTING BY STRAND

    American Indies

    BIRDS WITHOUT FEATHERS (United States) Dir. Wendy McColm SKIN IN THE GAME (United States) Dir. Adisa TYREL (United States) Dir. Sebastián Silva UNTOGETHER (United States) Dir. Emma Forrest WALDEN: LIFE IN THE WOODS (United States) Dir. Alex Harvey

    Canadian Vanguard

    AN AUDIENCE OF CHAIRS (Canada) Dir. Deanne Foley FALLS AROUND HER (Canada) Dir. Darlene Naponse THE FIREFLIES ARE GONE (Canada) Dir. Sébastien Pilote THE GREAT DARKENED DAYS (Canada) Dir. Maxime Giroux MAN RUNNING (Canada) Dir. Gary Burns THE NATURALLY WANTON PLEASURE OF SKIN (Canada) Dir. Renée Beaulieu

    Contenders

    AT ETERNITY’S GATE (United States) Dir. Julian Schnabel FAMILY FIRST (CHIEN DE GARDE) (Canada) Dir. Sophie Dupuis IF BEALE STREET COULD TALK (United States) Dir. Barry Jenkins ON THE BASIS OF SEX (United States) Dir. Mimi Leder ROMA (United States, Mexico) Dir. Alfonso Cuarón STOCKHOLM (Canada) Dir. Robert Budreau

    Discoveries

    A COLONY (Canada) Dir. Geneviève Dulude-De Celles ACQUAINTED (Canada) Dir. Natty Zavitz THE DANCING DOGS OF DOMBROVA (Canada) Dir. Zack Bernbaum HONEY BEE (Canada) Dir. Rama Rau ROOBHA (Canada) Dir. Lenin M. Sivam

    Doc Bloc

    FUCK YOU ALL: THE UWE BOLL STORY (Canada) Dir. Sean Patrick Shaul HUGH HEFNER’S AFTER DARK: SPEAKING OUT IN AMERICA (Canada) Dir. Brigitte Berman LOVE, SCOTT (Canada) Dir. Laura Marie Wayne NEVER BE DONE: THE RICHARD GLEN LETT STORY (Canada) Dir. Roy Tighe PSYCHONAUTICS: A COMIC’S EXPLORATION OF PSYCHEDELICS (United States) Dir. Brian Bellinkoff THIS CHANGES EVERYTHING (United States) Dir. Tom Donahue THIS IS NORTH PRESTON (Canada) Dir. Jaren Hayman

    First Features

    CIRCLE OF STEEL (Canada) Dir. Gillian McKercher ELIJAH AND THE ROCK CREATURE (Canada) Dir. Jen Walden SASHINKA (Canada) Dir. Kristina Wagenbauer SORRY FOR YOUR LOSS (Canada) Dir. Collin Friesen TROUBLE IN THE GARDEN (Canada) Dir. Roz Owen

    From Overseas

    ANNA AND THE APOCALYPSE (United Kingdom) Dir. John McPhail GIRLS OF THE SUN (France) Dir. Eva Husson KARMA (China) Dir. Lutao Wang THE QUAKE (Norway) Dir. John Andreas Andersen

    From The Vault

    CLAIRE’S HAT (Canada) Dir. Bruce McDonald

    Galas

    MARY QUEEN OF SCOTS (United Kingdom) Dir. Josie Rourke [caption id="attachment_31845" align="aligncenter" width="1200"]Momentum Generation Momentum Generation[/caption] MOMENTUM GENERATION (United States) Dir. Jeff & Michael Zimbalist

    Mountain Culture

    FREE SOLO (United States) Dir. E. Chai Vasarhelyi & Jimmy Chin MAN RUNNING (Canada) Dir. Gary Burns MOMENTUM GENERATION (United States) Dir. Jeff & Michael Zimbalist THE RADICALS (Canada) Dir. Brian Hockenstein & Tamo Campos TREELINE (Canada) Dir. Jordan Manley

    World Premieres

    BELLA CIAO! (Canada) Dir. Carolyn Combs IN GOD I TRUST (Canada) Dir. Maja Zdanowski INTO INVISIBLE LIGHT (Canada) Dir. Shelagh Carter NOSE TO TAIL (Canada) Dir. Jesse Zigelstein RED ROVER (Canada) Dir. Shane Belcourt WOODLAND (Canada) Dir. Jon Silverberg

    WFF 2018 Feature Films Eligible for the Borsos Competition for Best Canadian Feature:

    A COLONY ACQUAINTED AN AUDIENCE OF CHAIRS BELLA CIAO! THE DANCING DOGS OF DOMBROVA FALLS AROUND HER FAMILY FIRST THE FIREFLIES ARE GONE HONEY BEE IN GOD I TRUST THE NATURALLY WANTON PLEASURE OF SKIN NOSE TO TAIL RED ROVER ROOBHA TROUBLE IN THE GARDEN SASHINKA STOCKHOLM WOODLAND

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  • Cinema Eye Honors Announces 2018 Audience Choice, Heterodox, Broadcast, Unforgettables and Nonfiction “Shorts List”

    [caption id="attachment_32398" align="aligncenter" width="1200"]Won’t You Be My Neighbor? Won’t You Be My Neighbor?[/caption] The Cinema Eye Honors unveiled the first awards announcements for their 12th Annual awards, including The Unforgettables, their annual list of notable and significant nonfiction film subjects;  The Shorts List, an annual list of the year’s ten top Nonfiction Short Films; and nominees in four categories: Broadcast Film; Broadcast Series; the Heterodox Award, which recognizes fiction films that actively blur the line between fiction and documentary; and the annual Audience Choice Prize. The full list of nonfiction film and craft nominees, including the five nominees for Outstanding Nonfiction Short Film, will be revealed on Thursday, November 8. Eight films – Elizabeth Chai Vasarhelyi and Jimmy Chin’s Free Solo, Stephen Loveridge’s Mantangi/Maya/M.I.A., Bing Liu’s Minding the Gap, Alexandria Bombach’s On Her Shoulders, Julie Cohen and Betsy West’s RBG, Sandi Tan’s Shirkers, Tim Wardle’s Three Identical Strangers and Morgan Neville’s Won’t You Be My Neighbor? – were nominated for the Audience Choice Prize and also saw their subjects recognized amongst this year’s Unforgettables. Rashida Jones and Alan Hicks’ Quincy and Dava Whisenant’s Bathtubs Over Broadway round out this year’s Audience Choice nominees. This is the first year that Cinema Eye will have an award to recognize Outstanding Nonfiction Series for Broadcast. Inaugural nominees in the Series category are Steve James’ America to Me (STARZ), Trey Borzilleri & Barbara Schroeder’s Evil Genius (Netflix), Zackary Canepari, Drea Cooper & Jessica Dimmock’s Flint Town (Netflix) Liz Garbus’ The Fourth Estate (Showtime) Matthew Heineman’s The Trade (Showtime) and Chapman Way & Maclain Way’s Wild Wild Country (Netflix). The 12th Annual Cinema Eye Honors will be presented on Thursday, January 10, 2019 at the Museum of the Moving Image in New York City.

    AUDIENCE CHOICE PRIZE NOMINEES

    Bathtubs Over Broadway Directed by Dava Whisenant Free Solo Directed by Elizabeth Chai Vasarhelyi and Jimmy Chin Matangi/Maya/M.I.A. Directed by Stephen Loveridge Minding the Gap Directed by Bing Liu On Her Shoulders Directed by Alexandria Bombach Quincy Directed by Rashida Jones and Al Hicks RBG Directed by Julie Cohen and Betsy West Shirkers Directed by Sandi Tan Three Identical Strangers Directed by Tim Wardle Won’t You Be My Neighbor? Directed by Morgan Neville

    NONFICTION SHORTS LIST

    (Five nominees in this category will be announced on Thursday, November 8) Baby Brother Directed by Kamau Bilal Concussion Protocol Directed by Josh Begley The Earth is Humming Directed by Garrett Bradley My Dead Dad’s Porno Tapes Directed by Charlie Tyrell A Night at the Garden Directed by Marshall Curry Las Nubes Directed by Juan Pablo González Sister Hearts Directed by Mohammad Gorjestani Skip Day Directed by Patrick Bresnan and Ivete Lucas Volte Directed by Monika Kotecka and Karolina Poryzala Zhalanash – Empty Shore Directed by Marcin Sauter

    HETERODOX AWARD NOMINEES

    American Animals Directed by Bart Layton Obscuro Barrocco Directed by Evangelia Kranioti Skate Kitchen Directed by Crystal Moselle The Tale Directed by Jennifer Fox We the Animals Directed by Jeremiah Zagar

    BROADCAST FILM NOMINEES

    Baltimore Rising Directed by Sonja Sohn HBO Believer Directed by Don Argott HBO The Final Year Directed by Greg Barker HBO I Am Evidence Directed by Trish Adlesic and Geeta Gandbhir HBO Nobody Speak: Trials of the Free Press Directed by Brian Knappenberger Netflix This is Home: A Refugee Story Directed by Alexandra Shiva Epix

    BROADCAST SERIES NOMINEES

    America to Me Directed by Steve James Starz Evil Genius Directed by Trey Borzilleri and Barbara Schroeder Netflix Flint Town Directed by Zackary Canepari, Drea Cooper and Jessica Dimmock Netflix The Fourth Estate Directed by Liz Garbus Showtime The Trade Directed by Matthew Heineman Showtime Wild Wild Country Directed by Chapman Way and Maclain Way Netflix

    UNFORGETTABLES NONFICTION SUBJECTS OF 2018

    Annette Ontell 306 Hollywood América América Issei Sagawa Caniba Alex Honnold Free Solo Julita Salmerón Lots of Kids, a Monkey and a Castle Nick Bollettieri Love Means Zero M.I.A. Matangi/Maya/M.I.A. Kiere Johnson, Bing Liu and Zack Mulligan Minding the Gap Abu Osama Of Fathers and Sons Nadia Murad On Her Shoulders Ruth Bader Ginsburg RBG Scotty Bowers Scotty and the Secret History of Hollywood Georges Cardona, Jasmine Ng, Sophie Siddique and Sandi Tan Shirkers Edward Galland, David Kellman and Robert Shafran Three Identical Strangers Fred Rogers Won’t You Be My Neighbor?

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  • FREE SOLO Leads Nominations for 3rd Critics’ Choice Documentary Awards

    [caption id="attachment_32176" align="aligncenter" width="1200"]FREE SOLO FREE SOLO[/caption] Free Solo leads the nominees for this year’s  third annual Critics’ Choice Documentary Awards with six nominations and one honor, including Best Documentary, Jimmy Chin and Elizabeth Chai Vasarhelyi for Best Directors, Best Sports Documentary, Most Innovative Documentary, Best Cinematography, Best Editing and a Most Compelling Living Subject of a Documentary honor for Alex Honnold. Recognized with five nominations are Minding the Gap and Wild Wild Country. The nominations for Minding the Gap are Best Documentary, Best Sports Documentary, Bing Liu for Best Director and for Best First Time Director, and Best Cinematography. The nominations for Wild Wild Country are Best Documentary, Chapman Way and Maclain Way for Best First Time Directors, Most Innovative Documentary, Best Cinematography, and Best Limited Documentary Series. Recognized with four nominations are Dark Money, Hitler’s Hollywood and Won’t You Be My Neighbor? The nominations for Dark Money are Best Documentary, Kimberly Reed for Best Director, Best Political Documentary and Best Editing. The nominations for Hitler’s Hollywood are Best Documentary, Best Political Documentary, Rüdiger Suchsland for Best Director, and Most Innovative Documentary. The nominations for Won’t You Be My Neighbor? are Best Documentary, Morgan Neville for Best Director, Most Innovative Documentary and Best Editing. Three Identical Strangers received three nominations and an honor, including Best Documentary, Tim Wardle for Best Director, Best Editing and an honor for David Kellman and Bobby Shafran for Most Compelling Living Subjects of a Documentary. At the gala ceremony, filmmaker Stanley Nelson will be presented with the Critics’ Choice Impact Award, and multi award-winning filmmaker Michael Moore will be honored with the Critics’ Choice Lifetime Achievement Award. For the first year, the Critics’ Choice Documentary Awards has introduced the Catalyst Sponsorship, a program for industry leaders to support the event. The inaugural sponsors include Focus Features, National Geographic Documentary Films, Netflix, Curiosity Stream, and others. “We are thrilled to celebrate this year’s outstanding documentary work at the upcoming event,” said Broadcast Film Critics Association President Joey Berlin. “The year 2018 has been called ‘The Year of the Documentary’ and we are so happy to give these films and shows the recognition and high praise that they deserve.” The winners will be presented their awards at a gala event, hosted by science educator and television personality Bill Nye, on Saturday, November 10 at BRIC in Brooklyn, New York. The nominees for the third annual Critics’ Choice Documentary Awards are:

    BEST DOCUMENTARY

    Crime + Punishment – Director: Stephen Maing (Hulu) Dark Money – Director: Kimberly Reed (PBS) Free Solo – Directors: Jimmy Chin, Elizabeth Chai Vasarhelyi (National Geographic Documentary Films) Hal – Director: Amy Scott (Oscilloscope) Hitler’s Hollywood – Director: Rüdiger Suchsland (Kino Lorber) Minding the Gap – Director: Bing Liu (Hulu) RBG – Directors: Julie Cohen, Betsy West (Magnolia Pictures, Participant Media) Three Identical Strangers – Director: Tim Wardle (Neon, CNN Films) Wild Wild Country – Directors: Chapman Way, Maclain Way (Netflix) Won’t You Be My Neighbor? – Director: Morgan Neville (Focus Features)

    BEST LIMITED DOCUMENTARY SERIES

    America to Me (Starz) Dirty Money (Netflix) Elvis Presley: The Searcher (HBO Documentary Films, Sony Pictures Television) Flint Town (Netflix) One Strange Rock (National Geographic) The Fourth Estate (Showtime Networks) The Zen Diaries of Garry Shandling (HBO) Wild Wild Country (Netflix)

