If Beale Street Could Talk

  • ROMA Named Best Film, EIGHTH GRADE, FIRST REFORMED Win 2018 New York Film Critics Circle Awards

      [caption id="attachment_30917" align="aligncenter" width="1000"]ROMA ROMA[/caption] The New York Film Critics Circle announced its 2018 award winners live on Twitter this morning, naming Roma the Best Film of 2018, along with awards for Best Director and Best Cinematography for Alfonso Cuarón.  First Reformed won awards for Best Screenplay: Paul Schrader and Best Actor for Ethan Hawke. Minding the Gap directed by Bing Liu won for Best Documentary, Pawel Pawlikowski’s Cold War won for Best Foreign Language Film, and Eighth Grade director Bo Burnham won the award for Best First Film.

    2018 New York Film Critics Award Winners

    Best Picture: Roma Best Director: Alfonso Cuarón, Roma Best Screenplay: Paul Schrader, “First Reformed” Best Actress: Regina Hall, Support the Girls Best Actor: Ethan Hawke, First Reformed Best Supporting Actress: Regina King, If Beale Street Could Talk Best Supporting Actor: Richard E. Grant, Can You Ever Forgive Me? Best Cinematography: Roma, Alfonso Cuaron Best Non-fiction Film: Minding the Gap, director Bing Liu Best Foreign Language Film: “Cold War,” director Pawel Pawlikowski Best Animated Feature: Spider-Man: Into the Spider-Verse Best First Film: Eighth Grade, director Bo Burnham Special Award For Career Achievement: David Schwartz, Chief Film Curator at Museum of the Moving Image for 33 years Special Award: Kino Classics Box Set Pioneers: First Women Filmmakers

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  • Watch Final Trailer + New Poster for Barry Jenkins’ IF BEALE STREET COULD TALK

    [caption id="attachment_31277" align="aligncenter" width="1200"]If Beale Street Could Talk If Beale Street Could Talk[/caption] Annapurna Pictures released the final trailer for If Beale Street Could Talk a timeless and moving love story set in early-1970s Harlem. Academy Award-winning writer/director Barry Jenkins’ first film since the Best Picture Oscar-winning Moonlight is If Beale Street Could Talk, his adaptation of James Baldwin’s novel – the first English-language feature film based on the work of the author, to whom the movie is dedicated. The film opens in theaters on December 14, 2018. Set in early-1970s Harlem, If Beale Street Could Talk is a timeless and moving love story of both a couple’s unbreakable bond and the African-American family’s empowering embrace, as told through the eyes of 19-year-old Tish Rivers (screen newcomer KiKi Layne). A daughter and wife-to-be, Tish vividly recalls the passion, respect and trust that have connected her and her artist fiancé Alonzo Hunt, who goes by the nickname Fonny (Stephan James). Friends since childhood, the devoted couple dream of a future together but their plans are derailed when Fonny is arrested for a crime he did not commit. Through the unique intimacy and power of cinema, If Beale Street Could Talk honors the author’s prescient words and imagery, charting the emotional currents navigated in an unforgiving and racially biased world as the filmmaker poetically crosses time frames to show how love and humanity endure.

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  • National Board of Review Announces 2018 Film Honorees, GREEN BOOK Named Best Film of the Year

    [caption id="attachment_32616" align="aligncenter" width="1200"]“Green Book” directed by Peter Farrelly “Green Book” directed by Peter Farrelly[/caption] The National Board of Review named Green Book as Best Film of the Year, Bradley Cooper as Best Director of the Year for A Star is Born,  Viggo Mortensen as Best Actor of the Year for his performance in Green Book, and Lady Gaga as Best Actress of the Year for her performance in A Star is Born. NBR President Annie Schulhof said, “We are proud to honor Green Book as our best film – it is a warm and heartfelt look at a remarkable friendship, brought to the screen at a moment where its story of love, compassion, and shared humanity deeply resonates. We are also thrilled to award Bradley Cooper as our best director – he is an extraordinary talent behind the camera, bringing a fresh and modern perspective, as well as superb craftsmanship and tremendous heart, to the classic story of A Star is Born.” The 2018 awards continue the NBR’s tradition of recognizing excellence in filmmaking, going back 109 years. This year 261 films were viewed by this select group of film enthusiasts, filmmakers, professionals, academics, and students, many of which were followed by in-depth discussions with directors, actors, producers, and screenwriters. The National Board of Review’s awards celebrate the art of cinema, with categories that include Best Picture, Best Director, Best Actor and Actress, Best Original and Adapted Screenplay, Breakthrough Performance, and Directorial Debut, as well as signature honors such as Freedom of Expression and the William K. Everson Film History Award. The honorees will be feted at the NBR Awards Gala, hosted by Willie Geist, on Tuesday, January 8, 2019 at Cipriani 42nd Street.

    2018 National Board of Review Award WInners

    Best Film: GREEN BOOK Best Director: Bradley Cooper, A STAR IS BORN Best Actor: Viggo Mortensen, GREEN BOOK Best Actress: Lady Gaga, A STAR IS BORN Best Supporting Actor: Sam Elliott, A STAR IS BORN Best Supporting Actress: Regina King, IF BEALE STREET COULD TALK Best Original Screenplay: Paul Schrader, FIRST REFORMED Best Adapted Screenplay: Barry Jenkins, IF BEALE STREET COULD TALK Best Animated Feature: INCREDIBLES 2 Breakthrough Performance: Thomasin McKenzie, LEAVE NO TRACE Best Directorial Debut: Bo Burnham, EIGHTH GRADE Best Foreign Language Film: COLD WAR Best Documentary: RBG Best Ensemble: CRAZY RICH ASIANS William K. Everson Film History Award: THE OTHER SIDE OF THE WIND and THEY’LL LOVE ME WHEN I’M DEAD NBR Freedom of Expression Award: 22 JULY NBR NBR Freedom of Expression Award: ON HER SHOULDERS Top Films (in alphabetical order) The Ballad of Buster Scruggs Black Panther Can You Ever Forgive Me? Eighth Grade First Reformed If Beale Street Could Talk Mary Poppins Returns A Quiet Place Roma A Star Is Born Top 5 Foreign Language Films (in alphabetical order) Burning Custody The Guilty Happy as Lazzaro Shoplifters Top 5 Documentaries (in alphabetical order) Crime + Punishment Free Solo Minding the Gap Three Identical Strangers Won’t You Be My Neighbor? Top 10 Independent Films (in alphabetical order) The Death of Stalin Lean on Pete Leave No Trace Mid90s The Old Man & the Gun The Rider Searching Sorry to Bother You We the Animals You Were Never Really Here  

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  • WE THE ANIMALS, EIGHTH GRADE, FIRST REFORMED Lead Nominations for 2019 Film Independent Spirit Awards

    [caption id="attachment_30337" align="aligncenter" width="1228"]WE THE ANIMALS We the Animals[/caption] We the Animals leads the nominations for the 2019 Film Independent Spirit Awards with 5 nods including Best First Feature, but missed out on a nomination for Best Feature. Nominees for Best Feature are Eighth Grade, First Reformed, If Beale Street Could Talk, Leave No Trace and You Were Never Really Here. Suspiria was selected to receive the Robert Altman Award, which is bestowed upon one film’s director, casting director and ensemble cast. The Altman Award was created in 2008 in honor of legendary director Robert Altman who was known for creating extraordinary ensemble casts. Winners of the Spirit Awards Filmmaker Grants will be announced at the Film Independent Spirit Awards Filmmaker Grant and Nominee Brunch on Saturday, January 5, 2019.

    2019 FILM INDEPENDENT SPIRIT AWARD NOMINATIONS

    BEST FEATURE

    (Award given to the producer. Executive Producers are not awarded.) Eighth Grade Producers: Eli Bush, Scott Rudin, Christopher Storer, Lila Yacoub First Reformed Producers: Jack Binder, Greg Clark, Gary Hamilton, Victoria Hill, David Hinojosa, Frank Murray, Deepak Sikka, Christine Vachon If Beale Street Could Talk Producers: Dede Gardner, Barry Jenkins, Jeremy Kleiner, Sara Murphy, Adele Romanski Leave No Trace Producers: Anne Harrison, Linda Reisman, Anne Rosellini You Were Never Really Here Producers: Rosa Attab, Pascal Caucheteux, Rebecca O’Brien, Lynne Ramsay, James Wilson

    BEST FIRST FEATURE

    (Award given to the director and producer) Hereditary Director: Ari Aster Producers: Kevin Frakes, Lars Knudsen, Buddy Patrick Sorry to Bother You Director: Boots Riley Producers: Nina Yang Bongiovi, Jonathan Duffy, Charles D. King, George Rush, Forest Whitaker, Kelly Williams The Tale Director/Producer: Jennifer Fox Producers: Sol Bondy, Lawrence Inglee, Mynette Louie, Oren Moverman, Simone Pero, Reka Posta, Laura Rister, Regina K. Scully, Lynda Weinman We the Animals Director: Jeremiah Zagar Producers: Andrew Goldman, Christina D. King, Paul Mezey, Jeremy Yaches Wildlife Director/Producer: Paul Dano Producers: Andrew Duncan, Jake Gyllenhaal, Riva Marker, Oren Moverman, Ann Ruark, Alex Saks

    JOHN CASSAVETES AWARD

    Given to the best feature made for under $500,000. (Award given to the writer, director and producer. Executive Producers are not awarded.) A Bread Factory Writer/Director/Producer: Patrick Wang Producers: Daryl Freimark, Matt Miller En el Séptimo Día Writer/Director/Producer: Jim McKay Producers: Alex Bach, Lindsey Cordero, Caroline Kaplan, Michael Stipe Never Goin’ Back Writer/Director: Augustine Frizzell Producers: Liz Cardenas, Toby Halbrooks, James M. Johnston Sócrates Writer/Director/Producer: Alex Moratto Writer: Thayná Mantesso Producers: Ramin Bahrani, Jefferson Paulino, Tammy Weiss Thunder Road Writer/Director: Jim Cummings Producers: Natalie Metzger, Zack Parker, Benjamin Weissner

    BEST DIRECTOR

    Debra Granik Leave No Trace Barry Jenkins If Beale Street Could Talk Tamara Jenkins Private Life Lynne Ramsay You Were Never Really Here Paul Schrader First Reformed

    BEST SCREENPLAY

    Richard Glatzer (Writer/Story By), Rebecca Lenkiewicz & Wash Westmoreland Colette Nicole Holofcener and Jeff Whitty Can You Ever Forgive Me? Tamara Jenkins Private Life Boots Riley Sorry to Bother You Paul Schrader First Reformed

    BEST FIRST SCREENPLAY

    Bo Burnham Eighth Grade Christina Choe Nancy Cory Finley Thoroughbreds Jennifer Fox The Tale Quinn Shephard (Writer/Story By), Laurie Shephard (Story By) Blame

    BEST CINEMATOGRAPHY

    Ashley Connor Madeline’s Madeline Diego Garcia Wildlife Benjamin Loeb Mandy Sayombhu Mukdeeprom Suspiria Zak Mulligan We the Animals

    BEST EDITING

    Joe Bini You Were Never Really Here Keiko Deguchi, Brian A. Kates, Jeremiah Zagar We the Animals Luke Dunkley, Nick Fenton, Chris Gill, Julian Hart American Animals Anne Fabini, Alex Hall, Gary Levy The Tale Nick Houy Mid90s

    BEST FEMALE LEAD

    Glenn Close The Wife Toni Collette Hereditary Elsie Fisher Eighth Grade Regina Hall Support the Girls Helena Howard Madeline’s Madeline Carey Mulligan Wildlife

    BEST MALE LEAD

    John Cho Searching Daveed Diggs Blindspotting Ethan Hawke First Reformed Christian Malheiros Sócrates Joaquin Phoenix You Were Never Really Here

