Capernaum[/caption]
The World Cinema section of AFI FEST 2018 presented by Audi will showcase the most celebrated international films of the year and feature 28 titles from 27 countries. The section includes seven official Best Foreign Language Film Oscar® submissions: CAPERNAUM (DIR Nadine Labaki), DOGMAN (DIR Matteo Garrone), “I DO NOT CARE IF WE GO DOWN IN HISTORY AS BARBARIANS” (DIR Radu Jude), NEVER LOOK AWAY (DIR Florian Henckel von Donnersmarck), SHOPLIFTERS (DIR Hirokazu Kore-eda), SUNSET (DIR László Nemes) and THE WILD PEAR TREE (DIR Nuri Bilge Ceylan).
AFI FEST will also present the North American premiere of the first two episodes of MY BRILLIANT FRIEND as part of the section. Premiering on HBO November 18, the series is an adaptation of author Elena Ferrante’s celebrated international bestseller centered on the complicated friendship between two women across decades.
AFI FEST takes place November 8–15, 2018, in the heart of Hollywood. Screenings, Galas and other events will be held at the TCL Chinese Theatre, the TCL Chinese 6 Theatres, the Egyptian Theatre and The Hollywood Roosevelt.
Film Festivals
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RUDEBOY: THE STORY OF TROJAN RECORDS to US Premiere at DOC NYC [Trailer]
Rudeboy: The Story of Trojan Records documents the origins and the ongoing love affair between Jamaican and British Youth culture – all told through the prism of one the most iconic record labels in history, Trojan Records.
Trojan Records’ 50th anniversary celebrations continue with the announcement that Rudeboy: The Story of Trojan Records has been unveiled as part of the line-up for DOC NYC. The 2018 DOC NYC Festival will run November 8to 15, 2018 – and the film’s US Premiere will take place on Wednesday, November 14. The film had its World Premiere on October 12 at the 62nd BFI London Film Festival in partnership with American Express®.
Directed by Nicolas Jack Davies, Rudeboy: The Story of Trojan Records charts the rise and impact of the legendary reggae, ska and rock steady label and its influence on music and subculture in Britain from the early ‘60s through to the late ‘70s. Defining a movement that brought cultures together through the power of music, the birth and journey of Trojan Records, and its wider impact on society, feels as vital as ever 50 years later.
Named after the flatbed truck that revered producer Duke Reid used to transport his soundsystem around Jamaica, Trojan was launched in 1968 by London based, Jamaican expats Lee Gopthal and Chris Blackwell. Growing rapidly during its’ early years – due in no small part to the development of the skinhead working class youth movement that embraced Jamaican music as part and parcel of its culture – the Trojan bandwagon quickly rolled into the 1970’s, with the likes of Desmond Dekker and The Maytals flying high in the UK Pop Charts.
This important story is effortlessly brought to life by director Nicolas Jack Davies with fascinating archive footage, alongside freshly shot drama and new interviews with legendary artists including Lee ‘Scratch’ Perry, Toots Hibbert, Ken Boothe, Neville Staple, Marcia Griffiths, Dave Barker, Dandy Livingstone, Lloyd Coxsone, Pauline Black, Derrick Morgan and many more.
https://www.youtube.com/watch?v=gEQdklk3LvE
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Hawaii International Film Festival Announces 2018 Lineup, Opens with Zhang Yimou’s SHADOW
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Shadow, Zhang Yimou[/caption]
The 38th edition of the Hawaii International Film Festival (HIFF) will present 187 films from over 35 countries, from November 8 through November 18, 2018. The festival will open with highly anticipated new film from Zhang Yimou (House of Flying Daggers; Hero; Curse of the Golden Flower), Shadow, which stars Chao Deng (The Mermaid; Detective Dee: Mystery of the Phantom Flame), Li Sun (Fearless; Empresses in the Palace), and Ryan Zheng (The Great Wall; Back in Time), is based storied the “Three Kingdoms” Chinese legend. Shadow had its world premiere at the Venice International Film Festival, where audiences were wowed by Zhang’s masterful direction of this unique action-epic.
HIFF’s Closing Night Presentation will be the world premiere of Moananuiākea: One Ocean. One People. One Canoe, directed by Na’alehu Anthony. This documentary looks at the latest worldwide voyage of Hōkūleʻa, four decades after its maiden voyage sparked the Hawaiian Renaissance and continues to inspire a new generation of navigators and voyagers to gather their courage and sail beyond the horizon of the Pacific.
This year’s Centerpiece Presentation is Green Book, which world premiered at the Toronto Film Festival; where it won the coveted TIFF 2018 People’s Choice Award, an early barometer of being an Oscars favorite. The drama, follows Tony Lip (Viggo Mortensen), a bouncer from the Bronx, is hired to drive Dr. Don Shirley (Oscar winner Mahershala Ali), a world-class Black pianist, on a concert tour from Manhattan to the Deep South, they must rely on “The Green Book” to guide them to the few establishments that are safe for African Americans. Green Book won the coveted Audience Award at the recent Toronto Film Festival. Produced by Jim Burke (The Descendants, HIFF 2012), who will be in attendance at HIFF, and directed by Peter Farrelly (There’s Something About Mary), Green Book infuses heartfelt drama in an unlikely friendship that stood the test of time.
HIFF audiences will critically acclaimed titles in the Awards Buzz section; which presents high profile films straight from major festivals like Cannes, Venice, Toronto and more. These must-see films are major players in the awards season, including: the Mexican drama Roma, directed Alfonso Cuarón (Gravity); If Beale Street Could Talk, directed by Barry Jenkins (Moonlight); Iranian director Asghar Farhadi’s (A Separation) Spain-set thriller Everybody Knows starring Javier Bardem and Penelope Cruz; and Natalie Portman’s new film Vox Lux, directed by Brady Corbet.
This year HIFF presents a special spotlight on world renowned auteur Wong Kar-wai with the Filmmaker in Focus series. HIFF is proud to present In The Mood For Love (2000), Happy Together (1997), and Chungking Express (1994). A special extended Q&A with Director Wong Kar Wai will follow the screening of Chungking Express.
In Special Presentations, HIFF will present the West Coast premiere of Wake, a comedy/drama directed by Cyrus Mirakhor. Wake follows a widowed mortician, struggling with agoraphobia, who receives a birthday gift from her mother and daughter as a joke. The gift, a life-size male doll named Pedro, goes from funny to fantastical, complicating her ties with her family and friends. Wake stars James Denton (TV Series Good Witch), Caroline Lagerfelt (TV Series The Blacklist), and features the acting debut of Filipino-American stand-up comedian, Jo Koy. The popular comedian will attend the screening, and join director Mirakhor for the post-screening Q&A.
The always popular Sound x Vision category offers must-see films for music fans and cinephiles. HIFF will host the North American premiere of The Legend of the Stardust Brothers, directed by Macoto Tezuka. This fascinating musical narrative, made in 1985, begins when Macoto Tezuka (son of the great manga artist Osamu Tezuka) met musician and TV personality Haruo Chicada who had made a soundtrack to a movie which didn’t actually exist: The Legend of the Stardust Brothers. With Chicada as producer, Tezuka then adapted this “fake soundtrack” into the real movie story of “The Stardust Brothers”. Tezuka assembled a cast of some of Japan’s most famous musicians of the time, including such greats as Kiyohiko Ozaki, ISSAY, Sunplaza Nakano and Hiroshi Takano, alongside many famous names in Manga such as Monkey Punch (Lupin the 3rd), Shinji Nagashima (Hanaichi Monme), Yosuke Takahashi (Mugen Shinsi) and even many upcoming film directors of the time such as Kiyoshi Kurosawa (Tokyo Sonata) and Daihachi Yoshida (The Kirishima Thing). The resulting film The Legend of the Stardust Brothers is the exact definition of a cult film. Despite the huge array of talent on board with a large budget, the film is totally unknown even to this day in both Japan and worldwide. More than 30 years since its release, The Stardust Brothers will finally make itself known worldwide with a new master and a brand new Director’s Cut.
For the first time, the festival will present the HIFF VR Lounge; bringing together a selection of exciting contemporary Virtual Reality projects from around the world to SALT At Our Kakaako. Free and open to the public November 10th through 12th, the HIFF VR Lounge will feature virtual reality technologies bring us closer to the action than ever before, face-to-face with some of the most vital issues and stories in the world today. Audiences can visit the lounge and experience: Age Of Sail (Dir.: John Kahrs), Chasing Coral: The VR Experience (Dir.: Jeff Orlowski), Finding Haka (Dir.: James Hedley) and Songbird (Dir.: Lucy Greenwell).