    BEST ONGOING DOCUMENTARY SERIES

    30 for 30 (ESPN) American Masters (PBS) Anthony Bourdain: Parts Unknown (CNN) Frontline (PBS) Independent Lens (PBS) Making a Murderer (Netflix) POV (PBS) The History of Comedy (CNN)

    BEST DIRECTOR

    Jimmy Chin and Elizabeth Chai Vasarhelyi – Free Solo (National Geographic Documentary Film) Bing Liu – Minding the Gap (Hulu) Morgan Neville – Won’t You Be My Neighbor? (Focus Features) Kimberly Reed – Dark Money (PBS) Rüdiger Suchsland – Hitler’s Hollywood (Kino Lorber) Tim Wardle – Three Identical Strangers (Neon, CNN Films)

    BEST FIRST TIME DIRECTOR

    Cristina Costantini and Darren Foster – Science Fair (National Geographic Documentary Films) Heather Lenz – Kusama – Infinity (Magnolia Pictures) Bing Liu – Minding the Gap (Hulu) Stephen Nomura Schible – Ryuichi Sakamoto: Coda (MUBI) Rudy Valdez – The Sentence (HBO Documentary Films) Chapman Way and Maclain Way – Wild Wild Country (Netflix)

    BEST POLITICAL DOCUMENTARY

    RBG – Directors: Julie Cohen, Betsy West (Magnolia Pictures, Participant Media) Dark Money – Director: Kimberly Reed (PBS) Fahrenheit 11/9 – Director: Michael Moore (Briarcliff Entertainment) Flint Town – Directors: Zackary Canepari, Drea Cooper, Jessica Dimmock (Netflix) Hitler’s Hollywood – Director: Rüdiger Suchsland (Kino Lorber) John McCain: For Whom the Bell Tolls – Directors: George Kunhardt, Peter W. Kunhardt, Teddy Kunhardt (HBO) The Fourth Estate – Directors: Liz Garbus, Jenny Carchman (Showtime Networks)

    BEST SPORTS DOCUMENTARY

    Andre the Giant – Director: Jason Hehir (HBO) Being Serena (HBO) Free Solo – Directors: Jimmy Chin, Elizabeth Chai Vasarhelyi (National Geographic Documentary Film) John McEnroe: In the Realm of Perfection – Director: Julien Faraut (Oscilloscope Laboratories) Minding the Gap – Director: Bing Liu (Hulu) The Workers Cup – Director: Adam Sobel (Passion River)

    BEST MUSIC DOCUMENTARY

    Bad Reputation – Director: Kevin Kerslake (Magnolia Pictures) David Bowie: The Last Five Years – Director: Francis Whately (HBO Documentary Films) Elvis Presley: The Searcher – Director: Thom Zimny (HBO Documentary Films, Sony Pictures Television) Lynyrd Skynyrd: If I Leave Here Tomorrow – Director: Stephen Kijak (Showtime Networks) Quincy – Directors: Alan Hicks, Rashida Jones (Netflix) Ryuichi Sakamoto: Coda – Director: Stephen Nomura Schible (MUBI) Whitney – Director: Kevin Macdonald (Roadside Attractions, Miramax)

    MOST COMPELLING LIVING SUBJECT OF A DOCUMENTARY

    (ALL LISTED IN THE CATEGORY WILL BE HONORED AT THE EVENT) Scotty Bowers – Scotty and the Secret History of Hollywood (Greenwich Entertainment, Kino Lorber, Starz!) Ruth Bader Ginsburg – RBG (Magnolia Pictures, Participant Media) Alex Honnold – Free Solo (National Geographic Documentary Film) Joan Jett – Bad Reputation (Magnolia Pictures) Quincy Jones – Quincy (Netflix) David Kellman and Bobby Shafran – Three Identical Strangers (Neon, CNN Films) John McEnroe – John McEnroe: In the Realm of Perfection (Oscilloscope Laboratories) Leon Vitali – Filmworker (Kino Lorber)

    MOST INNOVATIVE DOCUMENTARY

    306 Hollywood – Directors: Elan Bogarin, Jonathan Bogarin (PBS, El Tigre) Free Solo – Directors: Jimmy Chin, Elizabeth Chai Vasarhelyi (National Geographic Documentary Film) Hitler’s Hollywood – Director: Rüdiger Suchsland (Kino Lorber) Ryuichi Sakamoto: Coda – Director: Stephen Nomura Schible (MUBI) Wild Wild Country – Directors: Chapman Way, Maclain Way (Netflix) Won’t You Be My Neighbor? – Director: Morgan Neville (Focus Features)

    BEST CINEMATOGRAPHY

    306 Hollywood – Cinematographers: Elan Bogarin, Jonathan Bogarin, Alejandro Mejía (PBS, El Tigre) The Dawn Wall – Cinematographer: Brett Lowell (The Orchard) Free Solo – Cinematographers: Jimmy Chin, Clair Popkin, Mikey Schaefer (National Geographic Documentary Film) Minding the Gap – Cinematographer: Bing Liu (Hulu) Pandas – Cinematographer: David Douglas (Warner Brothers) Wild Wild Country – Cinematographer: Adam Stone (Netflix)

    BEST EDITING

    Dark Money – Editor: Jay Arthur Sterrenberg (PBS) Filmworker – Editor: Tony Zierra (Kino Lorber) Free Solo – Editor: Bob Eisenhardt (National Geographic Documentary Film) John McEnroe: In the Realm of Perfection – Editor: Julien Faraut (Oscilloscope Laboratories) Three Identical Strangers – Editor: Michael Harte (Neon, CNN Films) Won’t You Be My Neighbor? – Editors: Jeff Malmberg, Aaron Wickenden (Focus Features)

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  • 2018 DOC NYC Announces Full Lineup, Closes with BRESLIN AND HAMILL

    [caption id="attachment_32107" align="aligncenter" width="1200"]Breslin and Hamill: Deadline Artists Breslin and Hamill: Deadline Artists[/caption] DOC NYC, America’s largest documentary festival, returns for its ninth edition with 135 feature-length documentaries among over 300 films and events overall.   The festival takes place November 8 to 15 at in New York at the IFC Center in Greenwich Village and Chelsea’s SVA Theatre and Cinepolis Chelsea. Special Events include Closing Night Film, the world premiere of HBO’s Breslin and Hamill: Deadline Artists, about the beloved New York City journalists Jimmy Breslin and Pete Hamill, directed by Jonathan Alter, John Block and Steve McCarthy; and the festival’s Centerpiece presentation, the world premiere of Original Cast Album: Co-op, an episode in the upcoming season of IFC’s Documentary Now! series inspired by D.A. Pennebaker’s Original Cast Album: Company, followed by a conversation with creators Seth Meyers and Rhys Thomas, director Alex Buono, writer and star John Mulaney, and star Renee Elise Goldsberry (Hamilton). The NYC premiere of John Chester’s Telluride and Toronto hit The Biggest Little Farm will open the festival. World premieres at the festival include Lady Parts Justice in the New World Order, following The Daily Show co-creator Lizz Winstead on a “Vagical Mystery Tour” to fight for reproductive rights; New Homeland, the newest film from two-time Academy Award winner Barbara Kopple, following refugee boys to a summer camp; Cracked Up, a revealing portrait of Saturday Night Live alumnus Darrell Hammond; Olympia, on Academy Award winning actress Olympia Dukakis; Buzz, about Friday Night Lights author Buzz Bissinger; Afterward, a candid exploration of complex tensions between Germans, Jews and Palestinians; Creating a Character: The Moni Yakim Legacy, on the legendary Juilliard drama teacher who trained Meryl Streep and Viola Davis among countless other talents; Beyond the Bolex, a personal history of the iconic camera; and The Show’s the Thing: The Legendary Promoters of Rock, which reveals an untold chapter of rock history. Among this year’s U.S. premieres are Screwball, a hilarious exposé of Alex Rodriguez’s doping scandal; The Insufferable Groo, on a prolific low-budget filmmaker who recruits Jack Black for his latest opus; Evelyn, Oscar-winner Orlando von Einsiedel’s reckoning with a family tragedy; Rudeboy: The Story of Trojan Records, the fascinating tale about the popularization of Jamaican music worldwide; Barbara Rubin & the Exploding NY Underground, on an influential but little-recognized member of the 1960s film and art world; and The Artist & the Pervert, on the controversial relationship between a world renowned composer and a sex educator. The festival is curated in 21 sections that include five new strands: Series Showcase, offering world premieres of new episodic programs, including Showtime’s Enemies: The President, Justice & the FBI, exploring the contentious relationship between U.S. presidents and the FBI; and SundanceTV’s Jonestown: Terror in the Jungle, commemorating the 40th anniversary of the Jonestown Massacre. Photography on Film, which includes the world premiere of Last Stop Coney Island: The Life and Photography of Harold Feinstein, on the seven-decade career of the NYC photographer. Portraits, which presents the world premieres of The Great Mother, a profile of a woman serving as the legal guardian for 2,000 children of undocumented immigrants; and Welcome to the Beyond, the surprising story of a fashion model and a cult. In the System, offering an inside look at institutions, including sexism in the restaurant world in The Heat: A Kitchen (R)evolution; and the financial industry on the cusp of the economic recession in Inside Lehman Brothers. True Love, which presents the world premiere of Dennis and Lois, about a punk rock-loving older couple; and the U.S. premiere of China Love, which explores China’s $80 billion pre-wedding photo industry. In the festival’s two feature competition sections, nine films appear under the Viewfinders section for distinct directorial visions. They include the world premieres of Cooked: Survival by Zip Code, a radical reframing of natural disasters and their link to poverty; Out of Omaha, a coming-of-age story executive produced by musician J. Cole; The Smartest Kids in the World, an exploration of the shortcomings of the U.S. education system; and The Kleptocrats, an investigation of the Malaysian financial scandal that helped finance The Wolf of Wall Street. In the Metropolis competition section, seven films are dedicated to stories set in New York City. They include the world premieres of Jay Myself, about acclaimed photographer Jay Maisel; Decade of Fire, on the notorious series of fires that devastated the Bronx in the 1970s; See Know Evil, about a young photographer who left an indelible mark on fashion in the 1990s; and The Candidates, which follows an elaborate mock U.S. presidential election at a Queens high school. Other returning sections include high-profile Special Events; national and global takes inAmerican Perspectives and International Perspectives; and thematic sections Centerstage (on performance), Jock Docs (on sports), Science Nonfiction (on science and technology), Wild Life (on animals), Modern Family (on unconventional families), Behind the Scenes (on filmmaking), Fight the Power (on activism), Sonic Cinema (on music) and Docs Redux (revisiting classic nonfiction). Short-form content (92 films in total) is represented by the festival’s Shorts Competition and DOC NYC U (showcasing student work), selected by Programmer Opal H. Bennett. These sections join the Short List: Features titles, highlighting 15 of the year’s award contender documentary features; Short List: Shorts, an inaugural list of 12 of the year’s leading nonfiction shorts; and the eight-day DOC NYC PRO conference, doubled in size from 2017, focusing on panels and masterclasses. DOC NYC will welcome over 500 filmmakers and special guests in attendance for Q&As after most screenings and for DOC NYC PRO panels. Among the notable guests expected to appear in person are Jakob Dylan for Echo in the Canyon, Darrell Hammond for Cracked Up, Jeffrey Wright for We Are Not Done Yet, Sandra Lee for RX: Early Detection, J.Cole for Out of Omaha, Christo for Walking on Water, Alex Sharp for Creating a Character, Lizz Winstead for Lady Parts Justice in the New World Order and more to be announced in the coming weeks. For this year’s Short List section of awards season frontrunners, filmmakers presenting their work in person at the festival include Rashida Jones and Alan Hicks (Quincy), Wim Wenders (Pope Francis: A Man of His Word), Michael Moore (Fahrenheit 11/9), Morgan Neville (Won’t You Be My Neighbor?), Elizabeth Chai Vasarhelyi and Jimmy Chin (Free Solo), Betsy West and Julie Cohen (RBG), Rudy Valdez (The Sentence), Ricki Stern and Annie Sundberg (Reversing Roe), Susan Lacy (Jane Fonda in Five Acts), Bing Liu (Minding the Gap), Tim Wardle (Three Identical Strangers), Sandi Tan (Shirkers), Alexandria Bombach (On Her Shoulders), RaMell Ross (Hale County This Morning, This Evening) and Stephen Maing (Crime + Punishment). Filmmakers will also take part in the Short List Day of panel conversations on Nov. 9 at DOC NYC PRO. Notable documentarians will also be honored at the Visionaries Tribute Awards event on Nov. 8: Wim Wenders and Orlando Bagwell will receiveLifetime Achievement Awards while Elizabeth Chai Vasarhelyi and Jimmy Chin will receive the Robert and Anne Drew Award for observational filmmaking. Tabitha Jackson, director of the Documentary Film Program at Sundance Institute, will receive theLeading Light Award for distinguished service to documentary in a role outside filmmaking. The following is a breakdown of programming by section:

    SPECIAL EVENTS

    OPENING NIGHT THE BIGGEST LITTLE FARM Dir: John Chester (NYC PREMIERE) For over eight years, John and Molly Chester struggle to work with nature to establish a biodynamic farm, like a modern-day Little House on the Prairie. CLOSING NIGHT BRESLIN AND HAMILL: DEADLINE ARTISTS Dirs: Jonathan Alter, John Block and Steve McCarthy (WORLD PREMIERE) Legendary newspaper columnists Jimmy Breslin and Pete Hamill are profiled in this essential look at journalism in New York City. CENTERPIECE Documentary Now! Presents ORIGINAL CAST ALBUM: CO-OP Dir: Alex Buono (WORLD PREMIERE) IFC’s comedy series Documentary Now!, which pays homage to nonfiction classics, presents an episode inspired by D.A. Pennebaker’s Original Cast Album: Company.