    BEST SUPPORTING FEMALE

    Kayli Carter Private Life Tyne Daly A Bread Factory Regina King If Beale Street Could Talk Thomasin Harcourt McKenzie Leave No Trace J. Smith-Cameron Nancy

    BEST SUPPORTING MALE

    Raúl Castillo We the Animals Adam Driver BLACKkKLANSMAN Richard E. Grant Can You Ever Forgive Me? Josh Hamilton Eighth Grade John David Washington Monsters and Men

    ROBERT ALTMAN AWARD

    Given to one film’s director, casting director and ensemble cast Suspiria Director: Luca Guadagnino Casting Directors: Avy Kaufman, Stella Savino Ensemble Cast: Malgosia Bela, Ingrid Caven, Lutz Ebersdorf, Elena Fokina, Mia Goth, Jessica Harper, Dakota Johnson, Gala Moody, Chloë Grace Moretz, Renée Soutendijk, Tilda Swinton, Sylvie Testud, Angela Winkler

    BEST DOCUMENTARY

    (Award given to the director and producer) Hale County This Morning, This Evening Director/Producer: RaMell Ross Producers: Joslyn Barnes, Su Kim Minding the Gap Director/Producer: Bing Liu Producer: Diane Quon Of Fathers and Sons Director: Talal Derki Producers: Hans Robert Eisenhauer, Ansgar Frerich, Eva Kemme, Tobias N. Siebert On Her Shoulders Director: Alexandria Bombach Producers: Hayley Pappas, Brock Williams Shirkers Director/Producer: Sandi Tan Producers: Jessica Levin, Maya Rudolph Won’t You Be My Neighbor? Director/Producer: Morgan Neville Producers: Caryn Capotosto, Nicholas Ma

    BEST INTERNATIONAL FILM

    (Award given to the director) Burning South Korea Director: Lee Chang-Dong The Favourite United Kingdom Director: Yorgos Lanthimos Happy as Lazzaro Italy Director: Alice Rohrwacher Roma Mexico Director: Alfonso Cuarón Shoplifters Japan Director: Kore-eda Hirokazu

    BONNIE AWARD

    Bonnie Tiburzi Caputo joined American Airlines in 1973 at age 24, becoming the first female pilot to fly for a major U.S. airline. In her honor, the second Bonnie Award will recognize a mid-career female director with a $50,000 unrestricted grant, sponsored by American Airlines. Debra Granik Tamara Jenkins Karyn Kusama PRODUCERS AWARD The 22nd annual Producers Award honors emerging producers who, despite highly limited resources, demonstrate the creativity, tenacity and vision required to produce quality, independent films. The award includes a $25,000 unrestricted grant. Jonathan Duffy and Kelly Williams Gabrielle Nadig Shrihari Sathe

    SOMEONE TO WATCH AWARD

    The 25th annual Someone to Watch Award recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition. The award includes a $25,000 unrestricted grant. Alex Moratto Director of Sócrates Ioana Uricaru Director of Lemonade Jeremiah Zagar Director of We the Animals

    TRUER THAN FICTION AWARD

    The 24th annual Truer Than Fiction Award is presented to an emerging director of non-fiction features who has not yet received significant recognition. The award includes a $25,000 unrestricted grant. Alexandria Bombach Director of On Her Shoulders Bing Liu Director of Minding the Gap RaMell Ross Director of Hale County This Morning, This Evening

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  • MARY QUEEN OF SCOTS to Open, MOMENTUM GENERATION to Close 2018 Whistler Film Festival

    [caption id="attachment_31897" align="aligncenter" width="1000"]MARY QUEEN OF SCOTS (l-r) Grace Molony stars as Dorothy Stafford, Margot Robbie stars as Queen Elizabeth I and Georgia Burnell as Kate Carey in MARY QUEEN OF SCOTS, a Focus Features release.[/caption] Festival goers attending the 18th annual Whistler Film Festival (WFF), taking place from November 28 to December 2,  can look forward to 85 fresh films including 50 features and 35 shorts representing 12 countries.  WFF is set to open this year with Josie Rourke’s MARY QUEEN OF SCOTS, starring two of last year’s Oscar nominated best actresses, Saoirse Ronan and Margot Robbie. Rourke’s breathtakingly beautiful directorial debut explores the turbulent life of the charismatic Mary Stuart (Ronan), and her struggle to reclaim her rightful throne as Queen of Scotland, then under the rule of the compelling Elizabeth I (Robbie). Closing the festival is the Canadian Premiere of groundbreaking surf documentary MOMENTUM GENERATION. Directed by Academy Award-shortlisted and Emmy and Peabody Award-winning filmmakers Jeff and Michael Zimbalist, the documentary follows the biggest names in surfing, including Kelly Slater, Rob Machado, Shane Dorian, Kalani Robb and the late Todd Chesser. Executive produced by Sundance founder Robert Redford with stunning archival footage from the godfather of surf films Taylor Steele, MOMENTUM GENERATION gives audiences an inside look at the lives of these teenagers as they rose to super stardom as the first competitive surfers. WFF will screen six award season contenders including hosting the Canadian premieres of ON THE BASIS OF SEX, Mimi Leder’s topical biography of Supreme Court Justice Ruth Bader Ginsburg played by Felicity Jones, and Robert Budreau’s STOCKHOLM with Ethan Hawke and Noomi Rapace. The festival will also feature Western Canadian Premieres of AT ETERNITY’S GATE, director Julian Schnabel’s take on the life on Vincent Van Gogh played by Willem Dafoe; IF BEALE STREET COULD TALK, the first film from director Barry Jenkins since winning the Academy Award for Best Picture with MOONLIGHT; Alfonso Cuarón’s masterful ROMA, which – for the first time ever at WFF – will be shown in 4k projection and 7.2 sound; and FAMILY FIRST (CHIEN DE GARDE) directed by Sophie Dupuis, Canada’s entry in this year’s Best Foreign Language Oscar category. Other highlights include the World Premiere of Borsos Jury member Bruce McDonald’s CLAIRE’S HAT, an unprecedented filmic mea culpa about the making of the 2001 fiasco PICTURE CLAIRE. This funny, insightful and brilliantly reconstructed exploration documents what went wrong during the shooting of McDonald’s biggest budget movie to date. Direct from its premiere at Telluride, Brigitte Berman’s HUGH HEFNER’S AFTER DARK: SPEAKING OUT IN AMERICA, features a treasure trove of archival footage with everyone from Lenny Bruce to Moms Mabley. Programming strands include American Indies, Canadian Vanguard, Contenders, Doc Bloc, First Features, From Overseas, From The Vault, Mountain Culture, ShortWork, and World Premieres. WFF boasts that four of its five films in its American Indies strand will grace Canadian screens for the first time in Whistler. Titles include Wendy McColm’s funny and bittersweet BIRDS WITHOUT FEATHERS; Adisa’s horrifying look at sex trafficking in SKIN IN THE GAME; Alex Harvey’s brilliant WALDEN: LIFE IN THE WOODS with Oscar nominee Demián Bichir; and Emma Forrest’s moving UNTOGETHER, with Jamie Dornan (50 SHADES OF GREY), Jemima Kirke, Lola Kirke, Ben Mendelsohn and Jennifer Grey. Finally, Sebastián Silva’s TYREL features Michael Cera in a story about a lone black man on otherwise all-white weekend of drunken bro debauchery on a birthday trip to a cabin in the Catskills. This year, 18 Canadian films will compete for Canada’s second largest festival prize in the 15th annual Borsos Competition for Best Canadian Feature. Borsos titles feature seven World Premieres including Jon Silverberg’s haunting WOODLAND (shot in BC); Métis director Shane Belcourt’s mission to Mars comedy RED ROVER starring Cara Gee; Jesse Zigelstein’s restaurant owner drama for foodies NOSE TO TAIL, Carolyn Combs’ ode to multiculturalism in Vancouver BELLA CIAO!; Natty Zavitz’s moving forbidden romance drama ACQUAINTED; Maja Zdanowski’s ambitious multi-character drama IN GOD I TRUST; Zack Bernbaum’s hilariously deadpan road movie about two Toronto Jews on a trek into Poland THE DANCING DOGS OF DOMBROVA; and Rama Rau’s HONEY BEE, which features another unforgettable performance by Julia Sarah Stone (WFF 2017 Star to Watch Alumni) as an underage truckstop hooker. Western Canadian premieres in the Borsos Competition include Deanne Foley’s poignant exploration of mental illness and maternal yearnings, AN AUDIENCE OF CHAIRS; Kristina Wagenbauer’s moving story of mother/daughter conflict SASHINKA; Geneviève Dulude-De Celles’  A COLONY (UNE COLONIE), a memorable small-town coming of age story; Roz Owen’s study of a disenfranchised First Nations woman TROUBLE IN THE GARDEN featuring Cara Gee; Renée Beaulieu’s shockingly honest THE NATURALLY WANTON PLEASURE OF SKIN (LES SALOPES); Darlene Naponse’s FALLS AROUND HER featuring a career-best performance by Tantoo Cardinal; Lenin M. Sivam’s ROOBHA, a moving and empathetic look at transgender romance within the Canadian Tamil community; Sébastien Pilote’s award-winning coming of age story THE FIREFLIES ARE GONE; Sophie Dupuis’ first feature FAMILY FIRST (CHIEN DE GARDE), Canada’s entry in this year’s Foreign language Oscar category; and the Canadian Premiere of Robert Budreau’s STOCKHOLM with Ethan Hawke and Noomi Rapace. In addition to the Canadian Premiere of the definitive surfing documentary MOMENTUM GENERATION which will close the festival, this year’s Mountain Culture films include premieres of Whistler-based directors Brian Hockenstein and Tamo Campos’ THE RADICALS which follows a group of snowboarders and surfers who drift from the mountains and oceans into the world of activism; Patagonia’s stunning winter film TREELINE which explores the diverse forests of British Columbia, Nevada, and Japan, directed by Vancouver-based Jordan Manley; and winner of the Best Documentary award at this year’s Toronto International Film Festival, FREE SOLO, directed by E. Chai Vasarhelyi and Jimmy Chin, a stunning, intimate and unflinching portrait of the free soloist climber Alex Honnold’s preparations to achieve his lifelong dream: climbing the face of the world’s most famous rock – the 3,000ft El Capitan in Yosemite National Park – without a rope. This year’s Doc Bloc competition features a refreshingly diverse line-up. Two BC-based productions will grace our screens, including NEVER BE DONE: THE RICHARD GLEN LETT STORY directed by Roy Tighe about a self-sabotaging Vancouver based stand-up comic, and the World Premiere of FUCK YOU ALL: THE UWE BOLL STORY directed by Sean Patrick Shaul. Canadian premieres include Brian Bellinkoff’s PSYCHONAUTICS: A COMIC’S EXPLORATION OF PSYCHEDELICS with comedian Shane Mauss, and Brigitte Berman’s HUGH HEFNER’S AFTER DARK: SPEAKING OUT IN AMERICA. In addition, WFF will screen the World Premiere of Jaren Hayman’s eye-opening exploration of Canada’s largest black community in THIS IS NORTH PRESTON. Western Canadian premieres include THIS CHANGES EVERYTHING, Tom Donahue’s timely reminder of gender inequality in the film and television industries being shown as part of WFF’s Women on Top Series, and our British Columbia premiere selection includes Laura Marie Wayne’s LOVE, SCOTT, about the lasting impact of a horrific incident of homophobic violence, produced by the National Film Board of Canada. Other films of note in this year’s lineup include the family-friendly first feature from the Northwest Territories’ Jennifer Walden, ELIJAH AND THE ROCK CREATURE; musical Christmas zombie movie ANNA AND THE APOCALYPSE that simply must be seen to be believed; Gillian McKercher’s realistic look at working in the Alberta oil sands CIRCLE OF STEEL; Collin Friesen’s hilarious comedy about burying a deceased father’s ashes featuring a stand-out performance from Bruce Greenwood, SORRY FOR YOUR LOSS; and Eva Husson’s rousing film detailing a Kurdish all-female battalion, GIRLS OF THE SUN. Borsos award winner Maxime Giroux (FELIX AND MEIRA 2014) returns with his newest THE GREAT DARKENED DAYS, and Gary Burns honors the festival with his Mountain Culture entry MAN RUNNING, about a doctor running a marathon in the Rockies.