Additional highlights at the 2018 Hawaii International Film Festival
The world premiere of Eating Up Easter Island (Chile, United States), directed by Sergio M. Rapu. This documentary reveals the nuance of life on Rapa Nui (Easter Island), and straddles the fault line between local identity and the opportunities presented by globalism. As the local economy is subjugated by the demands of tourism, locals must contend with the contrasting expectations of indigenous culture and Western industrial capitalism amidst the fear that old practices are not valued or protected unless performed for visitors. Eating Up Easter Island screens as part of the Pacific Showcase lineup. Maui’s Hook (New Zealand), a documentary feature directed Paora Te Oti Takarangi Joseph, is one of the most original and stirring films released this year. Psychologist and filmmaker Paora Joseph journeys New Zealand’s North Island with families who lost someone close to them to suicide. Seamlessly combining scripted narrative sections with interviews of five brave families mourning the loss of a loved one, Joseph blurs the divide between documentary and drama to make a profound statement about suicide and the people left behind. This will be the film’s International Premiere. Shoplifters (Japan), directed by Hirokazu Kore-eda, is Japan’s official submission for Best Foreign Language Film at the 2019 Academy Awards. This Cannes Palme d’Or winner tells the story of a poor family who, after a shoplifting run, find a little girl freezing in the cold. Although initially reluctant, they welcome her into their home. Though happy together, an unforeseen incident begins to unravel hidden secrets and test the bonds that unite them. From Palme d’Or-winning director Hirokazu Kore-eda, Shoplifters tells a breathtaking story of family and love told across four seasons on the streets of contemporary Tokyo. The International Premiere of Still Human (Hong Kong), a drama directed by Oliver Siu Kuen Chan, explores the world of paralyzed and disgruntled Cheong-wing (Anthony Wong), who has gone through quite a few caretakers. When he gets new Filipino domestic helper, Evelyn (Crisel Consunji), they both realize that Evelyn does not speak a word of Cantonese. Somehow as the unlikely duo begin to warm up to each other, a bond forms that may transcend stereotypes and change them both in ways they never imagined. In Southeast Asian Showcase, HIFF presents the North American Premiere of Memories of My Body. This drama for Indonesia, directed by Garin Nugroho, follows Juno; a child who was recently abandoned by his father.. Alone now, he joins a dance center where men shape their feminine appearance and movement. But the sensuality and sexuality that come from dance and bodies, mixed with the violent social and political Indonesian environment, force Juno to move from village to village. Even if on his journey Juno receives love from his those around him, he still has to face the battlefield that his body is becoming. The United States Premiere of Sink or Swim (France), directed by Gille Lellouche. This hilarious crowd-pleaser, which world premiered at the Cannes Film Festival, follows a group of 40-something guys, all on the verge of a mid-life crisis, decide to form their local pool’s first ever synchronized swimming team – for men. Braving the skepticism and ridicule of those around them, and trained by a fallen champion trying to pull herself together, the group set out on an unlikely adventure, and on the way will rediscover a little self-esteem and a lot about themselves. Sink or Swim will screen as part of the European Showcase lineup. The United States Premiere of The Witch (South Korea), directed by Park Hoon-jung, is a Sci-Fi thriller set in rural South Korea, where a young girl flees a government facility. 10 years later a now teenage Ja-yoon has no recollection of her past, and knows only the elderly couple who have taken her is as her parents. But soon Ja-yoon discovers that she has some incredible talents, she is so talented in fact that she lands on national television. However shortly after her appearance, ominous figures show up, threatening to turn her peaceful life upside down. The Witch will screen as part of the Spotlight On Korea lineup HIFF welcomes Harry Shum Jr. Shum, who has won a Screen Actors Guild award for his performance on Glee, numerous awards and accolades for his role on Shadowhunters, and most recently has appeared on the blockbuster hit Crazy Rich Asians, will be part of the Future Filmmaker Luncheon and Panel. The panel, which will take at WaiWai Collective, will also be a destination for the student filmmaker finalists in the new short film contest presented by HIFF in partnership with the Daniel K. Inouye Institute. The partnership, launched in June, encouraged middle and high school students statewide to create films inspired by Senator Inouye’s historic speech at the 1968 Democratic National Convention.2018 Hawaii International Film Festival Honorees
Ever year, HIFF hosts a prestigious awards ceremony to honor the competition titles at the fest and to celebrate luminaries in the filmmaking community. Past recipients include: Taika Waititi, Quentin Tarantino, Kevin Smith, Samuel L Jackson, Ang Lee, Maggie Cheung, Koji Yakusho. HIFF is proud to bestow awards on this year’s honorees. The Halekulani Maverick Award is given to an international cinema artist who has a unique and eclectic career trajectory, contributing to international cinema and the filmed arts in an innovative way. This year, HIFF will present the award to present to actor/producer Steven Yeun (Okja; TV series The Walking Dead; Burning, South Korea’s official entry to Oscars foreign language category). The Halekulani Maverick Award will also be presented to Awkwafina (Crazy Rich Asians; Ocean’s Eight). During the festival, Awkwafina will participate in an exclusive and intimate conversation about her career. IN CONVERSATION WITH AWKWAFINA, the wildly popular rapper turned actress, will discuss her humble beginnings in Queens, NY, and her stratospheric rise from working in a vegan bodega to hosting Saturday Night Live. The PIC Trailblazer Award is given to a cinema artist of Pacific Islander heritage who broadens the scope of Pacific Islander stories onto the world stage, producing award winning work in independent and global cinema, becoming a trendsetter in their field and a cultural ambassador that shines a spotlight on Pacific islander culture in mainstream media. This year HIFF will honor Heperi Mita as the current torchbearer for his mother Merata Mita’s legacy and work. Heperi continues to be a beacon for Maori and indigenous filmmakers and media, as a both a filmmaker and archivist, perpetuating this legacy for generations to come. The Halekulani Career Achievement Award is bestowed to an artist who has reached the career pinnacles very few have achieved via industry awards and accolades and a body of work that is known globally. This year HIFF is proud to present the Halekulani Career Achievement Award to actress Moon So-ri (Oasis; A Good Lawyer’s Wife). During the festival audiences can watch Moon So-ri’s directorial debut, The Running Actress.Made In Hawaii Feature Film Award Nominees:
This year’s competition lineup continues to amplify the voice of local filmmakers. The Made In Hawaii competition film awards celebrate the dynamic and flourishing local independent film scene that strives onward here in the Hawaiian Islands. Fiction, Non-fiction and short films that are made by locally-based filmmakers or involve locally-based stories are eligible for the following awards—Best Made In Hawaii Feature and Best Made In Hawaii Short Film. This year’s competition films are: August At Akiko’s – This narrative feature, directed by Christopher Makoto Yogi, features cosmopolitan musician Alex Zhang Hungtai (Dirty Beaches, Last Lizard), who returns home to the Big Island having been away for nearly a decade. Amidst possessed sax solos and brooding strolls, Alex stumbles upon a Buddhist bed & breakfast run by a woman named Akiko (Akiko Masuda). Hungtai’s wild sax and Akiko’s Buddhist bells form the base for a rich soundtrack that wraps around the audience like a sonic web surrounding the unexpected new friendship. Bethany Hamilton: Unstoppable – This documentary feature directed by Aaron Lieber, is the untold story of the fearless athlete and her resilience against all odds to become one of the leading professional surfers of our time. Moananuiākea: One Ocean. On People. One Canoe – This documentary feature, directed by Na’alehu Anthony, looks at the latest worldwide voyage of Hōkūleʻa, four decades after its maiden voyage sparked the Hawaiian Renaissance and continues to inspire a new generation of navigators and voyagers to gather their courage and sail beyond the horizon of the Pacific. My Hero’s Shadow – A biographical documentary directed by Justin Young, begins when Shane Stant made international news when he struck Nancy Kerrigan’s knee the day before the 1994 US National Figure Skating Championships. He’s a different man today, but still has to deal with memories of his mistakes. Told by Stant’s sister Maile, MY HERO’S SHADOW is a compassionate look at trauma, poor choices and the redemptive value of family. Stoke – Directed by Zoe Eisenberg and Phillips Payson, this narrative feature Jane is an attorney based in Los Angeles and she’s clinically depressed. While channel flipping, she sees footage of Kilauea in full eruption. She buys a one-way ticket to the Big Island, and along the way, runs into two local guys who sell themselves as tour guides. What transpires is a road movie that captures some of the unique sub-cultures of Hawaii Island from hippie enclaves, and spiritual sanctuaries, to Native Hawaiians trying to make ends meet, and midnight ravers looking for their next hit. T-Shirt Theatre Presents: Kipuka – This documentary feature directed by Jeremiah Tayao, chronicles the work of the students in the company, as they address bullying, cyberbullying, and teen suicide prevention, all written and performed by the students (aged 13-18). Their 2017-2018 performance of “Kīpuka” – an oasis in a lava field – is reflective of the T-Shirt Theatre mantra that one smile, one word, one friend can make all the difference for someone in turmoil and contemplating tough decisions.Made In Hawaii Short Film Award Nominees:
Mauka to Makai – Directors: Alika Maikau and Jonah Okano Hae Hawaii – Director: Ty Sanga Kalewa – Director: Gerard Elmore Kaumakaiwa – Director: Bradley Tangonan The Moon and the Night – Director: Erin Lau Shoreline (‘Ae Kai) – Director: Brandi Martin. Six Hundred Lux – Director: Koa San Luis Surfing To Cope – Director: Katie Walsh This and Nothing Else: Red Bull Wa’a – Directors.: Marc Levy, Justin Mitchell, MarcKau Ka Hōkū Filmmaker Award nominees :
HIFF was an annual stop for the Pulitzer winning film critic Roger Ebert, who hailed the festival as “a showcase for emerging filmmakers from the Asia and Pacific Rim.”. This year, HIFF will launch the Kau Ka Hōkū Filmmaker Award, which will be given to emerging directors with their 1st or 2nd feature film. Both fiction and non-fiction feature films will be nominated by the festival programmers and adjudicated by an international jury. August At Akiko’s – Director: Christopher Makoto Yogi Grit – Directors: Sasha Friedlander, Cynthia Wade House of My Fathers – Director: Suba Sivakumaran The Hungry Lion – Director: Takaomi Ogata Last Child – Director: Shin Dong-Seok Leiti’s In Waiting– Directors: Dean Hamer, Joe Wilson, Hinaleimoana Wong-Kalu Maui’s Hook – Director: Paora Te Oti Takarangi Joseph People’s Republic of Desire – Director: Hao Wu The Third Wife – Director: Ash Mayfair Transmilitary – DIrectors: Fiona Dawson, Gabe SilvermanNETPAC award nominees
The NETPAC award is presented annually at international film festivals in Berlin, Cannes, Venice, Rotterdam, Pusan, Singapore, Taiwan, Yamagata, Amiens and Hawaii. HIFF is the only film festival in North America granted the distinguished honor of presenting the NETPAC award. This year’s NETPAC nominees are: Adulthood (South Korea) – Director: In-seon Kim Emu Runner (Australia) – Director: Imogen Thomas Gatao: The Rise of the King (Taiwan) – Director: Yen Cheng-Kuo House of My Fathers (Sri Lanka) – Director: Suba Sivakumaran Last Child (South Korea) – Director.: Shin Dong-Seok Long Time No Sea (Taiwan ROC) – Director: Heather Tsui Sir (India) – Director: Rohena Gera Song Lang (Vietnam) – Director: Leon Le Still Human (Hong Kong) – Director: Oliver Siu, Kuen Chan Wrath of Silence (China) – Director: Yukun Xin
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BEYOND THE BOLEX, Epic Story of Bolex Inventor Jacques Bolsey, to World Premiere at DOC NYC
In the 1920s inventor Jacques Bolsey aimed to disrupt the early film industry with a motion picture camera for the masses: the iconic Bolex. 90 years later, filmmaker Alyssa Bolsey discovers a stash of boxes that belonged to her enigmatic great-grandfather, and over 12 years pieces together the fragments of a forgotten family archive to reveal his epic story in the documentary, Beyond the Bolex, which will World Premiere at DOC NYC, America’s largest documentary festival, on Thursday, November 8 at 9:15 p.m at Cinepolis Chelsea.
As Alyssa delves into the treasure trove, among the items she finds is an old movie camera with the word “Bolex” embossed on its side, and a dangling tag with the date, “1927.” She also discovers reels of 16mm films inside rusty cans that are too brittle to run through a projector. Once the films are restored, she is captivated by their casual style as commonly seen today with digital cameras and smartphones.
When Alyssa finds Jacques journal she learns of the trials he faced both as an idealistic inventor and as an immigrant. In his words and films, she finds a man living stateless in Switzerland, torn from his homeland by the Russian Revolution. After many years of inventing in Switzerland and still unable to gain acceptance, Jacques finds his way to the US and settles in New York City, where he creates a new generation of military cameras for the fight against fascism.
Alyssa travels to Switzerland – the birthplace of the Bolex and Jacques’ two sons. She traces her own roots to her great-grandmother Sima’s apartment in Geneva, visits the Paillard factory where the Bolex Model H was designed and built, and makes a pilgrimage to the current headquarters of Bolex International.