    VIEWFINDERS

    COOKED: SURVIVAL BY ZIP CODE Dir: Judith A. Helfand (WORLD PREMIERE) Director Judith A. Helfand (Blue Vinyl) investigates the victims and profiteers in extreme weather catastrophes like Hurricanes Katrina and Sandy. GHOST FLEET Dirs: Shannon Service, Jeffrey Waldron (NYC PREMIERE) This suspenseful high-seas adventure follows a team of activists who rescue modern-day slaves in Thailand’s illegal fishing industry. HEARTBOUND Dirs: Janus Metz, Sine Plambech (NYC PREMIERE) Janus Metz (Borg vs McEnroe) and Sine Plambech explore the surprising cross-cultural marriages between Danish men and Thai women over a decade. THE KLEPTOCRATS Dirs: Havana Marking, Sam Hobkinson (WORLD PREMIERE) Investigative journalists uncover how $3.5 billion was plundered from the Malaysian government for a spending spree that included funding The Wolf of Wall Street. A LITTLE WISDOM Dirs: Yuqi Kang (NYC PREMIERE) In a Tibetan Buddhist monastery, young novice monks try to balance rituals and discipline with the distractions of modern life and childhood. OUT OF OMAHA Dir: Clay Tweel (WORLD PREMIERE) A coming-of-age tale of twin African-American brothers filmed over eight years by director Clay Tweel (Gleason) and executive produced by musician J. Cole. THE SMARTEST KIDS IN THE WORLD Dir: Tracy Droz Tragos (WORLD PREMIERE) Based on Amanda Ripley’s bestselling book, four American teenagers go abroad to study in nations that outperform the US in education. UNDER THE WIRE  Dir: Chris Martin (NYC PREMIERE) A gripping, first-hand account of the mortal peril faced by war correspondent Marie Colvin and photographer Paul Conroy while reporting from within Syria. WALKING ON WATER Dir: Andrey Paounov (NYC PREMIERE) After the death of his partner, Jeanne-Claude, the visionary artist Christo, known for The Gates of Central Park, realizes his dream of The Floating Piers in Italy.

    METROPOLIS

    BARBARA RUBIN & THE EXPLODING NY UNDERGROUND Dir: Chuck Smith (U.S. PREMIERE) The untold story of an influential figure who defied sexist conventions and enabled surprising connections in the 1960s New York underground film scene. THE CANDIDATES Dirs: Alexandra Stergiou, Lexi Henigman (WORLD PREMIERE) In a Queens high school, a mock Presidential election sees a Russian-American as Donald Trump face off against a Pakistani-American as Hillary Clinton. CREATING A CHARACTER: THE MONI YAKIM LEGACY Dir: Rauzar Alexander (WORLD PREMIERE) Legendary Juilliard acting teacher Moni Yakim, who taught Meryl Streep, Viola Davis, Patti LuPone and countless others, gets his time in the spotlight. DECADE OF FIRE Dirs: Vivian Vazquez, Gretchen Hildebran (WORLD PREMIERE) The true, inside story behind the burning of the Bronx in the 1970s and how the community resisted, remained and rebuilt. JAY MYSELF Dir: Stephen Wilkes (WORLD PREMIERE) For five decades, photographer Jay Maisel created an artistic wonderland in a six-story building on the Bowery, but now it’s time to move. SEE KNOW EVIL Dir: Charles Curran (WORLD PREMIERE) At a young age, photographer Davide Sorrenti took New York City by storm in the 1990s and left an indelible imprint on the fashion world. THE WORLD BEFORE YOUR FEET Dir: Jeremy Workman (NYC PREMIERE) This charming portrait captures urban explorer Matt Green on his mission to walk every block of New York City.

    AMERICAN PERSPECTIVES

    THE BLESSING Dirs: Hunter Robert Baker, Jordan Fein (NYC PREMIERE) Deep in the Navajo Nation, one family struggles with contradictions as a coal company offers employment while destroying the community’s sacred homeland. CITY OF JOEL Dir: Jesse Sweet (NYC PREMIERE) In Monroe, NY, 50 miles north of NYC, a fast-growing Hasidic community sets off a turf war with political, economic and religious implications. THE CITY THAT SOLD AMERICA Dir: Ky Dickens (NYC PREMIERE) A playful and informative look at the key role Chicago has played in modern advertising and its impact on pop culture. Screening with Ross Kauffman’s short Still Plays with Trains: John reconstructs his idyllic 1950s childhood through one of the world’s largest model train sets. EMANUEL Dir: Brian Ivie (NYC PREMIERE) In the aftermath of the 2015 church shooting in Charleston, South Carolina, a community grapples with justice, faith and forgiveness. HARVEST SEASON Dir: Bernardo Ruiz (NYC PREMIERE) Set in California’s Napa and Sonoma Valley wine country, this film celebrates the unsung workers and small producers, from vine to vintage. HILLBILLY Dirs: Sally Rubin, Ashley York (NYC PREMIERE) Ashley York returns to her hometown in Appalachia where, contrary to dismissive stereotypes, she shows a diverse, complex and proud community. NORTH POLE, NY Dir: Ali Cotterill (NYC PREMIERE) Upstate New York’s Santa’s Workshop theme park struggles to overcome economic challenges and a con man who tries to steal Christmas. THE PROVIDERS Dirs: Anna Moot-Levin, Laura Green (NYC PREMIERE) In rural New Mexico, healthcare workers serve a community hard hit by the opioid crisis and still reeling from the 2008 recession. VERY SENIOR: ATTITUDE IS EVERYTHING Dir: Susan Gluth (WORLD PREMIERE) In Sun City, Arizona, seniors in a retirement community demonstrate the art of aging gracefully while making one’s own choices. Screening with Rachel Mills and Maya Tippett’s short Magnitudinous Illuminous: Meet Pete, a 66-year-old Brooklyn bartender and self-proclaimed philosopher. WHILE I BREATHE, I HOPE Dir: Emily Harrold (NYC PREMIERE) Young, African-American and a Democrat, Bakari Sellers faces an uphill struggle as he runs for lieutenant governor in South Carolina.

    INTERNATIONAL PERSPECTIVES

    AFTERWARD Dir: Ofra Bloch (WORLD PREMIERE) Disturbed by the resurgence of anti-Semitism worldwide, the filmmaker travels to Germany, Israel and Palestine to confront lasting tensions and contradictions. BRAVE GIRLS Dirs: Yashaswi Desai, Ellie Walton (WORLD PREMIERE) Three young Indian women in a conservative Muslim town seek to change their futures through education and self-determination. Screening with Guille Isa and Angello Faccini’s short Dulce: A mother teaches her daughter how to swim, essential to survival in their Colombian village. EXIT Dir: Karen Winther (NYC PREMIERE) What makes someone join neo-Nazis, Jihadists or other hate groups, and what makes them decide to leave? THE INTERPRETERS Dirs: Andres Caballero, Sofian Khan (NYC PREMIERE) Interpreters who worked for US military forces in Afghanistan and Iraq face retribution while they await promised but long-delayed special visas into the US. NEW HOMELAND Dir: Barbara Kopple (WORLD PREMIERE) Refugee boys from war-torn Syria and Iraq attend a Canadian summer camp where some thrive while others struggle. OF FATHERS AND SONS Dir: Talal Derki (NYC PREMIERE) In this Sundance Grand Jury Prize winner, director Talal Derki (Return to Homs) gains access to a radical Syrian jihadist and his family for two years. THE OTHER RIO Dir: Émilie B. Guérette (U.S. PREMIERE) In Rio de Janeiro, squatters live in an abandoned government building under the rule of drug dealers, but exhibit a remarkable resilience. TAKUMI: A 60,000 HOUR STORY ON THE SURVIVAL OF HUMAN CRAFT Dir: Clay Jeter (WORLD PREMIERE) Profiles of devoted artisans including a chef, a traditional paper cut artist, a car factory inspector and a carpenter.

    SERIES SHOWCASE

    ENEMIES: THE PRESIDENT, JUSTICE & THE FBI Dir: Jed Rothstein (WORLD PREMIERE) A preview of the new Showtime series, inspired by Tim Weiner’s Enemies: A History of the FBI, with an episode on the Iran-Contra affair plus an extended Q&A. JONESTOWN: TERROR IN THE JUNGLE Dir: Shan Nicholson (WORLD PREMIERE) Based on Jeff Guinn’s book The Road to Jonestown: Jim Jones and Peoples Temple, the first half of the new SundanceTV series is previewed, with an extended Q&A. LADY PARTS JUSTICE IN THE NEW WORLD ORDER Dir: Ruth Leitman (WORLD PREMIERE) Lizz Winstead, co-creator of The Daily Show, organizes activists and comedians for a satire-infused advocacy tour for reproductive rights.

    PHOTOGRAPHY ON FILM

    INSTANT DREAMS Dir: Willem Baptist (NYC PREMIERE) After the Polaroid company stops production, three enthusiasts are determined to keep alive the magical wonder and technology of instant cameras. THE LAST RESORT Dirs: Dennis Scholl, Kareem Tabsch (NYC PREMIERE) Photographers Andy Sweet and Gary Monroe captured Miami Beach’s aging Jewish population for a decade, even as the city transformed around them. LAST STOP CONEY ISLAND: THE LIFE AND PHOTOGRAPHY OF HAROLD FEINSTEIN Dir: Andy Dunn (WORLD PREMIERE) Photographer Harold Feinstein captured the beauty, joy and diversity of New Yorkers over seven decades. WITKIN & WITKIN Dir: Trisha Ziff (NYC PREMIERE) Gifted twin brothers—photographer Joel-Peter Witkin and painter Jerome Witkin—reunite for a joint show after decades of estrangement.

    PORTRAITS

    BUZZ Dir: Andrew Shea (WORLD PREMIERE) While co-writing Caitlyn Jenner’s biography, Pulitzer Prize-winning author Buzz Bissinger (Friday Night Lights) tests his marriage with surprising revelations. COMMANDER ARIAN: A STORY OF WOMEN, WAR & FREEDOM Dir: Alba Sotorra (NYC PREMIERE) Under threat from ISIS, Commander Arian gathers her all-women Kurdish battalion to rescue enslaved civilians in northern Syria. THE FEMINIST Dir: Hampus Linder (INTERNATIONAL PREMIERE) This starkly intimate portrait of Sweden’s feminist trailblazer politician Gudrun Schyman serves as a rallying call in today’s political climate. THE GREAT MOTHER Dirs: Dave LaMattina, Chad Walker (WORLD PREMIERE) Nora Sandigo has more than 2,000 kids, acting as the legal guardian for US-born children of undocumented immigrants. I’M LEAVING NOW Dirs: Lindsey Cordero, Armando Croda (U.S. PREMIERE) Felipe, an undocumented immigrant in NYC who has long struggled to support his family in Mexico, faces the limits of self-sacrifice. LAILA AT THE BRIDGE Dirs: Elizabeth Mirzaei, Gulistan Mirzaei (NYC PREMIERE) Self-proclaimed badass Laila offers salvation to drug addicts in Kabul, running a clinic with her brother, himself a recovered addict. WELCOME TO THE BEYOND Dir: Brent Huff (WORLD PREMIERE) The surprising story of Hoyt Richards, the world’s first male supermodel… and secretly a member of the Eternal Values cult. WORLDS OF URSULA K. LE GUIN Dir: Arwen Curry (NYC PREMIERE) A moving and intimate profile of feminist sci-fi/fantasy author Ursula K. Le Guin, featuring interviews with admirers like Neil Gaiman and David Mitchell.

    IN THE SYSTEM

    ALICIA Dir: Maasja Ooms (NORTH AMERICAN PREMIERE) A gem of observational cinema, Maasja Ooms’ film portrays the emotional roller coaster experienced by a girl in foster care longing for love. FALSE CONFESSIONS Dir: Katrine Philp (NYC PREMIERE) A dogged defense attorney is on a crusade to put a stop to coerced false confessions, exposing their destructive consequences. THE HEAT: A KITCHEN (R)EVOLUTION Dir: Maya Gallus (NYC PREMIERE) Seven female chefs are profiled in a no-holds-barred exploration of the struggles faced by women in the restaurant industry. INSIDE LEHMAN BROTHERS Dir: Jennifer Deschamps (NORTH AMERICAN PREMIERE) Ten years after Wall Street’s meltdown, Lehman Brothers whistleblowers look back on their efforts to sound an alarm. OWNED: A TALE OF TWO AMERICAS Dir: Giorgio Angelini (NYC PREMIERE) An investigation of how greed, flawed economics and systemic racism have distorted the American dream of homeownership. THE SCHOOL IN THE CLOUD Dir: Jerry Rothwell (NYC PREMIERE) The brainchild of TED Prize winner Sugata Mitra, a state of the art learning lab connects children in remote areas to teachers via the Internet. SEE YOU TOMORROW, GOD WILLING! Dir: Ainara Vera (NORTH AMERICAN PREMIERE) Seventeen octogenarian Franciscan nuns in Spain take care of each other in this beautifully observed and often humorous portrait. Screening with Leah Galant’s short Death Metal Grandma: A 97-year-old Holocaust survivor prepares a death metal audition for America’s Got Talent. SOMEWHERE TO BE Dir: Peter Odabashian (WORLD PREMIERE) In NYC’s Greenwich House, seniors from all walks of life share stories in this heartwarming portrait that redefines the meaning of a good life.

    TRUE LOVE

    THE ARTIST & THE PERVERT Dirs: Beatrice Behn, René Gebhardt (U.S. PREMIERE) In this provocative exploration of sexual kinks, composer Georg Friedrich Haas and sex educator Mollena Williams redefine norms of love and ownership. CHINA LOVE Dir: Olivia Martin-McGuire (INTERNATIONAL PREMIERE) In modern-day Shanghai, engaged couples go on a fantasy ride of glitz, excess and glamour in search of the perfect wedding photo. DENNIS AND LOIS Dir: Chris Cassidy (WORLD PREMIERE) Forty years after meeting at CBGB, aging superfans Dennis and Lois still live life to its fullest, traveling all over to support their favorite bands. SILICONE SOUL Dir: Melody Gilbert (NYC PREMIERE) Profiling individuals who form relationships with eerily lifelike dolls, this film sensitively explores the need for companionship and emotional connection.