    WFF 2018 COMPLETE FEATURE FILM LISTING BY STRAND

    American Indies

    BIRDS WITHOUT FEATHERS (United States) Dir. Wendy McColm SKIN IN THE GAME (United States) Dir. Adisa TYREL (United States) Dir. Sebastián Silva UNTOGETHER (United States) Dir. Emma Forrest WALDEN: LIFE IN THE WOODS (United States) Dir. Alex Harvey

    Canadian Vanguard

    AN AUDIENCE OF CHAIRS (Canada) Dir. Deanne Foley FALLS AROUND HER (Canada) Dir. Darlene Naponse THE FIREFLIES ARE GONE (Canada) Dir. Sébastien Pilote THE GREAT DARKENED DAYS (Canada) Dir. Maxime Giroux MAN RUNNING (Canada) Dir. Gary Burns THE NATURALLY WANTON PLEASURE OF SKIN (Canada) Dir. Renée Beaulieu

    Contenders

    AT ETERNITY’S GATE (United States) Dir. Julian Schnabel FAMILY FIRST (CHIEN DE GARDE) (Canada) Dir. Sophie Dupuis IF BEALE STREET COULD TALK (United States) Dir. Barry Jenkins ON THE BASIS OF SEX (United States) Dir. Mimi Leder ROMA (United States, Mexico) Dir. Alfonso Cuarón STOCKHOLM (Canada) Dir. Robert Budreau

    Discoveries

    A COLONY (Canada) Dir. Geneviève Dulude-De Celles ACQUAINTED (Canada) Dir. Natty Zavitz THE DANCING DOGS OF DOMBROVA (Canada) Dir. Zack Bernbaum HONEY BEE (Canada) Dir. Rama Rau ROOBHA (Canada) Dir. Lenin M. Sivam

    Doc Bloc

    FUCK YOU ALL: THE UWE BOLL STORY (Canada) Dir. Sean Patrick Shaul HUGH HEFNER’S AFTER DARK: SPEAKING OUT IN AMERICA (Canada) Dir. Brigitte Berman LOVE, SCOTT (Canada) Dir. Laura Marie Wayne NEVER BE DONE: THE RICHARD GLEN LETT STORY (Canada) Dir. Roy Tighe PSYCHONAUTICS: A COMIC’S EXPLORATION OF PSYCHEDELICS (United States) Dir. Brian Bellinkoff THIS CHANGES EVERYTHING (United States) Dir. Tom Donahue THIS IS NORTH PRESTON (Canada) Dir. Jaren Hayman

    First Features

    CIRCLE OF STEEL (Canada) Dir. Gillian McKercher ELIJAH AND THE ROCK CREATURE (Canada) Dir. Jen Walden SASHINKA (Canada) Dir. Kristina Wagenbauer SORRY FOR YOUR LOSS (Canada) Dir. Collin Friesen TROUBLE IN THE GARDEN (Canada) Dir. Roz Owen

    From Overseas

    ANNA AND THE APOCALYPSE (United Kingdom) Dir. John McPhail GIRLS OF THE SUN (France) Dir. Eva Husson KARMA (China) Dir. Lutao Wang THE QUAKE (Norway) Dir. John Andreas Andersen

    From The Vault

    CLAIRE’S HAT (Canada) Dir. Bruce McDonald

    Galas

    MARY QUEEN OF SCOTS (United Kingdom) Dir. Josie Rourke [caption id="attachment_31845" align="aligncenter" width="1200"]Momentum Generation Momentum Generation[/caption] MOMENTUM GENERATION (United States) Dir. Jeff & Michael Zimbalist

    Mountain Culture

    FREE SOLO (United States) Dir. E. Chai Vasarhelyi & Jimmy Chin MAN RUNNING (Canada) Dir. Gary Burns MOMENTUM GENERATION (United States) Dir. Jeff & Michael Zimbalist THE RADICALS (Canada) Dir. Brian Hockenstein & Tamo Campos TREELINE (Canada) Dir. Jordan Manley

    World Premieres

    BELLA CIAO! (Canada) Dir. Carolyn Combs IN GOD I TRUST (Canada) Dir. Maja Zdanowski INTO INVISIBLE LIGHT (Canada) Dir. Shelagh Carter NOSE TO TAIL (Canada) Dir. Jesse Zigelstein RED ROVER (Canada) Dir. Shane Belcourt WOODLAND (Canada) Dir. Jon Silverberg

    WFF 2018 Feature Films Eligible for the Borsos Competition for Best Canadian Feature:

    A COLONY ACQUAINTED AN AUDIENCE OF CHAIRS BELLA CIAO! THE DANCING DOGS OF DOMBROVA FALLS AROUND HER FAMILY FIRST THE FIREFLIES ARE GONE HONEY BEE IN GOD I TRUST THE NATURALLY WANTON PLEASURE OF SKIN NOSE TO TAIL RED ROVER ROOBHA TROUBLE IN THE GARDEN SASHINKA STOCKHOLM WOODLAND

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  • IF BEALE STREET COULD TALK, GREEN BOOK Among 2018 Award Finalists for Twin Cities Film Fest

    [caption id="attachment_31277" align="aligncenter" width="1200"]If Beale Street Could Talk If Beale Street Could Talk[/caption] More than 30 finalists will compete for the top awards at the 2018 Twin Cities Film Fest, including among the top contenders for Best Feature Film are the new Barry Jenkins drama “If Beale Street Could Talk,”  Peter Farrelly’s “Green Book,” which recently won the People’s Choice Award at the Toronto International Film Festival, and two lauded Minnesota productions: Barry Andersson’s “The Lumber Baron” and David Buchanan’s “Black.” Other notable 2018 finalists include Joel Edgerton’s harrowing drama “Boy Erased” and Marielle Heller’s thriller “Can You Ever Forgive Me?”, both nominated for this year’s Indie Vision Award for breakthrough performance, recognizing Lucas Hedges and Melissa McCarthy respectively. Tina Brown and Dyana Winkler’s documentary “United Skates,” selected as this year’s closing night film, received two nominations — for Best Documentary and Indie Vision Special Achievement, recognizing Tina Brown, Matthew Peterson and Dyana Winkler’s electrifying cinematography. Rounding out this year’s Best Feature Film nominees were Kendall Goldberg’s comedy “When Jeff Tried to Save the World,” which also received nods for director Kendall Goldberg and lead actor Jon Heder, and Ben Zuckert’s drama “Noah Wise,” which received a second nomination for musical score. Actor Bill Murray is serving as a special guest judge for this year’s Comedy Shorts Award. Murray will be choosing his favorite comedic short from the three finalists listed below. This year’s TCFF slate, which continues to screen in St. Louis Park through Saturday evening, is comprised of more than 130 short and feature films. In addition to staff and audience awards, this year’s Changemaker Award is being bestowed to Rachel Mairose, founder and executive director of the animal rescue nonprofit Secondhand Hounds.

    2018 Twin Cities Film Fest FINALISTS

    Best Feature Film: “If Beale Street Could Talk,” directed by Barry Jenkins; “Black,” directed by David Buchanan; “Green Book,” directed by Peter Farrelly; “The Lumber Baron,” directed by Barry Andersson; “Noah Wise,” directed by Ben Zuckert; “When Jeff Tried to Save the World,” directed by Kendall Goldberg. Best Documentary: “93Queen,” directed by Paula Eiselt; “Finding Hygge,” directed by Rocky Walls; “Fire on the Hill,” directed by Brett Fallentine; “Time for Ilhan,” directed by Norah Shapiro; “United Skates,” directed by Tina Brown and Dyana Winkler; “Who Will Write Our History?” directed by Roberta Grossman. Best Short Film: “The American Wake,” directed by Kevin Quinn; “12 Sips to Glory,” directed by Matt Hirst; “Claire Means Well,” directed by Aaron Gervich; “Lunch Ladies,” directed by J.M. Logan; “Two Black Coffees,” directed by Michael Discoll; “Sexpert Franzen,” directed by Kaitlyn Busbee. Indie Vision — Breakthrough Performance: Adam Christian Clark (“Newly Single”); Jon Heder (“When Jeff Tried to Save the World”); Lucas Hedges (“Boy Erased”); Melissa McCarthy (“Can You Ever Forgive Me?”); Toussaint Morrison (“Black”); Sophia Mitri Schloss (“Sadie”). Indie Vision — Debut Director: Erik Bloomquist (“Long Lost”); Kendall Goldberg (“When Jeff Tried to Save the World”); Jenna Laurenzo (“Lez Bomb”); James Ojala (“Strange Nature”); Mark Taylor (“Saving Flora”); Kulap Vilaysack (“Origin Story”). Indie Vision — Breakthrough Achievement: Sam Boyd (screenplay for “In a Relationship”); Tina Brown, Matthew Peterson and Dyana Winkler (cinematography for “United Skates”); Roxanne Paukner (art direction for “The Lumber Baron”); Vanessa Powers (animation for “Witch”); C.J. Renner (director of “American Tender”); Ben Zuckert (composer of “Noah Wise”). Comedic Shorts Award: “12 Sips to Glory;” “Deep Dish Apocalypse;” “Lunch Ladies.” 2018 TCFF Changemaker Award: Rachel Mairose, founder and executive director of Secondhand Hounds.

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  • 2018 St. Louis International Film Festival to Screen 413 Films + Opening Night Premiere of DESTROYER

    [caption id="attachment_31640" align="aligncenter" width="1200"]DESTROYER Starring Nicole Kidman DESTROYER Starring Nicole Kidman[/caption] The 27th Whitaker St. Louis International Film Festival (SLIFF) will run November 1 to 11, and screen 413 films: 88 narrative features, 77 documentary features, and 248 shorts. The fest also will feature 14 special-event programs, including the closing-night awards presentation. The festival will kick off on Thursday, November 1, with the local premiere of “Destroyer,” directed by former St. Louisan Karyn Kusama, who will attend the screening. SLIFF will present the usual array of fest buzz films and Oscar contenders, including “3 Faces,” “Ash Is Purest White,” “Ben Is Back,” “Boy Erased,” “Capernaum,” “The Captain,” “The Chaperone,” “Cold War,” “Destroyer,” “Diane,” “Dogman,” “Everybody Knows,” “The Front Runner,” “Green Book,” “If Beale Street Could Talk,” “The Image Book,” “Little Woods,” “Long Day’s Journey Into Night,” “Mapplethorpe,” “Non-Fiction,” “Shoplifters,” “Support the Girls,” “Transit,” “Vox Lux,” “Widows,” “Wildlife,” and “Zama.” The festival will honor seven significant film figures with the annual awards: Joe Edwards and John Goodman with Lifetime Achievement Awards;  Jason Reitman with a Contemporary Cinema Award Jim Finn, Jane Gillooly, and Karyn Kusama with Charles Guggenheim Cinema St. Louis Awards; and Melanie Mayron with a Women in Film Award. As part of the fest’s ongoing response to the Ferguson uprising, SLIFF again will feature a major stream of programming entitled Race in America: The Black Experience and offer a third edition of Mean Streets: Viewing the Divided City Through the Lens of Film and Television, which addresses the persistent issue of segregation.