Along the way, Alyssa seeks insight from camera collectors, historians and renowned filmmakers who explain how the Bolex reached the farthest corners of the globe, unleashed the imagination and became synonymous with creative freedom. Simple and functional, it became a perfect tool for a diverse range of filmmakers. Alyssa speaks to Wim Wenders, Jonas Mekas, Barbara Hammer, Bruce Brown and others, who share their stories of how this camera has inspired and nurtured their creative potential and careers. She also discovers the enthusiasm his pioneering invention continues to have with filmmakers today.
“Curiosity was the catalyst for making Beyond the Bolex,” said director Alyssa Bolsey. “But what I didn’t see coming was the emotional journey I would go on while discovering my great grandfather’s deep desire for roots; this during one of the most tumultuous times in history. His was an immigrant struggle that we see playing out yet again today. And his story shows the power and ingenuity that many immigrants bring to their new home. Along with planting seeds that have grown for generations with his Bolex camera, he also laid down roots that would contribute to the technology that has become part of our daily lives in the modern world.”
About the Director: Alyssa Bolsey
Alyssa Bolsey began writing and directing short films as a kid. While still in High School, she directed a short documentary entitled “Wild Horses.” This work was screened at various art galleries in the US and was described by KPBS as “an insightful look at the artistic process.” In University, her fictional short “I. Hero” was featured in rotation on the San Diego, California television show, “The Short List” from 2007-2010. Alyssa graduated Cum Laude from San Diego State University with a degree in Television, Film and New Media, with an emphasis on directing. She spent the next two years working at Creative Artists Agency, starting in the mailroom. She left CAA to direct a feature documentary about her great-grandfather Jacques Bolsey, the inventor of the iconic Bolex camera. Beyond the Bolex is making its World Premiere at DOC NYC 2018.
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Brainstorm Media to Release Save-Our-Shows TV Fan Documentary UNITED WE FAN
Ahead of its DOC NYC premiere, UNITED WE FAN, the documentary that chronicles the stories of passionate television fans and their unique crusades to save their beloved shows from cancellation, has been acquired by Brainstorm Media, and will hit VOD on December 4. Fans, stars, creators and more come together to explore the history and evolution of TV’s save-our-show fan campaigns in Michael Sparaga’s (The Missing Ingredient) humorous and heartfelt feature documentary that made its World Premiere earlier this year at Hot Docs and U.S. Premiere at AFI Docs. From the letter-writing and product mail-ins of yesterday to the social media and crowdfunding campaigns of today, United We Fan goes beyond the headlines to give viewers deeper insights into fandom, community and identity.
Fans in New York City will get a sneak peek of the film when it celebrates its New York premiere at DOC NYC on Monday, Nov. 12 at 7:45 p.m. at Cinepolis Chelsea followed by a Q&A with director Michael Sparaga and film subjects. In Los Angeles, fans will have the opportunity to catch a special preview screening of United We Fan at the Laemmle Ahrya Fine Arts Theater in Beverly Hills on Wednesday, Nov. 28 at 7:30 p.m. The filmmakers and several of the film’s subjects will be on hand for a post-screening Q&A.
For most viewers, it’s simply a disappointment when their favorite TV series is cancelled. But the fans of some series take the loss a lot harder. And they fight back. United We Fan chronicles the stories of those passionate individuals and their unique crusades to save their beloved shows.
When married sci-fi fans Bjo and John Trimble organized their unprecedented letter-writing campaign to force NBC to renew the original “Star Trek” back in 1967, they couldn’t have known that they were also planting the seeds of fan activism that would forever change the relationship between TV viewers and networks. Fast-forward to 1983, when Dorothy Swanson, a Michigan schoolteacher, besieged CBS with letters to stop them from unceremoniously cancelling her favorite series “Cagney & Lacey.” Emboldened by her success, Dorothy formed the fan advocacy group Viewers for Quality Television, whose dedicated members fought to save multiple other “quality” series over their 15-year history. Today, 26-year-old Kaily Russell has picked up the fan activism mantle in her fight for the recently axed CBS series “Person of Interest.” Kaily spends every waking hour online, rallying the troops and trying to convince a new broadcaster or streaming service to pick up the series. Kaily’s tools and targets might be vastly different, but she is taking her cue from the methods of fan activism from all those that came before her.
Declared “a joy to watch” by POV Magazine, United We Fan intertwines the remarkable stories of Kaily, Dorothy and the Trimbles while also taking time to delve into the inspiring campaigns to save “Designing Women,” “Quantum Leap,” “Chuck,” “Longmire,” “Jericho,” “Veronica Mars,” “Roswell” and others.
“United We Fan is not a movie about television’s wackiest fans,” said director Michael Sparaga, “rather, it’s a love letter to the inspiring people who have formed communities and fought tirelessly against seemingly impossible odds to give viewers everywhere more seasons of some of television’s most iconic shows.”
Interviewees include: Bjo and John Trimble (known as “the couple that saved ‘Star Trek’), Dorothy Swanson (founder of Viewers for Quality Television), and Kaily Russell (currently fighting to resurrect “Person of Interest”); series’ stars: Nichelle Nichols (“Star Trek”), Zachary Levi (“Chuck”), Scott Bakula (“Quantum Leap”), Amy Acker (“Person of Interest”), Adam Bartley (“Longmire”), Skeet Ulrich (“Jericho”), and Enrico Colantoni (“Veronica Mars”); series’ creators: Tom Fontana (“St. Elsewhere”), Barney Rosenzweig (“Cagney & Lacey”), Harry Thomason (“Designing Women”), Donald P. Bellisario (“Quantum Leap”), Rob Thomas (“Veronica Mars”), Jon Steinberg and Dan Shotz (“Jericho”), Matt Miller (“Chuck”), Jason Katims (“Roswell”), and Jonah Nolan and Greg Plageman (“Person of Interest”).
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2018 Woodstock Film Festival Awards – WHEELS and THE FEELING OF BEING WATCHED Win Top Awards
After opening remarks from Roger Ross Williams, the first African American director to win an Academy Award, the 19th Woodstock Film Festival Maverick Awards Ceremony was held on Saturday, October 13. Awards were presented to exceptional films and honorees in numerous categories with the Feature Narrative Award going to Paul Starkman for WHEELS, and the Best Documentary Feature was presented to Assia Boundaoui director for THE FEELING OF BEING WATCHED.
Tony®, Emmy® and Grammy®-winning, and Oscar®-nominated filmmaker Julie Taymor received the Honorary Maverick Award; and Academy Award®-nominated and Emmy Award®-winning filmmaker Matthew Heineman received the Filmmaker Award of Distinction. for his debut feature narrative, A PRIVATE WAR.
BEST NARRATIVE FEATURE
The Gigantic Pictures’ Feature Narrative Award went to Paul Starkman for WHEELS.
“We chose Wheels because it beautifully explores the powerfully precarious choices that brothers make that impact their lives and all of their relationships forever. Stunningly told and poignantly acted with depth and candor wheels stood out in a thrilling year of Woodstock film selections. It explores the fine line between constructive and instantly destructive decisions and their impact on our lives- in an instant everything changes.”
Honorable Mention went to Brendan Walter for SPELL.
A Special Award for ensemble cast went to John Stimpson for GHOST LIGHT.
BEST DOCUMENTARY FEATURE:
The Best Documentary Feature, sponsored by Films We Like, was presented to Assia Boundaoui director for THE FEELING OF BEING WATCHED.
Honorable Mention to director Juliane Dressner and Edwin Martinez for PERSONAL STATEMENT.
Best Narrative Short sponsored by Gigantic Pictures, went to director Leonora Lonsdale for BEAST.
Honorable Mention went to Alexis Gambis for MI HERMANO.
Best Student Short sponsored by Gigantic Pictures, went to director Jisun Jamie Kim for A YEAR.
The Woodstock Film Festival Ultra Indie Award, sponsored by Gray, Krauss, Stratford, Sandler, Des Rochers, LLP and Blackmagic Design, was presented to Alex Moratto for SOCRATES.
Best Animated Short was presented to Mark C. Smith for TWO BALLOONS.
Best Short Documentary, sponsored by Markertek.com, went to Skye Fitzgerald for LIFEBOAT. Honorable mention to Lynne Sachs for CAROLEE, BARBARA & GUNVOR.
“We based our decision on what stories we felt most needed to be told, and what stories we hadn’t seen before. We put special emphasis on films that show underrepresented people (like the older women in Carolee, Barbara & Gunvor). We wanted to cite a local filmmaker for an honorable mention as a nod to the importance of our growing creative community upstate.”
The Haskell Wexler Award for Best Cinematography, sponsored by Panavision, went to Eric Bader for SPELL.
“Choosing a single film in this category was not easy. There’s been an explosion of great cinematography this year, and all of the films considered for the cinematography award stood out.
But the cinematography in this particular film is resonant, drawn with a deft touch. It is consistent and well crafted. The color palette and the choice of shots and lenses allow us a proximity to the characters, which aptly draws us into the drama and plays on our expectations, our emotions as viewers.”
The James Lyons Editing Award For Narrative Feature, sponsored by Technicolor Postworks NY, was presented to Kristina Davies editor for UNLOVABLE.
The James Lyons Editing Award For Documentary Feature, sponsored by Technicolor Postworks NY, was presented to Rabab Haj Yahya editor for THE FEELING OF BEING WATCHED. Special mention: WRESTLE.
The World Cinema Award, was presented to Laurie Colbert and Dominique Cardona for KEELY & DU. A special mention to director Roxy Toporowych for JULIA BLUE.
The Carpe Diem Andretta Award, sponsored by The Vincent J. Andretta Memorial Fund and presented to the film that best represents living life to the fullest, was awarded to director William Fichtner for COLD BROOK.
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Romantic Comedy SURPRISE ME! to LA Premiere at DTLA Film Festival [Trailer]
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Surprise Me[/caption]
Surprise Me!, the first romantic comedy written, directed and produced by Chicago native Nancy Goodman, is about a surprise party planner, Genie, (Fiona Gubelmann) who hates surprises. The film will have its Los Angeles theatrical premiere screening at the DTLA Film Festival on Wednesday, October 17, 9:00 pm at the Regal LA Live, 1000 W Olympic Blvd, Los Angeles, CA 90015.
In the film, featured in the Chicago Tribune, InMag.com and Now You Know Events.com, Genie is hired by an anonymous Hollywood producer to throw a surprise wedding for his girlfriend. Genie must get the bride down the aisle without knowing she’s the bride.
The movie follows event planner, Genie and the men in her life: her business partner (Steven, played by LaShawn Banks), her best friend (Danny, played by Jonathan Bennett) and her boyfriend (Jeff, played by Sean Faris).
Throughout the film, twists and turns lead to a surprise subplot that looks at Genie and her relationships as they evolve, unearthing painful triggers from her past. Cereal and cookies summon her in the night. We watch Genie learn to use cravings as a radar detector for feelings she is not aware of. They lead her to a truth but what is it? SURPRISE!
Goodman who calls the film “a romantic comedy diet” hopes it will help to start a conversation about what is behind a woman’s obsession with food and diets. Goodman sees the movie, which is based on her book of the same name, as her crusade to help women find their voice by turning their focus to their feelings, strength, joy, goals, and find happiness within.