    CENTERSTAGE

    CARE TO LAUGH Dir: Julie Getz (NYC PREMIERE) Jesus Trejo funnels his experiences as a caregiver to his elderly parents into disarmingly funny material for his stand-up routine. CRAFTING AN ECHO Dir: Marco Williams (WORLD PREMIERE) Choreographer Andonis Foniadakis struggles to stage an ambitious work with the Martha Graham Dance Company with no shortage of behind-the-scenes drama. Screening with Dime Davis’ short Wild Wild West: A Beautiful Rant by Mark Bradford: A provocative artist explains where artists come from. THE ICE KING Dir: James Erskine (NYC PREMIERE) A profile of 1976 Gold medal-winning figure skater John Curry, arguably the first openly gay Olympic athlete and the creator of ice dancing. OLYMPIA Dir: Harry Mavromichalis (WORLD PREMIERE) Follow Academy Award winner Olympia Dukakis behind the scenes in this affectionate profile of a stalwart New Yorker and beloved stage and screen treasure. WE ARE NOT PRINCESSES Dirs: Bridgette Auger, Itab Azzam (WORLD PREMIERE) Refreshingly candid Syrian women find personal connections to Greek tragedy during a theater workshop in a Lebanese refugee camp. WHEN ARABS DANCED Dir: Jawad Rhalib (NYC PREMIERE) Jawad Rhalib profiles artists in the Muslim world—including his mother, a Moroccan dancer—who seek freedom from stereotypes and repression.

    JOCK DOCS

    LIFE WITHOUT BASKETBALL Dirs: Tim O’Donnell, Jon Mercer (WORLD PREMIERE) Bilqis Abdul-Qaadir fights the International Basketball Federation to wear the hijab during Division I competition. MEMORY GAMES Dirs: Janet Tobias, Claus Wehlisch (WORLD PREMIERE) Inside the world championship of memory athletes, the abilities on display are unforgettable. MY PERFECT WORLD: THE AARON HERNANDEZ STORY Dir: Geno McDermott (WORLD PREMIERE) Sports journalists Dan Wetzel and Kevin Armstrong track the scandal of New England Patriots player Aaron Hernandez as he spiraled from stardom to infamy. SCREWBALL Dir: Billy Corben (U.S. PREMIERE) From the makers of Cocaine Cowboys, this true crime comedy exposes baseball player Alex Rodriguez’s doping scandal with a hilarious profile of his drug supplier.

    SCIENCE NONFICTION

    BEHIND THE CURVE Dir: Daniel J. Clark (NYC PREMIERE) A profile of passionate advocates of the Flat Earth theory reveals the deep-seated need for community and the hazards of believing in alternative facts. PEOPLE’S REPUBLIC OF DESIRE Dir: Hao Wu (NYC PREMIERE) This SXSW Grand Jury winner goes behind the scenes of China’s live-streaming showrooms, where web stars seek fans and financial rewards. THE TRUTH ABOUT KILLER ROBOTS Dir: Maxim Pozdorovkin (NYC PREMIERE) The director of Pussy Riot: A Punk Prayer investigates how robots are becoming more human and humans more robotic.

    WILD LIFE

    THE ANCIENT WOODS Dir: Mindaugas Survila (NYC PREMIERE) Ten years in the making, a biologist-turned-filmmaker documents an old-growth forest with immersive cinematography and sound design. THE CAT RESCUERS Dirs: Rob Fruchtman, Steven Lawrence (NYC PREMIERE) A profile of street-smart volunteers working tirelessly in Brooklyn to help save as many street cats in need as possible. ELEPHANT PATH/NJAIA NJOKU Dir: Todd McGrain (NYC PREMIERE) In the forests of the Central African Republic, one of the last wild herds of elephants struggles for survival. FIRE ON THE HILL: THE COWBOYS OF SOUTH CENTRAL LA Dir: Brett Fallentine (NYC PREMIERE) Three black cowboys seek to preserve a unique culture of horse-riding in the last public stable in South Central LA. FOR THE BIRDS Dir: Richard Miron (NYC PREMIERE) Kathy, an obsessive bird lover in upstate New York, struggles to maintain over 200 chickens, geese, ducks and turkeys. OF FISH AND FOE Dirs: Heike Bachelier, Andy Heathcote (U.S. PREMIERE) Wildlife preservation clashes with family tradition when one of Scotland’s last salmon fishing families is accused of animal rights violations. STARS IN THE SKY: A HUNTING STORY Dir: Steven Rinella (WORLD PREMIERE) Set in the Alaskan wilderness, this thought-provoking film explores controversies over the sport of hunting. Screening with Orlando Mora Cabrera’s short Olga: After years of taking in street cats, Olga has more than she can handle.

    MODERN FAMILY

    COLOSSUS Dir: Jonathan Schienberg (WORLD PREMIERE) Born in the US, 15-year-old Jamil copes with the deportation to Honduras of his undocumented parents and older sister. EVELYN Dir: Orlando von Einsiedel (INTERNATIONAL PREMIERE) Oscar-winning filmmaker Orlando von Einsiedel (The White Helmets) turns the camera on his family as they cope with a tragic loss. FAMILY IN TRANSITION Dir: Ofir Trainin (INTERNATIONAL PREMIERE) In a small Israeli town, a husband and father of four undergoes a gender transition that has rippling effects on the family. GLOBAL FAMILY Dirs: Melanie Andernach, Andreas Köhler (U.S. PREMIERE) A family, scattered across the globe in their escape from Somalia’s civil war, faces challenges when they must find a caregiver for their matriarch. LITTLE MISS WESTIE Dir: Joy E. Reed, Dan Hunt (WORLD PREMIERE) In Connecticut, Ren is the first out transgirl to compete in the Little Miss Westie Pageant, coached by her transgender brother. REFUGEE Dir: Alexander J. Farrell (WORLD PREMIERE) Syrian refugee Raf’aa seeks to be reunited with her family who are blocked by closed borders in this poignant story about today’s migration crisis. A SISTER’S SONG Dir: Danae Elon (NYC PREMIERE) In this real-life psychological thriller, an Israeli woman tries to convince her sister to leave the religious order which has kept them separated for 20 years. TO KID OR NOT TO KID Dir: Maxine Trump (WORLD PREMIERE) Filmmaker Maxine Trump (no relation) explores women like herself who face societal stigma for choosing not to have children. TRE MAISON DASAN Dir: Denali Tiller (NYC PREMIERE) This profile of three boys cut off from parents who are in prison poses meaningful questions about the effects of mass incarceration. WRESTLING GHOSTS Dir: Ana Joanes (NYC PREMIERE) A young mother tries to unravel her conflicted feelings around parenthood, inviting the viewer into her counseling sessions to heal past trauma.

    BEHIND THE SCENES

    BEYOND THE BOLEX Dir: Alyssa Bolsey (WORLD PREMIERE) Alyssa Bolsey explores the iconic Bolex camera, invented by her great-grandfather, Jacques Bolsey, who was a Russian refugee during World War I. CRACKED UP Dir: Michelle Esrick (WORLD PREMIERE) With courage and humor, comedian and Saturday Night Live alumnus Darrell Hammond reveals his dark history of child abuse. THE EYES OF ORSON WELLES Dir: Mark Cousins (NYC PREMIERE) Mark Cousins (The Story of Film) takes a novel approach to Orson Welles by studying the legendary filmmaker’s paintings, drawings and doodles. THE GHOST OF PETER SELLERS Dir: Peter Medak (NYC PREMIERE) Director Peter Medak (The Ruling Class) revisits his ill-fated 1973 pirate film with Peter Sellers in a classic insider’s tale of movie-making madness and folly. THE GREENAWAY ALPHABET Dir: Saskia Boddeke (NYC PREMIERE) Peter Greenaway (The Cook, The Thief, His Wife and Her Lover) is profiled with an alphabetical word association, directed by his multimedia artist wife. Screening with Chuck Workman’s short Moments of Truth: A masterful montage of moments from 100 documentary films. THE INSUFFERABLE GROO Dir: Scott Christopherson (NORTH AMERICAN PREMIERE) Stephen Groo, a Utah-based filmmaker of outlandish low-budget genre films with admirers like Jack Black, attempts an opus that may be his undoing. THE ORANGE YEARS: THE NICKELODEON STORY Dir: Scott Barber, Adam Sweeney (WORLD PREMIERE) A nostalgic and entertaining look back at the early years of Nickelodeon, the TV network that let kids enjoy being kids. THIS CHANGES EVERYTHING Dir: Tom Donahue (NYC PREMIERE) Meryl Streep, Jessica Chastain, Shonda Rhimes and Geena Davis join a who’s who of Hollywood in this investigation of the entertainment industry’s systemic sexism. UNITED WE FAN Dir: Michael Sparaga (NYC PREMIERE) Looking at fandom culture that rallied around shows like Star Trek or Cagney and Lacey,this film reflects on the meaning of pop culture devotion. WHAT SHE SAID: THE ART OF PAULINE KAEL Dir: Rob Garver (NYC PREMIERE) A nuanced portrait of controversial and influential film critic Pauline Kael revisits late-twentieth-century cinema through her words, followed by an extended Q&A.

    FIGHT THE POWER

    BEI BEI Dirs: Rose Rosenblatt, Marion Lipschutz (NYC PREMIERE) In Indiana, the murder trial of Chinese immigrant Bei Bei Shuai poses a disturbing legal precedent for terminating a pregnancy. BLEED OUT Dir: Steve Burrows (WORLD PREMIERE) In this legal drama meets medical mystery, Steve Burrows seeks justice for his mother, who suffers catastrophic complications after routine surgery. BOYS WHO LIKE GIRLS Dir: Inka Achté (NORTH AMERICAN PREMIERE) In the aftermath of the infamous Delhi gang rape, a man works to change the way Indian boys view females. Screening with Thomas Winston’s short Casting in Jagüey Grande: Cuban kids attempt to master the art of fly fishing with their mentor and father figure. GRIT Dirs: Cynthia Wade, Sasha Friedlander (NYC PREMIERE) In East Java, Indonesia, a mother and daughter battle a corporation over a man-made catastrophe that’s displaced more than 60,000 people. I AM THE REVOLUTION Dir: Benedetta Argentieri (WORLD PREMIERE) Three women in Afghanistan, Iraq and Syria lead the fight for gender equality and freedom in this empowering portrait. PATRIMONIO Dirs: Lisa F. Jackson, Sarah Teale (NYC PREMIERE) In Baja, Mexico, local fishermen face off against the development of a luxury resort, which will have a radical impact on the environment and on their livelihood. THE RESCUE LIST Dirs: Alyssa Fedele, Zachary Fink (NYC PREMIERE) On Ghana’s Lake Volta, activists work to rescue victims of a child-slavery industry and help them transition back to normal life. Screening with Nicholas Brennan’s short Mama: Gertrude has dedicated her life to delivering children in her rural Ugandan village.

    SONIC CINEMA

    THE 5 BROWNS: DIGGING THROUGH THE DARKNESS Dir: Ben Niles (NYC PREMIERE) Siblings and Juilliard-trained piano virtuosos, the 5 Browns confront a disturbing secret and use music to recover from its impact on their family. 16 BARS Dir: Samuel Bathrick (NYC PREMIERE) Grammy winner Todd Thomas—aka “Speech” of Arrested Development—leads a unique collaborative music workshop in a Virginia state penitentiary. ECHO IN THE CANYON Dir: Andrew Slater (NYC PREMIERE) Musician Jakob Dylan of The Wallflowers explores the 1960s musicians who fostered folk rock tradition in the community of Laurel Canyon. I USED TO BE NORMAL: A BOYBAND FANGIRL STORY Dir: Jessica Leski (NYC PREMIERE) Profiling the ardent fans who find joy in their devotion of boy bands such as New Kids on the Block, N*Sync, One Direction and The Beatles. IT MUST SCHWING! THE BLUE NOTE STORY Dir: Eric Friedler (NYC PREMIERE) Executive produced by Wim Wenders and featuring a swinging jazz soundtrack, this history of Blue Note Records profiles the company’s two Jewish German refugee founders. RUDEBOY: THE STORY OF TROJAN RECORDS Dir: Nicolas Jack Davies (U.S. PREMIERE) Set to great Jamaican music, a creative exploration of the pioneering 1960s label behind “Rudy, A Message to You,” “You Can Get if You Really Want” and more. THE SHOW’S THE THING: THE LEGENDARY PROMOTERS OF ROCK Dir: Molly Bernstein, Philip Dolin (WORLD PREMIERE) This untold chapter of rock history reveals the influential live music promoters behind the rise of the Rolling Stones, Simon & Garfunkel, David Bowie and more. TEDDY PENDERGRASS: IF YOU DON’T KNOW ME Dir: Olivia Lichtenstein (NYC PREMIERE) This definitive bio, set to a soulful soundtrack, tells the story of Teddy Pendergrass, poised to be the biggest R&B artist ever—until tragedy struck.

    DOCS REDUX

    A HYMN FOR ALVIN AILEY (1999) Dir: Orlando Bagwell A classic film by DOC NYC Lifetime Achievement Award-winner Orlando Bagwell, celebrating the legacy of pioneering choreographer Alvin Ailey.