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  • THE FAVOURITE and FIRST REFORMED Lead 2018 IFP Gotham Awards Nominations

    [caption id="attachment_28919" align="aligncenter" width="1200"]First Reformed, directed by Paul Schrader First Reformed[/caption] The nominations for the 2018 IFP Gotham Awards were announced this morning, with The Favourite, and First Reformed leading with three nominations each, including for Best Feature and Best Screenplay.  Other nominees for Best Feature include If Beale Street Could Talk directed by Barry Jenkins, Madeline’s Madeline directed by Josephine Decker, and The Rider directed by Chloe Zhao. The nominees for Best Documentary include Bisbee ’17 directed by Robert Greene, Hale County, This Morning, This Evening directed by RaMell Ross, Minding the Gap directed by Bing Liu, Shirkers directed by Sandi Tan, and Won’t You Be My Neighbor? directed by Morgan Neville.  Gotham Tributes will be given to actors Rachel Weisz and Willem Dafoe, director Paul Greengrass, and the Gotham Industry Tribute to Jon Kamen. The Gotham Awards ceremony will be held on Monday, November 26th at Cipriani Wall Street in New York City.

    2018 IFP Gotham Award nominations

    Best Feature

    The Favourite Yorgos Lanthimos, director; Ceci Dempsey, Ed Guiney, Lee Magiday, Yorgos Lanthimos, producers (Fox Searchlight Pictures) First Reformed Paul Schrader, director; Jack Binder, Greg Clark, Victoria Hill, Gary Hamilton, Deepak Sikka, Christine Vachon, David Hinojosa, Frank Murray, producers (A24) If Beale Street Could Talk Barry Jenkins, director; Adele Romanski, Sara Murphy, Barry Jenkins, Dede Gardner, Jeremy Kleiner, Megan Ellison, producers (Annapurna Pictures) Madeline’s Madeline Josephine Decker, director; Krista Parris, Elizabeth Rao, producers (Oscilloscope Laboratories) The Rider Chloé Zhao, director; Bert Hamelinck, Sacha Ben Harroche, Mollye Asher, Chloé Zhao, producers (Sony Pictures Classics)

    Best Documentary

    Bisbee ‘17 Robert Greene, producer; Douglas Tirola, Susan Bedusa, Bennett Elliott, producers (4th Row Films) Hale County This Morning, This Evening RaMell Ross, director; RaMell Ross, Joslyn Barnes, Su Kim, producers (The Cinema Guild) Minding the Gap Bing Liu, director; Diane Quon, Bing Liu, producers (Hulu & Magnolia Pictures) Shirkers Sandi Tan, director; Sandi Tan, Jessica Levin, Maya Rudolph, producers (Netflix) Won’t You Be My Neighbor? Morgan Neville, director; Morgan Neville, Caryn Capotosto, Nicholas Ma, producers (Focus Features)

    Bingham Ray Breakthrough Director Award

    Ari Aster for Hereditary (A24) Bo Burnham for Eighth Grade (A24) Jennifer Fox for The Tale (HBO) Crystal Moselle for Skate Kitchen (Magnolia Pictures) Boots Riley for Sorry to Bother You (Annapurna Pictures)

    Best Screenplay

    The Favourite, Deborah Davis and Tony McNamara (Fox Searchlight Pictures) First Reformed, Paul Schrader (A24) Private Life, Tamara Jenkins (Netflix) Support the Girls, Andrew Bujalski (Magnolia Pictures) Thoroughbreds, Cory Finley (Focus Features)

    Best Actor

    Adam Driver in BlacKkKlansman (Focus Features) Ben Foster in Leave No Trace (Bleecker Street) Richard E. Grant in Can You Ever Forgive Me? (Fox Searchlight Pictures) Ethan Hawke in First Reformed (A24) Lakeith Stanfield in Sorry to Bother You (Annapurna Pictures)

    Best Actress*

    Glenn Close in The Wife (Sony Pictures Classics) Toni Collette in Hereditary (A24) Kathryn Hahn in Private Life (Netflix) Regina Hall in Support the Girls (Magnolia Pictures) Michelle Pfeiffer in Where is Kyra? (Paladin and Great Point Media) *The 2018 Best Actress nominating committee also voted to award a special Gotham Jury Award to Olivia Colman, Emma Stone, and Rachel Weisz for their ensemble performance in The Favourite. (Fox Searchlight Pictures)

    Breakthrough Actor

    Yalitza Aparicio in Roma (Netflix) Elsie Fisher in Eighth Grade (A24) Helena Howard in Madeline’s Madeline (Oscilloscope Laboratories) KiKi Layne in If Beale Street Could Talk (Annapurna Pictures) Thomasin Harcourt McKenzie in Leave No Trace (Bleecker Street)

    Breakthrough Series – Long Form

    Alias Grace, Sarah Polley, Mary Harron, Noreen Halpern, executive producers (Netflix) Big Mouth, Nick Kroll, Andrew Goldberg, Jennifer Flackett, Mark Levin, creators; Nick Kroll, Andrew Goldberg, Mark Levin & Jennifer Flackett, executive producers (Netflix) The End of the F***ing World, Andy Baker, Murray Ferguson, Petra Fried, Ed MacDonald, Dominic Buchanan, Jonathan Entwistle, executive producers (Netflix) Killing Eve, Sally Woodward Gentle, Lee Morris, Phoebe Waller-Bridge, executive producers (BBC America) Pose, Ryan Murphy, Brad Falchuk, Steven Canals, creators; Ryan Murphy, Brad Falchuk, Nina Jacobson, Brad Simpson, Alexis Martin Woodall, Sherry Marsh, executive producers (FX Networks) Sharp Objects, Marti Noxon, creator; Marti Noxon, Jason Blum, Gillian Flynn, Amy Adams, Jean-Marc Vallée, Nathan Ross, Gregg Fienberg, Charles Layton, Marci Wiseman, Jessica Rhoades, executive producers (HBO)

    Breakthrough Series – Short Form

    195 Lewis, Chanelle Aponte Pearson and Rae Leone Allen, creators Cleaner Daze, Tess Sweet and Daniel Gambelin, creators Distance, Alex Dobrenko, creator The F Word, Nicole Opper, creator She’s the Ticket, Nadia Hallgren, creator

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  • Hawaii International Film Festival Announces 2018 Lineup, Opens with Zhang Yimou’s SHADOW

    [caption id="attachment_32166" align="aligncenter" width="1200"]Shadow, Zhang Yimou Shadow, Zhang Yimou[/caption] The 38th edition of the Hawaii International Film Festival (HIFF) will present 187 films from over 35 countries, from November 8 through November 18, 2018.  The festival will open with highly anticipated new film from Zhang Yimou (House of Flying Daggers; Hero; Curse of the Golden Flower), Shadow, which stars Chao Deng (The Mermaid; Detective Dee: Mystery of the Phantom Flame), Li Sun (Fearless; Empresses in the Palace), and Ryan Zheng (The Great Wall; Back in Time), is based storied the “Three Kingdoms” Chinese legend. Shadow had its world premiere at the Venice International Film Festival, where audiences were wowed by Zhang’s masterful direction of this unique action-epic. HIFF’s Closing Night Presentation will be the world premiere of Moananuiākea: One Ocean. One People. One Canoe, directed by Na’alehu Anthony. This documentary looks at the latest worldwide voyage of Hōkūleʻa, four decades after its maiden voyage sparked the Hawaiian Renaissance and continues to inspire a new generation of navigators and voyagers to gather their courage and sail beyond the horizon of the Pacific. This year’s Centerpiece Presentation is Green Book, which world premiered at the Toronto Film Festival; where it won the coveted TIFF 2018 People’s Choice Award, an early barometer of being an Oscars favorite. The drama, follows Tony Lip (Viggo Mortensen), a bouncer from the Bronx, is hired to drive Dr. Don Shirley (Oscar winner Mahershala Ali), a world-class Black pianist, on a concert tour from Manhattan to the Deep South, they must rely on “The Green Book” to guide them to the few establishments that are safe for African Americans. Green Book won the coveted Audience Award at the recent Toronto Film Festival. Produced by Jim Burke (The Descendants, HIFF 2012), who will be in attendance at HIFF, and directed by Peter Farrelly (There’s Something About Mary), Green Book infuses heartfelt drama in an unlikely friendship that stood the test of time. HIFF audiences will critically acclaimed titles in the Awards Buzz section; which presents high profile films straight from major festivals like Cannes, Venice, Toronto and more. These must-see films are major players in the awards season, including: the Mexican drama Roma, directed Alfonso Cuarón (Gravity); If Beale Street Could Talk, directed by Barry Jenkins (Moonlight); Iranian director Asghar Farhadi’s (A Separation) Spain-set thriller Everybody Knows starring Javier Bardem and Penelope Cruz; and Natalie Portman’s new film Vox Lux, directed by Brady Corbet. This year HIFF presents a special spotlight on world renowned auteur Wong Kar-wai with the Filmmaker in Focus series. HIFF is proud to present In The Mood For Love (2000), Happy Together (1997), and Chungking Express (1994). A special extended Q&A with Director Wong Kar Wai will follow the screening of Chungking Express. In Special Presentations, HIFF will present the West Coast premiere of Wake, a comedy/drama directed by Cyrus Mirakhor. Wake follows a widowed mortician, struggling with agoraphobia, who receives a birthday gift from her mother and daughter as a joke. The gift, a life-size male doll named Pedro, goes from funny to fantastical, complicating her ties with her family and friends.  Wake stars James Denton (TV Series Good Witch), Caroline Lagerfelt (TV Series The Blacklist), and features the acting debut of Filipino-American stand-up comedian, Jo Koy. The popular comedian will attend the screening, and join director Mirakhor for the post-screening Q&A. The always popular Sound x Vision category offers must-see films for music fans and cinephiles. HIFF will host the North American premiere of The Legend of the Stardust Brothers, directed by Macoto Tezuka. This fascinating musical narrative, made in 1985, begins when Macoto Tezuka (son of the great manga artist Osamu Tezuka) met musician and TV personality Haruo Chicada who had made a soundtrack to a movie which didn’t actually exist: The Legend of the Stardust Brothers. With Chicada as producer, Tezuka then adapted this “fake soundtrack” into the real movie story of “The Stardust Brothers”. Tezuka assembled a cast of some of Japan’s most famous musicians of the time, including such greats as Kiyohiko Ozaki, ISSAY, Sunplaza Nakano and Hiroshi Takano, alongside many famous names in Manga such as Monkey Punch (Lupin the 3rd), Shinji Nagashima (Hanaichi Monme), Yosuke Takahashi (Mugen Shinsi) and even many upcoming film directors of the time such as Kiyoshi Kurosawa (Tokyo Sonata) and Daihachi Yoshida (The Kirishima Thing). The resulting film The Legend of the Stardust Brothers is the exact definition of a cult film. Despite the huge array of talent on board with a large budget, the film is totally unknown even to this day in both Japan and worldwide. More than 30 years since its release, The Stardust Brothers will finally make itself known worldwide with a new master and a brand new Director’s Cut. For the first time, the festival will present the HIFF VR Lounge; bringing together a selection of exciting contemporary Virtual Reality projects from around the world to SALT At Our Kakaako. Free and open to the public November 10th through 12th, the HIFF VR Lounge will feature virtual reality technologies bring us closer to the action than ever before, face-to-face with some of the most vital issues and stories in the world today. Audiences can visit the lounge and experience: Age Of Sail (Dir.: John Kahrs), Chasing Coral: The VR Experience (Dir.: Jeff Orlowski), Finding Haka (Dir.: James Hedley) and Songbird (Dir.: Lucy Greenwell).