“This year’s film festival has a theme of women’s empowerment, so Nancy Goodman’s status as a triple-threat creative force (producer, screenwriter, director) seems like an especially good fit,” said DTLA Festival Director, Greg Ptacek.
https://www.youtube.com/watch?v=iIORerKGXhU
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WATERLILY JAGUAR Starring Mira Sorvino to Open 2018 DTLA Film Festival
“Waterlily Tiger,” a new psychological thriller from director-writer-actress Melora Walters will make its Los Angeles theatrical premiere screening as the Opening Night Film of the 10th annual DTLA Film Festival. The film stars Robert Le Gros, Mira Sorvino, Stacey Oristano, Christopher Backus, Steven Swadling and Dominic Monaghan.
With the addition of “Waterlily Jaguar,” the 2018 festival will screen 30 new feature films of all genres, and all making their Los Angeles theatrical premieres with 68% by women directors. As well, the festival is screening 77 short-form content films and videos, including separate programs for TV pilots and web series episodes with an emphasis on diversity. The festival also launches this year Immersive, its showcase of the latest in AR, VR and Hyper-Reality experiences.
“We’re so proud to have the opportunity to present as our Opening Night film Melora’s directorial debut. Audiences have seen her work as an actor in films like ‘Boogie Nights,’ ‘Magnolia’ and ‘Venom.’ Now we all get to delight in her work as a creative force behind the camera,“ says Karolyne Sosa, Director of Programming.
In the film Bob Price (LeGros), a famous novelist known for his “airport” best-sellers, seeks to write something more meaningful for his new book. But his quest to pen a magnum opus sends him tumbling down a spiral of obsession that may leave the relationships he has already forged in shambles, including his marriage to Helen (Sorvino).
The film will screen at 7 pm on Wed., Oct. 17th at Regal L.A. LIVE , The 10th annual DTLA Film Festival runs October 17 to 21, 2018 at Regal L.A. LIVE, Hotel Figueroa and venues throughout burgeoning downtown Los Angeles.
image via Twitter
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DTLA Film Festival Reveals 2018 Short Form Content Lineup incl. 77 Short Films
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AKEDA (The Binding)[/caption]
The DTLA Film Festival revealed the short form content programming at the upcoming 10th edition of the festival, consisting of 77 short films, TV pilots and web series episodes.
Anchoring the festival’s short film content programming are the short films series, curated by Robert Torres ”Emerging Artists,” “Queer Expressions,” “Our Modern World,” “Strange Encounters,” “Spotlight on Latin Shorts” and “DTLA Shorts.” Sosa curated three other series of shorts program under the banner of “L.A. Artists,” which showcases local LA talent.
Rounding out the short-form content are programs devoted to new and established web series and to TV pilots, both with a focus on women and people of color. Monica Jones curated the TV web series; Jade Jenise Dixon and Suki Ramirez curated the TV pilots series.
The 10th annual DTLA Film Festival takes place October 17 to 21 at Regal L.A. LIVE and venues throughout downtown Los Angeles.
A complete list of short-form content screening at the festival follows:
EMERGING ARTISTS
THE SUMMER OF THE ELECTRIC LION Chile| Narrative | 2018 |22 mins. Director: Diego Céspedes Hidden in a house far from the city, Alonso accompanies his sister, Daniela. She waits to become the seventh wife of El León (The Lion), a prophet who, rumors says, electrocutes you when you touch him. KILN USA| Narrative | 2018 | 5 mins. Director: Salamo Manetti-Lax A short culled from footage the director shot in high school 10 years ago in upstate New York. A remembrance, a haunted collective portrait, and a critique. AKEDA (THE BINDING) USA| Narrative | 2017 | 18 mins. Director: Dan Bronfeld An orphan boy has his humanity tested when a film director encourages him to give a violent performance that will blend fiction with reality. I CAN ONLY TALK TO YOU WHEN I STAND IN SHADOWS USA, China| Narrative | 2018 | 5 mins. Director: Yuchi Ma A girl in her late teens contemplates the conflict between family identity and self, in face of the cruelty of times. This is a brief moment of the director’s coming of age. INSOMNIA France| Narrative | 2017 | 2 mins. Director: Islena Niera Lacosta It’s night and a boy can’t fall asleep. SOÑADORA USA| Narrative | 2017 | 10 mins. Director: Maria Altamirano A hardworking high school senior faces circumstances beyond her control that may hinder her path to college. HEY, BOY! USA| Narrative | 2018 | 20 mins. Director: Nathan Mulroy St. Valentine strikes an unsuspecting teenage loverQUEER EXPRESSIONS
MOLT France, Sweden| Narrative | 2018 | 14 mins. Director: Nathalie Alvarez Mesen The summer sun sets in rural Appalachia as 12-year-old Cadie and her neighbor, Sarah, redefine their friendship on the eve of burgeoning sexuality. JIM USA |Animation | 2017 | 9 mins. Director: Sam Gurry Jim assembled these floppy disks in the late 1990s with images and samples sourced from online chat rooms. How do you connect with someone you can’t see? That you don’t know? One short email conversation provides his name. ASIAN GIRLS Australia| Narrative | 2017 | 6 mins. Director: Hyun Lee Chan is a Chinese factory worker who lives alone. Every night, she suffers from horrific nightmares involving the woman in the apartment next door, a Japanese office lady. MONOGAMISHUSA| Narrative | 2018 | 14 mins. Director: Nardeep Khurmi Sagar and Nishi and explore the dynamics and strength of two non-traditional couples, in which agreements are made and boundaries are challenged. FOR NONNA ANNA Canada| Narrative | 2017 | 14 mins. Director: Luis De Filippis A trans girl has to care for her Italian grandmother. She assumes that her Nonna disapproves of her – but instead discovers a tender bond in their shared vulnerability. WAFFLES USA| Narrative | 2017 | 4 mins. Director: Foster Wilson The morning after a casual one-nighter with an older woman, Gina scrolls through her Facebook feed, only to discover that the person in bed beside her is the epitome of everything she loathes in this world. A DOLL’S HUG Taiwan| Narrative | 2017 | 20 mins. Director: Rob Lo Domestic, school violence and societal violence continually challenge and threaten the Taiwanese teenage boy, XiangYu. He seeks to escape from the undesirable reality to take shelter in his imaginary Barbie doll world.OUR MODERN WORLD
RAPAZ Chile| Narrative | 2018 | 13 mins. Director: Felipe Gálvez Ariel gets involved in a teenager’s civil arrest, who is accused of stealing a phone. A mob surrounds the young man and some curse and beat him, some defend him. The police aren’t showing up, so Ariel must decide what side he is on. PERFECT MAN USA| Narrative | 2018 | 9 mins. Director: Nic Collins and Jake Andrews Set in the very near future, a virtual reality -addicted girl must follow a government mandate to remove her VR headset for 3 hours. When her dismal reality sets in, she goes online and orders Perfect Man: a robotic humanoid love companion. VERMINE Denmark| Animation | 2018 | 6 mins. Director: Jeremie Becquer A Rat poet, whose hopeful poetry contrasts the world in which he lives in, gets confronted with the harshness of a society biased toward Mice. CAROLINE USA| Narrative | 2018 | 10 mins. Director: Logan George and Celine Held When plans fall through, a 6-year-old is faced with a big responsibility on a hot Texas day. THE BRINK USA| Narrative | 2018 | 7 mins. Director: Ricky Rhodes and Arnold Aldridge Pushed to the edge by abusive co-workers, an odd IT guy takes unthinkable steps to handle his grim reality. NADIA’S VISA USA, Jordan| Narrative | 2018 | 18 mins. Director: Hanadi Elyan After failing to obtain a travel visa to meet with her family, Nadia finds herself stuck in a moral dilemma. JUDGEMENT Philippines| Narrative | 2018 | 14 mins. Director: Raymund Ribay Gutierrez Joy, a mother of a 4-year-old girl, finally decides to file a case under domestic violence against her abusive husband, Dante. THE RIGHT CHOICE UK| Narrative | 2018 | 10 mins. Director:Tomisin Adepeju With the help of The Adviser, a husband and wife must answer three seemingly harmless questions to create their perfect designer baby.STRANGE ENCOUNTERS
BOTANICA Netherlands| Narrative | 2017 | 13 mins. Director: Noël Loozen A garden-center employee fears his possible infertility. While the pregnancy wish of the love of his life is growing, shame starts to take a hold on him. INTIMITY Netherlands| Documentary | 2017 | 5 mins. Director: Elodie Dermange As she is showering, dressing and putting on her make-up, a woman bares her soul. THE CHIRPING USA| Narrative | 2018 | 10 mins. Director: Matt McKinney A mother and her adult son work some things out while trying to rid their home of a pesky cricket. LIRA’S FOREST Canada| Narrative | 2017 | 8 mins. Director: Connor Jessup As the end of her life approaches, an old woman encounters a strange spirit from a nearby forest. TRESPASS USA| Narrative | 2018 | 6 mins. Director: Erik LeDrew The actions of a trigger-happy cop come back to bite him in the ass. A P.O.V. fright flick. PRIVATE JOY USA| Narrative | 2018 | 9 mins. Director: Owen Kaye In the final days of their relationship, a fading actress and her younger, animal lover are torn apart by lust, jealousy, anger and magic. HEART CHAKRA USA| Animation | 2017 | 7 mins. Director: Angela Stempel Mae’s life is routinely disrupted by the advice from her online crystal healer and her devotion to horoscopes. Armed with healing crystals and numerology, Mae is ready to follow the predictions on an unexpected path to find her soulmate. KIMCHI USA, South Korea| Narrative | 2018 | 14 mins. Director: Jason Segars As his family argues about his end-of-life care, an elderly Korean man reflects on his life with a stranger. SOLAR WALK Denmark| Narrative | 2018 | 20 mins. Director: Réka Bucsi The unreal journey of individuals and their creations through time and space.SPOTLIGHT ON LATIN STORIES
ONE OF THESE DAYS USA| Narrative | 2018 | 20 mins. Director: Rudy Lopez After unfortunate circumstances, Manny, an aspiring musician, must decide between becoming the sole guardian of his uncle’s daughter, Marisol, and pursuing his band’s tour of the U.S. CHIADO Brazil| Narrative | 2018 | 15 mins. Director: Fenando Belo A woman and her boyfriend go on a last road trip when she decides to end her own life. KEEP EM’ WHITE USA| Narrative | 2018 | 14 mins. Director: Sandra Lindqvist Two Hispanic teenage boys from South Central LA take a bus ride to the other side of town in search of a famed basketball player. EL GALLO USA, Mexico| Documentary | 2018 | 14 mins. Director: Michael Medoway Gallo takes us on a visceral journey through the life of Juan ‘El Gallo’ Estrada, the former Flyweight champion of the world and one of Mexico’s most famous boxers. ¿FAMILIA? USA| Narrative | 2018 | 14 mins. Director: Kase Pena and Marlene Forte A transgender woman navigates life while dealing with a pesky teenage neighborhood boy who’s in love with her, a married lover with empty promises, and a family back home who demands her financial support at any cost, even her personal safety. CARRO USA, Brazil| Narrative | 2018 | 12 mins. Director: Gustavo Rosa An undocumented Brazilian immigrant living in the Boston area decides to buy a car in an effort to better his life before returning home.DTLA SHORTS