    SHORTS PROGRAMS

    SHORTS: THE BIG APPLE New York, NY. It’s a helluva town. Seven films explore the city, from the lives of immigrant cabbies to the World Trade Center memorial. The Accidental Activist (Samia Khan) Footprint (Sara Newens) The Sheriff of Goodtimes (Brad Hinkle) A Sharper Sword (Olivier Bernier) I’ve Never Been a Fisherman (Joe Stankus) King of the Night (Molly Brass, Stephen Tyler) Vilaayat (Ansh Vohra) SHORTS: THE CREATIVE SPARK On artists, performers and designers. Eight films profile graffiti to woodworking, architecture to art in Havana. Painting the Town (William Higbie) Barbara Kruger: Part of the Discourse (Ian Forster) Perspective. (Allyssa Agro) Thomas Fire Architect (Nicholas Weissman) Cuban Canvas (Kavery Kaul) Don’t Define Me (Don Casper) Tapume (Hugo Faraco) My Paintbrush Bites (Joel Pincosy, Joe Egender) SHORTS: DRAWN TOGETHER Life, animated. Nine films offer a creative use of animation to tell stories about Christmas, clowns, film pioneers and more. Santa Is a Psychedelic Mushroom (Matthew Salton) Music & Clowns (Alex Widdowson) Obon (Andre Hoermann, Anna Samo) Tightly Wound (Shelby Hadden) For A Better Life (Yasmin Mistry) Carlotta’s Face (Valentin Riedl, Frédéric Schuld) Lon (Nina Landau) Lotte That Silhouette Girl (Elizabeth Beecherl, Carla Patullo) The Likes and Dislikes of Marj Bagley (Taylor Stanton) SHORTS: GENERATION Z The hopes and dreams of the youngest generation. Seven films detail young love, youth activism, refugee life and more. True Love in Pueblo Textil (Horatio Baltz) Station 15 (Kira Akerman, Sophie Tintori) Share (Barna Szász, Ellie Wen) Listen (Astrid Bussink) Osama and Ayman (Sam Price-Waldman, Ben Mullinkosson, Chris Cresci) We Became Fragments ( Luisa Conlon, Hanna Miller, Lacy Jane Roberts) Hallo Salaam (Kim Brand) SHORTS: I’M A SURVIVOR Contemplating life and death and finding grace. Six films offer hope in the face of life’s curveballs, from illness to accident. Grace (Rachel Pikelny) Sister Hearts (Mohammad Gorjestani) Crannog (Isa Rao) I Was Here (Julian Dalrymple) Prince’s Tale (Jamie Miller) The Pull (Paul Szynol) SHORTS: LEGACY History is made, for better or worse. Three films explore the legacy of both private and public actions. The Happiness Machine (Rebecca B. Blumhagen) In the Absence (Yi Seung-Jun) Father K (Judd Ehrlich) SHORTS: QUEERLY BELOVED Life, loud and proud. Four films detail the diversity of LGBTQ experience. The Journey: Gay Officers Action League (Det. John Giretti, Andrew Sklar) Landline (Matt Houghton) Almost Liam (Sapir Rokach) Transformations (Alonso Mayo) SHORTS: SPACES UNKNOWN Unexpected moments and unusual discoveries. Six surprising stories about fake news, rhino guardians and more. Fake News Fairytale (Kate Stonehill) The Traffic Separating Device (Johan Palmgren) Tungrus (Rishi Chandna) The Mauritania Railway: Backbone of the Sahara (MacGregor) Black Line (Mark Olexa, Francesca Scalisi) The Black Mambas (Bruce Donnelly) SHORTS: THIS IS AMERICA, 2018 The states of the nation. Seven stories offer seven stories about Alabama quilters, a Texas pastor, New Orleans politicians and more. Lonesome Willcox (Ryan Maxey, Zack Wright) Sole Doctor (Paula Bernstein) While I Yet Live (Maris Curran) Cats Cradle (Jonathan Napolitano) LA Stories (Sara Newens, Josh Polon) Last Sermon at George’s Creek (Spencer Creigh, Bobby Moser) All Skinfolk Ain’t Kinfolk (Angela Tucker) SHORTS: THIS SPORTING LIFE Athletes, on and off the field. Six portraits of boxing, climbing, football and more. El Gallo (Michael Medoway) Big Wall (Jennifer Law-Smith) Concussion Protocol (Josh Begley) This Is Yarra (Lydia Rui) Black 14 (Darius Clark Monroe) Junction (Brendan Young)

    DOC NYC U

    The festival’s long-running section offers showcases of some of the city’s top student documentary filmmaking programs. Five programs reveal the nonfiction filmmakers of tomorrow, with work from Columbia University, Hunter College, New York Film Academy, New York University and School of Visual Arts. Columbia Journalism School’s Documentary Project showcase includes: The Lifehouse (Heba Elorbany, Kimberly Flores Guzmàn) Love, Mommy (Tala Hadavi, Yeong-Ung Yang) Hunter’s MFA Program in Integrated Media Arts showcase includes: After… After… (Access) (Jordan Lord) Dick’s Decoys (Sean Hanley) Cranberry Lake (Zoya Baker) Gentrification Express: Breaking Down the BQX (Samantha Farinella, Amanda Katz) Postcards from Miss Universe (CG Foisy) NYFA’s Documentary Department showcase includes: Cricket Liu (Julia Cheng) I Love You, Wally (Simona Kubasova Prakash) Keliling Bali (Gary Bencheghib, Aitor Mendilibar) The Trolls & I (Charlotte Madvig Schmidt) NYU’s NewsDoc showcase includes: An Edited Life (Mathieu Faure) Trafficked In Paradise (Olivia Wilson) SVA’s MFA Social Documentary Film showcase includes: Bird (Kate Fisher) Bob Man (Olivia Garzon) The Calling (Padcha Ithijarukul) Dressed to Fight (Naijie Wang) In the Right Frame of Mind (Veronique Engel) Noodle Soul (Hong Shanjia) On Track (Yunhong Pu)

    SHORT LIST: SHORTS

    ’63 BOYCOTT Dir: Gordon Quinn In 1963, more than 250,000 students boycotted Chicago’s public schools to protest racial segregation. Combining period footage with reflections from participants, ‘63 Boycott links the past with present-day concerns around inequality in the education system. Courtesy of Kartemquin. EARTHRISE Dir: Emmanuel Vaughan-Lee In 1968, the first image of the Earth was captured from space, an iconic photograph that had an immediate and transformative impact around the globe. Earthrise explores the memories of the Apollo 8 astronauts responsible for the image, and their experience of awe in viewing the Earth framed against the void of space. Courtesy of New York Times Op-Docs/POV. END GAME Dirs: Rob Epstein, Jeffrey Friedman A moving film about the passage from life to death, End Game is a portrait of the last days of those in palliative care in two San Francisco Bay Area medical facilities pioneering new paradigms for end-of-life decisions. Courtesy of Netflix. THE GIRL AND THE PICTURE Dir: Vanessa Roth 80 years ago, Xia Shuqin witnessed the murder of her family during the Nanjing Massacre.The Girl and the Picture uncovers how an American missionary’s camera serendipitously captured Xia and her sister, binding his family and theirs forever. Courtesy of USC Shoah Foundation/Cause & Affect Media. THE HEAD & THE HAND Dir: Marc Serpa Francoeur A meditative portrait of two women who confronted great adversity with a profound bond and remarkable positivity, The Head & The Hand presents a rich exploration of disability, independence and sisterhood. Courtesy of Lost Time Media. LESSONS FROM A SCHOOL SHOOTING: NOTES FROM DUNBLANE Dir: Kim A. Snyder In the aftermath of the Sandy Hook school shooting, local priest Father Bob Weiss connects with Father Basil O’Sullivan of Dunblane, Scotland, from a community which could uniquely relate to Newtown’s trauma. Kim A. Snyder’s film explores the power of resilience through the bond forged between these two priests. Courtesy of Netflix. MY DEAD DAD’S PORNO TAPES Dir: Charlie Tyrell Following the death of his emotionally distant father, filmmaker Charlie Tyrell seeks to better understand him through the personal belongings he left behind… including a stack of dirty VHS tapes. Courtesy of New York Times Op-Docs. RX: EARLY DETECTION, A CANCER JOURNEY WITH SANDRA LEE Dir: Cathy Chermol Schrijver After an annual mammogram results in a diagnosis of breast cancer, Emmy-winning TV host and lifestyle expert Sandra Lee sets out to discover the best options for treatment and recovery, opening up her private journey to share the importance of early detection with other women. Courtesy of HBO Documentary Films. SIDELINED Dir: Galen Summer In 1978, inspired by the popularity of NFL cheerleaders, Playboy organized a pictorial feature approved by team management happy for the media exposure. But when the resulting pictures set off a critical backlash, cheerleaders were fired, exposing society’s hypocrisy around female sexuality. Courtesy of A&E IndieFilms/Lifetime Films. TAKE BACK THE HARBOR Dirs: Kristi Jacobson, Roger Ross Williams On Governor’s Island, an ambitious program works to restore once-bountiful oysters and the environmental benefits they bring to New York Harbor. Take Back the Harbor highlights students at a remarkable public high school where environmental stewardship is part of the curriculum. Courtesy of Discovery/Motto Pictures. WE ARE NOT DONE YET Dir: Sareen Hairabedian US veterans and active-duty service members come together through a workshop led by poet Seema Reza to combat their traumatic military pasts via the written word. Sharing fears, vulnerabilities and victories, their writing becomes a tool for empowerment and healing culminating in the live performance of a collaborative poem under the direction of Jeffrey Wright. Courtesy of HBO Documentary Films. ZION Dir: Floyd Russ Born without legs and growing up in the foster care system, Zion Clark moved from one home to another as he grew up. Floyd Russ’ inspiring portrait reveals how his discovery of wrestling in the second grade provided not only a therapeutic outlet, but a sense of family.Courtesy of Netflix.

    SHORT LIST: FEATURES

    CRIME + PUNISHMENT Dir: Stephen Maing With unparalleled access to the whistle-blowing NYPD 12, this compelling Sundance prize-winner exposes systemic police corruption. Courtesy of IFC Films/Hulu. FAHRENHEIT 11/9 Dir: Michael Moore “One of Moore’s best and most incisively funny films” (Rolling Stone) seeks to understand the rise of Donald Trump and the resistance against him. Courtesy of State Run Films/Briarcliff Entertainment. FREE SOLO Dirs: Elizabeth Chai Vasarhelyi & Jimmy Chin Alex Honnold aims to be the first climber to ascend free solo–without safety ropes–the 3,000-foot cliff of El Capitan in California’s Yosemite Park. Courtesy of National Geographic Documentary Films. HALE COUNTY THIS MORNING, THIS EVENING Dir: RaMell Ross In this lyrical portrait of two young African-American men in the American South, “you witness a new cinematic language being born” (Village Voice). Courtesy of Cinema Guild. JANE FONDA IN FIVE ACTS Dir: Susan Lacy This candid and entertaining portrait explores Jane Fonda’s many facets: sex symbol, Academy Award winner, controversial activist, tycoon’s wife and fitness mogul. Courtesy of HBO Documentary Films. MINDING THE GAP Dir: Bing Liu Bing Liu films his skateboarding friends Zack and Keire over a decade, capturing the legacy of troubled relationships with their fathers. Courtesy of Magnolia Pictures/Hulu. ON HER SHOULDERS Dir: Alexandria Bombach Before Nadia Murad was awarded the 2018 Nobel Peace Prize, this portrait captures the young Yazidi activist as she advocates for her minority community. Courtesy of Oscilloscope Laboratories/RYOT. POPE FRANCIS: A MAN OF HIS WORD Dir: Wim Wenders The Oscar-nominated director of Pina and Buena Vista Social Club now trains his camera on the Argentine pontiff who leads the Catholic Church. Courtesy of Focus Features. QUINCY Dirs: Rashida Jones, Alan Hicks Following the now 85-year-old producer Quincy Jones over three years on the road as he reflects on collaborators, from Frank Sinatra to Michael Jackson. Courtesy of Netflix. RBG Dirs: Betsy West, Julie Cohen In this vivid history, we watch Ruth Bader Ginsburg go from trailblazing ACLU lawyer to the key liberal voice on the conservative Supreme Court. Courtesy of Magnolia Pictures/Participant Media/CNN Films. REVERSING ROE Dirs: Ricki Stern, Annie Sundberg Acclaimed filmmakers Annie Sundberg and Ricki Stern trace the legacy of Roe v. Wade as reproductive rights are increasingly at risk. Courtesy of Netflix. THE SENTENCE Dir: Rudy Valdez For ten years, Rudy Valdez captures the lives of his nieces while their mother serves a harsh prison term due to mandatory minimum sentencing. Courtesy of HBO Documentary Films. SHIRKERS Dir: Sandi Tan Sundance Directing Award winner Sandi Tan solves a mystery from her youth in Singapore, when her mysterious older mentor stole her first film. Courtesy of Netflix. THREE IDENTICAL STRANGERS Dir: Tim Wardle When triplets separated at birth discovered each other in 1980, it was a media sensation, but the truth behind their past proves both surprising and disturbing. Courtesy of NEON/CNN Films. WON’T YOU BE MY NEIGHBOR? Dir: Morgan Neville Oscar-winning filmmaker Morgan Neville (20 Feet from Stardom) tells the story of Fred Rogers, who influenced generations of children through his pioneering TV program.Courtesy of Focus Features.