    Additional highlights at the 2018 Hawaii International Film Festival

    The world premiere of Eating Up Easter Island (Chile, United States), directed by Sergio M. Rapu. This documentary reveals the nuance of life on Rapa Nui (Easter Island), and straddles the fault line between local identity and the opportunities presented by globalism. As the local economy is subjugated by the demands of tourism, locals must contend with the contrasting expectations of indigenous culture and Western industrial capitalism amidst the fear that old practices are not valued or protected unless performed for visitors. Eating Up Easter Island screens as part of the Pacific Showcase lineup. Maui’s Hook (New Zealand), a documentary feature directed Paora Te Oti Takarangi Joseph, is one of the most original and stirring films released this year. Psychologist and filmmaker Paora Joseph journeys New Zealand’s North Island with families who lost someone close to them to suicide. Seamlessly combining scripted narrative sections with interviews of five brave families mourning the loss of a loved one, Joseph blurs the divide between documentary and drama to make a profound statement about suicide and the people left behind. This will be the film’s International Premiere. Shoplifters (Japan), directed by Hirokazu Kore-eda, is Japan’s official submission for Best Foreign Language Film at the 2019 Academy Awards. This Cannes Palme d’Or winner tells the story of a poor family who, after a shoplifting run, find a little girl freezing in the cold. Although initially reluctant, they welcome her into their home. Though happy together, an unforeseen incident begins to unravel hidden secrets and test the bonds that unite them. From Palme d’Or-winning director Hirokazu Kore-eda, Shoplifters tells a breathtaking story of family and love told across four seasons on the streets of contemporary Tokyo. The International Premiere of Still Human (Hong Kong), a drama directed by Oliver Siu Kuen Chan, explores the world of paralyzed and disgruntled Cheong-wing (Anthony Wong), who has gone through quite a few caretakers. When he gets new Filipino domestic helper, Evelyn (Crisel Consunji), they both realize that Evelyn does not speak a word of Cantonese. Somehow as the unlikely duo begin to warm up to each other, a bond forms that may transcend stereotypes and change them both in ways they never imagined. In Southeast Asian Showcase, HIFF presents the North American Premiere of Memories of My Body. This drama for Indonesia, directed by Garin Nugroho, follows Juno; a child who was recently abandoned by his father.. Alone now, he joins a dance center where men shape their feminine appearance and movement. But the sensuality and sexuality that come from dance and bodies, mixed with the violent social and political Indonesian environment, force Juno to move from village to village. Even if on his journey Juno receives love from his those around him, he still has to face the battlefield that his body is becoming. The United States Premiere of Sink or Swim (France), directed by Gille Lellouche. This hilarious crowd-pleaser, which world premiered at the Cannes Film Festival, follows a group of 40-something guys, all on the verge of a mid-life crisis, decide to form their local pool’s first ever synchronized swimming team – for men. Braving the skepticism and ridicule of those around them, and trained by a fallen champion trying to pull herself together, the group set out on an unlikely adventure, and on the way will rediscover a little self-esteem and a lot about themselves. Sink or Swim will screen as part of the European Showcase lineup. The United States Premiere of The Witch (South Korea), directed by Park Hoon-jung, is a Sci-Fi thriller set in rural South Korea, where a young girl flees a government facility. 10 years later a now teenage Ja-yoon has no recollection of her past, and knows only the elderly couple who have taken her is as her parents. But soon Ja-yoon discovers that she has some incredible talents, she is so talented in fact that she lands on national television. However shortly after her appearance, ominous figures show up, threatening to turn her peaceful life upside down. The Witch will screen as part of the Spotlight On Korea lineup HIFF welcomes Harry Shum Jr. Shum, who has won a Screen Actors Guild award for his performance on Glee, numerous awards and accolades for his role on Shadowhunters, and most recently has appeared on the blockbuster hit Crazy Rich Asians, will be part of the Future Filmmaker Luncheon and Panel. The panel, which will take at WaiWai Collective, will also be a destination for the student filmmaker finalists in the new short film contest presented by HIFF in partnership with the Daniel K. Inouye Institute. The partnership, launched in June, encouraged middle and high school students statewide to create films inspired by Senator Inouye’s historic speech at the 1968 Democratic National Convention.

    2018 Hawaii International Film Festival Honorees

    Ever year, HIFF hosts a prestigious awards ceremony to honor the competition titles at the fest and to celebrate luminaries in the filmmaking community. Past recipients include: Taika Waititi, Quentin Tarantino, Kevin Smith, Samuel L Jackson, Ang Lee, Maggie Cheung, Koji Yakusho. HIFF is proud to bestow awards on this year’s honorees. The Halekulani Maverick Award is given to an international cinema artist who has a unique and eclectic career trajectory, contributing to international cinema and the filmed arts in an innovative way. This year, HIFF will present the award to present to actor/producer Steven Yeun (Okja; TV series The Walking Dead; Burning, South Korea’s official entry to Oscars foreign language category). The Halekulani Maverick Award will also be presented to Awkwafina (Crazy Rich Asians; Ocean’s Eight). During the festival, Awkwafina will participate in an exclusive and intimate conversation about her career. IN CONVERSATION WITH AWKWAFINA, the wildly popular rapper turned actress, will discuss her humble beginnings in Queens, NY, and her stratospheric rise from working in a vegan bodega to hosting Saturday Night Live. The PIC Trailblazer Award is given to a cinema artist of Pacific Islander heritage who broadens the scope of Pacific Islander stories onto the world stage, producing award winning work in independent and global cinema, becoming a trendsetter in their field and a cultural ambassador that shines a spotlight on Pacific islander culture in mainstream media. This year HIFF will honor Heperi Mita as the current torchbearer for his mother Merata Mita’s legacy and work. Heperi continues to be a beacon for Maori and indigenous filmmakers and media, as a both a filmmaker and archivist, perpetuating this legacy for generations to come. The Halekulani Career Achievement Award is bestowed to an artist who has reached the career pinnacles very few have achieved via industry awards and accolades and a body of work that is known globally. This year HIFF is proud to present the Halekulani Career Achievement Award to actress Moon So-ri (Oasis; A Good Lawyer’s Wife). During the festival audiences can watch Moon So-ri’s directorial debut, The Running Actress.

    Made In Hawaii Feature Film Award Nominees:

    This year’s competition lineup continues to amplify the voice of local filmmakers. The Made In Hawaii competition film awards celebrate the dynamic and flourishing local independent film scene that strives onward here in the Hawaiian Islands. Fiction, Non-fiction and short films that are made by locally-based filmmakers or involve locally-based stories are eligible for the following awards—Best Made In Hawaii Feature and Best Made In Hawaii Short Film. This year’s competition films are: August At Akiko’s – This narrative feature, directed by Christopher Makoto Yogi, features cosmopolitan musician Alex Zhang Hungtai (Dirty Beaches, Last Lizard), who returns home to the Big Island having been away for nearly a decade. Amidst possessed sax solos and brooding strolls, Alex stumbles upon a Buddhist bed & breakfast run by a woman named Akiko (Akiko Masuda). Hungtai’s wild sax and Akiko’s Buddhist bells form the base for a rich soundtrack that wraps around the audience like a sonic web surrounding the unexpected new friendship. Bethany Hamilton: Unstoppable – This documentary feature directed by Aaron Lieber, is the untold story of the fearless athlete and her resilience against all odds to become one of the leading professional surfers of our time. Moananuiākea: One Ocean. On People. One Canoe – This documentary feature, directed by Na’alehu Anthony, looks at the latest worldwide voyage of Hōkūleʻa, four decades after its maiden voyage sparked the Hawaiian Renaissance and continues to inspire a new generation of navigators and voyagers to gather their courage and sail beyond the horizon of the Pacific. My Hero’s Shadow – A biographical documentary directed by Justin Young, begins when Shane Stant made international news when he struck Nancy Kerrigan’s knee the day before the 1994 US National Figure Skating Championships. He’s a different man today, but still has to deal with memories of his mistakes. Told by Stant’s sister Maile, MY HERO’S SHADOW is a compassionate look at trauma, poor choices and the redemptive value of family. Stoke – Directed by Zoe Eisenberg and Phillips Payson, this narrative feature Jane is an attorney based in Los Angeles and she’s clinically depressed. While channel flipping, she sees footage of Kilauea in full eruption. She buys a one-way ticket to the Big Island, and along the way, runs into two local guys who sell themselves as tour guides. What transpires is a road movie that captures some of the unique sub-cultures of Hawaii Island from hippie enclaves, and spiritual sanctuaries, to Native Hawaiians trying to make ends meet, and midnight ravers looking for their next hit. T-Shirt Theatre Presents: Kipuka – This documentary feature directed by Jeremiah Tayao, chronicles the work of the students in the company, as they address bullying, cyberbullying, and teen suicide prevention, all written and performed by the students (aged 13-18). Their 2017-2018 performance of “Kīpuka” – an oasis in a lava field – is reflective of the T-Shirt Theatre mantra that one smile, one word, one friend can make all the difference for someone in turmoil and contemplating tough decisions.

    Made In Hawaii Short Film Award Nominees:

    Mauka to Makai – Directors: Alika Maikau and Jonah Okano Hae Hawaii – Director: Ty Sanga Kalewa – Director: Gerard Elmore Kaumakaiwa – Director: Bradley Tangonan The Moon and the Night – Director: Erin Lau Shoreline (‘Ae Kai) – Director: Brandi Martin. Six Hundred Lux – Director: Koa San Luis Surfing To Cope – Director: Katie Walsh This and Nothing Else: Red Bull Wa’a – Directors.: Marc Levy, Justin Mitchell, Marc

    Kau Ka Hōkū Filmmaker Award nominees :

    HIFF was an annual stop for the Pulitzer winning film critic Roger Ebert, who hailed the festival as “a showcase for emerging filmmakers from the Asia and Pacific Rim.”. This year, HIFF will launch the Kau Ka Hōkū Filmmaker Award, which will be given to emerging directors with their 1st or 2nd feature film. Both fiction and non-fiction feature films will be nominated by the festival programmers and adjudicated by an international jury. August At Akiko’s – Director: Christopher Makoto Yogi Grit – Directors: Sasha Friedlander, Cynthia Wade House of My Fathers – Director: Suba Sivakumaran The Hungry Lion – Director: Takaomi Ogata Last Child – Director: Shin Dong-Seok Leiti’s In Waiting– Directors: Dean Hamer, Joe Wilson, Hinaleimoana Wong-Kalu Maui’s Hook – Director: Paora Te Oti Takarangi Joseph People’s Republic of Desire – Director: Hao Wu The Third Wife – Director: Ash Mayfair Transmilitary – DIrectors: Fiona Dawson, Gabe Silverman

    NETPAC award nominees

    The NETPAC award is presented annually at international film festivals in Berlin, Cannes, Venice, Rotterdam, Pusan, Singapore, Taiwan, Yamagata, Amiens and Hawaii. HIFF is the only film festival in North America granted the distinguished honor of presenting the NETPAC award. This year’s NETPAC nominees are: Adulthood (South Korea) – Director: In-seon Kim Emu Runner (Australia) – Director: Imogen Thomas Gatao: The Rise of the King (Taiwan) – Director: Yen Cheng-Kuo House of My Fathers (Sri Lanka) – Director: Suba Sivakumaran Last Child (South Korea) – Director.: Shin Dong-Seok Long Time No Sea (Taiwan ROC) – Director: Heather Tsui Sir (India) – Director: Rohena Gera Song Lang (Vietnam) – Director: Leon Le Still Human (Hong Kong) – Director: Oliver Siu, Kuen Chan Wrath of Silence (China) – Director: Yukun Xin

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  • Indie Memphis Film Festival Announces 2018 Lineup

    [caption id="attachment_31953" align="aligncenter" width="1170"] MR. SOUL![/caption] This year’s 2018 Indie Memphis Film Festival is promising to be a very exciting and wildly varied one, with a lineup featuring five World Premiere screenings and one U.S. Premiere screening, as well as Special Presentations such as CABIN BOY with Chris Elliott in attendance and Barbara Loden’s feminist masterpiece WANDA presented by Amy Seimetz (Showtime’s “The Girlfriend Experience”), as well as a retrospective of the recent films of filmmaker Hong Sangsoo. The Opening Night film is Melissa Haizlip and Samuel D. Pollard’s MR. SOUL!, a documentary chronicling Ellis Haizlip, the host of a groundbreaking weekly TV show called SOUL! that aired from 1968-1973, Barry Jenkins’ IF BEALE STREET COULD TALK as the Centerpiece Presentation, and Andrew Bujaski’s SUPPORT THE GIRLS as the Closing Night selection, followed by Bujalski presenting the “Indie Memphis Actor of the Year” award for an unforgettable role by a promising new performer to one of the film’s stars, Shayna McHayle (aka Junglepussy). As previously announced, SORRY TO BOTHER YOU filmmaker Boots Riley will be the festival’s keynote speaker for the Black Creatives Forum as well as presenting BRAZIL (1985, Terry Gilliam). The festival also includes 165 short films and over 50 music videos. This year’s festival should prove to be a very diverse one, as fifty percent of the films in the Narrative Competition are directed by female-identifying filmmakers and fifty percent are directed by people of color; in the Documentary Competition, forty-three percent are directed by women and seventy-one percent by people of color. In addition to films from the United States, the festival also boasts titles from Spain, France, South Korea, Israel, Germany, Australia, Zambia, United Kingdom, Portugal, Canada, and Democratic Republic of the Congo.