REDEMPTION SQUARE USA| Documentary | 2018 | 20 mins. Director:John Moody In the footsteps of many unique Angelenos, a down-on-her-luck woman finds a new identity in Pershing Square, a notoriously unloved space in downtown Los Angeles. TOKEN USA| Narrative | 2018 | 25 mins. Director: Joy Shi Two artists in different stages of life and success deal with the effects of love, ego and loss in modern-day LA. BROCCOLI USA| Narrative | 2018 | 7 mins. Director: Phil Rosanova and Will Reiland After a scare at the office, a man must decide between his compulsive diet of only broccoli and his own mortality. DECEMBER USA| Narrative | 2018 | 7 mins. Director: Luciana Faulhaber At year’s end a woman tries to move on as her past comes rushing back. In matters of the heart do we take a risk before it’s too late or hope for a second chance? This movie is about the messes we make. THE HOAXING USA| Narrative | 2018 | 25 mins. Director: Bevin McNamara A young artist couple moves into a painter’s studio where the previous tenant hacked two people to death. The couple quickly discovers the studio harbors dark secrets. THE LION AND HIS WALL USA| Narrative | 2018 | 17 mins. Director: Raphael Krigel and Austin Dalgleish The film follows one of LA’s most prolific artists as he attempts to paint the largest mural in the world by a single individual. But this artist’s aspirations extend far beyond this one wall, and he’s not afraid to prove it.LA ARTISTS SHORTS
SOMEDAY USA| Narrative | 2018 | 16 mins. Director: J.S. Mayank Two strangers meet on a 14-hour non-stop flight from Sydney to Los Angeles. Adam is a world-famous composer, but Melody doesn’t recognize her flight companion. Along the way, they laugh, flirt and pour their hearts out… a connection made more beautiful precisely because of its fleeting nature. CREATE USA| Narrative | 2018 | 3 mins. Director: Mikkel Aranas An artist finds himself in the middle of the wilderness wanting to create. After seeking guidance from the ultimate creator, he’s inspired by the elements around him and begins to create using what’s in front of him. A beautiful dance ensues between art and artist. ABUELA’S LUCK USA| Narrative | 2018 | 9 mins. Director: Ricky Rosario A young man’s relationship with his grandmother is altered forever after a chance visit to his neighborhood Dominican bodega. THE ENLIGHTENMENT PROJECT USA| Documentary | 2018 | 17 mins. Director: D’Angelo McCornell and Martel McCornell A grieving mother Yvonne Pointer from Cleveland, OH and an impoverished boy from Ghana, Africa turn their pain into purpose, and their purpose into action by educating the youth and strengthening communities together. AVOWED USA| Narrative | 2017 | 13mins. Director: Summera Howell A young nun-to-be struggles to find God inside Robin, a non-responsive adult whose brain stopped developing before he was born. GRIT USA| Narrative | 2018 | 11 mins. Director: Charles Lee Wilson After a long day’s work, a young teacher returns to find his home has been burglarized. When he discovers his relation to the culprit and their motive, he resorts to rogue tactics in order to save a loved one spiraling down a deadly path. #WHERE IS BEAUTY USA| Narrative | 2017 | 11 mins. Director: Angela McCrae An introspective visual artist dealing with the pressures of social media embarks on a journey of self-discovery capturing everyday life through SnapChat, which unexpectedly transforms her perspective of beauty. PARALLAX USA | Narrative | 2018 | 4 mins. Director: Ajiri Akpolo Two lovers try and find the right words to say to each other. BLACK CHICKS USA, Canada | Narrative | 2017 | 12 mins. Director: Neil LaBute A man and a woman, one white, one black — what could possibly go wrong? LET MY PEOPLE VOTE USA| Documentary | 2018 | 18 mins. Director: Gilda Ann Brasch Filmed during the 2016 presidential election, this verité short covers a day-in-the-life of civil rights activist and former felon Desmond Meade. What begins as an upbeat day of faith in our democratic process, ends with a heartbreaking realization and a call-to-action. GLORIA’S CALL USA| Documentary | 2018 | 16 mins. Director: Cheri Gaulke From the cafes of Paris to the mountaintops of Samiland, a scholar’s life is forever changed through her friendships with the women artists of Surrealism. FOXES USA| Narrative | 2018 | 14 mins. Director: Tristan Taylor An African-American man struggles to unmask his depression, while admitting he’s never been his younger brothers’ hero. THE PRICE WE PAY USA| Narrative | 2018 | 8 mins. Director: Jesse Garcia A scarred soldier, suffering from PTSD, who comes home from war to find his relationship with his neighborhood, best friend and wife, not how he left it. But is what he’s seeing, real? AMERICAN NIGHTMARE USA| Narrative | 2018 | 7 mins. Director: Jesus Nebot A traffic stop due to speeding takes a turn for the worse, landing a mother and her 5-year-old daughter in jail.TV PILOT SERIES | THRILLER-CRIME
THE ONLY FLIGHT USA| Narrative | 2018 | 13 mins. Director: Royston Innes When a group of unwitting strangers wake up on an airplane in midair they must learn the true nature of why they were deemed enemies of the state. PAWG – DAY 12 “PRETTY ASS WHITE GIRL” USA| Narrative | 2018 | 20 mins. Director: John Eddins The uniqueness at the very end of this tale gives birth to a strange beginning as lovers reunite 12 days after one of them gets a whole new lease on love. THE PLURAL OF BLOOD USA| Narrative | 2017 | 20 mins. Director: Mary-Lyn Chambers Diana Santiago is an African American police wife, joyfully on the verge of adopting a black baby boy. Her world unravels when her husband, LAPD officer Alejandro Santiago, finds himself amid the fatal police shooting of an unarmed black teenager.TV PILOT SERIES 2 | COMEDY
GREENPORT USA| Narrative | 2017 | 27 mins. Director: Shannon Goldman This is a story about a struggling Hollywood filmmaker, who is determined to show the world that an autistic kid can do anything. WED-LOCKED USA| Narrative | 2018 | 23 mins. Director: Malcom Barrett and Tina Huang Recently married, Denise & Robert deal with the ups & downs of marriage in this true-to-life comedy. Laugh and cry alongside our fledgling couple as they navigate everything from sex shop shyness and pubic hair politics, to having to tell their spouse they can’t cook.WEB SERIES | DRAMA-SUSPENSE
MAKEUP AND BREAKUP SERIES – EPISODE 7 “WHEN THINGS FALL APART” OF SEASON 2 USA| Narrative | 2018 | 23 mins. Director: Eric J. Dickens When Brooke blindsides Blake and ends their two-year relationship, Blake doesn’t hesitate before jumping back into the New York dating scene. Instantly he finds a new love interest and regains his confidence. Once things begin to get serious, Brooke resurfaces and wants to claim what was once hers. Confused, Blake finds himself caught in the middle. When the dust settles, who will win him over in the end? STAGED – EPISODE “EVERYONE ISN’T WHO THEY POST TO BE” USA| Narrative | 2017 | 10 mins. Director: Abai Dunbar Staged explores the struggle to self-discovery for four social media influencers, in a world where nothing is what it seems and no one is who they claim. WHO KILLED MADAM SILVA – EPISODE 1 USA| Narrative | 2017 | 5 mins. Director: Anne Reis A maid and a driver come across the corpse of their mistress stretched out on the floor of the main living room. Both had reasons to commit the crime and both suspect one another. CHRONICLES OF JESSICA WU- EPISODE 1 – “MEET JESSICA” USA| Narrative | 2017 | 6 mins. Director: Zane Hubbard This is the story of Jessica Wu and her living with autism.WEB SERIES 2 | COMEDY
AVANT GUARDIANS THE SERIES – EPISODE 1 “THERAPY SESSION 1” & EPISODE 2 “THERAPY SESSION 2” USA| Narrative | 2017 | 6 mins. Director: Clarence Williams, IV Episode 1 – Razz tells her therapist why she has nicknamed her beloved human Creepy Charlie, exploring re-appropriating negative labels. Episode 2 – Razz dives into her past life and the open wounds of feeling the need to justify her lifestyle-a style change to be more palatable to those who misunderstand her. FML SERIES – EPISODE 2 – “BEFORE THE PARTY” USA| Narrative | 2017 | 12 mins. Director: Viktoria I.V. King We got to get tipsy before the party starts! We get an insight into the separate lives of each friend as they prepare for Jeanette’s big birthday party later tonight. DATING AND WAITING – EPISODE 3 “THE PACT” USA| Narrative | 2018 | 7 mins. Director: Lawrence Saint-Victor Sisters Chastity and Geneva face off and get real with their sex lives. What ensues is a very interesting pact. THE FOB AND I – SEASON 2 EPISODE 1- “RESIST” USA| Narrative | 2017 | 5 mins. Director: Meenakshi Ramamurthy A trip for dosas takes a turn when Sita is forced to confront her feelings about immigrants. BREEDING GROUNDS-EPISODE – “BAKE SALE PART 1” USA| Narrative | 2017 | 11 mins. Director: Susan Skoog A privileged stay at-home mother aggravates her bake sale co-chair. After the two end up on the brink of fisticuffs, Debra gets a call that her mammogram is positive. SK & J – EPISODE 2 “GOOGLE IT!” and EPISODE 3 “COMMA” USA| Narrative | 2018 | 5 mins. Director: Jenn Liu (Google it!) and Susan-Kate Heaney (Comma) Episode “Google It!” – Sue-Kate is late (as usual!) meeting Jenn for sushi, and compounds the situation by asking Jenn for directions. Jenn (as usual) tells her to Google it. Some things never change. Episode “Comma” – The simple debate over the placement of a comma reveals Sue-Kate and Jenn’s inner thoughts about writing, friendship and how much they hate working with one another. SYCAMORE VALLEY – EPISODE 1 – “INTROS”USA| Narrative | 2018 | 4 mins. Director: Marisa Luz Kayla and Curtis get prepped for the exciting journey of their televised home-buying adventure, and they meet their realtor, Cece, for the first time. Early warning signs that trouble may be brewing are quickly forgotten after a few glasses of cheap Chardonnay. WAKING UP WITH STRANGERS- EPISODE 1- “PRETTY IN PINK” AND EPISODE 7- “PANIC ROOM” USA| Narrative | 2018 | 7 mins. Director: Antoine Perry EPISODE 1 “Pretty In Pink” – Chloe wakes to find her favorite one-piece dress has been unwittingly turned into separates. EPISODE 7 “Panic Room” – After a heavy night of drinking, Xavier wakes up with more questions then condom wrappers. SHUGS & FATS: SEASON 2 EPISODE 2 -“SPEED DATING” and SEASON 3 EPISODE 5 “LOST IN CONEY ISLAND” USA| Narrative | 2015,2016 | 6 mins. Director: Alex Mallis Episode 2 “Speed Dating” – Dating in NYC is hard. There’s OK Cupid, there’s Tinder, there’s Craigslist Missed Connections, but none of these will get you married to Justin Bieber. The surefire solution? Speed Dating. Romance is negotiable. Efficiency is key. Episode 5 “Lost In Coney Island” – It’s late, it’s lonely, and Coney Island is a shitty place to be stuck. Luckily, Fats has a brilliant idea for getting picked up and brought back home.