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  • 2018 Virginia Film Festival Reveals Deep and Diverse Lineup of Films

    [caption id="attachment_31988" align="aligncenter" width="1200"]The Front Runner The Front Runner[/caption] The Virginia Film Festival returns to Charlottesville from November 1 to 4,  with a deep and diverse program of more than 150 films and special guests including legendary actor, writer, and filmmaker Peter Bogdanovich; director and producer Allen Hughes, noted activist Martin Luther King III; and more than 100 filmmakers from around the world. The 2018 Virginia Film Festival will open with Green Book, the powerfully dramatic feature debut for director Peter Farrelly, inspired by a true friendship that transcended race, class, and the 1962 Mason-Dixon Line. The film is the story of world-class black pianist Don Shirley (Mahershala Ali), who hires New York bouncer Tony Lip (Viggo Mortensen) to drive him on a concert tour from Manhattan to the Deep South. The pair must rely on the “Green Book” to guide them to the few establishments that were safe for African-Americans. Confronted with racism and danger – as well as unexpected humanity – they are forced to set aside differences to survive and thrive on the journey of a lifetime. The Festival will present Roma as the Centerpiece Film. Perhaps the most acclaimed and discussed film on the 2018 major film festival scene, Roma is director Alfonso Cuarón’s (Gravity) most personal work to date – a loving and lovely tribute to the unsung woman who raised him and to so many domestic workers like her. Both intimate in emotion and epic in scope, Roma follows Cleo, a domestic worker in Mexico City in the 1970s, and the upper-middle class family that she cares for. As her personal life and the political climate of Mexico City grow more and more tumultuous, Cleo remains on the sidelines, observing and absorbing the chaos and pain around her. First time actor, Yalitza Aparicio, plays Cleo with a quiet sensitivity. Vanity Fair has said of Roma, “Cuarón shows us wonders to remind us of the aching wonder of it all, how careless we are to not stop and assess everything, to not madly ask every stranger the detail of their lives, because in each may be a story we might come to bitterly regret not knowing.” From director Jason Reitman comes the Closing Night Film, The Front Runner, a look back at a story that in so many ways set the stage for the political climate we live in today. Gary Hart (Hugh Jackman) came into the 1988 presidential election season as a can’t-miss prospect, combining boyish good looks and an easy charm with a political set of skills honed by a surprisingly successful 1984 campaign. When accusations of an extramarital affair set off an unprecedented media investigation of Hart’s personal life, a new era was born that changed the parameters of what is personal, what is public, and what it means for the way we choose our leaders. The film boasts a stellar cast including Vera Farmiga as Hart’s wife Lee, J.K. Simmons as his embattled campaign manager, and Alfred Molina as Ben Bradlee in this highly-touted adaptation of campaign veteran Matt Bai’s memoir All the Truth is Out.

    Spotlight Films

    1968: The Year That Changed America – This documentary from Tom Hanks and Mark Herzog is a riveting deep dive into what is considered to be one of the most dangerous and divisive periods in American history, marked by the assassinations of Martin Luther King, Jr. and Robert F. Kennedy, the personal and political upheaval from the Vietnam War, rioting in major cities, the tragedy of Kent State, and more. The VAFF will present two of the series’ four episodes, “Summer” and “Fall”. Ben is Back – Julia Roberts, Courtney B. Vance, and Academy Award-nominee and rapidly-rising star Lucas Hedges star in this tense and moving look at 24-hours in the life of a family affected by the opioid crisis. Birds of Passage –Colombia’s entry for the Academy Award for Best Foreign Language Film, Birds of Passage, follows an indigenous Wayuu tribe and their involvement in the growing Colombian drug trade over two decades. The Favourite – Director Yorgos Lanthimos (The Lobster, The Killing of a Sacred Deer) takes us inside Queen Anne’s reign in the early 18th Century. Queen Anne (Olivia Colman) is served by close confidante Lady Sarah (Rachel Weisz) amid a seemingly never-ending war between England and France. When fallen aristocrat Abigail (Emma Stone) arrives on the scene, she threatens the relationship and throws a major wrench into the royal works in what Variety recently called “a perfectly cut diamond of a movie.” Shoplifters  – The winner of the coveted Palme d’Or at the 2018 Cannes Film Festival, Shoplifters follows a family turning to a life of petty crime to make ends meet in a workshare economy. [caption id="attachment_30734" align="aligncenter" width="1200"]Widows L-R: Michelle Rodriguez, Viola Davis, and Elizabeth Debicki star in Twentieth Century Fox’s WIDOWS. Photo Credit: Courtesy Twentieth Century Fox.[/caption] Widows – From visionary director Steve McQueen (12 Years a Slave) comes Widows. After their criminal husbands die in an explosion, a group of women, led by Academy Award winner Viola Davis, must pull off their spouses’ next planned heist in order to pay off the crime boss that their recently departed partners owe.

    A Tribute to Orson Welles: The Other Side of the Wind with Peter Bogdanovich

    The Festival will share a rare insider’s look at one of the most fascinating movie projects in Hollywood history, through the eyes of a legendary Hollywood director, producer, and actor who was in the middle of it all. Peter Bogdanovich returns to the Virginia Film Festival to lead a multi-pronged examination of Orson Welles’ quasi-autobiographical film, The Other Side of the Wind. Bogdanovich not only starred in the film, he was instrumental in its completion, based on a promise he had made to his good friend Welles shortly before the legendary filmmaker’s death in 1985. At that point, the film, which started production in 1971, was still unfinished, and Bogdanovich would go on to play a key role in its difficult-but-fascinating road to completion. It was a road fraught with countless obstacles ranging from rights battles to the complex and painstaking process of recreating the director’s vision from the hundreds of hours of footage he left behind. The film-within-a-film tells the story of filmmaker Jake Hannaford, who, like Welles, was embarking on The Other Side of the Wind, a film that would constitute his own Hollywood comeback. Bogdanovich worked over the course of decades with a team of dedicated filmmakers and film industry technicians to recreate Welles’ vision before Netflix finally came on board to push the project across the finish line. Festival audiences will also be afforded a 360-degree look at the product and the process of making The Other Side of the Wind that will include a screening of the newly-released film itself followed by a conversation with Bogdanovich, in addition to the new Netflix documentary They’ll Love Me When I’m Dead from Academy Award-winning director Morgan Neville (Won’t You Be My Neighbor, 30 Feet from Stardom). The Festival will also present the documentary The Eyes of Orson Welles as well as Welles’ 1973 docudrama F For Fake, known for being the last completed work of his career. Bogdanovich will also present a screening of his critically-acclaimed documentary The Great Buster, about silent film star, Buster Keaton.

    Race In America – Presented with James Madison’s Montpelier

    The Virginia Film Festival is partnering once again with James Madison’s Montpelier for the second annual Race in America series, exploring the complex and changing issues around what continues to be one of the most important and difficult issues of our time. This year’s series will include: 16 Bars – Todd “Speech” Thomas, noted front man of the Grammy winning hip-hop group Arrested Development spent three weeks in a Richmond, Virginia prison to deliver this glimpse into a unique rehabilitation program that provides inmates access to a makeshift recording studio. Another Slave Narrative – Recounting the history of slavery in the United States, a multiracial cast reenacts original transcripts of federal interviews with ex-slaves in the 1930’s. Black in Blue – Academy Award-winning filmmaker and Charlottesville resident Paul Wagner presents the story of Nate Northington, who honors the memory of his friend and fellow civil rights pioneer Greg Page by breaking the Southeastern Conference color barrier in 1967 to play football at the University of Kentucky. Circles – Displaced by Hurricane Katrina, Eric Butler moves to Oakland, California to mentor troubled minority youth, counseling vulnerable Black and Latinx teenagers with intimate and honest mentorship. Charlottesville – A Center for Politics film about the events of August 11 and 12 produced in collaboration with the Community Idea Stations. The Defiant Ones – The Defiant Ones examines the partnership between Jimmy Iovine and Dr.Dre – one the son of a Brooklyn longshoreman, the other straight out of Compton – and their leading roles in a chain of transformative events in contemporary culture.

    UVA Center for Politics

    The Festival will continue its partnership with the UVA Center for Politics this year with a screening of the new documentary Charlottesville. Produced in conjunction with the Community Idea Stations, Charlottesville is a gripping two-hour documentary that traces the tragedies of August 11 and 12, 2017, all while asking “How could this happen in modern America?”. Firsthand accounts by victims and witnesses who woke to find riots in their backyards and murder in their streets present a compelling account of Charlottesville in the wake of shocking racial strife, religious bigotry, government blunders, and political equivocation.

    The Miller Center

    This year the Virginia Film Festival is again partnering with The Miller Center, a nonpartisan affiliate of the University of Virginia that specializes in presidential scholarship, public policy, and political history, and strives to apply the lessons of history and civil discourse to the nation’s most pressing contemporary governance challenges. The series will include 1968: The Year That Changed America, the fascinating documentary from executive producers Tom Hanks and Mark Herzog about one of the most tumultuous years in American history. The VAFF is proud to present two of the four episodes in the series, “Summer” and “Fall.” The series will also feature An Acceptable Loss from director Joe Chappelle that follows a former top U.S. security advisor (Tika Sumpter), who is threatened by associates from her dark past, including a steely politician (Jamie Lee Curtis). It’s a female-fronted story of obsession, collusion, and hopeful redemption.

    Virginia Film Festival and National Geographic

    [caption id="attachment_26784" align="aligncenter" width="1200"]Science Fair directed by Cristina Costantini and Darren Foster Science Fair directed by Cristina Costantini and Darren Foster[/caption] The Festival will present a trio of heralded documentaries from National Geographic. They include: Science Fair, which follows nine high school students from disparate corners of the globe as they navigate rivalries, setbacks, and hormones on their quest to win the international science fair; Free Solo, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold, as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock, Yosemite’s 3,000-foot El Capitan, without a rope; and Into the Okavango, the directorial debut of National Geographic photographer Neil Gelinas, who accompanied researchers on this stunning expedition down the Okavango River to discover how or why the river — which is the source of Africa’s wildlife lifeline — is drying up.

    The VAFF and the Library of Congress Celebrate the National Film Registry

    The Virginia Film Festival continues its unique partnership with the Library of Congress Packard Campus for Audio Visual Conservation in Culpeper, Virginia in 2018 to present a series of films that celebrate the National Film Registry and the Campus’ dedication to film preservation. This year’s lineup will include a 50th anniversary screening of the George A. Romero directed zombie horror, Night of the Living Dead in a new 4K restoration; the groundbreaking, experimental 1968 documentary, Symbiopsychotaxiplasm: Take One;  a new 4K restoration of The Bride of Frankenstein, in celebration of the 200th anniversary of the novel Frankenstein by Mary Shelley, and a 90th anniversary screening of the Walt Disney animated short Steamboat Willie. The Festival is delighted to welcome back longtime Turner Classic Movies host and film expert Ben Mankiewicz to support this joint program. He will lead discussions on Night of the Living Dead and The Bride of Frankenstein, in addition to joining Peter Bogdanovich for The Other Side of the Wind and The Great Buster.

    Documentaries

    Afghan Cycles – Following a new generation of young Afghan women cyclists, Afghan Cycles uses the bicycle to tell a story of women’s rights – human rights – and the struggles faced by Afghan women on a daily basis. The Biggest Little Farm – The successes and failures of a couple determined to live in harmony with nature on a farm outside of Los Angeles are lovingly chronicled by filmmaking farmer John Chester, in this inspiring documentary. Chef Flynn – Culinary prodigy, Flynn McGarry made it into the New York Times by the time he was sixteen. Director Cameron Yates follows McGarry as he launches his first high profile pop up restaurant and begins to outgrow the constant surveillance from his mother. [caption id="attachment_31523" align="aligncenter" width="1200"]Divide and Conquer: The Story of Roger Ailes Divide and Conquer: The Story of Roger Ailes[/caption] Divide and Conquer – Alexis Bloom delivers this tale of the long rise and sudden fall of the late, disgraced media industry giant Roger Ailes, from his days in the Nixon and Bush White Houses to his time at the helm of Fox News, and his ignominious ouster at the dawn of the Me Too movement. Karenina and I -Norwegian actress Gørild Mauseth is challenged by the almost impossible task of playing Anna Karenina in a language she never spoke and in the author’s home country. She embarks on a journey throughout Russia to discover the real reasons why Tolstoy (Liam Neeson) wrote the novel. What Gørild does not know is that Anna Karenina will become the role of her life and change her forever. The Last Race – The last surviving stock car track on Long Island, once home to over thirty, is the weekend retreat to many working-class stock car racers and enthusiasts. Director Michael Dweck documents the local enthusiasts as outside land developers begin to encroach. Revolutionizing Dementia Care – Directed by Mason Williams and produced by the Community Idea Stations, this film reveals innovative approaches in memory care communities that are improving the well-being of patients and allowing them to live full and meaningful lives based on their abilities rather than their disabilities. Run While You Can – Sam Fox attempts to run the Pacific Crest Trail, spanning from the Canadian to the Mexican border, in sixty days, beating the previous record. As the trail begins to take its toll on his mind and body, Fox begins to understand what his mother, who has Parkinson’s disease, goes through on a daily basis. [caption id="attachment_28858" align="aligncenter" width="1200"]Studio 54 Studio 54[/caption] Studio 54 – Using footage from its heyday and interviews with two of the original owners, Studio 54 takes a look at the quick rise and fall of the most famous night club in the world. The club would usher in a new era of celebrity culture and glamour, while highlighting the legendary excesses of the era.

    Spotlight on Virginia Filmmaking

    Afrikana Film Festival – The VAFF is proud to partner with the Richmond-based Afrikana Film Festival for a special program of films dedicated to showcasing cinematic works by people of color from around the world, with a special focus on the global Black narrative. American Dreamer – Directed by Virginia native Derrick Borte and starring comedian Jim Gaffigan, the film is a disturbing portrait of a down on his luck chauffeur who enters into a world of crime in a desperate effort to provide for his family. Best of Film at Mason and Best of VCUarts – As the official film festival of the Commonwealth of Virginia, the VAFF will salute some of Virginia’s finest young filmmakers from both George Mason University and Virginia Commonwealth University in a special program that captures and celebrates the diversity of cinematic storytelling found at these institutions. Seats at the Table – A documentary following a Russian literature class for college students and inmates at a juvenile correctional center. The University of Virginia Bicentennial Celebration: An Evening of Performing Arts – A look at the gala, star studded celebration of the University’s 200 year anniversary. West Main Street – An award-winning feature documentary focusing on the everyday lives and oral histories of Charlottesville residents whose lives and work revolved around the West Main Street community. Other Virginia films include 16 Bars, Black in Blue, Charlottesville, Spider Mites of Jesus: The Dirtwoman Documentary, and short film showcases of work by UVA professors Kevin Everson and Lydia Moyer.