    2018 Indie Memphis Film Festival Slate

    OPENING NIGHT

    MR. SOUL! (Dirs. Melissa Haizlip, Samuel D. Pollard) Before Oprah – Before Arsenio – there was Mr. SOUL! Ellis Haizlip makes television broadcast history with SOUL!, America’s first “black Tonight Show.” Featuring archive footage of Sidney Poitier, Patti LaBelle, Stevie Wonder, Gladys Knight, Harry Belafonte, among others. Filmmaker Melissa Haizlip in attendance. 2018, 90 min, Documentary

    CENTERPIECE

    IF BEALE STREET COULD TALK (Dir. Barry Jenkins) After her fiancé is falsely imprisoned, a pregnant young woman in Harlem sets out to clear his name and prove his innocence. 2018, 117 min, Drama

    CLOSING NIGHT

    SUPPORT THE GIRLS (Dir. Andrew Bujalski) The general manager at a highway-side ”sports bar with curves” has her incurable optimism and faith, in her girls, her customers, and herself, tested over the course of a long, strange day. Filmmaker Andrew Bujalski will present “Indie Memphis Actor of the Year” award to Shayna McHayle (aka Junglepussy). 2018, 94 min, Comedy

    NARRATIVE COMPETITION

    CLARA’S GHOST (Dir. Bridey Elliott) Set over the course of a single evening in the Reynolds family home in suburban Connecticut, Clara’s Ghost tells the story of Clara Reynolds who, fed up with constant ribbing from her self-absorbed showbiz family, finds solace in and guidance from the supernatural force she believes is haunting her. Filmmaker Bridey Elliott in attendance. Actors Abby Elliott, Chris Elliott, and Paula Niedert Elliott in attendance. 2018, 98 min, Comedy/Drama JINN (Dir. Nijla Mumin) A shape-shifting, pepperoni-loving, black teenage Instagram celebrity explores her identity and sexuality in the midst of her mother’s conversion to Islam. Filmmaker Nijla Mumin in attendance. 2018, 92 min, Drama JOBE’Z WORLD (Dir. Michael Bilandic) – World Premiere Jobe is a roller-blading delivery dude in NYC who, one endless night, delivers drugs to his favorite actor, Royce David Leslie. Filmmaker Michael Bilandic in attendance. 2018, 67 min, Comedy NEW MONEY (Dir. Jason B. Kohl) A struggling woman abducts her estranged father after he cuts her out of his will. 2018, 85 min, Drama/Thriller SEPULVEDA (Dirs. Jena English, Brandon Wilson) An existential urban road movie about three best friends who decide to drive L.A.’ s longest street. Filmmaker Brandon Wilson in attendance. 2016, 82 min, Comedy/Drama SHOOT THE MOON BETWEEN THE EYES (Dir. Graham Carter) – World Premiere Jerry and Carl have conned their way from one small Texas town to another. The plan for their final con goes haywire when one of them falls in love with Maureen, all while there’s a bumbling P.I. out for vengeance and hot on their trail. Filmmaker Graham Carter in attendance. 2018, 73 min, Comedy/ Drama /Musical/Romance SOLACE (Dir. Tchaiko Omawale) A 17-year-old orphan named Sole is shipped off to her estranged grandmother (Lynn Whitfield from EVE’S BAYOU) in Ladera Heights, Los Angeles. Sole plots her escape to New York while navigating a foreign environment, new friendships and a hidden eating disorder. Filmmaker Tchaiko Omawale in attendance. 2018, 127 min, Drama

    DOCUMENTARY COMPETITION

    ENTRIALGO (Dir. Diego Llorente) – World Premiere A beautiful and meditative study of rural Asturias, Spain. Life goes on with a different pace in Entrialgo. Rubén and Aitor grow with this rhythm. Their life swifts between the solitude of the courtyards of their house, the games mixed with the work of the adults and the school where they interact with their equals. Game, solitude and animals are witnesses and companions of a year in the life of these children. Filmmaker Diego Llorente in attendance. 2018, 65 min, Documentary HALE COUNTY: THIS MORNING, THIS EVENING (Dir. Ramell Ross) Composed of intimate and unencumbered moments of people in a community, HALE COUNTY: THIS MORNING, THIS EVENING allows the viewer an emotive impression of the Historic South — trumpeting the beauty of life and consequences of the social construction of race, while simultaneously a testament to dreaming — despite the odds. Filmmaker RaMell Ross in attendance. 2018, 76 min, Documentary KINSHASA MAKAMBO (Dir. Dieudo Hamadi) Christian, Ben and Jean-Marie are fighting for political change of power and free elections in their country, the Democratic Republic of the Congo. But the incumbent President refuses to relinquish power. Kinshasa Makambo immerses us in the combat these three activists are engaged in, a combat that neither bullets, nor prison, nor exile seem able to stop. 2018, 74 min, Documentary SHAKEDOWN (Dir. Leilah Weinraub) From 2002 to 2015, filmmaker Leilah Weinraub documents explicit performances in an underground black-lesbian club in Los Angeles. Filmmaker Leilah Weinraub in attendance. 2018, 82 min, Documentary/LGBTQ SPEAK UP! (Dir. Amandine Gay) – US Premiere An exploration of the intersections of discrimination, art and blackness, featuring interviews with black women in France and Belgium. Filmmaker Amandine Gay in attendance; this screening in collaboration with “Blackness in French and Francophone Film” at Columbia University. 2018, 122 min, Documentary THIS ONE’S FOR THE LADIES (Dir. Gene Graham) The Dojo, which is a children’s karate school by day, becomes a male strip joint on Thursday nights where hundreds of women convene for a potluck fundraiser, a sense of community, and the opportunity to throw singles at the New Jersey Nasty Boyz. Filmmaker Gene Graham in attendance. 2018, 82 min, Documentary WRESTLE (Dir. Suzannah Herbert) An intimate and nuanced documentary that follows the wrestling team at J.O. Johnson High School in Huntsville, which has been on Alabama’s failing schools list for decades. Filmmaker Suzannah Herbert in attendance. 2018, 99 min, Documentary

    SPOTLIGHT

    Narrative: DIAMANTINO (Dirs. Gabriel Abrantes, Daniel Schmidt) Diamantino, the world’s premiere soccer star loses his special touch and ends his career in disgrace. Searching for a new purpose, the international icon sets on a delirious odyssey where he confronts neo-fascism, the refugee crisis, genetic modification, and the hunt for the source of genius. 2018, 92 min, Comedy/Drama/Fantasy I AM NOT A WITCH (Dir. Rungano Nyoni) Shula is the first child taken to a traveling witch camp, where she is told that should she cut the ribbon and attempt to escape, she will be cursed and transformed into a goat. 2017, 93 min, Drama MADELINE’S MADELINE (Dir. Josephine Decker) A theater director’s latest project takes on a life of its own when her young star takes her performance too seriously. 2018, 93 min, Drama/Thriller NOTES ON AN APPEARANCE (Dir. Ricky D’ambrose) A young man leaves behind an obscure cache of letters, postcards, and notebooks when he disappears. Actor Keith Poulson in attendance. 2018, 60 min, Drama SORRY ANGEL (Dir. Christophe Honoré) Jacques is an older writer from Paris. Arthur is a young student in Rennes. They instantly fall in love. But they’ll have to face rejection and sickness to keep it that way. 2018, 133 min, Drama/LGBTQ TYREL (Dir. Sebastián Silva) Tyler goes to an isolated cabin in the Catskills for a raucous all-dude weekend birthday party for a friend. He finds he is the sole black person there and grows increasingly uncomfortable. 2018, 86 min, Comedy/Thriller WILD NIGHTS WITH EMILY (Dir. Madeleine Olnek) Dramatization of the little known side of the writer Emily Dickinson’s life, in particular her relationship with another woman. Actor Amy Seimetz in attendance. 2018, 84 min, Comedy Documentary: A BETTER MAN (Dirs. Attiya Khan, Lawrence Jackman) Filmmaker Attiya Khan documents her meetings with an abusive ex-boyfriend to show the healing and revelation that can happen for everyone involved when men take responsibility for their abuse. A fascinating and necessary exploration into restorative justice. 2017, 79 min, Documentary DIVIDE AND CONQUER: THE STORY OF ROGER AILES (Dir. Alexis Bloom) Director Alexis Bloom charts the rise and fall of the late Republican Party booster and controversial Fox News mogul who went down in flames amid multiple sexual harassment allegations. 2018, 107 min, Documentary THE GOSPEL OF EUREKA (Dirs. Michael Palmieri, Donal Mosher) Love, faith, and civil rights collide in the south as evangelical Christians and drag queens step into the spotlight to explore the meaning of belief. Gospel drag shows and passion plays intermix in Eureka Springs, Arkansas. 2018, 75 min, Documentary MATANGI / MAYA /M.I.A (Dir. Stephen Loveridge) Drawn from a never before seen cache of personal footage spanning decades, Stephen Loveridge creates an intimate portrait of the Sri Lankan artist and musician known as M.I.A. 2018, 96 min, Documentary MINDING THE GAP (Dir. Bing Liu) Three young men bond together to escape volatile families in their Rust Belt hometown. As they face adult responsibilities, unexpected revelations threaten their decade-long friendship. 2018, 93 min, Documentary

    DEPARTURES

    AUGUST AT AKIKO’S (Dir. Christopher Makoto Yogi) Armed with just his suitcase and a sax, cosmopolitan musician Alex Zhang Hungtai (DIRTY BEACHES) returns home to the Big Island of Hawai‘i having been away for nearly a decade. 2018, 75 min, Experimental Drama BLACK MOTHER (Dir. Khalik Allah) Filmmaker Khalik Allah offers a portrait of Jamaica, the home of his maternal grandparents. He interviews people and edits the audio as if it were music (as much for rhythm as content), exploring various themes while accompanied by his unique visual style. Filmmaker Khalik Allah in attendance. 2018, 77 min, Experimental Documentary LIFE IS FARE (Dir. Sephora Woldu) An experimental musical film exploring wildly different perspectives on the East African nation of Eritrea. Filmmaker Sephora Woldu in attendance. 2018, 62 min, Experimental/Musical THE WASHING SOCIETY (Dir. Lynne Sachs) Filmmaker Lynne Sachs and playwright Lizzie Olesker document the disappearing neighborhood laundromats and the labor that is associated with them. Filmmaker Lynne Sachs in attendance. 2018, 44 min, 2018, Documentary Screening with: “I Am Somebody” (Dir. Madeline Anderson) A short political documentary by Madeline Anderson about black hospital workers on strike in Charleston South Carolina. 1970, 30 min, Documentary