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THE PROVIDERS, Documentary on Health Care Providers in Rural America to Premiere at DOC NYC [Trailer]
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The Providers[/caption]
The Providers, the award-winning documentary film directed by Laura Green and Anna Moot-Levin about health care providers in rural America will have its New York City premiere at the 2018 DOC NYC festival on Friday, November 9 at 5:30pm at Cinepolis Chelsea, and on Monday, November 12 at 12:45pm at IFC Center. The Providers had its World Premiere at the 2018 Full Frame Documentary Film Festival, and went on to screen at the San Francisco DocFest (where it won the Spirit of Activism Award), AFI DOCS, Santa Fe Independent Film Festival, and many other festivals.
Set against the backdrop of the physician shortage and opioid epidemic in rural America, The Providers follows three healthcare providers – a doctor, a nurse practitioner, and a physician assistant – in northern New Mexico. They work at El Centro, a group of safety-net clinics that offer care to all who walk through the doors, regardless of ability to pay. Amidst personal struggles that reflect those of their patients, the journeys of The Providers unfold as they work to reach rural Americans who would otherwise be left out of the healthcare system. With intimate access, the documentary shows the transformative power of providers’ relationships with marginalized patients.
Watch trailer on VIMEO
Directors’ Statement — Laura Green & Anna Moot-Levin
Given the political and discursive tension over the future of American health care, this film has a particular urgency at this historical juncture. New Mexico is one of the country’s poorest and most rural states and opted to expand medicaid under the ACA. However, the challenges in rural healthcare go far beyond the ameliorating effects of the ACA. The Providers reflects the ways poor health is created at the structural level by a lack of public health resources and access to care – in 2016, there were 70,000 preventable deaths in rural areas, and on average life expectancy in rural areas is two years shorter than in urban areas. Set on the frontlines of rural healthcare under the medicaid expansion, the film takes an intimate journey with those who remain marginalized and difficult to reach within traditional healthcare delivery models. We hope the film will inspire more young people to go into rural healthcare, and we are developing an outreach campaign that will target both rural high schools and medical education institutions, including medical schools, nurse practitioner prog
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Ithaca Fantastik Reveals Final Wave of 2018 Films
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THE UNTHINKABLE[/caption]
Ithaca Fantastik will close the upcoming 7th edition in upstate NY with the breathtaking Swedish war drama THE UNTHINKABLE from Victor Danelland. The 10-day festival running October 26th to November 4th announced the final wave of 2018 programming including the highly acclaimed and award-winning MY NAME IS MYEISHA by Gus Krieger’s and Daniel Goldhaber’s electrifying CAM, and notable IF alum Perry Blackshear returns following his 2015 psychological horror hit THEY LOOK LIKE PEOPLE with an eerie and out-of-the-world fable THE RUSALKA!
The Cinema Pur side-bar is back with one of the festival’s strongest vanguard focused programs to date adding Joel Potrykus’ latest niche nostalgia nerd-fest RELAXER and A.T. White’s spellbinding debut STARFISH, hands down one of the most beautiful and gripping fable we’ve seen this year to previously announced titles in wave one. The Ithaca Fantastik will host also special screening of BOILED ANGELS: THE TRIAL OF MIKE DIANA with celebrated cult director Frank Henenlotter and Mike Diana paired with a discussion. Taking the Piss Down Under, a mini series with two of our favorite films of the year coming from South East Pacific: BROTHER’S NEST, MEGA TIME SQUAD. What would Ithaca Fantastik be without a dose of gore and fun! Get ready for the gruesome French insanity that is Alfonso’s GIRLS WITH BALLS and the international festival midnighter darling, Ueda’s ONE CUT OF THE DEAD!
For it’s 7th edition, Ithaca Fantastik goes wild with its shorts with four massive blocks – GASP! The Horror!, WTFantastik!, Light+/-Dark Shorts, and the very special Eyeslicer Halloween Special, a curation of the weirdest and wackiest American indie spooky shorts from NYC producers Dan Schoenbrun and Vanessa McDonnell.
Ithaca Fantastik rounds out the final wave with a dive into AR/VR and brings a program of six experiences, including the award winner DINNER PARTY and Alexandre’s Aja’s CAMPFIRE CREEPERS!
Closing:
The Unthinkable East Coast Premiere
Victor Danell | 2018 | Sweden | 129min
While Alex attempts to reconnect with the long lost love of his youth, a series of strange events unfold—each bizarre occurrence leading to the next until it culminates in a declaration of war by a belligerent foreign country. Carried on by his quest for love, Alex must also manage to find his family and save them from the war. This epic adventure pushes him to overcome each obstacle and face the deepest, darkest corners of his past.
Scandinavia has produced some of recent years’ most impressive action films with a healthy dose of heart—from The Wave (2015) to The Quake (2018)—redefining what it means to be a blockbuster in the global market. Following in this grand tradition, Crazy Pictures takes us by storm with this genre blurring piece of cinema. It expertly navigates the arthouse drama landscape while using a backdrop of a war as metaphorical elements enhance the frustration of the protagonist. THE UNTHINKABLE will make you think, cringe, laugh out loud, and cry- all in the span of a second. You’ll be talking about this perfect IF8 closing film for months to come.
International Competition:
Cam Regional Premiere Daniel Goldhaber | 2018 | USA | 94min Alice’s (Handmaid’s Tale’s Madeline Brewer) career as “Lola” the cam girl is red hot, and her public can’t seem to get enough! But when a mysterious clone of her web persona surfaces, Alice is left questioning where she ends and her online presence begins. Daniel Goldhaber’s debut feature CAM delivers an unvarnished and brutal reflection on a culture of obsession and vice. The first feature about sex work written by a former sex worker Isa Mazzei has masterfully drawn from real life to create this dazzling and dark thriller. The 2018 Fantasia Film Festival New Flesh award winner is not to be missed. Actor Patch Darragh in attendance Dog (Chien) East Coast Premiere Samuel Benchetrit | 2017 | France | 90min After losing his wife, home and job, Jacques spirals into depression, closing himself off to the world around him. That is, until he meets the owner of a pet shop. He finds redemption in giving his free will over to the most random person he’s met: A dog trainer. Multi-talented artist Samuel Benchetrit adapts his eponymous book with a style and voice reminiscent of another french perturbateur: Quentin Dupieux. Taking a literal route to define modern alienation, Benchetrit creates a surreal piece of cinema, which, despite its straightforward approach to the problematic, shocks at every turn. My Name is Myeisha Regional Premiere Gus Krieger | 2018 | USA | 85min At the moment of Myeisha’s (the outstanding Rhaechyl Walker) death at the hands of police, she guides us inside her mind and muses over the life she’ll be leaving behind. Told uniquely through hip-hop, spoken word poetry, and dance—and inspired by the 1998 police shooting of California teen Tyisha Miller—the mix of style and social message allows the narrative to explore territories rarely tackled in film. We connect with Myeisha as we see into both her past and a possible future she will never have. Highly acclaimed on the festival circuit, this is one of the most important films of the year. The Rusalka Regional Premiere Perry Blackshear | 2018 | USA | 88min A perfectly twisted balance of folklore and modern cinema, THE RUSALKA reinvents “the lady of the lake” into “the girl next door.” Mina is chained to water by demons that possess her. The man who pines for her is traumatized and left speechless by a childhood swimming accident. This love story is only rendered more eerie by the haunting beauty of the setting, and the slavic songs that set the dark and atmospheric tone of this tale. Director Perry Blackshear in attendance Prospect Regional Premiere Christopher Caldwell | 2018 | USA | 98min In a working-class future (in space!), a father and daughter mining team (Jay Duplass and Sophie Thatcher) struggle to make a living on an alien moon with worn out space suits and a barely functional spacecraft. When they learn about a large haul of the rare, valuable crystals they’ve been tracking, they decide to risk confrontations with their lawless competition. Adapted from a short film of the same name, PROSPECT has a blue collar sci-fi atmosphere that evokes the highlights of the genre and follows the lead of films like Alien (1979) and Silent Running (1972).Cinema Pur:
Relaxer Regional Premiere Joel Potrykus | 2018 | USA | 91min Settle in for 91 minutes of action and adventure set entirely on a sofa as our hero Abbie (Joshua Burge) attempts to beat every level of Pac-Man- including the legendary 256th. Berated by his brother and a slew of off-kilter friends, Abbie must stick to his mission at any cost. He’ll have to stay focused in the midst of hilarious antics. Will he beat the game? This is the Y2K apocalyptic slacker comedy you didn’t know you needed until Poltrykus dared you to. Starfish Regional Premiere A.T. White | 2018 | USA, UK | 99min The past can creep up on us in the most unlikely of ways. While grieving the loss of her best friend, Aubrey (Runaway’s cosmic babe Virginia Gardner) finds herself in the middle of a wintery apocalypse. She holes up in her late friend’s flat, fending for herself as the world deteriorates and unspeakable Lovecraftian creatures lurk around every corner. With mixtapes, an indie soundtrack, and an adorable pet turtle, Aubrey fights to survive. This fantastical tale of grief and trauma transcends time, space, and logic. Director A.T White in attendance Luz Regional Premiere Tilman Singer | 2018 | Germany | 70min Luz (Luana Velis) arrives at a police station. Seemingly in a state of shock, she begins the interview process of filing a report. Meanwhile, at a nearby bar, a mysterious man drinks alone. He’s approached by a young woman with a disconcerting manner. They strike up a conversation over drinks. A malevolent force seems to permeate both communions . Shot on 16mm—and the thesis project for German film student Tilman Singer—LUZ already feels like a movie out of it’s time with aesthetic trappings of a film made in the 80s but characters and story contemporary in their design and feel.Fantastik Documentaries:
Boiled Angels: The Trial of Mike Diana Regional Premiere Frank Henenlotter | 2018 | USA | 101min In 1991, the FBI thought they had a lead on the Gainesville student murders when they came into possession of Mike Diana’s ‘zine, Boiled Angel. Despite being cleared of any murder charges, the FBI forwarded information about him and his work to Florida police. He became the first artist in US history to be prosecuted on obscenity charges—all because of his cartoonish depictions of depravity. This documentary, directed by Frank Henenlotter (Basket Case, Brain Damage), features narration by Jello Biafra and appearances by Neil Gaiman, George Romero, Jay Lynch, and the trial lawyers who felt they were justified in putting an artist behind bars. Join us for this special screening of BOILED ANGELS, followed by an extended Q&A and discussion with director Frank Henenlotter, artist Mike Diana, and producer Mike Hunchback.Taking the Piss Down Under:
Brother’s Nest Regional Premiere Clayton Jacobson | 2018 | Australia | 98min Two brothers reflect on memories, their upbringing, and family in their childhood home as they plot to kill their stepfather. What at first seems like a simple plan soon spirals out of control and into an abyss of mayhem and murder. Clayton Jacobsen’s pitch black comedy features rapid fire dialogue that is both rhythmic and increasingly ironic and bittersweet—feeling like a blend of the Coen brothers and Hitchcockian crime dramas of the golden age of cinema. Mega Time Squad New York Premiere Tim van Dammen | 2018 | New Zealand | 86min John (Anton Tennet) is down on his luck in small town Auckland and hoping to escape his loser life. When a strange Chinese artifact gives him the power to travel back in time, Johnny decides to face off against his drug dealer boss Shelton (Jonny Brugh of What We Do In The Shadows). The consequences of time travel are more dangerous than Johnny expects, and he very quickly realizes the price he may have to pay. Quick-witted dialogue coupled with heaps of charm and charisma make Tim van Dammen’s Kiwi-comedy a must see.Back to Castle: A Special Screening of THE TINGLER with live theatre
The Tingler Wednesday, Oct. 31 7pm at The Cherry Artspace William Castle | 1959 | USA | 82min When a pathologist (Vincent Price) discovers a creature that feeds and grows on fear, he quickly realizes the key to its defeat. He captures it to test his hypothesis. As the creature evolves in size and atrocity levels rise, the Doctor’s theories distill into one single urgent lesson: “please, do not panic, but scream!…. Scream for your lives.” This film’s just-wacky-enough execution of excruciatingly frightening ideas may just keep its viewers from requiring intensive therapy. Released the very same year as House on Haunted Hill, THE TINGLER reprises and intensifies the same camp horror theatricality and B-movie zeal from William Castle’s wild imagination. The delicate dissonance between Castle’s gimmicks and Vincent Price’s outstanding performance gets perfectly showcased in this triumphant return of the pioneering duo. Enjoy this one-time-only interactive event, created in partnership with our friends at The Cherry Artspace—true to William Castle’s innovative vision of an immersive 4-dimensional theatrical experience. Filmed in “Percepto!”Drunken Cinema:
In the gloriously raucous tradition of original midnight screenings that were a fundamentally participatory event, DRUNKEN CINEMA offers an experience that the modern multiplex can’t even fathom. With general, personal, secret, and prop rules clearly indicated on specially made cards, Drunken Cinema asks you to get involved in the action (Think The Rocky Horror Picture show or cult screenings of The Room).Vinegar Syndrome Presents:
Vinegar Syndrome is a film restoration and distribution company with a catalogue of hundreds of feature films, produced primarily between the 1960s and 1980s. With an ever growing archive we’re thrilled to team up to present two exhilarating entries for IF audiences to enjoy on the big screen once again. Raw Force Edward Murphy | 1982 | USA | 86min Ninjas and cannibal monks and zombies, OH MY! Martial arts students from the Burbank Kung Fu Club head out on a leisurely cruise, but when their ship drifts too close to a mysterious island, their vacation becomes a lot less relaxing. They’ve landed far from home on Warrior Island, a burial ground for shamed martial artists. And they are not alone. White supremacist sex traffickers have made camp on this lowly island chock full of secrets just waiting to be unearthed. Vinegar Syndrome’s 35mm scan of this gritty, seductive and totally bonkers film is filled to the brim with nudity, over-the-top action and enough ridiculous one-liners to satisfy even the most rambunctious cravings for sleaze. White Fire (Vivre pour Survivre) East Coast Premiere Jean-Marie Pallardy | 1985 | Turkey, France, UK | 101min When Bo was a child, a mysterious stranger sadistically murdered his parents. Only Bo and his sister Ingrid survived the bloodshed. Now, twenty years later, Bo and Ingrid are employees at a diamond mineshaft in the desert. The mischievous duo stumble upon the discovery of a legendary diamond, the “White Fire.” However, rapture for the diamond has provoked the angst of some short-tempered, not-so-nice villains. The quest to capture the most sought-out diamond in the world is afoot!Midnighters:
One Cut of the Dead Regional Premiere Shin’ichirô Ueda | 2017 | Japan | 96min When an ambitious but small-time commercial director (Takayuki Hamatsu) is hired for the arduous task of creating a single-take zombie film which is broadcast live, death and gore become the least of his on-set problems. Starting with the unbroken 37-minute final piece, One Cut of the Dead then goes back in time to show the story behind the making of the actual film—complete with trouble from divas, saké, broken equipment, and even diarrhea. A high-energy screamfest that turns heartwarming, this film knows exactly how to sell its scares. Girls With Balls East Coast Premiere Olivier Afonso | 2018 | France | 87min Girls volleyball team The Falcons find themselves stranded in the middle of nowhere after their minivan breaks down. Little do they know they landed on the property of some degenerate redneck hunters. The hunt is on and thus begins a very long night where the girls must run for their lives and test their team spirit. But these young athletes may be more resourceful than the hunters give them credit for. Serve. Set. Spike. Kill! Seven Stages to Achieve Eternal Bliss By Passing Through the Gateway Chosen By the Holy Storsh Regional Premiere Vivieno Caldinelli | 2018 | USA | 96min A small-town couple (Kate Micucci and Sam Huntington) find the perfect apartment at an inconceivable price. But their idyllic life is disturbed by a parade of intruders that won’t stop breaking in to practice a strange cult ritual, all following the direction of their guru, the Holy Storsh (Taika Waititi). The final step? Suicide in the apartment bathtub. From the deranged mind of Spectrevision (Mandy, 2018; Bitch, 2017), this is pure comedy in the tradition of the grand guignol, with the hilarious Dan Harmon (Rick and Morty) as an out of his mind inspector—be ready to laugh out loud for 96 minutes straight in this comedy. Definitely… cult!GASP! The Horror! Shorts
Sometimes horror is a magical horned demon shooting fire at you. Sometimes it lives in your own home… Ithaca Fantastik is proud to present this selection of shorts that shows just how wide, wild, and inventive the realm of horror can be. Goodnight, Gracie, Dir. Stellan Kendrick (USA); The Day Mum Became A Monster, Dir. Josephine Hopkins (France); MILK, Dir. Santiago Menghini (Canada); MAW, Dir. Jasper Vrancken (Belgium); New Feelings, Dir. Anastasia Nechaeva (Russian Federation), Those Who Can Die, Dir. Charlotte Cayeux (France)WTFantastik! Shorts
Think you’ve seen everything the genre world has to offer? Think again. Our WTFantastiK! block challenges genre veterans with envelope-pushing, boundary- breaking shorts that must be seen to be believed. For adventurous audiences only! What’s That In The Ground?, Dir. Wally Chung (USA); The Story of Everything, Dir. Sharon A. Mooney (USA); Sweet Deceit, Dir. Shannon Jones (USA); Loathing, Dir. Franz Milec (Czech Republic); NewVHS, Dir. Spencer Starnes, Kevin R. Wright, Pete Clendenning, Jordan Paul Miles (USA); Mama’s Boy, Dir. Samantha Kolesnick (USA); MOTHER FUCKER, Dir. Nicholas Payn (USA); Entropia, Dir. Marinah Janello (USA)..Light+/-Dark Shorts
Tampon Monsters. Murderous Johnny Depp fans. Two dudes just trying to be cool. The LIGHT+/-DARK shorts block presents the comedy genre shorts that made us laugh, or made us cringe. BFF Girls, Dir. Brian Lonano (USA); Psycho Kino, Dir. Guillem Dols (Spain); Lunch Ladies, Dir. Clarissa Jacobson, J.M. Logan (USA), We Summoned A Demon, Dir. Chris McInroy (USA); Seafood Diet, Dir. Max Levine (USA); Beautiful Eyes, Dir. Rani Deigh Crowe (USA); Fetish, Dir David Lee Hess, Richard H. Perry (USA) The Eyeslicer Halloween Special ! Dan Schoenbrun and Vanessa McDonnell / 2018 / USA / 93min A comedy-horror anthology presented by internet rock stars The Eyeslicer. Taking viewers on a chaotic journey through the liminal space of the Halloween season, THE EYESLICER HALLOWEEN SPECIAL feels like an acid trip down the Halloween aisle at Party City.Shorts Accompanying a feature:
Death Metal Grandma, Dir. by Leah Galant (US); Ad Infinitum, Dir. Murat Çetinkaya (Turley); Payment, Dir. Ben Larned (USA); Special Day Teal Greyhaven (USA); Saturn Through The Telescope Didac Gimeno (Spain); Mannequins, Dir. David Malcolm (UK); Every Ghost Has An Orchestra, Dir. Shayna Connely (USA); TiCK, Dir. Ashlea Wessel (Canada); Riley Was Here, Dir. Jon Rhoads (USA); Smoke Grenade, Dir. Joe LaRocca (USA); Fontaineblues, Dir. Akim Gagnon (Canada)Fantastik VR:
Dinner Party Angel Manuel Soto, Charlotte Stoudt, Laura Wexler / Puerto Rico, USA | 2018 | 13min Based on true events, this experience tells the story of Barney and Betty Hill, an interracial couple who in 1961 broke national news as the first reported extraterrestrial abduction in history. Trying to cope with the residual scars of their experience, they unexpectedly decide to seek out answers from an old tape recorder while hosting a dinner party. Meeting A Monster Gabriela Arp | USA | 2018 | 9min With a past steeped in hatred and prejudice, a former white supremacist journeys back in time and invites us to experience both the stereotypes and bigotry that lured her into the white power movement as well as the encounters that led her back out. Before she can help others change their ways, she must come to terms with a true monster: herself. We’re Still Here Jesse Ayala | USA | 2018 | 3 Minutes Struggling to preserve his cultural identity, an artist and historian from Boise, Idaho takes viewers on a journey to learn about what it means to be “Two Spirit”; a cultural term describing the fluidity of gender identity and sexuality with respect to traditional tribal roles across First Nations. Campfire Creepers Alexandre Aja | USA | 2018 | 12 minutes From master of horror Alexandre Aja (The Hills Have Eyes, Piranha, Horns) comes an original anthology series that brings classic campfire stories to life in stunning virtual reality. Produced by Oculus and Future Lighthouse, Campfire Creepers invites viewers to join the fire circle at a summer camp called Camp Coyote as a group of kids take turns telling spooky tales. Inspired by cult classics like Creepshow and Tales from the Crypt, every episode of Campfire Creepers is a wild ride that will have you laughing and screaming in equal measure. Faoladh Declan Dowling | 2018 | Ireland | 6min This stereoscopic virtual reality film set in an isolated 9th century Irish village follows the perilous journey of young Celt Ruairi. Vikings have begun invading Ireland, and it’s only a matter of time before they reach his village. Take on role of the Faoladh, a wolf-like guardian spirit and protector of the children from the woods of ancient Ireland. It’s up to you to guide Ruairi to safety as he evades capture from a bullish young Viking named Snorre. Virtual Burly Becky Lane | 2018 | USA – Sneak Peek – Work in Progress It’s your own private show! A 3D, 360° recreation of historical burlesque styles from 1900—1970. Go on an entertaining and seductive journey through the evolution of burlesque, exploring its history and its impact on women’s sexual empowerment. Showcasing the artistry of burlesque dance troupe Whiskey Tango Sideshow, VIRTUAL BURLY is a combination of dance performances and interviews brought together to explore themes in women’s experience in this art form.Retrospective