    International Films

    Border (Sweden) – From the writer of Let the Right One In, comes another film mixing realism with elements of folklore. A woman with troll-like features meets a man like herself and they begin a romance that will change her life. Capernaum (Lebanon) – After witnessing the sale of his younger sister, a 12-year old runs away from home to live on the streets. Lacking the proper identification papers, he continues to run into the same cruelty that he faced at home. After a run in with the law, he decides to sue his parents for giving him life. Crystal Swan (Belarus) – A young woman yearning to leave her home in Minsk to DJ in Chicago, fakes a resume in order to get her visa approved. After realizing she put the wrong phone number down for one of her fake jobs, she must track down the family the number belongs to and convince them to help her. Dogman (Italy) – A meek dog groomer and part-time cocaine dealer seeks revenge against his sometime customer and town tyrant who has shaken him down one too many times. The Heiresses (Paraguay) – Friends are tested by financial difficulties despite both coming from wealthy families. One takes an offer from her older, wealthy neighbor to drive her to her weekly card games. Soon, her business expands. Forced out of her comfort zone she embarks on a journey of independence. [caption id="attachment_25151" align="aligncenter" width="1200"]I AM NOT A WITCH I AM NOT A WITCH[/caption] I Am Not a Witch (United Kingdom) – In Rungano Nyoni’s directorial debut, a young girl in Zambia is sent to witch camp. Threatened that she will turn into a goat if she attempts escape, she must decide if freedom is worth the risk. Never Look Away (Germany) – Directed by Academy Award winner, Florian Henckel von Donnersmarck, Never Look Away tracks an artist’s career and relationships during the rise and fall of Nazi occupied Germany. No Date, No Signature (Iran) – A forensic pathologist, Dr. Nariman, hits a motorcycle carrying a family in an accident. He urges them to take their son to a hospital, but they refuse and disappear into the night. When Dr. Nariman sees the boy has arrived deceased at his hospital and the cause of death ruled as food poisoning, he goes on a hunt for the truth. Sunset (Hungary) – From László Nemes, the director of Son of Saul, comes this story of a woman searches for a connection to her family in 1913 Budapest and finds little help along the way. Woman at War (Iceland) – An environmental activist plans her final demonstration after learning that she will soon become a mother. Other films include our Centerpiece Film Roma (Mexico), and Spotlight Films,Birds of Passage (Colombia), El Angel (Argentina).

    Letters of Love

    Curated by Samhita Sunya, Assistant Professor of Cinema at UVA, the Letters of Love series showcases witty films from a region that is all-too-often conflated with footage of war, authoritarianism, crises, and patriarchal/sexual violence. Each film’s action takes place across the Middle East and South Asia, as they self-reflexively – and lovingly – pay homage to global genres, as well as the longstanding presence and popularity of Bollywood films in the Middle East. Road to Kabul –  A group of friends must go on a search for one of their own after a trip to Amsterdam doesn’t go as planned. An Indian Father – A gangster begins practicing yoga to relieve stress, falling in love with his instructor along the way. When she is taken back to her home in Bombay, he goes after her only to find that her father is a gangster himself. Hell in India – An Egyptian ambassador is kidnapped. In a mix up, the Egyptian military band is sent to negotiate his release, in this musical. Day Shall Dawn – A 1958 documentary showing the everyday life of the Bengali people and their isolated village. In The Last Days of the City – A man grappling with his personal life and making his next film is sent footage from friends around the world that gives him inspiration.

    LGBTQIA+ Focus

    [caption id="attachment_25696" align="aligncenter" width="1200"]Antonio Lopez 1970: Sex Fashion & Disco Antonio Lopez 1970: Sex Fashion & Disco[/caption] Antonio Lopez 1970: Sex, Fashion and Disco – A native of Puerto Rico and raised in the Bronx, Antonio Lopez gained international recognition as one of the most influential fashion illustrators of his time. His artistic vision and commitment to diversity revolutionized the fashion world, and his natural charisma allowed him to help launch the careers of icons like Grace Jones, Jessica Lange, and Jerry Hall. Coby – When a 23-year-old transgender Ohio woman transitions, his physical and spiritual transformation affects the lives of all who love him, and inspires them to change their perspectives. El Angel (Argentina) – Based on the true story of Argentina’s most infamous serial killer, Carlos Rubedo Puch, who began his life of crime at seventeen. The extremity of his crimes is a stark contrast with his handsome, charming demeanor. Jason and Shirley – A fictional retelling of the making of the influential documentary, Portrait of Jason, from the perspective of the film’s subject, hustler and cabaret performer, Jason Holliday. Good Manners – A Brazilian fairytale that finds two women from different classes coming together over the impending birth of a supernatural child under a full moon. Narcissister Organ Player – Through her unabashedly erotic and often humorous performances, Narcissister showcases her approach to explorations of race, gender, and sexuality. From growing up as a mixed-race child, to her complex relationship with her mother, she addresses how these circumstances compelled her to create her performance character. [caption id="attachment_29915" align="aligncenter" width="1199"]Rafiki Rafiki[/caption] Rafiki – Two women fall in love in Kenya, despite their father’s political rivalry, and Kenya’s laws against homosexuality. Sauvage – 22-year-old Leo works in Strasbourg as a prostitute. Working mostly on a quiet road in a wooded area, he belongs to a group of men that service the motorist clientele. Leo seems to not know or desire any other kind of life, despite friends and doctors questioning his lifestyle. Leo prizes his freedom and never lets go of his ability to love and be loved. Spider Mites of Jesus: The Dirtwoman Documentary – Richmond, Virginia natives recount their experiences with Donnie “Dirtwoman” Corker, a drag queen and pillar of the counterculture, and their influence on the community. Sorry Angel – Arthur, an eager 22-year-old student, meets 35-year-old Jacques, a writer living in Paris with his young son. Embracing his sexual awakening, Arthur wishes to throw himself into their relationship without reservations. Jacques is hesitant to invest himself, as he struggles to come to terms with an AIDS diagnosis. The physical reality of Jacques’ illness complicates the fate of their romance, as both men realize that Arthur’s journey is just beginning as Jacques’ starts to close.

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  • 2018 Toronto International Film Festival Awards – GREEN BOOK Wins People’s Choice Award

    [caption id="attachment_31408" align="aligncenter" width="1200"]Green Book Green Book[/caption] The Toronto International Film Festival announced its award winners at the closing ceremony with the People’s Choice Award and $15,000 cash prize going to Peter Farrelly for Green Book.​ The first runner-up is Barry Jenkins’ If Beale Street Could Talk, and the second runner-up is Alfonso Cuarón’s ROMA.

    2018 Toronto International Film Festival Award Winners

    IWC​ ​SHORT​ ​CUTS​ ​AWARD​ ​FOR​ ​BEST​ ​SHORT​ ​FILM

    The IWC Short Cuts Award for Best Canadian Short Film goes to Meryam Joobeur’s Brotherhood.​ The jury remarked, “The film was masterfully executed, layered with bold ideas, rich textures, and nuanced character observations played by an unforgettable cast.” “The film successfully explored complex personal and political themes with compassion for its characters. By employing the intimate prism of a Tunisian family, the film was evidently made with a sense of maturity that points to a bright future from Meryam Joobeur.” The award offers a $10,000 cash prize, made possible by IWC Schaffhausen. The jury awarded an honorable mention to Jérémy Comte’s Fauve for its confident visual storytelling and moving performances from the child actors. The short-film awards were selected by a jury comprised of Claire Diao, Molly McGlynn, and Michael Pearce.

    IWC​ ​SHORT​ ​CUTS​ ​AWARD​ ​FOR​ ​BEST​ ​SHORT​ ​FILM

    The IWC Short Cuts Award for Best Short Film goes to Sandhya Suri’s The Field​. The jury noted, “The film is striking for its aesthetic lyricism, tender performances, and powerful emotional impact.” “It’s a unique and refreshing glimpse into female desire set in rural India that demonstrated a scope greater than its short format.” The award offers a $10,000 cash prize, made possible by IWC Schaffhausen. The jury gave honorable mentions to Anette Sidor’s Fuck You, for its acutely observed study of teenage sexuality, and to Emma de Swaef and Marc James Roels’s This Magnificent Cake!, for the spectacular level of animation and the surreal humour it uses to explore its complex colonial subject matter. The short-film awards were selected by a jury comprised of Claire Diao, Molly McGlynn, and Michael Pearce.

    CITY​ ​OF​ ​TORONTO​ ​AWARD​ ​FOR​ ​BEST​ ​CANADIAN​ ​FIRST​ ​FEATURE​ ​FILM

    The City of Toronto Award for Best Canadian First Feature Film goes to Katherine Jerkovic’s Roads in February (Les routes en février). The jury remarked it was selected, “For its warm portrayal of a young woman trying to reconnect with her distant heritage after her father’s untimely death, and for the way the film demonstrates how genuine human connections best develop between two individuals when they stand on common ground.” This award carries a cash prize of $15,000, made possible by the City of Toronto. The Canadian awards were selected by a jury comprised of Mathieu Denis, Ali Özgentürk, and Michelle Shephard.

    CANADA​ ​GOOSE®​ ​AWARD​ ​FOR​ ​BEST​ ​CANADIAN​ ​FEATURE​ ​FILM

    The Canada Goose® Award for Best Canadian Feature Film goes to Sébastien Pilote’s The Fireflies Are Gone (La disparition des lucioles). The jury said it was chosen, “For its true-to-life depiction of a young woman’s quest to find meaning and hope in a world that has constantly disappointed her.” This award carries a cash prize of $30,000 and a custom award, sponsored by Canada Goose®. The Canadian awards were selected by a jury comprised of Mathieu Denis, Ali Özgentürk, and Michelle Shephard.

    THE​ ​PRIZES​ ​OF​ ​THE​ ​INTERNATIONAL​ ​FEDERATION​ ​OF​ ​FILM​ ​CRITICS​ ​(FIPRESCI​ ​PRIZES)

    The Prize of the International Federation of Film Critics (FIPRESCI) for the Discovery programme is awarded to Carmel Winters for Float Like a Butterfly​, which the jury called “a pastoral and traditional bucolic film, capturing the familiar angst and anxiety a young adult woman undergoes in order to have her say in the scheme of things in a predominately male-driven patriarchal society.” “Through her spectacular and deft narrative, nuanced understanding of the dilemmas women face, and a pitch-perfect performance by Hazel Doupe, this film is a triumph of free spirit.” Honorable mention goes to Laura Luchetti’s Twin Flower. The Prize of the International Federation of Film Critics (FIPRESCI) for Special Presentations is awarded to Guy Nattiv for Skin, which the jury called “a gripping study of a group of extremists and the choices available to them. It’s raw yet intelligently paced, with stunning performances, especially by a near-unrecognizable Vera Farmiga.” honorable mention goes to Louis Garrel’s A Faithful Man.

    NETPAC​ ​AWARD

    As selected by a jury from the Network for the Promotion of Asian Pacific Cinema for the seventh consecutive year, the NETPAC Award for World or International Asian Film Premiere in the Discovery and Contemporary World Cinema sections goes to Ash Mayfair’s The Third Wife. The jury remarked, ”Ash Mayfair’s debut feature The Third Wife signaled the emergence of a young female director-writer whose aesthetic sensibilities, cinematic language, and extraordinary ability to illuminate the past for contemporary audiences augur well for the future of Vietnamese and world cinema.” The jury gave honorable mention to Bai Xue’s The Crossing. The jury said, “Bai Xue’s storytelling in her debut film The Crossing shattered cinematic boundaries to create an original visual language that propelled her protagonist’s emotional crossing into adulthood as she crossed the physical boundaries of Hong Kong into mainland China.” EURIMAGES’ AUDENTIA AWARD The Festival and the Council of Europe’s Eurimages Fund present the third Audentia Award for Best Female Director to Aäläm-Wärqe Davidian’s Fig Tree. “Fig Tree is a stunning and illuminating debut,” the jury remarked. “Based on her own experiences, Ethiopian-Israeli writer-director Aäläm-Wärqe Davidian takes us on an unsentimental journey and shows us the tragic effects of civil war on ordinary people. Confidently directed with grit and compassion, Fig Tree is a beautifully rendered, big-hearted story about a Jewish teenage girl’s attempt to save those she loves, but it’s also an intimate coming-of-age story of self-discovery and female empowerment.” This award carries a €30,000 cash prize. Awarding an honorable mention to Camilla Strøm Henriksen’s Phoenix, the jury said: “Phoenix is a courageous debut from Norwegian director Camilla Strøm Henriksen. A visually arresting and emotionally nuanced film, Phoenix focuses on a young teen who assumes an enormous burden of responsibility in the face of her mother’s mental illness and her father’s absence. With a seamless blend of stark realism and cinematic magic realism, Henriksen’s story subtly, yet powerfully, unfolds from the perspective of her mature young protagonist.”

    TORONTO​ ​PLATFORM​ ​PRIZE​ ​PRESENTED​ ​BY​ ​AIR​ ​FRANCE

    This is the fourth year for Platform, the Festival’s juried program that champions directors’ cinema from around the world. The Festival welcomed an international jury comprised of award-winning filmmakers Mira Nair, Béla Tarr, and Lee Chang-dong, who unanimously awarded the Toronto Platform Prize Presented by Air France to Wi Ding Ho’s Cities of Last Things. The jury said, “This is a deeply moving drama from a director who shows great skill in his ability to weave together multiple genres with social and political critique, while telling a story that remains intimately human at its core. For us, this film has a spirit that always feels beautifully close to real life.” “Over the course of the Festival, we’ve had the privilege of watching 12 films that left us excited with the feeling that the future of directors’ cinema is in such capable hands. The great joy of being on the Platform Jury has been participating in a competition celebrating emerging visions that are bold, daring, innovative, and sometimes even challenging. The great difficulty, however, has been selecting only one director to win the Toronto Platform Prize. After much contemplation and thorough discussion, we all agreed together upon one prize winner and one honorable mention.” Awarding an honorable mention to Emir Baigazin’s The River, the jury said: “We were completely absorbed by the singular world this film creates through precise and meticulous craft, breathtaking visuals, and a boldly patient yet engrossing observational style.” The Toronto Platform Prize offers a custom award and a $25,000 cash prize, made possible by Air France.

