1001 Frames, directed by Mehrnoush Alia, took home the top honor, the Grand Chameleon Award, along with Best Narrative Feature, at the 29th Brooklyn Film Festival, which wrapped after ten days of screenings, panels, industry events, and filmmaker gatherings across Brooklyn, New York City.
The A-Word: The Future of Aging, directed by Greg Kohs, follows a scientist trying to develop the world’s first FDA-approved drug to delay aging in dogs and an 87-year-old widower and his bond with a rescue dog.
The Baddest Speechwriter of All co-directed by NBA star Stephen Curry and Oscar-winning filmmaker Ben Proudfoot, has won the Global Spotlight Award at The Short Shorts Film Festival ＆ Asia (SSFF & ASIA) 2026.
Here is the first-look teaser trailer for Crooks, the crime-thriller written and directed by Mickey Keating, premiering at Tribeca Film Festival.
Principal photography has officially wrapped on Cabbage, a horror film written and directed by Nathan Catucci.
Here is the first trailer for Death Boom, a documentary that uncovers the corruption around the deathcare industry as workers prepare for the deaths of 76 million Baby Boomers.
Here is the official trailer for Rhythm is a Dancer, an independent film directed by Lauren Caster.
Here is the teaser trailer for William Greaves’ Once Upon a Time in Harlem, a film about the Harlem Renaissance that has been in the making for over 50 years,.
The History Channel will premiere its new special “Ralph Lauren’s American Icons” as part of the network’s HISTORY Honors 250 campaign commemorating the 250th anniversary of the founding of the United States.
Directed by Sara Robin, Your Attention Please investigates how social media and the attention economy reshape childhood, mental health, and human relationships.
Showcasing the horror-loving family nestled in upstate New York, the documentary Blood & Guts, directed by Carlye Rubin, Katie Green, and Tina Grapenthin, follows the story of the Adams family and their career of making punk-rock indie horror films.
Using the audition room as a metaphor for control, abuse, and exploitation, director Mehrnoush Alia makes a powerful statement about women’s rights and autonomy through her film, 1001 Frames.