The Wilding! The uncanny terror that only children can elicit. The uncanny terror of what goes missing—or reveals itself—in the dark spaces between generations. The uncanny terror that intergenerational misunderstandings unleash, again and again. The discord between old and young is a tension that is both as old as time and frighteningly contemporary and marks the theme of this year’s retrospective exploration. The Bad Seed Mervyn LeRoy | 1956 | USA | 129min Christine Penmark (Nancy Kelly) and her daughter Rhoda (Patty McCormack) feign perfection to their community. When the the death of a schoolboy who won a penmanship competition brings suspicion to Rhoda’s hand, Christine assumes the worst about her little girl. As tension builds between characters, the calming atmosphere of suburbia is no match for this unsettling family dynamic. Over-the-top performances and Oscar-nominated black-and-white cinematography keep the story reminiscent of its time. Based on a book by the same name, THE BAD SEED begs the question, what is worse: a remorseless homicidal preteen, or a mother who will do anything to hide her family shame? Who Can Kill a Child? (¿Quién Puede Matar a un Niño?) Narciso Ibáñez Serrador | 1976 | Spain | 112min In reality, war and famine wreck their devastating effects on the innocent in refugee camps and struggling countries. On a remote island, eerie children take matters into their own hands. When an English couple, Tom and Evelyn (Lewis Fiander and Prunella Ransome), make their way to the island on holiday, they are forced to ask themselves the titular question: Who can kill a child? Featuring a hypnotic score by Waldo de los Ríos, WHO CAN KILL A CHILD is an exploration of innate goodness and the lack thereof, and a violent confrontation between nature and nurture. Bloody Birthday Ed Hunt | 1981 | USA | 85min Three children are born during an eclipse. Because celestial patterns cause Saturn—which controls emotion—to be blocked, the children have no feelings. Void of all morality, the seemingly innocent youths create chaos in the town around them. In a film that epitomizes the grainy cult horror scene of the 1980s, BLOODY BIRTHDAY entertains, building its body count in a vicious cycle of birth, life, sex, cake, and murder—setting the standard for sociopathic spree-killing movie tykes for decades to come. Previously announced titles include… Birds of Passage (Pájaros de verano) Regional Premiere Cristina Gallego and Ciro Guerra | 2018 | Colombia | 125min In 1970s La Guaira, Colombia, an indigenous Wayuu family gets swept up in the newly-booming marijuana trade. When greed and passion overtake their tribe’s honor, their lives and ancestral traditions are forever fractured. Telling the original story of the inception of the drug trade between US and Colombia that led to the socio-political turmoil Colombia and South America at large face now. A Cannes audience was lucky to first experience the brilliant return of Gallego and Guerra—and now it’s our turn. Making 180° turns in both visual style and narrative form, Birds of Passage feels almost like a reimagining of Scarface by way of Scorsese rather than De Palma: Less rage, more characters, and an authentic, grounded-in-reality view of a drug cartel’s destruction of ancestral culture and strongly avoids the nauseating tendency to glamorize the subject matter (we’re looking at you, Netflix’s Narcos). Once again, Gallego and Guerra transcend their subject matter to tell a story that resonates well beyond the story itself, with some of the most powerful visuals we’ve seen this year. Black Mother Regional Premiere Khalik Allah | 2018 | USA | 77min The history of Jamaica is retold through the framework of the three trimesters of a woman’s pregnancy. This heartfelt look at Jamaican identity transcends its documentary form to offer an unusual and unique exploration of humanity. A collage of faces from different generations draws us in as the spoken stories of multiple individuals lead us through the mesmerizing rhythm of personal and national histories. Khalik Allah has done it again. After his mesmerising documentary, Field Niggas (2015)—an observational piece of art as well as political statement—he treats us with one of the most compelling motion pictures of 2018. Pure hybrid between narrative and documentary, switching between digital, Bolex, and Super 8 footage as Allah explores the home country of his own mother, you will be changed after experiencing BLACK MOTHER. THIS is Pure Cinema, period. Chained for Life Regional Premiere Aaron Schimberg | 2018 | USA | 91min Mabel, a beautiful actress, is cast as the lead in a schlocky horror film where her co-star and most members of the supporting cast are actors with disabilities and physical differences. While she connects with her peers off-screen, building friendships (and more) as filming goes on Mabel begins to consider whether their treatment on set is exploitational. This film within a film brings up important questions of inclusion vs. exploitation. Are current standards of representation in modern film as equal as we would like to believe? Crisis Jung US Premiere Baptiste Gaubert and Jérémie Hoarau | 2018 | France | 70min Jung and Maria are sweethearts enjoying their blossoming love in an innocent world. But their starry-eyed paradise is imperiled when the malignant Little Jesus kidnaps Maria’s body to build his nefarious temple of pain! Jung’s heart is broken, and his quest to find love and inner peace in an apocalyptic hellscape begins. Along the way, he befriends a motley band of characters, each one searching for a way to survive in a landscape devoid of love. French animation team Bobbypills crafts a wholly original world, packed with inventive characters, absurd story twists and a wicked sense of humor. Diamantino Regional Premiere Gabriel Abrantes and Daniel Schmidt | 2018 | Portugal | 92min Every time star footballer Diamantino makes a shot on goal, a pack of giant, happy, floppy dogs romps onto the pitch in a sparkly cloud. That is, until he misses the game-deciding penalty shot at the world cup. His groove is gone. The glittery pups are nowhere to be found. His career is over. Floundering, he falls prey to sinister forces dead set on turning him into a political mascot no matter the stakes. Always holding onto hope for a second chance, he is transported on a surreal and satirical journey through a dysfunctional modern landscape. Game Over (3615 code Père Noël) East Coast Premiere René Manzor | 1989 | France | 87min Thomas (Alain Lalanne), a French child prodigy obsessed with American action films, believes he will be the first kid to catch Santa Claus on Christmas Eve. When a thief dressed as Santa shows up instead of the real deal, Thomas’s vengeance for his crushed childhood dream takes on epic proportions in this influential film. Long thought to be the inspiration for American Christmas classic, Home Alone, this darker, gorier, French-er take on hardcore home defense will delight elves and Scrooges alike. Knife + Heart (Un Couteau Dans Le Coeur) Regional Premiere Yann Gonzales | 2018 | France | 110min After Anne breaks up with her editor girlfriend, the 70s low-budget gay French porno they were shooting begins to take an… artistic turn. The sensual film becomes a real-life erotic thriller that begins when one of the stars is brutally murdered and Anne can’t seem to out-maneuver the chaos that ensues. This sophomore film from Yann Gonzales is a fresh yet highly referential take on Giallo. The setting brings a new twist to the Italian crime genre while allowing Gonzales to express his deep love for an industry France never shied away from. This Cannes 2018 official selection is a hidden gem. Keep an Eye Out! (Au Poste!) East Coast Premiere Quentin Dupieux | 2018 | France | 73min When Louis Fugain (Grégoire Ludig) trips over a dead body in front of his condo, his first impulse is to report it to the police. That’s what any good, logical citizen would do, right? Too bad he quickly realizes he’s made a terrible mistake. The obsessive Captain Buron’s (Benoît Poelvoorde) gut tells him Fugain knows more than he’s letting on, and will gleefully grill him until he cracks. The seemingly never-ending interrogation takes absurd turns, soaked in dark humor and bloody fun. It’s a twisted ride all the way to the end. Love Me Not East Coast Premiere Alexandros Avranas | 2018 | Greece, France | 99min An infertile, upper-middle-class couple hires a young woman as a surrogate and all three move into a remote villa. When the women begin to bond, the husband becomes envious, and an unfortunate chain of events turns the table on the already dysfunctional new family dynamic. With a similar approach to his compatriot Lanthimos (The Lobster, The Killing of the Sacred Deer), but without the absurd twist, Avranas’s blunt but spot-on view of an increasingly selfish society creates an unsettling piece that resonates far beyond the confinement of this home. Peepoodo & the Super Fuck Friends Balak and Bobbypills 2018 France An educative series for children over 18 years old, Super Fuck Friends explores sexuality without taboos and in all its forms. An episodic romp of positive sexuality, unrestrained and totally without prejudices, culminates in one single message: tolerance. Ithaca Fantastik proudly presents this florilege of episodes intertwined in the Bobbypills Super program! Piercing Regional Premiere Nicolas Pesce | 2018 | USA | 81min Reed (Christopher Abbott) takes off from wife, baby, and idyllic life for a very important business trip. He’s been preparing for some time now, but there’s one small problem- the business he has in mind is murder! All set with his plan to commit the perfect crime, Reed finds his target in the mysterious call girl Jackie (Mia Wasikowska) who ends up being anything but a victim. Director Nicolas Pesce takes a 180° turn in style from The Eyes of My Mother (2016) to tackle a dark comedy punctuated with colorful art deco visuals. An adaptation of Murakami’s eponymous novel, Piercing goes from laughter to shock in a heartbeat while remaining pleasing to the eyes—a tour de force few directors can achieve. Vermin Alexis Beaumont | 2018 | France | 81min A young praying mantis follows in his father’s many footsteps and moves to the big city to become a police officer. A greenhorn from the country, young Reggie is totally unequipped for the dangers and temptations of city life. But when he’s assigned a partner with a history of drinking and bad police work, the sparks fly and both characters get more than they bargained for. Director Alexis Beaumont’s work with French animation team Bobbypills is reminiscent of buddy cop films taken to their extreme absurd paroxysm. Violence Voyager Regional Premiere Ujicha | 2018 | Japan | 83min Bobby and Akkun set out for an end-of-school celebration in the mountains where they discover a seemingly abandoned amusement park where the owner greets them and offers them free tickets. Against their better judgement, they accept. Three words for you – Ujicha is back! After impressing us with The Burning Buddha Man (2013) the rad insanity of his animation and storytelling reach a peak with this new opus. As always, Ujicha includes some important hidden messages about the world in which we live. Like a sinfully delicious cake, the layers are what make this film a Fantastik winner of our hearts.

Breslin and Hamill: Deadline Artists[/caption]
DOC NYC, America’s largest documentary festival, returns for its ninth edition with 135 feature-length documentaries among over 300 films and events overall. The festival takes place November 8 to 15 at in New York at the IFC Center in Greenwich Village and Chelsea’s SVA Theatre and Cinepolis Chelsea.
Special Events include Closing Night Film, the world premiere of HBO’s