    SOUNDS

    BETTY: THEY SAY I’M DIFFERENT (Dir. Philip Cox) A creative documentary exploring the extraordinary story of Betty Davis (former wife of Miles Davis) as legendary funk pioneer and a woman who championed the road for all independent female artists who followed. 2017, 54 min, Documentary THE DREAMER’S FIELD (Dir. Noam Stolerman) The heartfelt journey of three childhood friends who wish to escape their boring life in the kibbutz and become London’s hottest rock band. THE DREAMER’S FIELD is a bitter-sweet journey of three misplaced and misguided individuals coming to terms with the real world. 2017, 65 min, Documentary MILFORD GRAVES FULL MANTHIS (Dir. Jake Meginsky) The first ever feature-length portrait of renowned percussionist Milford Graves, exploring his kaleidoscopic creativity and relentless curiosity. 2018, 95 min, Documentary MR. SOUL! (Dirs. Melissa Haizlip, Samuel D. Pollard) Before Oprah, Before Arsenio, there was Mr. SOUL! Ellis Haizlip makes television broadcast history with SOUL!, America’s first “black Tonight Show.” Featuring archival footage of James Baldwin, Nikki Giovanni, Sidney Poitier, Patti LaBelle, Stevie Wonder, Gladys Knight, Harry Belafonte, among others. Filmmaker Melissa Haizlip in attendance. 2018, 90 min, Documentary

    HOMETOWNER

    MEMPHIS MAJIC (Dir. Eddie Bailey) A riveting in-depth look at the city of Memphis through the lens of a 30 year old Memphis-born street dance called “Jookin’.” Filmmaker Eddie Bailey in attendance. 2018, 72 min, Documentary NEGRO TERROR: THE VOICE OF MEMPHIS (Dir. John Rash) – World Premiere A cinematic and musical portrait of a punk band’s role in the vibrant and eclectic underground music community of Memphis, TN. Filmmaker John Rash in attendance; Negro Terror to play live score during the film. 2018, 54 min, Documentary WAITING: THE VAN DUREN STORY (Dir. Greg Carey, Wade Jackson) – World Premiere In the 1970’s, out of the Memphis-Big Star scene came Van Duren, who was tipped to be the next Paul McCartney but instead faded into obscurity. Forty years later, two Australian friends come across his record and set out to discover what went wrong. Filmmakers Greg Carey and Wade Jackson and subject Van Duren in attendance. 2018, 80 min, Documentary RUKUS (Dir. Brett Hanover) A hybrid of documentary and fiction, RUKUS is a queer coming-of-age story set in the liminal spaces of furry conventions, southern punk houses, and virtual worlds. Filmmaker Brett Hanover in attendance. 2018, 87 min, Drama/LGBTQ

    SPECIAL EVENTS

    CABIN BOY with Chris Elliott (Dir. Adam Resnick) A fancy lad (Chris Elliott) en route to Hawaii meets unfriendly fishermen when he mistakenly boards their boat The Filthy Whore instead of a cruise ship to Hawaii. Star Chris Elliott in attendance. 1994, 81 min, Comedy Classic Picks with Boots Riley: BRAZIL (Dir. Terry Gilliam) Low-level bureaucrat Sam Lowry (Jonathan Pryce) investigates a case that led to the wrongful arrest and eventual death of an innocent man instead of wanted terrorist Harry Tuttle (Robert De Niro), and gets caught in a web of mistaken identities, mindless bureaucracy and lies. Introduced by filmmaker Boots Riley (“Sorry to Bother You”). 1985, 143 min, Science Fiction

    Hong Sang-soo Recent Retro:

    Grass (2018, 66 min) In a small Café, Min-hee Kim plays a guest who prefers to observe but not interact with the other guests herself. The Day After (2017, 92 min) When a woman discovers a love poem that was written for her husband, she mistakenly believes that the author is her husband’s new secretary. On the Beach at Night Alone (2017, 101 min) After a publicized affair with her director, an actress leaves South Korea and goes to Hamburg, where she gains insight into the meanings of love and identity. My First Film: Live Cinema w/ Zia Anger Anger will offer live-commentary on previously unseen work, by way of a split screen and text edit, as she attempts to recount the stories behind her lost and abandoned work–including her first feature–and her struggles in an industry often hostile to women filmmakers. Southern Documentary Fund Presents Fresh Docs: Black Genius A free, work-in-progress screening of film by Memphis native Kalimah Abioto, who explores the brilliance of Memphis’ people while also confronting gentrification. This portrait of various Memphis black leaders will be presented by the director, and will be followed by a discussion. Southern Food & Music (Dir. Les Blank + Southern Foodways Shorts) From a Labor Day barbeque in Northern Mississippi with drummer Otha Turner to farm cooking with Texas musician Mance Lipscomb, from Louisiana Cajun cuisine to an award winning pastry chef in Alabama, and even a factory farm in the Blue Ridge Mountains of North Carolina, this collection of short films by legendary documentarian Les Blank and Ava Lowrey (Southern Foodways) explores the intersection of music and food in the South. Blues Legend Otha Turner’s Truly Southern Barbecue (Ava Lowrey, 2016, 6 min) A Well Spent Life (Les Blank, 1971, 44 min) Yum! Yum! Yum! A Taste of Cajun and Creole Cooking of Louisiana (Les Blank, 1990, 31 min) Dol (Ava Lowrey, 2018, 6 min) Chicken Real (Les Blank, 1970, 23 min) WANDA (Dir. Barbara Loden) This 1970 independent film was written and directed by actress Barbara Loden, who also plays the title role. Wanda is an abused woman who turns to a life of crime, where she finds more abuse from men. Loden stated she was inspired to write it after reading a newspaper report that a woman had thanked a judge after he sentenced her to prison. Introduced by filmmaker and actress Amy Seimetz (Showtime’s “The Girlfriend Experience”). 1970, 102 min, Drama

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  • New Orleans Film Festival Adds ROMA as Centerpiece Film + 5 Spotlight Films

    [caption id="attachment_31935" align="aligncenter" width="1200"] ROMA[/caption] The New Orleans Film Festival (NOFF) revealed one more Centerpiece Film: Roma from Academy Award®-winning director and writer Alfonso Cuarón, and five new titles from its Spotlight Films lineup for the upcoming 29th edition which will take place October 17th through October 25th in venues across New Orleans. These films join an already impressive lineup that includes Green Book, Widows, and Wildlife. Roma premiered at the Venice International Film Festival, where it was awarded the Golden Lion, the festival’s top juried prize, and received acclaim from critics and audiences alike. It later screened at Telluride Film Festival and the Toronto International Film Festival, where it was named the second runner-up for the People’s Choice Award. It has been selected as the Mexican entry for the Best Foreign Language Film at the 91st Academy Awards®. The festival also announced the addition of several new Spotlight Films, including If Beale Street Could Talk, the new film by Moonlight director Barry Jenkins that took home the first runner-up prize for the People’s Choice Award after its world premiere at the Toronto International Film Festival. Also included in the new announcement of Spotlight Films is Boy Erased, the new film from Joel Edgerton starring Nicole Kidman, Lucas Hedges, and Russell Crowe; Vox Lux, starring Natalie Portman; The Biggest Little Farm, which premiered at the Telluride Film Festival; and the Mickey Rourke boxing movie Tiger, which also stars Janel Parrish and Prem Singh.

    CENTERPIECE FILM

    ROMA | dir. Alfonso Cuarón | 135 mins | 2018 Monday, October 22, at 7:30pm, The Prytania Theatre The most personal project to date from Academy Award®-winning director and writer Alfonso Cuarón (Gravity, Children of Men, Y Tu Mama Tambien), Roma follows Cleo (Yalitza Aparicio), a young domestic worker for a family in the middle-class neighborhood of Roma in Mexico City. Delivering an artful love letter to the women who raised him, Cuarón draws on his own childhood to create a vivid and emotional portrait of domestic strife and social hierarchy amidst political turmoil of the 1970s. Cuarón’s first project since the groundbreaking Gravity in 2013, Roma will be available in theaters and on Netflix later this year.

    SPOTLIGHT FILMS

    IF BEALE STREET COULD TALK | dir. Barry Jenkins |117 min | 2018 Sunday, October 21, at 8:30pm at the Main Theater at the CAC Academy Award®–winning writer/director Barry Jenkins’ first film since the Best Picture Oscar-winning Moonlight is If Beale Street Could Talk, his adaptation of James Baldwin’s novel—the first English-language feature film based on the work of the author, to whom the movie is dedicated. Set in early-1970s Harlem, If Beale Street Could Talk is a timeless and moving love story of both a couple’s unbreakable bond and the African-American family’s empowering embrace, as told through the eyes of 19-year-old Tish Rivers (screen newcomer KiKi Layne). A daughter and wife-to-be, Tish vividly recalls the passion, respect and trust that have connected her and her artist fiancé Alonzo Hunt, who goes by the nickname Fonny (Stephan James). Friends since childhood, the devoted couple dream of a future together but their plans are derailed when Fonny is arrested for a crime he did not commit. Through the unique intimacy and power of cinema, If Beale Street Could Talk honors the author’s prescient words and imagery, charting the emotional currents navigated in an unforgiving and racially biased world as the filmmaker poetically crosses time frames to show how love and humanity endure. BOY ERASED | dir. Joel Edgerton | 114 min | 2018 Wednesday, October 23, at 7:30pm at the Prytania Theatre Boy Erased tells the story of Jared (Lucas Hedges), the son of a Baptist pastor in a small Southern town, who is outed to his parents (Nicole Kidman and Russell Crowe) at age 19. Jared is faced with an ultimatum: attend a conversion therapy program—or be permanently exiled and shunned by his family, friends, and faith. Boy Erased is the true story of one young man’s struggle to find himself while being forced to question every aspect of his identity. VOX LUX | dir. Brady Corbet | 110 min| USA | 2019 Tuesday, October 23, at 8:45pm at the Main Theater at the CAC Vox Lux begins in 1999 when teenage sisters Celeste and Eleanor survive a seismic, violent tragedy. The sisters compose and perform a song about their experience, making something lovely and cathartic out of catastrophe—while also catapulting Celeste to stardom. By 2017, the now 31-year-old Celeste is mother to a teenage daughter of her own and struggling to navigate a career fraught with scandals when another act of terrifying violence demands her attention. THE BIGGEST LITTLE FARM | dir. John Chester | 91 min | USA | 2018 Wednesday, October 24, at 8:15pm at the Main Theater at the CAC A testament to the immense complexity of nature, The Biggest Little Farm follows two dreamers and a dog on an odyssey to bring harmony to both their lives and the land. When the barking of their beloved dog Todd leads to an eviction notice from their tiny LA apartment, John and Molly Chester make a choice that takes them out of the city and onto 200 acres in the foothills of Ventura County, naively endeavoring to build one of the most diverse farms of its kind in complete coexistence with nature. The land they’ve chosen, however, is utterly depleted of nutrients and suffering from a brutal drought. The film chronicles eight years of daunting work and outsize idealism as they attempt to create the utopia they seek, planting 10,000 orchard trees and over 200 different crops, and bringing in animals of every kind– including an unforgettable pig named Emma and her best friend, Greasy the rooster. When the farm’s ecosystem finally begins to reawaken, so does the Chesters’ hope – but as their plan to create perfect harmony takes a series of wild turns, they realize that to survive they will have to reach a far greater understanding of the intricacies and wisdom of nature, and of life itself. TIGER | dir. Alister Grierson | 100 min | USA | 2018 Friday, October 19, at 7:30pm at the Prytania Theatre Inspired by the true story of a practicing Sikh man who was banned from the sport of boxing due to his religious beliefs, Tiger follows Pardeep Singh Nagra (Prem Singh) as he faces racial profiling, threats, and the daily pressure to change, even from his loved ones who are caught in the crossfire. Pardeep, supported by his coach and mentor Frank (Mickey Rourke), does what any headstrong American would do: fight back. Enlisting the help of civil rights lawyer Charlotte (Janel Parrish), Pardeep sues for the right to stay in the ring. Raw and uplifting, Tiger tracks the courageous path of a man whose life is shaped by two battles; one in the courtroom, the other in the ring.