    GROLSCH​ ​PEOPLE’S​ ​CHOICE​ ​AWARDS

    This year marked the 41st year that Toronto audiences were able to cast a ballot for their favorite Festival film for the Grolsch People’s Choice Award. This year’s award goes to Peter Farrelly for Green Book.​ The award offers a $15,000 cash prize and custom award, sponsored by Grolsch. The first runner-up is Barry Jenkins’ If Beale Street Could Talk. The second runner-up is Alfonso Cuarón’s ROMA. The Grolsch People’s Choice Midnight Madness Award goes to Vasan Bala’s The Man Who Feels No Pain​.​ The first runner-up is David Gordon Green’s Halloween. The second runner-up is Sam Levinson’s Assassination Nation. The Grolsch People’s Choice Documentary Award goes to Free Solo, directed by E. Chai Vasarhelyi and Jimmy Chin. The first runner-up is Tom Donahue’s This Changes Everything. The second runner-up is John Chester’s The Biggest Little Farm.

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  • LA Film Festival Announces Gala Sreenings of THE OATH, THE HAPPY PRINCE, FREE SOLO, ALL ABOUT NINA

    [caption id="attachment_31520" align="aligncenter" width="1200"]THE OATH THE OATH[/caption] The LA Film Festival today announced Gala Screenings at the 2018 Festival including Ike Barinholtz’s directorial debut The Oath starring Ike Barinholtz, Tiffany Haddish, John Cho, Carrie Brownstein, Billy Magnussen, Nora Dunn, Chris Ellis, Jon Barinholtz, Meredith Hagner; Elizabeth Chai Vasarhelyi and Jimmy Chin’s documentary Free Solo featuring Alex Honnold; Rupert Everett’s The Happy Prince, starring Rupert Everett, Colin Firth, Colin Morgan, Edwin Thomas and Emily Watson; Eva Vives’ All About Nina, starring Mary Elizabeth Winstead, Common, Chace Crawford, Clea DuVall, Kate del Castillo, Beau Bridges and Camryn Manheim. There will also be a Special Screening of Tom Volf’s documentary Maria by Callas; a Series program that includes; the first episode of the Into the Dark series, “The Body” staring Tom Bateman and Rebecca Rittenhouse, directed by Paul Davis; and America to Me a multipart unscripted documentary series from filmmaker Steve James. In addition 12 films in the Buzz Section and 3 podcasts in the Podcast Section have been unveiled. The LA Film Festival runs September 20-28. “My aim with LA Film Festival is to celebrate and acknowledge storytelling in all its myriad of forms,” said LA Film Festival Director Jennifer Cochis. “Bringing forth part of our Series programming, launching our Podcast section, and shining a spotlight on this year’s Galas is all in effort to honor these creative teams, processes and stories.”

    Galas

    All About Nina, dir. Eva Vives, West Coast Premiere Just as Nina Geld’s brilliant and angry stand-up kicks her career into high gear, her romantic life gets complicated, forcing her to reckon with what it means to be creative, authentic, and a woman in today’s culture. All About Nina is distributed by The Orchard and will be in theatres on September 28th. The Happy Prince, dir. Rupert Everett, United Kingdom, Los Angeles Premiere The last days of Oscar Wilde — and the ghosts that haunted them — are vividly evoked in Rupert Everett’s directorial debut. As the film travels through Wilde’s final act and journeys through England, France and Italy, desire and loyalty face off, the transience of lust is laid bare, and the true riches of love are revealed. The Happy Prince is being distributed by Sony Pictures Classics and will open in LA & NY October 10th. The Oath, dir. Ike Barinholtz, USA, World Premiere A controversial White House policy turns family member against family member in The Oath, a savagely funny dark comedy about surviving life and Thanksgiving in the age of political tribalism. The Oath is Ike Barinholtz’s directorial debut and is being distributed by Topic Studios and Roadside Attractions, opening on October 12th. Free Solo, dirs. Elizabeth Chai Vasarhelyi and Jimmy Chin, USA, Los Angeles Premiere Free Solo is a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold, as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock…the 3,200ft El Capitan in Yosemite National Park…without a rope. Free Solo is being distributed by National Geographic Documentary Films.

    Special Screening

    Maria By Callas, dir. Tom Volf, France, Los Angeles Special Screening From first time director Tom Volf, Maria By Callas is the definitive documentary on the life and work of the Greek-American opera singer. Volf has spent nearly five years working on the film, which features never before seen or heard footage and performances of Callas. Maria By Callas is being distributed by Sony Pictures Classics and will open in LA & NY November 2nd.

    Podcasts

    Don’t @ Me with Justin Simien – USA (CREATOR/HOST Justin Simien PRODUCER Gina Delvac) Beyond the knee-jerk reactions and Twitter hot takes, Justin Simien and his guests get real about a variety of topics. Don’t like what you hear? Don’t @ Me. Hollywood & Crime – USA (CREATOR/HOST Tracy Pattin HOST Larry Brand) A look inside the most infamous murders in Hollywood history. Welcome to L.A. – USA (CREATOR/HOST David Weinberg) – David Weinberg explores a few of the many L.A.s that exist between the Pacific and the Mojave, introducing us to a lot of fascinating characters along the way.

    Series

    Into the Dark, “The Body”, dir. Paul Davis, USA, World Premiere The first episode of the Into the Dark series – “The Body” – is a story about a sophisticated hitman with a cynical view on modern society who finds his work made more difficult when he has to transport a body on Halloween night, but everyone is enamored by what they think is his killer costume. “The Body” stars Tom Bateman and Rebecca Rittenhouse, written by Paul Fischer and Paul Davis and is directed by Paul Davis. Into The Dark is a first of its kind year-round horror event series from prolific, award-winning producer, Jason Blum’s independent TV studio Blumhouse Television. The Hulu Original Series includes 12 self-contained episodes, with a new episode premiering each month. The Body premieres exclusively on Hulu, October 5th, 2018. America To Me, “I Don’t Have to Think About Being White”, dir. Steve James, USA Poignant and funny, epic and intimate, America to Me spends an academic year at Chicagoland’s elite Oak Park and River Forest High School (OPRF), allowing its students, families, faculty and administration to tell stories of the pressures and challenges teens face today in their own words. The fifth episode of the epic 10-part docu-series from Starz and Kartemquin looks closely at decades-long racial and educational inequities – in addition to the challenges that today’s teenagers face. America To Me will premiere on Starz this Sunday, August 26 at 10pm PT/ET.

    Buzz Section

    Non-competitive showcase of curated favorites from other film festivals. Bethany Hamilton: Unstoppable – dir. Aaron Lieber, USA, West Coast Premiere Galveston – dir. Mélanie Laurent, USA, West Coast Premiere The Great Buster: A Celebration – dir. Peter Bogdanovich, USA, North American Premiere Jonathan – dir. Bill Oliver, USA, West Coast Premiere Little Woods – dir. Nia DaCosta, USA, West Coast Premiere Mr. Soul! – dirs. Melissa Haizlip, Samuel Pollard, USA, West Coast Premiere Museo – dir. Alonso Ruizpalacios, Mexico, North American Premiere The New Romantic – dir. Carly Stone, USA, West Coast Premiere Sadie – dir. Megan Griffiths, USA, California Premiere Song of Back and Neck – dir. Paul Lieberstein, USA, West Coast Premiere Unlovable – dir. Suzi Yoonessi, USA, West Coast Premiere You Can Choose Your Family – dir. Miranda Bailey, USA, West Coast Premiere

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  • Toronto International Film Festival Unveils 2018 Docs Program, Opens with Michael Moore’s FAHRENHEIT 11/9

    [caption id="attachment_31339" align="aligncenter" width="1200"]Michael Moore’s Fahrenheit 11/9 Michael Moore’s Fahrenheit 11/9[/caption] The World Premiere of Michael Moore’s Fahrenheit 11/9 , a radical and humorous look at the United States under Donald Trump, will open the Toronto International Film Festival 2018 documentary program.   The Festival will screen 27 feature-length non-fiction films, representing 19 countries in the 2018 documentary program. Other World Premieres include Rashida Jones and Alan Hicks’ Quincy, profiling musical icon Quincy Jones; Victoria Stone and Mark Deeble’s The Elephant Queen, narrated by Chiwetel Ejiofor, tracing the epic journey of an elephant herd; Billy Corben’s Screwball, a true-crime comedy on doping in Major League Baseball; and Maxim Pozdorovkin’s The Truth About Killer Robots, investigating the lethal consequences of automation. One-third of this year’s doc features are directed or co-directed by female filmmakers including TIFF Docs closing film, Margarethe von Trotta’s Searching for Ingmar Bergman, which offers a multi-faceted look at the Swedish auteur’s life 100 years after his birth. Women creators, trailblazers, and the #MeToo movement are also examined within the lineup: Naziha Arebi’s Freedom Fields, about a Libyan women’s football team; Alex Holmes’ Maiden recounts the story of the first all-women sailing crew in the Whitbread Round the World Race (now the Volvo Ocean Race), skippered by Tracy Edwards; and Tom Volf’s Maria by Callas, narrated by Joyce DiDonato, profiles one of the major icons of the 20th century. More highlights include Alexis Bloom’s Divide and Conquer: The Story of Roger Ailes, covering the Fox News creator who was ousted for allegations of sexual harassment; and Tom Donahue’s This Changes Everything, an examination of gender dynamics in Hollywood, executive produced by Geena Davis. Mark Cousins’ Women Make Film: A New Road Movie Through Cinema , narrated by Tilda Swinton, explores international cinema through the lens of women directors. Global politics and leaders of modern society are put under the microscope with films such as Werner Herzog and André Singer’s Meeting Gorbachev, on the former Soviet leader; Vitaly Mansky’s Putin’s Witnesses, focusing on Russia’s president; and Errol Morris’ American Dharma , looking at controversial Trump strategist Steve Bannon. Grand adventures are at the heart of several docs in the selection. E. Chai Vasarhelyi and Jimmy Chin’s Free Solo captures Alex Honnold’s unprecedented climb of El Capitan without safety ropes; Andrey Paounov’s Walking on Water documents the artist Christo’s project The Floating Piers; John Chester’s The Biggest Little Farm chronicles an eight-year struggle to run a family farm; and Shannon Service and Jeffrey Waldron’s Ghost Fleet captures a nail-biting rescue of fishermen enslaved at sea. After directing last year’s Festival opener Borg vs McEnroe, Janus Metz teams with Sine Plambech for the World Premiere of Heartbound, a longitudinal study 10 years in the making about the trend of Thai women marrying Danish men. And several documentaries represent eclectic perspectives told from around the world, including: Rithy Panh’s Graves Without a Name, on the legacy of Cambodia’s genocide; Jawad Rhalib’s When Arabs Danced, on Muslim performers pushing boundaries; James Longley’s Angels Are Made Of Light, about a group of Afghan children and their teachers; and Frederick Wiseman’s Monrovia, Indiana , about a small town in America’s Midwest. The 43rd Toronto International Film Festival runs from September 6 to 16, 2018.

    2018 TIFF Docs Program

    American Dharma Errol Morris | USA/United Kingdom North American Premiere Angels Are Made Of Light James Longley | USA/Denmark/Norway Canadian Premiere The Biggest Little Farm John Chester | USA International Premiere Divide and Conquer: The Story of Roger Ailes Alexis Bloom | USA World Premiere The Elephant Queen Victoria Stone, Mark Deeble | United Kingdom/Kenya World Premiere TIFF Docs Opening Film Fahrenheit 11/9 Michael Moore | USA World Premiere Free Solo E. Chai Vasarhelyi, Jimmy Chin | USA International Premiere Freedom Fields Naziha Arebi | Libya/United Kingdom/Netherlands/USA/Qatar/Lebanon/Canada World Premiere Ghost Fleet Shannon Service, Jeffrey Waldron | USA International Premiere Graves Without a Name ( Les tombeaux sans noms) Rithy Panh | France/Cambodia Canadian Premiere Heartbound ( Hjertelandet) Janus Metz, Sine Plambech | Denmark/Netherlands/Sweden World Premiere Maiden Alex Holmes | United Kingdom World Premiere Maria by Callas Tom Volf | France North American Premiere Meeting Gorbachev Werner Herzog, André Singer | United Kingdom/USA/Germany Canadian Premiere This Changes Everything Tom Donahue | USA World Premiere Monrovia, Indiana Frederick Wiseman | USA North American Premiere Putin’s Witnesses ( Svideteli Putina) Vitaly Mansky | Latvia/Switzerland/Czech Republic International Premiere Quincy Rashida Jones, Alan Hicks | USA World Premiere Screwball Billy Corben | USA World Premiere TIFF Docs Closing Film Searching for Ingmar Bergman Margarethe von Trotta | Germany/France North American Premiere The Truth About Killer Robots Maxim Pozdorovkin | USA World Premiere Walking on Water Andrey Paounov | Italy/USA North American Premiere When Arabs Danced ( Au temps où les Arabes dansaient) Jawad Rhalib | Belgium North American Premiere Women Make Film: A New Road Movie Through Cinema Mark Cousins | United Kingdom North American Premiere Previously announced Canadian features at the Festival include Ron Mann’s Carmine Street Guitars, Barry Avrich’s Prosecuting Evil: The Extraordinary World of Ben Ferencz, and Astra Taylor’s What is Democracy?

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