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  • SCAD Savannah Film Festival Announces 2018 Lineup, Opens with ROMA

    [caption id="attachment_30917" align="aligncenter" width="1000"]ROMA ROMA[/caption] The 21st SCAD Savannah Film Festival organized by Savannah College of Art and Design (SCAD) will screen a record total of 164 films; and will kick off on Saturday, October 27, with the Opening Night Gala Screening of Roma, directed by Alfonso Cuarón.  The Centerpiece Gala will be If Beale Street Could Talk, written and directed by Barry Jenkins and starring festival honorees Stephan James and KiKi Layne.  The festival will close on Saturday, November 3 with the Closing Gala Screening of Green Book, directed by Peter Farrelly and starring Viggo Mortensen and 2016 festival honoree Mahershala Ali. The 2018 schedule includes Gala, Docs to Watch, Signature and Professional Competition screenings, along with Global Shorts Forum and “Wonder Women” forum highlighting female directors, producers, and below the line talent at SCAD’s historic theaters and industry-leading studios. New programming this year includes an Animation Corner, a TV Sidebar and a Shorts Spotlight. SCAD’s annual tribute to excellence in film has screened over 110 Oscar-nominated films; and has honored over 80 legendary actors, directors, producers, writers, and filmmakers.

    GALA SCREENINGS

    Anna and the Apocalypse (Director: John McPhail. Cast: Ella Hunt, Malcolm Cumming, Sarah Swire, Christopher Leveaux, Ben Wiggins, Marli Siu) Ben is Back (Director: Peter Hedges. Cast: Lucas Hedges, Julia Roberts, Courtney B. Vance, Kathryn Newton, Rachel Bay Jones, David Zaldivar) Boy Erased (Director: Joel Edgerton. Cast: Lucas Hedges, Russell Crowe, Nicole Kidman, Joel Edgerton) Destroyer (Director: Karyn Kusama. Cast: Nicole Kidman, Toby Kebbell, Tatiana Maslany, Sebastian Stan, Bradley Whitford, Jade Pettyjohn, Scoot McNairy) The Favourite (Director: Yorgos Lanthimos. Cast: Emma Stone, Olivia Colman, Rachel Weisz, Mark Gatiss, Joe Alwyn, Nicholas Hoult) The Front Runner (Director: Jason Reitman. Cast: Hugh Jackman, Vera Farmiga, J.K. Simmons, Alfred Molina) Green Book (Director: Peter Farrelly. Cast: Viggo Mortensen, Mahershala Ali, Linda Cardellini, Sebastian Maniscalco, Dimiter D. Marinov, P.J. Byrne) If Beale Street Could Talk (Director: Barry Jenkins. Cast: KiKi Layne, Stephan James, Regina King, Colman Domingo, Teyonah Parris, Michael Beach, Aunjanue Ellis, Dave Franco, Diego Luna, Pedro Pascal, Emily Rios, Ed Skrein, Finn Wittrock, Bryan Tyree Henry) The Kindergarten Teacher (Director: Sara Colangelo. Cast: Maggie Gyllenhaal, Rosa Salazar, Gael García Bernal, Parker Sevak, Michael Chernus) Roma (Director: Alfonso Cuarón. Cast: Yalitza Aparicio, Marina de Tavira, Nancy Garcia, Diego Cortina Autrey, Carlos Peralta, Daniela Demesa, Marco Graf, Nancy Garcia, Jorge Antonio Guerrero Martinez) A Private War (Director: Matthew Heineman. Cast: Rosamund Pike, Jamie Dornan, Stanley Tucci, Tom Hollander) Widows (Director: Steve McQueen. Cast: Viola Davis, Michelle Rodriguez, Elizabeth Debicki, Cynthia Erivo, Colin Farrell, Brian Tyree Henry, Daniel Kaluuya, Garret Dillahunt, Carrie Coon, Jacki Weaver, Jon Bernthal, Manuel Garcia-Rulfo with Robert Duvall, Liam Neeson)

    SIGNATURE SERIES

    Adrift (Director: Baltasar Kormákur. Cast: Sam Claflin, Jeffrey Thomas, Shailene Woodley) At Eternity’s Gate (Director: Julian Schnabel. Cast: Willem Dafoe, Rupert Friend, Oscar Isaac, Mads Mikkelsen, Mathieu Amalric, Emmanuelle Seigner, Anne Consigny, Amira Casar, Niels Arestrup) BlackKKlansman (Director Spike Lee. Cast: John David Washington, Adam Driver, Laura Harrier, Topher Grace) Can You Ever Forgive Me? (Director: Marielle Heller. Cast: Melissa McCarthy, Richard E. Grant, Dolly Wells, Ben Falcone) Capernaum (Director: Nadine Labaki. Cast: Zain al-Rafeea, Yordanos Shiferaw, Boluwatife Treasure Bankole, Kawthar Al Haddad) Cold War (Director: Pawel Pawlikowski. Cast: Agata Kulesza, Tomasz Kot, Joanna Kulig) Everybody Knows (Director: Asghar Farhadi. Cast: Penélope Cruz Javier Bardem, Jamie Lorente, Ricardo Darín) The Gospel According to André (Director: Kate Novack) Nancy (Director: Christina Choe. Cast: Andrea Riseborough, Steve Buscemi, Ann Dowd, J. Smith- Cameron, John Leguizamo) A Parting Glass (Director: Stephen Moyer. Cast: Edward Asner, Rhys Ifans, Melissa Leo, Cynthia Nixon, Denis O’Hare, Anna Paquin) A Quiet Place (Director: John Krasinski. Cast: Emily Blunt, John Krasinski, Millicent Simmonds, Noah Jupe) Stella’s Last Weekend (Director: Polly Draper. Cast: Polly Draper, Nat Wolff, Alex Wolff, Paulina Singer) Vox Lux (Director: Brady Corbet. Cast: Natalie Portman, Jude Law, Raffey Cassidy, Stacy Martin)

    EW PARTNERSHIP

    This year, SCAD partnered with Entertainment Weekly (EW) as a media partner for SCAD Savannah Film Festival. In this role, EW will program and moderate select talent panels, which will be announced prior to the festival. EW will also host their video studio on-site where talent will stop by to create exclusive video content that will run across EW’s digital and social platforms.

    DOCS TO WATCH

    The festival will host the fifth annual Docs to Watch Roundtable hosted by Scott Feinberg of The Hollywood Reporter. Directors include Stephen Maing (Crime + Punishment), Elizabeth Chai Vasarhelyi and Jimmy Chin (Free Solo), Gabe Polsky (In Search of Greatness), Nathaniel Kahn (The Price of Everything), Alan Hicks and Rashida Jones (Quincy), Julie Cohen and Betsy West (RBG), Cristina Costantini and Darren Foster (Science Fair), Matt Tyranuer (Studio 54), Tim Wardle (Three Identical Strangers) and Morgan Neville (Won’t You Be My Neighbor?).

    ANIMATION CORNER: ART IN MOTION

    The Animation Corner: Art in Motion is a new category debuting for the 2018 SCAD Savannah Film Festival. This year, SCAD proudly presents a broad array of topics and styles of animated films that include: Best of Annecy 2018 showcases a selection of shorts from the latest festival with tailor-made opening sequences by the students of GOBELINS, l’école de l’image. Best of Annecy Kids 2018 is a mix of funny, emotional and poetic short films for kids. This program consists of films from Annecy 2018’s official selection of trailers and is aimed at children age 5 years and older. DreamWorks Animation will showcase two of their films from the DreamWorks Shorts initiative: Bilby and Bird Karma Isle of Dogs (Director: Wes Anderson) will include a week-long exhibition of puppets and miniature sets designed and built for the film. Mirai (Director: Mamoru Hosoda) Ralph Breaks the Internet: Wreck- It Ralph 2 presentation: (Directors: Phil Johnston and Rich Moore) Disney will show exclusive clips of the upcoming full-length sequel. Ruben Brandt, Collector (Director: Milorad Krstic)

    TV SIDEBAR

    As Hollywood A-listers migrate to episodic storytelling on the small screen, SCAD Savannah Film Festival debuts a TV Sidebar, a series of panels and special screenings that highlight the best in television. Outlander, season 4 premiere will include an exhibit showcasing nearly 20 costumes at the SCAD Museum of Art, which marks the first-ever costume exhibit at the Museum and Film Festival. TV Guide Magazine to host “Fan Favorites” panel that brings stars from TV’s hottest shows for a lively discussion filled with behind-the-scenes scoop, fan-encounter tales, and more.

    COMPETITION

    From feature-length films to two-minute shorts, the annual festival celebrates cinematic excellence from award-winning and emerging filmmakers. The juried competition features the best of professional, animated, and student films selected from more than 2,300 entries annually. Narrative Features: From side-splitting comedies to heart-wrenching dramas, the narrative feature films selected represent diversity in storytelling, excellence in acting and directing, and exemplary cinematography and editing. Documentary Features: Beyond simple subject matters, documentaries present compelling stories that illuminate and educate audiences in a thought-provoking and timely manner. Professional Shorts: Running the gamut of subject matter and style, these short films are selected based on their individual merits in storytelling and execution. Animated Shorts: These animated films represent the diversity of the craft from simple, hand-drawn figures to stop-motion and digital rendering, showcasing unique storytelling at its finest. Student Shorts: With solid storytelling and emerging vision, these films represent a broad range of categories including live action, narrative, documentary and animation.

    GLOBAL SHORTS FORUM

    The Global Shorts Forum is a curated collection of international shorts from multiple genres that focus on world issues. This year’s themes include LGBTQ & You: Love is Love is Love, no matter who, where, or why. Woman Walks Ahead: A wide range of topics from the feminine perspective. A Sporting Chance: The triumphs and tribulations of competitors around the globe. Don’t Dis My Ability: Dedicated to raising awareness of the disabled community and their ongoing struggles and triumphs.

    SHORTS SPOTLIGHT

    The Shorts Spotlight is a new category debuting for the 2018 SCAD Savannah Film Festival. This collection of shorts will highlight Animated Delights: A kid-friendly collection of intriguing animated shorts from around the world. Bump in the Night: Everyone loves a good scare. These shorts put a new spin on the beloved horror genre. LOLz: To err is human, to laugh at one’s error, divine. These shorts remind us just how hilarious life can be. Three-Piece Oddity: A delightful and surreal collection of three distinct shorts that defy categorical description but together celebrate the joy of discovery.

    PANELS

    From software and special effects demonstrations to discussions and panels with industry stars and insiders, knowledge sharing occurs every day of the festival. This year’s panels include The Wonder Women Panel Series will focus on the cinematic achievements and contributions of female directors, producers, and below the line talent in film and television. The Below the Line Panel Series is a curated series of panels highlighting contributions of below-the-line talent to the art of cinema with a focus on casting, costume design and production design. The State of the Art Series, hosted by SCADFILM, is a collection of panels with a focus on filmmaking, augmented and virtual reality, and gaming. Through the Writers on Writing Series, Writers Guild Foundation sit down with screenwriters to illuminate the craft behind their screenplays and their journeys navigating the industry as writers.

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